Podcasts about townshend

Pete Townshend is the songwriter, guitarist and co-founder of The Who. The band first stormed the pop charts sixty years ago, with teenage anthems including I Can't Explain, Substitute and My Generation. Broader songwriting ambitions led him to create the rock opera Tommy in 1969, and the concept album Quadrophenia four years later. Both projects were adapted as films, and Quadrophenia has now been staged as a ballet by Sadlers Wells. Throughout the seventies, The Who were regarded as the biggest and loudest live act in the world. They played at Woodstock, at Live Aid, Live 8 and the 2012 Olympic closing ceremony. Despite the deaths of drummer Keith Moon and bassist John Entwhistle, Townshend and singer Roger Daltrey continue to perform as The Who. Pete Townshend talks to John Wilson about the influence of his parents, who were both musicians. His father, the saxophonist Cliff Townshend, played in the popular dance band The Squadronaires, but it was his mother Betty, a singer, who was most supportive of Pete's early musical talent. Seeing Bill Haley and The Comets at Edgware Road Odeon in 1956 was another formative moment that introduced the teenage Townshend to the possibilities of a rock 'n' roll performance. Pete also reveals how his art school tutor Roy Ascot, who was head of the Ground Course at Ealing Art School, shaped his his approach to his band that was to become The Who. He also recounts how reading Labyrinths, a book of short stories by Jorge Luis Borges on the first US Who tour in 1967 opened his imagination and helped him expand his musical storytelling. Producer: Edwina Pitman

In this very special episode of The LRM Podcast, Land Rover Monthly editor Martin Domoney is joined by Car S.O.S hosts Tim Shaw and Fuzz Townshend on the set of a photoshoot for the very latest issue of Land Rover Monthly magazine, which goes on sale today.The pair of TV stars share backstage knowledge on building the show, their biggest challenges on this particular project and the excitement around the first-generation Discovery.Be sure to check out the June issue of Land Rover Monthly, where you can get the full story on the Discovery project, and be sure to check out the episode of Car S.O.S that aired on the 10th of April 2025 on National Geographic.As always, your ratings, reviews and feedback are appreciated – editorial@lrm,co.uk. Enjoy the episode.

"I lament the want for wisdom" We explore the English from the Stamp act, right into the Townshend Act which though a slower reaction, created a much deeper crisis in colonial America then the Stamp Act Crisis.  

By 1980, Pete Townshend was 34 or 35, regarded as a true legend of rock music and a revered songwriter. He was one of the true pied pipers of rock n roll. The only problem was, there was no such thing as a middle-aged rock star. In 1978, the death of Keith Moon hit him hard and put in the question the future of The Who. Punk music was railing against old bands like The Who and while Pete was with them in spirit, he realized that they may have had a point. Meanwhile, Pete was battling alcohol and heroin addictions while his marriage to his first wife was on the rocks. He was looking for spiritual fulfillment and yearning for peace of mind. But out of all that came Empty Glass, a marvelous album with vivid melodies, personal lyrics and Pete Townshend's heart on his sleeve. He dedicated the album to his wife, Karen, and some of the songs could be in her voice. Pete takes on the personality of different people to get his points of view across with lyrics that can be ambiguous but deeply personal. The opening track Rough Boys is seen by some as a coming out for Townshend but it's a rockin' way to kick off a record. The alltime great Let My Love Open The Door is an instant pick me up that outsold the platinum (in the US) Empty Glass several times over and remains a favorite for movie soundtracks aimed at the children of the 1980s. But songs like I Am An Animal and I Moved showcase Pete's softer side before the ranting Jools and Jim aimed at authors who dismissed Keith Moon's death as inevitable and even warranted. Keep On Working shows Pete trying to channel The Kinks and A Little Is Enough may have been a minor hit but Townshend regards it as one of the best songs he's ever written. The title track is a man desperate for his soul to be saved, an empty vessel looking for someone to fulfill him. Would he ever find that peace? Would any of us? It's a strong record with incredible melodies with killer musicians like Simon Phillips, Tony Levin and Pete himself arranging the songs into beautiful classics. This was a fun one to do and if you don't know the album, we think you're gonna like it. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

By 1980, Pete Townshend was 34 or 35, regarded as a true legend of rock music and a revered songwriter. He was one of the true pied pipers of rock n roll. The only problem was, there was no such thing as a middle-aged rock star. In 1978, the death of Keith Moon hit him hard and put in the question the future of The Who. Punk music was railing against old bands like The Who and while Pete was with them in spirit, he realized that they may have had a point. Meanwhile, Pete was battling alcohol and heroin addictions while his marriage to his first wife was on the rocks. He was looking for spiritual fulfillment and yearning for peace of mind. But out of all that came Empty Glass, a marvelous album with vivid melodies, personal lyrics and Pete Townshend's heart on his sleeve. He dedicated the album to his wife, Karen, and some of the songs could be in her voice. Pete takes on the personality of different people to get his points of view across with lyrics that can be ambiguous but deeply personal. The opening track Rough Boys is seen by some as a coming out for Townshend but it's a rockin' way to kick off a record. The alltime great Let My Love Open The Door is an instant pick me up that outsold the platinum (in the US) Empty Glass several times over and remains a favorite for movie soundtracks aimed at the children of the 1980s. But songs like I Am An Animal and I Moved showcase Pete's softer side before the ranting Jools and Jim aimed at authors who dismissed Keith Moon's death as inevitable and even warranted. Keep On Working shows Pete trying to channel The Kinks and A Little Is Enough may have been a minor hit but Townshend regards it as one of the best songs he's ever written. The title track is a man desperate for his soul to be saved, an empty vessel looking for someone to fulfill him. Would he ever find that peace? Would any of us? It's a strong record with incredible melodies with killer musicians like Simon Phillips, Tony Levin and Pete himself arranging the songs into beautiful classics. This was a fun one to do and if you don't know the album, we think you're gonna like it. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Time to get back on the bus for this follow-up to our theme episode last week - The Who's classic "Magic Bus", no less. We start with Pete Townshend's 1966 demo, which is cute & weird & British - that is, psychedelic. The first released version was by some guys called The Pudding, and it's got a Mose Allison/Georgie Fame vibe, according to Erik. The Who's first full-band version is third, and did you ever really think it's just a buncha pals putting on a little skit or pantomime with each other? A pick-scratchin' precursor to the rock operas that follow ... Finally, we discuss the famous "Live At Leeds" version where they put on the play for a payin' audience and Townshend explores the myriad possibilities of the guitar in the 1970s. Plus Roger Daltrey sexes the song up and cock rock is invented!!

Send us a textIt was at Raynham Hall that what is known as the most famous photograph of a ghost was taken. The background to the photograph being taken was the chaotic family history of the Townshend family of Raynham Hall, Norfolk. This podcast is a ramble, told in one take without editing.

On today's REX Daily Podcast, Dom talks with REX Scottish correspondent and member of the Scotland National Farmers Union, Duncan Macalister, about the major issues facing UK farmers, how 2024 has shaped up from a UK farming perspective and the parallels between NZ and Scottish farming trends... He talks with WeatherWatch CEO Phil Duncan about the forecast for Christmas Day, a new philosophy when it comes to predicting the likelihood of La Nina and El Nino weather patterns and Phil's holiday plans... And he talks with Trev CEO Scott Townshend about how Trev's farm reporting tools are helping farmers improve Feed Conversion Efficiency (FCE), how Trev's partnership with Fonterra helps streamline subscription payments and how Fortuna Group is using Trev to help transform multi-farm operations. Merry Christmas and a Happy New Year to all our listeners, we'll be back on January 20th, until then keep an eye out for the REX Re-loaded Summer Series coming your way! Tune in daily for the latest and greatest REX rural content on your favourite streaming platform, visit rexonline.co.nz and follow us on Instagram, Facebook and LinkedIn for more.

Dom talks with Trev CEO Scott Townshend about boosting efficiency and streamlining operations with Trev's farm reporting tools. Tune in daily for the latest and greatest REX rural content on your favourite streaming platform, visit rexonline.co.nz and follow us on Instagram, Facebook and LinkedIn for more.

Townshend held a square dance and potluck at Town Hall, one floor above where the town was holding its Election Day polling.

Exploring whether Vermont could use revenue from retail cannabis sales to help fund education and reduce property taxes. Plus, the Vermont Supreme Court will consider whether to reverse the controversial interim appointment of the state's education secretary, researchers discover evidence of the elusive short-nose sturgeon in Vermont waters, a multimillion dollar investment for new housing in central Vermont, preparing for Election Day with a potluck and square dance in Townshend, and pets rescued from southern states devastated by Hurricane Helene are up for adoption in Rutland.

We've had legends on the Talkhouse Podcast before, but perhaps none quite as legendary as Pete Townshend, who's in conversation on today's episode with a younger band he recently worked with, The Wild Things. It seems a bit silly to offer a short bio of Townshend—after all, you have chosen to listen to a podcast about music, so you're probably familiar—but here goes: Pete Townshend is the guitarist and primary songwriter of The Who, a band that cracked open the world of rock and roll in the early 1960s and inarguably changed the direction of popular music forever. He's often credited as the first guitarist to treat feedback as an essential part of his sound, influencing the likes of Jimmy Page and Jimi Hendrix, among many others. And that was all 50 years ago: Townshend has built on the legacy of The Who since, continuing to make music with the only other surviving member, Roger Daltrey, as well as writing books, musicals, and opera. He also keeps his eyes and ears out for new music, even at age 79, which is where the other half of today's chat comes in. Two members of the UK band The Wild Things, Sydney Rae White and Rob Kendrick, met Townshend when they were cast in the musical stage production of The Who's rock opera Quadrophenia. Though she's spent much of her career acting—you may have seen her in the Netflix series Uncle or the Michael Keaton movie American Assassin—White's passion seems to be focused at the moment on the band, which also includes her brother Cameron White and drummer Pete Wheeler. When it came time to record new Wild Things music, Townshend offered his help both as a musical ear and a man with a studio, which resulted in the new album Afterglow. Fittingly for a man with Townshend's history, Afterglow is something of a concept album, which is a big topic of discussion here. Check out “My Heart is in New York” from Afterglow, which features a guest vocal from Townshend. Townshend and the Wild Things talk about telling stories through your music, about concept albums, about working together to make Afterglow, about trying to connect with people in an overwhelming media world, and much, much more. Enjoy. 0:00 – Intro 2:32 – Start of the chat/the concept behind Afterglow 6:55 – Why Pete wanted to work with The Wild Things 16:06 – "You know, this is a real fucking Rick Rubin conversation!" 21:58 – The advantages to being able to experiment in the studio 29:15 – "The thing about Sid is that she can do fucking anything." Thanks for listening to the Talkhouse Podcast, and thanks to Pete Townshend and all of the Wild Things for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting service, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

Send us a textJoin us on this week's episode as we discuss the the 1970 album by Thunderclap Newman: Hollywood Dream.  Thunderclap Newman were comprised of Townshend protege (drummer, songwriter and lead singer) Speedy Keen, a 15-year-old guitar prodigy named Jimmy McColluch, and the band's namesake - the eccentric self-taught piano player Andy "Thunderclap" Newman. Hollywood Dream (their one and only album) was recorded to capitalize on the success of Thunderclap Newman's surprising number 1 UK hit "Something in the Air." The band was the brainchild of Pete Townshend and Who manager/producer, Kit Lambert. Townshend had been working on separate projects for each when the when his work on the Who's Tommy forced him scale back his outside interests. His solution was to cobble together a band featuring the three uneasy cohorts from different musical backgrounds.   The result is an album that showcases each members strengths, and while it makes for compelling listen, it is often times a frustrating one. Upon its release, Hollywood Dream was met with critical raves and commercial disinterest. But the album, and the story behind it, make for one heck of a rock and roll tale. Visit us at www.tappingvinyl.com.

The latest on a horse breeding facility in Townshend whose owner has been charged with animal cruelty. Plus, pressure mounts on Gov. Scott to intervene amid fresh waves of evictions from the state's motel housing voucher program, business owners who suffered financial losses from summer floods begin applying for state aid, Vermonters affected by early July floods have a 30-day window to apply for FEMA assistance, Burlington will set up a centrally located hub to address public safety concerns, and for the first time since mid-July tests came up negative for EEE in mosquitoes tested by Vermont health officials.

The most recent horse seizure came on Sept. 10, when Vermont Fish & Wildlife Department game wardens and Vermont State Police troopers took at least 20 horses from Townshend's Friesians of Majesty. Troopers seized two more horses earlier this year, and 13 last year, due to a lack of care.

Todd Townshend is the 14th Bishop of The Diocese of Huron in the Anglican Church of Canada. He was Ordained to the diaconate on May 14, 1992, ordained to the priesthood on November 30, 1992, and Consecrated a Bishop and Installed as the 14th Bishop of Huron at St. Paul's Cathedral, London, ON on Saturday, January 25, 2020.Bishop Townshend has served in several London parishes. Townshend also served as the Dean of the Faculty of Theology at Huron University College between 2013 and 2019. Prior to assuming his role as Dean of the Faculty, Townshend taught at Huron University College since 2002 in a variety of roles including Professor of Homiletics and Pastoral Theology and Associate Professor of Contextual Theology.

Dr Honor Doro Townshend is a presenter, researcher and lecturer in all things true crime and Criminology. She has multiple papers and book chapters published across a variety of topic areas and has worked as an expert Criminologist for programmes across Channel 4, Channel 5, Vice World News, Discovery, Amazon Prime and more. Most recently, she has been making short-form videos for her TikTok platform @honordorotownshend.In this episode, we discuss why are we so fascinated by true crime, failures of the criminal justice system, and giving a voice to victims of crime.If you want to contact the show to ask a question and get involved in the conversation then please email us: unquestionablepod@gmail.comFind us here:Twitter: @unquestionpodInstagram: @unquestionablepodTik Tok: @unquestionablepodFacebook: @unquestionablepodcastYoutube: @unquestionablepod Hosted on Acast. See acast.com/privacy for more information.

30- The Who -A Quick One  (Reaction Records in the UK and Decca in the U.S ) Released December 9, 1966, Recorded August 30- November -1966 The Who's A Quick One (1966) is the band's second studio album and marks a significant step in their evolution. The album showcases the individual songwriting talents of each member: Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon, with Townshend emerging as the standout composer. The title track, "A Quick One, While He's Away," is a nine-minute mini-opera that foreshadows Townshend's later work on Tommy and is a clear highlight of the album. Known for its eclectic mix of styles, the album reached No. 4 on the UK Albums Chart but only No. 67 in the U.S. Despite not being universally considered their best work; the album was instrumental in solidifying The Who's reputation as one of the most innovative rock bands of the 1960s. The single "Happy Jack" also saw success, peaking at No. 3 in the UK and No. 24 in the US, marking the band's first significant American chart presence. A Quick One is significant for showcasing the growth of a band that would become one of the most celebrated in rock history. Curated Spotify Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=02cb54f0a19e4e3c Album on Spotify https://open.spotify.com/album/6f4mqM3RNAfO1t6XeeUa8P?si=hOzPkblNQOOI_qBFxhiXvw Album on YouTube https://youtube.com/playlist?list=PL47ACAF82B659E0AE&si=0i0zYZV_fSunEtx2

This week, we celebrate Revolutions Per Movie's 1 year anniversary with filmmaker and actor OWEN KLINE (A24's Funny Pages), who chose one of the most anticipated music films to discuss on the podcast, THE WHO'S TOMMY. We discuss the chicken/egg of the movie vs. the lp, the baked bean mythology, Ken Russell's pre-filmmaking history from being a ballet dancer to dodging the war, Russell's early BBC Composer films, Richard Lester and Lindsay Anderson, Robert Crumb and Fantagraphics Books, being a cultural dinosaur, the concept of selling out, the precision of the film that betrays its midnight movie status, Who's Next, how the Tommy LP kept The Who from breaking up, the ARP synth, the use of repetition in both the LP and the movie, transgressive music, how and why Townshend kept changing the shape of the story of Tommy, the aborted projects LIFEHOUSE & THE ANGELS that used elements to make the film Tommy, could we pick up the concept album plot before seeing the movie (and even after seeing it!), Ann-Margret's Oscar-nominated performance, the amount of sweat that appears on actors in the film, the surprising debut acting turn of Roger Daltrey, the UK white boy blues movement, Russell's choice of having the actor sing, including Jack Nicholson's strange turn, Keith Moon's approach to Uncle Ernie, Chris's concept double album Colonel Jeffrey Pumpernickel, Tina Turner's incredible performance as the acid queen and how Mick Jagger was in talks to do the role instead, does Elton John and Tina turner steal the film, the strange final 1/3 of the film, Dauhgltrey's perfect cartwheels, acting through song and so much more!We are also joined by special guest Barry Winch, who starred in TOMMY as ‘Young Tommy'!!! He illuminates us both about being a child on the set of the strange film, what it was like working with Ken Russell, Ann-Margret & Oliver Reed, how they got honest performances out of him as a child actor, how The Who protested going to the premiere unless he was invited (since he was underage), how Ken Russell himself accidentally cast him, his family's acting history, playing hide and seek with Oliver Reed, what it felt like being on the set of that movie, what the Tommy props from the film have been auctioned at, why he wasn't allowed to wander around the set, his favorite memories and some moments of being afraid as well.All this and more as we celebrate the one year anniversary of REVOLUTIONS PER MOVIE!!!OWEN KLINE:https://a24films.com/films/funny-pagesREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

I was looking for a good episode to pull from the archive to run this week as I'll be traveling and I asked my good friend Deb Seligsohn for a recommendation. She went immediately to this one, and by God if it's not an oldie-but-goodie. This is from December 2015 and features Jeremy Goldkorn — I miss him dearly! — and Terry Townshend, an absolute institution in China's birding community.I'll likely have to run another re-run next week, and I welcome your suggestions!All best,KaiserRecommendations and Links:Birding Beijing Action for SwiftsBritish Trust for OrnithologyJonathan Franzen, Purity: A Novel Cement and Pig Consumption Reveal China's Huge ChangesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What is going on with the Tim Walz pick. Stolen Valor? Quitting on his Men? Somali Flag? Wife wears Riot Cologne? Weird Weird Weird We've got POWERTRIP, PETE TOWNSHEND, SWEET, IN DEFENSE, NOFX, PRINCE, BLACK FLAG and we cover the UK Thoughtcrime ring. Are they creating content to be used to trap their political rivals? Dangerous.  It's the canary and the tune ain't good. Become a supporter of this podcast: https://www.spreaker.com/podcast/whiskey-and-the-surfer--2019344/support.

In this episode of the Eye on AI podcast, we explore the cutting-edge intersection of AI and biotechnology with Raphael Townshend, founder and CEO of Atomic AI.   Raphael delves into the revolutionary potential of AI in RNA drug discovery, highlighting Atomic AI's innovative approach. He shares his journey from studying electrical engineering and computer science at UC Berkeley to developing advanced AI models for understanding RNA structures, analogous to DeepMind's AlphaFold for proteins.   We dive deep into the intricacies of RNA's role in the human genome and its untapped potential in treating diseases previously considered undruggable. Raphael explains how Atomic AI's core model, Atom 1, is designed to predict RNA shapes with unprecedented accuracy, enabling the design of new drugs that target RNA instead of proteins. He discusses the significance of RNA in the context of mRNA vaccines, particularly the COVID-19 vaccine, and the challenges of making these vaccines more stable and accessible.   The conversation also covers the technical aspects of using AI, including transformer-based models and in-house data generation, to enhance RNA drug discovery. Raphael shares insights into the company's progress, from cell testing to upcoming animal trials, and the broader implications of integrating AI in biotechnology.   Join us as we uncover the future of RNA-based therapies, the innovative use of AI in drug discovery, and the groundbreaking advancements that could transform the landscape of medicine. Don't forget to like, subscribe, and hit the notification bell for more expert insights into the latest AI innovations.     This episode is sponsored by SysAid, the Next-gen ITSM Platform.   Get 20% off SysAid Copilot using this link: https://www.sysaid.com/lp/sysaid-copilot-s?utm_source=youtube&utm_medium=cpc&utm_campaign=short-craig Stay Updated: Craig Smith Twitter: https://twitter.com/craigss Eye on A.I. Twitter: https://twitter.com/EyeOn_AI

We had the pleasure of interviewing The Wild Things over Zoom video!Fast-rising UK quartet The Wild Things have released “Drunk Again”, the lead single from their sophomore LP Afterglow, set for release later in 2024. Co-produced by Pete Townshend, “Drunk Again” is the perfect soundtrack to a night out at the local dive and further cements The Wild Things as one of rock's most exciting young acts.Anchored by a twangy lick from guitarist Rob Kendrick and vocalist Sydney Rae White's powerful voice, “Drunk Again” is the latest punchy offering from a group with seemingly endless potential. The forthcoming Afterglow record will be an immersive choose-your-own-adventure concept record that tells the story of the residents of the fictional town of Valentine amidst a paranormal phenomenon.Already a critical favorite (they have been profiled by Kerrang! who declared them “your favorite new band”, Clash who said they are “blazing a trail across London, with their snappy, infectious live show,” and Rolling Stone who praised “their hook-laden riffs, tight melodies, and White's stage presence”), “Drunk Again” demonstrates The Wild Things' voracious appetite for power chords, sing-along choruses, and the gripping storytelling of their creative heroes (Pete Townshend, Spielberg, etc). They may sound straight out of the 70s, but The Wild Things are turning their amps up to 11 for a whole new generation of rock and roll fans.Having honed their live show with high-profile opening gigs for The Who (their first-ever US show was at Madison Square Garden) and KISS, “Drunk Again” builds on the momentum of their recent Friends With Benefits EP (which featured KISS' Tommy Thayer). Recorded at Pete Townshend's London studio, the track notably features the legendary guitarist playing a Lowrey Berkshire Deluxe TBO-1 organ - the very same instrument that appears on “Baba O'Riley”. At the end of the sessions, Townshend gifted the organ to the band…a symbolic passing of the torch from one generation to the next.It's been a busy 2024 for The Wild Things, whose Friends With Benefits EP featured appearances by Townshend, KISS' Tommy Thayer, and drag legend Trixie Mattel. In true Rock n Roll fashion, the band celebrated the release by performing atop a bus traveling down Hollywood Boulevard in LA, before taking the stage at The Bourbon Room in Hollywood for a high-octane free performance in front of their adoring stateside fans.The Wild Things are Sydney Rae White, Rob Kendrick, Pete Wheeler, and Cam White.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #TheWildThings #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

Pete Townshend intended the fifth studio album from The Who to be a science fiction rock opera called “Lifehouse,” as a follow up to the rock opera “Tommy” released in 1969.  After conflicts with their band manager and issues just managing the complexity of what Townshend envisioned the project to be, the rock opera was shelved, and the follow-up was made into a more traditional album entitled Who's Next.The group began recording the album at Rolling Stones frontman Mick Jagger's house, using the Stones' mobile recording studio, then moved to a more traditional studio in London.  Most of the album is made up of songs originally intended for the Lifehouse project.  Who's Next would see the Who make significant use of synthesizers and other keyboard sounds on this album, making the synthesizers a more integrated part of the songs than on previous albums.  Drummer Keith Moon's style was also more formalized than before, and the overall album was focused on a good sound where previous albums were perhaps tilted toward a sonic projection of the image of the band.Who's Next would contain some of the most iconic songs that the band produced, and retrospectively is considered by many to be the best album The Who ever produced.  The album would reach number 1 on the UK charts, and number 4 on the US charts.Rob brings us this iconic album for today's podcast, and friend of the show Mike Fernandes sits in for Bruce this week.MobileThis lighter song is a celebration of life on the open road.  Roger Daltrey steps aside as Pete Townshend takes over lead vocal duties.  Daltrey actually was not present at the recording of this song, leaving Keith Moon (drums), John Entwistle (bass), and Townshend (vocals, guitar, keyboards) to record it as a power trio.A BargainOften misconstrued as a love song to a woman, this track actually is about a relationship with God.  It contends that sacrificing everything for a relationship with God is not a sacrifice at all, but a bargain.  Much of Pete Townshend's work is inspired by eastern mysticism.Won't Get Fooled AgainThe last track on the album is an 8 1/2-minute epic.  It was originally intended as a closing number to the "Lifehouse" rock opera.  The lyrics offer a critique of both government and revolutionary change, summarized in the phrase "Meet the new boss, same as the old boss."  Townshend was inspired to write this song after chasing Abbie Hoffman off the stage at Woodstock.Baba O'Riley The title of the lead track to the album is a combination of two of Townshend's mentors, Indian spiritualist Meher Baba and American Composer Terry Riley.  The repeated phrase "teenage wasteland" was inspired by Townshend's observations of youths at Woodstock strung out on acid. ENTERTAINMENT TRACK:The Beat Goes On by Sonny & Cher (from the television variety show “Sonny and Cher Comedy Hour”)The singing duo Sonny and Cher started this sketch comedy and music show in 1971.  It would run for 3 years until their divorce. STAFF PICKS:Sweet City Woman by The StampedersWayne brings us a banjo-laden hit from a Canadian trio.  The lyrics were inspired by an encounter with a girl with wild eyes who came from the prairie to start life in the big city.  It hit number 8 on the US charts and number 1 in Canada.  It also won a number of Juno awards in 1972.  You may remember it from an episode of "Better Call Saul."Take Me Home, Country Roads by John DenverLynch keeps the banjo hits coming with a signature song from John Denver.  It went to number 2 on the Billboard Hot 100, and would become one of four official state songs for West Virginia.  Denver recorded this song in only two hours.Nobody by the Doobie Brothers Mike brings us a lost song from the first album by the Doobie Brothers.  Neither this song nor the album charted when it was released, but it displays a number of riffs and styles which would become staples of Doobie Brothers songs.  It was re-released in 1974 after the group had achieved success, and it reached number 58 on the Billboard Hot 100.Maggie May by Rod Stewart Rob closes out the staff picks with a hit single off Stewart's third solo album "Every Picture Tells a Story."  The lyrics describe the contradictory feelings of a boy in a relationship with an older woman.  The inspiration was a true encounter Stewart had with a woman at the 1961 Beaulieu Jazz Festival.  The song went to number 1 in Australia, the US, the UK, and Canada. INSTRUMENTAL TRACK:Orchid by Black SabbathWe close out with a surprisingly soft instrumental from an ordinarily more heavy hitting band. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Let us know what you think - text the show!On this week's show:Happy national dinosaur dayWhy am I so happy that Trump was convicted?Negro league baseball recordsWhat does passage of Vt. psychedelic mushroom law mean? The Rosa parks of being stoned at workBurlington Mayor Emma Mulvaney-Stanak reappoints Jon Murad as police chief US Supreme Court could take up South Burlington land use case Colleagues call death of Mazza the end of an eraWindham school district in crisisSome Burlington City Council members not aware of plan to support waterfront  homeless camp Plans to convert Burlington YMCA into housing hit a snagVT bought an island(1:01:43) Break music: HASKELL - “Let Me In”https://haskellsucks.bandcamp.com/track/let-me-in Townshend veteran finally honored by FranceVt. becomes 1st state requiring oil companies to pay for damage from climate Barriers meant to prevent truck stuckages at Smugglers Notch get tested rightCommunity pushes back on Goddard College campus buyer A reason to watch women's Olympic rugbyA Group of Burlington Neighbors Is Painting Over Graffiti Themselves Unearthed by accident: a plant lost to Vermont for a century is discovered VT spelling champ headed to DC & Update VT 3rd best state to learn to ride a bike(1:50:42)  Break music: WiseAcres - “Adjust the Angles”https://wiseacres.bandcamp.com/track/adjust-the-angles Scumbag Map 42-year-old homicide solved Danby Walmart shootingNorthfield Kristal goes on rampageSaint Albans crime blotterVt. police say chronic littering culprit caught, fined Thanks for listening!Follow us on Facebook: facebook.com/VermontCatchup Follow Matt on twitter: @MatthewBorden4 Contact the show: 24theroadshow@gmail.comIOutro Music by B-Complex

Join Katie and Liz on this week's episode of True Crime New England as they talk about the story of a whirlwind romance turned obsession turned double homicide. In early 2014, Robin O'Neill fell hard and fast for Steven Lott. Both in their 60s, and living in Townshend, Vermont, the couple moved their relationship along very quickly, moving in together immediately, and getting engaged in July of the same year. However, trouble in paradise started brewing just two months after the engagement, when an old neighbor moved back in, and Robin's jealousy became a violent obsession. --- Support this podcast: https://podcasters.spotify.com/pod/show/truecrimene/support

A quick episode on how we can all work with our inner critic. That pesky critical voice that we all have. Using coaching knowledge, from training with The Co-Active Training Institute, Dr Isabella covers what the inner critic is, how we can identify it, and then work with it. For coaching with Isabella go to balancedmedics.com/coaching

Am 19. Mai 1969 erscheint die grandiose und stilprägende Rockoper "Tommy" von The Who und damit ihre Eintrittskarte in den Rockolymp. Das Konzeptalbum erzählt die Geschichte des tauben, stummen und blinden Tommy Walker. "Tommy" hat in den USA Doppel-Platin abgeräumt und auch in Europa mehrere Goldene Schallplatten erspielt. 1975 folgte die Umsetzung des Meisterwerks als Film – prominent besetzt mit Elton John als Pinball Wizard, mit Tina Turner als Acid Queen und Eric Clapton als Priester. Es folgten diverse Musical-Inszenierungen, eine Orchesterversion und vieles mehr. Krawall aus Kunstform – The Who The Who waren für ihre harte Gangart bekannt, sie galten als die lauteste Rockband der Welt, als Chaoten und zertrümmerten ihre Instrumente während oder nach den Gigs. Doch nicht nur die Band hatte einen Hang zur Zerstörung, auch das Publikum hat während ihrer Gigs im Zuschauerraum der Veranstaltungslocations viel kaputt gemacht. Das führte zu horrenden Rechnungen an die Band, die von Veranstaltern, Veranstaltungsorten und auch von den Hotelzimmern, in denen The Who gewohnt haben, gestellt wurden. Daher musste die Band einen Weg finden erfolgreich zu sein und Musik zu schreiben, die anders ist. "Sgt. Pepper" von den Beatles öffnete 1967 die Türen für eine Zeit der Aufbruchsstimmung, in der alles möglich zu sein schien. Die Bands sind neue Wege gegangen und konnten sich gleichzeitig sicher sein, dass ihre Fans sie begleiten würden. "Tommy" – Die erste Rockoper von The Who The-Who-Gitarrist Pete Townshend hat die Idee und Geschichte hinter der Rockoper "Tommy" entwickelt und geschrieben. Sie erzählt von Tommy, einem schwer traumatisierten Kind, das den Mord des Vaters am Liebhaber der Mutter miterlebt hat, aber nicht drüber sprechen darf. Viel mehr noch, ihm wird ausgeredet, dass das Erlebte jemals geschehen sei. Daraufhin wird Tommy taub, stumm und blind, verliert seine komplette Sinneswahrnehmung. Es treten diverse Charaktere auf, die Tommy nicht nur quälen sondern auch missbrauchen und andere, die versuchen wollen ihn zu heilen. Townshend hat fast alle Songs selbst geschrieben und komponiert. Dabei ließ er sich stark von seinem indischen Guru Meher Baba beeinflussen, von dem auch die Weisheit "Je größer die Liebe, desto sanfter die Stimme" überliefert wurde. Mit "Tommy" heben The Who ihr bisheriges Schaffen auf ein ganz neues Level. "Rockmusik wird plötzlich seriös, sie wird künstlerisch, sie wird zu einem dramatischen Medium, und all das schafft Pete Townshend." SWR1 Musikredakteurin Katharina Heinius Im Unterschied zu einer klassischen Oper, in welcher jede Rolle auf eine eigene Figur verteilt ist, spielt Sänger Roger Daltrey in "Tommy" alle Rollen gleichzeitig. Eine weitere Besonderheit: Alle Songs sollten auch live spielbar sein. Die Rolle von Manager und Produzent Kit Lambert: Sein Einfluss auf "Tommy" Kit Lambert war Mitte der 60er Jahre ein Manager der Band. Er hat als Sohn eines berühmten Dirigenten die klassische Musik an Townshend herangeführt und gab ihm als Inspiration Platten von Richard Wagner, der die wirklich großen dramatischen Opern geschrieben und durchkomponiert hat. Doch Lambert war nicht nur Manager der Band, er hat auch produziert und ist daher maßgeblich am Klangbild der Platte beiteiligt. "Das klingt monumental das Ding!" - SWR1 Musikredakteur Frank König über das Klangbild von "Tommy" Pinball Wizard – Der größte Hit auf "Tommy" Mit dem Song "Pinball Wizard" hat es Pete Townshend letztlich geschafft auch seine Bandkollegen für "Tommy" zu begeistern. Dieser Song wurde unabhänigig vom Album ein riesen Hit und war für viele die Eintrittskarte ins Stück und für die Band. "Tommy" – Ein Meilenstein der Musikgeschichte Wieso die Rockoper nicht nur für die Band ein großer Schritt war, sondern vor allem auch für Frontmann Roger Daltrey, was ihren Auftritt auf Woodstock so besonders machte und wie sich Tommy in der Geschichte schließlich selbst befreit und zum Messias wird, das und vieles mehr im SWR1 Meilenstein "Tommy" von The Who. __________ Über diese Songs vom Album "Tommy" wird im Podcast gesprochen (04:22) – "Overture"(10:18) – "1921"(15:29) – "Eyesight for the Blind"(15:55) – "Cousin Kevin"(16:11) – "The Acid Queen"(16:26) – "Fiddle About"(21:20) – "Christmas"(28:53) – "Pinball Wizard"(31:55) – "I'm Free"(36:46) – "Tommy's Holiday Camp"(39:23) – "We're Not Gonna Take It / See Me, Feel Me"__________ Über diese Songs wird außerdem im Podcast gesprochen (27:47) – "Night In The City " von Electric Light Orchestra (39:23) – "Ziggy Stardust" von David Bowie__________ Shownotes The Who und "Pinball Wizard" im Beat-Club: https://www.youtube.com/watch?v=6FRsyDNvtWADie deutsche Band „German Bonds“ Live im Beat-Club_ https://www.youtube.com/watch?v=288cvHTOn_kDokumentation "The Who – Die explosive Geschichte einer Band" bei Arte: https://www.arte.tv/de/videos/101888-000-A/the-who-die-explosive-geschichte-einer-band/ SWR1 Meilensteine Folge zu "Abbey Road": https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-the-beatles-abbey-road-100.html__________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

For her feature documentary debut with A MOTHER APART, filmmaker Laurie Townshend followed poet, orator, LGBTQ+ advocate, and feminist activist Staceyann Chin over 6 years as she sought answers on why her mother abandoned her as a child in Jamaica, and making intentional efforts to correct past wrongs as a parent for her own daughter Zuri.#HotDocs2024 #CarolynTalks #Documentary #canadianfilm #AMotherApart had it's world premiere at the 2024 Hot Docs Canadian International Documentary Festival. Visit the official site for screening and ticket information: https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/mother-apartVisit Laurie's website to learn more about her and her work: https://www.laurietownshend.com/To learn about Staceyann and her work: http://www.staceyannchin.net/and Producing partners Oya Media Group: https://www.oyamediagroup.com/original-content/amotherapartFind me on Twitter, Instagram and TikTok at: @CarrieCnh12To contribute to my work donations can be given at paypal.com/paypalme/carolynhinds0525My Social Media hashtags are: #CarolynTalks #DramasWithCarrie #SaturdayNightSciFi #SHWH Visit Authory.com/CarolynHinds to find links to all of my published writing, YouTube and other podcasts So Here's What Happened!, and Beyond The Romance.. Hosted on Acast. See acast.com/privacy for more information.

In this episode, two Partners from McGuireWoods LLP, Timothy J. Fry & Gretchen Heinze Townshend share insights into 12 legal issues impacting health systems.

“One of the things you learn when farming is that it's really hard to leave because someone has to be there all the time. So, in our first decade here we were always hosting people no matter what. And we came to really love that and became good at it. Feeding a crowd was really easy. You have this bounty of food - milk and cheese and vegetables and apples and honey - just so much bounty that it's sad not to share it. You want to bring people in.” We're in great company with Louisa Conrad, who with her husband Lucas Farrell, both artists by trade, started a small hillside goat dairy and farmstead confectionery and creamery located in southern Vermont, which over the years has produced award-winning goat milk caramels and farmstead cheeses.  Today, they blend their artistic craft and storytelling creativity with their passion for their place and products, inviting guests to stay and experience their Animal-Welfare-Approved farmstead firsthand, cozying up to 40 happy and healthy goats and other furry farm friends.  In this episode, Louisa shares how her love for seasonal sweets goes beyond the tasty treats themselves - nurturing the land and animals that provide this bounty and being the welcoming host who shares them with her worldly guests. Top Takeaways [1:55] Having grown up in Paris, surrounded by some of the world's best cheese, little did Louisa know her career as an artist and teacher would turn into a confectionery and cheesemaker… [3:30] What started as a side hustle - staying on a farm, tending to the sheep, and selling goat milk caramels at the farmer's market - turned into multiple phases of purchasing the farm and building a family business.  [13:05] Stay on Big Picture Farm and listen to a soundtrack of roosters crowing, goats bleating, barn cats meowing, dogs barking, and frogs croaking from dawn to dusk.  [15:10] Why the story behind the name Big Picture Farm is a picture worth a thousand words. [18:00] A day in the life of tending to goats has moments of excitement and ease…and a steady sweet smell of award winning and sustainably made, caramel cooking in the distance.  [23:25] Whether you're coming for a family reunion or a couple's getaway weekend, there's a quiet place for you to stay, sip a cocktail, and smile at some friendly goats. [31:25] From sea salt vanilla to golden milk latte flavored caramels, from fresh chevre cheese to goat cheese soufflés, from warm crepes to goat nog around the holidays, Louisa is always crafting up something creative with goat milk. Notable Mentions Nearby small ski towns to visit in Vermont: Brattleboro Stratton Mount Snow Bromley Mountain Magic Mountain Okemo Mountain  Visit For Yourself Big Picture Farm Website Stay at Big Picture Farm @bigpicturefarm  @bigpicturefarmstays Stay In Good Company Website 

On this episode, we taste through two Washington wines in week four of this Washington Wine Month of March, one a Viognier, in honor of Viognier day which is this coming Tuesday, and a Red Blend. #HappyFriday! #ItsWineTIme! #CheersingWines this episode:2022 Airfield Viognier ($15 at Pilgrims Market)

Former Boston Bruin Graeme Townshend, the first Jamaican-born player in the NHL joins the show to discuss his career with the Bruins, New York Islanders, and Ottawa Senators and how a decision not to let his mother down, led him to an RPI degree, and hockey's highest level. Townshend tells of RPI's Big Red Freakout, squabbles in the minors with his coach, and scoring his first NHL goal!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, we talk to the two hosts of the fictional classic rock station comedy podcast, Jason Gore & Geoff Garlock of 108.9 The Hawk, about their music film pick, The Who's 'The Kids Are Alright.'  We argue over what is the greatest Who period of all time, how the band's inner tensions helped make them even greater, how a first-time director/superfan pulled off this film, Townshend's use of alienation & enlightenment through his interviews, Zeppelin vs. Who, being stuck at midnight movie screenings, Jason's radio broadcasting past on an actual classic rock station in the South, and trying to win over Geoff who had never seen this movie until now! So let's blow up a drumset on this week's Revolutions Per Movie!JASON GORE & GEOFF GARLOCK:1089thehawk.comthebestshow.nettwitter.com/TheCannonCanonREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovie Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Rock 'N Roll Hall of Famer Ricky Byrd Live on Game Changers with Vicki Abelson Hanging out with Rock'N Roll Hall of Famer, Ricky Byrd, is like going home. Back to the days… when we were both in a daze. I was booking the Rock 'N Roll Café on Bleecker Street, Ricky was already a rockstar, center stage as lead guitarist with Joan Jett and the Blackhearts, playing those iconic riffs in the fab MTV Music Video Days... when there were ashtrays on restaurant tables, and MTV played music videos. Just found a great pic of Ricky and Elliot Easton sitting in on our tiny stage in '87ish. All those years ago, and yet how fun to have seen Elliot play live last week with The Immediate Family and Zoom tonight with Ricky. One big difference, both Ricky and I are sober. 36 years for him, and the last many, being of service and giving back with his time, and his music. His current passion, partnering with AllSober.com to aid those struggling with addiction to gain inspiration from their sober heroes. He treated us to his Ain't Gonna Live Like That No More to punctuate the point. Ricky received the Drug-Free Heroes Award, presented by the Foundation For a Drug-Free World, The Faces and Voices 2019 Voice of Recovery Award, and the 2019 Italian American of Distinction Award, presented by Governor Cuomo, for his work in recovery. This Rockboy walks his talk. Old friends, it was an easy breezy walk down memory lane, littered with one-liners, and rim shots. Ricky may be a rocker but he's a Borscht Belt comic at heart. Fabulous stories about touring with Graham Parker, Roger Daltry, and Ian Hunter, the thrill of playing THAT riff from All the Young Dudes, having Simon Kirke of Bad Company behind him hitting those beats, backing Brian Wilson, sitting next to MeatLoaf watching his hero Jeff Beck, both of them weeping. We talked quite a bit about Beck, and Townshend, Eddie Van Halen, John Mayer, Albert King, the old days of the Filmore East, The Academy of Music, the Humble Pie, J Geils Band, and Black Oak Arkansas show we both were at when we were babies. Speaking of the Babys, we talked John Waite, Ricky's old, my new friend, and his hysterical speech whilst being inducted into the Rock 'N Roll Hall of Fame with Joan Jett and The Blackhearts. Why she didn't much react behind him, and looking past the front row where Paul and Ringo, his raison d'etre for becoming a musician sat with Funk 49s, Joe Walsh. And then, sharing the stage with them - and his great interactions with both Paul and Ringo. Ricky's fan love for his heroes is so relatable and fun to witness. Ricky's Rhapsody in Blues - An Instrumental Tribute to Jeff Beck is spectacular as are his other WIcked Cool released singles, Louanne, Alien, and Glamdenic Blues, and they're available here: https://www.rickybyrd.com We got the story behind each and why he requests we download rather than stream. I did as soon as we got off the interweb. I adore my old friend. I so enjoyed every second and every word of this conversation. It was such a treat to spend time again in his great company. Ricky Byrd Live on Game Changers with Vicki Abelson Wednesday, February 21, 5 PM PT, 8 PM ET Streamed Live on my Facebook Replay here: https://bit.ly/3uwdsUQ

On this week's episode, we dig into Pete Townshend's official debut solo LP, 1980's Empty Glass. As the main songwriter for The Who, Pete Townshend crafted songs that let singer Roger Daultrey flex his powerful voice and lets the rhythm section stretch out and indulge their bombastic sides. But on Empty Glass, Townshend is able to show that he can write songs that require a softer, perhaps more nimble, touch. His voice is sweet, almost delicate in places, but its the musicianship where Townshend really shows that he is capable of nuance and subtlety.  The songs are tight, precises (very much the opposite of the Who), and deftly straddles the the old-guard rock world 1970's and the bright,  synth heavy world of a still burgeoning post-punk/new wave movement. Visit us at www.tappingvinyl.com.

JOIN THE STAG ROAR COMMUNITY⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This episode has been published and can be heard everywhere your podcast is available. https://www.stagroar.co.nz/ In these Mini-Podcasts we explore The Red Deer from D.Bruce Banwell's "The Red Deer" New Zealand Big Game Records Series With Permission of The Halcyon Press. 

"Tunes of the Season: Phish, Grateful Dead, and Merry Jams"Larry Mishkin   discusses Christmas-themed songs performed by various artists, including The Who and Grateful Dead. Larry delves into The Who's rock opera "Tommy," particularly focusing on the song "Christmas" and its critical reception. He transitions to discussing Grateful Dead's rendition of Chuck Berry's "Run, Rudolph, Run" performed at the Felt Forum in 1971 and analyzes its significance in the band's repertoire.Larry further explores the potential residency of bands like Dead & Company at the Sphere in Las Vegas, following U2's shows there. He touches on Phish's upcoming performances at the same venue and discusses the difficulty in acquiring tickets for these highly anticipated shows.Later, Larry reminisces about New Year's Eve shows by various bands, specifically mentioning Grateful Dead's memorable performances during the countdown. He also features unconventional Christmas renditions by Phish and Jerry Garcia with David Grisman..Produced by PodConx   Theme – Rock n Roll ChristmasIf you were in the Mishkin household earlier this morning, you might have heard this blasting out of the speakers:INTRO:               ChristmasThe WhoFebruary 14, 1970University of Leeds, Leeds, England  aka  “Live At Leeds”The Who - Christmas - Live At Leeds (with Footage) (youtube.com)2:00 – 3:17 "Christmas" is a song written by Pete Townshend and is the seventh song on The Who's rock opera Tommy. On the original LP, it opens the second side of the album.  Tommy is the fourth studio album by the English rock band the Who, first released on 19 May 1969.[2] Primarily written by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of Tommy Walker and his experiences through life. The song tells how on Christmas morning, Tommy's father is worried about Tommy's future, and soul. His future is jeopardized due to being deaf, dumb, and blind.[2] The lyrics contrast religious themes such as Christmas and Jesus Christ with Tommy's ignorance of such matters. The rhetorical question, "How can he be saved from the eternal grave?" is asked about Tommy's condition and adds speculation as to the nature of original sin and eternal salvation. In the middle of the song, "Tommy can you hear me?" is repeated, with Tommy responding, "See me, feel me, touch me, heal me." "Christmas" was praised by critics. Richie Unterberger of AllMusic called it an "excellent song."[5]Rolling Stone's Mac Randall said it was one of several "prime Pete Townshend songs" on the album.[6] A review in Life by Albert Goldman considered it beautiful and highlighted the song's "croaking chorus".[7] James Perone said it was "perhaps one of the best sleeper tracks of the collection." Townshend came up with the concept of Tommy after being introduced to the work of Meher Baba, and he attempted to translate Baba's teachings into music. Recording on the album began in September 1968, but took six months to complete as material needed to be arranged and re-recorded in the studio. Tommy was acclaimed upon its release by critics, who hailed it as the Who's breakthrough. Its critical standing diminished slightly in later years; nonetheless, several writers view it as an important and influential album in the history of rock music. The Who promoted the album's release with an extensive tour, including a live version of Tommy, which lasted throughout 1969 and 1970. Key gigs from the tour included appearances at Woodstock, the 1969 Isle of Wight Festival, the University of Leeds, the Metropolitan Opera House, and the 1970 Isle of Wight Festival. The live performances of Tommy drew critical praise and revitalised the band's career. Live at Leeds is the first live album by English rock band the Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The album was released on 11 May 1970 by Decca and MCA in the United States,[2] and by Track and Polydor in the United Kingdom. It has been reissued on several occasions and in several different formats. Since its release, Live at Leeds has been ranked by several music critics as the best live rock recording of all time SHOW No. 1:                   Run Rudolph RunGrateful DeadFelt Forum at MSG, NYCDecember 7, 1971Track No. 10Grateful Dead Live at Felt Forum, Madison Square Garden on 1971-12-07 : Free Borrow & Streaming : Internet Archive0:11 – 1:54 Run Rudolph Run"[2][3][4] is a Christmas song written by Chuck Berry but credited to Johnny Marks and M. Brodie due to Marks' trademark on the character of Rudolph the Red-Nosed Reindeer.[5][note 1] It was published by St. Nicholas Music (ASCAP) and was first recorded by Berry in 1958, released as a single on Chess Records.It has since been covered by numerous other artists, sometimes with the title "Run Run Rudolph".[16] The song is a 12-bar blues, musically similar to Berry's popular and recognizable song "Johnny B. Goode", and melodically similar to his song "Little Queenie", the latter of which was released shortly after, in 1959.During its initial chart run, Berry's 1958 recording peaked at number 69 on the Billboard Hot 100 chart in December 1958.[22] Sixty years later, the single re-entered the Hot 100 chart at number 45 (on the week ending January 5, 2019), reaching an overall peak position of number 10 on the week ending January 2, 2021, following its third chart re-entry, becoming Berry's third top-ten hit and his first since 1972's "My Ding-a-Ling". In doing so, it broke the record for the longest climb to the top 10 since its first entry in December 1958, at 62 years and two weeks.This Ciip:Out of Brokedown Palace and into You Win AgainPlayed a total of 7 times.This was the first timeLast:  December 15, 1971 Hill Auditorium, Ann Arbor, MI  SHOW No. 2:     Little Drummer BoyPhishJuly 3, 1999Coca Cola Lakewood Amphitheatre, Atlanta, GAPhish - The Little Drummer Boy - 7/3/1999 - Atlanta, GA (youtube.com)Start to 1:30 Out of Contact to close the second set.  Played it again as the first encore (into, Won't You Come Home Bill Bailery starring Page's dad, Jack, on vocals and kazoo. "The Little Drummer Boy" (originally known as "Carol of the Drum") is a Czechoslovakian popular Christmas song written by American composer Katherine Kennicott Davis in 1941.[1] First recorded in 1951 by the Austrian Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since.[2] In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, "I played my best for him" and "He smiled at me". Phish has only performed the song three times during the month of December – the debut performance segueing out of “Mike's Song” and into “Whipping Post,” a tease during the 12/28/94 “Weekapaug Groove,” and jammed out of the “YEM” vocal jam (12/2/99) (which melted down until Jon was left singing it to close the set). But the song was jammed out of season during “My Friend, My Friend” (3/18/93) and “Stash” (7/15/93), and teased during “Weekapaug Groove” and “Big Ball Jam” (4/9/94), “Wilson” (8/13/97), “Silent in the Morning” (7/4/99), and "Wilson" (4/16/04). This version is generally considered to be Fishman's most memorable version.  SHOW No. 3:     God Rest Ye Merry GentlemenJerry Garcia and David GrismanNovember 9, 1991Warfield Theater, S.F.God Rest Ye Merry Gentlemen - Jerry Garcia - Bing videoStart – 1:37Out of The Two Sisters to close second set "God Rest You Merry, Gentlemen" is an English traditional Christmas carol. It is in the Roxburghe Collection (iii. 452), and is listed as no. 394 in the Roud Folk Song Index. It is also known as "Tidings of Comfort and Joy", and by other variant incipits. An early version of this carol is found in an anonymous manuscript, dating from the 1650s it appeared in a parody published in 1820 by William Hone.               Story here is the way Jerry and David play so tight, trading off leads and filling in gaps.  A great sound for a traditional tune.  There are many sides of Jerry and we don't get to see all of them.  Nice to take a break from the traditional Dead stuff and take a look in at what else Garcia was doing during that creative period of his life. SHOW No. 4:                   Stagger LeeGrateful DeadDecember 30, 1985Track No. 6Grateful Dead Live at Oakland Coliseum on 1985-12-30 : Free Borrow & Streaming : Internet ArchiveStart – 1:32 As is made clear by the opening lyrics, this is a tale about events that unfolded and played out on Christmas: “1940 Xmas Eve with a full moon over town”.  On some occasions, Jerry was  known to substitute in “Christmas” Eve. "Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton, in St. Louis, Missouri, at Christmas 1895. The song was first published in 1911 and first recorded in 1923, by Fred Waring's Pennsylvanians, titled "Stack O' Lee Blues". A version by Lloyd Price reached number one on the Billboard Hot 100 in 1959. The historical Stagger Lee was Lee Shelton, an African-American pimp living in St. Louis, Missouri, in the late 19th century. He was nicknamed Stag Lee or Stack Lee, with a variety of explanations being given: he was given the nickname because he "went stag" (went to social events unaccompanied by a person of the opposite sex); he took the nickname from a well-known riverboat captain called Stack Lee; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the Stack Lee, which was known for its on-board prostitution.[2] Shelton was well known locally as one of the Macks, a group of pimps who demanded attention through their flashy clothing and appearance.[3] In addition to those activities, he was the captain of a black Four Hundred Club, a social club with a dubious reputation. On Christmas night in 1895, Shelton and his acquaintance William "Billy" Lyons were drinking in the Bill Curtis Saloon. Lyons was also a member of St. Louis' underworld, and may have been a political and business rival to Shelton. Eventually, the two men got into a dispute, during which Lyons took Shelton's Stetson hat.[5]Subsequently, Shelton shot Lyons, recovered his hat, and left.[6] Lyons died of his injuries, and Shelton was charged, tried, and convicted of the murder in 1897. He was paroled in 1909, but returned to prison in 1911 for assault and robbery. He died in incarceration in 1912. The Grateful Dead frequently played and eventually recorded a version of the tale which focuses on the fictionalized hours after the death of "Billy DeLyon", when Billy's wife Delia tracks down Stagger Lee in a local saloon and "she shot him in the balls" in revenge for Billy's death. Based on the traditional song "Stagger Lee", "Stagolee" or "Stack O'Lee." Robert Hunter wrote a version that he performed solo, and Jerry Garcia subsequently re-ordered the lyrics and rewrote the music for the Grateful Dead's version. More recently Bob Weir has also been performing some of the older traditional versions with Ratdog. Dead released it on Shakedown Street, Nov. 8, 1978 Played 146 times by the Dead1st:  August 30, 1978Last:  June 18, 1995 Giants Stadium  OUTRO:              Santa Clause Is Coming To TownBruce Springsteen and the E Street BandCW Post University, Greenvale, NYDecember, 19756Santa Claus Is Comin' to Town (Live at C.W. Post College, Greenvale, NY - December 1975) - Bing video2:15 - 4:00               Santa Claus Is Comin' to Town" is a Christmas song featuring Santa Claus, written by J. Fred Coots and Haven Gillespie and first recorded by Harry Reser and His Band.[1] When it was covered by Eddie Cantor on his radio show in November 1934 it became a hit; within 24 hours, 500,000 copies of sheet music and more than 30,000 records were sold.[2][3] The version for Bluebird Records by George Hall and His Orchestra (vocal by Sonny Schuyler) was very popular in 1934 and reached the various charts of the day.[4] The song has been recorded by over 200 artists including Bing Crosby and the Andrews Sisters, the Crystals, Neil Diamond, Fred Astaire, Bruce Springsteen, Frank Sinatra, Bill Evans, Chris Isaak, the Temptations, The Pointer Sisters, the Carpenters, Michael Bublé, Luis Miguel, and the Jackson 5 A rock version by Bruce Springsteen & the E Street Band was recorded on December 12, 1975, at C. W. Post College in Brookville, New York, by Record Plant engineers Jimmy Iovine and Thom Panunzio.[14][15] This version borrows the chorus refrain from the 1963 recording by the Crystals.[16] It was first released as a track on the 1981 Sesame Street compilation album, In Harmony 2, as well as on a 1981 promotional, radio-only, 7-inch single (Columbia AE7 1332).[17][18] Four years later, it was released as the B-side to "My Hometown," a single off the Born in the U.S.A. album.[19] Springsteen's rendition of the song has received radio airplay perennially at Christmastime for years; it appeared on Billboard magazine's Hot Singles Recurrents chart each year from 2002 to 2009 due to seasonal air play. Live performances of the song often saw the band encouraging the audience to sing some of the lyrics with—or in place of—the band's vocalists (usually the line "you'd better be good for goodness sake", and occasionally the key line "Santa Claus is Comin' to Town" as well). Sometimes, concert crowds would sing along with the entire song, and the band, who were known to encourage this behavior for the song, would do nothing to dissuade those audiences from doing so, instead welcoming the crowds' enthusiasm. This version remains a Springsteen concert favorite during the months of November and December (often concluding the show), and the band is among the few that keep it in their roster of songs during the holidays. Dead & Co at the Sphere?Phish – sold out fast Merry ChristmasHappy Holidays .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Pete Townshend's 3rd solo album was a divisive record; many critics called it pretentious, over-thought, and an "ambitious failure". But it contains at least two Townshend masterpieces, including “The Sea Refuses No River”, a song with deep spiritual meaning to Townshend. This episode, we explore this eloquent, graceful classic. "The Sea Refuses No River" (Pete Townshend) Copyright 1982 Eel Pie Publishing Limited Learn more about your ad choices. Visit megaphone.fm/adchoices

Pete Townshend's 3rd solo album was a divisive record; many critics called it pretentious, over-thought, and an "ambitious failure". But it contains at least two Townshend masterpieces, including “The Sea Refuses No River”, a song with deep spiritual meaning to Townshend. This episode, we explore this eloquent, graceful classic. "The Sea Refuses No River" (Pete Townshend) Copyright 1982 Eel Pie Publishing Limited -- This show is part of the Pantheon podcast network -- THE place for music junkies, geeks, nerds, diehards and fans! Learn more about your ad choices. Visit megaphone.fm/adchoices

Show SummaryOn this episode, we feature a conversation with Bruce Townshend, the Chief of Employer Engagement with Employer Support for the Guard and Reserve (ESGR), an office of the Department of Defense that promotes understanding between Reserve Component Service members and their civilian employersAbout Today's Guest Bruce Townshend, Chief, Employer Engagement, Employer Support of the Guard & Reserve (ESGR), Department of Defense Bruce Townshend is responsible for the planning, design and execution of proactive ESGR employer engagement initiatives to customers (Employers) and stakeholders (Guardsmen, Reservists and the Department of Defense). In this capacity he establishes frequent contact with corporate executives in a broad spectrum of industries, state government executives, mayors of major cities, and high-ranking military and Department of Defense officials to positively influence, motivate and persuade leaders - many of whom are uninformed or skeptical - on the merits of ESGR programs and services. Mr. Townshend is a native of Lowell, Massachusetts, where he enlisted in the Army in 1981 as a military policeman. He holds a bachelor's degree in Criminal Justice from Northeastern University in Boston, 1987. He was commissioned as an officer in the Military Police Corps through ROTC. He is a 2004 graduate of the Defense Information School as a qualified military Public Affairs Officer. He served a combined total of 28 years in the Army and Army Reserve, with assignments in Alabama, Virginia and Washington, and overseas assignments in Panama and Germany. He has served in Korea and deployed to Operation Iraqi Freedom with the 416th Engineer Command from Darien, Illinois, in 2003. For the final three years of his career, he mobilized with the Army Reserve and was a primary developer and implementor of the Yellow Ribbon Reintegration Program (YRRP) as a project and program manager up to his retirement in 2011. He worked for the Army Reserve YRRP as a contract program manager until coming to ESGR in November, 2017.Mr. Townshend and his wife, Robin, have five grown children and eight grandchildren. He is an avid poker player and is fiercely proud of his Scottish and Irish heritages. He has been to all 50 states. He and Robin currently reside near Front Royal, Virginia.Links Mentioned In This EpisodeESGR WebsiteState and Local ESGR ContactsPsychArmor Resource of the WeekThis week's PsychArmor resource of the week is the PsychArmor the course, Best Practices for Employer Support of National Guard & Reserve Members. This course is intended to help guide employers who hire or are looking to hire National Guard & Reserve members. This course will discuss best practices pertaining to recruiting, training, and developing family support policies. You can see find the course here:  https://learn.psycharmor.org/courses/Best-Practices-for-Employer-Support-of-National-Guard-and-Reserve This Episode Sponsored By: This episode is sponsored by PsychArmor. PsychArmor is the premier education and learning ecosystems specializing in military culture content PsychArmor offers an. Online e-learning laboratory that is free to individual learners as well as custom training options for organizations. Contact Us and Join Us on Social Media Email PsychArmorPsychArmor on TwitterPsychArmor on FacebookPsychArmor on YouTubePsychArmor on LinkedInPsychArmor on InstagramTheme MusicOur theme music Don't Kill the Messenger was written and performed by Navy Veteran Jerry Maniscalco, in cooperation with Operation Encore, a non profit committed to supporting singer/songwriter and musicians across the military and Veteran communities.Producer and Host Duane France is a retired Army Noncommissioned Officer, combat veteran, and clinical mental health counselor for service members, veterans, and their families.  You can find more about the work that he is doing at www.veteranmentalhealth.com  

In the November 2023 issue of Rolling Stone magazine, there's a big takedown of rock music by the current generation of music writers who work for the publication. The editor, Noah Shachtman, writers Latonia Davis, Earl Douglas, Darrell McNeill, and Althea Legaspi all call out co-founder of Rolling Stone Jann Wenner for his stupid comments in the New York Times about women and black folks not being articulate or philosophers of rock worthy of inclusion in his book, The Masters: Conversations with Dylan, Lennon, Jagger, Townshend, Garcia, Bono, and Springsteen. Words like "problematic," "accountable," "boys' club," and "exclusion" were peppered into the criticism of Wenner. The writers are correct. Rock music from the 60s to the 2000s has been an exclusive club that favored straight white men by elevating their creations as worthy of attention to the exclusion of others. We live in a world where we can't cleanse the past like a Maoist cultural revolution. But even with 99 problems of rock music, there's no denying the cultural significance of The Rolling Stones and The Beatles in the history of rock. Both bands have released new to newish music into the world this year, and "Planet LP" host Ted Asregadoo offers up his views not only on rock music but also on The Rolling Stones and The Beatles' latest releases. He also brings in his family to react to the song "Now and Then" — and the results of this roundtable of sorts are mixed.

Once Ann Radcliffe retired from publishing, all kinds of rumors started to spread about her, including some that distressed her greatly. After she died, there was even more speculation. Research: Britannica, The Editors of Encyclopaedia. "Ann Radcliffe". Encyclopedia Britannica, 5 Jul. 2023, https://www.britannica.com/biography/Ann-Radcliffe-English-author Radcliffe, Ann. “The Romance of the Forest, interspersed with some pieces of poetry.” London. 1824. Accessed online: https://www.gutenberg.org/cache/epub/64701/pg64701-images.html Radcliffe, Ann. “Gaston de Blondeville: Or The Court of Henry III. Keeping Festival in Ardenne, a Romance. St. Alban's Abbey, a Metrical Tale: with Some Poetical Pieces, Volume 1.” H. Colburn. 1826. Accessed online: https://play.google.com/store/books/details?id=vi03AAAAIAAJ&rdid=book-vi03AAAAIAAJ&rdot=1 Radcliffe, Ann. “A Journey Made in the Summer of 1794, Through Holland and the Western Frontier of Germany, With a Return Down the Rhine: To Which Are Added Observations During a Tour to the Lakes of Lancashire, Westmoreland and Cumberland, in Two Volumes.” G.G. and Robinson. London. 1795. Accessed online: https://www.gutenberg.org/cache/epub/62795/pg62795-images.html Facer, Ruth. “Ann Radcliffe (1764-1823).” Chawton House Library. 2012. http://www.chawtonhouse.org/wp-content/uploads/2012/06/Ann-Radcliffe.pdf Dugdale, John. “Happy 250th, Ann Radcliffe.” The Guardian. Oct. 31, 2014. https://www.theguardian.com/books/2014/oct/31/ann-radcliffe-gothic-pioneer-snubbed-horace-walpole-the-castle-of-oronto-250-years-celebrations#:~:text=Another%20250th%20anniversary%2C%20of%20Ann,sent%20up%20in%20Northanger%20Abbey. Flood, Allison. “Gothic fiction pioneer Ann Radcliffe may have been inspired by mother-in-law.” The Guardian. Jan. 30, 2014. https://www.theguardian.com/books/2014/jan/30/ann-radcliffe-gothic-fiction-mother-in-law McIntyre, Clara Frances. “Anne Radcliffe in Relation to her Time.” Yale University Press. 1920. Accessed online: https://archive.org/details/annradcliffeinre00mcinuoft/page/n3/mode/2up “Mr. Radcliffe … “ Sunday Dispatch/ London. October 30, 1825. https://www.newspapers.com/image/813446539/?terms=%22Ann%20Radcliffe%22&match=1 McKillop, Alan D. “Mrs. Radcliffe on the Supernatural in Poetry.” The Journal of English and Germanic Philology, vol. 31, no. 3, 1932, pp. 352–59. JSTOR. http://www.jstor.org/stable/27703650 Clarke, N. (2005). Anna Seward: Swan, Duckling or Goose?. In: Batchelor, J., Kaplan, C. (eds) British Women's Writing in the Long Eighteenth Century. Palgrave Macmillan, London. https://doi.org/10.1057/9780230595972_3 Norton, Rictor. “Mistress of Udolpho.” Leicester University Press. 1999. Thomas, Donald. “Queen of Terrors.” The Guardian. July 10, 1964. https://www.newspapers.com/image/259612656/?terms=%22Ann%20Radcliffe%22&match=1 Townshend, D., & Wright, A. (2014). Gothic and Romantic engagements The critical reception of Ann Radcliffe, 1789–1850. In D. Townshend & A. Wright (Eds.), Ann Radcliffe, Romanticism and the Gothic (pp. 3-32). Cambridge: Cambridge University Press. doi:10.1017/CBO9781139507448.003 Schwertfeger, S. 'No spoilers, please': the crux of illustrating the explained Gothic without explaining the mystery. Palgrave Commun3, 16 (2017). https://doi.org/10.1057/s41599-017-0018-z Scott, Sir Walter. “The Lives of the Novelists.” London. 1906. Accessed online: https://play.google.com/store/books/details?id=DXPPAAAAMAAJ&rdid=book-DXPPAAAAMAAJ&rdot=1 See omnystudio.com/listener for privacy information.

In the space of a decade, Ann Radcliffe married, started writing, and had an incredibly successful career as an author. But after her 1797 novel, she retired, much to the confusion of her readers.  Research:  Britannica, The Editors of Encyclopaedia. "Ann Radcliffe". Encyclopedia Britannica, 5 Jul. 2023, https://www.britannica.com/biography/Ann-Radcliffe-English-author Radcliffe, Ann. “The Romance of the Forest, interspersed with some pieces of poetry.” London. 1824. Accessed online: https://www.gutenberg.org/cache/epub/64701/pg64701-images.html Radcliffe, Ann. “Gaston de Blondeville: Or The Court of Henry III. Keeping Festival in Ardenne, a Romance. St. Alban's Abbey, a Metrical Tale: with Some Poetical Pieces, Volume 1.” H. Colburn. 1826. Accessed online: https://play.google.com/store/books/details?id=vi03AAAAIAAJ&rdid=book-vi03AAAAIAAJ&rdot=1 Radcliffe, Ann. “A Journey Made in the Summer of 1794, Through Holland and the Western Frontier of Germany, With a Return Down the Rhine: To Which Are Added Observations During a Tour to the Lakes of Lancashire, Westmoreland and Cumberland, in Two Volumes.” G.G. and Robinson. London. 1795. Accessed online: https://www.gutenberg.org/cache/epub/62795/pg62795-images.html Facer, Ruth. “Ann Radcliffe (1764-1823).” Chawton House Library. 2012. http://www.chawtonhouse.org/wp-content/uploads/2012/06/Ann-Radcliffe.pdf Dugdale, John. “Happy 250th, Ann Radcliffe.” The Guardian. Oct. 31, 2014. https://www.theguardian.com/books/2014/oct/31/ann-radcliffe-gothic-pioneer-snubbed-horace-walpole-the-castle-of-oronto-250-years-celebrations#:~:text=Another%20250th%20anniversary%2C%20of%20Ann,sent%20up%20in%20Northanger%20Abbey. Flood, Allison. “Gothic fiction pioneer Ann Radcliffe may have been inspired by mother-in-law.” The Guardian. Jan. 30, 2014. https://www.theguardian.com/books/2014/jan/30/ann-radcliffe-gothic-fiction-mother-in-law McIntyre, Clara Frances. “Anne Radcliffe in Relation to her Time.” Yale University Press. 1920. Accessed online: https://archive.org/details/annradcliffeinre00mcinuoft/page/n3/mode/2up “Mr. Radcliffe … “ Sunday Dispatch/ London. October 30, 1825. https://www.newspapers.com/image/813446539/?terms=%22Ann%20Radcliffe%22&match=1 McKillop, Alan D. “Mrs. Radcliffe on the Supernatural in Poetry.” The Journal of English and Germanic Philology, vol. 31, no. 3, 1932, pp. 352–59. JSTOR. http://www.jstor.org/stable/27703650 Clarke, N. (2005). Anna Seward: Swan, Duckling or Goose?. In: Batchelor, J., Kaplan, C. (eds) British Women's Writing in the Long Eighteenth Century. Palgrave Macmillan, London. https://doi.org/10.1057/9780230595972_3 Norton, Rictor. “Mistress of Udolpho.” Leicester University Press. 1999. Thomas, Donald. “Queen of Terrors.” The Guardian. July 10, 1964. https://www.newspapers.com/image/259612656/?terms=%22Ann%20Radcliffe%22&match=1 Townshend, D., & Wright, A. (2014). Gothic and Romantic engagements The critical reception of Ann Radcliffe, 1789–1850. In D. Townshend & A. Wright (Eds.), Ann Radcliffe, Romanticism and the Gothic(pp. 3-32). Cambridge: Cambridge University Press. doi:10.1017/CBO9781139507448.003 Schwertfeger, S. 'No spoilers, please': the crux of illustrating the explained Gothic without explaining the mystery. Palgrave Commun3, 16 (2017). https://doi.org/10.1057/s41599-017-0018-z Scott, Sir Walter. “The Lives of the Novelists.” London. 1906. Accessed online: https://play.google.com/store/books/details?id=DXPPAAAAMAAJ&rdid=book-DXPPAAAAMAAJ&rdot=1 See omnystudio.com/listener for privacy information.

What a Creep: Jann WennerSeason 22, Episode 1Jann Wenner was the editor of Rolling Stone magazine from 1967 to 2019, covering everything from the Beatles to Woodstock to Live Aid and even Hip Hop at some point in the 1990s. He made millions as rock culture's gatekeeper and key in developing the Rock and Roll Hall of Fame. For decades, critics derided Rolling Stone as a bastion for a white, male-centered worldview with little appreciation for women or people of color. This past week, his interview with the New York Times over the release of his book The Masters: Conversations with Bono, Dylan, Garcia, Jagger, Lennon, Springsteen, and Townshend, which is a compilation of his interviews with seven artists he considers cultural icons that created the “Zeitgeist” that shines brightly to this day.When asked why he didn't include any women or people of color, his response:“When I was referring to the zeitgeist, I was referring to Black performers, not female performers,. It's not that they're not creative geniuses. It's not that they're inarticulate, although, go have a deep conversation with Grace Slick or Janis Joplin. Please, be my guest…The people I interviewed were the kind of philosophers of rock.Of Black artists — you know, Stevie Wonder, genius, right? I suppose when you use a word as broad as “masters,” the fault is using that word. Maybe Marvin Gaye, or Curtis Mayfield? I mean, they just didn't articulate at that level.Today, we discuss Wenner's long career and where he winds up in the Creep category. Trigger warnings: Racism, Misogyny, and Sexual Harassment.Sources for this episode:· Uproxx· The Daily Beast· NBC News· Vulture · NY Times· NPR· CNN· Vanity Fair· The Atlantic·, Billboard· The Guardian· Daily Kos· The Advocate· The Village Voice· Spin magazine editorial· Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine by Joe Hagan· The Masters: Jann WennerBuzzfeed (2017) Be sure to follow us on social media! But don't follow us too closely … don't be a creep about it!Subscribe to us on Apple PodcastsTwitter: https://twitter.com/CreepPod @CreepPodFacebook: Join the private group!Instagram @WhatACreepPodcastVisit our Patreon page: https://www.patreon.com/whatacreepEmail: WhatACreepPodcast@gmail.comWe've got merch here! https://whatacreeppodcast.threadless.com/#Our website is www.whatacreeppodcast.comOur logo was created by Claudia Gomez-Rodriguez Follow her on Instagram @ClaudInCloudThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5394615/advertisement

The eponymous Bramley and McIntosh apples are both lucky accidents, and both of them have stories which stretch from the early 19th century into present day.  Research: Britannica, The Editors of Encyclopaedia. "Ann Radcliffe". Encyclopedia Britannica, 5 Jul. 2023, https://www.britannica.com/biography/Ann-Radcliffe-English-author Radcliffe, Ann. “The Romance of the Forest, interspersed with some pieces of poetry.” London. 1824. Accessed online: https://www.gutenberg.org/cache/epub/64701/pg64701-images.html Facer, Ruth. “Ann Radcliffe (1764-1823).” Chawton House Library. 2012. http://www.chawtonhouse.org/wp-content/uploads/2012/06/Ann-Radcliffe.pdf Dugdale, John. “Happy 250th, Ann Radcliffe.” The Guardian. Oct. 31, 2014. https://www.theguardian.com/books/2014/oct/31/ann-radcliffe-gothic-pioneer-snubbed-horace-walpole-the-castle-of-oronto-250-years-celebrations#:~:text=Another%20250th%20anniversary%2C%20of%20Ann,sent%20up%20in%20Northanger%20Abbey. Flood, Allison. “Gothic fiction pioneer Ann Radcliffe may have been inspired by mother-in-law.” The Guardian. Jan. 30, 2014. https://www.theguardian.com/books/2014/jan/30/ann-radcliffe-gothic-fiction-mother-in-law “Mr. Radcliffe … “ Sunday Dispatch/ London. October 30, 1825. https://www.newspapers.com/image/813446539/?terms=%22Ann%20Radcliffe%22&match=1 Clarke, N. (2005). Anna Seward: Swan, Duckling or Goose?. In: Batchelor, J., Kaplan, C. (eds) British Women's Writing in the Long Eighteenth Century. Palgrave Macmillan, London. https://doi.org/10.1057/9780230595972_3 Norton, Rictor. “Mistress of Udolpho.” Leicester University Press. 1999. Thomas, Donald. “Queen of Terrors.” The Guardian. July 10, 1964. https://www.newspapers.com/image/259612656/?terms=%22Ann%20Radcliffe%22&match=1 Townshend, D., & Wright, A. (2014). Gothic and Romantic engagements The critical reception of Ann Radcliffe, 1789–1850. In D. Townshend & A. Wright (Eds.), Ann Radcliffe, Romanticism and the Gothic(pp. 3-32). Cambridge: Cambridge University Press. doi:10.1017/CBO9781139507448.003 Schwertfeger, S. 'No spoilers, please': the crux of illustrating the explained Gothic without explaining the mystery. Palgrave Commun3, 16 (2017). https://doi.org/10.1057/s41599-017-0018-z Scott, Sir Walter. “The Lives of the Novelists.” London. 1906. Accessed online: https://play.google.com/store/books/details?id=DXPPAAAAMAAJ&rdid=book-DXPPAAAAMAAJ&rdot=1 See omnystudio.com/listener for privacy information.

I welcome Dr Honor Doro Townshend to the show in this interview episode to discuss all things true crime and criminology.​Dr Townshend (BA (Hons), MSc, PhD) is a presenter, researcher and lecturer whose recent research projects have looked into illicit substance use, gender identities and crime, the dark web, and deviant subcultures.She has a background in studying all elements of criminology, from theory to criminal justice, and has multiple papers and book chapters published across various topic areas.She has also been a presenter and expert criminologist for programmes across Channel 4, Channel 5, Discovery, Crime + Investigation, Vice World News and Amazon Prime.Dr Townshend can be reached at her website:honordorotownshend.co.uk***This interview was recorded on June 30, 2023.For all things British Murders, please visit my website:https://www.britishmurders.com/Intro music:David John Brady - 'Throw Down the Gauntlet'https://linktr.ee/davidjohnbradymusic Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

I welcome Dr Honor Doro Townshend to the show in this interview episode to discuss all things true crime and criminology.​ Dr Townshend (BA (Hons), MSc, PhD) is a presenter, researcher and lecturer whose recent research projects have looked into illicit substance use, gender identities and crime, the dark web, and deviant subcultures. She has a background in studying all elements of criminology, from theory to criminal justice, and has multiple papers and book chapters published across various topic areas. She has also been a presenter and expert criminologist for programmes across Channel 4, Channel 5, Discovery, Crime + Investigation, Vice World News and Amazon Prime. Dr Townshend can be reached at her website: honordorotownshend.co.uk ***This interview was recorded on June 30, 2023. For all things British Murders, please visit my website: https://www.britishmurders.com/ Intro music: David John Brady - 'Throw Down the Gauntlet' https://linktr.ee/davidjohnbradymusic Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 221 hosts Dr Askari Townshend, a Cosmetic Physician & an entrepreneur from London, UK. Like all cosmetic injectors, Askari needed a clinical management software to run his practice and database. But he couldn't find anything suitable for his needs. And so he embarked on building his own CRM system called 'Collums'. This proved very successful and future developments were planned to take Collums to the USA and other markets. But just three weeks ago out of nowhere, agreed funding for future investment in the software was pulled, leaving the future of Collums on a knife edge. We explore: Askari's background The challenges of creating clinical software Why there will never be a perfect clinical management software for injectors  Why software is so expensive to develop The mismatch between this cost and what injectors are willing to pay to run their practices What happened with his investor  What the future holds for Collums   SUPPORT THE PODCAST: If you enjoy listening to IA every week and would like to help support the podcast in a small way, we have a simple donation option: Buy us a coffee   IA PATREON: Did you know that we have an online injectable education & business support platform called IA Patreon? Get access to the following benefits: - Access to five main IA Whatsapp groups (General, Injectables, Skin & Devices, Business & Regenerative Aesthetics) + three country specific groups (Australia, USA and UK) - Weekly IA Injectable Hints & Tips (Patient assessments, injecting videos & other injectable education) - Weekly IA Business Hints & Tips (Videos of business hints and experiences) - Weekly Instagram Hints & Tips (Optimise your profile, content planning, how to use Instagram features and more) - IA Business Insights (Zoom recordings of David doing business coaching with our IA Patrons) - Bimonthly IA Zoom sessions (Join other IA Patrons for live injectable & business sessions) - Access to our IA Library (Clinical papers, books & other resources) - Re-watch our IA Webinars (Eight webinars recorded during the pandemic with global experts)   IA Patrons can also access: - Business mentoring opportunities with David (additional cost, limited slots) - Shadowing opportunities in clinic with Dr Jake (additional cost, limited slots)   SUBSCRIBE TO IA: Subscribe to IA on Apple Podcasts Subscribe to IA on Spotify   CONTACT INFORMATION: Follow IA on Instagram Sign up as an IA Patron Visit the IA website  Contact IA Apply to be a guest on IA   DR JAKE SLOANE: Follow Dr Jake on Instagram  Dr Jake's website   DAVID SEGAL: Follow David on Instagram   OUR GUEST: Follow Askari on Instagram  

This week, in Townshend, Vermont, what appears to be a nice story, of a couple, living a nice life, turns very dark when it's least expected. This leaves one member of this couple brutally beaten to death, in the driveway, after the other spouse had been carrying on a weird affair with a neighbor. This story includes guard llamas, Grandma & Grandpa friends with benefits, and the murderer telling everyone they know that they committed this murder. But will this unlikely killer be held responsible?Along the way, we find out that Vermont can turn anybody into the movie "Funny Farm", that old people apparently get very horny, and that just because you hide the murder weapon, doesn't mean you're innocent!!Hosted by James Pietragallo and Jimmie WhismanNew episodes every Thursday!Donate at: patreon.com/crimeinsports or go to paypal.com and use our email: crimeinsports@gmail.comGo to shutupandgivememurder.com for all things Small Town Murder & Crime In Sports!Follow us on...twitter.com/@murdersmallfacebook.com/smalltownpodinstagram.com/smalltownmurderAlso, check out James & Jimmie's other show, Crime In Sports! On Apple Podcasts, Spotify, Amazon Music, Wondery, Wondery+, Stitcher, or wherever you listen to podcasts!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.