Podcast appearances and mentions of Gustavo Santaolalla

----- 1 - Eartheater - …. - Nova 2 - Purelink - Faith - Rookie (with Loraine James) 3 - Três Tristes Tigres - Arca - Água 4 - Joan As Police Woman - To Survive - Start Of My Heart 5 - The Innocence Mission - Glow - Happy, The End 6 - Ambre Ciel - Still, There is the Sea - Cycle 7 - Ambre Ciel -Still, There is the Sea - Sometimes 8 - Pulp - More - The Hymn of the North (ft. Chilly Gonzalez) 9 - Gustavo Santaolalla - 21 Grams - Can Dry Leaves Help Us? 10 - Little Scream - The Golden Record - Your Radio 11 - Idaho - Year After Year - God's Green Earth 12 - My Head is Empty -  … - Lost in It 13 - Caroline - Caroline 2 - When I Get Home ----- 14 - Jamie Lidell - Places of Unknowing - How do I Land 15 - Emma Ruth Rundle - Music from the Bella Vista - Piano, Piano Also Means Slowly, Slowly 16 - Emily Haines & The Soft Skeleton - Knives Don't Have Your Back - - Crowd Surf Off A Cliff 17 -  Albin de la Simone - Toi Là-Bas - Ma Gueule 18 -  Feu Chatterton - Live à Paris 2022 - L'affiche rouge 19 - Thomas Feiner & Anywhen - The Opiates - The Siren Songs 20 - Mazzy Star - So Tonight That I Might See - Bells Ring 21 - Danger Mouse & Sparklehorse - Dark Night Of The Soul - Star Eyes (I Can't Catch It) (David Lynch) 22 - Milieu - A Dusty Box Of Old Memories - Broadcast In Rays Of Sunlight 23 - Thom Yorke - Smoke (OST) - Dialing In 24 -  Penelope Trappes - A Requiem - Thou Art Mortal 25 - The Weather Station - Anthems: A Celebration Of Broken Social Scene's 'You Forgot It in People' - Looks Just Like The Sun 26 -  Loma - How Will I Live Without a Body? - Unbraiding 27 - Andrew Bird - The Ballad Of The Red Shoes - Chorus Of The Swan 28 - Alan Sparhawk - With Trampled by Turtles - Not Broken

Comenzamos con el Día Mundial de Superman, los 40 años de España en la Unión Europea, la cancelación del concierto de Morrissey y una nueva canción del verano, que nos enviáis al 630 645 630: 'Café con Ron' de Bad Bunny. Después, el turista musical vuelve del Paseo de los Tristes de Granada para hacer un discurso sobre abrazar la tristeza, que le dio Ahmed en un puesto de especias. A continuación, conectamos con Brasil. Allí está Luislo de Çantamarta, que hoy nos descubre a una de las voces más prometedoras de la canción tradicional mexicana: la de Laura Itandehui. A las ocho conocemos una nueva palabra desde Almagro: 'jifo' y repasamos la trayectoria de Brian Wilson, líder de The Beach Boys, que fallecía ayer a los 82 años. Por último, charlamos con el músico, compositor y productor argentino Gustavo Santaolalla, que ha sido el artífice de bandas sonoras de películas como 'Babel', 'Brokeback Mountain' o de series como 'The last of Us'.Escuchar audio

There's a deadly fungus among us! Alexis Hejna from Honeysuckle Rose Creations hosts a roundtable look the second season of the hit TV series based off the hit video game (and its sequel), joined by Jesse Starcher and Jayson Teasely. Let's take a look at this story of vengeance, love, and mushrooms. The second season of the American post-apocalyptic drama television series The Last of Us was originally broadcast on HBO between April and May 2025. Based on the video game franchise developed by Naughty Dog, the season is set twenty-five years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and collapses society. The second season, based on the first half of the 2020 game The Last of Us Part II, follows Joel (Pedro Pascal) and Ellie (Bella Ramsey) five years after the events of the first season, after they have settled into Jackson, Wyoming, with Joel's brother Tommy (Gabriel Luna) and Ellie's friends Dina (Isabela Merced) and Jesse (Young Mazino).HBO renewed The Last of Us for a second season less than two weeks after the series premiered in January 2023. Co-creators Craig Mazin and Neil Druckmann were joined in the writers' room by Halley Gross and Bo Shim; Druckmann wrote and co-directed the games, and Gross co-wrote Part II. Principal photography took place in British Columbia from February to August 2024. Druckmann, Mazin, and Peter Hoar returned to direct the seven episodes alongside newcomers Kate Herron, Nina Lopez-Corrado, Mark Mylod, and Stephen Williams. Gustavo Santaolalla and David Fleming returned to compose the score.Critics felt the season reinforced The Last of Us as the best video game adaptation, praising the action sequences, direction, performances, production design, and writing, though some criticized the pacing and considered the story incomplete. It was nominated for several awards. Across linear channels and Max, the season premiere was watched by 5.3 million viewers on the first day, a 13% increase from the first-season premiere; by May, the series averaged almost 37 million global viewers per episode.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Almost as soon as it began, the second season of HBO's acclaimed adaptation has come to an end. But would you believe that only half the game has been covered!? Join us as we discuss big changes, even bigger viewership drops, and the newly announced Elden Ring adaptation for some reason.Discussed in this episode are:S2E7 - "Convergence"Note: The music track at the start of the episode is “The Last of Us”, composed by Gustavo Santaolalla for the The Last of Us Original Soundtrack. We in no way have or claim ownership of this music.Email us at: dcellmedia@gmail.com

Min 4: STICKS: CRACKS DEL GOLF (Apple Tv) "Sticks: Cracks del Golf" es la nueva comedia dramática de Apple TV+ que, con un tono optimista y emocional, se adentra en el mundo del golf para explorar temas universales como la redención, las segundas oportunidades y la familia elegida. La serie sigue a Pryce Cahill (Owen Wilson), un exgolfista profesional cuya carrera se descarriló hace 20 años. Tras el fracaso de su matrimonio y ser despedido de su trabajo en una tienda de artículos deportivos, Pryce pone todas sus esperanzas en Santi (Peter Dager), un joven prodigio del golf de 17 años. Juntos, emprenden un viaje de redención y crecimiento personal, enfrentando desafíos tanto en el campo de golf como en sus vidas personales. NOTA EDC: 3,5 estrellas Min 12: MATICES (Skyshowtime) "Matices", la nueva serie española de SkyShowtime, se presenta como un thriller psicológico que explora los rincones más oscuros de la mente humana. Con un elenco estelar y una narrativa que combina intriga y drama, la serie promete mantener al espectador en vilo. Ambientada en una bodega aislada reconvertida en centro terapéutico, "Matices" sigue a seis pacientes que se someten a un tratamiento experimental bajo la guía del prestigioso psiquiatra Dr. Marlow (Eusebio Poncela). Lo que comienza como una oportunidad de sanación se transforma en una experiencia cargada de tensión y misterio cuando un suceso trágico desencadena una investigación liderada por un teniente de la Guardia Civil (Raúl Prieto) NOTA EDC: 2,5 estrellas Min 20: LOS SUPERVIVIENTES (NETFLIX) "Los supervivientes" es una miniserie australiana de seis episodios, recién estrenada en Netflix, basada en la novela The Survivors de Jane Harper. Dirigida por Tony Ayres, la serie se adentra en el suspense psicológico y el drama emocional, ambientada en el ficticio pueblo costero de Evelyn Bay, donde los secretos del pasado resurgen con fuerza. NOTA EDC: 3,5 ESTRELLAS Min 34. BSO TLOU 2: SANTAOLALLA SE AMPLIFICA CON FLEMING La banda sonora de la segunda temporada de The Last of Us Max, se erige como un pilar emocional que enriquece la narrativa postapocalíptica de la serie. Compuesta por Gustavo Santaolalla y David Fleming, la música no solo acompaña, sino que amplifica la intensidad de las escenas, consolidándose como un personaje más en la historia. David Fleming introduce sonidos industriales y texturas más agresivas, representando la crudeza del mundo devastado en el que se desarrolla la trama. Esta colaboración equilibra la introspección emocional con la tensión inherente a la serie. NOTA EDC: 4 ESTRELLAS

From his long-standing musical partnership with Gustavo Santaolalla which includes co-composing the HBO series 'The Last Of Us, to his own album work as Cacique Torcido, Juan Luqui is enjoying a diverse career as a composer, musician, and creative. Join us as we explore Juan's motivations, inspirations, and "chaos" of his artistic journey in this conversation right here on Composers In A Jukebox.

The second season draws closer to a finale, and there's still plenty of game plot left! Join us as we discuss emotional flashbacks, questionable outbursts, and Tony Dalton. That's right, Tony Dalton.Discussed in this episode are:S2E5 - "Feel Her Love"S2E6 - "The Price"Note: The music track at the start of the episode is “The Last of Us”, composed by Gustavo Santaolalla for the The Last of Us Original Soundtrack. We in no way have or claim ownership of this music.Email us at: dcellmedia@gmail.com

In the wake of "that thing" happening, how is HBO's acclaimed show progressing along? Join us as we discuss an awkward sex scene, gorgeous set design, and how worried our biggest The Last Of Us fan has now become.Discussed in this episode are:S2E3 - "The Path"S2E4 - "Day One"Note: The music track at the start of the episode is “The Last of Us”, composed by Gustavo Santaolalla for the The Last of Us Original Soundtrack. We in no way have or claim ownership of this music.Email us at: dcellmedia@gmail.com

Gustavo Sleman destaca a participação especial do compositor Gustavo Santaolalla no primeiro episódio da segunda temporada de The Last of Us. O vencedor de dois Oscars aparece tocando violão, repetindo a homenagem já vista no segundo jogo da franquia e reforçando seu vínculo com o universo da série.

On this episode, I'm discussing Episode 3, The Path. What path lies for Ellie, Tommy and folks in Jackson in the aftermath of the horrors they have been through? Where do we all go from here? Plus, a new group of people, a road trip and some somber goodbyes in this one. Spoiler filled as usual. The artist on my podcast playlist is Gustavo Santaolalla. Game Over! tee in profile pic by Dethink Tees. https://dethink.bigcartel.com/product/game-over-man-game-over

The second season of the American post-apocalyptic drama television series The Last of Us premiered on HBO on April 13, 2025. Based on the video game franchise developed by Naughty Dog, the series is set twenty years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and collapses society. The second season, based on the 2020 game The Last of Us Part II, follows Joel (Pedro Pascal) and Ellie (Bella Ramsey) five years after the events of the first season, after they have settled into Jackson, Wyoming, with Joel's brother Tommy (Gabriel Luna) and Ellie's friends Dina (Isabela Merced) and Jesse (Young Mazino).HBO renewed The Last of Us for a second season less than two weeks after the series premiered in January 2023. Co-creators Craig Mazin and Neil Druckmann were joined in the writers' room by Halley Gross and Bo Shim; Druckmann wrote and co-directed the games, and Gross co-wrote Part II. Principal photography took place in British Columbia from February to August 2024. Druckmann, Mazin, and Peter Hoar returned to direct the seven episodes alongside newcomers Kate Herron, Nina Lopez-Corrado, Mark Mylod, and Stephen Williams. Gustavo Santaolalla and David Fleming returned to compose the score.Critics felt the season reinforced The Last of Us as the best video game adaptation, praising the action sequences, direction, performances, production design, and writing, though some criticized the pacing and considered the story incomplete. Across linear channels and Max, the season premiere was watched by 5.3 million viewers on the first day—a 13% increase from the first-season premiere.

¿Dónde jugarán lxs niñxs?De niño escuchaba el '¿Dónde jugarán las niñas?' de Molotov, casi a escondidas. Un CD prácticamente prohibido para cualquier escuincle de 8 años que creció viendo MTV a la hora de la comida; a menos que lo escucharas en MixUp. PACO AYALA ‘Diseña Rolas'. Es multiinstrumentista, toca guitarra, bajo, batería, canta y compone.Nos contó del día que David Bowie tocó a su puerta. (Literal)Lo que fue abrir sus conciertos en el 97 alado de bandas como Bush y No Doubt; tocar en los mejores festivales y girar por todo el mundo.Platicamos del disco "censurado"; el '¿Dónde jugarán las niñas?'; producido por Gustavo Santaolalla, la irreverencia de sus letras y su papel en la cultura popular latinoamericana. De la nostalgia de ver MTV en los 90's y la emoción que causa gritar el ¡Viva México Cabrones! más fuerte del mundo.También de cómo «Que No Te Haga Bobo Jacobo» quedó grabado en la primera toma. Este episodio es una joyita.¡Gracias Paco y gracias Molotov por ser parte del soundtrack de nuestras vidas!'MÁS VALE CHOLO QUE MAL ACOMPAÑADO'@pacoayala | ⁨@MolotovOficialMX⁩ Estas en Radio Molotov y esto esPON SHUFFLE WEY___* Prepárense para celebrar el XXX aniversario de MOLOTOV, el 30 de Octubre en el Palacio de los Deportes. #PacoAyala #MOLOTOV #PonShuffleWey #Podcast #Rock #Conciertos #ConciertosMX #México #Latinoamérica #DavidBowie #RockMexicano #MTV90s #PodcastMexicano #VivaMexicoCabrones

Jo and Rob protect Jackson to recap the second episode of ‘The Last of Us' Season 2. (0:00) Intro (10:11) How to handle spoilers in the age of streaming TV (26:27) Kaitlyn Dever's performance as Abby (36:33) Composer Gustavo Santaolalla talks about the differences between writing for the game vs. the series, how he approached coming up with the main theme, scoring THAT moment, and much more (01:04:07) Video game **SPOILERS** section Email us! prestigetv@spotify.com Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast' and so much more! Hosts: Joanna Robinson and Rob Mahoney Producers: Kai Grady and Donnie Beacham Jr. Additional Production Support: Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

With the second season of HBO's critically acclaimed adaptation starting back up, we decided to discuss it as the season goes on! With 2 episodes down, join us as we discuss casting choices, new surprises, and how therapy may or may not work in the post-apocalypse.Discussed in this episode are:S2E1 - "Future Days"S2E2 - "Through the Valley"Note: The music track at the start of the episode is “The Last of Us”, composed by Gustavo Santaolalla for the The Last of Us Original Soundtrack. We in no way have or claim ownership of this music.Email us at: dcellmedia@gmail.com

The second season of the American post-apocalyptic drama television series The Last of Us premiered on HBO on April 13, 2025. Based on the video game franchise developed by Naughty Dog, the series is set twenty years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and collapses society. The second season, based on the 2020 game The Last of Us Part II, follows Joel (Pedro Pascal) and Ellie (Bella Ramsey) five years after the events of the first season, after they have settled into Jackson, Wyoming, with Joel's brother Tommy (Gabriel Luna) and Ellie's friends Dina (Isabela Merced) and Jesse (Young Mazino).HBO renewed The Last of Us for a second season less than two weeks after the series premiere aired in January 2023. Series co-creators Craig Mazin and Neil Druckmann were joined in the writers' room by Halley Gross and Bo Shim; Druckmann wrote and co-directed the video games, and Gross co-wrote Part II. Filming took place in British Columbia from February to August 2024. Druckmann, Mazin, and Peter Hoar returned to direct the seven episodes, alongside newcomers Kate Herron, Nina Lopez-Corrado, Mark Mylod, and Stephen Williams. Gustavo Santaolalla and David Fleming returned to compose the score. Critics praised the action sequences, direction, performances, production design, and writing, though some criticized the pacing and considered the story incomplete.

**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Contemporary/Be Bop/Samba/Neo/Soulful Jazz Trax From Herbie Mann, Gustavo Santaolalla, Art Blakey, Michel Camilo, Boby Carcasses, Max Ionata Organ & Fabrizio, Jack Wilson, Diana Purim & Eyedentity Ft Airto Moreira, Brian Bromberg, Tanya Marie's "Come With Me" (Eddy Meets Yannah Adria Mix), Abase, Black Flower, Antonio Adolfo, Nancy Wilson & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz #bebop Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary/Neo Jazz/Samba/ Be Bop/ Jazz Crackers From Deborah Brown, Joe Chambers, Roy Hargrove, Etienne Charles, Alonso Gonzales & Jazz Latino, Finn Savery, Mike Hernandez, Edy Forey, Omar Hill, Gustavo Santaolalla, Abase, Kenichiro Nishihara, Antonio Ocasio, The Afro-Caribbean Jazz Collective & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz #bebop Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Karina Sofía es una cantautora mexicana que con su potente voz se convierte en una nueva promesa de la música latina. Su fusión de rock y música regional mexicana con la  colaboración del gran Gustavo Santaolalla, en su trabajo combina letras poderosas con instrumentales innovadores. Próximo a salir su álbum debut, La Reina del Cañón, explora la transformación de una mujer desde una relación abusiva hacia el empoderamiento y la conexión con su esencia.  Con su formación cinematográfica, Karina Sofía convierte cada canción en una experiencia visual y sonora única, consolidando su estilo original. En El Poder de la Música ésta es su historia.  https://www.instagram.com/karinasofiaoficial/ https://www.instagram.com/humbertoelgato/

En esta reveladora conversación con Kike Posada en 2010, Ely Guerra compartió las claves detrás de su exitoso álbum Hombre Invisible, un trabajo que consolidó su estatus como una de las cantautoras más innovadoras de México y le valió el Grammy Latino al Mejor Álbum de Música Alternativa. Esta entrevista exploró no solo su proceso creativo, sino también su independencia artística, el impacto de la tecnología y su visión del futuro.En 2010, Ely Guerra, reconocida cantautora mexicana, se encontraba en un momento crucial de su carrera con el lanzamiento de su álbum "Hombre Invisible". Este trabajo le valió el Grammy Latino al Mejor Álbum de Música Alternativa, consolidando su posición en la escena musical.En una entrevista con Kike Posada, Ely compartió detalles sobre la creación de "Hombre Invisible", destacando la colaboración con artistas como Enrique Bunbury, Juanes y Gustavo Santaolalla. Expresó su deseo de explorar nuevas sonoridades y profundizar en su proceso creativo, reflejando una evolución artística significativa.Tras 2010, Ely continuó innovando. En 2011, lanzó "Invisible Man", una versión jazz de su álbum anterior. En 2012, participó en un tributo a Chavela Vargas en el Carnegie Hall. En 2014, presentó "El Origen", un álbum en vivo que capturó la esencia de sus presentaciones. En 2019, lanzó "Zion", un álbum introspectivo que recibió críticas positivas.La discografía de Ely Guerra incluye:"Ely Guerra" (1995)"Pa' Morirse de Amor" (1997)"Lotofire" (1999)"Sweet & Sour, Hot y Spicy" (2004)"Hombre Invisible" (2009)"Invisible Man" (2011)"Zion" (2019)Ely Guerra ha demostrado una constante evolución artística, manteniéndose relevante en la música alternativa mexicana.#ElyGuerra #HombreInvisible #RockAlternativo #MúsicaMexicana #IndependenciaArtística #InnovaciónMusical #ColaboracionesCreativas #KikePosada #BoomMagazine #GrammyLatino #HomeyCompany #archivosBOOM #ElQuijotedelamusicaConviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/boom-radio-con-kike-posada--3201320/support.

This is part of a series about overlooked movies from 2005. ***Referenced media:“Promising Young Woman” (Emerald Fennell, 2020)“Spartacus” (Stanley Kubrick, 1960)“Marvel's The Avengers” (Joss Whedon, 2012)“Fargo” (Joel Coen, 1996)“Three Billboards Outside Ebbing, Missouri” (Martin McDonagh, 2017)“The Lord of the Rings: The Fellowship of the Ring” (Peter Jackson, 2001)“The Lord of the Rings: The Two Towers” (Peter Jackson, 2002)“The Lord of the Rings: The Return of the King” (Peter Jackson, 2003)“Whale Rider” (Niki Caro, 2002)“Grizzly Man” (Werner Herzog, 2005)“Lord of War” (Andrew Niccol, 2005)“Capote” (Bennett Miller, 2005)“Good Night, and Good Luck.” (George Clooney, 2005)“Jarhead” (Sam Mendes, 2005)“Munich” (Steven Spielberg, 2005)“Æon Flux” (Peter Chung, 1991-1995)“Liquid Television” (Japhet Asher, 1991-1995)“Æon Flux” (Karyn Kusama, 2005)Audio quotation:“North Country” (Niki Caro, 2005), including music composed by Gustavo Santaolalla, https://www.youtube.com/playlist?list=PLQcLaWj9GCJZZKMU9wgWbGNBwsrG78olw“JUDGE HITTING GAVEL - Sound Effect & Video - Sound FX / Video FX” https://www.youtube.com/watch?v=RM1LAsuYj48“Æon Flux” (Karyn Kusama, 2005), including music composed by Graeme Revell, https://www.youtube.com/playlist?list=PLohYzz4btpaQrMM9AqRdvbNoxgz3xZrhf

En este episodio de Detrás del telón, Gerardo Kleinburg charla con el compositor, instrumentista y productor Gustavo Santaolalla--ganador de dos premios Oscar--sobre su carrera, su proceso creativo y el enfoque para componer la música del clásico redescubierto: Drácula en español. No te pierdas la nueva obra de Gustavo, dirigida por Lina González-Granados. Del 25 al 27 de octubre, las entradas ya están disponibles en LAOpera.org.

In this episode, made possible by generous support from Gregory Annenberg Weingarten, GRoW @ Annenberg, music critic Gerardo Kleinburg sits down with two-time Oscar winning composer, instrumentalist, and producer Gustavo Santaolalla; discussing his approach to creativity and the process of scoring the rediscovered classic, Spanish Dracula. Don't miss Gustavo's brand-new score, conducted by Lina González-Granados. Playing October 25-27, tickets are available now at LAOpera.org. Learn more about GRoW @ Annenberg at https://growannenberg.org

Quelle est l'origine de l'histoire de la Tour de Babel ? Qui est le fondateur de cette cité ? Pourquoi ce projet de construction de gratte-ciel est-il l'emblème de l'orgueil humain ? Quel est le lien avec la diversité des langues ? Réponse avec Bengous, Mumford & Sons, Indochine, Rone et Gustavo Santaolalla !hyvää kuuntelua !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

'Coleção' se titula el disco de Marisa Monte que recopila grabaciones realizadas por la cantante y compositora brasileña entre 1993 y 2014, que no están en sus discos sino en discos ajenos, proyectos colectivos o películas: 'Esqueça', 'Cama', 'A primeira pedra' -con Gustavo Santaolalla-, 'Ilusão' -con Julieta Venegas-, 'Carinhoso' -con Paulinho da Viola-, 'Alta noite' -con Arnaldo Antunes-, 'Dizem que o amor', 'Volta meu amor' -con la Velha Guarda da Portela-, 'Chuva no mar' -con Carminho-, 'É doce morrer no mar' -con Cesaria Evora-, 'Fumando espero' -con El café de los maestros-, 'Nu com a minha música' -con Rodrigo Amarante y Devendra Banhart- y 'Waters of March' -con David Byrne-. Además, del disco en directo 'Portas ao vivo', las canciones 'Portas' y 'Quanto tempo'. Escuchar audio

Development of The Last of Us began in 2009, soon after the release of Naughty Dog's previous game, Uncharted 2: Among Thieves. For the first time in the company's history, Naughty Dog split into two teams; while one team developed Uncharted 3: Drake's Deception, the other half developed The Last of Us. The relationship between Joel and Ellie became the focus, with all other elements developed around it. Actors Troy Baker and Ashley Johnson portrayed Joel and Ellie, respectively, through voice and motion capture, and assisted creative director Neil Druckmann with the development of the characters and story. The original score was composed and performed by Gustavo Santaolalla.

Juan Campodónico es un músico, compositor, productor y DJ uruguayo cuya influencia y gusto musical son incalculables en la música latina. Campodónico es uno de los fundadores, junto a Gustavo Santaolalla y Luciano Supervielle, del colectivo BAJOFONDO, que revivió el interés de nuevas generaciones latinas en el tango a través de la electrónica. Su conexión con el hip hop y otras culturas de música expandieron la paleta de colores de la música alternativa latina; y sus contribuciones a la música de Jorge Drexler y Cuarteto de Nos son parte de la nueva historia del rock latino. Esta charla sucedió durante la edición 2024 del BIME, en la que "Campo" presentó su canción más reciente 'FRIK'. En la conversación, Campo repasa su carrera.

Juan Campodónico está en el proceso creativo del primer álbum que llevará su nombre. En ese contexto, presenta su nuevo single "Frik" ft Jósea Log, primer adelanto de la colección de temas que formará parte de esta nueva etapa de Campodónico. "Frik" es un track cuyo estilo es inclasificable. Mezcla sonidos contemporáneos con algunos clásicos como la guitarra acústica y otros exóticos como el teponaxtle, un instrumento de percusión precolombino. Por momentos suena indie pop, por otros post-punk y hasta cha-cha-cha. El cantautor mexicano Jósean Log fue elegido por Campodónico para colaborar en esta pieza tan peculiar y aportarle ese toque de excentricidad latina que conecta con el pasado mexicano de Juan, por sus años de infancia vivida en México. La colaboración creativa con Jósean aporta una sensibilidad que sumó mucho a la temática del track y lo completa con su estilo interpretativo único. La canción escrita en colaboración entre Juan Campodónico, Martín Rivero y Jósean Log, parte de un cuestionamiento sobre lo diverso y la incomodidad frente a lo diferente. Esa sensación compartida y muy primaria de no encajar, de sentirse fuera de lugar hace al “Frik”. El tema se propone desarmar, jugar e ironizar sobre esa extrañeza y esa singularidad que todos tenemos. Juan Campodonico es Músico, compositor y productor uruguayo. Su nombre figura en decenas de influyentes proyectos musicales incluyendo la creación de Bajofondo junto a Gustavo Santaolalla (proyecto musical del cual es miembro, productor y compositor), Campo (su proyecto grupal más reciente) y Peyote Asesino. Además, ha producido álbumes de artistas como Jorge Drexler, Luciano Supervielle, El Cuarteto De Nos, Zoe Gotusso, Kevin Johansen, La Vela Puerca , No Te Va Gustar, entre otros. Ha ganado cuatro premios Grammy Latinos, el Premio Carlos Gardel argentino y varios premios Graffiti en Uruguay. También fue nominado al Grammy estadounidense tanto con Campo como con Bajofondo. Con un pie en la música global contemporánea y otro en la música sudamericana, Juan fue aplicando las ideas de la música electrónica, la cultura del sintetizador, el sampler y el remix, creando una nueva manera de ver esos aportes desde el sur. En los últimos años, Juan se ha presentado en vivo en formato de Live Set en una propuesta que mezcla música original de sus diversos proyectos, remixada para generar una performance única. Desde 2020 a la fecha, ha creado música original para la diseñadora Gabriela Hearst y también para la prestigiosa casa francesa de alta costura Chloé. La música de Juan se ha vuelto habitual en las Fashion Weeks de New York y París y ha hecho un aporte significativo a la comunicación de las nuevas tendencias del mundo de la moda. Escucha la radiografía especial con Renata Rincón desde Bime Bogota aquí:

Von "Harry Potter" über Robbie Williams bis zum Klapphandy. Komm ganz ohne Shuffle-Modus mit uns auf Zeitreise. Diese Musikstücke hast Du in der Folge gehört: Marit Larsen - "If A Song Could Get Me You" // Gustavo Santaolalla - "Brokeback Mountain" // Herbert Grönemeyer - "Mensch" // Howard Shore - "Herr der Ringe" // Robbie Willams - "Feel" // Frank Chastenier - "Mensch" // Den Podcast "Interpretationssache - Der Musikpodcast" von SR 2 findest du hier: https://www.ardaudiothek.de/sendung/interpretationssache-der-musikpodcast/12626637/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

THE LAST OF US PART PART II REMASTERED, impressions par Yohann LemoreÀ savoir ► Sortie : 19/01/2024► Plateforme : Exclusivité PS5► Développeur : Naughty Dog► Éditeur : Sony Interactive Entertainment► Genre : Action AventureThe Last Of Us Part II Soundtrack by Gustavo Santaolalla ► https://www.youtube.com/watch?v=xAkGIJjlzyc&list=PLPfHaI9XqTnHvnqxu5A4oV7BLH2f9N2Lm

On today's Daily Fix:Smite is back! The third-person MOBA that launched back in 2014 is getting a sequel. You can sign up for the alpha playtest when it becomes available later this Spring. In other news, massive layoffs across the tech and gaming industries have not stopped in the new year. Twitch recently announced a 35% reduction in their workforce, amounting to 500 positions being eliminated. Twitch boss Dan Clancy remarked that the company is still too big, but despite not being profitable, there's no risk of them being cut loose by parent company Amazon. And finally, The Last of Us Part 2 Remastered has a new playable character: the game's composer, Gustavo Santaolalla. He'll be playable in the game's guitar mode. Also this will be Stella's last episode as a regular Daily Fix host, let's show our appreciation in the comments!

2024 chegou, e nosso primeiro episódio do ano novo dá largada à temporada de premiações.... de 2023? Cheio de adendos e com seis meses de atraso, o Emmy vai acontecer e é nossa desculpa para falar de trilhas de seriados e produções de TV atuais, e de executar nosso esporte preferido: chutar Gustavo Santaolalla. Bom podcast!

About: An episode all about Ending and Staff Roll themes. These are usually bittersweet moments that follow a sense of accomplishment and finality. 00:00 - Ending [Advance Wars] by Taishi Senda, Yoshito Hirano > 03:15 - End Credits [Super Mario Land] by Hirokazu Tanaka > 05:39 - Ending [Aerostar] by Dota Ando > 07:08 - Credits [Mega Man X] by Setsuo Yamamoto > 09:01 - Credits (Round 2) [Pokémon Stadium] by Hajime Wakai, Toru Minegishi, Kenta Nagata, Junichi Masuda > 11:43 - The Heroes Return [Etrian Odyssey II] by Yuzo Koshiro > 15:42 - To The End of The Wilderness ~To A New Journey~ [Wild Arms] by Michiko Naruke > 18:24 - End Title [Legend of Legaia] by Michiru Oshima > 21:42 - Beyond Desolation [The Last Of Us Part II] by Gustavo Santaolalla > 24:03 - Eternal Life [Devil Survivor] by Takami Asano > 27:02 -  Good Ending [Streets of Rage] by Yuzo Koshiro > 28:51 - Epilogue [Xenoblade Chronicles 3] by Yasunori Mitsuda, ACE, Kenji Hiramatsu, Manami Kiyota, Mariam Abounnasr > pixelbeatpod@icloud.com > 

Diane and Sean discuss the most visually spellbinding animated movie about death, The Book of Life. Episode music is, "I Love You Too Much" written by Gustavo Santaolalla, performed by Diego Luna, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show

The small Andean instrument has been core to the success of the Argentine film composer and music producer on projects like The Last of Us video game, 2005's Brokeback Mountain and 2006's Babel.

Legendary music producer Gustavo Santaolalla has crafted the soundtrack to Rock En Español, producing career-defining albums for Café Tacvba, Molotov, Juanes, and many more. He is one of only three composers to win consecutive Academy Awards for Best Original Score for Brokeback Mountain and Babel. In our wide-ranging conversation, Gustavo shares his philosophical views on art, humanity, the spiritual connection he finds in music, and the state of the creative industry today. We begin with how Gustavo's hard-knock life in 1960s Argentina led to an explosion of boundary-pushing creativity still felt in music today.Episode Key Quotes:"The album 'Arcoiris' is a blueprint of my career. In that album, you're going to find the music for the movies, the songs, the production tricks.""It's creativity, art, and music that moves you in any art. It's what keeps us sane.""In the next 20 years, we're going to have to make big decisions and big changes or this can go away, really."Highly Relevant PlaylistThe Last Of Us - Gustavo SantaolallaEres - Cafe TacvubaFrijolero - Molotov

Já é 2024, mas vamos apresentar um episódio gravado há 6 meses: falamos de todos os indicados para as categorias musicais do adiadíssimo Emmy 2023. Muitas séries ótimas com trilhas idem, muitas compositoras e nosso esporte favorito, que é criticar Gustavo Santaolalla: não percam.

Academy Award-winning composer, producer, and multi-instrumentalist Gustavo Santaolalla joins Score: The Podcast for a lively conversation about the phenomenon his music helped create in The Last of Us, and why it's different than any of his other work. Plus, writing the score to Brokeback Mountain prior to anything being filmed, how the records he made with the band Arco Iris (at age 18) become a blueprint for his career, and how he put the instrument "ronroco" on the map. Gustavo also shares details about his upcoming projects, including a performance in October at the World Soundtrack Awards in Ghent, Belgium, where he will be with our own Robert Kraft.

SUBSCRIBE NOW!!!! on iTunes, Google Podcasts, Spotify, Stitcher & Audible. This week on the Press X to Start Gamer's Digest: DJ & Sean talk about Microsoft's huge Microsoft/Activision win, the rumored remaster for The Last Of Us 2, the newly announced Black Panther open-world game and much more! Gaming News - Time code: 2:49 In the wake of Neil Druckmann taking over Naughty Dog, Gustavo Santaolalla allegedly leaks plans for a TLOU2 remaster; EA announces an open world Black Panther game; Microsoft finally wins the war for COD in the US but the CMA is still mulling it over; Sony teams with Ocado for some delicious PlayStation Pasta; Sony putting 2.1 billion into R&D to strengthen their live service capabilities; Sega Of America scores a game changing union vote win; Media Molecule gives Dreams' creations to the people. What We've Been Playing - Time code: 34:54 DJ builds elaborate contraptions in Tears of the Kingdom Sean gets into some violent shenanigans in COD DMZ If you're enjoying the show, please take a moment to rate/review it on whatever service you're using. Every little bit helps!  Want to ask a question, ask us at PressX2start.com/Questions Join/Follow Us: Youtube: Press X To Start TV Twitch: pressxtostarttv Facebook: https://www.facebook.com/pressx2start Twitter: @PressX2S  Instagram: @PressX2Start TikTok: @pressx2start You can find more info about the Press X and who we are at www.PressX2start.com. If you have any questions or just want to tell us how great (or just slightly okay) we're doing or how we can be better, be a friend and reach out and email us at pressxtostartpodcast@gmail.com End music by @MarcoMavy on Twitter & IG Be good to each other, Peace!

When you're lost in the darkness...look for this episode of Reap the Spoils! This time we try something new - instead of talking about a video game, we talk about a show based on a video game. Join us as we discuss the simple gameplay of navigating a streaming service, changes made from source material, and what is probably the best video game adaptation in a group where the bar is set admittedly pretty low.Note: The music track at the start of the episode is “The Path (A New Beginning)”, composed by Gustavo Santaolalla for the The Last of Us Original Soundtrack. We in no way have or claim ownership of this music.Support the showFollow Dead Cell Media and its members on Twitter at:-Dead Cell Media: https://twitter.com/deadcellmedia-Mark Sullivan: https://twitter.com/nibelheimian-Delaila Lugo: https://twitter.com/assassina_san

Entrevista especial con el compositor y productor argentino, desandamos su camino y trayectoria profesional, desde sus orígenes, su aporte como productor musical para múltiples proyectos, su obra solista y su gran legado como compositor para obras audiovisuales. Ademas nos contó la actualidad de Bajofondo, cuyo nuevo álbum esta por publicarse y se llamara OHM. Mira el video y escucha la entrevista.

Composer David Fleming sits down for a brand new Film.Music.Media conversation!   Dave shares his journey to becoming a composer including getting his start working with composers like Atli Örvarsson and Hans Zimmer. Dave also talks about his work as an additional composer on certain projects like Hans Zimmer's Dune, and what it's like being part of a music team.   For this chat we take a look at Dave's general approach to several projects including South Of Heaven, Hillbilly Elegy, and The Unforgivable. The latter two were co-scored with Hans Zimmer. We also dive into Dave's recent score with Hans to the French Canadian miniseries, The Night Logan Woke Up.   Dave also talks about co-scoring The Last Of Us on HBO. Hear how he worked separately from the series' lead composer Gustavo Santaolalla to help flesh out certain scenes and to add tension and atmosphere to the overall structure of the series.   A Film.Music.Media Production | Produced & Presented by Kaya Savas   **This interview was recorded at the end of March 2023 and certain mention of projects and their timing are not accurate at the time of posting.**

It's been one of the TV events of the year, and we're delighted to be celebrating its success with two of the composers who worked on it. Based on the 2013 video game, The Last Of Us tells the story of Ellie and Joel as they navigate a post-apocalyptic world in which a mass fungal outbreak has caused humanity to collapse, with the infected turned into bloodthirsty Zombie-like creatures. The game was scored by Gustavo Santaolalla, who returns to work alongside David Fleming on the HBO show - which you can watch on Sky and Now TV. 

"Joel is sooo babygirl-coded."This week we're joined by our friend Becca Rowland, who first guested on our original The Last of Us episode, to discuss the stellar HBO adaptation of Naughty Dog's beloved 2013 video game. We knew that we would probably want to discuss this season of television, compare it to our thoughts the game, and talk about how much we are head-over-heels, madly, deeply in love with Pedro Pascal & would trade the world for a journey with him across a post-apocalyptic America, but it wasn't until after episode 3 broke our hearts into tiny little pieces that we knew we absolutely HAD to get on the mics and discuss the breadth of queer content on this show. Now that season 1 is wrapped, we get into Bill and Frank, Ellie & Riley, and so much more from this season, as well as our thoughts on its (few) shortcomings, the beauty of queer joy in apocalypses, and speculation/hopes for the future seasons as the show begins to adapt Part 2.  We can't wait to see Bella Ramsey continue to slay (literally & metaphorically)========Get in touch with us!EMAIL US at gayforplaypodcast@gmail.comFOLLOW G4P Twitter: @GayForPlayPodInstagram: @GayForPlayPodTwitch: twitch.tv/gayforplaypodSupport the Show & Unlock Bonus Episodes on our PATREON========CREDITSIntro and outro music by Connor Marsh (@connorjmarshmallow)Show art by Benny Kessler (@retro.spectacle.studio)Special thanks to our patrons: Blueberri Mary, Elijah Punzal,  Trevor McTavish, Travis Ryans & Martha Turner

Spoiler Warning! Chris and Taylor review the post-apocalyptic dram television series, The Last of Us, created by Craig Mazin and Neil Druckmann for HBO. Based on the 2013 video game developed by Naughty Dog, the series is set in 2023, twenty years into a pandemic caused by a mass fungal infection, which forces its hosts to transform into zombie-like creatures and collapses society. The series follows Joel, a smuggler tasked with escorting the teenage Ellie across a post-apocalyptic United States.  The series stars include Pedro Pascal, Bella Ramsey, Nico Parker, Merle Dandridge Anna Torv, Gabriel Luna, Nick Offerman, Murray Bartlett, Rutina Wesley, Lamar Johnson, Keivonn Montreal Woodard, Troy Baker, Melanie Lynskey, Jeffrey Pierce, Ashley Johnson.Follow us on:Instagram: https://www.instagram.com/thepotentialpodcast/Facebook: https://www.facebook.com/thepotentialpodcast/?ref=pages_you_manageTwitter: https://twitter.com/thepotentialpodThanks to our sponsors: Let'sGetChecked: Get 25% off your health test at trylgc.com/potential and enter promo code POTENTIAL24

It's the final episode! Katie and Carl are back to chat about episode nine: Look for the Light. Ria, Katie and Carl discuss the moral ambiguity of the final episode, giraffes, ladders and puns. Please be aware that they share some thoughts on the second series at the end of the end of the podcast - with plenty of warning! Thank you to everyone for listening, I hope you've enjoyed it. There'll be more The Last of Us content coming your way. Ria and Femme on co-hosts Alyson and Tonya will be chatting with writer Michelle Yang about the women of The Last of Us. Follow the Femme On Podcast to make sure you catch the episode. Ria is also planning a roundtable with previous guests about the show as a whole and obviously a The Last of Us Part II gaming roundtable. Don't forget to check out the Comics in Motion roundtable about The Last of Us Part 1. Thank you once again to Kevin for playing his beautiful version of Gustavo Santaolalla's The Last of Us theme. Kevin performed the music on one of his many awesome ukuleles. Ria is co-host and producer of the Femme on podcast collective. The Femme on collective hosts lively discussions about pop culture and whatever the heck interests us while placing the female gaze front and centre. Come join the conversation. Please rate and review the Comics in Motion podcast wherever you listen to podcasts. Show some love! Don't forget to sign up to the Pop Culture Collective newsletter which comes out every Wednesday. --- Send in a voice message: https://anchor.fm/comics-in-motion-podcast/message

Ria, Jess and Paul congregate to discuss the penultimate episode of season one of the Last of Us. They throw their notes away, embrace the chaos and laugh their way through the trauma of the episode as sometimes that is all you can do. They discuss the translation of the Winter section of the game to the screen, David and Bella Ramsey's sensational performance. Content warning: they discuss sexual assualt, rape and cannibalism. Huge thank you to Kevin for providing his beautiful version of Gustavo Santaolalla's The Last of Us theme. Kevin performed the music on one of his many awesome ukuleles. Follow Jess on Instagram @jess_bdavies Find links to Paul's work and socials at https://www.superdummy.co.uk/ If you want more The Last of Us content, listen to the Comics in Motion roundtable about The Last of Us Part 1. Ria is co-host and producer of the Femme on podcast collective. The Femme on collective hosts lively discussions about pop culture and whatever the heck interests us while placing the female gaze front and centre. Come join the conversation. Don't forget to sign up to the Pop Culture Collective newsletter which comes out every Wednesday. --- Send in a voice message: https://anchor.fm/comics-in-motion-podcast/message

Ria and Aly met for the first time on a podcast blind date and discussed episode seven of HBO's The Last of Us. They geek out about teenage crushes, what they would do to protect their loved ones and the importance of found family. They manage to keep it together and not fully cry (although there is some crying with laughter). Ria will be discussing each episode, and trying not to geek out too much, every week with various guests. Huge thank you to Kevin for providing his beautiful version of Gustavo Santaolalla's The Last of Us theme. Kevin performed the music on one of his many awesome ukuleles. If you want more The Last of Us content, listen to the Comics in Motion roundtable about The Last of Us Part 1. If you are saddened by the ever-worsening situation following the earthquake in Turkey and Syria, please consider donating to Choose Love who have launched an emergency appeal. Ria is co-host and producer of the Femme on podcast collective. The Femme on collective hosts lively discussions about pop culture and whatever the heck interests us while placing the female gaze front and centre. Come join the conversation. Don't forget to sign up to the Pop Culture Collective newsletter which comes out every Wednesday. --- Send in a voice message: https://anchor.fm/comics-in-motion-podcast/message

THE WALKING SAD: With our hosts mostly caught up on HBO's newest hit, The Last of Us, they dive deep into this stark and artful adaptation of the beloved video game series by Naughty Dog. Be warned that they discuss SPOILERS for the game and the show. TOPICS: (00:00) Intro - Falling asleep on the couch (01:26) HBO's The Last of Us is a bummer. (07:31) Dystopian Showdown: The Last of Us vs. Fallout (12:49) The Last of Us as an adaptation (16:06) What makes The Last of Us a different kind of post-apocalyptic show (33:56) Outro - The Last of Us composer, Gustavo Santaolalla (36:00) Outtakes RELEVANT EPISODES: "Premature Clapulation" (19 June 2014): Where D. Bethel rants about adaptations. "Teasing the Difference" (5 June 2015): Where D. Bethel plays The Last of Us Remastered. "The Sweet Beats" (30 March 2018): Where Andrew dives deep into his experience playing Fallout 4. "Exposure Creates Tolerance" (17 September 2021): Where D. Bethel plays The Last of Us, Part 2. "Reset the Doomsday Clock" (3 February 2023): Where our hosts talk about the discourse that erupted around episode 3 of HBO's The Last of Us. RELEVANT LINKS: Not that relevant, but here is a link to the box art of the old PCRPG Andrew mentioned, Darklands. INFO: Visit our website at forallintents.net and leave your thoughts as comments on the page for this episode. Join our Facebook page Social: Andrew - Mastodon, D. Bethel - Instagram Subscribe to our YouTube channel. FEATURED MUSIC: "Disco Medusae" by Kevin McLeod Link: https://incompetech.filmmusic.io/song/3652-disco-medusae "District Four" by Kevin McLeod Link: https://incompetech.filmmusic.io/song/3662-district-four Tracks are licensed under Creative Commons BY Attribution 4.0 License (http://creativecommons.org/licenses/by/4.0/

Despite technical difficulties, this week Ria and her lovely guests Jo and Jamie endure and survive to bring you this week's episode. We chat about the (re)introduction of Tommy, meeting Maria and how we feel about Jackson, significant developments in Joel and Ellie's relationship and the show's representation of violence. Jo and Jamie bring some great insights to this episode and as first time podcast guests absolutely smash it! Ria will be discussing each episode, and trying not to geek out too much, every week with various guests. Huge thank you to Kevin for providing his beautiful version of Gustavo Santaolalla's The Last of Us theme. Kevin performed the music on one of his many awesome ukuleles. If you want more The Last of Us content, listen to the Comics in Motion roundtable about The Last of Us Part 1. If you are saddened by the ever-worsening situation following the earthquake in Turkey and Syria, please consider donating to Choose Love who have launched an emergency appeal. February is also LGBT+ History Month in the UK. This year, LGBT+ History Month is focusing on LGBT+ people's contribution to cinema and film behind the lens. Find out more on their website and consider supporting LGBTQI+ charities. Ria is co-host and producer of the Femme on podcast collective. The Femme on collective hosts lively discussions about pop culture and whatever the heck interests us while placing the female gaze front and centre. Come join the conversation. --- Send in a voice message: https://anchor.fm/comics-in-motion-podcast/message

On this week's episode, we go deep on The Last of Us. We recall our original thoughts on the game from back in 2013 and give our verdict on the HBO show so far. Plus, Matthew talks us through his thoughts on the PS5 remake of the game. Apologies for the half-remembered bits. We'll explain the spoiler rules in the episode. This week's music is from The Last of Us soundtrack by Gustavo Santaolalla. Hosted on Acast. See acast.com/privacy for more information.