Podcasts about daltry

"It's now been seven years since we removed the rats and goats and I just walk around with my mouth open, it is beautiful. There are so many trees on the island - when we started there was only two - now I can't count them."The Caribbean is a magical place; but it's also one of the most ecologically degraded regions in the world. In this episode Ben Goldsmith speaks with Jenny Daltry who is leading rewilding efforts in Antigua and across the Caribbean.Ben Goldsmith is a British financier and rewilding enthusiast. Join him as he speaks to environmentalists from all over the world who are working to help restore habitats and wildlife to some of the most nature depleted parts of our planet.This podcast is produced by The Podcast Coach.Text Rewilding the World here. Let us know what you think of the podcast and if there are any rewilding projects you would love Ben to feature in future episodes.

Face Dances is the ninth studio album from the Who, and the first release after the death of drummer Keith Moon three years earlier.  During those three years the Who would release the film Quadrophenia and the concert retrospective film The Kids Are Alright.  Front man Roger Daltry would try out acting, and Pete Townshend would release his second solo studio album.  When the group got back together for Face Dances, Phil Collins expressed an interest in joining the band.  However, Kenny Jones (Small Faces, Faces) had already been asked to join.  John “Rabbit” Bundrick also contributed keyboard work on this album, and would eventually join as a full time member of the Who.  These joined previous members Daltry, Townshend, and bassist John Entwistle.  The album was highly anticipated, and was a commercial success, reaching number 4 on the U.S. Billboard 200 and number 2 on the UK Albums chart.  Critical reviews were mixed at the time, and the band has expressed some friction with producer Bill Szymczyk who conducted the final mixing without the full band's input.  Regardless, the album is a staple of early 80's rock and many of the songs have achieved a timelessness about them.Brian brings us this album for today's podcast. You Better You BetThe first single and lead-off track to the album was a staple of the new cable station - MTV.  It was the Who's last top 20 single, reaching number 18 on the Billboard Hot 100.  Townshend developed the song during a period of clubbing with the daughter of a friend.  The video was a black and white studio session.  Don't Let Go the CoatThis deeper cut was the second single, and was inspired by Townshend's guru Meher Baba and his statement that his followers “hang fast to the hem of my robe,” meaning to stay true to his teachings.  It also may have been inspired by Townshend's parents who would pick him up after his binges on drugs and alcohol.The Quiet OneBassist John Entwistle takes an unusual turn as lead singer on this self-referential deep cut.  It was the B-side of the single “You Better You Bet.”  Entwisle said it was a song trying to explain that he wasn't really quiet, but that he started being quiet and got stuck in the pigeon hole of that label.Another Tricky Day“This is no social crisis, just another tricky day for you...fella!”   John Bundrick inspired this song, and it claims that what we're going through is nothing unique, but is just another tricky day.  The song is the final track on the album, and the video is in the same style as the first single - a black and white studio session. ENTERTAINMENT TRACK:Main theme from the television series “Dynasty” John Forsythe, Linda Evans, and Joan Collins starred in this prime time soap opera. STAFF PICKS:Skateaway by Dire Straits Bruce brings us a song about a girl who skates around the city, ticking off the drivers, weaving in and out of traffic, and listening to the local rock and roll station on her headphones.  This is the lead single from the Dire Straits album Making Movies,  and the album title is pulled from the lyrics of this song.Precious to Me  by Phil SeymourDrummer, singer-songwriter, and guitarist Phil Seymour wrote this song with a throwback doo-wop feel.  This is the first single from his first solo album.  It hit number 22 on the Billboard Hot 100.  Seymour also contributed backing vocals to Tom Petty's “American Girl” and “Breakdown.”He Can't Love You by the Michael Staley Band Wayne features a one hit wonder featuring saxophonist and E. Street Band member Clarence Clemons.  It made it to number 33 on the Billboard Hot 100, and was the 40th song played on MTV.  The Michael Stanley Band is big regionally in Ohio.I Love a Rainy Night by Eddie RabbitBrian's staff pick is a crossover country hit.  It hit the top of both the Billboard Hot 100 and Hot Country charts.  It describes the feeling that comes from a good rain at night.  Rabbit started writing the song in the 60's, but didn't develop it until this album.   INSTRUMENTAL TRACK:Toccata by SkyThis prog rock group covers the classical piece "Toccata and Fugue in D minor" by J.S. Bach made it on the British singles charts. 

The Beatles provide For with some "Help"

Writer/director Katrina Holden Bronson and producer Quentin Tarantino

Writer/director Katrina Holden Bronson and producer Quentin Tarantino

No brief introductory words could adequately communicate how proud I am to know this woman.Dr. Daltry Dott is not only an incredibly skilled and successful anesthesiologist, but she also happens to be one of my lifelong best friends, going on over 20 years now.In the intro for this episode, you'll hear me share just a couple ridiculous anecdotes from some of our younger years. We have laughed ourselves to tears maaany times, and we have sat in coffee shops quietly while she studied for her medical licensure boards and I “studied” (even post grad school, just my idea of fun) psychology/mental health books.I've been hosting various podcasts for several years now, and it wasn't until I recently got a bee in my bonnet (yes, yes I just did) to learn more about doing therapy with clients struggling with chronic pain that I thought, DUH, I should talk with Daltry, aka Dr. Dott, aka literally an expert on chronic pain!Even if you don't think you're interested in this topic, I urge you to listen to this one as I'm sure you'll learn something that ends up being important or helpful either for yourself or someone you love.As always, remember that this podcast is educational/entertainment, and NOT intended to replace individualized care from your medical and mental health providers.About Dr. Daltry Dott (she/her)Daltry Dott, M.D., CHCQM, is an Assistant Professor in the Department of Anesthesiology and Pain Management at UT Southwestern Medical Center. She specializes in complex chronic pain management and utilizes a multidisciplinary approach to help individualize treatment plans and provide comprehensive and compassionate care to each patient.Dr. Dott earned her medical degree at the University of Texas Medical Branch at Galveston, where she was inducted into the Alpha Omega Alpha and Gold Humanism Honors Societies for her exemplary leadership, academic achievement, and compassionate care. She completed a residency in anesthesiology at Vanderbilt University Medical Center, serving as Chief Resident during her final year, and then remained at Vanderbilt for advanced training through a pain management fellowship. Dr. Dott is board certified by the American Board of Anesthesiology in both Anesthesiology and Pain Medicine. She is also certified by the National Board of Echocardiography in basic perioperative transesophageal echocardiography and by the American Board of Quality Assurance and Utilization Review Physicians in health care quality and management, with subspecialty certifications as a physician advisor and patient safety and risk manager. She was included in D Magazine's Best Doctors in Collin County list for 2021.For  an awesome list of resources Dr. Dott provided re: pain, vist the show notes on our website at  https://gaiacenter.co/blog/bodyful-10

No brief introductory words could adequately communicate how proud I am to know this woman.Dr. Daltry Dott is not only an incredibly skilled and successful anesthesiologist, but she also happens to be one of my lifelong best friends, going on over 20 years now.In the intro for this episode, you'll hear me share just a couple ridiculous anecdotes from some of our younger years. We have laughed ourselves to tears maaany times, and we have sat in coffee shops quietly while she studied for her medical licensure boards and I “studied” (even post grad school, just my idea of fun) psychology/mental health books.I've been hosting various podcasts for several years now, and it wasn't until I recently got a bee in my bonnet (yes, yes I just did) to learn more about doing therapy with clients struggling with chronic pain that I thought, DUH, I should talk with Daltry, aka Dr. Dott, aka literally an expert on chronic pain!Even if you don't think you're interested in this topic, I urge you to listen to this one as I'm sure you'll learn something that ends up being important or helpful either for yourself or someone you love.As always, remember that this podcast is educational/entertainment, and NOT intended to replace individualized care from your medical and mental health providers.About Dr. Daltry Dott (she/her)Daltry Dott, M.D., CHCQM, is an Assistant Professor in the Department of Anesthesiology and Pain Management at UT Southwestern Medical Center. She specializes in complex chronic pain management and utilizes a multidisciplinary approach to help individualize treatment plans and provide comprehensive and compassionate care to each patient.Dr. Dott earned her medical degree at the University of Texas Medical Branch at Galveston, where she was inducted into the Alpha Omega Alpha and Gold Humanism Honors Societies for her exemplary leadership, academic achievement, and compassionate care. She completed a residency in anesthesiology at Vanderbilt University Medical Center, serving as Chief Resident during her final year, and then remained at Vanderbilt for advanced training through a pain management fellowship. Dr. Dott is board certified by the American Board of Anesthesiology in both Anesthesiology and Pain Medicine. She is also certified by the National Board of Echocardiography in basic perioperative transesophageal echocardiography and by the American Board of Quality Assurance and Utilization Review Physicians in health care quality and management, with subspecialty certifications as a physician advisor and patient safety and risk manager. She was included in D Magazine's Best Doctors in Collin County list for 2021.For  an awesome list of resources Dr. Dott provided re: pain, vist the show notes on our website at  https://gaiacenter.co/blog/bodyful-10

Here we go with another short Bonus Episode. This time with my special guest Chris + Jennifer Daltry of What Cheer Records and Vintage! They are finally hosting their annual event PVD Rock n Roll Yard Sale, again for the first time since the pandemic and it's going to be great! Here they share with me the beginnings of their business leading up to creating their sale, what to expect on Saturday, and of course, vinyl records! Chris misspoke in the interview and said the sale was from 1-6, when it IS in fact until 7! If you'd like to see the full list of vendors participating at the show, click here! https://rockandrollyardsale.com/upcoming-events/?fbclid=IwAR12LnPFbY09jWDi56gWMccg4tKtlYpPvhXoi4KXFYpaNTQsz7CJqnFmi50 Their Somerville, MA show will be Saturday Sept. 11. Details will be posted at www.rockandrollyardsale.com . Chris also mentioned how his band, The 'Mericans will be playing their first show in years coming up very soon! See The 'Mericans on July 26th! Get tickets here: https://web.ovationtix.com/trs/pe.c/10762884

Growing up in his own words, “he had a bizarre childhood,” Jack Williams enlisted in the Marines, wanting to impress his dad, and became a member of Force Recon. Just before going to Vietnam, knowing he probably wouldn't return if he did, his commanding officer called him into his office and informed him that due to a paperwork snafu, he wound up getting orders to ship out to Hawaii, where he wound up playing in a band while stationed there. While there, he began writing songs and decided that although he wasn't sure about the songwriting aspect of things, he wanted to play music, which he wanted to do for a living. Upon a chance meeting backstage with Peter Gabriel at a Genesis concert, Jack understood what it took to write a song. He became a Sous Chef at a restaurant in Atlanta, and one day while heading to work, he passed a hotel where the rock band “The Who” was staying. Taking a chance, he pulled over, got out of the car, and asked if he could pitch a song to Roger Daltry. Although he didn't get to meet Daltry at that time, he wound up being a part of the tour as a Roadie and spent the next 5 months on the road with the band before he finally had an opportunity to meet Roger and Pete Townsend. Upon finishing his time with the members of The Who, he once again was allowed to meet another Woodstock legend by being “invited” to meet with Richie Havens after knocking on his hotel room all night. Moving to New York, Richie helped get Jack into the doors of such record label industry leaders, including Clive Davis and Ahmet Ertegun. A single songwriting deal with Clive Davis led him to performances, and kudos from the likes Dave Mason, Ronnie Van Zandt from Lynyrd Skynyrd, and members of heavy metal band Uriah Heep who Jack went on to write with (and the only outside songwriter ever to get a song recorded on a Uriah Heep album). He spent time with the likes of Jimmy Page, Alvin Lee, Jethro Tull while in England and honed his songwriting skills. Coming back to the states, he originally was going to connect with the guys from Skynyrd, but due to the unfortunate plane crash that took their lives, that didn't happen. He was, however, able to get to work with Greg Allman and Dickie Betts from Allman Brothers fame, with Dickie producing Jack's next project. And then there's his time with actor and singer Kevin Costner. Jack shares his thoughts on what it's like to work with this Hollywood legend and find just the right song for radio. He's now in the studio working on his solo project. When asked how that was going, he stated that “I reached in and found all the truth I could find.” You'd be hard-pressed to find a life, a career, or a body of work quite like that of singer/songwriter/composer H. Jack Williams.  The Business Side of Music ™ © 2021 Beyond the Music Co-Produced and Hosted (by the guy who has a face for podcasting): Bob Bender  Co-Producer, Creator, and Technical Advisor (the man behind the curtain): Tom Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Editor (the “ums' and “aahs' removal guy who makes us sound good): Mark Sabella Marketing and Social Media: Kaitlin Fritts Talent Acquisition and Scheduling (the one who keeps us on track) Tammy Kowalski All Around Problem Solver and keeper of the key to the vault: Connie Ribas Recorded at: The Bunker in Franklin, TN (except during the Covid 19 pandemic, then it's pretty much done VIA Skype or over the phone, with the exception for those fearless enough to come to Bob Bender's living room… and there are a few). Mixed and Mastered at Music Dog Studios in Nashville, TN Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Website: businesssideofmusic.com  Stream or Download (free) businesssideofmusic.com  To submit to be interviewed: musicpodcast@mail.com Sponsorship information businesssideofmusic.com/sponsor-affiliate/ Join our mailing list for show announcements, career advice, industry discounts, free gifts, and more.  Like Free Special Thanks to Tom Sabella and Traci Snow for producing and hosting over 100 episodes of the original “Business Side of Music” podcast and trusting us to carry on their legacy. For our disclaimer and all its details, please click on the applicable link on our website. The music provided for this episode is from: Artist: Jack Williams Single: Got Me Down Composer: H. Jack Williams Website: www.hjackwilliams.com Artist: Jack Williams Single: Running On Composer: H. Jack Williams Website: www.hjackwilliams.com Artist: Jack Williams Single: What A Wonderful World Composer: Bob Thiele, George David Weiss Website: www.hjackwilliams.com

This week we find ourselves in an asylum with Halle Berry, Ironman, and a rather tetchy ghost.  Join us for...Gothika To contact the show email show@isawthatyearsago.com You can also support us via Patreon - https://www.patreon.com/istya

Gary Graff on Mick's health, Daltry's weed allergy, Petty's estate battle, and more... by 102.9 The Hog

Today’s Topics: Brexit, United Kingdom, yellow vests, France, protests, Oregon SB-494, dementia, mental illness, starvation, dehydration, euthanasia, Boeing 737 Max8, Volvo, Brazil, New Zealand, Roger Daltry

Representing a slight departure from reality, this episode of Hate Expectations finds Nate and Lizzy taking a long hard listen to The Who's rock opera, Tommy, looking deeply into the Ken Russell movie of the same name (1975), and speaking freely about the sensations it inspires in them. They are joined by their friend, Matt Anderson, on a quest to divine meaning where there is mostly only a series of loosely connected themes about a deaf, dumb, and blind pinball wizard. Lizzy wants to amend the record and point out that the Tommy dvd came out in 2004, not the much too early 1994 she said. Nate wants to append the record to point out that the "and leap up on the rostrum" line from Sally Simpson is one of the most clumsy lyrics ever sung, only made worse by the rough attempted rhyme with "and Tommy gave a lesson".

October 1973 — “Quadrophenia By the time this sixth studio album (and second rock opera) rolled out in 1973 The Who were already icons in the Rock genre. The double album Quadrophenia tracks the downward spiral of a young “mod” named Jimmy in 1965 Brighton, UK. Some of the most well known Who songs originate from this rock opera including "The Real Me," and "Love, Reign O'er Me." We're joined this week by “What the Riff Friend” Tim Andrews from WSB radio and the Radio Labyrinth podcast to co-host as we delve into this giant group and album. “I’m One” This song tells the story of one of Jimmy's introspective moments. “The Punk and the Godfather” This deep cut showcases that iconic Who sound. Pete Townshend wrote Quadrophenia in its entirety. Keith Moon's percussion work is particularly strong on this track. “I've Had Enough” This song ends the 1979 movie, and serves as a fitting finale to Jimmy's story. After losing his job, his girl, and his scooter, he finds that his hero, “Ace Face” (played by Sting) is actually a bellhop in the local resort. “The Real Me” Wayne considers this “the ultimate Who song.” This rocker comes with the whole package, especially Daltry's vocals and Entwistle's bass work. ENTERTAINMENT TRACK: “Theme from Kojak” You all remember this 70s cop show with the bald, lollipop-licking detective played by Telly Sevalis? “Who loves ya' baby?” STAFF PICKS: “D’Yer Mak’er” by Led Zeppelin Brian's staff pick highlights this reggae-leaning hit from the album “Houses of the Holy.” The title is a play on words, as it should be properly pronounced similar to “Jamaica.” “Higher Ground” by Stevie Wonder Bruce presents this soulful hit from Stevie Wonder's “Innervisions” album. This one references reincarnation. The Red Hot Chili Peppers covered this song in 1989. “Live and Let Die” by Wings Rob highlights this James Bond movie song with lots of tempo changes and full orchestration. Paul and Linda McCartney did this first rendition, and Guns N Roses would cover this song with great success in the 1990's “Tell Her She’s Lovely” by El Chicano Wayne brings us a Latin vibe from an artist he recalls from his 1973 past living in California. LAUGH TRACK: “Basketball Jones” by Cheech & Chong Tim brings us this pick highlighting a novelty song from Cheech and Chong. Believe it or not, these awesome artists “chimed in” as well: George Harrison, Billy Preston, Carole King, Michele Phillips, and others who were in the studio at the time. This fun track made it all the way to number 15 on the pop charts.

The 90s were a strange and unpredictable time for The Who. The band was back as a touring act but little else, meanwhile the individual members pressed on into their solo careers. Townshend's passion projects paved the way for eventual Who material, Daltry soldiered on to find a way forward musically, and Entwistle threw caution to the wind to start his own group with friends Steve Luongo and Godfrey Townsend (no relation). These twelve-odd years are the building blocks of how The Who put themselves back together - recreating the sounds of their records onstage for the first time - instead of the other way around. Plus... there's some very deep wells of little-known, but vital material to explore. Prepare for Maximum Discography!Join host Marc for a fan's-eye-view into the controversial 1989 reunion tour and a deep dive with Cap Blackard into the pros and cons of the two different versions of Townshend's concept album, Psychoderelict. Eventually the band returned to loudest, classic-style performances for the most surprising reason of all: Townshend getting as close to finishing Lifehouse as possible. Those stripped down gigs from 1999-2001 were well received. In fact - some believe The Who's appearance at the Concert For New York can hang with the leagues of Queen at Live Aid! But the new highs weren't to last, this episode goes up to the very last notes John Entwistle would ever play onstage with his childhood friends before his untimely passing in 2002.Albums covered in this episode include Join Together, Rocks In The Head, Psychoderelict (both the dialogue and music-only versions), Thirty Years of Maximum R&B, Live At Isle Of Wight 1970, Left For Live, A Benefit For Maryville Academy, BBC Sessions, The Blues To The Bush, Lifehouse Chronicles, Music From Van-Pires, Scoop 3, and more from this era! See acast.com/privacy for privacy and opt-out information.

Revisiting the world of crocodilians, we take a look at the habitat shared by two Southeast Asian species, and discuss Siamese crocodile conservation. Our Species of the Bi-week is not a crocodile, but it is pretty scaly. FULL REFERENCE LIST AVAILABLE AT: herphighlights.podbean.com Main Paper References: Ihlow, F., Bonke, R., Hartmann, T., Geissler, P., Behler, N., & Rödder, D. (2015). Habitat suitability, coverage by protected areas and population connectivity for the Siamese crocodile Crocodylus siamensis Schneider, 1801. Aquatic Conservation: Marine and Freshwater Ecosystems, 25(4), 544–554. https://doi.org/10.1002/aqc.2473 Staniewicz, A., Behler, N., Dharmasyah, S., & Jones, G. (2018). Niche partitioning between juvenile sympatric crocodilians in Mesangat, East Kalimantan, Indonesia. Raffles Bulletin of Zoology, 66, 528–537. Species of the Bi-Week: Karin, B. R., Freitas, E. S., Shonleben, S., Grismer, L. L., Bauer, A. M., & Das, I. (2018). Unrealized diversity in an urban rainforest: A new species of Lygosoma (Squamata: Scincidae) from western Sarawak, Malaysia (Borneo). Zootaxa, 4370(4), 345–362. https://doi.org/10.11646/zootaxa.4370.4.2 Other Mentioned Papers/Studies: Behler, N., Kopsieker, L., Staniewicz, A., Darmansyah, S., Stuebing, R., & Ziegler, T. (2018). Population size, demography and feeding preferences of the Siamese crocodile Crocodylus siamensis (Schneider, 1801) in the Mesangat Swamp in Kalimantan, Indonesia. Raffles Bulletin of Zoology, 66, 506–516. Eam, S. U., Sam, H., Hor, L., Mizrahi, M., & Frechette, J. L. (2017). Movement of captive-reared Siamese crocodiles Crocodylus siamensis released in the Southern Cardamom National Park , Cambodia. Cambodian Journal of Natural History, 102–108. Starr, J. C. D. A. (2010). Development of a re-introduction and re-enforcement program for Siamese crocodiles in Cambodia. Global Re-introduction Perspectives: Additional Case Studies from Around the Globe, 118. Starr, A., Daltry, J.C. & Nhek R. (2010) DNA study reveals Siamese crocodiles at the Phnom Tamao Wildlife Rescue Centre, Cambodia. Crocodile Specialist Group Newsletter, 28, 5–7. Other Links/Mentions: Siamese croc article Save Our Species: http://www.saveourspecies.org/news/brighter-future-cambodias-siamese-crocodiles Music: Intro/outro – Treehouse by Ed Nelson Other Music – The Passion HiFi, www.thepassionhifi.com

We've got another LISTENER REQUEST *even more sick guitar licks*! This week, it's The Dead Talk Back. Man are the dead rude.Host Segments: DJ Girl Murderer; Englewood Noir; going full Daltry; MiMi and Jeff's long journey into Jerry; Most Haunted Curtain Rods; Joe Don: The Worst RoomateThis episode brought to you by Bill's Beans - check them out at www.billsbeans.com #buythosebeansLike, share, rate, subscribe! Follow us on Twitter @solmatespod, on Facebook at Sol-Mates MST3K podcast, or e-mail us for sponsorship opportunities at solmatespodcast@gmail.com.

We've got another LISTENER REQUEST *even more sick guitar licks*! This week, it's The Dead Talk Back. Man are the dead rude.Host Segments: DJ Girl Murderer; Englewood Noir; going full Daltry; MiMi and Jeff's long journey into Jerry; Most Haunted Curtain Rods; Joe Don: The Worst RoomateThis episode brought to you by Bill's Beans - check them out at www.billsbeans.com #buythosebeansLike, share, rate, subscribe! Follow us on Twitter @solmatespod, on Facebook at Sol-Mates MST3K podcast, or e-mail us for sponsorship opportunities at solmatespodcast@gmail.com.

Y también:No existió una corona catalano-aragonesaLos nervios caninos, los petardos y el método TellingtonEuropa no etiqueta “pollo de corral”En el cine: ni vuelve Friends ni el rodaje de La Jungla III se realizó en HarlemCadenas de Whatsapp: detectamos los bulos por el acento latino y evitamos los descuentos falsosLa ministra de Defensa nunca estuvo afiliada a un partido neonaziEnmanuel Macron quiere limitar el uso de redes en campaña electoralMúsicasYou better you bet (The Who)Las mil calorías (Martirio)Tengo una pistola (C. Rosenvinge)Sneaking suspicion (R. Daltry and Wilco Johnson)Menos ropa (Las Niñas)It’s so hard (ZZ Top)Radio Song (REM)Burdo Rumor (La Mandrágora)Cuéntanos en nomelies@rtrm.es / Comparte en Twitter con el hastag #nomeLIES

Day 65: I can’t face Murphy. I’ve been avoiding him since I witnessed the murder in Daltry's office. I just know my eyes would give me away. I have never been good at bluffing. If Murphy was willing to kill to possess the Lady Jean…what would he do to someone who saw the murder? What […]