POPULARITY
3 episodes with New Queer Cinema
4 episodes with New Queer Cinema
2 episodes with New Queer Cinema
2 episodes with New Queer Cinema
2 episodes with New Queer Cinema
2 episodes with New Queer Cinema
2 episodes with New Queer Cinema
2 episodes with New Queer Cinema
2 episodes with New Queer Cinema
This week, Bella is joined by special guests Melia and Henry Chendo to celebrate Pride with a look at Gregg Araki's Teen Apocalypse Trilogy:Totally F***ed Up (1993)The Doom Generation (1995)Nowhere (1997)A trailblazer of New Queer Cinema, Araki captured the chaos of queer youth in the '90s like no one else. These films are loud, sexy, surreal, and devastating — soaked in color, contradiction, and emotion.In this episode, we talk about his portrayal of the queer experience through his signature thematic and aesthetic style — how he balances camp comedy with emotional darkness, and how sex, love, drugs, violence, and warped reality all collide in his stories.There's a constant tension in these films between disconnection and desire, between the feeling of being completely lost and the desperate need to be seen. Araki doesn't offer clean resolutions or easy answers — his stories unravel in fragments, in bursts of color and chaos. Still, somewhere in the wreckage, he makes room for vulnerability, longing, and the aching need to be understood.Happy Pride!
Click here to send us a message!This week we're joined by film scholar Syd Wrigley, who joins the podcast to discuss Gregg Araki's famed Teen Apocalypse Trilogy. Starting with Totally Fucked Up in 1993, he followed it with The Doom Generationin 1995 and finally Nowhere in 1997, the trilogy that would define a generation and stands at the center of the New Queer Cinema movement. Recently re-released via Criterion, these films are being discovered by a brand new generation, and Araki is only now finding auteur status.
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Todd Haynes Todd Haynes, independent filmmaker, in conversation with host Richard Wolinsky. Recorded February 27, 2025. The director of ten feature length films, Todd Haynes is an independent film-maker with his roots in New Queer Cinema. After coming to the attention of the film community with his short film, Superstar: The Karen Carpenter Story, in which the “actors” were Barbie Dolls, he achieved fame with his first feature, Poison, which told three stories in different ways, all of which commented on the AIDS epidemic. He followed that with the much-lauded Safe, and then moved on to mainstream success with the lush melodrama, Far from Heaven. His later films include Velvet Goldmine, focusing on the glam rock era, I'm Not There, in which several actors portrayed Bob Dylan, Carol, Dark Waters, Wonderstruck, and his latest film, May December (Netflix). His documentary, Velvet Underground, is available on Apple Plus. Along the way there was a miniseries, Mildred Pierce, starring Kate Winslet, on HBO (streaming on MAX). All his films are available streaming. The films of Todd Haynes will be shown in a retrospective, “Todd Haynes: Far From Safe,” through April 12th at BAMPFA, Berkeley Art Museum and Pacific Film Archive. Special thanks to AJ Fox and the staff at Pacific Film Archive. Complete Interview Chimamanda Ngozi Adichie Chimananda Ngozi Adichie, Nigerian author of “Americanah” and four other novels, in conversation with host Richard Wolinsky, recorded in the KPFA studios, June 5, 2013. She has written five novels, two collections of short stories, one memoir, and many articles and short stories for many newspapers, magazines, and periodicals. She is widely regarded as a central figure in postcolonial feminist literature. Her latest novel, “Dream Count” has just been published. Complete Interview Review of “Uncle Vanya” at Berkeley Rep Peets Theatre through March 23, 2025. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company. Arts Festival 31: Let Freedom Ring, March 28-30, Potrero Stage. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Six, April 8-20, Curran; Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: The Cher Show. March 18 – 23. Center Rep: The Roommate by Jen Silverman, March 30 – April 20. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Young Rep: Hamlet, March 15-23, Petaluma SRJC; Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Fly by Night conceived by Kim Rosenstock Written by Will Connolly, Michael Mitnick, and Kim Rosenstock, March 6 – 23. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Youth Theatre: Greek Mythology Olympiaganza by Dan Zolidis, March 7 -16; Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions. See website for upcoming schedule Oakland Theater Project. I Am My Own Wife by Doug Wright, March 21 – April 6, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. The Gods of Comedy by Ken Ludwig, Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. June 2025. San Francisco Playhouse. Fat Ham by James Ijames, March 20 – April 19. SFBATCO. See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players. Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Titanic, a concert presentation, April 12-13. Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming productions. Theatre Rhino Gumiho by Nina Ki, April 17 – May 11.Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Happy Pleasant Valley, Book, Music, and Lyrics by Min Kahng, Lucie Stern Theatre, Palo Alto, March 5-30. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . . The post March 13, 2025: Todd Haynes, Independent Filmmaker appeared first on KPFA.
Todd Haynes, independent filmmaker, in conversation with host Richard Wolinsky. Recorded February 27, 2025. The director of ten feature length films, Todd Haynes is an independent film-maker with his roots in New Queer Cinema. After coming to the attention of the film community with his short film, Superstar: The Karen Carpenter Story, in which the “actors” were Barbie Dolls, he achieved fame with his first feature, Poison, which told three stories in different ways, all of which commented on the AIDS epidemic. He followed that with the much-lauded Safe, and then moved on to mainstream success with the lush melodrama, Far from Heaven. His later films include Velvet Goldmine, focusing on the glam rock era, I'm Not There, in which several actors portrayed Bob Dylan, Carol, Dark Waters, Wonderstruck, and his latest film, May December (Netflix). His documentary, Velvet Underground, is available on Apple Plus. Along the way there was a miniseries, Mildred Pierce, starring Kate Winslet, on HBO (streaming on MAX). All his films are available streaming. The films of Todd Haynes will be shown in a retrospective, “Todd Haynes: Far From Safe,” beginning March 8th and continuing through April 12th at BAMPFA, Berkeley Art Museum and Pacific Film Archive. Todd Haynes will be introducing some of his films (sold out). Special thanks to AJ Fox and the staff at Pacific Film Archive. The post Todd Haynes, Award-Winning Independent Filmmaker. appeared first on KPFA.
Deze aflevering van podcast Film met Cineville hebben Emin, Jente en Jesse het over Queer – de nieuwe film van regisseur Luca Guadagnino (Challengers, Call Me by Your Name), Queer – het boek van beatnik William Burroughs, en de New Queer Cinema van de jaren tachtig. De shownotes vind je hier.Wil je precies weten wat er allemaal te zien is in de Cinevilletheaters deze maand? Check dan onze filmagenda, onze verwachtpagina en ons festivaloverzicht. Hosted on Acast. See acast.com/privacy for more information.
Starting 2025 with a bang, we're diving into Todd Haynes's groundbreaking debut, Poison (1991). Co-hosted by the fabulous Rahne Alexander and Kyler Fey himself, this episode unpacks the audacious triptych of tales—Hero, Horror, and Homo—that propelled Haynes to indie cinema stardom. Bold, provocative, and unapologetically queer, Poison challenges conventions and leaves an indelible mark on the New Queer Cinema movement. Join us as we explore the film's layered narratives, its haunting aesthetics, and its enduring impact.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
Starting 2025 with a bang, we're diving into Todd Haynes's groundbreaking debut, Poison (1991). Co-hosted by the fabulous Rahne Alexander and Kyler Fey himself, this episode unpacks the audacious triptych of tales—Hero, Horror, and Homo—that propelled Haynes to indie cinema stardom. Bold, provocative, and unapologetically queer, Poison challenges conventions and leaves an indelible mark on the New Queer Cinema movement. Join us as we explore the film's layered narratives, its haunting aesthetics, and its enduring impact.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis. Laura's book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson's musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan's episode on Visibility. Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes.” The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis. Laura's book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson's musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan's episode on Visibility. Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes.” The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis. Laura's book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson's musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan's episode on Visibility. Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes.” The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis. Laura's book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson's musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan's episode on Visibility. Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes.” The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis. Laura's book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson's musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan's episode on Visibility. Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes.” The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them.
https://notesonfilm1.com/2024/10/28/the-gus-van-sant-podcast-no-4-lisa-purse-on-even-cowgirls-get-the-blues-1993/ Lisa Purse on EVEN COWGIRLS GET THE BLUES (Gus Van Sant, 1993) I was truly delighted when Lisa Purse agreed to talk to me about EVEN COWGIRLS GET THE BLUES. Lisa is a Professor of Film Studies at Reading University, one of the most brilliant scholars on action movies, and a nuanced thinker on questions of mediations, conflicts, identities. I wanted to have her on the podcast because I thought she might expand my thinking on EVEN COWGIRLS GET THE BLUES, and she did. In the podcast we discuss seeing the film when it was first released, seeing it now, and explore the hows and whys of changing responses. We note the context of ‘New Queer Cinema' and the different kinds of experiments that were then taking place. EVEN COWGIRLS GET THE BLUES is a film that refuses seriousness and we speculate that maybe neither of us was then in a place where we could recognise the value of that. We discuss how the film continues Van Sant's interest in ‘The Road', and discuss movement and flow, as rhythm, narrative device, formal strategy, and condensed ideation. Is it a film that's trying to do much? B. Ruby Rich wrote on how the film contains references to forms of collective action. Is it more of its time than we first realised? We discuss the film as a form of active allyship that is not to be sneezed at, and note the hostility of its initial reception, refencing B. Ruby Rich's contention that with this film Van Sant fell into the category of a female director (at least for some) and therefore got treated as one.
https://notesonfilm1.com/2024/10/02/the-gus-van-sant-podcast-3-my-own-private-idaho-1991/ We discuss one of the films that very much marked me, the image above was the image on my letterhead in the time we still used snail mail. In the accompanying podcast we discuss the film's historical significance. Was it a 'film that (made) history? We discuss it relationship to New Queer Cinema. We speculate on whether the film queers Shakespeare and discuss the film in relation to Welles' Chimes at Midnight. We comment on the significance of the casting, the contributions of River Phoenix, Keanu Reeves, Udo Kier and others and what their contributions to the film might be. We also discuss in detail particular scenes, the one where the magazine covers come to life; the rhyming musical/ hustler interludes, the great campfire scene. ...and much more.
This week your hosts Mark, Matt & associate producer Amy Nelson strap on their cowboy boots to discuss My Own Private Idaho! The 1991 American independent adventure drama film written and directed by Gus Van Sant. Idaho is considered a landmark film in New Queer Cinema, an early 1990s movement in queer-themed independent filmmaking. The film is notable for its then-taboo subject matter and avant-garde style. Join our listener's group The BQN Collective on Facebook.Follow the network on Instagram @BQNPodcastsFind us on BlueSky: The Network: @BQNpodcastsMark: @MW207Matt: @1701blerdMusic: https://freemusicarchive.org/https://files.freemusicarchive.org/storage-freemusicarchive-org/tracks/5bYo2CCQrTvlatjormsG0jHuaNUPE6OC2aIUiXI8.mp3?download=1&name=Ketsa%20-%20Dancing-Dead.mp3BQN Podcasts are made possible by the generous contributions of listeners like you. We extend our heartfelt gratitude to our Patreon patrons, whose support has been instrumental in producing the podcast!Nay nar nay nar AenarJason AndersonAnonymousJerry AntimanoVera BibleSusan L. De ClerckRyan DamonDavidChrissie De Clerck-SzilagyiLars Di ScenzaThad HaitMatt HarkerPeter HongWilliam JacksonJim McMahonJoe MignoneMahendran RadhakrishnanTom Van ScotterJenediah SeastrumJonathan SnowDavey WillettCarl WondersJoin the Hive Mind Collective at https://www.Patreon.com/BQN and become an integral part of our podcast. Your unique perspective and support will help us continue to produce high-quality content that you love!Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. STAR TREK and all related marks, logos and characters are owned by CBS Studios Inc. “BQN” is not endorsed or sponsored by or affiliated with CBS/Paramount Pictures or the STAR TREK franchise.
Hollywood has long been a place of glamour and storytelling, but its history with LGBTQ+ representation is complex and ever-evolving. Film critic Alonso Duralde dives deep into this fascinating world in his new book, Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film. Hollywood Pride is a history of queer Hollywood in chronological order, starting from the very beginnings of cinema in 1895 and journeying all the way to 2022. It's not just about the movies themselves; Alonso delves into the lives of the artists – actors, directors, writers, and more – who have shaped Hollywood, both on and off screen. "The book is a look at how queer history evolved over those decades, off the screen and in society," Alonso explains. "And then how that was reflected in the movies." Each chapter focuses on a specific period, highlighting the key LGBTQ+ figures and films of that era. It explores not only positive portrayals but also the coded messages and subtext that emerged during times of censorship, like the Hays Code era. Alonso argues that even negative portrayals hold certain significance. "Even negative inclusion is at least visibility and a reminder that we exist," he says. "It's not the greatest reminder, but it's better than nothing." The book examines Alfred Hitchcock's films, some of which are very homophobic, but still offer a glimpse of LGBTQ+ characters.There are also unexpected gems celebrated in the book, such as 1999's The Mummy, a film that has resonated with the bisexual community. By the 1970's, Dog Day Afternoon and Midnight Cowboy could more openly deal with gay characters, if not in the best light. Alonso especially enjoyed writing about Salome, Caged, I Am a Fugitive from a Chain Gang, Ed Wood's Glen or Glenda, and by the 1990's, the era of the New Queer Cinema movement. While celebrating the strides made in LGBTQ+ representation, Alonso acknowledges there are still many stories waiting to be told. "It feels like I was skimming the surface of a very deep topic," he says. But even a glimpse into this rich history is a valuable step forward, offering a deeper understanding of LGBTQ+ experiences in cinema and beyond. You can find Hollywood Pride as a book, ebook, or audiobook wherever books are sold. **WIN A COPY OF HOLLYWOOD PRIDE! Like, Follow and Comment on our post for this week's episode on Instagram, Facebook or Threads and we will pick a winner** *Winner must be within the continental U.S.!* Find Alonso Duralde: Instagram: @alonso.duralde Listen to our previous interview with Alonso Duralde about his Christmas film book, Have Yourself a Movie Little Christmas. https://www.camnoir.com/holiday2018/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by Aputure: https://www.aputure.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]
Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]
Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]
Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]
This week we're taking a look at two films from Gregg Araki. One of the architects of the New Queer Cinema movement of the 1990's, Araki pivoted in the new century after finding critical success with Mysterious Skin. He followed up that award winner by pivoting to a stoner comedy that Max argues is worth revisiting every April 20. Say Hi!
Alonso Duralde joins me to talk about his new book, 'Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film'. Published in May 2024, 'Hollywood Pride' presents a history of film from the dawn of cinema to the "pansy craze" of the 1930s and the New Queer Cinema of the 1990s, all the way up to today. Illustrated with more than 175 colour and black-and-white images, 'Hollywood Pride' points to the bright future of LGBTQ+ representation in cinema, by revealing the story of the community's inclusion and erasure, its visibility and invisibility, and its triumphs and tragedies. ................ Time stamps: 4:00 I ask Alonso about the formative media that inspired his career in journalism 8:42 "Tell me about how your career has developed..." 9:00 Alonso has worked as a film festival programmer 11:00 Alonso tells me about his other books, including books on Christmas movies 11:19 I ask Alonso about his work with Turner Classic Movies (TCM) 14:52 Queer representation in film, especially in the 1990s (as in 'Mrs. Doubtfire'; 'Four Weddings and a Funeral', etc.) 17:41 "What's valuable about a book like this is that it's a reminder that [inclusion] didn't all just happen... they could take it all away real quick..." 18:47 Rock Hudson, Anthony Perkins and Tab Hunter's happy ending 20:38 Alonso on closeted famous Hollywood stars 21:27 Claudette Colbert and Marlene Dietrich ride an amusement park slide at a birthday party for Carole Lombard, as you do 22:00 The end of Pre-Code American cinema 24:08 Home media as a "Godsend" for access to LBGTQ+ films 27:14 'Brokeback Mountain' and the mid-2000s 32:42 Same-sex marriage in the US and Canada 37:00 Metrosexual culture in the 2000s: "guyliner", guys kissing, etc. 39:20 Reality TV and LGBTQ+ representation 41:06 Alonso tells me about interviewing Heath Ledger for The Advocate on a junket at the Toronto International Film Festival 45:14 "'Brokeback Mountain' is hardly Jane Austen, but it is [about] people living in a society that's being rather proscriptive about who you are allowed to love and not allowed..." 46:30 I put Alonso on the spot and ask him about his favourite film in 'Hollywood Pride' 48:50 "What advice would you give your teenage self today?" ................ Podcast notes: Thanks to Running Press for sending me a copy of Alonso's book! Buy it here: https://www.runningpress.com/titles/alonso-duralde/hollywood-pride/9780762485895/ Check out my interview with TCM host Dave Karger: https://soundcloud.com/teenpeoplepod/davekarger Find me on Twitter and Instagram at TeenPeoplePod And online at www.annasoper.ca Music and sounds: The Sound of dial-up Internet by wtermini on Pixabay Spirit Blossom by RomanBelov on Pixabay ................ Teen People is recorded in Kingston/Katarokwi, the traditional territory of the Anishinaabe, the Haudenosaunee and the Huron-Wendat.
In this shortcast edition of the Podcast for Social Research, recorded live at BISR Central, BISR's Rebecca Ariel Porte and Isi Litke discuss Stephen Frears's 1985 classic of queer cinema, My Beautiful Laundrette. Conversation ranges over the film's Thatcherite backdrop; its depiction of queer, and cross-racial, love; and its inimitable mix of gritty social realism and dreamlike sensuality. What's unique, in the queer cinematic canon, about a film made just before the AIDS crisis emerged in British public consciousness—that is, just prior to the inceasing identification of queerness with disease? How does it weave elements of the fairy tale into its story of cross-class, cross-racial love? And how does the film, with its "qualified utopian hope," contrast with later, more pessimistic classics of the New Queer Cinema? Why, in a film set in a laundromat, is it a source of optimism that some things don't stay clean?
Seth Michael Donsky is one of the International Screenwriters' Association's top 25 writers to watch in 2024. He is a 2023 recipient of the ISA's Diversity Initiative award and on the ISA's distinguished development slate. His feature screenplay Stardusk, about the life of transgender Andy Warhol Superstar Candy Darling is in pre-production with the Oscar-award winning producer Bruce Cohen. He is also adapting Kate Bornstein's A Queer and Pleasant Danger (Beacon Press) and Lauren Roedy Vaughn's OCD, The Dude and Me (Penguin Group) (Dial Press) for the screen. A Queer and Pleasant Danger advanced in consideration for the Nicholl Fellowships in Screenwriting and The Sundance Lab. His feature screenplay Grit N' Glitter, the story of Allan Carr producing La Cage aux Folles (musical) on Broadway during the HIV/AIDS in the United States was one of five finalists for the Enderby Entertainment Award in the 2018 Austin Film Festival for screenplays with a unique voice and distinct vision. The finalists were selected by Rick Dugdale, Donald Petrie and Daniel Petrie, Jr. of Enderby Entertainment. It also placed in the Nicholl Fellowships in Screenwriting. He holds an MFA in Film from Columbia University School of the Arts where he twice received the Dean's Fellowship, Columbia School of the Arts highest merit-based recognition. He wrote and directed the short film Loopy as his thesis film for graduation from Columbia. His feature film debut Twisted (1996 film), which he wrote and directed, was produced towards the tail end of the New Queer Cinema. https://www.instagram.com/seth_michael_donsky/ https://x.com/donsquixote Connect with your host Kaia all Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1 Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Todd Haynes no es un director muy conocido si se dice tal cual suena, pero sus películas si que tienen bastante interés si nos centramos en el feminismo tradicional, no el actual que está manipulado por intereses políticos. Si nombro película como “Lejos del cielo”, “Mildred Pierce”, “Carol” o “Secretos de un escándalo” quizá te suene más. Y si no es así, escucha este apartado para conocer un análisis de sus películas y si no las has visto, te animo a ello. Todd Haynes, nacido el 2 de enero de 1961 en Los Ángeles, California, es un director de cine, guionista y productor estadounidense reconocido por su contribución significativa al New Queer Cinema. Su educación en la Universidad Brown y el Bard College le proporcionó una base sólida en arte y semiótica, lo que influyó profundamente en su enfoque cinematográfico. Desde sus inicios con el cortometraje "Assassins: A Film Concerning Rimbaud" en 1985, Haynes ha explorado temas complejos como la identidad, el deseo y la marginalidad social. Con una carrera que abarca más de cuatrdoo décadas, Haynes ha recibido aclamación por obras como "Poison" (1991), "Far from Heaven" (2002), "Carol" (2015) y "Dark Waters" (2019). Su película más reciente, "May December" (2023), continúa su tradición de contar historias provocativas y visualmente cautivadoras. A lo largo de los años, Haynes ha sido honrado con numerosos premios y distinciones, incluyendo el Premio Independent Spirit al mejor director y el Gran Premio del Jurado en el Festival de Cine de Sundance. El estilo de Haynes se caracteriza por su habilidad para entrelazar narrativas personales con críticas sociales, a menudo desafiando las convenciones de género y narrativa. Su película "Far from Heaven", por ejemplo, es una reimaginación del melodrama clásico que aborda temas de raza, sexualidad y clase en la América de los años 50. "Carol", por otro lado, es una delicada exploración del amor prohibido en la década de 1950, que recibió elogios por su dirección artística y actuaciones. Haynes también ha incursionado en la televisión, dirigiendo la miniserie "Mildred Pierce" para HBO, que le valió a Kate Winslet un premio Emmy por su actuación. Su enfoque en personajes femeninos fuertes y complejos es una constante en su trabajo, ofreciendo una plataforma para historias a menudo ignoradas o mal representadas en el cine mainstream. La filmografía de Haynes refleja su compromiso con el cine como medio para la exploración y el cuestionamiento de las normas culturales. A través de su lente, el público es invitado a ver el mundo desde perspectivas alternativas, desafiando prejuicios y abriendo diálogos sobre temas cruciales. Su influencia en el cine independiente y queer es indiscutible, y su legado continúa inspirando a cineastas y espectadores por igual. En resumen, Todd Haynes es un cineasta que ha dejado una huella indeleble en el panorama cinematográfico contemporáneo. Su visión artística única y su valentía para abordar temas difíciles con sensibilidad y profundidad lo han establecido como una voz vital en el arte del cine. Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/estupidez-natural-zz-podcast-05x39/ Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X (twitters): https://x.com/LuisBermejo y https://x.com/zz_podcast Instagrams: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0
Harvey Brownstone conducts an in-depth Interview with Alonso Duralde, Film Critic, Podcaster, Author, “Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film” About Harvey's guest: Today's guest, Alonso Duralde, is a renowned film critic, journalist, author and podcaster whose movie reviews and commentaries have brought him great respect, both within the film industry and among the general public. He's held a number of prestigious positions, including artistic director at the USA Film Festival in Dallas, arts and entertainment editor at The Advocate magazine, film critic for MSNBC.com, senior film critic for The Wrap, and featured critic for Rotten Tomatoes. He co-hosted the T Y T Network program “What the Flick”, and he's been a writer and editor for The Village Voice, Movieline, and Detour Magazine. Currently, he's the Chief US Film Critic for The Film Verdict. In 2005 our guest wrote a great book entitled, “A Hundred and One Must-See Movies for Gay Men”. Five years later, he published another really fun book called “Have Yourself a Movie Little Christmas”, which highlights the best – and worst – movies of the Yuletide season. A few years ago he followed that up with another wonderful book that he co-authored, entitled, “I'll Be Home For Christmas Movies”. And now, he's released his brand new book published by TCM entitled, “Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film”. This meticulously researched and beautifully written book reveals the fascinating and often suppressed history of the evolution of queer culture on film, spanning from the dawn of cinema, through the “pansy craze” of the 1930s, the Red Scare of the ‘50s, the New Queer Cinema of the ‘90s, all the way up to today, chronicling the evolution of LGBTQ+ storytelling. This comprehensive book is entertaining and insightful, and highlights the most important, groundbreaking movies, and showcases the achievements not only of the actors, but also the writers, directors, producers, and others behind the scenes, whose achievements defined and exemplified the best of the film industry. Our guest is a member of the Los Angeles Film Critics Association and the National Society of Film Critics, and he currently co-hosts THREE highly popular podcasts: “Linoleum Knife”, “Maximum Film” and “Breakfast All Day”. He's also appeared on CNN, PBS, TCM, ABC, in addition to being featured in numerous documentaries. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Alonso Duralde, go to:https://www.instagram.com/alonso.duraldehttps://www.thewrap.com/author/alonso-duralde/ #AlonsoDuralde #harveybrownstoneinterviews
Critic, podcaster, and author Alonso Duralde was just beginning his professional life in 1991, and witnessed the early pangs of what became known as the New Queer Cinema, a key point in his new book “Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film.” He joins us to talk about that moment, including the delights of “Madonna: Truth or Dare,” the coding of “Thelma & Louise,” and the genuine transgressiveness of “Poison.” For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.
Totally F***ed Up: Movie Review from the Ray Taylor ShowShow topic: Explore the pivotal world of '90s queer cinema with Ray Taylor as he reviews 'Totally F***ed Up,' a groundbreaking 1993 American drama by Gregg Araki. This film marks the first installment of Araki's influential Teenage Apocalypse trilogy and is renowned for its significant role in the New Queer Cinema genre. The film offers a raw and unfiltered look into the lives of six gay adolescents who form their own familial bond while navigating the complexities of identity, relationships, and societal challenges.In this episode, Ray Taylor delves into the film's avant-garde style, its impactful narrative, and how it blends elements of experimental cinema with a queer twist on the teen movie genre, reminiscent of a John Hughes film. The podcast provides an in-depth analysis of the characters' dynamics, their struggles, and the film's cultural significance, particularly in representing the queer youth experience.Listeners can expect a thoughtful and engaging discussion on 'Totally F***ed Up,' which premiered at the 1993 Sundance Film Festival and has since become a touchstone in LGBTQ+ film history. Join Ray Taylor for a deep dive into this influential film and its lasting impact on cinema and the queer community.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/linksGenres: Comedy - Drama
Totally F***ed Up: Movie Review from the Ray Taylor ShowShow topic: Explore the pivotal world of '90s queer cinema with Ray Taylor as he reviews 'Totally F***ed Up,' a groundbreaking 1993 American drama by Gregg Araki. This film marks the first installment of Araki's influential Teenage Apocalypse trilogy and is renowned for its significant role in the New Queer Cinema genre. The film offers a raw and unfiltered look into the lives of six gay adolescents who form their own familial bond while navigating the complexities of identity, relationships, and societal challenges.In this episode, Ray Taylor delves into the film's avant-garde style, its impactful narrative, and how it blends elements of experimental cinema with a queer twist on the teen movie genre, reminiscent of a John Hughes film. The podcast provides an in-depth analysis of the characters' dynamics, their struggles, and the film's cultural significance, particularly in representing the queer youth experience.Listeners can expect a thoughtful and engaging discussion on 'Totally F***ed Up,' which premiered at the 1993 Sundance Film Festival and has since become a touchstone in LGBTQ+ film history. Join Ray Taylor for a deep dive into this influential film and its lasting impact on cinema and the queer community.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/linksGenres: Comedy - Drama
Totally F***ed Up: Movie Review from the Ray Taylor ShowShow topic: Explore the pivotal world of '90s queer cinema with Ray Taylor as he reviews 'Totally F***ed Up,' a groundbreaking 1993 American drama by Gregg Araki. This film marks the first installment of Araki's influential Teenage Apocalypse trilogy and is renowned for its significant role in the New Queer Cinema genre. The film offers a raw and unfiltered look into the lives of six gay adolescents who form their own familial bond while navigating the complexities of identity, relationships, and societal challenges.In this episode, Ray Taylor delves into the film's avant-garde style, its impactful narrative, and how it blends elements of experimental cinema with a queer twist on the teen movie genre, reminiscent of a John Hughes film. The podcast provides an in-depth analysis of the characters' dynamics, their struggles, and the film's cultural significance, particularly in representing the queer youth experience.Listeners can expect a thoughtful and engaging discussion on 'Totally F***ed Up,' which premiered at the 1993 Sundance Film Festival and has since become a touchstone in LGBTQ+ film history. Join Ray Taylor for a deep dive into this influential film and its lasting impact on cinema and the queer community.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/linksGenres: Comedy - Drama
We're in the future! The further we progress into the future, the more you feel what a sham all those sci-fi concepts are. ANYWAY what better way to celebrate the future than by going into the past. Yeah, we're covering the highly requested and regarded Todd Haynes, New Queer Cinema staple, 'Glam Rock' celebration: VELVET GOLDMINE. Starring a slew of big names from Jonathan Rhys Meyers, Ewan McGregor, Christian Bale, Eddie Izzard and Toni Collette. In the 'THIS IS NOT David Bowie' universe of the 60's and 70's rise of Glam, we have very similar figures pretending to be an Iggy Pop imposter with a dodgy accent. So sit back, kick off those glad rags and platform shoes and settle in! Bang a a gong! Ride a white swan! [INSERT ANOTHER T-REX LYRIC HERE]
This week on the pod, we dirty little movie babies discuss the value of artifice in filmmaking, Amy Blue's lipstick, and how much we love set design in 1995's New Queer Cinema landmark film THE DOOM GENERATION! swimfanspod.com
Iconic Canadian filmmaker, photographer and artist Bruce LaBruce joins Becky and Cam to discuss New Queer Cinema and a pair of films from 1991: Edward II and Young Soul Rebels. Hosted on Acast. See acast.com/privacy for more information.
Ellen E Jones and Mark Kermode hit the road to explore the lovers on the run genre, and celebrate 50 years of Terrence Malick's film debut, Badlands. Since the film's arrival in 1973, this dreamy and twisted fairy tale has inspired countless tales of lovers escaping dead end towns for the endless road - but it wasn't the first time this story had graced the silver screen. Mark enlists the help of a friend of the show, film critic Christina Newland. They discuss the hallmarks of the genre, its film noir beginnings, and why cinema is obsessed with tales of lawless lovers. Ellen then speaks to New Queer Cinema icon, Gregg Araki, who shares his subversive and anarchic take on the genre - and his theory as to why it is a staple of American cinema. Ellen also chats to director,Jonathan Entwistle to discuss relocating his TV show End of The F***ing World to this side of the Atlantic, and whether the genre is intrinsically American. Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4
Gays de gola rolê e mommy issues, loiras de mão leve, o paradoxo do remake, pintando Hitchcock de rosa, o cunho subversivo do New Queer Cinema, desconstruindo cinema e recodificando a codificação queer, Julianne Moore caminhoneira e uma homenagem póstuma à Anne Heche. Hoje os Esqueletos revisitam o controverso remake de Psicose (1998) de Gus Van Sant através de uma outra lente. Apresentado por: Luiz Machado - @escrabroso no Twitter @machadolue noInstagram Alvaro de Souza - @gayracula98 no Twitter e @alllvarusdesouza no Instagram João Neto - @jon3to no Twitter e @joaoneto_89 no Instagram Confira o nosso site: https://www.esqueletosnoarmario.com/ Apoie o nosso projeto: https://apoia.se/esqueletosgays @esqueletosgays no Twitter e Instagram
We come in hot on this bad boy with a long discussion about the strike and where the industry may be headed. Things stay spicy when we finally dig into Todd Haynes' feature debut, its literary origins and the New Queer Cinema movement it helped inspire. Press play now for all that AND our first official John Leguizamo sighting. How Streaming Caused the TV Writers Strike: https://www.vox.com/videos/2023/6/7/23752811/wga-writers-strike-streaming-television @dandysalamander @austin_hayden @creamatoria @cinemythology cinemythologypod@gmail.com
Well, it's time to dust off the old movie vault for this one. I put up a poll on IG to see if anyone has heard or even seen this film and it was a mystery to most. Now, this film I first saw ages ago at Mikey's house and seeing it again all these years later just brought me such delight. This quirky indie rom com stars Sean Hayes before he was known as Jack from Will and Grace. He's a Polaroid (ahh!) photographer who falls in love with a cute coffee barista boy (how 90s) who is a perfect facsimile of Brad Pitt in the Meet Joe Black era. It's all but almost disappeared from the internet so I hope that this will revive your memories if you have seen it or encourage you to track it down if this is a new find. Me and Mikey get into the adorable story, the interesting storytelling, cool late 90s fashion, and the pure CAMP throughout.Off-topic rants include: Wayne's World, some gossip, JTT and 90s heartthrobs, and more Vanderpump Rules chat --- Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the Patreon! GIVE US A 5 STAR RATING & SUBSCRIBE!Hosts: Lauren @lauren_melanie & Mikey @agentmikey007 Music by Den-Mate @imdenmateFollow Fashion Grunge Podcast Substack The Lo Down: a Fashion Grunge blog/newsletterInstagram @fashiongrungepodTwitter @fgrungepodLetterboxd Fashion Grunge PodcastTikTok @fashiongrungepod
Welcome. You're listening to Reel Charlie Speaks, an LGBTQ podcast spin-off of the film and television review blog, Reel Charlie looking at movies and TV from a gay male perspective since 2009. I'm your host, Philip Bahr. Each month I select a classic queer film, television series, or creator. I talk about how the subject spoke to me when I first discovered it years ago, and how its stood the test of time. In episode 8 we explore the classic New Queer Cinema film, The Watermelon Woman (1996), the first feature film from black lesbian filmmaker Cheryl Dunye. https://thewatermelonwoman.com/ https://en.wikipedia.org/wiki/Cheryl_Dunye https://www.jingletownfilms.com/cheryl-dunye https://reelcharlie.wordpress.com/2022/08/29/reel-charlie-speaks-podcast/ Music by Daddy_s_Music from Pixabay --- Send in a voice message: https://podcasters.spotify.com/pod/show/reel-charlie-speaks/message
Nesse podcast comentamos o clássico documentário Paris is Burning (1990), dirigido por Jennie Livingston. O filme, pertencente ao New Queer Cinema estadunidense, retrata os bailes drag de Nova York no final da década de 1980. Conversamos sobre as noções de sociabilidade e família, a apropriação da arte pelo mainstream e relação entre documentarista e pessoas documentadas. O programa é apresentado por Isabel Wittmann, Camila Vieira e Yasmine Evaristo. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-179-paris-is-burning/ Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Isabel Wittmann, Rosana Íris e Yasmine Evaristo Produção do programa e arte da capa: Isabel Wittmann Edição: Domenica Mendes Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata, Helga Dornelas, Larissa Lisboa, Joana Bernardes, Tiago Maia e Pedro dal Bó Assine nosso financiamento coletivo: https://orelo.cc/feitoporelas/apoios Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl Mencionados: Vote no Troféu Alice! https://forms.gle/wk261NQEMgnrmRWCA [FILME] Aconteceu Naquela Noite (It Happened One Night, 1934), dir. Frank Capra [FILME] Sinfonia de Paris (An American in Paris, 1951), dir. Vincente Minnelli [FILME] Jules e Jim - Uma Mulher para Dois (Jules et Jim, 1962), dir. François Truffaut [FILME] Pauline na Praia (Pauline à la plage, 1983), dir. Éric Rohmer [FILME] O Raio Verde (Le rayon vert, 1986), dir. Éric Rohmer [FILME] Caprice (1986), dir. Joanna Hogg [FILME] Cidade dos Sonhos (Mulholland Dr., 2001), dir. David Lynch [FILME] Unrelated (2007), dir. Joanna Hogg [FILME] Archipelago (2010), dir. Joanna Hogg [FILME] Exibição (Exhibition, 2013), dir. Joanna Hogg [FILME] Amantes Eternos (Only Lovers Left Alive, 2013), dir. Jim Jarmusch [FILME] La La Land: Cantando Estações (La La Land, 2016), dir. Damien Chazelle [FILME] The Souvenir (2019), dir. Joanna Hogg [FILME] The Souvenir: Part II (2021), dir. Joanna Hogg [FILME] Annette (2021), dir. Leos Carax [FILME] The Eternal Daughter (2022), dir. Joanna Hogg [SÉRIE] Sex and the City (1998–2004), criada por Darren Star [SÉRIE] Mad Men (2007-2015), criada por Matthew Weiner [SÉRIE] Fleabag (2016-2019), criada por Phoebe Waller-Bridge [SÉRIE] Stranger Things (2016-), criada por Matt Duffer e Ross Duffer Relacionados: [PODCAST] Feito por Elas #65 Trilogia Bridget Jones https://feitoporelas.com.br/feito-por-elas-65-trilogia-bridget-jones/
We're back after a brief hiatus with a doozie of a movie to talk about! Zero Patience is an original musical dramedy directed and written by John Greyson and released in 1993. This film follows, seriously, an immortal British explorer-sexologist-turned-museum-taxidermist Sir Richard "Dick" Burton (actor John Robinson) and the earth-walking spirit of Zero, the gay man accused of originating the HIV-AIDS epidemic in North America (actor Normand Fauteux). With the help of Zero, Dick uncovers the truth behind the AIDS epidemic. Already a shocking premise, this movie exemplifies the daringness of the New Queer Cinema era, and it doubles down by including some hilarious and outlandish musical numbers, including a barbershop quartet on sauna etiquette and a duet between buttholes. Underneath it all, the movie has a solid emotional message at its core as it humanizes "Patient Zero" of the AIDS epidemic and left Jake and Kevin with lots to uncover! How has this not been made into an off-Broadway production yet? Does this film have more staying power than Philadelphia, released the same year? Is Randy Shilts being unfairly spoofed? This and more on this week's Cinema Very Gay! The next dastardly queer-coded Disney villain we visit is none other than Professor Ratigan (but don't call him a rat) from the movie The Great Mouse Detective from 1986. Voiced by the noted bisexual master of horror, Vincent Price, Ratigan brings a new level of danger to the queer villain role as he is matched against the protagonist, Basil of Baker Street. He has the usual flamboyance we have come to expect from a Disney villain, but brings on the murderousness even more than we have seen! Talk about a jealous ex-boyfriend.
Esta semana nos aventamos un viaje a las películas de los 90s mega artsy y hablamos de una de las primeras películas del New Queer Cinema, -my Owen Private Idaho. Papi Keanu Reeves y papi River Phoenix nos dan una de sus mejores interpretaciones en su carrera y nos dieron mucho de que hablar, como por ejemplo, que River >>>> Joaquin y que como Gus Van Sant necesita regresar a sus raíces gei mamadoras de arte por favor!!!!
On this installment of Watch Challenge, we challenge ourselves to watch a film from the New Queer Cinema Movment. Submit a topic for our Listener Suggestions series
Today, we're reviewing one of the staples of New Queer Cinema, The Watermelon Woman (1995). Listen in as we get into the rarely-seen Black lesbian gaze, DIY indie aesthetics, Pauli Murray, racist bingo, the quest for identity and community, and so much more!This episode was edited by Michelle. Logo by Micky. Music by Michelle. For business inquiries and fan rants, please email takingtvtooseriously@gmail.com. In between episodes, find us on Instagram @takingtvtooseriously.
A film within a film within a film, The Watermelon Woman is a brilliant example of New Queer Cinema. Lightheartedly combining camcorder, 16mm, and self-made "found" footage, Cheryl Dunye gives voice and life to lost history 23 years before we see something similar come to life with Marianne in Portrait of a Lady on Fire. "What??" you say. "YES." we respond. Let's talk about it! And... • The 90s vibes!
For the final episode of our first season, we are spending some time with a pioneer of the New Queer Cinema movement, director Gregg Araki. His 1992 film, The Living End, follows two men, Luke and Jon, who both learn that they are HIV positive and join each other on a chaotic and often violent road trip. Their motto: "Fuck everything." The Living End has a solid grasp on the frustrations of gay men on the fringes of society during the AIDS crisis, while not losing the two men's sexuality and humor. Araki blew audiences away at Sundance Film Festival in 1992 when it premiered, impressively filming this movie with a budget of under $20,000! We can think of no better (Living) End to our season than this film! We have often asked ourselves on this podcast what makes a good gay movie? To wrap up this episode, Jake and Kevin take a fond look back on the good, the bad, and the offensive of the films we have watched so far! Thanks to all our listeners for tuning in this season, we will see you in a few months!
Cheryl Dunye (1966-present) was the first Black lesbian to direct a feature film. The movie, called The Watermelon Woman, established her as a leading voice in the New Queer Cinema movement of the 1990's.Special thanks to our exclusive Pride Month sponsor, Mercedes-Benz! Mercedes-Benz continues to support and stand with the LGBTQIA+ community. Listen all month long as we celebrate women whose authentic expression in their lives and bodies of work have expanded the norms of gender and sexuality in the performing arts.History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Alex Jhamb Burns. Special thanks to Shira Atkins. Original theme music composed by Miles Moran.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter
Joshua is joined by his fellow QFest St. Louis programmer Cait Lore to discuss the 15th edition of the celebration of queer film and art. Tickets are now available @ CinemaStLouis.org! They rundown the entire festival line-up (and then some), including special events like our co-presentations of Tsai Ming-liang restorations at Webster University Film Series, Opera Theatre St. Louis' Harvey Milk Film Festival, and PLAYTIME: Poison, A QFest St. Louis Party. DJ Tilda_Sweatin, the host of PLAYTIME, stops by to talk about the free party at HandleBar and sharing the same New Queer Cinema inspiration that informed the film fest this year. Follow @QFestStLouis on all social media platforms for even more details. Please share, subscribe, and review! Follow us @stlfilmfest on Instagram and Twitter, @CinemaStLouis on Facebook.
Amy E. Duddleston, ACE has over 30 years of experience in feature and television picture editing. Starting out as an Apprentice Editor, she made her way up to Assistant Editor, working on films like My Own Private Idaho, Corrina, Corrina, and To Die For. As an editor, she has cut 20 features, including High Art, Laurel Canyon, Elegy and Gus Van Sant's remake of Psycho, as well as nearly 80 hours of television on series such as Dexter, The Killing, Vida, Hunters and most recently, Mare of Easttown, for which she received two 2021 Emmy Award nominations. In 2022 she was nominated for two Eddie Awards for limited series editing by the American Cinema Editors, also for Mare of Easttown.She has been a member of the Motion Picture Editors Guild since 1991, and currently serves on the Board of Directors. She is also a member of American Cinema Editors, AMPAS and the Television Academy.On this episode of Screen Culture, Amy recounts how she discovered editing after being “enthralled” by Raging Bull and inspired by the work of editors such as Dede Allen. She shares how her journey as a young apprentice and then assistant editor led her to working out of Gus Van Sant's house during production of the now-iconic My Own Private Idaho, her collaboration with Van Sant on projects including a shot-for-shot remake of Psycho, her work with filmmaker Lisa Cholodenko on films including the groundbreaking High Art, and her recent work in television shaping prestige series such as Mare of Easttown.Amy and Lisa also cover:What it's like to work on a project, like My Own Private Idaho, that becomes culturally iconic: “Most of the time when you're working on something, you just hope people see it”How allowing time for ideas and approaches to percolate is essential in film and TV editing—rushing is the enemy of artThat the process of editing great actors—including Frances McDormand, Kate Winslet, and Patricia Clarkson—is challenging to describe: “You're just trying to follow the rhythms”How Amy turned down an offer to work on Good Will Hunting to edit her friend Lisa Cholodenko's first film, High Art, which became a Sundance sensationHow High Art as an artifact of New Queer Cinema reflected cultural growth, as it's “not a shiny coming-out story,” and how art is essential for “creating space” for new stories and narratives around underrepresented groupsWhat it was like to experience Mare of Easttown's popularity: “The outpouring of love for the show was mind-blowing”Amy is on Twitter as @phantomframe.
Chris Baker talks with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ about his new film “The Estate” a dark comedic thriller about real people doing despicable things. If you love movies like John Water's “Serial Mom” this must-see film delivers in the same guilty-pleasure vein. Written and starring Baker the film centers on the spoiled son and the newest wife (Eliza Coupe) of a billionaire patriarch (Eric Roberts) who plot to murder him forming a psychosexual bond with their brutally handsome hitman (Greg Finlay) as they kill in their quest for wealth and recognition. Baker also talks about when he was growing up all he ever wanted to do was to make movies and while he was an avid consumer he noticed the lack of films that reflected our LGBTQ community. When his director and producer asked what kind of film he wanted to do he remembered all the movies like “Cruel Intentions” and “Wild Things” and “Scream” and movies that had that balance of tone where things could be very funny but they could also kill people so Chris came back with the script for “The Estate”. The stellar cast also includes Heather Matarazzo, Rif Hutton, Alexander Billings, Kyle Rezzarday and Ezra Buzzington. The film is directed by James Kapner and produced by Rod Hamilton, Adam Makowka and Alixandra von Renner. We talked to Chris about his inspiration for writing “The Estate” and his spin on our LGBTQ issues. Chris Baker is a New York City native and Harvard graduate where he completed his thesis on the works of the New Queer Cinema auteur Todd Haynes. Baker first found success as a pop singer collecting millions of views on YouTube. He then studied with LA's best at the Upright Citizens Brigade and the Groundlings and had bit parts on Shondaland's “The Catch” and the NBC series “Marry Me” before writing and starring in his 2017 Funny or Die web series “Baker Daily” where he plays an inept cable news anchor who inadvertently gets Trump impeached. “The Estate” is available on Hulu and most VOD streaming outlets. For More Info… LISTEN: 500+ LGBTQ Chats @OUTTAKE VOICES
On January 25, thirty years ago, artists and journalists collaborated to host the Barbed-Wire Kisses panel at the 1992 Sundance Film Festival, which helped spur a new LGBTQ+ film movement, New Queer Cinema. Amongst the panel members were filmmakers like Derek Jarman and Todd Haynes, artists Sadie Benning and Isaac Julien, and critic B. Ruby Rich. Journalist Erik Piepenburg joins us to discuss the panel and its legacy, which he looks at in his new piece "The Day New Queer Cinema Said: Let's Do This," which also features discussion with some of the original panel members.
Happy Halloween! Tonight, Amelia, Nate, and Row watch that New Queer Cinema classic The Living End on tonight's episode of The Gay Anarchist Yoga and Erotic Cooking Association. GAYECASocial Facebook & Twitter: @GAYECAPod Amelia Instagram: thenefariousnavigator Row Facebook & Twitter: susqueenrow Music and Sound Effects by Pond5
condotto da SGT Nicotine Crocker, Giacomo e Cape
condotto da SGT Nicotine Crocker, Giacomo e Cape
condotto da SGT Nicotine Crocker, Giacomo e Cape
Episode Notes Today, we return to New Queer Cinema with our discussion of Gus Van Sant's My Own Private Idaho which takes inspiration from William Shakespeare's Henry IV Pt 1, Henry IV Pt 2, and Henry V. CAST: Megan Scharlau and Matthew James Marquez Theme music by Riley Allen- https://rileyallen59.wixsite.com/music SFX: "Cartoon Fash Movement Swooshes", "Aww cute reaction", "Boccherini Minuet Classical", "35mm Film Projector Start", "Comic Male Laughter", "Crowd Boos 2", "Harp Spell Classic", "Small Young Group Ovation" on Audioblocks.com "Slide Whistle 1" on freesound.org Support Avant-Bard by contributing to their Tip Jar: https://tips.pinecast.com/jar/avant-bard
#EuUGayCinema geht in die sechste Runde! Mit dem US-amerikanischen Filmemacher Gregg Araki sprechen Nils und Markus über einen der wichtigsten Vertreter des New Queer Cinema der 1990er Jahre. Insbesondere geht es um die Teen(age) Apocalypse Trilogy und Arakis verstörendes Meisterwerk Mysterious Skin. CN: sexualisierte Gewalt Folge 092– jetzt abspielen Gregg Arakis Filme: Drei Verirrte in … Folge 092 – Sonderfolge – die Filme von Gregg Araki weiterlesen
Listen, this is a queer podcast 365 days a year. Pride Month won't be stopped by a little thing like June being over. It's time for the 90s, and the film its director describes as "an episode of Beverly Hills 90210 on acid." On the board for this episode: the difference between "queer representation" and "queer cinema," the queer reclaiming of mainstream genre work, and the pros and cons of making intensely of-the-moment art. CONTENT WARNING: Discussion of suicide, racism, child sexual abuse, homophobia+biphobia, religiosity, gore/animal death and body horror Variety Interview: https://variety.com/2019/tv/features/gregg-araki-starz-now-apocalypse-1203155576/ Black Is, Black Ain't: http://newsreel.org/video/BLACK-IS-BLACK-AINT Disclosure: https://www.netflix.com/title/81284247 Poison: https://zeitgeistfilms.com/film/poison 1:00 Intro to Araki + New Queer Cinema 12:00 24 Hours of “Nowhere” 14:00 Ethics and Young Actors 17:00 The Teen Soap Gang 22:00 Alien Invasion 26:00 At the Party 32:00 Nihilism and Vulnerability 37:00 Pop Culture Time Capsule 40:00 Fuck Harmony Korine Corner 45:00 Queer Cinema Recs Say hi to Dorothy and Vrai on Twitter @writervrai and @dorothynotgale Our icon was designed by Allison Shabet. Get bonus episodes on our Patreon: patreon.com/trashandtreasures Join us every two weeks on Soundcloud, iTunes or Stitcher – and if you'd leave a rating and review, so that more people can find their way to us, we'd appreciate it!
We finish out our Pride Month coverage with Carol. We discuss New Queer Cinema, the politics of straight people playing gay, and why the actual hell Rooney Mara was nominated in Supporting. Be sure to SUBSCRIBE on whatever platform you're listening on. Follow Honored to be Nominated on Instagram (@htbn.podcast) and Facebook (https://www.facebook.com/htbn.podcast) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/htbn/support
We're wrapping up Pride Month 2021 with a look back at two films that are now seen as precursors to the New Queer Cinema. Today, Gus Van Sant and Todd Haynes are Oscar-nominated filmmakers, but Mala Noche and Poison were their first theatrical releases. How did these once-and-future auteurs introduce themselves to the world? Join us as Brian, Matthew and Max take a look back at these debut films to find out!
This week on The OutCast Presented by Outfest, we celebrate the incredible work of New Queer Cinema filmmaking giant Cheryl Dunye as she joins host David Kittredge to explore her entire career, from her early short films all the way to her recent episodic work on series like Lovecraft Country. With her groundbreaking hit The Watermelon Woman, Dunye became the first out Black lesbian to direct a feature film, and created a classic of independent American cinema - but fans of the movie might be surprised to discover her own personal history around working in a Philadelphia video store. From her approach to melding narrative and documentary form to her focus upon centering the stories of Black lesbians in a medium that has rarely made room for them, this is a conversation no film lover should miss! Now, for the 20th Anniversary of her brilliant film Stranger Inside, Outfest is proud to salute the milestone with a free screening and Q&A on Outfest Now from June 21-27. Support this podcast
Rachel Garbus is back with us to dig deep into a lesbian classic directed by Cheryl Dunye -- “The Watermelon Woman”. This 1996 film is part of the New Queer Cinema movement and mixes autobiographical and documentary elements with a traditional narrative fiction. WUSSY Movie Club is a weekly roundtable movie podcast with a Queer lens, featuring themed seasons and special interviews with Queer filmmakers. Every Wednesday, a rotating cast of LGBTQIA+ voices will dish on their favorite films of past and present. Join the club and be a part of the discussion! WUSSY Movie Club is part of the WUSSY Podcast Network, hosted by WUSSY Mag (@wussymag) Produced by Jon Dean @jondeanphoto Podcast Art created by Nick Sheridan @glass.knuckles Podcast Music by DJ Helix @1djhelix Join the WUSSY Movie Club on Instagramhttps://www.instagram.com/wussymovieclub/ Follow WUSSY Movie Club on Facebook https://www.facebook.com/WussyMovieClub/
The “Cinephile Cuties” are ready to eat some really disgusting 711 food. That’s because they’re chatting about Gregg Araki’s The Doom Generation. And joining them is their good pal Lucé Tomlin-Brenner.. In this episode, Patrick, Lucé, and Casey talk about sex in cars, OK Soda, and the career of Rose McGowan. Plus they talk all about Lucé’s new short film Surprise! In addition to that, they put The Doom Generation through their proprietary “Fartsy Test.” Patrick recommends a drink pairing. And they give each other notes to improve the show. Listen in to see if it’s working!If you’d like so support Lucé’s short film Surprise! - click HERE!If you like this show, tell a friend!If you’d like to sponsor the show, Venmo Patrick at Patrick-Mallon$10 for episode sponsorship$25 for sponsorship AND the boys will imbibe a drink of your choosing.Follow Farthouse on Twitter and InstagramFollow Patrick and Casey and Lucé on TwitterAnd follow Patrick and Casey and Lucé on Letterboxd
In this episode, the panel talks about the beginnings of New Queer Cinema, the perils of life as a street hustler, the state of various movie bathrooms, and possible Miami connections to Samuel L. Bronkowitz.
After a few episodes in a row featuring queer adjacent stories made for straight audiences, we're taking a look back at the New Queer Cinema. In the early 90's, filmmakers like Gus Van Sant and Greg Araki reclaimed the road movie for queer audiences. These two tales of narcoleptic hustlers and murderers on the run tapped into a queer culture ignored and left for dead by their government. They take very different stylistic approaches, with wildly varying budgets, but each one captures the early 90's in their own captivating way.
Screenwriter and actress Guinevere Turner discusses her experience working on the groundbreaking 1994 film, Go Fish. In a conversation with Assatu Wisseh, Turner recounts how she and director Rose Troche developed their unique story of romance and friendship in a lesbian community in Chicago. A low-budget, independent romantic comedy, Go Fish tells a girl-meets-girl love story that subverts the conventions of the Hollywood romance and the male-centric narratives of New Queer Cinema alike. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36816]
Screenwriter and actress Guinevere Turner discusses her experience working on the groundbreaking 1994 film, Go Fish. In a conversation with Assatu Wisseh, Turner recounts how she and director Rose Troche developed their unique story of romance and friendship in a lesbian community in Chicago. A low-budget, independent romantic comedy, Go Fish tells a girl-meets-girl love story that subverts the conventions of the Hollywood romance and the male-centric narratives of New Queer Cinema alike. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36816]
Screenwriter and actress Guinevere Turner discusses her experience working on the groundbreaking 1994 film, Go Fish. In a conversation with Assatu Wisseh, Turner recounts how she and director Rose Troche developed their unique story of romance and friendship in a lesbian community in Chicago. A low-budget, independent romantic comedy, Go Fish tells a girl-meets-girl love story that subverts the conventions of the Hollywood romance and the male-centric narratives of New Queer Cinema alike. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36816]
Screenwriter and actress Guinevere Turner discusses her experience working on the groundbreaking 1994 film, Go Fish. In a conversation with Assatu Wisseh, Turner recounts how she and director Rose Troche developed their unique story of romance and friendship in a lesbian community in Chicago. A low-budget, independent romantic comedy, Go Fish tells a girl-meets-girl love story that subverts the conventions of the Hollywood romance and the male-centric narratives of New Queer Cinema alike. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36816]
Screenwriter and actress Guinevere Turner discusses her experience working on the groundbreaking 1994 film, Go Fish. In a conversation with Assatu Wisseh, Turner recounts how she and director Rose Troche developed their unique story of romance and friendship in a lesbian community in Chicago. A low-budget, independent romantic comedy, Go Fish tells a girl-meets-girl love story that subverts the conventions of the Hollywood romance and the male-centric narratives of New Queer Cinema alike. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36816]
Screenwriter and actress Guinevere Turner discusses her experience working on the groundbreaking 1994 film, Go Fish. In a conversation with Assatu Wisseh, Turner recounts how she and director Rose Troche developed their unique story of romance and friendship in a lesbian community in Chicago. A low-budget, independent romantic comedy, Go Fish tells a girl-meets-girl love story that subverts the conventions of the Hollywood romance and the male-centric narratives of New Queer Cinema alike. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36816]
Screenwriter and actress Guinevere Turner discusses her experience working on the groundbreaking 1994 film, Go Fish. In a conversation with Assatu Wisseh, Turner recounts how she and director Rose Troche developed their unique story of romance and friendship in a lesbian community in Chicago. A low-budget, independent romantic comedy, Go Fish tells a girl-meets-girl love story that subverts the conventions of the Hollywood romance and the male-centric narratives of New Queer Cinema alike. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36816]
Screenwriter and actress Guinevere Turner discusses her experience working on the groundbreaking 1994 film, Go Fish. In a conversation with Assatu Wisseh, Turner recounts how she and director Rose Troche developed their unique story of romance and friendship in a lesbian community in Chicago. A low-budget, independent romantic comedy, Go Fish tells a girl-meets-girl love story that subverts the conventions of the Hollywood romance and the male-centric narratives of New Queer Cinema alike. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36816]
Screenwriter and actress Guinevere Turner discusses her experience working on the groundbreaking 1994 film, Go Fish. In a conversation with Assatu Wisseh, Turner recounts how she and director Rose Troche developed their unique story of romance and friendship in a lesbian community in Chicago. A low-budget, independent romantic comedy, Go Fish tells a girl-meets-girl love story that subverts the conventions of the Hollywood romance and the male-centric narratives of New Queer Cinema alike. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36816]
Vom amerikanischen Hinterland in die Großstadt, nach Rom und wieder zurück
Nos anos 90 o cinema LGBT passou por uma grande transformação. Após Stonewall e ainda durante a pandemia do HIV, mais e mais obras com temáticas LGBTs surgiram. O audiovisual precisava ir além de pequenas representações dessas sexualidades e gêneros na tela. Neste momento surge uma nova onda no cinema, onde ser queer era um ato político, e precisava ganhar sua própria narrativa. Para conversar comigo sobre o New Queer Cinema, convidei o cineasta e pesquisador Mateus Nagime. Siga o Confabulando nas redes sociais: @confabulandopod no Instagram e no Twitter!
New year, new A Year in Film! In the first 1992 episode, Becky, Alicia and Cam celebrate the work of women filmmakers like Leslie Harris (Just Another Girl on the I.R.T.) and Allison Anders (Gas Food Lodging), while toasting to two queer classics out of the U.K.: Sally Potter's Orlando and Terence Davies' The Long Day Closes. See acast.com/privacy for privacy and opt-out information.
E' con B. Ruby Rich che cercheremo di capire se si può ancora parlare di un cinema queer e/o lesbico che sia anche militante e in grado di intercettare le istanze di cambiamento personali e politiche sempre più urgenti, sempre più necessarie. E' questo oggi il nuovo viaggio di Reno, 1959, il podcast delle visioni lesbiche on the road.
Can punk and funk go together? The answer to that question is answered in our final episode of the season. Listen in as LINNA and Nic discuss “Young Soul Rebels”. Isaac Julien’s film follows two disc jockeys, Chris and Caz (Valentine Nonyela and Mo Sesay), as they try to break into mainstream London radio, as well as solve the murder of one of their friends, TJ. We discuss all things British in 1977, the power of tender male friendships, gatekeeping, and the importance of representation in New Queer Cinema. As we near Election Day here in the United States, we urge our listeners to use their voice to vote and create positive change in the world. Thank you for tuning in, and stay tuned for more!
Indiefilmtalk Podcast - Der Podcast über das Filmemachen | Produzieren | Drehbuch | Festivals
Heute reden wir mit Produzentin Paulina Lorenz, Regisseur Kai S. Pieck und Prof*in Dr. Skadi Loist über das New Queer Cinema und die Sichtbarkeit von queeren Geschichten im deutschsprachigen Film.
Have a nice day. That’s how “My Own Private Idaho” ends, but we probably shouldn’t get too ahead of ourselves! Listen in as LINNA and Nic discuss one of the most well-known New Queer Cinema films. We follow Mike Waters (River Phoenix) and Scott Favor (Keanu Reeves) as they bond and traverse the streets of the Pacific Northwest as hustlers. Their friendship takes them not only across the country but also to Europe as they search for what home means to them. Is “My Own Private Idaho” high art or mainstream New Queer Cinema? Find out! Thank you for tuning in, and stay tuned for more! Our final episode on this season of transgressive gays in New Queer Cinema will be released this Friday, 10/30.
On the inaugural episode of Crit Club, Coire, Angela, Wizard Chris and Peter look at Greg Arraki's 1993 New Queer Cinema classic Totally F***ed Up.
If you haven’t heard of New Queer Cinema, then lucky for you! Listen to LINNA in "What is New Queer Cinema?" to learn more about the film movement that is considered one of the most vital to modern-day queer representation in film, as well as one of the most essential to the media landscape we have today. And stay tuned for our first episode to be released Wednesday, 10/14.
Welcome listeners! LINNA and Nic are proud to announce their new podcast and its first season. For those interested in all things queer film-related, this is the new podcast for you. For our first season, we will be diving deep into the film movement known as New Queer Cinema -- specifically the prominent, transgressive gay films of New Queer Cinema. Join us as we critically analyze films such as Todd Haynes' Poison and Gus Van Sant's My Own Private Idaho. Stay tuned for our first episode, Gregg Araki's The Living End, which will be released on 10/14.
We're going back to our indie film roots this week on The OutCast Presented By Outfest, when host David Kittredge talks with one of the most acclaimed producers of the past few decades, Christine Vachon. From her start working on the set of PARTING GLANCES to shepherding iconic movies of the New Queer Cinema, to founding her company Killer Films and its celebrated films including POISON, BOYS DON'T CRY, VELVET GOLDMINE and HEDWIG AND THE ANGRY INCH, Christine talks about the radical shifts how content is created, how living through the AIDS crisis inspired her and other artists to get their stories heard, what she looks for in a project, and her unashamed love of THE POSEIDON ADVENTURE. Support this podcast
Episode FOUR of This Is My Favourite Thing with Brandon Taylor, discussing the soundtrack to Gregg Araki's Mysterious Skin (2004), created by Harold Budd and Robin Guthrie. ------------------------------ Mysterious Skin (Music from the Film) - Robin Guthrie & Harold Budd https://youtu.be/dUzyIrVbj0w Mysterious Skin (2004) trailer https://youtu.be/5Lp5v4oQZRw Major Briggs' Vision https://youtu.be/tc74zZmn2m8 Gregg Araki Interview with Filmmaker Magazine (2005) https://filmmakermagazine.com/archives/issues/spring2005/features/wonder_years.php Musical Cachet in The Living End and the New Queer Cinema by Jack Dubowsky https://link.springer.com/chapter/10.1057/9781137454218_3
This week on Queer Pressure, Catherine and Madison tackle New Queer Cinema icon, My Own Private Idaho. Written and directed by Gus Van Sant and inspired by William Shakespeare, MOPI tells the tale of two male street hustlers, played by River Phoenix and Keanu Reeves, on an avant-garde quest for truth, for connection, and for a sense of home. --- Support this podcast: https://anchor.fm/queerpressurepc/support
Having already looked at a character dealing with complex emotional issues in "Hulk" for his next film Ang Lee didn't stray far from these ideas as he tackled an adapation of Anne Proux novel about two cowboys finding each other at the titular mountain range and their struggle to deal with thier feelings over the course of two decades as they make regular trips back. We also look at it's place in New Queer Cinema aswell as the impact it had on the cinematic and social landscape when it was released plus more!!
“Am I crazy? Am I drunk? Am I hallucinating?” — Jenny Schecter It’s the “Off The Chart” pre-party! Before we start our season-by-season recapping, this premiere episode digs into lesbian, bisexual and queer culture circa 2004 and breaks down the impact of The L Word’s launch. Meet our recap crew, two who watched the original series as it aired, and two youngster late-comers. (There’s even one of us who loves Jenny.) Revisit the Riot Grrrls and New Queer Cinema, remember that summer we all said, “That’s hot,” regret those low-rise flares—and get ready to live, laugh, love and listen. Episode notes and extras:“Not Your Mother’s Lesbians,” New York Magazine on the launch of The L Word in 2004The ChartNew Queer CinemaGo Fish (1994), a classic lesbian indie film, directed and co-written by Rose Troche and starring and co-written by Guinevere Turner—Troche directed several episodes of The L Word, Turner played Alice’s awful ex Gabby DeveauxThe Incredibly True Adventures of Two Girls in Love (1995) Another classic lesbian indie film from the 1990s, this one starred Laurel Holloman (Tina)Queer As Folk (UK) and Queer As Folk (US)Lesbian AvengersQueer NationHow the Riot Grrrl movement sold the world on girl powerRIP early aughts fashionFrom BuzzFeed: Which L Word character are you?The L Word: Generation QThe L Word creator Ilene Chaiken on what fans can expect from the rebootFeaturing: Rachel Giese @rachelagieseErica Lenti @ericalentiEternity Martis @eternitymartisMichelle Turingan @chelleturinganProducer and editor: Corey Misquita @coreymisquitaSenior producer: Rachel Matlow @rachelmatlowExecutive producer: Rachel GieseMusic: KidKulit
***SPOILER ALERT: MAJOR PLOT POINTS FROM THE JOKER ARE REVEALED IN THIS EPISODE*** Amazing guests keep rolling into W2X, and this week Wynter and Karen are joined by the one and only Heather Matarazzo, an actor, writer, director, who’s played some of the most iconic roles in film and TV over the last 25 years, including Dawn Wiener in Welcome to the Dollhouse, Lily Moscovitz in the The Princess Diaries films, and of course, Stacey Merkin on The L-Word. The three get into a stunning range of conversations about life, death, and “acceptance” before debating Todd Phillips’ The Joker and its various controversies. Karen, Heather, and Wynter also revisit the gay 1990s and the impact of independent film-making (or “The New Queer Cinema” as B. Ruby Rich called it) vs. the mainstream films that took on LGBT representation in that era. Our NUO-LINGO “curves” back to The L-Word in a serendipitous way and Heather shares a sparkly new SOTW with us. If you can’t get enough of their conversation, visit our Patreon page for some bonus content exclusive to subscribers. Join our Patreon for bonus content and SWAG: https://www.patreon.com/waitingtoxhale Links to just about everything mentioned: The Birdcage (1996) Official Trailer JOKER Trailer (2019) Sue Perkins: An hour or so with… (Podcast) Ina’s Cooking Playlist - Women Who Rock (via Ina Garten, Spotify) Editor Note: Chris Klein’s character’s sister in Election does, in fact, have a name, and it’s Tammy Metzler, played by Jessica Campbell. Come Alive - Madonna
PLAY PODCAST John Cameron Mitchell's longtime collaborators, picture editor, Brian Kates, sound editor, Ben Cheah and his Animator and Visual Effects Supervisor John Bair, joined Mitchell in conversation about the the origins and the evolution of their work together. John Cameron Mitchell, Ben Cheah and John Bair joined us via Voice-over IP. When John Cameron Mitchell landed in the downtown art, theater and music scene in New York City in the 1980's any imaginary border that separated an independent filmmakers sensibility from making punk rock music was arbitrary in that his first major creative work, the eventual Broadway hit musical Hedwig and The Angry Inch was born from a DIY collaboration between himself, lyricist and composer, Stephen Trask and other musicians and actors that , true to the NewYork fighting spirit had created beauty and art out of a sense of anger and alienation of era. Later, the filmic adaptation of Hedwig was recognized as part of the wave of late 90's queer independent American cinema alongside the work of filmmakers like Gus Van Sant Ira Sachs and Todd Haynes. . Each of his Three subsequent films, Shortbus, Rabbithole and How To Talk To Girls at Parties also invited us to fearlessly travel into uncharted territories. His most recent project, Anthem: Homunculus, a musical podcast series for the digital age tells a story about a man crowdfunding his survival. What's consistent throughout every project is that it cultivates a cross-pollination of artists representing different groups all the while emphasizing compatibility and compassion between performers, their worlds and the audiences themselves.
PLAY PODCAST John Cameron Mitchell’s longtime collaborators, picture editor, Brian Kates, sound editor, Ben Cheah and his Animator and Visual Effects Supervisor John Bair, joined Mitchell in conversation about the the origins and the evolution of their work together. John Cameron Mitchell, Ben Cheah and John Bair joined us via Voice-over IP. When John Cameron Mitchell landed in the downtown art, theater and music scene in New York City in the 1980's any imaginary border that separated an independent filmmakers sensibility from making punk rock music was arbitrary in that his first major creative work, the eventual Broadway hit musical Hedwig and The Angry Inch was born from a DIY collaboration between himself, lyricist and composer, Stephen Trask and other musicians and actors that , true to the NewYork fighting spirit had created beauty and art out of a sense of anger and alienation of era. Later, the filmic adaptation of Hedwig was recognized as part of the wave of late 90’s queer independent American cinema alongside the work of filmmakers like Gus Van Sant Ira Sachs and Todd Haynes. . Each of his Three subsequent films, Shortbus, Rabbithole and How To Talk To Girls at Parties also invited us to fearlessly travel into uncharted territories. His most recent project, Anthem: Homunculus, a musical podcast series for the digital age tells a story about a man crowdfunding his survival. What’s consistent throughout every project is that it cultivates a cross-pollination of artists representing different groups all the while emphasizing compatibility and compassion between performers, their worlds and the audiences themselves.
John Cameron Mitchell’s longtime collaborators, Picture Editor, Brian Kates, Sound Editor, Ben Cheah and Animator and VFX Supervisor John Bair, joined Mitchell in conversation about the origins and the evolution of their work together on Hedwig and the Angry Inch, Shortbus, Rabbithole and How To Talk To Girls at Parties. John Cameron Mitchell, Ben Cheah and John Bair joined us via Voice-over IP. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org or share your comments via iTunes
Episodio 5: A través del tiempo Queer Con ocasión del orgullo LGBTQ+, que marcó este pasado junio el cincuenta aniversario de las revueltas de Stonewall, en este quinto episodio nos sumergimos en la ficción especulativa que explora y practica lo queer. Partimos del clásico de Le Guin La mano izquierda de la oscuridad, y de las limitaciones de esta reimaginación concreta del género, ayudadas de El pensamiento heterosexual de Monique Wittig. Repasamos genealogía urbana gay en la obra del neoyorquino Samuel Delany y trazamos vínculos entre su escritura y las reflexiones queer y descoloniales de Hiromi Goto a través de lo que el teórico Jack Halberstam denomina “tiempo queer”. Laura Lazcano nos trae ejemplos tempranos de ciencia ficción queer en el cine de los 70 y 80, el New Queer Cinema y sus exponentes, y nos cuenta cómo se refleja la transexualidad en la ficción actual. Escuchamos además algunas de las jóvenes voces bisexuales del fantástico estatal actual e indagamos en el potencial especulativo del pensamiento transfeminista hispanohablante. Referencias: Textos La mano izquierda de la oscuridad - Ursula K. Le Guin (t. Francisco Abelenda) El pensamiento heterosexual - Monique Wittig (t. Javier Sáez y Paco Vidarte) “Is Gender Necessary?” - Ursula K. Le Guin “Mayoría de edad en Karhide” (en El cumpleaños del mundo y otros relatos) - Ursula K. Le Guin (t. Estela Gutiérrez Torres) Flight from Nevèrÿon - Samuel Delany “Por siempre y Gomorra” - Samuel Delany (t. Domingo Santos / Francisco Blanco) “‘Life-Now’: James Tiptree, Joanna Russ, and the Queer Meaning of Archives.” - Isaac Fellman “Notes from liminal spaces” - Hiromi Goto “Tecnofeminismo: apuntes para una tecnología transfeminista” (en Transfeminismos: epistemes, fricciones y flujos) - Lucía Egaña Rojas Cine y televisión The Rocky Horror Picture Show (1975, Jim Sharman) Liquid Sky (1982, Slava Tsukerman) Poison (1991, Todd Haynes) Nowhere (1997, Gregg Araki) Mysterious Skin (2004, Gregg Araki) Diamantino (2018, Abrantes, Schmidt) The Wild Boys (2017, Bertrand Mandico) Girls Lost (2015, Alexandra Keining) Música QueenS - THEESatisfaction Rizomas Salvajes - Las Bajas Pasiones bell’s roar - We Carry Us Bad Religion - Frank Ocean Boyfriend - Marika Hackman Gente de mierda - Putochinomaricón Thunder Thighs - Miss Eaves --- 5. saioa: Queer denboran barrena Joan den ekainean Stonewalleko matxinaden berrogeita hamargarren urtemugako LGBTQ+ ospakizunak izan direla-eta, bosgarren atal honetan, queer esparrua ikertzen eta praktikatzen duen espekulaziozko fikzioan murgilduko gara. Le Guin-en The Left Hand of Darkness lan klasikoko generoaren berrirudikapen zehatzak dituen mugetatik abiatu gara, Monique Wittig-en Pentsamendu heterosexualalanaren laguntzaz. New Yorkeko Samuel Delany-ren obrako hiriko gay genealogia berraztertuko dugu, eta loturak marraztuko ditugu haren idazketaren eta Hiromi Goto-ren hausnarketa queer eta dekolonialen artean, Jack Halberstam teorialariak "queer denbora" deitzen duenaren bidez. Laura Lazcanok 70eko eta 80ko hamarkadetako zinemako queer zientzia fikzioko lehenengo adibideak ekarriko dizkigu, New Queer Cinema eta haren adierazgarriak, eta egungo fikzioan transexualitatea nola islatzen den azalduko digu. Bestaldeko, Estatuko egungo egoerako ahots bisexual gazte batzuk entzungo ditugu, eta espainieraz adierazten den pentsamendu transfeministaren indar espekulatiboa aztertuko dugu.
No one plays fucked-up, damaged sexuality quite like Julianne Moore. In SAVAGE GRACE, as the mercurial heiress Barbara Bakeland whose relationship with her son (Eddie Redmayne) goes from over-intimacy to incest, she stops at all the Stations of the Cross of camp insanity. Accosting her philandering husband in an airport while wearing a flagrant red dress? Check. Making her pre-pubescent son recite porn in a foreign language? Check. Having a threesome with said son's male lover? Check. Somehow, despite the hothouse atmosphere, suicide attempts and moody hallucinations, Juli and Eddie somehow manage to make these perverse, insular characters weirdly fun -- that is, until the incestuous sex grows both mechanical and murderous. Brian and Seán debate the merits of this particularly transgressive example of New Queer Cinema but conclude that it is undeniably watchable -- and that no one but Julianne could make all these crazy contradictions cohere -- por el culo! (wyzz8sdg) Part 3 of 3 Clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks).
New Queer Cinema champion, feminist film critic, educator and agitator, B. Ruby Rich introduces Sara Gomez’s 1974 film, De Cierta Manera, a study of the interplay of race, class and gender. The film also provides a jumping off point for Rich to discuss her developing thoughts on Queer representation in cinema, to explore how online viewing platforms are changing film, and to reflect on the continuing influence of her book, Chick Flicks See acast.com/privacy for privacy and opt-out information.
Now onto its third edition, the Scottish Queer International Film Festival has found success fast, and managed to push a few buttons along the way. A great lineup of films catering to a broad spectrum of identities as well as a brilliant programme of lectures, workshops and parties propelled it to the number nine spot on The List's Hot 100 last year. The team behind the SQIFF have continued this trend with the 2017 festival, taking place now in Glasgow.In episode ten of the podcast, our host Gareth K Vile is joined by SQIFF programming committee member Marc David Jacobs to discuss the festival, what queer means and share some recommendations. For part two of the episode we're very lucky to have writer, photographer and underground filmmaker Bruce LaBruce for a wide ranging discussion starting with the New Queer Cinema of the 80s, punk, confrontational filmmaking and the difficulty of being an 'underground' artist in 2017. LaBruce's The Misandrists just made its Scottish premiere on opening night at the GFT, and he'll be DJing at the Drygate on Sunday, so don't miss that.Show notes:00:00:00 – Interview with Marc David Jacobs00:11:01 – Marc's festival recommendations, including Greg Araki's Nowhere00:17:02 – Bruce LaBruce interviewCredits:Festival City Podcast is co-created by Gareth K Vile (host) and Scott Henderson (producer). Intro music by The Joy Drops. Supported by SGSAH.Please send feedback to podcasts[at]list.co.uk
This episode of the podcast - produced in association with Club des Femmes and The Barbican - focuses on the recent retrospective and celebration of the American Film Critic, Scholar and Curator B. Ruby Rich (@brrich1) entitled Bring Ruby Rich. The centrepiece of the podcast is a wide ranging interview with Ruby herself covering, among many things, her initial entry into film criticism, her promotion of the cinema as a social space, the legacy of her concept of New Queer Cinema, and the possibility of a political cinema in the digital age. We also interview Sophie Mayer (@tr0ublemayer) and Selina Robertson (@Clubdesfemmes), from Club Des Femmes who organised the event. And there is an in-depth Q&A hosted by Ruby and featuring Yance Ford (@yford) who discusses his first feature, to be released on Netflix in September, entitled Strong Island. An Introduction to B. Ruby Rich - Sophie Mayer - BFI Website "I am draw to the fire" B.Ruby Rich interview by Sophie Mayer - The F Word B Ruby Rich is one of America’s greatest contemporary film critics and academics. Currently working as a professor of Film and Digital Media at the University of California: Santa Cruz, Rich has spent much of her career, both within academia and industry, supporting and celebrating the marginalised voices of moving image. Alongside her academic work, Rich has been International Curator for the 2002 Toronto International Film Festival; has served on juries at the Sundance, Toronto, San Francisco, Oberhausen, Havana, Sydney, and Guadalajara film festivals; and is a member of the advisory board of the Provincetown Film Festival and previously of the Sundance Selection Committee. Rich was also the Director of the Electronic Media and Film Program at the New York State Council on the Arts in charge of supporting non-profit film, video, digital, and radio activities in New York City and throughout New York State in 1981-91. Yance Ford At 19 years old during his sophomore year at Hamilton University, Yance Ford’s life was unequivocally altered by the brutal murder of his older brother, William Ford Jr. Originally working in photography, the devastating events surrounding his brother’s death and the refusal of a white jury to persecute William’s killer, galvanised Ford into becoming a filmmaker. Ford has spent most of his professional career, as a series producer for the PBS documentary programme P.O.V, deciding which submissions make it on to air. After working as a producer for several years, Ford was incited by a conversation with a co-worker to start working on the film that would become Strong Island (2017). Strong Island (Yance Ford, 2017) Yance Ford’s debut feature is a deeply moving, complex film about a family murder, memory, injustice and the institutional racism that continues to pervade America’s legal, social and economic systems. Reminiscent of Errol Morris, Ford unforgettably delivers an investigation into resistant black masculinities, cis and trans, and meditations on raw personal grief. Many thanks to The Barbican for their support in the production of this episode.
B. Ruby Rich, editor of Film Quarterly, professor of film and media studies at UC Santa Cruz and author of the new collection "New Queer Cinema: The Director's Cut" classes up the joint with her presence and her insights. Dave and Alonso argue over whether or not the new movie from the "Drive" guys is art or merely arty. Like us on Facebook, follow us @linoleumcast, subscribe on iTunes, I bought a ticket to the world and now I've come back again.
© 2020-2025 Ivy Podcast Discovery LLC
