Podcasts about Algerian War

Welcome to the fourth episode of our new and ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.On this episode of Fascism On Film, the Holmes Brothers discuss the Jean-Luc Godard film Le Petit Soldat. After helping start the French New Wave with his influential film Breathless (À bout de souffle), Godard was set to make this his second film in 1960. But due to censorship and its provocative look at the French-Algerian War plus scenes of torture, it was not released in cinemas until 1963. The film is set in Geneva, Switzerland and it has the Algerian War happening in the background. Actress Anna Karina worked with Jean-Luc Godard for the first time on this project. They had a bit of tumultuous relationship and were together for four years. The two of them made a bunch of films together. Pierrot Le Fou being their most memorable project amongst film fans and critics. We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Chris Geier, who was on our last episode of our other series The Movies And Me, is an author and his book Silt is available here.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Check out our blog and read Anders's recent reviews on James Gunn's Superman.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett analyze France's three distinct empires across four centuries, examining why France—despite superior geography and population—repeatedly failed to achieve lasting global dominance like Britain, cycling through spectacular rises and political collapses that prevented strategic consolidation. --

This episode includes discussions of suicide within the historical contexts of slavery, colonization, and empire. Please listen with care and be mindful of your well-being as you engage with this episode. If you or someone you know is in crisis or struggling, you are not alone. Support is available through the National Suicide and Crisis Lifeline at 988, or by texting TALK to 741741 to reach the Crisis Text Line. Thank you and please make sure to take care of yourself.This discussion is with Dr. Doyle D. Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge and a Fellow of Peterhouse. He is the author of (Duke University Press, 2024) and, with Cheikh Thiam, the co-editor of Senegalese Transmediations: Literature, New Media, and Audiovisual Cultures (Yale French Studies nos. 144/145, Yale University Press, 2025). With Alioune Fall and Cheikh Thiam, he is the translator and editor of Senghor: Essential Writings on African Aesthetics and Philosophy (Duke University Press, forthcoming). He has published widely on the literatures and cinemas of West Africa and the Caribbean. He is the recipient of the Malcom Bowie Prize from the Society of French Studies, the William R. Parker Prize from the MLA, the Ralph Cohen Prize from New Literary History, and the Vivien Law Prize from the Henry Sweet Society.In today's conversation, we discuss his latest monograph, The Suicide Archive: Reading Resistance in the Wake of French Empire where he charts a long history of suicidal resistance to French colonialism and neocolonialism, from the time of slavery to the Algerian War for Independence to the “Arab Spring.” Dr. Calhoun offers a new way of writing about suicide, slavery, and coloniality in relation to literary history.

Send me a text!How did Algeria break free of Franco-chains and what lessons have been carried over to today.Different quotes Support the showwar102podcast@gmail.comhttps://www.reddit.com/r/War102Podcast/https://war102.buzzsprout.com

Dr. Terrence Peterson talks about how the Algerian War led to modern counterinsurgency. Click here for Adventure Travel inspiration from our friends at Explore Worldwide. Don't Just Travel, Explore. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this video, we talk about barakah and intention in setting goals during the Gregorian New Year versus Ramadan. examine the sacrifices of conflicts like the Algerian War and Syrian uprising. We also discuss the ethics of revolutions, the role of leadership, and the need for unity and trust in divine wisdom to guide the Ummah through challenges with purpose! All links to contact/contribute/follow us: http://www.mindheistpodcast.com The Shepherd's Way free chapter: https://www.theshepherdswaybook.com/free-chapter How to crush your goals in 2025 free guide: https://go.jointhefrontrow.com/crush Join the Telegram group for MH listeners: https://t.me/+XOu4ggsyqRk3OWRk Sisters only group: https://t.me/mindheistsisters Find out about Ameen's projects: https://www.ameenomar.com Find out about Mohamed's projects: https://many.link/akhitweet Video version of the pod: https://youtube.com/playlist?list=PL5ZvWFoIJNmQISsKE1PZB3d7KcpnEcJy7 Leave us a great review if you're enjoying the show too! Stay blessed!

Matthew Bannister on Madeleine Riffaud, the French resistance fighter who was tortured by the Gestapo, became a journalist and was embedded with the Vietcong in Vietnam.Chris Topp, the blacksmith who restored ironwork at Buckingham Palace, York Minster and St Paul's Cathedral.Barbara Taylor Bradford, the best-selling author of A Woman of Substance and many other novels.Dr Julian Litten, whose fascination for the rituals surrounding death led to him being called “England's foremost funerary historian”.Producer: Gareth Nelson-Davies and Ed PrendevilleArchive: General Charles De Gaulle speech, BBC Radio, 22/06/1940; Algerian War: 70 Years On, News Report actuality, France 24, 01/11/2024; Panorama: Vietnam: The Other World ,BBC Television, 31/03/1969; Barbara Taylor Bradford, Desert Island Discs, BBC Radio 4, 11/07/2003; Reading: A Woman of Substance, HarperCollins Publishers UK SoundCloud Channel, Audio promo - Release date 25/10/2012; Barbara Taylor Bradford interview, Woman's Hour, BBC Radio 4, 09/07/1999; Barbara Taylor Bradford interview, Saturday Live, BBC Radio 4, 30/11/2019; Reading: A Woman of Substance, HarperCollins Publishers UK SoundCloud Channel, Audio promo, Released date: 04/05/2017; BLACKSMITH'S CONTRACT: LOOK NORTH, BBC One North East & Cumbria, 14/07/1995; Reading the Past / Writing the Future - Chris Topp (Blacksmith), Uploaded to Youtube 14/05/2014; Songs of Praise: Rite of passage, Bereavement, BBC, 05/11/2002, Red Heaven Oral History Archive, Julian Litten talks with Dr Simon Machin, 14/03/2021; BBC News at One, BBC, 26/03/2015

This week, we discuss two films that delve into the complex dynamics of political ideology and revolution in the 1960s. The first is The Battle of Algiers (1966), an Italian-Algerian war film co-written and directed by Gillo Pontecorvo. It is based on action undertaken by rebels during the Algerian War (1954–1962) against the French government in North Africa, the most prominent being the eponymous Battle of Algiers. The second is La Chinoise (1967), a French political docufiction film written and directed by Jean-Luc Godard about a group of young Maoist activists in Paris. La Chinoise is a loose adaptation of Fyodor Dostoyevsky's 1872 novel Demons (also known as The Possessed).   Timestamps What we've been watching (00:01:03) –  Midsommar, Hereditary, The Revenge of Frankenstein The Battle of Algiers (00:15:20) La Chinoise (00:43:15) Coin toss (01:09:10)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

On November 1, 1954, when Algeria was still under French colonial rule, members of the pro-independence FLN carried out a series of attacks across the country. This date has come to be known as the beginning of the Algerian War. In France at the time, there was no talk of war; only attacks attributed to agitators and bandits. But in reality, it was the start of a long conflict that would lead to Algeria's independence in 1962. On the coattails of losing colonial Indochina, France never imagined that Algeria, home to nearly a million Europeans, had begun its march towards independence. A new chapter of this history has been opened as French authorities just recognized the execution of Larbi Ben M'hidi, one of the leaders of the FLN, 67 years after his death. FRANCE 24's Karim Yahiaoui, Nessrine Benzebbouchi and Lauren Bain take a look back at this pivotal date in Algerian and colonial history.

This episode explores the Algerian War (1954-1962), a crucial conflict leading to Algeria's independence from France rooted in deep-seated colonial inequalities and local nationalism. It examines the brutal tactics employed by both French forces and the National Liberation Front, the international implications of the war, and its lasting impact on French and Algerian societies. The discussion highlights the broader themes of decolonization and the ongoing legacy of colonialism in today's world.

The Algerian War of Independence constituted a major turning point of 20th century history. The conflict exacerbated divisions in French society, culminating in an unsuccessful coup attempt by the OAS in 1961. The war also launched the Third Worldist movement, delegitimized colonial rule because of its brutality, and it gave us one of the towering anti-colonial intellectual figures, the pro-FLN Martinican psychiatrist Frantz Fanon. Today's episode focuses on another important development that occurred as a result of the Algerian War: the transformation of modern warfare. Revolutionary Warfare: How the Algerian War Made Modern Counterinsurgency (Cornell UP, 2024) shows how French generals, officers, and civil officials sought to counter Algerian independence with their own project of social transformation. My guest, Terrence Peterson, argues that the French military effort in Algeria never exclusively focused on repression. Instead, military leaders fashioned new forms of surveillance and social control that its proponents hoped would capture the loyalty of Algerians and transform Algerian society. Although ultimately unsuccessful in its attempt to ‘keep Algeria French,' the new strategy of counterinsurgency became a model for anti-communist military and intelligence officers around the world. Terrence Peterson is an Associate Professor of History at Florida International University, where he teaches on modern Europe and European empires. He holds a PhD from the University of Wisconsin at Madison.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Algerian War of Independence constituted a major turning point of 20th century history. The conflict exacerbated divisions in French society, culminating in an unsuccessful coup attempt by the OAS in 1961. The war also launched the Third Worldist movement, delegitimized colonial rule because of its brutality, and it gave us one of the towering anti-colonial intellectual figures, the pro-FLN Martinican psychiatrist Frantz Fanon. Today's episode focuses on another important development that occurred as a result of the Algerian War: the transformation of modern warfare. Revolutionary Warfare: How the Algerian War Made Modern Counterinsurgency (Cornell UP, 2024) shows how French generals, officers, and civil officials sought to counter Algerian independence with their own project of social transformation. My guest, Terrence Peterson, argues that the French military effort in Algeria never exclusively focused on repression. Instead, military leaders fashioned new forms of surveillance and social control that its proponents hoped would capture the loyalty of Algerians and transform Algerian society. Although ultimately unsuccessful in its attempt to ‘keep Algeria French,' the new strategy of counterinsurgency became a model for anti-communist military and intelligence officers around the world. Terrence Peterson is an Associate Professor of History at Florida International University, where he teaches on modern Europe and European empires. He holds a PhD from the University of Wisconsin at Madison.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Algerian War of Independence constituted a major turning point of 20th century history. The conflict exacerbated divisions in French society, culminating in an unsuccessful coup attempt by the OAS in 1961. The war also launched the Third Worldist movement, delegitimized colonial rule because of its brutality, and it gave us one of the towering anti-colonial intellectual figures, the pro-FLN Martinican psychiatrist Frantz Fanon. Today's episode focuses on another important development that occurred as a result of the Algerian War: the transformation of modern warfare. Revolutionary Warfare: How the Algerian War Made Modern Counterinsurgency (Cornell UP, 2024) shows how French generals, officers, and civil officials sought to counter Algerian independence with their own project of social transformation. My guest, Terrence Peterson, argues that the French military effort in Algeria never exclusively focused on repression. Instead, military leaders fashioned new forms of surveillance and social control that its proponents hoped would capture the loyalty of Algerians and transform Algerian society. Although ultimately unsuccessful in its attempt to ‘keep Algeria French,' the new strategy of counterinsurgency became a model for anti-communist military and intelligence officers around the world. Terrence Peterson is an Associate Professor of History at Florida International University, where he teaches on modern Europe and European empires. He holds a PhD from the University of Wisconsin at Madison.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

The Algerian War of Independence constituted a major turning point of 20th century history. The conflict exacerbated divisions in French society, culminating in an unsuccessful coup attempt by the OAS in 1961. The war also launched the Third Worldist movement, delegitimized colonial rule because of its brutality, and it gave us one of the towering anti-colonial intellectual figures, the pro-FLN Martinican psychiatrist Frantz Fanon. Today's episode focuses on another important development that occurred as a result of the Algerian War: the transformation of modern warfare. Revolutionary Warfare: How the Algerian War Made Modern Counterinsurgency (Cornell UP, 2024) shows how French generals, officers, and civil officials sought to counter Algerian independence with their own project of social transformation. My guest, Terrence Peterson, argues that the French military effort in Algeria never exclusively focused on repression. Instead, military leaders fashioned new forms of surveillance and social control that its proponents hoped would capture the loyalty of Algerians and transform Algerian society. Although ultimately unsuccessful in its attempt to ‘keep Algeria French,' the new strategy of counterinsurgency became a model for anti-communist military and intelligence officers around the world. Terrence Peterson is an Associate Professor of History at Florida International University, where he teaches on modern Europe and European empires. He holds a PhD from the University of Wisconsin at Madison.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The Algerian War of Independence constituted a major turning point of 20th century history. The conflict exacerbated divisions in French society, culminating in an unsuccessful coup attempt by the OAS in 1961. The war also launched the Third Worldist movement, delegitimized colonial rule because of its brutality, and it gave us one of the towering anti-colonial intellectual figures, the pro-FLN Martinican psychiatrist Frantz Fanon. Today's episode focuses on another important development that occurred as a result of the Algerian War: the transformation of modern warfare. Revolutionary Warfare: How the Algerian War Made Modern Counterinsurgency (Cornell UP, 2024) shows how French generals, officers, and civil officials sought to counter Algerian independence with their own project of social transformation. My guest, Terrence Peterson, argues that the French military effort in Algeria never exclusively focused on repression. Instead, military leaders fashioned new forms of surveillance and social control that its proponents hoped would capture the loyalty of Algerians and transform Algerian society. Although ultimately unsuccessful in its attempt to ‘keep Algeria French,' the new strategy of counterinsurgency became a model for anti-communist military and intelligence officers around the world. Terrence Peterson is an Associate Professor of History at Florida International University, where he teaches on modern Europe and European empires. He holds a PhD from the University of Wisconsin at Madison.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

The Algerian War of Independence constituted a major turning point of 20th century history. The conflict exacerbated divisions in French society, culminating in an unsuccessful coup attempt by the OAS in 1961. The war also launched the Third Worldist movement, delegitimized colonial rule because of its brutality, and it gave us one of the towering anti-colonial intellectual figures, the pro-FLN Martinican psychiatrist Frantz Fanon. Today's episode focuses on another important development that occurred as a result of the Algerian War: the transformation of modern warfare. Revolutionary Warfare: How the Algerian War Made Modern Counterinsurgency (Cornell UP, 2024) shows how French generals, officers, and civil officials sought to counter Algerian independence with their own project of social transformation. My guest, Terrence Peterson, argues that the French military effort in Algeria never exclusively focused on repression. Instead, military leaders fashioned new forms of surveillance and social control that its proponents hoped would capture the loyalty of Algerians and transform Algerian society. Although ultimately unsuccessful in its attempt to ‘keep Algeria French,' the new strategy of counterinsurgency became a model for anti-communist military and intelligence officers around the world. Terrence Peterson is an Associate Professor of History at Florida International University, where he teaches on modern Europe and European empires. He holds a PhD from the University of Wisconsin at Madison.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

The Algerian War of Independence constituted a major turning point of 20th century history. The conflict exacerbated divisions in French society, culminating in an unsuccessful coup attempt by the OAS in 1961. The war also launched the Third Worldist movement, delegitimized colonial rule because of its brutality, and it gave us one of the towering anti-colonial intellectual figures, the pro-FLN Martinican psychiatrist Frantz Fanon. Today's episode focuses on another important development that occurred as a result of the Algerian War: the transformation of modern warfare. Revolutionary Warfare: How the Algerian War Made Modern Counterinsurgency (Cornell UP, 2024) shows how French generals, officers, and civil officials sought to counter Algerian independence with their own project of social transformation. My guest, Terrence Peterson, argues that the French military effort in Algeria never exclusively focused on repression. Instead, military leaders fashioned new forms of surveillance and social control that its proponents hoped would capture the loyalty of Algerians and transform Algerian society. Although ultimately unsuccessful in its attempt to ‘keep Algeria French,' the new strategy of counterinsurgency became a model for anti-communist military and intelligence officers around the world. Terrence Peterson is an Associate Professor of History at Florida International University, where he teaches on modern Europe and European empires. He holds a PhD from the University of Wisconsin at Madison.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

The Algerian War of Independence constituted a major turning point of 20th century history. The conflict exacerbated divisions in French society, culminating in an unsuccessful coup attempt by the OAS in 1961. The war also launched the Third Worldist movement, delegitimized colonial rule because of its brutality, and it gave us one of the towering anti-colonial intellectual figures, the pro-FLN Martinican psychiatrist Frantz Fanon. Today's episode focuses on another important development that occurred as a result of the Algerian War: the transformation of modern warfare. Revolutionary Warfare: How the Algerian War Made Modern Counterinsurgency (Cornell UP, 2024) shows how French generals, officers, and civil officials sought to counter Algerian independence with their own project of social transformation. My guest, Terrence Peterson, argues that the French military effort in Algeria never exclusively focused on repression. Instead, military leaders fashioned new forms of surveillance and social control that its proponents hoped would capture the loyalty of Algerians and transform Algerian society. Although ultimately unsuccessful in its attempt to ‘keep Algeria French,' the new strategy of counterinsurgency became a model for anti-communist military and intelligence officers around the world. Terrence Peterson is an Associate Professor of History at Florida International University, where he teaches on modern Europe and European empires. He holds a PhD from the University of Wisconsin at Madison.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

The Reincarnation of Marie: A Love Reborn in Paris From the Pages of History by Jim Woodman https://amzn.to/3LKi4LO Mariethestory.com For anyone who has ever felt the sting of loss or dared to dream of a love that could last beyond a lifetime, The Reincarnation of Marie is a journey through time that is sure to resonate. Facing enlistment in the Algerian War in 1950s Paris, French Army officer Yann Roussel had a heart heavy for the future. Seeking solace, he found The Journal of Marie Bashkirtseff, the diary of a late French-Russian artist who'd lived in Paris in the late 1800s. The first woman's diary to ever be posthumously published (to bestselling success), its sensual details of a bohemian life cut short fascinated Roussel. But soon, fascination gave way to near madness when he found himself in love with the spirit of a dead woman. The Reincarnation of Marie, an epistolary, historical romance by Jim Woodman, tells the story of how Roussel's obsession led to a doomed love affair with Marya, a haunted young art student with uncanny similarities to Bashkirtseff. Convinced he'd discovered Bashkirtseff's spirit reincarnated, Roussel found the impossible love he'd been looking for—just on the eve of his leaving for war. Loosely based on a true story (and hints that author was the one fell in love with Marie), The Reincarnation of Marie is a rich narrative blurring historical reality with supernatural love. In the end, readers are left with one question: can love truly conquer all—even death?

For anyone who has ever felt the sting of loss or dared to dream of a love that could last beyond a lifetime, The Reincarnation of Marie is a journey through time that is sure to resonate. Facing enlistment in the Algerian War in 1950s Paris, French Army officer Yann Roussel had a heart heavy for the future. Seeking solace, he found The Journal of Marie Bashkirtseff, the diary of a late French-Russian artist who'd lived in Paris in the late 1800s. The first woman's diary to ever be posthumously published (to bestselling success), its sensual details of a bohemian life cut short fascinated Roussel. But soon, fascination gave way to near madness when he found himself in love with the spirit of a dead woman. The Reincarnation of Marie, an epistolary, historical romance by Jim Woodman, tells the story of how Roussel's obsession led to a doomed love affair with Marya, a haunted young art student with uncanny similarities to Bashkirtseff. Convinced he'd discovered Bashkirtseff's spirit reincarnated, Roussel found the impossible love he'd been looking for—just on the eve of his leaving for war. Loosely based on a true story (and hints that author was the one fell in love with Marie), The Reincarnation of Marieis a rich narrative blurring historical reality with supernatural love. In the end, readers are left with one question: can love truly conquer all—even death?

The Algerian War of Independence lasted from 1954 to 1962.  It carried heavy costs for both sides.  Estimates vary but upwards of a million Muslim Algerians died; roughly a million Pied Noir (settlers of European descent) were driven into exile; and France was driven to the brink of civil war.  Alistair Horne tells the story in “A Savage War of Peace.” 

On this edition of Parallax Views, Sean Tomilson, a PhD candidate in Middle Eastern and North African Studies at the University of Arizona, a graduate of West Point, and a U.S. Army veteran, joins the show to discuss his March 2024 Responsible Statecraft piece entitled "What the French evisceration of Algeria has to do with Gaza today". We'll discuss the "Philippeville massacre" of 1955 and the reaction to it during the Algerian War of Independence and its parallels with the October 7th Hamas attack and Israel's response to it. Sean argues that the military logic of "total victory" may not be achievable for Israel in Gaza and that there's many lessons to be gleaned from the French experience in Algeria in this regard. We'll also look at the systemic roots of both conflicts and the errors made strategically by France in regards to Algeria. What can this tell us about the Israel-Palestine conflict and how Israel has waged its military operations in Gaza since October 7th? Also, where does the logic of total victory lead and how can the brutal civilian causalities inflicted actually inflame future conflict? All that and more on this edition of Parllax Views.

Since the latter half of the 20th century, the influence of Frantz Fanon has been felt in fields as distinct as psychiatry and postcolonial studies. A new book explores the "revolutionary lives" of the psychiatrist, writer and anti-colonial rebel, whose understanding of identity evolved through his travel and experiences, including confronting colonial hierarchies as a person of color in postwar France, and eventually joining the Algerian War of Independence. Host Marco Werman learned more from Adam Shatz, author of "The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon."

Emma Kuby's new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism's “concentrationary universe” and to oppose any repetition of its crimes in the postwar world. Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC's members and activism were caught up in the politics of the Cold War. This included receiving funding support from the CIA. Attending to sites of political repression and incarceration around the globe, from the Soviet Union's gulag system to Franco's Spain, Greece, Tunisia, China, and French Algeria, the international group's preoccupations also expressed the specificities of French national and imperial politics. The CICRC's investigations and dramatic mock trials exposed and denounced some injustices, but short-circuited in the face of others. The organization's insistence on the repeatability of the Nazi camp system was both a source of its power to judge and a weakness. When confronted with situations in which past and present could not be compared so easily, the group's mission fell short. Plagued by a number of tensions, including a membership policy that refused “racial” victims and did not engage the issue of genocide, the organization ultimately foundered over the case of the Algerian War. Analyzing this complex history, Political Survivors is a book that feels all-too-urgent in 2019. Readers interested in learning more about political violence and resistances past and present will find its insights challenging, and deeply thought-provoking. To read Emma's thoughts on the contemporary relevance of the history she treats in Political Survivors, particularly with respect to the detention of migrants in the United States today, see her July 2, 2019 piece in Dissent here. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Emma Kuby's new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism's “concentrationary universe” and to oppose any repetition of its crimes in the postwar world. Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC's members and activism were caught up in the politics of the Cold War. This included receiving funding support from the CIA. Attending to sites of political repression and incarceration around the globe, from the Soviet Union's gulag system to Franco's Spain, Greece, Tunisia, China, and French Algeria, the international group's preoccupations also expressed the specificities of French national and imperial politics. The CICRC's investigations and dramatic mock trials exposed and denounced some injustices, but short-circuited in the face of others. The organization's insistence on the repeatability of the Nazi camp system was both a source of its power to judge and a weakness. When confronted with situations in which past and present could not be compared so easily, the group's mission fell short. Plagued by a number of tensions, including a membership policy that refused “racial” victims and did not engage the issue of genocide, the organization ultimately foundered over the case of the Algerian War. Analyzing this complex history, Political Survivors is a book that feels all-too-urgent in 2019. Readers interested in learning more about political violence and resistances past and present will find its insights challenging, and deeply thought-provoking. To read Emma's thoughts on the contemporary relevance of the history she treats in Political Survivors, particularly with respect to the detention of migrants in the United States today, see her July 2, 2019 piece in Dissent here. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Emma Kuby's new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism's “concentrationary universe” and to oppose any repetition of its crimes in the postwar world. Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC's members and activism were caught up in the politics of the Cold War. This included receiving funding support from the CIA. Attending to sites of political repression and incarceration around the globe, from the Soviet Union's gulag system to Franco's Spain, Greece, Tunisia, China, and French Algeria, the international group's preoccupations also expressed the specificities of French national and imperial politics. The CICRC's investigations and dramatic mock trials exposed and denounced some injustices, but short-circuited in the face of others. The organization's insistence on the repeatability of the Nazi camp system was both a source of its power to judge and a weakness. When confronted with situations in which past and present could not be compared so easily, the group's mission fell short. Plagued by a number of tensions, including a membership policy that refused “racial” victims and did not engage the issue of genocide, the organization ultimately foundered over the case of the Algerian War. Analyzing this complex history, Political Survivors is a book that feels all-too-urgent in 2019. Readers interested in learning more about political violence and resistances past and present will find its insights challenging, and deeply thought-provoking. To read Emma's thoughts on the contemporary relevance of the history she treats in Political Survivors, particularly with respect to the detention of migrants in the United States today, see her July 2, 2019 piece in Dissent here. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Emma Kuby's new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism's “concentrationary universe” and to oppose any repetition of its crimes in the postwar world. Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC's members and activism were caught up in the politics of the Cold War. This included receiving funding support from the CIA. Attending to sites of political repression and incarceration around the globe, from the Soviet Union's gulag system to Franco's Spain, Greece, Tunisia, China, and French Algeria, the international group's preoccupations also expressed the specificities of French national and imperial politics. The CICRC's investigations and dramatic mock trials exposed and denounced some injustices, but short-circuited in the face of others. The organization's insistence on the repeatability of the Nazi camp system was both a source of its power to judge and a weakness. When confronted with situations in which past and present could not be compared so easily, the group's mission fell short. Plagued by a number of tensions, including a membership policy that refused “racial” victims and did not engage the issue of genocide, the organization ultimately foundered over the case of the Algerian War. Analyzing this complex history, Political Survivors is a book that feels all-too-urgent in 2019. Readers interested in learning more about political violence and resistances past and present will find its insights challenging, and deeply thought-provoking. To read Emma's thoughts on the contemporary relevance of the history she treats in Political Survivors, particularly with respect to the detention of migrants in the United States today, see her July 2, 2019 piece in Dissent here. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

Emma Kuby's new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism's “concentrationary universe” and to oppose any repetition of its crimes in the postwar world. Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC's members and activism were caught up in the politics of the Cold War. This included receiving funding support from the CIA. Attending to sites of political repression and incarceration around the globe, from the Soviet Union's gulag system to Franco's Spain, Greece, Tunisia, China, and French Algeria, the international group's preoccupations also expressed the specificities of French national and imperial politics. The CICRC's investigations and dramatic mock trials exposed and denounced some injustices, but short-circuited in the face of others. The organization's insistence on the repeatability of the Nazi camp system was both a source of its power to judge and a weakness. When confronted with situations in which past and present could not be compared so easily, the group's mission fell short. Plagued by a number of tensions, including a membership policy that refused “racial” victims and did not engage the issue of genocide, the organization ultimately foundered over the case of the Algerian War. Analyzing this complex history, Political Survivors is a book that feels all-too-urgent in 2019. Readers interested in learning more about political violence and resistances past and present will find its insights challenging, and deeply thought-provoking. To read Emma's thoughts on the contemporary relevance of the history she treats in Political Survivors, particularly with respect to the detention of migrants in the United States today, see her July 2, 2019 piece in Dissent here. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Emma Kuby's new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism's “concentrationary universe” and to oppose any repetition of its crimes in the postwar world. Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC's members and activism were caught up in the politics of the Cold War. This included receiving funding support from the CIA. Attending to sites of political repression and incarceration around the globe, from the Soviet Union's gulag system to Franco's Spain, Greece, Tunisia, China, and French Algeria, the international group's preoccupations also expressed the specificities of French national and imperial politics. The CICRC's investigations and dramatic mock trials exposed and denounced some injustices, but short-circuited in the face of others. The organization's insistence on the repeatability of the Nazi camp system was both a source of its power to judge and a weakness. When confronted with situations in which past and present could not be compared so easily, the group's mission fell short. Plagued by a number of tensions, including a membership policy that refused “racial” victims and did not engage the issue of genocide, the organization ultimately foundered over the case of the Algerian War. Analyzing this complex history, Political Survivors is a book that feels all-too-urgent in 2019. Readers interested in learning more about political violence and resistances past and present will find its insights challenging, and deeply thought-provoking. To read Emma's thoughts on the contemporary relevance of the history she treats in Political Survivors, particularly with respect to the detention of migrants in the United States today, see her July 2, 2019 piece in Dissent here. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Emma Kuby's new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism's “concentrationary universe” and to oppose any repetition of its crimes in the postwar world. Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC's members and activism were caught up in the politics of the Cold War. This included receiving funding support from the CIA. Attending to sites of political repression and incarceration around the globe, from the Soviet Union's gulag system to Franco's Spain, Greece, Tunisia, China, and French Algeria, the international group's preoccupations also expressed the specificities of French national and imperial politics. The CICRC's investigations and dramatic mock trials exposed and denounced some injustices, but short-circuited in the face of others. The organization's insistence on the repeatability of the Nazi camp system was both a source of its power to judge and a weakness. When confronted with situations in which past and present could not be compared so easily, the group's mission fell short. Plagued by a number of tensions, including a membership policy that refused “racial” victims and did not engage the issue of genocide, the organization ultimately foundered over the case of the Algerian War. Analyzing this complex history, Political Survivors is a book that feels all-too-urgent in 2019. Readers interested in learning more about political violence and resistances past and present will find its insights challenging, and deeply thought-provoking. To read Emma's thoughts on the contemporary relevance of the history she treats in Political Survivors, particularly with respect to the detention of migrants in the United States today, see her July 2, 2019 piece in Dissent here. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Emma Kuby's new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism's “concentrationary universe” and to oppose any repetition of its crimes in the postwar world. Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC's members and activism were caught up in the politics of the Cold War. This included receiving funding support from the CIA. Attending to sites of political repression and incarceration around the globe, from the Soviet Union's gulag system to Franco's Spain, Greece, Tunisia, China, and French Algeria, the international group's preoccupations also expressed the specificities of French national and imperial politics. The CICRC's investigations and dramatic mock trials exposed and denounced some injustices, but short-circuited in the face of others. The organization's insistence on the repeatability of the Nazi camp system was both a source of its power to judge and a weakness. When confronted with situations in which past and present could not be compared so easily, the group's mission fell short. Plagued by a number of tensions, including a membership policy that refused “racial” victims and did not engage the issue of genocide, the organization ultimately foundered over the case of the Algerian War. Analyzing this complex history, Political Survivors is a book that feels all-too-urgent in 2019. Readers interested in learning more about political violence and resistances past and present will find its insights challenging, and deeply thought-provoking. To read Emma's thoughts on the contemporary relevance of the history she treats in Political Survivors, particularly with respect to the detention of migrants in the United States today, see her July 2, 2019 piece in Dissent here. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Emma Kuby's new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism's “concentrationary universe” and to oppose any repetition of its crimes in the postwar world. Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC's members and activism were caught up in the politics of the Cold War. This included receiving funding support from the CIA. Attending to sites of political repression and incarceration around the globe, from the Soviet Union's gulag system to Franco's Spain, Greece, Tunisia, China, and French Algeria, the international group's preoccupations also expressed the specificities of French national and imperial politics. The CICRC's investigations and dramatic mock trials exposed and denounced some injustices, but short-circuited in the face of others. The organization's insistence on the repeatability of the Nazi camp system was both a source of its power to judge and a weakness. When confronted with situations in which past and present could not be compared so easily, the group's mission fell short. Plagued by a number of tensions, including a membership policy that refused “racial” victims and did not engage the issue of genocide, the organization ultimately foundered over the case of the Algerian War. Analyzing this complex history, Political Survivors is a book that feels all-too-urgent in 2019. Readers interested in learning more about political violence and resistances past and present will find its insights challenging, and deeply thought-provoking. To read Emma's thoughts on the contemporary relevance of the history she treats in Political Survivors, particularly with respect to the detention of migrants in the United States today, see her July 2, 2019 piece in Dissent here. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In this award-winning documentary entitled "N'en parlons plus" ("Forget About It"), we follow a young Frenchwoman's journey to find out the painful truth about her family history. When Sarah became a mother, she decided to break the silence surrounding her family's past. Her grandfather was a Harki, an Algerian who fought alongside the French army during the Algerian War. After Algerian independence in 1962, the whole family fled to France. But instead of being welcomed with open arms, the family, like many Harkis, were placed in an internment camp in southwestern France. This is where Sarah begins her quest for the truth.

Melek Chekili talks about the reinterpretation of Frantz Fanon's ideas in the post-Algerian War by one of Algeria's most famous writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Late-Colonial French Cinema: Filming the Algerian War of Independence, Mani Sharpe peploys the term “late-colonial” to describe (mostly) French films made during, and in response to, the Algerian War of Independence (1954-1962). Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of “redemptive pacifism”. Dr. Mani Sharpe about Late-Colonial French Cinema: Filming the Algerian War of Independence out in 2023 with Edinburgh University Press. Dr. Sharpe is a Lecturer in Film Studies at the University of Leeds. He previously taught Film Studies at Newcastle University and La Sorbonne – Paris 3. Dr. Sharpe's areas of expertise include: cinema and war; film studies; violence and visuality; de-colonisation; contemporary film theory; French cinema; the French New Wave; cultural studies; defacement; and the politics of the close-up. Dr. Sharpe earned his B.A. and M.A. at Leeds and his Ph.D. at Newcastle University. He is the author of several articles on late-colonial French cinema, having published in French Studies, Journal of European Studies, Journal of War and Culture Studies, and Studies in French Cinema, amongst others.Late-colonial French Cinema: Filming the Algerian War of Independence is his first book. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Late-Colonial French Cinema: Filming the Algerian War of Independence, Mani Sharpe peploys the term “late-colonial” to describe (mostly) French films made during, and in response to, the Algerian War of Independence (1954-1962). Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of “redemptive pacifism”. Dr. Mani Sharpe about Late-Colonial French Cinema: Filming the Algerian War of Independence out in 2023 with Edinburgh University Press. Dr. Sharpe is a Lecturer in Film Studies at the University of Leeds. He previously taught Film Studies at Newcastle University and La Sorbonne – Paris 3. Dr. Sharpe's areas of expertise include: cinema and war; film studies; violence and visuality; de-colonisation; contemporary film theory; French cinema; the French New Wave; cultural studies; defacement; and the politics of the close-up. Dr. Sharpe earned his B.A. and M.A. at Leeds and his Ph.D. at Newcastle University. He is the author of several articles on late-colonial French cinema, having published in French Studies, Journal of European Studies, Journal of War and Culture Studies, and Studies in French Cinema, amongst others.Late-colonial French Cinema: Filming the Algerian War of Independence is his first book. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Late-Colonial French Cinema: Filming the Algerian War of Independence, Mani Sharpe peploys the term “late-colonial” to describe (mostly) French films made during, and in response to, the Algerian War of Independence (1954-1962). Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of “redemptive pacifism”. Dr. Mani Sharpe about Late-Colonial French Cinema: Filming the Algerian War of Independence out in 2023 with Edinburgh University Press. Dr. Sharpe is a Lecturer in Film Studies at the University of Leeds. He previously taught Film Studies at Newcastle University and La Sorbonne – Paris 3. Dr. Sharpe's areas of expertise include: cinema and war; film studies; violence and visuality; de-colonisation; contemporary film theory; French cinema; the French New Wave; cultural studies; defacement; and the politics of the close-up. Dr. Sharpe earned his B.A. and M.A. at Leeds and his Ph.D. at Newcastle University. He is the author of several articles on late-colonial French cinema, having published in French Studies, Journal of European Studies, Journal of War and Culture Studies, and Studies in French Cinema, amongst others.Late-colonial French Cinema: Filming the Algerian War of Independence is his first book. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In Late-Colonial French Cinema: Filming the Algerian War of Independence, Mani Sharpe peploys the term “late-colonial” to describe (mostly) French films made during, and in response to, the Algerian War of Independence (1954-1962). Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of “redemptive pacifism”. Dr. Mani Sharpe about Late-Colonial French Cinema: Filming the Algerian War of Independence out in 2023 with Edinburgh University Press. Dr. Sharpe is a Lecturer in Film Studies at the University of Leeds. He previously taught Film Studies at Newcastle University and La Sorbonne – Paris 3. Dr. Sharpe's areas of expertise include: cinema and war; film studies; violence and visuality; de-colonisation; contemporary film theory; French cinema; the French New Wave; cultural studies; defacement; and the politics of the close-up. Dr. Sharpe earned his B.A. and M.A. at Leeds and his Ph.D. at Newcastle University. He is the author of several articles on late-colonial French cinema, having published in French Studies, Journal of European Studies, Journal of War and Culture Studies, and Studies in French Cinema, amongst others.Late-colonial French Cinema: Filming the Algerian War of Independence is his first book. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Late-Colonial French Cinema: Filming the Algerian War of Independence, Mani Sharpe peploys the term “late-colonial” to describe (mostly) French films made during, and in response to, the Algerian War of Independence (1954-1962). Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of “redemptive pacifism”. Dr. Mani Sharpe about Late-Colonial French Cinema: Filming the Algerian War of Independence out in 2023 with Edinburgh University Press. Dr. Sharpe is a Lecturer in Film Studies at the University of Leeds. He previously taught Film Studies at Newcastle University and La Sorbonne – Paris 3. Dr. Sharpe's areas of expertise include: cinema and war; film studies; violence and visuality; de-colonisation; contemporary film theory; French cinema; the French New Wave; cultural studies; defacement; and the politics of the close-up. Dr. Sharpe earned his B.A. and M.A. at Leeds and his Ph.D. at Newcastle University. He is the author of several articles on late-colonial French cinema, having published in French Studies, Journal of European Studies, Journal of War and Culture Studies, and Studies in French Cinema, amongst others.Late-colonial French Cinema: Filming the Algerian War of Independence is his first book. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Late-Colonial French Cinema: Filming the Algerian War of Independence, Mani Sharpe peploys the term “late-colonial” to describe (mostly) French films made during, and in response to, the Algerian War of Independence (1954-1962). Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of “redemptive pacifism”. Dr. Mani Sharpe about Late-Colonial French Cinema: Filming the Algerian War of Independence out in 2023 with Edinburgh University Press. Dr. Sharpe is a Lecturer in Film Studies at the University of Leeds. He previously taught Film Studies at Newcastle University and La Sorbonne – Paris 3. Dr. Sharpe's areas of expertise include: cinema and war; film studies; violence and visuality; de-colonisation; contemporary film theory; French cinema; the French New Wave; cultural studies; defacement; and the politics of the close-up. Dr. Sharpe earned his B.A. and M.A. at Leeds and his Ph.D. at Newcastle University. He is the author of several articles on late-colonial French cinema, having published in French Studies, Journal of European Studies, Journal of War and Culture Studies, and Studies in French Cinema, amongst others.Late-colonial French Cinema: Filming the Algerian War of Independence is his first book. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Episode 164: Amazigh Sisterhood in Poetry and Songs During the Algerian War In this podcast, Fazia Aitel, Associate professor of Francophone and African Studies, Claremont McKenna College in California provides an overview of an ongoing work on Amazigh women from Kabylia, Algeria. Her initial interest was to assess the way women managed while being principally targeted by the French propaganda machine during the Algerian war of independence. Fanon summarized the French colonial mindset on women in one line: “let's win over the women, and the rest will follow” (Dying colonialism, 1989). The colonial administration failed to win over Algerian women. However, this attempt to divide women from men to weaken the Algerian movement led Fazia to research whether Kabyle women ever created women's groups or organizations during the war. She thus tracks here the first instance of sisterhood among Amazigh women of Kabylia until the first Amazigh women's movement in Kabylia in 2001. This is a work in progress about the emergence, significance, and complexities of feminism within an oppressed indigenous group. We thank our friend Ignacio Villalón, AIMS contemporary art follow for his guitar performance of A vava Inouva of Idir for the introduction and conclusion of this podcast.  Realization and Editing by: Hayet Lansari, Librarian, Outreach Coordinator, Content Curator (CEMA).  

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In this episode, Kelsie interviews Maura McCreight, a Ph.D. Candidate in Art History at The Graduate Center, CUNY, with a focus on the history of photography and the Maghrib. The episode explores the often untaught history of the Franco-Algerian war, an important decolonization conflict that liberated Algeria. McCreight is a Singer Family Dissertation 2022 Fellow at the Ryerson Image Centre and 2022-23 grantee of the American Institute of Magrib Studies (AIMS) for research in Algeria. Her dissertation retraces photographs of women during the Algerian War for Independence (1954–1962) using methods that mimic the conflict's scattered visual archival existence. In this episode, we explore that work. Let's get into it! Dozens of FREE inquiry-based lesson plans for teachers at www.remedialherstory.com Get bonus episodes and behind the scenes at www.patreon.com/remedialherstory Register for our Summer Educator's Retreat at https://www.eventbrite.com/e/3rd-annual-remedial-herstory-summer-educators-retreat-registration-445352369927?aff=ebdssbdestsearch SHOP gear at www.remedialherstory.com --- Support this podcast: https://anchor.fm/remedialherstory/support

Regarded as the “9th Art”, French bande desinée have a much longer history of serious socio-political engagement than American comics. Since the Algerian War (1954–62), postcolonialism, migration, anti-racism are major themes in francophone comics. Mark McKinney's newest book studies the genre from the formal dismantling of the French colonial empire in 1962 up to the present. Postcolonialism and Migration in French Comics (Leuven UP, 2021) analyses comics representing a gamut of perspectives on immigration and postcolonial ethnic minorities, ranging from staunch defense to violent rejection. Individual chapters are dedicated to specific artists, artistic collectives, comics, or themes, including avant-gardism, undocumented migrants in comics, and racism in far-right comics. Dr. Mark McKinney is Professor of French at Miami University, Ohio. Postcolonialism and Migration in French Comics(Leuven University Press, 2020) is the final installment of a trilogy of sorts that includes The Colonial Heritage of French Comics (Liverpool University Press, 2011) and Redrawing French Empire in Comics (Ohio State University Press, 2013). Dr. McKinney co-edited with Alec G. Hargreaves, Post-Colonial Cultures in France (Routledge, 1997) and edited History and Politics in French-Language Comics and Graphic Novels (University Press of Mississippi, 2008). From 2008-2015, along with Laurence Grove and Ann Miller, he edited the academic journal European Comic Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Regarded as the “9th Art”, French bande desinée have a much longer history of serious socio-political engagement than American comics. Since the Algerian War (1954–62), postcolonialism, migration, anti-racism are major themes in francophone comics. Mark McKinney's newest book studies the genre from the formal dismantling of the French colonial empire in 1962 up to the present. Postcolonialism and Migration in French Comics (Leuven UP, 2021) analyses comics representing a gamut of perspectives on immigration and postcolonial ethnic minorities, ranging from staunch defense to violent rejection. Individual chapters are dedicated to specific artists, artistic collectives, comics, or themes, including avant-gardism, undocumented migrants in comics, and racism in far-right comics. Dr. Mark McKinney is Professor of French at Miami University, Ohio. Postcolonialism and Migration in French Comics(Leuven University Press, 2020) is the final installment of a trilogy of sorts that includes The Colonial Heritage of French Comics (Liverpool University Press, 2011) and Redrawing French Empire in Comics (Ohio State University Press, 2013). Dr. McKinney co-edited with Alec G. Hargreaves, Post-Colonial Cultures in France (Routledge, 1997) and edited History and Politics in French-Language Comics and Graphic Novels (University Press of Mississippi, 2008). From 2008-2015, along with Laurence Grove and Ann Miller, he edited the academic journal European Comic Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Regarded as the “9th Art”, French bande desinée have a much longer history of serious socio-political engagement than American comics. Since the Algerian War (1954–62), postcolonialism, migration, anti-racism are major themes in francophone comics. Mark McKinney's newest book studies the genre from the formal dismantling of the French colonial empire in 1962 up to the present. Postcolonialism and Migration in French Comics (Leuven UP, 2021) analyses comics representing a gamut of perspectives on immigration and postcolonial ethnic minorities, ranging from staunch defense to violent rejection. Individual chapters are dedicated to specific artists, artistic collectives, comics, or themes, including avant-gardism, undocumented migrants in comics, and racism in far-right comics. Dr. Mark McKinney is Professor of French at Miami University, Ohio. Postcolonialism and Migration in French Comics(Leuven University Press, 2020) is the final installment of a trilogy of sorts that includes The Colonial Heritage of French Comics (Liverpool University Press, 2011) and Redrawing French Empire in Comics (Ohio State University Press, 2013). Dr. McKinney co-edited with Alec G. Hargreaves, Post-Colonial Cultures in France (Routledge, 1997) and edited History and Politics in French-Language Comics and Graphic Novels (University Press of Mississippi, 2008). From 2008-2015, along with Laurence Grove and Ann Miller, he edited the academic journal European Comic Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Celine Mitchell explores how modern Algerian-French rappers recreate memory of the Algerian War and connect with France's youth. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's special episode is by Celine Mitchell. Celine is currently a PhD candidate at The London School of Economics (LSE). She is writing a contemporary history of the French Algerian youth, through the lens of hip-hop. In particular, her work focuses on the analysis of the second and third generation's engagement with historical, political and […]

Dr. Richard Derderian talks about how Algerians in France maintained and developed their culture during decades of remarkable, violent change. Learn more about your ad choices. Visit megaphone.fm/adchoices

It is 60 years since the Algerian War of Independence. But it still casts a shadow over the present. As France goes to the polls to elect a new president, Edward Stourton presents stories from the country's colonial past which still affect day-to-day life. He tells the surprising story of how, in the 1870s, a tiny insect called phylloxera created the climate for the Algerian War. He hears about the intriguing story of a knife abandoned in a house in Algiers on a night in March 1957. And he talks to the "Milk Bar Bomber", immortalised in the film The Battle of Algiers.