Left of the Projector

This episode explores the 1954 film Godzilla as both a creature feature and a commentary on humanity post-nuclear disaster. Joined by Nat, Bill, and Levi, we discuss its cultural significance and evolving relevance, reflecting on personal experiences with its emotional themes. We analyze Dr. Serizawa's moral struggles, linking the film to Japan's post-war identity and historical trauma. Highlighting the blend of horror and humor, we invite listeners to connect Godzilla's themes to contemporary issues, showcasing it as a lasting symbol of human fear and resilience.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left to the Projector, we analyze Episodes 4 through 6 of Andor Season 2 with Ward and Bill. We explore the emotional depth of Ghorman, where characters Bix and Andor confront their traumas amid revolution. Our discussion highlights the complexity of the Empire's portrayal in ISB meetings and the psychological impacts of hyper-vigilance on Cassian and Bix. We assess leadership themes and narrative manipulation within the revolutionaries, culminating in a critique of poor leadership during a heist. We conclude with excitement for upcoming episodes, emphasizing the series' profound exploration of rebellion, trauma, and social justice.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Kendra Dawsey:https://www.instagram.com/bossy_dawsey/https://letterboxd.com/bossy_dawsey/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Don't mind us saying 1-6 at the start, we cut us into 1-3.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In case you didn't know, there is this new film called Sinners and I'm joined by Brooke Obie, filmmaker and critic to discuss!Brooke Obiehttps://www.brookeobie.com/https://blackgirlwatching.substack.com/https://www.instagram.com/brookeobie/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Part 4 of the best of LotP brings me to Chapo Traphouse's Matt Christman and friend of the show AV (aka commie trucker). Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I explore David Lynch's film, Twin Peaks: Fire Walk With Me, a prequel that examines the tragic story of Laura Palmer leading up to her death. Joined by filmmaker John Kennedy, we delve into Lynch's unique approach that blends psychological horror with human connection, examining the complex layers of trauma and abuse within Laura's character. Our conversation highlights how this film diverges from the series, revealing darker undertones and intricate symbolism. We analyze pivotal scenes, the impact of character dynamics, and the cultural commentary within the narrative, ultimately celebrating Lynch's artistry in weaving horror, nostalgia, and identity into a compelling exploration of the human condition.Jonathan KennedyIG: https://www.instagram.com/getradifiedhttps://jonkennedy.net/https://www.threads.net/@getradifiedLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Back again with another Best ofLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, we analyze the 1997 sci-fi film Gattaca, directed by Andrew Niccol, alongside Wythe Marshall and Chris Pickett from the "Why We Roll" podcast. We examine the film's portrayal of a future shaped by genetic engineering and social stratification, contrasting 'valids' and 'in-valids' in a society that discriminates based on genetics. Our discussion highlights the film's casting choices and the moral ambivalence surrounding its individualistic narrative, embodied by Vincent's journey to overcome systemic barriers. We also reflect on the film's aesthetic and its critique of reliance on genetics, acknowledging its limitations in addressing classism. Why We Rollhttps://stillfleet.comhttp://stillfleet.com/danse https://bsky.app/profile/stillfleet.bsky.socialhttps://www.instagram.com/timespace.placeLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Part 3 of best of LotP is Boots Riley's biting satire Sorry to Bother You. Sadly, we aren't that far from this reality. Workers of the world unite.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

We take you back to the 90's and the era of tough guys in sweet roles.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Number 2 on the Best of LotP is a one of the greatest blockbusters of all time. The OG Jurassic Park. They've made many since, but this doesn't have Chris Pratt, so that makes it leagues better.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Ghostbusters is just a silly little comedy about why the EPA is actually the villain. Come hear Ash and Jon from Horror Vanguard podcast say why this is flawed and so much more.Horror Vanguardhttps://bsky.app/profile/thelitcritguy.bsky.socialhttps://bsky.app/profile/darrowvania.bsky.socialhttps://bsky.app/profile/horrorvanguard.bsky.socialhttps://bookshop.org/p/books/capitalism-a-horror-story-gothic-marxism-and-the-dark-side-of-the-radical-imagination-jon-greenaway/20692080?ean=9781914420887&next=tLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

My quick 5 min thoughts on Sinners. Spoiler Free. I should add, I can only share my thoughts here, but not the feelings that Coogler brings as a black film maker in a sea of white in Hollywood. Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Imitation is the sincerest form of flattery. Well, one of my favorite podcasts, Revolitionary Left, is running old episodes in a best of series. I've seen a number of new listeners, and want to do a top 10 countdown of episodes you may have missed the first time around.Please enjoy!Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I explore the iconic 1975 film Dog Day Afternoon with guest Jake Flores, delving into its themes of class struggle and socio-economic issues of the 1970s. We analyze Sonny's character, who conducts a bank heist to fund his partner Leon's gender-affirming surgery, and discuss the film's impact on LGBTQ+ representation.Our conversation examines the media portrayal in the film, particularly the "Attica" scene's relevance to contemporary justice movements. By unpacking the film's climax, we highlight its stark reality within a decaying socio-economic landscape, emphasizing its enduring significance in discussions around identity, resistance, and the intersection of art and politics.Jake Floreshttps://podcasts.apple.com/us/podcast/pod-damn-america/id1271019505https://x.com/feraljokeshttps://x.com/WhyYouMadPodhttps://x.com/IDKYPodhttps://www.instagram.com/feraljokes/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I'm joined by Smirk and Red to discuss the final two episodes of Season 2 of Severance. We analyze the emotional depth and intricate narrative of the finale, focusing on the character arcs of Mark, Gemma, and the Egan family within Lumen's oppressive corporate culture.We explore themes of control, moral ambiguity, and the duality of their 'Innie' and 'Outie' selves, while reflecting on the show's dark humor and symbolism. As we wrap up, we speculate on the unresolved themes of exploitation and identity, anticipating how they may evolve in future seasons. Ultimately, Severance challenges us to confront societal compartmentalization and the quest for wholeness.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This week on Left of the Projector, Evan, Destiny, and Thomas dive into Pixar's WALL-E, exploring its themes of consumerism and alienation, while discussing its emotional depth and critique of capitalism. Tune in for insights on this timeless film!Closeted Historyhttps://www.instagram.com/closetedhistoryhttps://beacons.ai/closetedhistoryhttps://patreon.com/ClosetedHistoryhttps://www.youtube.com/@closetedhistoryThomas:https://linktr.ee/thomskyTikTok: https://www.tiktok.com/@leftistsquidwardLetterboxd: https://letterboxd.com/thomsky/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left at the Projector, we analyze Quentin Tarantino's Inglourious Basterds with guests Hugo and James Ray (aka @Jamesgetspolitical). We discuss standout performances and the film's controversial historical narrative.Hugo shares his admiration for Tarantino's blend of dark humor and WWII themes, while James raises concerns about historical accuracy but values the film's artistic approach to revenge.We explore character motivations, particularly Hans Landa's moral ambiguity, and examine key scenes that highlight tension. The conversation also touches on themes of vigilantism and anti-fascism, underscoring the film's cultural relevance today.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, we continue exploring Severance's second season, focusing on episodes five through eight. Red and Smirk Gently join me to analyze key character developments, particularly Gemma's complexities and the societal implications of severance as a solution to discomfort. We unpack the challenging dynamics between Mark S. and Helly, addressing themes of consent and identity, while also examining Milchick's role in corporate exploitation. Our discussion culminates in predictions for the season's finale, inviting listeners to reflect on the series' commentary on reality, work, and control.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

It's Buffy time and with me are the Buffy experts, the hosts of Fangs for the Memories, Kayte and Leslie.Fangs for the Memories - Kayte and LeslieListen on Spotifyhttps://www.instagram.com/fangspodcast/https://www.instagram.com/kaytet/https://www.instagram.com/tendersubjectpod/https://www.kayteterry.com/https://x.com/kayteterryLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, we analyze the first season of "Andor," the prequel to Rogue One, with guests Bill and Ward. We discuss the show's unique approach to storytelling within the Star Wars universe, focusing on its complex portrayal of rebellion and oppression. Highlighting Cassian Andor's journey from marginalized thief to revolutionary, we examine themes of class struggle, corporate control, and character motivations. Key moments, like the Aldani heist, illustrate the blend of action and ideology. We encourage listeners to binge the season before our next discussion, promising deeper insights into this groundbreaking series.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

I'm joined by E.T. Lyons to discuss Oscar winning A Real Pain. E.T. Lyonshttps://beacons.ai/etlyons https://www.instagram.com/e.t.lyons/https://letterboxd.com/etlyons/https://www.threads.net/@e.t.lyonsLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I'm joined by Dan and Jared from the Concessions Podcast to explore the cultural significance of Beavis and Butthead Do America. We share personal connections to the film's absurd humor and discuss its satirical take on 90s American culture as Beavis and Butthead embark on their outrageous quest for a stolen TV.Our conversation covers the duo's contrasting personalities, the film's impact on youth nihilism, and its standout voice cast. We reflect on the film's relevance today and whether new audiences can appreciate its unique blend of humor and societal critique. This episode celebrates the enduring charm and complexity of this iconic animated film.Concessions:https://pod.link/1700141653https://podcasts.apple.com/us/podcast/concessions-consider-the-bigger-picture/id1700141653https://twitter.com/DanConcedeshttps://www.threads.net/@jaredconcessionsLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

I am joined this week by Molly Rasberry to discuss Charlie Chaplin's great work Modern Times. The critiques of labor, alienation and so much more are on full display. Let us know what you think!Molly Rasberryhttps://x.com/RasberryRazzhttps://letterboxd.com/mbrasberry/https://mollywoodwrites.wordpress.com/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, we take a critical look at the film "Emilia Perez," an endeavor that has stirred significant debate due to its questionable narrative and representation. Joined by Griff and Chris from "Bring Out Your Dead," we dissect the film's convoluted plot revolving around a Mexican cartel leader's journey of transition amidst the violence of the drug war. We highlight the controversies related to the film's lack of authentic Mexican representation and the director Jacques Audiard's dismissive approach to Mexican culture. Our conversation unpacks the harmful stereotypes perpetuated by the film, particularly regarding trans women, and critiques its failed attempts at emotional resonance. We express disappointment in the film's arbitrary musical numbers and underwhelming performances, particularly from Selena Gomez. Ultimately, we urge listeners to rethink their engagement with "Emilia Perez," advocating for cinema that embraces authentic narratives and empowers marginalized voicesBring Out Your Dead:https://www.instagram.com/bringoutyourdeadpod/https://pod.link/1706697539https://open.spotify.com/show/3Wsrp6l2a5JlXPJvG5Iwwg?si=3c5d62ed204a42a0Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Fun podcast episodes is my middle nameHow the Red was Wonhttps://www.instagram.com/how_the_red_was_won/https://www.patreon.com/HowtheRedwasWon?https://open.spotify.com/show/6YlNKncmYS7V08VOvs4XH4?si=066707a71c5b4a98Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Red and SmirkGently join me to discuss Season 1 and Season 2, episode 1-4.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I join Hugo and Priscilla Luna to explore the iconic 1973 horror film The Exorcist, directed by William Friedkin. We dissect its classification as horror, delve into its psychological themes, and reflect on how early exposure to the film shapes perceptions of the genre.We examine the historical context of post-Vietnam America, discussing societal fears surrounding science and religion. The conversation highlights Friedkin's innovative filmmaking techniques and key scenes, particularly Reagan's possession. We also analyze character arcs, focusing on Father Karras's internal struggles. We wrap up by recommending both versions of the film to appreciate its layered narrative and significance in cinema.Pricilla Luna:https://www.instagram.com/communalpresshttps://www.instagram.com/mutual.aid.collective/https://www.instagram.com/calaverawearofficial/Hugohttps://www.instagram.com/seizethemeansshirtshttps://linktr.ee/seizethemeanshttps://www.etsy.com/shop/SeizeTheMeans24Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, we explore David Lynch's enigmatic film "Mulholland Drive" with author Mike Miley, who is preparing to release "David Lynch's American Dreamscape." Our discussion unravels the film's complex narrative and its critique of the American dream, framed against the backdrop of Hollywood. Mike shares his personal experience discovering the film and reflects on its characters, Betty and Rita, as symbols of hope and disillusionment.Mike Miley: https://www.mikemiley.com/Pre order Book: https://www.bloomsbury.com/us/david-lynchs-american-dreamscape-9798765102893/https://instagram.com/mikecmileyhttps://bsky.app/profile/mikemiley.bsky.socialLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Nathan Gelgud, a comic artist, discusses the 1974 film The Taking of Pelham One Two Three on the show this week. We explore the film's representation of New York City during a tumultuous period marked by crime and economic decline, highlighting its authenticity through character accents and Walter Matthau's performance. Nathan reflects on the diverse motivations of the hijackers, the film's commentary on class and desperation, and its critique of municipal authority. The conversation also touches upon the socio-political context of 1970s New York, addressing the film's problematic portrayals while affirming its significant exploration of collective action and civic-mindedness. Nathan ultimately champions the film as essential viewing for its nuanced depiction of urban struggles.Nathan Gelgud:https://www.instagram.com/gelgud/https://www.patreon.com/gelgudhttps://www.etsy.com/listing/1818478318/pierrot-shirt?etsrc=sdtLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Well, it's been a year and now our fourth episode in the Andrei Tarkovsky series. This is truly one of the greatest films ever made and I hope you enjoy our deep and vulnerable conversation.Amanda Joy Moon:⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠TikTok⁠⁠: https://tiktok.com/@amandajoymoonRevLeft:https://www.revolutionaryleftradio.com/https://www.revolutionaryleftradio.com/guerrilla-historyhttps://www.revolutionaryleftradio.com/#/redmenace/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this week's episoide, we dive into the latest Alien franchise film. I'm joined by Bill and Ward.Bill:https://www.instagram.com/the_red_gobbo/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Alex Herbert is back for the full episode. We dive into Caliban and the Witch, gothic horror, why do some people not like this film, class dymanics and so much more. Dive with this spoiler filled episode.Alex Herbert:https://alexherbert.substack.com/https://www.instagram.com/punksaround/https://www.instagram.com/lenin_in_45_volumes/Links: https://filmfreakcentral.net/2024/12/nosferatu-2024/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

It's finally here and here we are with our quick impressions and teasing our full episode, out Dec 30, 2024. In the meantime, hear our first impressions, the characters, how it fits in Dracula lore and teasers on class dynamics. Alex Herbert:https://alexherbert.substack.com/https://www.instagram.com/punksaround/https://www.instagram.com/lenin_in_45_volumes/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Jingle All the Way is an Xmas movie about capitalism and it's love for product placement and selling of toys. It's honestly not even that deep. Jingle all the Way Christian linkThe Intervention podcastTwitter: @intervenepodInstagram: @intervention_podEmail: interventionpod@gmail.comTwitter: @levi0leviInstagram: @levi0levi0leviEmail: levi0levi@duck.comLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Kevin Smith is back, though not on this podcast, that's just a tricky way to say he's back with his second film, Mallrats. Joining me are SmirkGently and Levi of the Intervention podcast.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

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This week on the show, Home Alone. What is there to say about this classic...Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Batman Returns is a Christmas movie and this week, in place of your regularly scheduled *new* episode, I am rebroadcasting this classic.What do you get when you have two comic book podcast hosts together for one Batman movie discussion? I don't know, you'll have to find out. This week we discuss the Christmas film Batman Returns.The Black Casebook Podcast:https://www.instagram.com/blackcasebookpod/https://pod.link/1618791941https://twitter.com/BlackCasebookCollective Action Comics: https://www.instagram.com/collectiveactioncomicshttps://www.patreon.com/collectiveactioncomics/posts https://pod.link/1573028630 https://twitter.com/CAComixPodLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I analyze the 1985 neo-noir action thriller "To Live and Die in L.A." with Ryan and Este from Altmania. We discuss the film's themes of crime and corruption within the socio-political context of 1980s America, highlighting performances by William Petersen and Willem Dafoe.We explore the film's critique of wealth disparities, unique cinematography by Robbie Müller, and Wang Chung's influential soundtrack. Key scenes and character arcs, especially Petersen's moral ambiguity, are examined. Finally, we reflect on the film's alternate ending and its impact, celebrating its cult classic status and inviting listeners to join us in further cinematic discussions.Altmania:https://pod.link/1702836067https://linktr.ee/altmaniahttps://www.patreon.com/altmaniahttps://x.com/altmaniapodhttps://docs.google.com/spreadsheets/d/1b2dk-v8XUCOZHH7v63u0UtfF-bF9_E_XH_PDjeff5ro/edit?gid=0#gid=0Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I discuss Oliver Stone's 1994 film, Natural Born Killers, with Dr. David Hering. We explore the film's chaotic narrative, its historical context, and its provocative commentary on media and violence. Dr. Herring reflects on his first viewing experience and we critique the film's stylistic choices, questioning whether they convey a meaningful political message or merely emphasize chaos. Our conversation also addresses the film's portrayal of societal issues, particularly race and systemic violence, while recognizing its bold visual style and enduring relevance in American culture.David Hering:https://x.com/hering_davidhttps://www.davidhering.com/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left at the Projector, I explore the 1995 James Bond film "GoldenEye" with Griff and Chris from Bring Out Your Dead. We discuss Pierce Brosnan's debut as 007, the dynamics of Bond's relationships with female characters, and the film's dramatic plot involving Sean Bean's villain.We reflect on the nostalgia surrounding "GoldenEye," its impact on the Bond franchise, and the cultural themes of imperialism and masculinity. Humorous highlights include the film's absurd moments and memorable one-liners. In concluding, we debate the film's relevance for modern audiences and its legacy in the Bond series.Bring Out Your Dead:https://www.instagram.com/bringoutyourdeadpod/https://pod.link/1706697539https://open.spotify.com/show/3Wsrp6l2a5JlXPJvG5Iwwg?si=3c5d62ed204a42a0Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Hello - welcome to the most important episode of our lives, er wait, election. Anyway, I'm joined by Bill and HungryRye.Literary Liberation: https://podcasters.spotify.com/pod/show/literary-liberationhttps://www.instagram.com/literaryliberationhttps://www.instagram.com/hungryrye/https://linktr.ee/HungryryeLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, we explore the cult classic Halloween 3: Season of the Witch with guests Jake and Ian from Podcasty for Me. We delve into the film's unique narrative, which abandons the Michael Myers storyline in favor of a standalone horror tale. Despite its initial box office struggles, we argue for its imaginative depth, touching on themes of capitalism, technology, and corporate greed embodied by the character Conal Cochran.Jake shares his personal connection to the film, and we analyze how its eerie elements, such as the haunting jingle for the Silver Shamrock masks, reflect broader societal issues. Our discussion dives into the film's practical effects, dark humor, and standout performances, particularly from Tom Atkins and Stacey Nelkin.As we wrap up, we investigate the film's ambiguous ending and its lingering impact on viewers, encouraging audiences to embrace Halloween 3 for its creativity and unique place within the horror genre.Podcasty For Me:https://www.podcastyforme.com/https://www.patreon.com/PodCastyForMehttps://twitter.com/podcastyformehttps://www.instagram.com/podcastyformeLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Always look on the bright side of life. Joined again by Lemony Fresh Pines and Sully to discuss a 70's film that has some serious cringe but also some really relevant criticism of leftist organizations. Come back in time with us...Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Evan teams up with hosts of the Literary Liberation podcast and PokePreet to analyze the 2001 movie 'Shrek' through political and cultural lenses. The conversation delves into the film's political themes, including class struggle, consumerism, and libertarian values, and considers Shrek's impact in a post-9/11 context, exploring ideas like imperialism and Jewish-coded interpretations. The discussions also cover Shrek's cultural relevance, examining its humor, appeal across generations, and the success of its soundtracks that capture early 2000s culture. The group speculates on the future of the Shrek franchise, discussing potential challenges for Shrek 5 and assessing the series' broader cultural impact.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Enjoy this week's bonus episode with Destiny of Closeted History, where I made a guest appearance to discuss the queer horror film Jennifer's Body.Closeted Historyhttps://www.instagram.com/closetedhistoryhttps://beacons.ai/closetedhistoryhttps://patreon.com/ClosetedHistoryhttps://www.youtube.com/@closetedhistoryLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This week on Left of the Projector I have on friends of the show, Ashley and Alex Herbert. Alex shares with us his Peter Pan theory of the film and we dive into much more!Alex Herbert:https://alexherbert.substack.com/https://www.instagram.com/punksaround/https://www.instagram.com/lenin_in_45_volumes/Smirk Gently:https://www.instagram.com/smirkgently/https://linktr.ee/smirkgentlyhttps://www.threads.net/@smirkgentlyLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector