Podcasts about Flesh for Frankenstein

Today we talk about moral panics. Specifically, the "Video Nasty" moral panic that happened in the UK in the early 1980s, and then again in the 1990s, when there was widespread fear that by kids watching horror movies with titles like Cannibal Holocaust, Flesh for Frankenstein, I Spit on Your Grave, and The Last House on the Left, they would literally be turned into rapists and killers. Was there any justification for this panic? Can hyper-violent or hyper-sexualized media in general erode the morality of children? Merch and more: www.badmagicproductions.com Timesuck Discord! https://discord.gg/tqzH89vWant to join the Cult of the Curious PrivateFacebook Group? Go directly to Facebook and search for "Cult of the Curious" to locate whatever happens to be our most current page :)For all merch-related questions/problems: store@badmagicproductions.com (copy and paste)Please rate and subscribe on Apple Podcasts and elsewhere and follow the suck on social media!! @timesuckpodcast on IG and http://www.facebook.com/timesuckpodcastWanna become a Space Lizard? Click here: https://www.patreon.com/timesuckpodcast.Sign up through Patreon, and for $5 a month, you get access to the entire Secret Suck catalog (295 episodes) PLUS the entire catalog of Timesuck, AD FREE. You'll also get 20% off of all regular Timesuck merch PLUS access to exclusive Space Lizard merch.

JFD is back -- just in time for Halloween!! On this very spooky Halloween episode, we conclude Schlocktober. First, a perverted scientist creates a man out of dead bodies in "Flesh for Frankenstein," starring Udo Kier. Next, The Boulet Brothers take us back to the past with a 70s-style variety show in "The Boulet Brothers Halfway to Halloween TV Special." Finally, a telephone hotline turns its callers into demons in "976-Evil," directed by Robert Englund. All this plus Nerd News, voicemails (maybe), and Halloween mayhem! Direct Donloyd here.

1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. For William Mendoza of the Men on Film Podcast, 1974 is marked by the rise of Paul Morrissey from Warhol Factory's house filmmaker to international sexploitation auteur. Filmed in unison with his FLESH FOR FRANKENSTEIN, Morrissey's broad Stoker adaptation BLOOD FOR DRACULA casts Udo Kier as the sulky, shirtless count lurking around an Italian estate, hoping to seduce "wirgins" and consume their pure fluid in order to revitalize his strength. He's impeded by Joe Dallsandro playing a Marxist handyman and famed Italian Neorealist filmmaker Vittorio de Sica who's doing...something. Mendoza loves this movie even though he admits it's a "failure of Italian exploitation," "too artsy to be a horror movie, too stupid to be an art movie." Fascinatingly the whole thing plays out like a classic dirty joke or an 80's sex comedy. There's still plenty to love, and we have a great time breaking down the Morrissey magic which stems from good filmmaking collaborators and a plentiful cast of weirdos to exploit. It's a goofball discussion, with more than a little off-roading. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com William Mendoza on X: twitter.com/MovieKessler Men on Film podcast on X: twitter.com/menonfilmpod The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

It's another big hitter episode but not as we know it. Over the past year I have been putting this show together, knowing that time will be short for me come spooky season. So I compiled my favourite parts from the video nasty series of the top tier,  successfully prosecuted films over on Patreon & have put them in order of my least favourite to the movie that I think is the best. All the nasties with a total of 19 guests, a silly amount of booze & the filthiest 39 movies that you ever would see.1.52 - Night of the Demon (w/Niki Jones)22.59 - Flesh For Frankenstein aka Andy Warhol's Frankenstein (w/ Lono)54.43 - The Devil Hunter1.07.47 - Bloodeaters aka Toxic Zombies (w/ Benjamin Bowles)1.28.07 - Evil Speak (w/ Choff)Between the interview segments there are various clips from an incredibly important documentary which is actually an episode from the BBC series 'Open Space' in which the public made programmes under their own editorial control. It's an episode called 'Suitable for Viewing in the Home?' from 1984. This gives some detailed context to pretty much all the conversations for this episode.  JOIN PATREON HERE - IT'S THE GREATEST

Plus, first reactions to Godzilla x Kong: The New Empire! Then enjoy conversations on two of the Frankenstein Monster's more bizarre appearances! And listen to our other episodes on these two wild movies. Plus, follow the "Frankenstein Minute" podcast for more fun with Bill and Thom. Thanks! If you like what you hear, please leave a rating and review. You can also drop us a line at campkaiju@gmail.com and visit ⁠⁠campkaijupodcast.com⁠⁠, ⁠⁠Letterboxd⁠⁠, and Instagram (@camp_kaiju) for more monster movie content. Frankenstein Conquers the World (1965, dir. Ishiro Honda) Movie Review; Flesh for Frankenstein (1973, dir. Paul Morrisey) Movie Review; Godzilla x Kong: The New Empire (2024, dir. Adam Wingard) Movie Review Camp Kaiju: Monster Movie Reviews. Hosted by Vincent S. Hannam, Matthew Cole Levine, Frankenstein Minute, Frank Olson --- Send in a voice message: https://podcasters.spotify.com/pod/show/camp-kaiju/message Support this podcast: https://podcasters.spotify.com/pod/show/camp-kaiju/support

Episode 374 is about the 1973 movie known sometimes as “Flesh for Frankenstein”. When it isn't being called that, it is also known as “Andy Warhol's Frankenstein”. Oooh, neat- it must have his style all over it, right? Um, no. He was barely involved. Give it a watch and see what you think. Find us on Instagram where we are @chewingthescenery or easily find us on Facebook. CTS can be found on Soundcloud, Apple Music and anywhere fine podcasts can be found. Please rate, review, subscribe- it really does help new listeners find us! #horror #horrormovies #horrornerd #horroraddict #horrorjunkie #monsterkid #bmovie #scarymovies #monstermovie #podcast #chewingthescenery #zombies #zombie #VHS #moviemonsters #andywarhol #frankenstein #fleshforfrankenstein #itcamefromthe70s

In this episode of The Andy Warhol Monsters Rewatch, Cory and Eoghan build the perfect podcast specimen as they discuss Flesh for Frankenstein. Blog Post

We all love the monster that Frankenstein created but most of us can agree we do not love this film. We apologized for even reviewing this one but we quickly poke fun of what happens in this film. Starring Joe Dallesandro, Udo Kier, Dalila Di Lazzaro, and Monique Van Vooren. Written and Directed by Paul Morrissey in 1973. If you would like to become a supporter of the show you can check out our Patreon page and choose a tier. There are different perks at all levels and every contributor will have access to our Pre-Horror Show. Check out our favorite coffee by clicking on our link: Four Sigmatic Please share the podcast with your friends on social media to help us grow. Leave us a great review on whatever platform you are using. Check us out on Facebook, Instagram, Twitter, and Slasher. If you would like to watch our interviews, you can check out our YouTube channel. If you would like to ask us a question or make a suggestion for the show, send us an email at horrorscriptpodcast@gmail.com You can write us or record a voice memo of yourself asking the question and we can play it on an upcoming episodeSupport the show by picking up some Horror Script Podcast merchandiseIf you do reviews and interviews virtually try Squadcast for free by using our link. You also help support the show by using it. Special thanks to John Saccardo and Vince Lipscomb for the amazing music. Support the show

Placing FLESH FOR FRANKENSTEIN within the broader LGBTQ+ activism of the 1970s; Joe Dallesandro's dubious dialect work; playing the armpit and more! Full bonus episode available for Patreon subscribers at patreon.com/campkaiju. Visit now and check out the available perks! We couldn't do this without your support - eternal thanks, friends. Catch ya next week for the dinosaur-cowboy romp, THE VALLEY OF GWANGI with special effects by Ray Harryhausen! Visit Patreon.com/campkaiju, campkaijumoviereviews.com, and Instagram for more monster movie content! --- Support this podcast: https://podcasters.spotify.com/pod/show/camp-kaiju/support

What makes a movie good or bad? Does art have to have meaning? What exactly are we doing to gallbladders? Andy Warhol presents a Frankenstein that begs these questions and more! Special thanks to Frank and all of you for listening. Consider becoming a supporter at patreon.com/campkaiju. Until next time, stay campy! Patreon.com/campkaiju, campkaijumoviereviews.com, and Instagram for more monster movie content. --- Support this podcast: https://podcasters.spotify.com/pod/show/camp-kaiju/support

What's your favorite so-bad-it's-good movie? We're chatting our favorites along with more MOTHRA VS. GODZILLA in this week's patreon bonus! Join now at patreon.com/campkaiju for the full episode. Thanks, friends - your support goes a long way! Catch ya next week for FLESH FOR FRANKENSTEIN (1973) and the return of Frank Olson! Follow along on Patreon, campkaijumoviereviews.com, and Instagram for more monster movie content. Links in the bio. --- Support this podcast: https://podcasters.spotify.com/pod/show/camp-kaiju/support

Watch This List Unplugged presents Episode 10 of Insomnia Cinema: Flesh for Frankenstein with Jetta Weinstein.

Birds/ Film Anger about DENISE CALLS UP (1:32)/ Flesh for Frankenstein (4:30)/ “skinimax version of Universal Monsters” (6:00)/ Andy Warhol (8:40)/ Batman Dracula (10:15)/ Andy Warhol - the brand name (13:30)/ The plot of Flesh for Frankenstein (17:10)/ the fame of Joe Dallesandro (22:00)/ Weird sex and gall bladders (26:30)/ The death scene (28:50)/ Improv (33:20)/ The ending (36:25)/ Blood for Dracula (41:50)/ Udo Kier's unhinged performance (46:48)/ the creepiest hero (50:11)

Happy Halloween! This week, the girls do a special double feature of Andy Warhol's FLESH FOR FRANKENSTEIN and BLOOD FOR DRACULA, both of which are really by Paul Morrisey. They dish about all things Joe Dallesandro, Udo Kier, Candy Darling, Holly Woodlawn, and Factory. Unfortunately, Roman Polanski comes up, too. Along the way: a Halloween Ends rant, Dracula 2000 and its sequels, Virgin Megastores and Vitamin C, My Bloody Valentine remake, The House of Psychotic Women boxset by Severin, Footprints on the Moon, I Like Bats, Identikit, and The Otherside of Underneath. Also some David Bowie sadness. Next week: Possession (1981)Website: http://www.bloodhauspod.com Twitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.com Drusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/ Joshua's website: https://www.joshuaconkel.com/Joshua's Twitter: https://twitter.com/JoshuaConkel Joshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkelal 

This week! Drusilla wins a Golden Trailer Award for her Bodies, Bodies, Bodies poster. The dup discusses sentimental sitcoms plus the new Hellraiser and Triangle of Sadness.  But the reason for the season is Alfred Sole's 1976 film Alice, Sweet Alice aka Communion, and its creepy ad campaign. From wiki: "Alice, Sweet Alice (originally titled Communion) is a 1976 American slasher film co-written and directed by Alfred Sole, and starring Linda Miller, Paula Sheppard, and Brooke Shields in her film debut. Set in 1961 New Jersey, the film focuses on a troubled adolescent girl who becomes a suspect in the brutal murder of her younger sister at her First Communion, as well as in a series of unsolved stabbings that follow."Next week: SPECIAL HALLOWEEN DOUBLE FEATURE: ANDY WARHOL'S "FLESH FOR FRANKENSTEIN" and ANDY WARHOL'S "BLOOD FOR DRACULA."  Website: http://www.bloodhauspod.com Twitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.com Drusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/ Joshua's website: https://www.joshuaconkel.com/Joshua's Twitter: https://twitter.com/JoshuaConkel Joshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkelal 

Our path on the Dracula and Frankenstein road continues as we look at the Andy Warhol sponsored films BLOOD FOR DRACULA and FLESH FOR FRANKENSTEIN. Then we talk about SHE-HULK, Bryan's trip to the drive-in, and end on a spoilery review of WEREWOLF BY NIGHT.

Our path on the Dracula and Frankenstein road continues as we look at the Andy Warhol sponsored films BLOOD FOR DRACULA and FLESH FOR FRANKENSTEIN. Then we talk about SHE-HULK, Bryan's trip to the drive-in, and end on a spoilery review of WEREWOLF BY NIGHT.

Episode 219: Andy Warhols Frankenstein (Flesh for Frankenstein), 1973

CONTENT WARNING! This episode contains a conversation about two graphic exploitation movies full of violence, sexual violence and other depravity, and the conversation does not stray away from these subjects. Listener discretion is advised. In this episode of the show we are joined by our good buddies Kevin and Erin, hosts of The Podcast That Wouldn't Die, to talk about two movies directed by Paul Morrisey and starring Udo Kier, Flesh For Frankenstein and Blood For Dracula. Over the course of our conversation you will hear us wonder whether these folks knew how to make movies, whether they aimed to take inspiration from softcore pornography and whether anyone should pay attention to any and all social commentary embedded within their narratives. We also take stock of Udo Kier's career, wonder why Joe Dallesandro had one to begin with, marvel at the gross-out violence on display and even postulate that a certain Monty Python movie may have ripped off the iconic ending of Blood For Dracula. Tune in and enjoy! Hosts: Jakub Flasz & Randy Burrows Featuring: Kevin and Erin from The Podcast That Wouldn't Die (@TPodcastTWDie and @QueenErin) Intro: Infraction - Cassette Outro: Infraction - Daydream Head over to uncutgemspodcast.com to find all of our archival episodes and more! Follow us on Twitter (@UncutGemsPod), IG (@UncutGemsPod) and TikTok (@UncutGemsPod) Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod) Subscribe to our brand new Patreon! (patreon.com/uncutgemspod) The Uncut Gems Podcast is a CLAPPER production

Episode Notes At a listener suggestion, the Screwheads discuss the '74 criterion classics, Blood for Dracula and Flesh for Frankenstein. Find out more at https://primitivescrewheads.pinecast.co This podcast is powered by Pinecast.

Week 4 of the Summer of Camp finds us fucking life in the gallbladder with Flesh For Frankenstein (1974). Along for the ride is returning guest Reyna Cervantes, who loves Paul Morrissey's X-Rated satire, which could never be made today!After Trace provides a quick crash course on Andy Warhol and The Factory, we dive into the 3D, the Mafia (!) and the incest/necrophilia of it all (C/W by the way). Plus: hot Udo Kier, the destruction of the nuclear family, asexuality vs gay vibes, debates about male full frontal nudity, and James Cameron? Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Reyna: @Jfcdoomblade / @WindsorFilmClubBe sure to support the boys on Patreon! Theme Music: Alexander Nakarada See acast.com/privacy for privacy and opt-out information.

To know Clive, you must fuck Ron in the gallbladder. MMW Theme by Mike Powell Musical break: Dracula by Desmond Dekker Musical outro: Jonathan Winters Frankenstein by Man...or Astroman?

On the Season 4 premiere, Becky, Cam and Alicia dive into the carnal horrors of 1973 with the late Ivan Reitman's Cannibal Girls and Paul Morrissey's Flesh for Frankenstein (sometimes known as Andy Warhol's Frankenstein). See acast.com/privacy for privacy and opt-out information.

Kevin and Erin discuss the horror “Classic”: Flesh for Frankenstein. Spoilers aplenty! Like and share this episode, and check us out at https://linktr.ee/TPodcastTWDie. TJ from http://introoutrobed.com custom-made our music!

Colin gets to know life by becoming a gallblader enthusiast in Flesh for Frankenstein (aka Andy Warhol's Frankenstein, 1973), which finds a fascist Dr. Frankenstein seeking to create a superior race of humanoids but things go wrong when he chooses the wrong subject for his experiments. Listen as we get gross with weird sex and splattery gore as body parts are flung out of the screen in three dimensions on this week's exciting show! See acast.com/privacy for privacy and opt-out information.

Where is the line between grotesque horror and dark comedy? Paul Morrisey's FLESH FOR FRANKENSTEIN (1973) explores that blurry line with colorful delight. Often known as Andy Warhol's FRANKENSTEIN this is a one-of-a-kind experience and is now finally available on Bly-Ray! Mark Maddox and I discuss the film and our history with it as we look at what we like and/or love about this bizarre piece of cinema. The movie was produced without a full script while the director composed pages on the way to Cinecittà Studios every day of its three week shoot. This creates a strangely meandering story about Baron Frankenstein (Udo Kier) attempting to bring about a Serbian master race by creating a perfect mating pair. As you might expect, things do not go as planned. Scattered about the story we find the mad doctor's sister/wife, their creepy children and the lower-class servants who are asked to participate in some grisly experiments. It's a bloody, nudity filled madhouse of a movie and is sure to please or anger an almost equal number of viewers. Our talk ranges from the very talented cast and the opulent sets to the well-done gore effects and the disgusting visuals. Of course, by the end we are off track and talking about other things but we start with good intentions. Forgive us! The email address is thebloodypit@gmail.com and we'd love to know your thoughts on this odd work of cinema or any other subject we bump up against in our discussion. Thank you for listening.

Andy Warhol Presents The Frankencast! Put on your finest Serbian nasum and join us as we get super weird IN 3D! This week we're discussing flirtatious berating, what to do with life's gallbladder, and how to train your kids to carry on the family business. Please rate, review, and tell your fiends. And be sure to subscribe so you don't miss future installments. Follow us on Twitter or Instagram @thefrankencast or send us a letter at thefrankencast@gmail.com. We'd love to hear from you! Your Horror Hosts: Anthony Bowman (he/him) & Eric Velazquez (he/him). Cover painting by Amanda Keller (@KellerIllustrations on Instagram).

This week's episode digs up two classic campy horror flicks from the '70s, "Flesh For Frankenstein" and "Blood For Dracula." We revel in the gory, horny humor of both movies, share our love for Udo Kier and Joe Dallesandro, and talk about why these movies must be seen as a double feature. Listen now.

Paul Morrissey's FLESH FOR FRANKENSTEIN is a film that works on multiple levels: it's both a horror movie and a comedy, a gorefest and imbued with erotica, a marriage of New York arthouse and Italian sleaze. A new favorite for the show, it stars Udo Kier and bears only a few degrees of separation from Andy Warhol, E.T.: THE EXTRATERRESTRIAL, former president Donald Trump, Madonna, and Korn. It's a wild movie and historically significant to boot.

“No one has come as close as I, understanding the secret of life, intelligently created. My mistakes have been few, but I learned from every one.” It's always good to learn from your mistakes, right? Join your faithful Grue Crew – Doc Rotten, Chad Hunt, Bill Mulligan, and Jeff Mohr – as they check out […]

Tom and Jenny discuss the campy, gory, Eurosleaze cult classic, written and directed by Paul Morrissey, produced by Andy Warhol, and starring Udo Kier and Joe Dallesandro. Find this movie and more at the 13 O’Clock Amazon Storefront! Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us … Continue reading Movie Retrospective: Flesh For Frankenstein (1973)

We cannot as a country allow maniacs to plow through Christmas parades in their vehicles and kill and injure people. Also, do aliens care when one of their own dies? Finally, I've been waiting nearly 39 years to see a 3-D film called FLESH FOR FRANKENSTEIN. Very soon, I'll finally get to see it in all of its 3-D glory. --- Support this podcast: https://anchor.fm/james-quirk/support

We cannot as a country allow maniacs to plow through Christmas parades in their vehicles and kill and injure people. Also, do aliens care when one of their own dies? Finally, I've been waiting nearly 39 years to see a 3-D film called FLESH FOR FRANKENSTEIN. Very soon, I'll finally get to see it in all of its 3-D glory. --- Support this podcast: https://anchor.fm/james-quirk/support

High art, high camp, let's see what the 70's New York art scene can do with this Frankenstein mythos. Released in some places as Andy Warhol's Frankenstein (though he was a hands-off producer at best), we are covering “Flesh for Frankenstein” in our run through the legend of the famous doctor and creature creator.    No one had ever really bothered to ask me that before. I felt like this was once in a lifetime, something I shouldn't waste.

This week, join us as we discuss a true grindhouse double feature: Andy Warhol's Flesh for Frankenstein and Blood for Dracula. Both of director Paul Morrisey's films use the same crew and cast and offer radically different takes on these works of classic literature. They're probably as high-brow as we'll get here on Video Store Nightmares. On this episode: the sexual allure of Joe Dallesandro, Udo Kier's histrionics, a gall-bladder fetish, Serbian ideals, incestual marriage, virgin meat, vegetarianism and the merits of socialism in the face of vampiric aristocracy.

In today's episode, we discuss the infamous 'Andy Warhol' creature features (both directed by Paul Morrissey): Flesh for Frankenstein (1973) and Blood for Dracula (1974). We chat the films' themes on sexuality and class, their comedy, and more! Co-host(s): Andre Couture (HFTDD co-host and editor) Mike Vaughn (author of 'The Ultimate Guide to Strange Cinema' and founder of The Video Attic) Editor: Andre Couture Art adapted in part from the Severin Films cover by Elizabeth Yoo (TW: @lejazznik).

The Video Nasties A-Z with Death By DVDcontinue : FLESH FOR FRANKENSTEIN (1973) & FOREST OF FEAR aka TOXIC ZOMBIES (1980) discussed as we further our mission to review EVERY SINGLE Video Nasty in order!!  FLESH FOR FRANKENSTEIN : Baron Frankenstein creates two "zombies" - one male, one female - planning to mate them in order to create a master race.  FOREST OF FEAR aka TOXIC ZOMBIES :  After drug crops are sprayed with a chemical by a passing airplane, the growers of the crop are poisoned by the chemical and turn into zombie-like mutants. 

It's time to unpick some 'artsy' trash. Join Adam and Stephen as they tackle 'Andy Warhol's' Flesh for Frankenstein.

31 Days of Halloween continues with a morality play that has the totally opposite effect on me with 1973's Flesh for Frankenstein. ENDING MUSIC: Feed My Frankenstein by Alice Cooper Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Today on LIFECAST we’ll hear from the legendary Udo Kier about his role as André Toulon in FANGORIA’s own PUPPET MASTER: THE LITTLEST REICH along with stories from his Andy Warhol movies FLESH FOR FRANKENSTEIN and BLOOD FOR DRACULA! 

Doing the Nasty Season 1 Episode 7 Intro - 0 - 5mins 15secs Faces of Death - 5mins 15secs - 41mins 35secs Fight For Your Life - 41mins 35secs - 1hrs 7mins 50secs Flesh For Frankenstein - 1hrs 7mins 50secs - 1hrs 36mins Closing - 1hrs 36mins - End ©TPUTS Collective 2020

Join Jamie, Gary and special guest Cameron Scott as we cover two different and very unique takes on the Frankenstein lore. First up, The Baron is looking for the right parts for his creations so he can make the perfect babies that will may or may not want to bump uglies with…..never mind. It’s Flesh For Frankenstein aka Andy Warhol’s Frankensten from 1973. Then, a lonely girl is on the make for some companionship. Even if she has to stitch it together herself. Angela Bettis slices and sews in May from 2002.

Join Jamie, Gary and special guest Cameron Scott as we cover two different and very unique takes on the Frankenstein lore. First up, The Baron is looking for the right parts for his creations so he can make the perfect babies that will may or may not want to bump uglies with…..never mind. It’s Flesh For Frankenstein aka Andy Warhol’s Frankensten from 1973. Then, a lonely girl is on the make for some companionship. Even if she has to stitch it together herself. Angela Bettis slices and sews in May from 2002. The post Cinema Beef Podcast #144 : The Other Side Of Frank appeared first on Legion.

Hold on to your gallbladder.

Hold on to your gallbladder.

Hold on to your gallbladder.

With its extreme sex, violence, and gore, Paul Morrissey’s Flesh for Frankenstein has alternately excited, disgusted, and baffled audiences for decades. In this conversation, media Professor Bliss Cua Lim (UC Irvine) and film and media graduate student Rachael Ball (UC Santa Barbara) unpack and celebrate this exceptional movie. Lim and Ball describe the production, release, and response to Flesh for Frankenstein, noting its connections to Italy’s Cinecitta studios, Andy Warhol’s Factory, and the mainstream success of X-rated films in the mid-1970s. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34362]

With its extreme sex, violence, and gore, Paul Morrissey’s Flesh for Frankenstein has alternately excited, disgusted, and baffled audiences for decades. In this conversation, media Professor Bliss Cua Lim (UC Irvine) and film and media graduate student Rachael Ball (UC Santa Barbara) unpack and celebrate this exceptional movie. Lim and Ball describe the production, release, and response to Flesh for Frankenstein, noting its connections to Italy’s Cinecitta studios, Andy Warhol’s Factory, and the mainstream success of X-rated films in the mid-1970s. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34362]

With its extreme sex, violence, and gore, Paul Morrissey’s Flesh for Frankenstein has alternately excited, disgusted, and baffled audiences for decades. In this conversation, media Professor Bliss Cua Lim (UC Irvine) and film and media graduate student Rachael Ball (UC Santa Barbara) unpack and celebrate this exceptional movie. Lim and Ball describe the production, release, and response to Flesh for Frankenstein, noting its connections to Italy’s Cinecitta studios, Andy Warhol’s Factory, and the mainstream success of X-rated films in the mid-1970s. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34362]

With its extreme sex, violence, and gore, Paul Morrissey’s Flesh for Frankenstein has alternately excited, disgusted, and baffled audiences for decades. In this conversation, media Professor Bliss Cua Lim (UC Irvine) and film and media graduate student Rachael Ball (UC Santa Barbara) unpack and celebrate this exceptional movie. Lim and Ball describe the production, release, and response to Flesh for Frankenstein, noting its connections to Italy’s Cinecitta studios, Andy Warhol’s Factory, and the mainstream success of X-rated films in the mid-1970s. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34362]

This week we watch Flesh for Frankenstein, Andy Warhol’s sex charged incestuous take on Frankenstein.  This odd film is from the 70s and does come with some of the standard pacing issues that plague that era, but we still rather enjoyed it.  Please to enjoy.

The gang dives into the gall bladder and drinks the blood of wirgins in this episode, a look at Paul Morrissey’s Flesh For Frankenstein and Blood For Dracula; two gory, highbrow arthouse exploitation flicks that are curiously missing Andy Warhol despite his above-the-title credit but are abundant with the inspired wackiness of Udo Kier, Joe Dallesandro, and Arno Jürging amid ravishing landscapes and incredible locations.   Follow the individual Twitter accounts of the OKCFS: After Dark cast at:   Patrick Crain: @patrickcrain73 Eric King: @uncannykarloff Rodney McKinley: @rodofwar1 Kevin Tudor: @KevTudo

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys. On this episode we’re discussing Sam Raimi’s EVIL DEAD franchise and we’re joined by fellow Cinepunk and all around hooligan John Wren from The Mandate podcast. First and foremost we want to give a shoutout to our sponsors over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or coozy. Head on over to www.xlvacx.com to check them out. Also, thank you to our Patreon subscribers. Your support means the world to us and we are eternally grateful for that support. Thanks! We start by talking about what we’ve seen or done lately in the field of horror. Liam talks about seeing Flesh For Frankenstein and Blood For Dracula at an Exhumed Films event Philly, the Castle Rock series, John talks about The Meg, and Justin talks about seeing Pyewacket and Wildling. We of course begin with how we first came to see The Evil Dead when we were younger. We talk about the weird remake qualities of Evil Dead II, and how that film is responsible for many people thinking that Evil Dead is something of a comedy. The concept of having to kill your friends after they become something other than human beings is discussed at length. The discovery of Army Of Darkness being connected to The Evil Dead is talked about, as is the process of Evil Dead II being made with a strange opening that rehashes the first film. The literal nightmarish qualities of the ending of the first film are dissected, in that the shortcomings of the practical effects actually lend a very grotesque look to the finished product. The development of Ash Williams throughout the franchise from scared college kid to swaggering dopey badass is discussed at length. The politics and behind the scene drama of Ash Vs. Evil Dead is talked about, as is the damage done to him as a human being by the things he’s witnessed since going to the cabin for the first time. The show’s third season perfecting the feel of Ash as a culmination of all of the films is discussed. The show’s abrupt ending is touched upon and how even though it felt abrupt it still felt appropriate. Lucy Lawless’ central role in the show is touched upon. We briefly talk about the 2013 remake, remakes in general, how the first film and Phantasm are masterpieces of independent filmmaking, and conclude the discussion by talking about how the franchise is arguably pound for pound the greatest horror franchise of all time. As always thanks to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for listening. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to thehorrorbiz@gmail.com. We would love to hear from you! Special thanks to John Wren for coming to hang out with us. You can check out more of his colorful opinions on the Mandate podcast also available on the Cinepunx network. Thanks always to Justin Miller and Doug Tilley for their technical contributions and fliers, Mike Smaczylo for the shirts and fliers (you can check more of his work out at here), and also thanks to Josh Alvarez for the theme song, Chris, Brad, Alexis, and LVAC for the support and buttons (check them out at www.xlvacx.com), and a HUGE thank you to anyone who retweeted us or shared something on Facebook that we posted. Follow us on Twitter at @thehorrorbiz666, like us on Facebook at facebook.com/thehorrorbiz66, and remember to rate, review, and subscribe to us on ITunes. In fact, if you write us a review, email us with your mailing address and we’ll send you some free pins and sticker...

In this podcast, Dan Pullen and Bradley J Kornish are joined once again by a favorite guest of ours Author/Cartoonist/Filmmaker Ricky Sprague. We will be exploring the depths of depravity that lie within the Morrissey/Warhol/Udo Keir classics from the 1970's "Blood for Dracula" (1974) and "Flesh for Frankenstein"(1973) We cover both movies in this two part podcast. We get a chance to discuss Udo Keir's brilliant over-the-top performances, my childhood traumas and that famous 'Gallbladder' scene in 'Flesh for Frankenstein.

It takes all three of us to tackle the most pressing question that this movie brings up, are Frankenstein's monsters reborn with the organs they die with or just snakes where their guts were.

We discuss the work of filmmaker/fine artist Andy Warhol and director/business manager Paul Morrissey - who helmed the most popular feature films Warhol produced: FLESH, TRASH and HEAT. We also analyze Morrissey's two big horror comedies FLESH FOR FRANKENSTEIN and BLOOD FOR DRACULA. We have a PATREON and we're having a CONTEST! Three prizes to be won! But you have to get in on it now! Join for five dollars a month and get a brand new exclusive episode of ICC every week and a chance to win. WWW.PATREON.COM/THEIMPORTANTCINEMACLUB

You Filthy Things! We Explore Video Nasties featuring Mad Scientists. Including Ape Rape (I Bet You Didn't Think Ria Fend Was Going To Coin That Term!), Rubbish Fake Bats, Frozen Zombies, Knee Kissing, Terrible Acting, Detective Voice Overs, Sister-Wives, Visible Panty Lines, Lizard Stunt Bums and Female Mexican Wrestling. You Will Be Left Not Untouched, But Intact.

In our twenty-third episode we're talking spines #27 and 28: Paul Morrissey's FLESH FOR FRANKENSTEIN from 1973 and BLOOD FOR DRACULA from 1974. First we talk about what we've been watching, and what's happening in the world today! RJ is getting festive with THE NIGHT BEFORE and HOME ALONE, and Jarrett watched HOLY FLAME OF THE MARTIAL SWORD, BLUE STEEL, THE INVITATION, and something else. Also in this episode we got ourselves our first interview with Maurice Yacowar, film studies professor and man who wrote not only The Films of Paul Morrissey, but worked on the Criterion Collection for both these films. Introduction is 'Criterion Creeps Theme' by petite petite, and musical interludes are Edgar Winter Group's "Frankenstein", Neil Young's "Vampire Blues", and David Bowie's "Andy Warhol". Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Stitcher!

Hoo boy! This was one hell of an experience. Blair and Luna are joined by friend of the show Ziek to watch Andy Warhol's 1974 "horror" "parody" Flesh for Frankenstein. It's very bad and we all hated it. Also discussed: Marvin Gaye impressions, how to cooking, the struggles of being an audio-only medium, a gratuitous amount of sex scenes, Flesh for Frankenstein vs. Neon Genesis Evangelion, Five Hundred Titties, and just how much DOES Luna know about choking? Recommendations: Ghost Trick Friends at the Table: COUNTER/Weight A really good grilled cheese sandwich Ziek can be found at zeekubeast on twitter and tumblr! Intro and outro music courtesy of Visager.

This episode covers spines #27 and #28 in the Criterion Collection, Flesh for Frankenstein and Blood For Dracula by Paul Morrissey, featuring special guest Kristen Zaza. LISTEN HERE:  PODCAST REVIEW

To know death, you have to fuck life… in the gall bladder! Welcome to the Howl Horror Program. In this fifth episode, we’ll be discussing “Flesh For Frankenstein” from 1973, and “Dr. Giggles” from 1992. Questions? Comments? Show suggestions?? Send those to: howlhorrorprogram@Gmail.com Follow us on; Facebook: https://www.facebook.com/howlhorrorprogram Twitter: @howlhorrorprgm Instagram: howlhorrorprogram Letterboxd: SAMMYSHAKE MUSIC [...]

On this episode Mike and Angela talk about Oculus,Flesh For Frankenstein,The Taking Of Deborah Logan,Sleepaway Camp 2 and much moreTEESPRING.COM/GUNGOPODINSTAGRAM : @GUNGOPODCASTTWITTER : @GUNGOPODCASTYOUTUBE CHANNEL : GUNGO PODCASTPERISCOPE : @GUNGOPODCASTGOFUNDME.COM/GUNGO1

This week on the battle it's mad doctor vs mad doctor as Human Experiments takes on Andy Warhol's ode to perversion Flesh for Frankenstein! Drunk dial us! - (510) 698-9066 Drunk Email us! - CinemaDiabolica@gmail.com https://www.youtube.com/user/CinemaDiabolica

Matthew Johnston returns after a long, very long break to get back into the Roomovies game! We go full Warhol when Cell Saga and Paul from ixi Studios stop by! Wirgins!

What is the cruelest joke that could have been played on Shane Diablo? Pick a movie for convenience (meaning one that's on Netflix Instant Streaming) that he watches on Netflix and Mike Cadaver watches on the DVD that he owns. Trouble is that this movie has all the filth scrubbed [...]

What is the cruelest joke that could have been played on Shane Diablo? Pick a movie for convenience (meaning one that's on Netflix Instant Streaming) that he watches on Netflix and Mike Cadaver watches on the DVD that he owns. Trouble is that this movie has all the filth scrubbed out of it on Netflix, […]

Andy Warhol’s Frankenstein – Also known as FLesh For Frankenstein this comedy horror revels in its excesses and suffered at the hands of the censors as a result

Paul Morrissey's 1973 horror-comedy was originally titled Andy Warhol's Frankenstein despite the fact that Andy Warhol had virtually nothing to do with it. Udo Kier (whose name is amazing) stars as the good doctor in this bizarrely sexualized telling of Mary Shelley's classic that doubles as a critique of Free Love. In 3D! (Where available.) It was originally rated X for all the sex and gore, almost rivaling Salo on that front, though playing it for comedy makes it quite a bit more palatable. Also, as if anything could even come close to rivaling Salo on that front.

Zom and loaf reach out of the wheelhouse a little and tackle some Paul Morrissey fronted, Andy Warhol funded horror films from mid-70s Italy. First we discuss the rather gruesome FLESH FOR FRANKENSTEIN from 1973, then follow it up with BLOOD FOR DRACULA from 1974 Lots of bad Udo Kier accents, Dallesandro cock talk, and […] The post Episode 79: Something for Something by Warhol appeared first on Silva and Gold.

Baron Frankenstein (Udo Kier) dreams of restoring Serbia to glory, so he builds male and female monsters whose children will become the new master race. Determined that they be fruitful, he aims to equip the male body with the brain of someone possessing a powerful libido. Thinking local stable boy Nicholas (Joe Dallesandro) will be perfect, he mistakenly gets the head of Nicholas' pious friend (Srdjan Zelenovic) instead. Meanwhile, Nicholas seduces the baron's wife (Monique Van Vooren). Stream online: https://amzn.to/3alHwC6 Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

Baron Frankenstein (Udo Kier) dreams of restoring Serbia to glory, so he builds male and female monsters whose children will become the new master race. Determined that they be fruitful, he aims to equip the male body with the brain of someone possessing a powerful libido. Thinking local stable boy Nicholas (Joe Dallesandro) will be perfect, he mistakenly gets the head of Nicholas' pious friend (Srdjan Zelenovic) instead. Meanwhile, Nicholas seduces the baron's wife (Monique Van Vooren). Stream online: https://amzn.to/3alHwC6