Podcasts about New Queer Cinema

Our look at the New Queer Cinema continues with the first feature directed by an out Black lesbian, Cheryl Dunye's The Watermelon Woman! Join in as we discuss our favorite mockumentaries, the film's semiprofessional cast, its discussion of interracial relationships, and that incredible Camille Paglia scene. Plus: Why didn't Dunye use actual period photos? What exactly is Diana (Guinevere Turner) doing with her life? And how did this movie cause yet more conflict for the National Endowment for the Arts? Make sure to rate, review, and subscribe! Next week: Smallfoot (2018) and Abominable (2019) ---------------------------------------------------------Key sources and links for this episode:"The Watermelon Woman at 25" (BFI)"Slice of Life: The Watermelon Woman Refreshes" (Boston Phoenix)"The NEA Gets Gay-Bashed" (The Advocate)"Cheryl Dunye's Alternative Histories" (Interview Magazine)"The Radical Classic that's Finally Coming to the Criterion Collection" (Slate)"The Real History of Rent" (OUT Magazine)

"I don't want to shock you or anything, but I really want to hold your hand right now."As chosen by the This Ends at Prom Patreon supporters, this week The Wives Colangelo are having a charming time talking about THE INCREDIBLY TRUE ADVENTURE OF TWO GIRLS IN LOVE. Things are going to get really sappy around here, so prepare yourselves for some cuteness overload and a crash-course in the sapphic branch of the New Queer Cinema movement.--------Become a Patron! https://www.patreon.com/thisendsatprom--------MONTHLY SPOTLIGHTTransOhio: https://www.transohio.org--------Social Media Plugs@ThisEndsAtProm@BJColangelo@HarmonyColangelo----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

Pride Month 2026 continues with a look at Gus Van Sant's New Queer Cinema classic, My Own Private Idaho! Join in as we discuss stars Keanu Reeves and River Phoenix, the 90s indie cinema moment, and Van Sant's creative ways of keeping the movie below NC-17. Plus: How did Phoenix reconceive the character of Mike? Is that really how narcolepsy works? And is this the start of the 90s teen Shakespeare trend? Make sure to rate, review, and subscribe! Next week: Bound (1996)---------------------------------------------------Key sources and links for this episode:"The Enduring Power of My Own Private Idaho" (OUT Magazine)"My Own Private Idaho is a Queer Masterpiece" (The Ringer)Interview with Keanu Reeves and River Phoenix (Interview Magazine)"My Own Private Idaho: Private Places" (Criterion)

For this Out Takes, we put the spotlight on three queer filmmakers whose films are featured in this year's Sydney Film Festival which is on now until June 14. First up, we spoke with Gregg Araki, the legendary gay filmmaker whose latest film ‘I Want Your Sex’ is a queer highlight in this year's Sydney Film Festival program. Noted for his involvement with the New Queer Cinema movement, his filmography includes the Teenage Apocalypse film trilogy from the 90’s and his 2010 film Kaboom was also the inaugural winner of the Queer Palm at the Cannes Film Festival. His latest film stars Olivia Wilde, Cooper Hoffman and Charli XCX in what has been described as an enjoyably outrageous, risqué sex-comedy, set in the Los Angeles contemporary art scene. We jumped at the chance to speak with him and in this interview, we discussed his motivation for telling this story, his influence on the lead characters and how he feels now about being labelled one of the pioneers of New Queer Cinema. Next up, we took a look at ‘Joy Boy: A Tribute To Julius Eastman’ which is described as a prismatic, polyphonic tribute by six artists to the prolific visionary queer African American composer and noted as one of the unsung pioneers of 20th century minimalism. Created by a collective of Belgian-Congolese artists, this spell-binding film channels the radical energy of Julius Eastman, a Black, gay iconoclast who challenged the conventions of minimalism, fusing avant-garde techniques with pop and free jazz in 1970s and ’80s New York. Structured in four chapters, the film honours Eastman’s key works through incredible visuals, archival recordings and exuberant choreography. Two of the people involved in the project are curator, researcher, and artist Mawena Yehouessi who positions herself as a “collisionist,” stating she explores the frictions and assemblages between disciplines, formats, and narratives; and composer, artist, and performer Fallon Manyanja who in her work mobilizes different relationships with our environment and social, inter-relational, and self-reflexive ideas. W caught up with the real-life couple online from their Paris apartment to discuss the project in the lead up to it screening at this year's Sydney Film Festival and we discussed how they first came to know about Julius Eastman and his work, their process in bringing these stories together to explore his prolific career and more. The post Sydney Film Festival 2026 with special guests Gregg Araki, Mawena Yehouessi and Fallon Manyanja appeared first on Out Takes.

With his latest film ‘I Want Your Sex’ about to have its Australian Premiere at the Sydney Film Festival, we jumped at the opportunity to speak with Gregg Araki about the film, its incredible cast and more. Noted for his involvement with the New Queer Cinema movement, Gregg Araki’s filmography includes the Teenage Apocalypse film trilogy from the 90’s, consisting of Totally F***ed Up, The Doom Generation and Nowhere, all which have been heralded as cult classics. His 2010 film Kaboom was also the inaugural winner of the Queer Palm at the Cannes Film Festival. His latest film stars Olivia Wilde, Cooper Hoffman and Charli XCX in what has been described as an enjoyably outrageous, risqué sex-comedy, set in the Los Angeles contemporary art scene. For this Out Takes Extra, we discussed his motivation for telling this story, his influence on the lead characters and how he feels now about being labelled one of the pioneers of New Queer Cinema. As expected, he is full of great stories and insights, so we highly recommend you listen to this then book your tickets immediately for ‘I Want Your Sex’ at the Sydney Film Festival before they sell-out! The post Out Takes Extra Gregg Araki on I Want Your Sex for the Sydney Film Festival appeared first on Out Takes.

We're kicking off Pride 2026 with a look at Todd Haynes's 1991 feature debut, Poison - one of the defining films of the New Queer Cinema movement! Join in as we discuss Haynes's early career, the way the movie's subject and structure challenge convention, and the rise of the Sundance Film Festival. Plus: Why did this movie cause trouble for the National Endowment for the Arts? Which of the three stories is the most unbelievable? And an explanation of why you should give Haynes's Dark Waters a second chance. Make sure to rate, review, and subscribe! Next week: My Own Private Idaho (1991)-----------------------------------------------------Key sources and links for this episode:Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film by Peter Biskind (2004)"New Queer Cinema" by B. Ruby Rich (Sight & Sound)"On the Margins: Todd Haynes's Poison" (Criterion)"Todd Haynes's Poison" (Art Forum)"The Todd Haynes Poison Controversy Explained" (SlashFilm)"Todd Haynes Rewrites the Hollywood Playbook" (New Yorker)"Transcendent Transgression: Looking Back at Todd Haynes's Poison" (Sundance)Superstar: The Karen Carpenter Story (YouTube)Cloud Atlas extended trailer (YouTube)"Serial Killer Documentary Takes Horrible Turn" by Cole Escola (YouTube)"Investigation into Bishop Bransfield finds Harassment, Gross Misuse of Funds" (National Catholic Reporter)

Hot off the news that he's just sold one million copies of his books, my wonderfully talented friend, KING OF ASHES and ALL THE SINNERS BLEED novelist S.A. Cosby returns to the pod this week for a delightful episode Gen Xers in particular will love. Listen in as we wax nostalgic, nerdy, & philosophical about the American independent film scene, video stores, actors with faces, Sundance, the New Queer Cinema movement, & iconoclastic filmmakers of the 1990s. We started with groundbreaking director Gregg Araki's TEEN APOCALYPSE TRILOGY, then went everywhere, & obviously, fittingly, NOWHERE. The three main films in the trilogy that we discuss are TOTALLY F***ED UP, THE DOOM GENERATION, and NOWHERE, but we bring in myriad other films, directors, and actors from this terrific era that valued original voices and stories that no one else could tell.Orginally Posted on Patreon (5/14/26) here: https://www.patreon.com/posts/158267662Donate to the Pod via Ko-fi & PayPal Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

     This week- two films about alternative family structures.     One night Veronica meets Abel, a freelance music journalist, at a concert and sparks fly. That same night she meets Zed, a drummer, and sparks fly. She begins dating both men and eventually brings them together in a polyamorous cohabitation. Despite some simmering tension between Zed and Abel, Veronica is mostly content with her life... until she meets successful up and coming director Mike, a recently single serial monogamist, and learns she is pregnant. Will Veronica choose her nontraditional love or throw it all aside for security and tradition? A modernist take on screwball romantic comedy from Greg Araki, one of the indie auteurs of the New Queer Cinema movement, Splendor.     Sarah Jane is an orphan hired to do live-in secretarial work for a reclusive author of works on the paranormal and occult. His latest work eerily reflects her recurring nightmares about a bloody ritual to summon the cult's demonic master. Trying to settle into her new situation in a new town, she keeps meeting unsettling people and situations. Soon she enlists the help of the local vicar to figure out what is going on. Widely regarded as the turning point for the low budget cult filmmaker whose five decade career spanned every genre with a prolific output, Michael J. Murphy's Moonchild.     All that and Dave gets weird, Kevin champions to overlooked, Craig gets jealous of recording software, and Tyler keeps sweating in... anticipation... Join us, won't you?   Episode 452- Poly Wants A Sacrifice

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   John Fisher: Artistic Director of Theatre Rhino John Fisher, Artistic Director of Theatre Rhino, and writer/dictor/actor in “Left Field,” which runs at Theatre Rhino from February 19th to March 15th , in conversation with Richard Wolinsky. Recorded February 4, 2026. Theatre Rhino is the longest running LGBTQ+ theatre company in America, and John Fisher has been its Artistic Director since 2002. His latest show, “Left Field” is about a gay man from San Francisco who, through a bizarre series of events, winds up as President of the United States. Written as a response to the Trump regime and its fascist agenda, “Left Field” is a comedy with serious overtones about a man who finds himself in the presidency with a completely opposite series of priorities. In this interview, John Fisher discusses the process of working on “Left Field,” and goes into detail about what an actor perceives on stage, and the changing Bay Area theatre audience.   Todd Haynes: Award-winning Independent Filmmaker Todd Haynes, independent filmmaker, in conversation with host Richard Wolinsky. Recorded February 27, 2025. The director of ten feature length films, Todd Haynes is an independent film-maker with his roots in New Queer Cinema. After coming to the attention of the film community with his short film, Superstar: The Karen Carpenter Story, in which the “actors” were Barbie Dolls, he achieved fame with his first feature, Poison, which told three stories in different ways, all of which commented on the AIDS epidemic. He followed that with the much-lauded Safe, and then moved on to mainstream success with the lush melodrama, Far from Heaven. His later films include Velvet Goldmine, focusing on the glam rock era, I'm Not There, in which several actors portrayed Bob Dylan, Carol, Dark Waters, Wonderstruck, and his latest film, May December(Netflix). His documentary, Velvet Underground, is available on Apple Plus. Along the way there was a miniseries, Mildred Pierce, starring Kate Winslet, on HBO (streaming on MAX). All his films are available streaming. Todd Haynes will soon be filming a gay romance, “El Noche,” with Pedro Pascal, in the coming months.   Review of “The Mountaintop” by Katori Hall, directed by Michael Socrates Moran at Oakland Theatre Project through Feb. 15, 2026. Review of “The Cherry Orchard” by Anton Chekhov, directed by Carey Perloff, at Marin Theatre through Feb. 22, 2026.   The post Bookwaves/Artwaves – February 12, 2026: John Fisher – Todd Haynes appeared first on KPFA.

In front of an audience at the Miami Film Festival's GEMS event, the trailblazing filmmaker reflects on helping to usher in New Queer Cinema with 'Mala Noche' and 'My Own Private Idaho'; subsequently jumping between mainstream films, like 'Good Will Hunting' and 'Milk,' and experimental works, like 'Elephant'; why he came close to directing, but did not direct, 'Brokeback Mountain,' 'Call Me by Your Name' and '50 Shades of Grey'; and returning to feature filmmaking, after seven years away, with a film that is set in the '70s but is eerily timely today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on the show, I discuss the provocative, groundbreaking "Teen Apocalypse" trilogy from New Queer Cinema icon Gregg Araki: Totally Fucked Up, The Doom Generation, and Nowhere. Set in the hazy wastelands of Los Angeles, the films follow various groups of teens who explore drugs, sex, television, and societal collapse through deadpan humor and witty observations on the end of the world.follow and subscribe to the show on your favorite platform via the link below:https://linktr.ee/martynstrangeSupport me on Patreon: https://www.patreon.com/martynstrange Hosted on Acast. See acast.com/privacy for more information.

Adult Swim veteran producer and head of Thin Edge films, Lisa M. Thomas has been working across genres in film and television for decades from her home in upstate New York. Her latest project is The Misadventures of Bucky and Beene, the story of queer radio hosts who get in some hot water with the locals. Similarly, her choice of young Ludovic from a French classic of '90s queer cinema, Ma Vie En Rose ("My Life in Pink"), is a character who runs afoul of the local normies simply by living their honest truth. Lisa and Jordan get into the importance of queer narratives and of engaging in unapologetic conversation, in life and in art. Then, Jordan has one quick thing about the iconic, inimitable Diane Keaton. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Tricia Cooke is having her moment, and it's been a long time coming. Together with partner Ethan Coen, she's made last years DRIVE AWAY DOLLS and the new HONEY DON'T from scripts written long ago. And in some ways, the seed for these very gay, very fun movies was planted by a modern classic of fun gay cinema: Jamie Babbit's BUT I'M A CHEERLEADER. Tricia and Jordan talk about that film, the new one, and the weird juxtaposition of being free to make this once-"uncommercial" cinema in a time when queer freedoms feel so tenuous.Then, Jordan has one quick thing about the forthcoming Stephen King adaptation, THE LONG WALK. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

As Pride Month draws to a close, we wanted to devote a Criterion episode to a Gregg Araki film, as he's associated with the New Queer Cinema movement. We chose 1997's Nowhere, a fun, bizarre, subversive disaffected youth movie that just screams 1990s.

This week, Bella is joined by special guests Melia and Henry Chendo to celebrate Pride with a look at Gregg Araki's Teen Apocalypse Trilogy:Totally F***ed Up (1993)The Doom Generation (1995)Nowhere (1997)A trailblazer of New Queer Cinema, Araki captured the chaos of queer youth in the '90s like no one else. These films are loud, sexy, surreal, and devastating — soaked in color, contradiction, and emotion.In this episode, we talk about his portrayal of the queer experience through his signature thematic and aesthetic style — how he balances camp comedy with emotional darkness, and how sex, love, drugs, violence, and warped reality all collide in his stories.There's a constant tension in these films between disconnection and desire, between the feeling of being completely lost and the desperate need to be seen. Araki doesn't offer clean resolutions or easy answers — his stories unravel in fragments, in bursts of color and chaos. Still, somewhere in the wreckage, he makes room for vulnerability, longing, and the aching need to be understood.Happy Pride!

Click here to send us a message!This week we're joined by film scholar Syd Wrigley, who joins the podcast to discuss Gregg Araki's famed Teen Apocalypse Trilogy. Starting with Totally Fucked Up in 1993, he followed it with The Doom Generationin 1995 and finally Nowhere in 1997, the trilogy that would define a generation and stands at the center of the New Queer Cinema movement. Recently re-released via Criterion, these films are being discovered by a brand new generation, and Araki is only now finding auteur status. 

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Todd Haynes Todd Haynes, independent filmmaker, in conversation with host Richard Wolinsky. Recorded February 27, 2025. The director of ten feature length films, Todd Haynes is an independent film-maker with his roots in New Queer Cinema. After coming to the attention of the film community with his short film, Superstar: The Karen Carpenter Story, in which the “actors” were Barbie Dolls, he achieved fame with his first feature, Poison, which told three stories in different ways, all of which commented on the AIDS epidemic. He followed that with the much-lauded Safe, and then moved on to mainstream success with the lush melodrama, Far from Heaven. His later films include Velvet Goldmine, focusing on the glam rock era, I'm Not There, in which several actors portrayed Bob Dylan, Carol, Dark Waters, Wonderstruck, and his latest film, May December (Netflix). His documentary, Velvet Underground, is available on Apple Plus. Along the way there was a miniseries, Mildred Pierce, starring Kate Winslet, on HBO (streaming on MAX). All his films are available streaming. The films of Todd Haynes will be shown in a retrospective, “Todd Haynes: Far From Safe,”  through April 12th at BAMPFA, Berkeley Art Museum and Pacific Film Archive. Special thanks to AJ Fox and the staff at Pacific Film Archive. Complete Interview   Chimamanda Ngozi Adichie Chimananda Ngozi Adichie, Nigerian author of “Americanah” and four other novels, in conversation with host Richard Wolinsky, recorded in the KPFA studios, June 5, 2013. She has written five novels, two collections of short stories, one memoir, and many articles and short stories for many newspapers, magazines, and periodicals. She is widely regarded as a central figure in postcolonial feminist literature. Her latest novel, “Dream Count” has just been published. Complete Interview   Review of “Uncle Vanya” at Berkeley Rep Peets Theatre through March 23, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company. Arts Festival 31: Let Freedom Ring, March 28-30, Potrero Stage. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre  Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Six, April 8-20, Curran; Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  The Cher Show. March 18 – 23. Center Rep: The Roommate by Jen Silverman, March 30 – April 20. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Young Rep: Hamlet, March 15-23, Petaluma SRJC; Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread  AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Fly by Night conceived by Kim Rosenstock Written by Will Connolly, Michael Mitnick, and Kim Rosenstock, March 6 – 23. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Youth Theatre: Greek Mythology Olympiaganza by Dan Zolidis, March 7 -16; Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang  April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project.  I Am My Own Wife by Doug Wright, March 21 – April 6, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. The Gods of Comedy by Ken Ludwig,  Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. June 2025. San Francisco Playhouse. Fat Ham by James Ijames, March 20 – April 19. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players.  Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Titanic, a concert presentation, April 12-13. Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions. Theatre Rhino  Gumiho by Nina Ki, April 17 – May 11.Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Happy Pleasant Valley, Book, Music, and Lyrics by Min Kahng, Lucie Stern Theatre, Palo Alto, March 5-30. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post March 13, 2025: Todd Haynes, Independent Filmmaker appeared first on KPFA.

Todd Haynes, independent filmmaker, in conversation with host Richard Wolinsky. Recorded February 27, 2025. The director of ten feature length films, Todd Haynes is an independent film-maker with his roots in New Queer Cinema. After coming to the attention of the film community with his short film, Superstar: The Karen Carpenter Story, in which the “actors” were Barbie Dolls, he achieved fame with his first feature, Poison, which told three stories in different ways, all of which commented on the AIDS epidemic. He followed that with the much-lauded Safe, and then moved on to mainstream success with the lush melodrama, Far from Heaven. His later films include Velvet Goldmine, focusing on the glam rock era, I'm Not There, in which several actors portrayed Bob Dylan, Carol, Dark Waters, Wonderstruck, and his latest film, May December (Netflix). His documentary, Velvet Underground, is available on Apple Plus. Along the way there was a miniseries, Mildred Pierce, starring Kate Winslet, on HBO (streaming on MAX). All his films are available streaming. The films of Todd Haynes will be shown in a retrospective, “Todd Haynes: Far From Safe,” beginning March 8th and continuing through April 12th at BAMPFA, Berkeley Art Museum and Pacific Film Archive. Todd Haynes will be introducing some of his films (sold out). Special thanks to AJ Fox and the staff at Pacific Film Archive. The post Todd Haynes, Award-Winning Independent Filmmaker. appeared first on KPFA.

Starting 2025 with a bang, we're diving into Todd Haynes's groundbreaking debut, Poison (1991). Co-hosted by the fabulous Rahne Alexander and Kyler Fey himself, this episode unpacks the audacious triptych of tales—Hero, Horror, and Homo—that propelled Haynes to indie cinema stardom. Bold, provocative, and unapologetically queer, Poison challenges conventions and leaves an indelible mark on the New Queer Cinema movement. Join us as we explore the film's layered narratives, its haunting aesthetics, and its enduring impact.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Starting 2025 with a bang, we're diving into Todd Haynes's groundbreaking debut, Poison (1991). Co-hosted by the fabulous Rahne Alexander and Kyler Fey himself, this episode unpacks the audacious triptych of tales—Hero, Horror, and Homo—that propelled Haynes to indie cinema stardom. Bold, provocative, and unapologetically queer, Poison challenges conventions and leaves an indelible mark on the New Queer Cinema movement. Join us as we explore the film's layered narratives, its haunting aesthetics, and its enduring impact.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis. Laura's book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson's musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan's episode on Visibility. Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes.” The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis. Laura's book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson's musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan's episode on Visibility. Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes.” The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis. Laura's book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson's musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan's episode on Visibility. Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes.” The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis. Laura's book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson's musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan's episode on Visibility. Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes.” The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

https://notesonfilm1.com/2024/10/28/the-gus-van-sant-podcast-no-4-lisa-purse-on-even-cowgirls-get-the-blues-1993/ Lisa Purse on EVEN COWGIRLS GET THE BLUES (Gus Van Sant, 1993) I was truly delighted when Lisa Purse agreed to talk to me about EVEN COWGIRLS GET THE BLUES. Lisa is a Professor of Film Studies at Reading University, one of the most brilliant scholars on action movies, and a nuanced thinker on questions of mediations, conflicts, identities. I wanted to have her on the podcast because I thought she might expand my thinking on EVEN COWGIRLS GET THE BLUES, and she did. In the podcast we discuss seeing the film when it was first released, seeing it now, and explore the hows and whys of changing responses. We note the context of ‘New Queer Cinema' and the different kinds of experiments that were then taking place. EVEN COWGIRLS GET THE BLUES is a film that refuses seriousness and we speculate that maybe neither of us was then in a place where we could recognise the value of that. We discuss how the film continues Van Sant's interest in ‘The Road', and discuss movement and flow, as rhythm, narrative device, formal strategy, and condensed ideation. Is it a film that's trying to do much? B. Ruby Rich wrote on how the film contains references to forms of collective action. Is it more of its time than we first realised? We discuss the film as a form of active allyship that is not to be sneezed at, and note the hostility of its initial reception, refencing B. Ruby Rich's contention that with this film Van Sant fell into the category of a female director (at least for some) and therefore got treated as one.

https://notesonfilm1.com/2024/10/02/the-gus-van-sant-podcast-3-my-own-private-idaho-1991/ We discuss one of the films that very much marked me, the image above was the image on my letterhead in the time we still used snail mail. In the accompanying podcast we discuss the film's historical significance. Was it a 'film that (made) history? We discuss it relationship to New Queer Cinema. We speculate on whether the film queers Shakespeare and discuss the film in relation to Welles' Chimes at Midnight. We comment on the significance of the casting, the contributions of River Phoenix, Keanu Reeves, Udo Kier and others and what their contributions to the film might be. We also discuss in detail particular scenes, the one where the magazine covers come to life; the rhyming musical/ hustler interludes, the great campfire scene. ...and much more.

This week your hosts Mark, Matt & associate producer Amy Nelson strap on their cowboy boots to discuss My Own Private Idaho! The 1991 American independent adventure drama film written and directed by Gus Van Sant. Idaho is considered a landmark film in New Queer Cinema, an early 1990s movement in queer-themed independent filmmaking. The film is notable for its then-taboo subject matter and avant-garde style. Join our listener's group The BQN Collective on Facebook.Follow the network on Instagram @BQNPodcastsFind us on BlueSky: The Network: @BQNpodcastsMark: @MW207Matt: @1701blerdMusic: https://freemusicarchive.org/https://files.freemusicarchive.org/storage-freemusicarchive-org/tracks/5bYo2CCQrTvlatjormsG0jHuaNUPE6OC2aIUiXI8.mp3?download=1&name=Ketsa%20-%20Dancing-Dead.mp3BQN Podcasts are made possible by the generous contributions of listeners like you. We extend our heartfelt gratitude to our Patreon patrons, whose support has been instrumental in producing the podcast!Nay nar nay nar AenarJason AndersonAnonymousJerry AntimanoVera BibleSusan L. De ClerckRyan DamonDavidChrissie De Clerck-SzilagyiLars Di ScenzaThad HaitMatt HarkerPeter HongWilliam JacksonJim McMahonJoe MignoneMahendran RadhakrishnanTom Van ScotterJenediah SeastrumJonathan SnowDavey WillettCarl WondersJoin the Hive Mind Collective at https://www.Patreon.com/BQN and become an integral part of our podcast. Your unique perspective and support will help us continue to produce high-quality content that you love!Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. STAR TREK and all related marks, logos and characters are owned by CBS Studios Inc. “BQN” is not endorsed or sponsored by or affiliated with CBS/Paramount Pictures or the STAR TREK franchise.

Hollywood has long been a place of glamour and storytelling, but its history with LGBTQ+ representation is complex and ever-evolving. Film critic Alonso Duralde dives deep into this fascinating world in his new book, Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film. Hollywood Pride is a history of queer Hollywood in chronological order, starting from the very beginnings of cinema in 1895 and journeying all the way to 2022. It's not just about the movies themselves; Alonso delves into the lives of the artists – actors, directors, writers, and more – who have shaped Hollywood, both on and off screen. "The book is a look at how queer history evolved over those decades, off the screen and in society," Alonso explains. "And then how that was reflected in the movies." Each chapter focuses on a specific period, highlighting the key LGBTQ+ figures and films of that era. It explores not only positive portrayals but also the coded messages and subtext that emerged during times of censorship, like the Hays Code era. Alonso argues that even negative portrayals hold certain significance. "Even negative inclusion is at least visibility and a reminder that we exist," he says. "It's not the greatest reminder, but it's better than nothing." The book examines Alfred Hitchcock's films, some of which are very homophobic, but still offer a glimpse of LGBTQ+ characters.There are also unexpected gems celebrated in the book, such as 1999's The Mummy, a film that has resonated with the bisexual community. By the 1970's, Dog Day Afternoon and Midnight Cowboy could more openly deal with gay characters, if not in the best light. Alonso especially enjoyed writing about Salome, Caged, I Am a Fugitive from a Chain Gang, Ed Wood's Glen or Glenda, and by the 1990's, the era of the New Queer Cinema movement. While celebrating the strides made in LGBTQ+ representation, Alonso acknowledges there are still many stories waiting to be told. "It feels like I was skimming the surface of a very deep topic," he says. But even a glimpse into this rich history is a valuable step forward, offering a deeper understanding of LGBTQ+ experiences in cinema and beyond. You can find Hollywood Pride as a book, ebook, or audiobook wherever books are sold. **WIN A COPY OF HOLLYWOOD PRIDE! Like, Follow and Comment on our post for this week's episode on Instagram, Facebook or Threads and we will pick a winner** *Winner must be within the continental U.S.!* Find Alonso Duralde: Instagram: @alonso.duralde Listen to our previous interview with Alonso Duralde about his Christmas film book, Have Yourself a Movie Little Christmas. https://www.camnoir.com/holiday2018/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by Aputure: https://www.aputure.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]

Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]

Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]

Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]

This week we're taking a look at two films from Gregg Araki. One of the architects of the New Queer Cinema movement of the 1990's, Araki pivoted in the new century after finding critical success with Mysterious Skin. He followed up that award winner by pivoting to a stoner comedy that Max argues is worth revisiting every April 20. Say Hi!

Alonso Duralde joins me to talk about his new book, 'Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film'. Published in May 2024, 'Hollywood Pride' presents a history of film from the dawn of cinema to the "pansy craze" of the 1930s and the New Queer Cinema of the 1990s, all the way up to today. Illustrated with more than 175 colour and black-and-white images, 'Hollywood Pride' points to the bright future of LGBTQ+ representation in cinema, by revealing the story of the community's inclusion and erasure, its visibility and invisibility, and its triumphs and tragedies. ................ Time stamps: 4:00 I ask Alonso about the formative media that inspired his career in journalism 8:42 "Tell me about how your career has developed..." 9:00 Alonso has worked as a film festival programmer 11:00 Alonso tells me about his other books, including books on Christmas movies 11:19 I ask Alonso about his work with Turner Classic Movies (TCM) 14:52 Queer representation in film, especially in the 1990s (as in 'Mrs. Doubtfire'; 'Four Weddings and a Funeral', etc.) 17:41 "What's valuable about a book like this is that it's a reminder that [inclusion] didn't all just happen... they could take it all away real quick..." 18:47 Rock Hudson, Anthony Perkins and Tab Hunter's happy ending 20:38 Alonso on closeted famous Hollywood stars 21:27 Claudette Colbert and Marlene Dietrich ride an amusement park slide at a birthday party for Carole Lombard, as you do 22:00 The end of Pre-Code American cinema 24:08 Home media as a "Godsend" for access to LBGTQ+ films 27:14 'Brokeback Mountain' and the mid-2000s 32:42 Same-sex marriage in the US and Canada 37:00 Metrosexual culture in the 2000s: "guyliner", guys kissing, etc. 39:20 Reality TV and LGBTQ+ representation 41:06 Alonso tells me about interviewing Heath Ledger for The Advocate on a junket at the Toronto International Film Festival 45:14 "'Brokeback Mountain' is hardly Jane Austen, but it is [about] people living in a society that's being rather proscriptive about who you are allowed to love and not allowed..." 46:30 I put Alonso on the spot and ask him about his favourite film in 'Hollywood Pride' 48:50 "What advice would you give your teenage self today?" ................ Podcast notes: Thanks to Running Press for sending me a copy of Alonso's book! Buy it here: https://www.runningpress.com/titles/alonso-duralde/hollywood-pride/9780762485895/ Check out my interview with TCM host Dave Karger: https://soundcloud.com/teenpeoplepod/davekarger Find me on Twitter and Instagram at TeenPeoplePod And online at www.annasoper.ca Music and sounds: The Sound of dial-up Internet by wtermini on Pixabay Spirit Blossom by RomanBelov on Pixabay ................ Teen People is recorded in Kingston/Katarokwi, the traditional territory of the Anishinaabe, the Haudenosaunee and the Huron-Wendat.

In this shortcast edition of the Podcast for Social Research, recorded live at BISR Central, BISR's Rebecca Ariel Porte and Isi Litke discuss Stephen Frears's 1985 classic of queer cinema, My Beautiful Laundrette. Conversation ranges over the film's Thatcherite backdrop; its depiction of queer, and cross-racial, love; and its inimitable mix of gritty social realism and dreamlike sensuality. What's unique, in the queer cinematic canon, about a film made just before the AIDS crisis emerged in British public consciousness—that is, just prior to the inceasing identification of queerness with disease? How does it weave elements of the fairy tale into its story of cross-class, cross-racial love? And how does the film, with its "qualified utopian hope," contrast with later, more pessimistic classics of the New Queer Cinema? Why, in a film set in a laundromat, is it a source of optimism that some things don't stay clean? 

Seth Michael Donsky is one of the International Screenwriters' Association's top 25 writers to watch in 2024. He is a 2023 recipient of the ISA's Diversity Initiative award and on the ISA's distinguished development slate. His feature screenplay Stardusk, about the life of transgender Andy Warhol Superstar Candy Darling is in pre-production with the Oscar-award winning producer Bruce Cohen. He is also adapting Kate Bornstein's A Queer and Pleasant Danger (Beacon Press) and Lauren Roedy Vaughn's OCD, The Dude and Me (Penguin Group) (Dial Press) for the screen. A Queer and Pleasant Danger advanced in consideration for the Nicholl Fellowships in Screenwriting and The Sundance Lab. His feature screenplay Grit N' Glitter, the story of Allan Carr producing La Cage aux Folles (musical) on Broadway during the HIV/AIDS in the United States was one of five finalists for the Enderby Entertainment Award in the 2018 Austin Film Festival for screenplays with a unique voice and distinct vision. The finalists were selected by Rick Dugdale, Donald Petrie and Daniel Petrie, Jr. of Enderby Entertainment. It also placed in the Nicholl Fellowships in Screenwriting. He holds an MFA in Film from Columbia University School of the Arts where he twice received the Dean's Fellowship, Columbia School of the Arts highest merit-based recognition. He wrote and directed the short film Loopy as his thesis film for graduation from Columbia. His feature film debut Twisted (1996 film), which he wrote and directed, was produced towards the tail end of the New Queer Cinema. https://www.instagram.com/seth_michael_donsky/ https://x.com/donsquixote Connect with your host Kaia all Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia  Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1 Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Todd Haynes no es un director muy conocido si se dice tal cual suena, pero sus películas si que tienen bastante interés si nos centramos en el feminismo tradicional, no el actual que está manipulado por intereses políticos. Si nombro película como “Lejos del cielo”, “Mildred Pierce”, “Carol” o “Secretos de un escándalo” quizá te suene más. Y si no es así, escucha este apartado para conocer un análisis de sus películas y si no las has visto, te animo a ello. Todd Haynes, nacido el 2 de enero de 1961 en Los Ángeles, California, es un director de cine, guionista y productor estadounidense reconocido por su contribución significativa al New Queer Cinema. Su educación en la Universidad Brown y el Bard College le proporcionó una base sólida en arte y semiótica, lo que influyó profundamente en su enfoque cinematográfico. Desde sus inicios con el cortometraje "Assassins: A Film Concerning Rimbaud" en 1985, Haynes ha explorado temas complejos como la identidad, el deseo y la marginalidad social. Con una carrera que abarca más de cuatrdoo décadas, Haynes ha recibido aclamación por obras como "Poison" (1991), "Far from Heaven" (2002), "Carol" (2015) y "Dark Waters" (2019). Su película más reciente, "May December" (2023), continúa su tradición de contar historias provocativas y visualmente cautivadoras. A lo largo de los años, Haynes ha sido honrado con numerosos premios y distinciones, incluyendo el Premio Independent Spirit al mejor director y el Gran Premio del Jurado en el Festival de Cine de Sundance. El estilo de Haynes se caracteriza por su habilidad para entrelazar narrativas personales con críticas sociales, a menudo desafiando las convenciones de género y narrativa. Su película "Far from Heaven", por ejemplo, es una reimaginación del melodrama clásico que aborda temas de raza, sexualidad y clase en la América de los años 50. "Carol", por otro lado, es una delicada exploración del amor prohibido en la década de 1950, que recibió elogios por su dirección artística y actuaciones. Haynes también ha incursionado en la televisión, dirigiendo la miniserie "Mildred Pierce" para HBO, que le valió a Kate Winslet un premio Emmy por su actuación. Su enfoque en personajes femeninos fuertes y complejos es una constante en su trabajo, ofreciendo una plataforma para historias a menudo ignoradas o mal representadas en el cine mainstream. La filmografía de Haynes refleja su compromiso con el cine como medio para la exploración y el cuestionamiento de las normas culturales. A través de su lente, el público es invitado a ver el mundo desde perspectivas alternativas, desafiando prejuicios y abriendo diálogos sobre temas cruciales. Su influencia en el cine independiente y queer es indiscutible, y su legado continúa inspirando a cineastas y espectadores por igual. En resumen, Todd Haynes es un cineasta que ha dejado una huella indeleble en el panorama cinematográfico contemporáneo. Su visión artística única y su valentía para abordar temas difíciles con sensibilidad y profundidad lo han establecido como una voz vital en el arte del cine. Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/estupidez-natural-zz-podcast-05x39/ Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X (twitters): https://x.com/LuisBermejo y https://x.com/zz_podcast Instagrams: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0

Harvey Brownstone conducts an in-depth Interview with Alonso Duralde, Film Critic, Podcaster, Author, “Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film” About Harvey's guest: Today's guest, Alonso Duralde, is a renowned film critic, journalist, author and podcaster whose movie reviews and commentaries have brought him great respect, both within the film industry and among the general public.   He's held a number of prestigious positions, including artistic director at the USA Film Festival in Dallas, arts and entertainment editor at The Advocate magazine, film critic for MSNBC.com, senior film critic for The Wrap, and featured critic for Rotten Tomatoes. He co-hosted the T Y T Network program “What the Flick”, and he's been a writer and editor for The Village Voice, Movieline, and Detour Magazine.   Currently, he's the Chief US Film Critic for The Film Verdict.  In 2005 our guest wrote a great book entitled, “A Hundred and One Must-See Movies for Gay Men”.  Five years later, he published another really fun book called “Have Yourself a Movie Little Christmas”, which highlights the best – and worst – movies of the Yuletide season.  A few years ago he followed that up with another wonderful book that he co-authored, entitled, “I'll Be Home For Christmas Movies”.    And now, he's released his brand new book published by TCM entitled, “Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film”.  This meticulously researched and beautifully written book reveals the fascinating and often suppressed history of the evolution of queer culture on film, spanning from the dawn of cinema, through the “pansy craze” of the 1930s, the Red Scare of the ‘50s, the New Queer Cinema of the ‘90s, all the way up to today, chronicling the evolution of LGBTQ+ storytelling.   This comprehensive book is entertaining and insightful, and highlights the most important, groundbreaking movies, and showcases the achievements not only of the actors, but also the writers, directors, producers, and others behind the scenes, whose achievements defined and exemplified the best of the film industry.     Our guest is a member of the Los Angeles Film Critics Association and the National Society of Film Critics, and he currently co-hosts THREE highly popular podcasts: “Linoleum Knife”, “Maximum Film” and “Breakfast All Day”.  He's also appeared on CNN, PBS, TCM, ABC, in addition to being featured in numerous documentaries.    For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Alonso Duralde, go to:https://www.instagram.com/alonso.duraldehttps://www.thewrap.com/author/alonso-duralde/ #AlonsoDuralde    #harveybrownstoneinterviews

Critic, podcaster, and author Alonso Duralde was just beginning his professional life in 1991, and witnessed the early pangs of what became known as the New Queer Cinema, a key point in his new book “Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film.” He joins us to talk about that moment, including the delights of “Madonna: Truth or Dare,” the coding of “Thelma & Louise,” and the genuine transgressiveness of “Poison.”  For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

Totally F***ed Up: Movie Review from the Ray Taylor ShowShow topic: Explore the pivotal world of '90s queer cinema with Ray Taylor as he reviews 'Totally F***ed Up,' a groundbreaking 1993 American drama by Gregg Araki. This film marks the first installment of Araki's influential Teenage Apocalypse trilogy and is renowned for its significant role in the New Queer Cinema genre. The film offers a raw and unfiltered look into the lives of six gay adolescents who form their own familial bond while navigating the complexities of identity, relationships, and societal challenges.In this episode, Ray Taylor delves into the film's avant-garde style, its impactful narrative, and how it blends elements of experimental cinema with a queer twist on the teen movie genre, reminiscent of a John Hughes film. The podcast provides an in-depth analysis of the characters' dynamics, their struggles, and the film's cultural significance, particularly in representing the queer youth experience.Listeners can expect a thoughtful and engaging discussion on 'Totally F***ed Up,' which premiered at the 1993 Sundance Film Festival and has since become a touchstone in LGBTQ+ film history. Join Ray Taylor for a deep dive into this influential film and its lasting impact on cinema and the queer community.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/linksGenres: Comedy - Drama

Totally F***ed Up: Movie Review from the Ray Taylor ShowShow topic: Explore the pivotal world of '90s queer cinema with Ray Taylor as he reviews 'Totally F***ed Up,' a groundbreaking 1993 American drama by Gregg Araki. This film marks the first installment of Araki's influential Teenage Apocalypse trilogy and is renowned for its significant role in the New Queer Cinema genre. The film offers a raw and unfiltered look into the lives of six gay adolescents who form their own familial bond while navigating the complexities of identity, relationships, and societal challenges.In this episode, Ray Taylor delves into the film's avant-garde style, its impactful narrative, and how it blends elements of experimental cinema with a queer twist on the teen movie genre, reminiscent of a John Hughes film. The podcast provides an in-depth analysis of the characters' dynamics, their struggles, and the film's cultural significance, particularly in representing the queer youth experience.Listeners can expect a thoughtful and engaging discussion on 'Totally F***ed Up,' which premiered at the 1993 Sundance Film Festival and has since become a touchstone in LGBTQ+ film history. Join Ray Taylor for a deep dive into this influential film and its lasting impact on cinema and the queer community.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/linksGenres: Comedy - Drama

We're in the future! The further we progress into the future, the more you feel what a sham all those sci-fi concepts are. ANYWAY what better way to celebrate the future than by going into the past. Yeah, we're covering the highly requested and regarded Todd Haynes, New Queer Cinema staple, 'Glam Rock' celebration: VELVET GOLDMINE. Starring a slew of big names from Jonathan Rhys Meyers, Ewan McGregor, Christian Bale, Eddie Izzard and Toni Collette. In the 'THIS IS NOT David Bowie' universe of the 60's and 70's rise of Glam, we have very similar figures pretending to be an Iggy Pop imposter with a dodgy accent. So sit back, kick off those glad rags and platform shoes and settle in! Bang a a gong! Ride a white swan! [INSERT ANOTHER T-REX LYRIC HERE]

This week on the pod, we dirty little movie babies discuss the value of artifice in filmmaking, Amy Blue's lipstick, and how much we love set design in 1995's New Queer Cinema landmark film THE DOOM GENERATION! swimfanspod.com

Iconic Canadian filmmaker, photographer and artist Bruce LaBruce joins Becky and Cam to discuss New Queer Cinema and a pair of films from 1991: Edward II and Young Soul Rebels. Hosted on Acast. See acast.com/privacy for more information.

Ellen E Jones and Mark Kermode hit the road to explore the lovers on the run genre, and celebrate 50 years of Terrence Malick's film debut, Badlands. Since the film's arrival in 1973, this dreamy and twisted fairy tale has inspired countless tales of lovers escaping dead end towns for the endless road - but it wasn't the first time this story had graced the silver screen. Mark enlists the help of a friend of the show, film critic Christina Newland. They discuss the hallmarks of the genre, its film noir beginnings, and why cinema is obsessed with tales of lawless lovers. Ellen then speaks to New Queer Cinema icon, Gregg Araki, who shares his subversive and anarchic take on the genre - and his theory as to why it is a staple of American cinema. Ellen also chats to director,Jonathan Entwistle to discuss relocating his TV show End of The F***ing World to this side of the Atlantic, and whether the genre is intrinsically American. Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4

Well, it's time to dust off the old movie vault for this one. I put up a poll on IG to see if anyone has heard or even seen this film and it was a mystery to most. Now, this film I first saw ages ago at Mikey's house and seeing it again all these years later just brought me such delight. This quirky indie rom com stars Sean Hayes before he was known as Jack from Will and Grace. He's a Polaroid (ahh!) photographer who falls in love with a cute coffee barista boy (how 90s) who is a perfect facsimile of Brad Pitt in the Meet Joe Black era.  It's all but almost disappeared from the internet so I hope that this will revive your memories if you have seen it or encourage you to track it down if this is a new find. Me and Mikey get into the adorable story, the interesting storytelling, cool late 90s fashion, and the pure CAMP throughout.Off-topic rants include: Wayne's World, some gossip, JTT and 90s heartthrobs,  and more Vanderpump Rules chat --- Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! GIVE US A 5 STAR RATING & SUBSCRIBE!Hosts: Lauren @lauren_melanie & Mikey @agentmikey007  Music by Den-Mate @imdenmateFollow Fashion Grunge Podcast Substack The Lo Down: a Fashion Grunge blog/newsletterInstagram @fashiongrungepodTwitter @fgrungepodLetterboxd Fashion Grunge PodcastTikTok @fashiongrungepod 

Nesse podcast comentamos o clássico documentário Paris is Burning (1990), dirigido por Jennie Livingston. O filme, pertencente ao New Queer Cinema estadunidense, retrata os bailes drag de Nova York no final da década de 1980. Conversamos sobre as noções de sociabilidade e família, a apropriação da arte pelo mainstream e relação entre documentarista e pessoas documentadas. O programa é apresentado por Isabel Wittmann, Camila Vieira e Yasmine Evaristo. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-179-paris-is-burning/ Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Isabel Wittmann, Rosana Íris e Yasmine Evaristo Produção do programa e arte da capa: Isabel Wittmann Edição: Domenica Mendes Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata, Helga Dornelas, Larissa Lisboa, Joana Bernardes, Tiago Maia e Pedro dal Bó Assine nosso financiamento coletivo: https://orelo.cc/feitoporelas/apoios Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl Mencionados: Vote no Troféu Alice! https://forms.gle/wk261NQEMgnrmRWCA [FILME] Aconteceu Naquela Noite (It Happened One Night, 1934), dir. Frank Capra [FILME] Sinfonia de Paris (An American in Paris, 1951), dir. Vincente Minnelli [FILME] Jules e Jim - Uma Mulher para Dois (Jules et Jim, 1962), dir. François Truffaut [FILME] Pauline na Praia (Pauline à la plage, 1983), dir. Éric Rohmer [FILME] O Raio Verde (Le rayon vert, 1986), dir. Éric Rohmer [FILME] Caprice (1986), dir. Joanna Hogg [FILME] Cidade dos Sonhos (Mulholland Dr., 2001), dir. David Lynch [FILME] Unrelated (2007), dir. Joanna Hogg [FILME] Archipelago (2010), dir. Joanna Hogg [FILME] Exibição (Exhibition, 2013), dir. Joanna Hogg [FILME] Amantes Eternos (Only Lovers Left Alive, 2013), dir. Jim Jarmusch [FILME] La La Land: Cantando Estações (La La Land, 2016), dir. Damien Chazelle [FILME] The Souvenir (2019), dir. Joanna Hogg [FILME] The Souvenir: Part II (2021), dir. Joanna Hogg [FILME] Annette (2021), dir. Leos Carax [FILME] The Eternal Daughter (2022), dir. Joanna Hogg [SÉRIE] Sex and the City (1998–2004), criada por Darren Star [SÉRIE] Mad Men (2007-2015), criada por Matthew Weiner [SÉRIE] Fleabag (2016-2019), criada por Phoebe Waller-Bridge [SÉRIE] Stranger Things (2016-), criada por Matt Duffer e Ross Duffer Relacionados: [PODCAST] Feito por Elas #65 Trilogia Bridget Jones https://feitoporelas.com.br/feito-por-elas-65-trilogia-bridget-jones/

We're back after a brief hiatus with a doozie of a movie to talk about! Zero Patience is an original musical dramedy directed and written by John Greyson and released in 1993. This film follows, seriously, an immortal British explorer-sexologist-turned-museum-taxidermist Sir Richard "Dick" Burton (actor John Robinson) and the earth-walking spirit of Zero, the gay man accused of originating the HIV-AIDS epidemic in North America (actor Normand Fauteux). With the help of Zero, Dick uncovers the truth behind the AIDS epidemic. Already a shocking premise, this movie exemplifies the daringness of the New Queer Cinema era, and it doubles down by including some hilarious and outlandish musical numbers, including a barbershop quartet on sauna etiquette and a duet between buttholes. Underneath it all, the movie has a solid emotional message at its core as it humanizes "Patient Zero" of the AIDS epidemic and left Jake and Kevin with lots to uncover! How has this not been made into an off-Broadway production yet? Does this film have more staying power than Philadelphia, released the same year? Is Randy Shilts being unfairly spoofed? This and more on this week's Cinema Very Gay! The next dastardly queer-coded Disney villain we visit is none other than Professor Ratigan (but don't call him a rat) from the movie The Great Mouse Detective from 1986. Voiced by the noted bisexual master of horror, Vincent Price, Ratigan brings a new level of danger to the queer villain role as he is matched against the protagonist, Basil of Baker Street. He has the usual flamboyance we have come to expect from a Disney villain, but brings on the murderousness even more than we have seen! Talk about a jealous ex-boyfriend.

A film within a film within a film, The Watermelon Woman is a brilliant example of New Queer Cinema. Lightheartedly combining camcorder, 16mm, and self-made "found" footage, Cheryl Dunye gives voice and life to lost history 23 years before we see something similar come to life with Marianne in Portrait of a Lady on Fire. "What??" you say. "YES." we respond. Let's talk about it! And... • The 90s vibes!

Cheryl Dunye (1966-present) was the first Black lesbian to direct a feature film. The movie, called The Watermelon Woman, established her as a leading voice in the New Queer Cinema movement of the 1990's.Special thanks to our exclusive Pride Month sponsor, Mercedes-Benz! Mercedes-Benz continues to support and stand with the LGBTQIA+ community. Listen all month long as we celebrate women whose authentic expression in their lives and bodies of work have expanded the norms of gender and sexuality in the performing arts.History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Alex Jhamb Burns. Special thanks to Shira Atkins. Original theme music composed by Miles Moran.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter