Podcasts about Genelec

Composer Mark Orton reflects on scoring The Holdovers, and more recently, On Swift Horses, starring Jacob Elordi and Daisy Edgar-Jones, and describes why he relies on Genelec monitors to mix his scores at his Camp Watertown studio.

Vaudeville Sound Canada's Mirko Vogel (managing partner) and Miguel Arauj (supervising sound editor) delve into Vaudeville's services in creative sound design and mixing, its focus on immersive audio, standout projects, and how Genelec studio monitors are instrumental across the studio's branches across the UK, US and Canada.

In this edition Julian and Ashea are joined by Thomas Lund and Stephen Wheatley of Genelec where they discuss the importance of safe listening levels and how to protect our most valuable asset that we have as audio and music professionals... Our Ears.Thomas: The CDC sound exposure app, before the administration discovers a US institution actually helps the public, https://www.cdc.gov/niosh/noise/about/app.htmlIf it's too boring to stay on topic, the excellent and well-timed exhibition in Paris, “Degenerate” Art, referencing Munich 1937, only with the quotation marks moved. https://www.museepicassoparis.fr/en/degenerate-art-modern-art-trial-under-nazisStephen: History Rage PodcastFinds of the week:Julian: Steinberg SpectraLayersAshea:  Ear Peace Music ProThomas:  https://www.cdc.gov/niosh/noise/about/app.htmlhttps://www.museepicassoparis.fr/en/degenerate-art-modern-art-trial-under-nazisStephen: History Rage Podcast

4月总是慌张忙乱的日子。许多录音企划对不上口，许多说好了的嘉宾捉不到人。大半个月不更新之后，5月份的建台十周年又近在眼前了。好在最近事情不少，和包雪龙一起复盘了一些最近的新品与新闻，以及那个所谓「2025年耳机圈最大的瓜」。不过单次录音比较长，所以先上新闻。关于「日本耳机仙人」相关事件，独立成篇，稍后更新。之前有一次严重录音事故，也在节目中有交代。制作不易，耗费时间经历，也浪费嘉宾感情。十年来虽不是第一次翻车，但在这个节骨眼上失去一期可能是一年里最重要的采访素材，也让人身心俱疲。如果你喜欢「声波飞行员」，别忘了在「爱发电」平台为我们打赏，增加它继续飞行下去的动力，谢谢。时间轴： [00:00:03] BGM#op. The Clash - Lost in the Supermarket [00:02:05] 节目开始；关于最近的一次录音事故；五一假期的疲惫； [00:06:52] Genelec 真力开始接受颜色定制；「叉烧网」的报道：进军奢侈品！真力音箱提供 120 种颜色选择； [00:12:14] final DX6000 头戴式动圈耳机； [00:17:58] BestBuy 的乌龙事件，$399.00 的HD800s 发货了；关于HD800s 的十周年和评价回暖； [00:23:21] YAMAHA 的两个新头戴YH-4000 YH-C3000； [00:26:12] 铁三角ATH-AWSW 全球限量10只的「星球大战」限量版耳机，售价99万日元； [00:30:17] DENON C840ncw 天龙新品的常规TWS 耳机；关于Perl / Perl Pro 的目前状况； [00:32:50] Beyerdynamic 拜雅 DT 70 IE / DT 71 IE / DT 72 IE / DT 73 IE 系列的监听耳塞； [00:35:08] TAGO × MoonDrop T3-01 联名版本； [00:40:47] 飞傲 Fiio FT7 售价5000元的（目前）旗舰头戴式平板振膜耳机；为何「谨慎悲观」；Soomal 数码多音频影像的文章：如何目测找出那些又菜又爱玩的平板耳机？ [00:48:10] Nipo A100 磁吸「大尾巴」解码耳放一体机缘何让包雪龙如此遗憾； [00:58:42] 凯音 Cayin N6iii 新固件支持ROON Ready； [00:59:55] 山灵的M5 十周年限定版；海贝Hiby 的十周年限定播放器； [01:00:59] 水月雨 MoonDrop 的愚人节产品：「可立益尔」耳道抑菌凝胶； [01:02:57] 水月雨 MoonDrop RAYS 电竞定位的入耳式耳塞； [01:05:03] 水月雨 MoonDrop PILL 「药丸」耳夹式耳机；使用感受和设计巧思； [01:14:19] 致音Aful PN01 售价1299元的旗舰平头耳塞；什么是「赛璐珞」； [01:18:23] 山灵SE100 金属相位锥硅胶耳套； [01:20:37] OPPO EchoFree 4 TWS 无线蓝牙耳塞的综合评价；一个奇怪的降噪bug； [01:23:17] 小米 Buds 5 Pro 的相关吐槽； [01:27:50] Cleer 的发布会和ARC5 OWS 更新版本和Clip 头戴式无线耳机； [01:32:30] BGM#ed. The Passions - I'm In Love With A German Film Star [01:33:20] 下期预告参与录音： 包雪龙 孟获

Guitarist, record producer and composer Andy Sneap delves into the production process for Judas Priest's 19th studio album, Invincible Shield, reveals new music he's working on with the band, and explains why he'll never mix a Judas Priest record in Dolby Atmos. He also shares why he's been using Genelec 1031 studio monitors for years.

Paul Stewart from Genelec joined Gavin at NAMM to talk about Genelec's newest monitors and how important it is for a room to be properly treated to get the most out of monitors.Video By: More Than Media - www.morethan.mediaInstagram: https://www.instagram.com/morethan.media/TikTok: https://www.tiktok.com/@morethan.mediaYouTube: https://www.youtube.com/@morethanmedia_The S.O.U.N.D. Project Podcast:Apple Podcasts: https://podcasts.apple.com/us/podcast/the-sound-project/id1680525959Spotify: https://open.spotify.com/show/6dkk1s642VFjZGsdYGyxBPGoogle: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy9kZTBiZGNlOC9wb2RjYXN0L3JzcwFull episodes playlist: https://www.youtube.com/playlist?list=PLghfvh2wd7A9MnVKr44jtPEg0qcZ1esTFKeep up with us on our Socials:- YouTube: https://www.youtube.com/@haverstickdesigns- Instagram: https://www.instagram.com/haverstickdesigns/- Facebook: https://www.facebook.com/HaverstickDesigns- TikTok: https://www.tiktok.com/@haverstickdesigns- LinkedIn: https://www.linkedin.com/company/haverstick-designs/- Linktree: https://linktr.ee/haverstickdesigns- Website: https://www.haverstickdesigns.com/

「アバック新宿、GENELECアクティブスピーカーによるサラウンド体感イベントを3/15に開催」　アバック新宿は、「GENELEC アクティブスピーカー シアター提案会」を3月15日（土）に開催する。参加は無料だが、事前予約制で定員は8名。

Harri Koskinen is a man of many talents.  Born in 1970 in Karstula, Finland, with a populations of a population of 3,625 is located in Central Finland. Harri studied design came to Helsinki city to st at the Institute of Art & Design. He's best known as a leading innovator of Nordic design for, among other things, his award-winning Block Lamp, the familiar light build inside a rectangular brick of glass, which is exhibited in New York's Museum of Modern Art. He has designed furniture, packaging, pots & pans, turntables, hotel rooms internationally & many other immersive spaces, but most importantly for us here at iMMERSE!, the Genelec 8000-series of speakers for cutting-edge sound systems. Soon being released, Genelec headphones.  I met Harri in New York City in the first years of this century.  He had designed  a traveling show of Finnish design and engineered the installations. Typical of Nordic society, Finnish designers have worked together for decades to build on their shared values of several generations. Similarly, Finnish architects and orchestra conductors generate a wave of multigenerational forces. Sweetly, the meaning of architect Alvar Aalto's family name. Mr. Wave. Later, Harri gave a home to a MorrowSound 3D showroom system in his Helsinki design company offices. We have collaborated on the show Sound Glass Space 2012 in the Akusmata Gallery in Helsinki and on a floating chair for listening to 3D sound.  Harri's design includes sound, light and physical materials. How fitting that he named his company, Friends of Industry ltd. Topics discussed: first immersive experience, biking through woods, Finnish countryside, milk cans, playing bass, LPs, ACDC, Genulec speakers, design of sound systems, art, glass

Composer Inon Zur, best known for his emotionally dynamic scores for Fallout and Starfield, delves into his role for Imagine Dragons: Live From The Hollywood Bowl, which features his orchestral arrangements of the band's hits played by the LA Film Orchestra, including Children of The Sky - A Starfield Song - which will be the first song transmitted to earth from the moon. He also provides an insight into his Genelec-equipped recording studio.

Markus ‘Hossi' Hossack, sound supervisor at Berlin Stereo, talks about his immersive audio work, particularly for unique events such as Marvel: Earth's Mightiest Exhibition, and his approach to immersive audio work in his Genelec-equipped studio.

Grammy and Latin Grammy-nominated engineer, songwriter and musical director Carlos Rodgarman on his ‘musician first, engineer second' approach to his work, working with Michael Bublé, composing and producing music for film and television, and why he relies on Genelec studio monitors.

In this 100th episode of the Mix Room with Genelec, Grammy-winning engineer George Massenburg reflects on how he became fascinated with audio via classical music, working with legendary names like Earth Wind and Fire, Toto, and Herbie Hancock, and how Genelec fits into his story.

Welcome to the Production Expert podcast. In this edition Julian and Ashea are joined by Andy Bensley & Marcel Schechter of Genelec. Where they discuss why a great listening environment is the best time saver, and how to get the best setup for our individual needs.About Our Guests:Andy Bensley: joined Genelec as Regional Business Development Manager in 2019. Based in the UK, Andy has huge experience in analysing and tuning the in-room performance of loudspeaker systems in a wide range of studios — from the smallest bedroom to the largest post-production studio.Marcel Schechter: joined Genelec as Customer Experience Specialist in 2021, before that he already spent seven years as a product specialist for the German distributor Audio Pro. He worked for ten years as a sound engineer and uses his practical experience to advise customers on choosing, optimising and calibrating loudspeaker systems. Talking Points:Why a great listening environment is the best time saver and other benefits.What to do about less than ideal rooms.Using referencing to improve our mixes. Finds of the week:Julian: Zennor SoundsAshea: Hydraulic Press ChannelMarcel: The YouTube channel Audio University Andy:  Cory Wong - The Sorcerer

Re-recording mixer Riccardo Gruppuso reflects on working with some of the most influential Italian film directors, winning the David di Donatello for Best Sound for Ennio, and his relationship with Genelec studio monitors.

Download Bios: https://we.tl/t-uMVpjQolrM 00.00 Jakub Fijak ‘Message From Above' (Eternal Moments Remix) (album Changing Colours) www.jakubfijak.bandcamp.com 07.03 Rudolf Heimann ‘Track & Field' (album Trancefusion) www.mellowjet.de 13.05 Erik Wollo ‘Journey' (album Silver Beach) www.projekt.com 18.47 Kl(aus) ‘Shurnarkabtishashutu' (album Kl(aus) 2) https://only1klaus.bandcamp.com 31.28 Robert Schroeder ‘The Message' (album Timewaves) *** http://www.news-music.de/index_e.html 43.12 Ron Boots ‘A Sense Of Turmoil ‘ (album Once The Dust Settles) *** www.groove.nl 53.46 The S.E.T.I. Project ‘Done And Dusted' (album We Lack Dreams) www.thesetiproject.bandcamp.com 01.07.19 Computerchemist ‘Timethorns' (album Icon One) www.computerchemist.bandcamp.com 01.16.00 Forest Fires 'Strong Winds, JV Remix' (EP Strong Winds / Climate Change, Remixes (João Vairinhos) www.regulatorrec.bandcamp.com 01.23.23 Adrian Beasley ‘MC1' (album Machine Code) *** www.adrianbeasley.bandcamp.com 01.36.33 Caterina Barbieri ‘Immersive Modular Live Set | Boiler Room x Genelec' https://caterinabarbieri.com 01.46.00 Lisa Bella Donna ‘Morning Snows of Mishawaka' (album Take My Hand, Come With Me) *** www.lisabelladonna.bandcamnp.com 01.58.45 Jim Ottaway ‘Searching for Paradise' (album Ambient Aid For Australia, Various) www.ambientaidforaustralia.bandcamp.com 02.06.07 Keith Richie ‘Distant Vision' (single) http://music.krichie.com 02.12.36 Mihail Doman 'Neptune II/lll' (album Neptune) www.mihaildoman.bandcamp.com 02.18.27 Spyra feat- Rocksana ‘Zietstaub' (album inSPYRAtion) *** www.groove.nl 02.31.38 Peru ‘Valley' (album Klem compilation 1989) 02.38.14 Ian Boddy 'Shrine' (Altair) www.DiN.org.com 02.46.14 Biome ‘Ryuku' (album The Shores Of Temenos) www.biomemusic.bandcamp.com 02.54.39 Cornel Hecht ‘Ranger Things 2' (EP Ranger Things) www.cornelhecht.bandcamp.com 02.58.00 Derek Nigell ‘The Anthem Of The Great Waves' (single https://uscm.bandcamp.com 03.02.07 Jos D'Almeida ‘Eta Carinae' (album Aspheres) www.josdalmeida.bandcamp.com 03.10.43 Mark Dwane ‘Monoliths Of Mars' (album Martian Apparitions) www.markedwane.bandcamp.com 03.15.55 Wolfgang Nachahmer ‘Geisterwald' (album Synchromystik) www.wolfgangnachahmer.bandcamp.com 03.23.19 Andy Pickford ‘Mirage' (album Objects & Expressions 1) www.andypickford.bandcamp.com 03.34.46 Anhidema ‘Inferno' (album The Lamb's Book Of Life) www.anhidemaspace.bandcamp.com 03.45.27 Jesper Sorensen ‘Preparations' (album Skyrider: remastered) www.jespersorensen.bandcamp.com 03.49.59 Little Star ‘Ocean' (Monogahela Remix)' (album Celestine The Remixes Vol 1) www.littlestarmusic.bandcamp.com 03.57.21 Stan Dart ‘Magic Of LIght' (album Murinsel Vol 2) www.syngate.net 04.03.56 Thomas Lemmer & Christoph Sebastian Pabst ‘Gezeitenkraefte'(album Meerblick) www.sine-music.com 04.08.16 Xelomen ‘You're The Poison' https://soundcloud.com/soniamusic/you-re-the-poison' 04.13.55 Neuland 'Moons Ago' (album Neuland) www.neuland.bandcamp.com 04.19.52 Eagle ‘Spectrum Of Possibilities' (album Eagle Live @ESE 2018) 04.28.34 Thaneco ‘They Harvest Energy From The Sun' (album Alien Species) www.thaneco.bandcamp.com 04.40.26 Stefan Erbe ‘No More Limits' (album Breath) https://stefanerbe.bandcamp.com/album/breathe 04.45.43 Axess ‘Meditation' (album Zen) https://axess.bandcamp.com 04.55.20 Digital Horizons ‘Empire' (album Retronome) www.digitalhorizons.bandcamp.com 05.04.07 Damian Tangram ‘I Need You' www.3dtangram.com Edit ***

David Wolfe, sound designer, mixer and owner of Bronx Audio Post – an audio post-production facility located in New York City which has been known as Mr. Bronx since its inception in 2011 – reveals how this boutique studio boasts big star-powered clients, his favourite project so far, and why he relies on Genelec monitors for the studio's three rooms.

DJ and producer OFFAIAH breaks down the production process for his latest track, Loco, and shares an insight into how his Genelec studio monitors help translate his mixes to other sound systems.

「Genelec、設備音響向けスピーカー「4010A」「4410A」に新色“RAWフィニッシュ”を追加」　ジェネレックジャパンは、設備音響向けスピーカー“4000シリーズ”の「4010A」と“Smart IPシリーズ”の「4410A」のRAWフィニッシュモデルを、9月27日（金）より発売する。

Audio engineer Marcela Rada explains what inspired her to pursue a PhD in spatial audio, why she's honing in on workflows and content creation guidelines for spatial audio productions, common misconceptions about the immersive audio format, and the factors that led her to select Genelec monitors for her home studio.

Eugenio Battaglia talks about his choices as sound designer, supervising sound editor and re-recording mixer on hit horror thriller, Longlegs. He explains how he incorporated a ‘70s rock and roll vibe to the sound design, his use of subliminal messages, reveals sound cues that hint at the film's big reveal, talks through some key scenes, and explains how Genelec speakers played a key part in the film's audio mix.

Nashville based Dolby Atmos mix and mastering engineer, Jeff Huskins, opens up about his approach to mixing and mastering in Atmos, his immersive work on Laniey Wilson's Grammy award-winning album, Bell Bottom Country, and why he relies on Genelec monitors in BMG Studio A in Nashville.

Brian Rothschild, co-founder and executive director of the Lennon Bus, a Genelec-equipped mobile audio and HD video recording and production facility that provides free production workshops to schools across the US and Canada, talks about this incredible initiative, which was started by himself and Yoko Ono to carry John Lennon's legacy forward.

Bernard Lohr, one of the founders of Sweden's Pole Position Production, talks about his role as in-house engineer at ABBA's Benny Andersson's Mono Music studio, mixing ABBA classics in Dolby Atmos, his role on ABBA Voyage and why he and Andersson rely on Genelec monitors in their respective studios.

Jorge Gregorio García Moncada, an electroacoustic composer and full time faculty member of the Music Department at the Universidad de Los Andes Colombia, explains why the university runs the only undergraduate university program offering Electroacoustic music as a major in composition, why he founded BLAST – a multichannel immersive audio sound system for electroacoustic and mixed media work – and why Genelec monitors were the only option for BLAST.

Mark Adler, the acclaimed Emmy Award-winning composer behind the score for the 2008 Oscar-nominated and Emmy-award winning documentary Food, Inc., delves into his approach to scoring its highly anticipated sequel, Food, Inc. 2, and why he relies on Genelec monitors in his home studio.

Mikel Medley – aka Bristol-based ‘Mic Man', Dread MC – talks about his role at The Music Works, helping disadvantaged and underrepresented young people access the music industry, tackling knife crime in the UK, and explains the high end Genelec studio gear The Music Works' students have access to.

Molok Studios is a multilingual game, film and digital localisation and post-production company based in Milan. CEO Andrea De Cunto and Samuele Daccò, chief audio engineer, reveal how the company has carved out a niche for itself and why, as the first Dolby Atmos gaming studio in Italy, they chose Genelec monitors to elevate their immersive work.

Two-time Grammy Award and seven-time Latin Grammy Award winner Gustavo Celis – a recording engineer, mixer and producer – reflects on mixing Shakira and Beyoncé's 2007 hit, Beautiful Liar, engineering Shakira's 2006 hit, Hips Don't Lie (one of the best selling singles of all time), and why he chose Genelec monitors for his Dolby Atmos studio.

Sixieme Son has created sonic identities, audio logos and built sound design solutions for discerning brands since 1995. Here, the company explains the concept of sonic branding and the way it creates tailor made soundscapes that enable brands including Genelec to truly stand out.

South Korean music producer SLOM – who first garnered attention when he appeared on Show Me the Money 10 as judge and producer – talks about his journey into music production, the rise of hip-hop in South Korea, new music, and why he relies on Genelec monitors.

Santhan Reddy – one of the owners of TOMS (The Only Music Shop), a music tech reseller in South Africa – reflects on the company's journey from selling musical instruments to studio equipment, the changes in the South African audio and music industry over the years, and why he fell in love with Genelec monitors.

Alvaro Marin, a recording and mixing engineer based out of Warner Music Spain Studios (The Music Station) in Madrid talks about working with Shakira, Becky G and Netflix, the meteoric rise in the latin music industry and why Genelec monitors have made a lasting impression on him.

Christopher Manhey – an independent researcher, award-winning composer and pioneer in the realm of immersive audio – talks about winning two Latin Grammys and delves into what goes on at his facility, Omni Soundlab, a Genelec-equipped production and research studio in Chile that serves as a hub for exploring the possibilities of immersive audio.

Dave Porter, a composer known for his work across Breaking Bad, Better Call Saul and El Camino, reveals how he most recently scored Marvel's newest series, Echo - incorporating the chant from the Choctaw Nation into the score - and why he relied on Genelec monitors for this project.

The team behind Studio Sound Service – a design and consultancy company in Italy working globally in the fields of acoustics and with clients including Andrea Bocelli, George Lucas, Disney and Netflix  – explain the company's services, how it became a Dolby Certified Service Partner, and reveal a few favourite projects, including designing a Millennium Falcon-themed room using Genelec monitoring.

Artist, producer and writer, Aaron Horn talks about co writing and producing Doja Cat's hit single, Woman, his and Alex Preager's series of limited NFTs, AI vocals and why Genelec monitors have made an impression on him.

Tony Perrey, director of the historic Windmill Lane Recording Studios in Dublin, reflects on the studio's history, some of its most famous guests to record there, why international recording artists continue to choose the studio to this day, and the studio's history with Genelec monitors.

Multi-Grammy nominated producer (and composer and director at Karma Studios in Thailand), Chris Craker reflects on producing the soundtrack for Christopher Nolan's Interstellar with Hans Zimmer, working on scores including John Williams' Return of the Jedi and The Phantom Menace, welcoming The Libertines to Karma Studios, what led him to create a luxury residential recording studio complex in South East Asia, and why he uses Genelec monitors throughout.

Danny Angotti, founder and executive producer at Atomic Productions, and Johnny Small, Atomic Productions' sound designer, motion graphics editor, and the primary audio engineer for the facility's new Dolby Atmos audio suite talk about the company's evolution since the ‘90s, share their favourite-ever projects, dream clients and explain why they chose a Genelec monitoring array for their new immersive room.

Mariana Lopez, professor in sound production and post production at the Department of Theatre, Film, Television and Interactive Media at the University of York talks about developing an alternative to standard audio description that incorporates sound effects, the spatialisation of dialogue and sounding objects and first-person narration, and shares how Genelec monitors have played a key part in some of her more unusual projects.

In this week's edition Julian is joined by Ashea & Marcel Schechter from Genelec , where they discuss  ‘Solving Room Acoustics For Better Mixes 'Talking PointsWhat are some common acoustic problems in recording studios, and how can they be solved?How can room size and shape impact the acoustics of a recording space?Are there specific materials or treatments that are essential for improving room acoustics in a studio?.What role does speaker placement play in achieving optimal room acoustics for mixing and monitoring?What advice do you have for home studio owners on a budget who want to improve their room acoustics for better audio quality?Are there any myths or misconceptions about room acoustics that you'd like to debunk?What are some common mistakes that recording engineers make when dealing with room acoustics, and how can they be avoided?Let's Talk SAM, GLM, GRADE Reporting etcHow can the UNIO Audio Monitoring Platform help with the points we've just discussed?Finds Of The Week:Julian -  Lola Young ConceitedAshea- UAD Free Plugin LA 2AMarcel - Jacob Collier Little Blue

Yair Elazar Glotman, a film composer and a musician based in Berlin, delves into his score for new Netflix thriller, Reptile, starring Benicio Del Toro, Justin Timberlake, Alicia Silverstone and Michael Pitt. He also explains how he was introduced to Genelec monitors early on in his musical education for multi-channel compositions and spatialisation work.

Andy Bensley, regional business development manager at Genelec, explains the different elements that make up the UNIO Audio Monitoring Platform, which brings together all the benefits of Genelec Smart Active Monitors, GLM 5.0 calibration software and Aural ID 2.0 technology to create seamless integration between professional in-room loudspeaker and headphone monitoring services.

Musician, producer and YouTuber Liina Turtonen (aka LNA) on how she found her musical calling in house music, why she's a passionate advocate for helping artists to become more confident, why she started her audio/production YouTube channel, LNA Does Audio Stuff, and why she relies on Genelec studio monitors.

Mark Slee, a DJ and producer who is known for unique projects that focus on the intersection of light, immersive sound and technology, talks about his route into spatial audio and what led him to open a Genelec monitoring audio space in Sussex that encourages people to delve into immersive audio in a more exploratory context.

Yoad Nevo, an audio professional specialising in mixing, production, sound design and audio technology, shares an insight into working on some of the biggest hits by Sugababes, Girls Aloud, McFly and Liberty X, the Skype theme sounds, adapting to immersive mixes, and why he uses Genelec monitors for his Dolby Atmos studio.

Audio engineer and managing director of Tileyard X, Jack Freegard, talks to Headliner about the work that the organisation does to support music and content creators and the recently installed Genelec monitors in their Red Studio (London) and Cotton Mill Studio (Wakefield) creative hubs.

En este episodio nuestro compañero Juanjo nos hará una serie de recomendaciones sobre altavoces o bocinas para nuestros escritorios, para diferentes bolsillos, desde los mas asequibles hasta los mas PRO, ahora es cosa vuestra elegir cual, yo tengo los míos ¿ y tu? //Enlaces https://thesoundadventure.blogspot.com/2013/12/the-loudness-war-dynamicrange-in-simple.html https://www.dali-speakers.com/en/products/rubicon-c/rubicon-8-c https://www.logitech.com/es-es/products/speakers.html https://productos.equipson.es/neo-set-100-bt https://www.amazon.es/Presonus-E-3-5-Studio-Monitor/dp/B075QVMBT9/ref=sr_1_1?__mk_es_ES=ÅMÅŽÕÑ&crid=3GL9WL16H50DM&keywords=presonus&qid=1689627364&sprefix=presonus%2Caps%2C90&sr=8-1&th=1 https://www.amazon.es/Presonus-Eris-E5-Studio-Monitor/dp/B00CP4IJH0/ref=sr_1_2?__mk_es_ES=ÅMÅŽÕÑ&crid=2CYTIXO1SSZGR&keywords=presonus+5&qid=1689627545&sprefix=presonus+5%2Caps%2C194&sr=8-2 https://productos.equipson.es/monitor-st-100 https://tienda.microfusa.com/genelec-8040-bpm.html?utm_source=kelkooes&utm_medium=cpc&utm_campaign=kelkooclick&utm_term=GENELEC++8040+BPM&from=kelkooes&from=kelkoo&msclkid=9390e68cdbdc176e3be28239702e5189 //Donde encontrarnos Canal Youtube https://www.youtube.com/c/ApplelianosApplelianos/featured Grupo Telegram (enlace de invitación) https://t.me/+U9If86lsuY00MGU0 Correo electrónico applelianos@gmail.com Canal Telegram Episodios https://t.me/ApplelianosFLAC Mi Shop Amazon https://amzn.to/30sYcbB Twitter https://twitter.com/ApplelianosPod (https://twitter.com/ApplelianosPod )  Apple Podcasts https://podcasts.apple.com/es/podcast/applelianos-podcast/id993909563 Ivoox https://www.ivoox.com/podcast-applelianos-podcast_sq_f1170563_1.html (https://www.ivoox.com/podcast-applelianos-podcast_sq_f1170563_1.html) Spotify https://open.spotify.com/show/2P1alAORWd9CaW7Fws2Fyd?si=6Lj9RFMyTlK8VFwr9LgoOw

In this 4-hour special, we focus on musicians who have used new modular & vintage synths in their studios, with tracks taken from the 80s to the present day, which have been featured on various editions of our previous podcasts. Modular synths, once considered virtually obsolete, have been one of the most surprising growth areas in music technology over the last decade. The main appeal to musicians is obvious: their unrivalled flexibility makes them the most versatile form of an imaginable synthesiser. Customisation is one of the main appeals of modular synthesisers, with small-format and relatively cheap Eurorack is one exciting way that sound connoisseurs are building upon the classic sound technologies of the past while taking advantage of new alternative modules that are jam-packed with never-seen-before features. Download Bios at: https://we.tl/t-WtORXBud2P Playlist Modular & Vintage Synths Special Edition No 235 02.03 Steve Roach ‘Molecules Of Motion' (album Molecules Of Motion) https://steveroach.bandcamp.com/album/molecules-of-motion 12.02 Adrian Beasley ‘MCI' (album Machine Code) https://adrianbeasley.bandcamp.com/album/machine-code 25.04 Lisa Bella Donna ‘Night Flight' (album Night Flight) https://lisabelladonna.bandcamp.com/album/night-flight 34.26 Node ‘Perpetuum Mobile 1' (album Node Live) https://dinrecords.bandcamp.com/album/node-live-din55 47.05 Hélène Vogelsinger ‘Gratitude/Rebirth' (album Contemplation) https://helenevogelsinger.bandcamp.com 54.35 Cosmic Ground ‘Unground II' (album Cosmic Ground Live) ***https://cosmicground.bandcamp.com/album/cosmic-ground-live 01.07.43 Caterina Barbieri ‘Immersive Modular Live Set | Boiler Room x Genelec' ***https://www.youtube.com/watch?v=W25FTlO42V 01.17.02 Saul Stokes ‘Further West' (album LFOUFO) https://saulstokes.bandcamp.com/album/lfoufo 01.24.59 Oktav 'Taxim' https://oktav.bandcamp.com 01.32.23 Redshift ‘A Midnight Clear' (album Ether) *** https://redshift2.bandcamp.com 01.42.43 Synco ‘Mysterious Invention I' (album 85-89) 01.56.33 Brendan Pollard ‘Plinth' (album Isolated Passages Two) https://brendanpollard.bandcamp.com 02.05.54 Scanner ‘The Ascent' (album The Ascent) ttps://dinrecords.bandcamp.com 02.12.29 Ian Boddy ‘Prague 1' (album Modulations) https://dinrecords.bandcamp.com/track/prague-1 02.24.00 Kaitlyn Aurelia Smith ‘Carrying Gravity' (album The Mosaic Transformation) https://kaitlynaureliasmith.bandcamp.com 02.30.56 Suzanne Ciani & Kaitlyn Aurelia Smith ‘A New Day' (album FRKWYS Vol. 13: Sunergy) https://kaitlynaureliasmith.bandcamp.com/album/frkwys-vol-13-sunergy 02.42.25 Arcane ‘Perew's Man' (album Automaton) https://paullawler.bandcamp.com/album/automaton 02.46.08 Bart Hawkins ‘21Pulse Eclipse' (album 21 Pulse Eclipse) https://bart-hawkins.bandcamp.com 02.55.41 Lyonel Bauchet ‘Ambient Pressure' (album The Diver) https://dinrecords.bandcamp.com 03.03.06 Nadia Struiwigh ‘Organic' (album Pax Aurora) https://nousklaer.bandcamp.com/track/starring 03.09.29 Nadia Struiwigh ‘Starring' 03.13.32 Panic Girl ‘Cake On Jupitier' (album Cake On Jupiter) https://panic-girl.bandcamp.com/album/cake-on-jupiter 03.16.54 Michael Stearns ‘Chronos finale' (album Chronos) https://michaelstearns.bandcamp.com/music 03.21.01 Kevin Braheny Fortune ‘Perelandra Dawn' (album Perelandra Dawn) *** https://kevinbrahenyfortune.bandcamp.com 03.28.42 Polypores ‘Of The Sweet Rot' (album Shpongos) https://polypores.bandcamp.com/album/shpongos 03.32.21 Snoopy Over The Hills '4180' (album Ambient Modular 5) https://ambientmodular.bandcamp.com 03.37.37 Onsturicheit ‘Denkbeeldig Tentenkamp' (album In De Nevelen, modular synth) https://belgianneumusik.be 03.45.02 State Azure ‘Chimera' (album Modular Works IV) https://stateazure.bandcamp.com 03.54.48 Omri Cohen 'Time And Time Again' (album Ambient Modular 5) https://ambientmodular.bandcamp.com Edit ***

This episode is sponsored by Berlin-based pro-audio company HOLOPLOT, which features the multi-award-winning X1 Matrix Array. X1 is software-driven, combining 3D Audio-Beamforming and Wave Field Synthesis to achieve authentic sound localisation and complete control over sound in both the vertical and horizontal axes. HOLOPLOT is pivoting the revolution in sound control, enabling the positioning of virtual loudspeakers within a space, allowing for a completely new way of designing and experiencing immersive audio on a large scale. To find more, visit https://holoplot.com. In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by the HOLOPLOT team, Segment Manager for Performing Arts and Live – Reese Kirsh and Segment Manager for Immersive and Experiential Applications – Natalia Szczepanczyk and the award-winning sound designer Gareth Fry. We hold a detailed discussion on HOLOPLOT's technical hardware and software capabilities and talk about the recent David Hockney exhibition at Lightroom, where Gareth shares his experience in creating content and working with this paradigm-shifting technology. Reese Kirsh has been working within the performing arts sector for over a decade in various roles, including Head of Sound for some of the largest West End and Broadway productions, before joining HOLOPLOT as Performing Arts Segment Manager. He's very aware of the narrative around immersive and what it means to deliver the right tech to empower creative content rather than distract from it. Natalia Szczepanczyk is the Segment Manager for Immersive and Experiential Applications at HOLOPLOT. She has a design and consultancy background and previously worked with loudspeaker manufacturer Genelec and consultancies Mouchel and Buro Happold. Natalia specialises in audio system design and acoustics for experiential audience experiences within the themed entertainment sectors. Natalia Szczepanczyk is the Segment Manager for Immersive and Experiential Applications at HOLOPLOT. She has a design and consultancy background and previously worked with loudspeaker manufacturer Genelec and consultancies Mouchel and Buro Happold. Natalia specialises in audio system design and acoustics for experiential audience experiences within the themed entertainment sectors. Gareth Fry is a sound designer best known for his cutting-edge work in theatre and his collaborations with many leading UK theatre directors and companies. His work includes over 20 productions at the National Theatre, over 20 at the Royal Court and countless more at venues such as the Bridge Theatre, Old Vic, Young Vic, in the West End and many more. He has also designed events and exhibitions, from the V&A's landmark David Bowie Is exhibition to being asked by Danny Boyle to design the sound effects for the Opening Ceremony of the 2012 Olympic Games and having received a number of awards for his work. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://immersiveaudiopodcast.com/episode-77-holoplot-3d-audio-beamforming-and-wave-field-synthesis/ If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com immersiveaudiopodcast.com