Podcasts about Blood for Dracula

The Fellowship is pleased to present our discussion of the Star Wars novel (and graphic novel) Splinter of the Mind's Eye (1978) to wrap up our month of Star Wars. Wasn't this supposed to be the sequel? Plus our usual crazy talk, geek news, and tangents

Pack your bags because we're heading to Italy to look for the blood of wirgins in (Andy Warhol's) Paul Morrissey's Blood for Dracula (1974), a companion piece to his (their?) Flesh for Frankenstein (1974). Tagging in for the conversation is Conrad Chambers, the co-host of Movie Oubliette and The Queer Gaze. CW: sexual assault. Join us as we try to figure out just what is going on in this wacky little movie. From Udo Kier's diva of a Dracula to the film's very, very questionable messaging when it comes to sexual assault, there's no shortage of things to discuss. Need a refresher on Flesh for Frankenstein? Listen to our episode on it right here! Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote > Conrad: @ConradMChambers / Movie Oubliette: @MovieOubliette / The Queer Gaze: @TheQueerGaze Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada  Learn more about your ad choices. Visit megaphone.fm/adchoices

1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. For William Mendoza of the Men on Film Podcast, 1974 is marked by the rise of Paul Morrissey from Warhol Factory's house filmmaker to international sexploitation auteur. Filmed in unison with his FLESH FOR FRANKENSTEIN, Morrissey's broad Stoker adaptation BLOOD FOR DRACULA casts Udo Kier as the sulky, shirtless count lurking around an Italian estate, hoping to seduce "wirgins" and consume their pure fluid in order to revitalize his strength. He's impeded by Joe Dallsandro playing a Marxist handyman and famed Italian Neorealist filmmaker Vittorio de Sica who's doing...something. Mendoza loves this movie even though he admits it's a "failure of Italian exploitation," "too artsy to be a horror movie, too stupid to be an art movie." Fascinatingly the whole thing plays out like a classic dirty joke or an 80's sex comedy. There's still plenty to love, and we have a great time breaking down the Morrissey magic which stems from good filmmaking collaborators and a plentiful cast of weirdos to exploit. It's a goofball discussion, with more than a little off-roading. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com William Mendoza on X: twitter.com/MovieKessler Men on Film podcast on X: twitter.com/menonfilmpod The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

This week, 2 of us are stanning Udo Kier Dracula. Donate to TRANS LIFELINE! Join our PATREON! Join Katey's PATREON! Follow us on INSTAGRAM!

Joined by the always wonderful Caleb Poole, this is one you will want to watch on YouTube!For real. Go to YouTubewww.youtube.com/@CritterpitPodcast Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Andy Warhol Monsters Rewatch, Cory and Eoghan seek pure podcasting sustenance as they discuss Blood for Dracula. Blog Post

With a new format comes new movie suggestions! Check out these three films and give us your thoughts. Biggest Fans: THE WEEPING KINGDOM, MASON & BRENNAN Theme Song: Time Travellin' Nancy by Shane Ivers - www.silvermansound.com Follow: Instagram: @4th_times_the_charm_official Ben: @BTuckerTorch (Twitter), @smashenigma (Instagram) Matt: @DrGoreWizard (Twitter, Instagram)

Since we were at the Texas Haunters Convention we are throwing out a classic show originally  released in  Febuary of 2022 ... Hope you enjoy!    http://theevilneverdiespodcast.com   https://youtube.com/@theevilneverdiespodcast   https://audioboom.com/channels/5041828    http://tee.pub/lic/evilneverdiespodcast  https://www.buymeacoffee.com/evilneverdP   #bloodfordracula #udokier #horrormoviepodcast  #horrormoviefans #horrormovies #deathangel #actiii #bayareathrash #thrashmetal #heavymetalpodcast #heavymetal #hornsup #stayevil 

Dracula needs… you guessed it. But specifically he needs the blood of a virgin. But where to find a virgin in the modern world? If you found this joke/premise both funny and erotic, have we got a film for you. Director Paul Morrissey and star Udo Kier either push the limits of or nearly approach the genre of horror/comedy in this vaguely Andy Warhol-affiliated romp.  Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like. To watch ahead for next week's film, we will be discussing and reviewing Laurie Anderson's The Heart of a Dog (2015).

Birds/ Film Anger about DENISE CALLS UP (1:32)/ Flesh for Frankenstein (4:30)/ “skinimax version of Universal Monsters” (6:00)/ Andy Warhol (8:40)/ Batman Dracula (10:15)/ Andy Warhol - the brand name (13:30)/ The plot of Flesh for Frankenstein (17:10)/ the fame of Joe Dallesandro (22:00)/ Weird sex and gall bladders (26:30)/ The death scene (28:50)/ Improv (33:20)/ The ending (36:25)/ Blood for Dracula (41:50)/ Udo Kier's unhinged performance (46:48)/ the creepiest hero (50:11)

Happy Halloween! This week, the girls do a special double feature of Andy Warhol's FLESH FOR FRANKENSTEIN and BLOOD FOR DRACULA, both of which are really by Paul Morrisey. They dish about all things Joe Dallesandro, Udo Kier, Candy Darling, Holly Woodlawn, and Factory. Unfortunately, Roman Polanski comes up, too. Along the way: a Halloween Ends rant, Dracula 2000 and its sequels, Virgin Megastores and Vitamin C, My Bloody Valentine remake, The House of Psychotic Women boxset by Severin, Footprints on the Moon, I Like Bats, Identikit, and The Otherside of Underneath. Also some David Bowie sadness. Next week: Possession (1981)Website: http://www.bloodhauspod.com Twitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.com Drusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/ Joshua's website: https://www.joshuaconkel.com/Joshua's Twitter: https://twitter.com/JoshuaConkel Joshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkelal 

MOVIES THAT MADE WE (Ooky Spooky) returns for 2022, with discussion from Mr. Valdez (Colorado Springs), Kiki Mustang (Seattle), and Lewd Alfred Douglas (Salem, AM), 3 masquerade enthusiasts who talk their favorite miscreants, lycanthropes, and phantoms.  Bob your apples as ye may. [Dedicated in memory of Angela Lansbury] WARNING: HERE BE SPOILERS. Film discussion includes Paranormal Activity, The Strangers, The Possession of Michael King, Dark Skies, The Visit, Get Out, Andy Warhol's Blood For Dracula, The Company of Wolves, Otto; or Up with Dead People; and potentially others… WARNING: HERE BE SPOILERS. Full audio edition on #WEBurlesquePodcast with full length video version available at weburlesquepodcast.com. -  The #Movies That Made WE is a creation of #WEBurlesquePodcast Network, produced by #ViktorDevonne [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.] - Produced by Viktor Devonne, reigning Mr Hollywood Burlesque, and celebrating 16 years in burlesque. Visit weburlesque.com for details.

This week! Drusilla wins a Golden Trailer Award for her Bodies, Bodies, Bodies poster. The dup discusses sentimental sitcoms plus the new Hellraiser and Triangle of Sadness.  But the reason for the season is Alfred Sole's 1976 film Alice, Sweet Alice aka Communion, and its creepy ad campaign. From wiki: "Alice, Sweet Alice (originally titled Communion) is a 1976 American slasher film co-written and directed by Alfred Sole, and starring Linda Miller, Paula Sheppard, and Brooke Shields in her film debut. Set in 1961 New Jersey, the film focuses on a troubled adolescent girl who becomes a suspect in the brutal murder of her younger sister at her First Communion, as well as in a series of unsolved stabbings that follow."Next week: SPECIAL HALLOWEEN DOUBLE FEATURE: ANDY WARHOL'S "FLESH FOR FRANKENSTEIN" and ANDY WARHOL'S "BLOOD FOR DRACULA."  Website: http://www.bloodhauspod.com Twitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.com Drusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/ Joshua's website: https://www.joshuaconkel.com/Joshua's Twitter: https://twitter.com/JoshuaConkel Joshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkelal 

Our path on the Dracula and Frankenstein road continues as we look at the Andy Warhol sponsored films BLOOD FOR DRACULA and FLESH FOR FRANKENSTEIN. Then we talk about SHE-HULK, Bryan's trip to the drive-in, and end on a spoilery review of WEREWOLF BY NIGHT.

Our path on the Dracula and Frankenstein road continues as we look at the Andy Warhol sponsored films BLOOD FOR DRACULA and FLESH FOR FRANKENSTEIN. Then we talk about SHE-HULK, Bryan's trip to the drive-in, and end on a spoilery review of WEREWOLF BY NIGHT.

CONTENT WARNING! This episode contains a conversation about two graphic exploitation movies full of violence, sexual violence and other depravity, and the conversation does not stray away from these subjects. Listener discretion is advised. In this episode of the show we are joined by our good buddies Kevin and Erin, hosts of The Podcast That Wouldn't Die, to talk about two movies directed by Paul Morrisey and starring Udo Kier, Flesh For Frankenstein and Blood For Dracula. Over the course of our conversation you will hear us wonder whether these folks knew how to make movies, whether they aimed to take inspiration from softcore pornography and whether anyone should pay attention to any and all social commentary embedded within their narratives. We also take stock of Udo Kier's career, wonder why Joe Dallesandro had one to begin with, marvel at the gross-out violence on display and even postulate that a certain Monty Python movie may have ripped off the iconic ending of Blood For Dracula. Tune in and enjoy! Hosts: Jakub Flasz & Randy Burrows Featuring: Kevin and Erin from The Podcast That Wouldn't Die (@TPodcastTWDie and @QueenErin) Intro: Infraction - Cassette Outro: Infraction - Daydream Head over to uncutgemspodcast.com to find all of our archival episodes and more! Follow us on Twitter (@UncutGemsPod), IG (@UncutGemsPod) and TikTok (@UncutGemsPod) Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod) Subscribe to our brand new Patreon! (patreon.com/uncutgemspod) The Uncut Gems Podcast is a CLAPPER production

Kevin and Erin discuss the horror “Classic”: Blood for Dracula. Spoilers aplenty! Like and share this episode, and check us out at https://linktr.ee/TPodcastTWDie. TJ from http://introoutrobed.com custom-made our music!

Episode Notes At a listener suggestion, the Screwheads discuss the '74 criterion classics, Blood for Dracula and Flesh for Frankenstein. Find out more at https://primitivescrewheads.pinecast.co This podcast is powered by Pinecast.

To know Clive, you must fuck Ron in the gallbladder. MMW Theme by Mike Powell Musical break: Dracula by Desmond Dekker Musical outro: Jonathan Winters Frankenstein by Man...or Astroman?

This week's episode digs up two classic campy horror flicks from the '70s, "Flesh For Frankenstein" and "Blood For Dracula." We revel in the gory, horny humor of both movies, share our love for Udo Kier and Joe Dallesandro, and talk about why these movies must be seen as a double feature. Listen now.

For they're 25th Episode Brett and Carl discuss the 1974 film Blood For Dracula and Death Angel's 1990 release Act III

“The blood of these whores is killing me.” Why don't you have a salad instead? If only they have the right vegetables. Join your faithful Grue Crew – Doc Rotten, Chad Hunt, Bill Mulligan, and Jeff Mohr – as they finally fulfill their dream of seeing Blood for Dracula (1974), aka Andy Warhol's Dracula! Decades […]

You like some, Andy Warhol?! We do too but turns out this movie had little to no involvement with him so why don't you listen to a podcast that only mentions him twice this episode? Join us as we laugh, internally cry, and diverge from the movie any chance we have because PANDEMIC.

Ein weinerlicher Dracula, lüsterne Schwestern, ein marxistischer Diener und viele WTF-Momente... Endlich wissen wir wie ein 1*-Film aussieht... Unsere Wertung: 🩸💧💧💧💧💧💧💧💧💧

Blood for Dracula: A Unique Take As it approaches its 50th anniversary, Paul Morrissey's Blood for Dracula remains an idiosyncratic take on the Bram Stoker mythos. Shown in a variety of cuts – and under various titles – through the years, July saw the release of a definitive 4K/Blu-ray package courtesy of the tireless genre preservationists... Read More The post THE LAST KNOCK presents: Blood for Dracula appeared first on Crash Palace Productions.

This week, join us as we discuss a true grindhouse double feature: Andy Warhol's Flesh for Frankenstein and Blood for Dracula. Both of director Paul Morrisey's films use the same crew and cast and offer radically different takes on these works of classic literature. They're probably as high-brow as we'll get here on Video Store Nightmares. On this episode: the sexual allure of Joe Dallesandro, Udo Kier's histrionics, a gall-bladder fetish, Serbian ideals, incestual marriage, virgin meat, vegetarianism and the merits of socialism in the face of vampiric aristocracy.

In today's episode, we discuss the infamous 'Andy Warhol' creature features (both directed by Paul Morrissey): Flesh for Frankenstein (1973) and Blood for Dracula (1974). We chat the films' themes on sexuality and class, their comedy, and more! Co-host(s): Andre Couture (HFTDD co-host and editor) Mike Vaughn (author of 'The Ultimate Guide to Strange Cinema' and founder of The Video Attic) Editor: Andre Couture Art adapted in part from the Severin Films cover by Elizabeth Yoo (TW: @lejazznik).

This episode Brian and Nez travel to Italy to help out the prince of darkness in Andy Warhol's Dracula aka BLOOD FOR DRACULA.    

31 Days of Halloween continues as I attempt to avoid any "suck" puns while discussing 1974's Blood for Dracula. ENDING MUSIC: Dracula Goes Dreamy by Hot Blood Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Today on LIFECAST we’ll hear from the legendary Udo Kier about his role as André Toulon in FANGORIA’s own PUPPET MASTER: THE LITTLEST REICH along with stories from his Andy Warhol movies FLESH FOR FRANKENSTEIN and BLOOD FOR DRACULA! 

In this episode, we question almost every choice made in the absolutely cult BLOOD FOR DRACULA, directed by Paul Morrissey. Join us as we skeeve out over the grossest moment in cinema we've seen thus far, Andy makes Twilight jokez, and Stephanie discusses Vampire Lore and how Bram Stoker is turning in his grave. Plus, Sex Ed with Stephanie and how Andy absolutely never learned to prank people properly. THE VAMPIRE, by Volta Ornella (a scholarly look at Dracula and vampire tropes, including Bram Stoker's Dracula) BOO! IT'S SEX, a web comic by Danielle Corsetto, Monica Gallagher

In this episode, we question almost every choice made in the absolutely cult BLOOD FOR DRACULA, directed by Paul Morrissey. Join us as we skeeve out over the grossest moment in cinema we’ve seen thus far, Andy makes Twilight jokez, and Stephanie discusses Vampire Lore and how Bram Stoker is turning in his grave. Plus, … Continue reading "Episode 12 – Blood for Dracula"

Lucas makes Jacob watch another weirdo sex pervert movie. This episode was totally not recorded months ago and Jacob definitely didn't forget to post it until just now.

Welcome back, listeners! We've got some real deep cuts for you today, so tune in for unsympathetic communists, deeply unsexy sex scenes, and some of the most egregious racial stereotyping ever caught on camera!

Your hyperkinetic hosts Dr. Tarr, Professor Fether and The Midnight Gadfly discuss SHADOW OF THE VAMPIRE (2000), in which they thoroughly mangle the director's name. The talk leads into a short discussion of BLOOD FOR DRACULA (1974). The hosts talk about one of their favorite “horror hosts” BUTCH R. CLEAVER and his show MEET CLEAVER … Continue reading "Unsane Radio 0032 – Foiled by Aluminum"

Join Rob Galluzzo, Elric Kane, and Rebekah McKendry as they catch up on all the latest horrors, including Richard Stanley's long-awaited return COLOR OUT OF SPACE, Shudder's CREEPSHOW series, IN THE SHADOW OF THE MOON and TWO SENTENCE HORROR STORIES on Netflix, Severin's WAX MASK, COME TO DADDY, Udo Kier in BLOOD FOR DRACULA and much more! Then we welcome to the show special guest Kailey Marsh, creator of THE BLOODLIST script competition, and entertainment manager. She gives us insight into an aspect of the business that rarely gets touched upon, being a full time manager. Kick back, listen, and join the conversation!

Special guest, actor Jacob Pitts (Justified,The Sinner, Eurotrip) returns! He joins Kathy, Lisa and Burk as we delve into vampire lore and what it is about the blood-drinking undead that keeps them haunting the realms of entertainment. We go into DARK SHADOWS and BLOOD FOR DRACULA and BRAM STOKER’S DRACULA and everything else they can think of including Count Duckula, Count Chocula and The Count on Sesame Street… Christopher Lee, Bela Lugosi Udo Kier and Frank Langella. Why do we love vampires so much? Maybe because we’re vampires ourselves? Maybe… Mark will return soon after his hiatus. Join Cinemondo and over a hundred thousand podcasters already using Buzzsprout to get their message out to the world. Sign up here to get your podcast started!We're also on Patreon!Become a Patron on PatreonSPOILER WARNING: This episode is SPOILER LIGHT which means some story details will be revealed but not all. We still advise listeners to: Watch First Listen Later. Cinemondo Podcast is a weekly show that's released every Monday. If you’d like to support our show, please subscribe to our podcast free in iTunes, and leave us a review! We want to hear from you so write in with more recommendations and comments. Email us: CinemondoPodcast@gmail.com Connect with us: CinemondoPodcast.com twitter.com/CinemondoPod facebook.com/CinemondoPodcast instagram.com/CinemondoPodcastSupport the show (https://www.patreon.com/CinemondoPodcast)

Summer of BloodA US Army biological weapon turns people into homicidal maniacs and Count Dracula tries out Italian cuisine in this Summer of Blood installment.The Crazies (1973)Blood for Dracula (1974)

The gang dives into the gall bladder and drinks the blood of wirgins in this episode, a look at Paul Morrissey’s Flesh For Frankenstein and Blood For Dracula; two gory, highbrow arthouse exploitation flicks that are curiously missing Andy Warhol despite his above-the-title credit but are abundant with the inspired wackiness of Udo Kier, Joe Dallesandro, and Arno Jürging amid ravishing landscapes and incredible locations.   Follow the individual Twitter accounts of the OKCFS: After Dark cast at:   Patrick Crain: @patrickcrain73 Eric King: @uncannykarloff Rodney McKinley: @rodofwar1 Kevin Tudor: @KevTudo

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys. On this episode we’re discussing Sam Raimi’s EVIL DEAD franchise and we’re joined by fellow Cinepunk and all around hooligan John Wren from The Mandate podcast. First and foremost we want to give a shoutout to our sponsors over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or coozy. Head on over to www.xlvacx.com to check them out. Also, thank you to our Patreon subscribers. Your support means the world to us and we are eternally grateful for that support. Thanks! We start by talking about what we’ve seen or done lately in the field of horror. Liam talks about seeing Flesh For Frankenstein and Blood For Dracula at an Exhumed Films event Philly, the Castle Rock series, John talks about The Meg, and Justin talks about seeing Pyewacket and Wildling. We of course begin with how we first came to see The Evil Dead when we were younger. We talk about the weird remake qualities of Evil Dead II, and how that film is responsible for many people thinking that Evil Dead is something of a comedy. The concept of having to kill your friends after they become something other than human beings is discussed at length. The discovery of Army Of Darkness being connected to The Evil Dead is talked about, as is the process of Evil Dead II being made with a strange opening that rehashes the first film. The literal nightmarish qualities of the ending of the first film are dissected, in that the shortcomings of the practical effects actually lend a very grotesque look to the finished product. The development of Ash Williams throughout the franchise from scared college kid to swaggering dopey badass is discussed at length. The politics and behind the scene drama of Ash Vs. Evil Dead is talked about, as is the damage done to him as a human being by the things he’s witnessed since going to the cabin for the first time. The show’s third season perfecting the feel of Ash as a culmination of all of the films is discussed. The show’s abrupt ending is touched upon and how even though it felt abrupt it still felt appropriate. Lucy Lawless’ central role in the show is touched upon. We briefly talk about the 2013 remake, remakes in general, how the first film and Phantasm are masterpieces of independent filmmaking, and conclude the discussion by talking about how the franchise is arguably pound for pound the greatest horror franchise of all time. As always thanks to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for listening. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to thehorrorbiz@gmail.com. We would love to hear from you! Special thanks to John Wren for coming to hang out with us. You can check out more of his colorful opinions on the Mandate podcast also available on the Cinepunx network. Thanks always to Justin Miller and Doug Tilley for their technical contributions and fliers, Mike Smaczylo for the shirts and fliers (you can check more of his work out at here), and also thanks to Josh Alvarez for the theme song, Chris, Brad, Alexis, and LVAC for the support and buttons (check them out at www.xlvacx.com), and a HUGE thank you to anyone who retweeted us or shared something on Facebook that we posted. Follow us on Twitter at @thehorrorbiz666, like us on Facebook at facebook.com/thehorrorbiz66, and remember to rate, review, and subscribe to us on ITunes. In fact, if you write us a review, email us with your mailing address and we’ll send you some free pins and sticker...

In this podcast, Dan Pullen and Bradley J Kornish are joined once again by a favorite guest of ours Author/Cartoonist/Filmmaker Ricky Sprague. We will be exploring the depths of depravity that lie within the Morrissey/Warhol/Udo Keir classics from the 1970's "Blood for Dracula" (1974) and "Flesh for Frankenstein".(1973). We cover both movies in this two part podcast. We get a chance to discuss Udo Keir's brilliant over-the-top performances, my childhood traumas and that famous 'Gallbladder' scene in 'Flesh for Frankenstein. Clips Trailers and Docs via the BLACKARK Magazine website: http://blackarkmagazine.com/?p=2736&preview=true The Guest Writer/Cartoonist Ricky Sprague Ricky on Amazon Ricky on Twitter THE FILMS

Finally a vampire movie that isn't afraid to tackle the complex relationship between the bourgeoisie and proletariat as it pertains to the concept of arranged marriages in an attempt to maintain your family's status.

We discuss the work of filmmaker/fine artist Andy Warhol and director/business manager Paul Morrissey - who helmed the most popular feature films Warhol produced: FLESH, TRASH and HEAT. We also analyze Morrissey's two big horror comedies FLESH FOR FRANKENSTEIN and BLOOD FOR DRACULA. We have a PATREON and we're having a CONTEST! Three prizes to be won! But you have to get in on it now! Join for five dollars a month and get a brand new exclusive episode of ICC every week and a chance to win. WWW.PATREON.COM/THEIMPORTANTCINEMACLUB

In our twenty-third episode we're talking spines #27 and 28: Paul Morrissey's FLESH FOR FRANKENSTEIN from 1973 and BLOOD FOR DRACULA from 1974. First we talk about what we've been watching, and what's happening in the world today! RJ is getting festive with THE NIGHT BEFORE and HOME ALONE, and Jarrett watched HOLY FLAME OF THE MARTIAL SWORD, BLUE STEEL, THE INVITATION, and something else. Also in this episode we got ourselves our first interview with Maurice Yacowar, film studies professor and man who wrote not only The Films of Paul Morrissey, but worked on the Criterion Collection for both these films. Introduction is 'Criterion Creeps Theme' by petite petite, and musical interludes are Edgar Winter Group's "Frankenstein", Neil Young's "Vampire Blues", and David Bowie's "Andy Warhol". Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Stitcher!

This episode covers spines #27 and #28 in the Criterion Collection, Flesh for Frankenstein and Blood For Dracula by Paul Morrissey, featuring special guest Kristen Zaza. LISTEN HERE:  PODCAST REVIEW

Episode 4. In this episode we chat about BLOOD FOR DRACULA, FAR FROM THE MADDING CROWD, '71 and Jerry Goldsmith's THE LAST RUN. Tony sits down with the band VOYAG3R and we discuss the film LOST RIVER. Created by Tony Giles & Scott Johannsson Recorded at Solatron Studios, Birmingham UK April 15th 2015 Title Music by Scott Johannsson

Questa volta andiamo sul cineforum duro: si parla di "Un piccione seduto su un ramo riflette sull'esistenza", Leone d'Oro e ultimo capitolo della trilogia che lo svedese Roy Andersson ha dedicato al ragionamento “sull'essere essere umani”.

In this episode The Criterionist talks about Paul Morrisey's BLOOD FOR DRACULA. He talks about how weird it is and down right creepy.

Matthew Johnston returns after a long, very long break to get back into the Roomovies game! We go full Warhol when Cell Saga and Paul from ixi Studios stop by! Wirgins!

The story is that while filming Flesh for Frankenstein Paul Morrissey and crew discovered they were quite ahead of schedule and under budget, so they decided to make a second movie. Released the following year, Blood for Dracula, which shares Frankenstein's critique of sexual promiscuity, was partially improvised and for some reason has a cameo from Roman Polanski. It's also a much more entertaining movie no matter what the Rotten Tomato ratings suggest, despite Joe Dallesandro's character being much more overbearing and hard to handle.

Zom and loaf reach out of the wheelhouse a little and tackle some Paul Morrissey fronted, Andy Warhol funded horror films from mid-70s Italy. First we discuss the rather gruesome FLESH FOR FRANKENSTEIN from 1973, then follow it up with BLOOD FOR DRACULA from 1974 Lots of bad Udo Kier accents, Dallesandro cock talk, and […] The post Episode 79: Something for Something by Warhol appeared first on Silva and Gold.

Deathly ill Count Dracula (Udo Kier) and his slimy underling, Anton (Arno Juerging), travel to Italy in search of a virgin's blood. They're welcomed at the crumbling estate of indebted Marchese Di Fiore (Vittorio De Sica), who's desperate to marry off his daughters to rich suitors. But there, instead of pure women, the count encounters incestuous lesbians with vile blood and Marxist manservant Mario (Joe Dallesandro), who's suspicious of the aristocratic Dracula. Stream online: https://amzn.to/3alHwC6 Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

Deathly ill Count Dracula (Udo Kier) and his slimy underling, Anton (Arno Juerging), travel to Italy in search of a virgin's blood. They're welcomed at the crumbling estate of indebted Marchese Di Fiore (Vittorio De Sica), who's desperate to marry off his daughters to rich suitors. But there, instead of pure women, the count encounters incestuous lesbians with vile blood and Marxist manservant Mario (Joe Dallesandro), who's suspicious of the aristocratic Dracula. Stream online: https://amzn.to/3alHwC6