Podcasts about dream up festival

Daniel SeidmanComposer & Co-LyricistDr. Daniel Seidman is a licensed clinical psychologist practicing in New York City. Dan started playing in a band at the age of 12 at the Cafe Wha in Greenwich Village. At the age of 15, he toured the U.S. and Canada playing Hammond organ for Chubby Checker. He completed a year as a composition major at the Berklee College of Music in Boston in 1972-1973, and a B.A. in History from SUNY Binghamton. He received a Ph.D. from Columbia University in 1988, and subsequently joined the faculty at Columbia University Medical Center (CUMC) where he taught, practiced psychology, and did research for 30 years. He retired from Columbia in June of 2018. Fifth Avenue the musical originally grew out of Dan's combined interest in jazz and history. Discussions with a history professor Albert Fried about the immigrant experiences of the Irish, Jews, Italians and in more contemporary times, Blacks, Hispanics and the Chinese provided insight into the “dark side” of the American dream and its “underworld culture”. This is the story Fried tells in his book “The Rise and Fall of the Jewish Gangster in America” (Columbia University Press). After college, Dan began composing the music for "Fifth Avenue" while employed by the Shubert Organization in New York City. He met Susan Crawford, who wrote the book and co-wrote the lyrics for Fifth Avenue, in 1979. They were married in 1984 and are now the proud parents of two grown sons. Susan CrawfordBook Writer and Co-LyricistMy theater life began at 13 in my hometown's Shakespeare Festival. It evolved into much acting from then into my 30's. It soon overlapped with an interest in playwriting, and I finished my first play at 24. Eventually writing overcame acting for me. For that I studied with Arthur Kopit and John Guare; lyric writing at the ASCAP workshop, and with Sheila Davis, and Dorothy Fields. Around that time I co-developed the continuity for Ned Sherrin for “Only In America” songs by Leiber and Stoller. It ran at the Roundhouse in London, and was a distant antecedent to what became “Smoky Joe's Cafe.” “Dollars to Doughnuts, a Comedy for the 99%” was my master's thesis in the CCNY Graduate Writing Program where I studied with Arthur Kopit. It was a finalist in the O'Neill Playwriting Conference the year it was finished (under the title "Lotto"). For the summer 2022 season, it was selected by Theatre for the New City's “Dream Up” Festival where it was workshopped and is now being submitted for production. My one-act "Place Settings" was selected for the Chain Theatre's 2023 Winter One-Act Festival, and is also available for production.R.K. GreeneProducer and Executive Director of The StoryLine Project, LLC, a theatrical production company developing new shows. Shows include: * "Beau The Musical" by Lyons & Pakchar now an award-winning feature-length motion picture; * "Fifth Avenue" in development by Susan Crawford & Daniel Seidman* "Harmony" by Barry Manilow and Bruce Sussman on Broadway; * "Farinelli and the King" with Mark Rylance on Broadway;* "Terms of Endearment" with Molly Ringwald Off-Broadway and licensing thru Playscripts;* "A Time to Kill" with Patrick Page, Tonya Pinkins, Tom Skerritt, Fred Thompson and John Douglas Thompson on Broadway; * "Peter and the Starcatcher" winner of five Tony awards and now an Australian Tour in 2024-25; * "Cougar The Musical" Off-Broadway and licensing thru Concord Theatricals;* "Love Child" with Daniel Jenkins and Robert Stanton Off-Broadway and licensing thru Playscripts;* "Room Service" Off-Broadway. See https://www.storylineproject.com/Fifth AvenueWhat happens when your American Dream keeps getting caught up in other peoples' schemes?  Max and Willy borrow money to go legit and open a nightclub during prohibition offering ‘Fifth Avenue' class in NYC's Hell's Kitchen.  Meanwhile the younger generation chase their own versions of the ‘American Dream.'

Synopsis: In this surrealist one-act, Chauncey Faust, a very aggressive, out-of-work television actor, is about to enter into a business partnership that he thinks will be the opportunity of a lifetime. Although very lucrative financially, it may cost him his soul. His new business associate, Mr. Stuart Morgan, has created a one-of-a-kind service. The play opens with a dream job interview that quickly turns into a nightmare.Coni Koepfinger (Playwright) Artist and Educator, Coni Koepfinger is the host of AIRPLAY, a weekly virtual theatre program now in its 12th season that brings the voices of artists, actors, playwrights from all over the world together. Also via new media, Koepfinger has created DETERMINED WOMEN, a monthly feature that interviews women who share stories to encourage and inspire. In addition to teaching theatre and composition, Koepfinger is an internationally published and produced playwright and theorist. As a Media Advisor for the Lifeboat Foundation, her play Get the Message was in their Visions of the Future anthology 2016. Coni is a former board member of the International Center for Women Playwrights/ ICWP and committee chair for the League of Professional Theatre Women /LPTW. Recent work includes three new powerful pieces with her writing partner Joe Izen: including Eve of Beltane, Broadway Bound Festival (2019),; Schoolhouse (2015) and the first musical to usher in the singularity, Kingdom Come (2020). She has written well over 40 plays, short stories, books and commissions such as Takin’ It Back a ten minute play for THE ME TOO PROJECT in Harlem, and Playing House a commissioned one-act about Bella Abzug for the UNTOLD STORIES OF JEWISH WOMEN and Playing Fate which was accepted for New Blood Series at Theatre for the New City. Now in 2021, Koepfinger’s work is virtually shown all over the globe, My Dinner with Mary which was read online for The Producer’s Circle and was then streamed live from The Player’s Club in NYC in TNC’s ON AIR podcast. It will be produced in the Dream Up Festival in 2021 at TNC. Her play Simon Says, was one of 12 selected in the world’s first Virtual Theatre Festival by PLAYBILL 2020 and was slated for Manhattan Rep’s STORIES film competition in 2021.Carrie Wesolowski (Director) Born and raised in NYC, Carrie Wesolowski is a NYC-based Actor, Director, Host, and Singer who has appeared in international news programs, film, television and theatre productions. Carrie is a graduate of the Gushee/Anania Studio where she studied with Phil Gushee and Joe Anania. Carrie hosted Movie Talk Show from 2014-2018 and served as its Associate Producer, interviewing indie film actors, writers, and directors and giving them a platform for their work. Carrie’s recent projects include directing and playing Destiny in Coni Koepfinger’s Simon Says which was a finalist in the 1st Annual Playbill Virtual Theater Festival 2020 and was most recently streaming worldwide as part of Manhattan Rep’s STORIES Film Festival, and playing Mandy in Dermalogic as part of Theater for the New City's "On the Air'' series which can still be seen on Theater for the New City's YouTube Channel: It's always such a joy for Carrie co-hosting, directing, and acting on AirPlay. She would like to thank the playwright Coni Koepfinger and the actors who helped bring this to life. Claude Isbell (Chauncey Faust) Claude Isbell started out as a child actor, doing both TV commercials and theater from the age of 4. He and his sister did modeling work as well all over NYC, appearing in the New York Times magazine and many others. He was a musician and songwriter in NYC, before going into business. After studying acting with teachers such as Austin Pendleton, he has recently gotten the Theater and Film bug back, and is making a Web Series called CYRUS that is in pre-production. During the Strawberry One-Act Festival his “Making-Of” film garnered him a “Best Director” nomination.Beth Griffith (Ms. Candice Appleby) Beth Griffith has performed with HERE Art Center, La MaMa, NYTW, New Ohio Theatre, New York City Opera, International WOW, Clubbed Thumb, New Georges, Medicine Show Theatre, Theater For The New City, New York Workshop Theater, Ars Nova’s Makers Lab, Music We’d Like to Hear (London), Sachiyo Ito’s DanceJapan and The Flea. Upcoming performances with: The Hearth, Crossways Theatre, Broadway Bound Festival and Out of the Box Theater. Timothy Regan (Mr. Morgan) Timothy Regan is a graduate of Kean University, and worked on several national tours upon graduating. Timothy is a seasoned TV, film, and stage actor and now comes to you via Zoom and other various facetime platforms!

The pressure is on when you’re a red-nosed reindeer and no one wants to play with you. Who WOULDN’T want to run away and hide for a bit? But then, when Christmas comes, and Santa can’t ride without him, Rudolph needs to trust in his friends to get the help he needs to get back to the North Pole in time.Christy’s acting credits span traditional theater, interactive dinner theater, commercial and film work, and staged readings - in person, online, and via livestream. When not acting Christy enjoys other creative pathways, such as mixed media, collage art, and wreath making. An animal advocate, she has 2 rescue cats and a rescue dog and loves being home with them and her husband.Katherine Elliot (SAG-AFTRA) Cofounder/Actor/Producer-Wild Banshee. Former producer/performer-The Tempest Ladies (The Taming of the Shrew, A Midsummer Night’s Dream). Off-Broadway producer/performer (Sammy’s Bowery Follies, Dog Sees God). Producer/performer (Paulette Goddard) Hannah, Can You Hear Me? - Best Arts Film, Cannes Festival. Director-The One And Only Amanda Palmer...,45 Coffee Dates, The Deed Is Done). Serves on the Board of Directors for The League of Professional Theatre Women.Claude Isbell-Claude was a child actor doing commercials and theater. He has since gotten the acting bug back, while studying acting and directing with Austin Pendleton. He is in pre-production of his autobiographical web series “CYRUS.”Timothy Regan. You may have seen Timothy on tour, in NYC, or perhaps more recently in the comfort of your own home via zoom.Brandy Chapman is an actor recently seen in productions of South Pacific and Harvey at the Francis Wilson Playhouse, though her acting credits include Irish language productions for TG4: An Klondike, and Jack Taylor (available on Netflix). Currently she has been pursuing other creative outlets in writing and craft-making, and spending more time with her two rescue pets. Artist and Educator, Coni Koepfinger is the host of AIRPLAY, a weekly virtual theatre program now in its 12th season that brings the voices of artists, actors, playwrights from all over the world together. Also via new media, Koepfinger has created DETERMINED WOMEN, a monthly feature that interviews women who share stories to encourage and inspire. In addition to teaching theatre and composition at prominent universities like Carnegie Mellon, Penn State and Point Park University, Koepfinger is an internationally published and produced playwright, theatre theorist, and librettist. Coni is a Media Advisor for the Lifeboat Foundation who recently published her play, Get the Message in their Visions of the Future anthology 2016; a contributing writer for the Center of Conscious Creativity in LA; a Member of The Dramatists Guild, and ; a former board member of the International Center for Women Playwrights; and the League of Professional Theatre Women. Recent work includes three new powerful pieces with her writing partner Joe Izen: including Eve of Beltane -a fresh look at political corruption in the face of ancient Celtic mythology that was given a 29 hr AEA staged reading at Broadway Bound Festival (2019),; Schoolhouse -an ultramodern musical that takes the young victim of a school shooting through a magical journey into an imaginary schoolhouse to find compassion and joy; and the new age musical, Kingdom Come, where technology meets its match in matchmaking with TED, the world's first transhuman who falls in love with boss only to reveal a bigger, brighter picture for all humanity. She has written well over 40 plays, short stories , books and commissions such as Takin’ It Back a ten-minute play for THE ME TOO PROJECT in Harlem, and Playing House a commissioned one-act about Bella Abzug for the UNTOLD STORIES OF JEWISH WOMEN and Playing Fate which was accepted for New Blood Series at Theatre for the New City. In 2020 Koepfinger work virtually all over, with a new full-length, My Dinner with Mary, which was read online for The Producer’s Circle in March, and will be produced in the Dream Up Festival in 2021 at Theatre for the New City. Simon Says, won placement in PLAYBILL’S Virtual Theatre Festival .

From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Cleansed, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageable: Success, Imagination, Failure (Methuen Drama) examines this phenomenon of what the theatre cannot do or has not been able to do at various points in its history. The book explores four principal areas to which unstageability most frequently pertains: stage directions, adaptations, violence and ghosts. Karen Quigley incorporates a wide range of case studies of both historical and contemporary theatrical productions including the Wooster Group's exploration of Hamlet via the structural frame of John Gielgud's 1964 filmed production, Elevator Repair Service's eight-hour staging of Fitzgerald's The Great Gatsby and a selection of impossible stage directions drawn from works by such playwrights as Eugene O'Neill, Philip Glass, Caryl Churchill, Sarah Kane and Alistair McDowall. Placing theatre history and performance analysis in such a context, Performing the Unstageable values what is not possible, and investigates the tricky underside of theatre's most fundamental function to bring things to the place of showing: the stage. Karen Quigley is Lecturer in theatre at the University of York, UK. Her previous publications include contributions to European Drama and Performance Studies, Journal of Contemporary Drama in English, Radical Contemporary Theatre Practices by Women in Ireland and Performance Research. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine’s A Crack Up at the Race Riots at Theater for a New City’s Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck’s The Blind, and performing in his production of Albert Camus’ Caligula (Chaerea) as part of the New Ohio Theater’s Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Cleansed, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageable: Success, Imagination, Failure (Methuen Drama) examines this phenomenon of what the theatre cannot do or has not been able to do at various points in its history. The book explores four principal areas to which unstageability most frequently pertains: stage directions, adaptations, violence and ghosts. Karen Quigley incorporates a wide range of case studies of both historical and contemporary theatrical productions including the Wooster Group's exploration of Hamlet via the structural frame of John Gielgud's 1964 filmed production, Elevator Repair Service's eight-hour staging of Fitzgerald's The Great Gatsby and a selection of impossible stage directions drawn from works by such playwrights as Eugene O'Neill, Philip Glass, Caryl Churchill, Sarah Kane and Alistair McDowall. Placing theatre history and performance analysis in such a context, Performing the Unstageable values what is not possible, and investigates the tricky underside of theatre's most fundamental function to bring things to the place of showing: the stage. Karen Quigley is Lecturer in theatre at the University of York, UK. Her previous publications include contributions to European Drama and Performance Studies, Journal of Contemporary Drama in English, Radical Contemporary Theatre Practices by Women in Ireland and Performance Research. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine’s A Crack Up at the Race Riots at Theater for a New City’s Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck’s The Blind, and performing in his production of Albert Camus’ Caligula (Chaerea) as part of the New Ohio Theater’s Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Revolution, An Artistic Explosion is an exploration of what it means to be an artist and what happens when different forms come together and try to make their voices heard.JESSICA ‘JES’ WASHINGTON is a New York City based actress, dancer, and writer; born and raised in Memphis, TN. She has a true love for storytelling. She is currently receiving her MFA at the Actors Studio Drama School in New York City. Theater credits: Lena in ​Who Will Sing For Lena​, a one-woman show with huge acclaim; performed along the east coast. Awards include: Best Lead Actress in a Drama (3x), People’s Choice, Best Overall Production, winner of AACT National Festival 2019. Procne in ​Love of the Nightingale​, Francine/Lena in ​Clybourne Park​, forwarding an EMACT nomination: Best Supporting Actress in a Drama. Independent film credits: Riley (lead) in feature ​Uprising​, Ealey in action short ​MAAT​ (lead), Jasmine in ​Even​, and Young Belinda Royale in ​Half the History: Belinda Royale Story​. Voice Over credits: Isabelle Powell in ​Greater Boston​, becoming winner of Best Supporting Actress in Audio Drama.Anel Carmona is a Mexican actor and playwright based in NYC. She has performed in dozens of plays in both countries including T​ales of the White Mountain ​(Rising Sun Performance Theatre), ​Catch me in America​ (Strike Anywhere Performance Ensemble), and ​Ti Jean and His Brothers​ (Ma’s Playhouse). Her favorite writing credits include ​Adios Fjord​ (Off-Broadway), Chocolate en la Estación​ (Guadalajara, Mexico), and her play ​A seis pies de distancia​ was recently published in the Mexican Theatre anthology ​De Pandemia a Pandemonium​. She holds a MFA in Playwriting by the Actors Studio Drama School and is a proud member of the Dramatist Guild of America.Isabel Faith Billinghurst is a freshly-graduated Musical Theatre major from Otterbein University. They moved to NYC this January, and are very excited to hop into their first project here! Past credits include Laura in ​The Glass Menagerie​ (French Creek Theatre), Banquo in ​The Tragedy of Macbeth, ​and Diana in Next to Normal​ (Otterbein University). For some laughs, feel free to check out their co-hosting on Did You Find This Helpful? available wherever you listen to your podcasts. ​Isabelfaithbillinghurst.comMarcina Zaccaria is a Writer, Director, and Arts Administrator. Previous plays include "Village, My Home" performed at the Dream Up Festival at Theater for the New City, and "All About Image/ We Are The Elite" performed at the Fringe Festival in NYC. Monologues from "A Digital Stratosphere Platform for Peace" have been read at Dixon Place and on Salon Radio. Also, the "The Body Politic" and "On Becoming a Mermaid" were available on Amazon. She has directed readings and plays in venues that include New Dramatists, Theaterlab, HERE Arts Center, 13th Street Repertory Company, Soho Rep, Dance Theater Workshop, and the Museum of Jewish Heritage. Arts administration experience includes Audience Services work at the Roundabout, and providing support for the Executive Director/ Contemporary Programming at Lincoln Center for the Performing Arts, Inc. She is a member of the League of Professional Theatre Women. She has reviewed plays and musicals at TheaterPizzaz.com. Clips can be found on Twitter​, Her theater articles have been published in The Theatre Times, Howl Round, and The Brooklyn Rail. ​https://marcinazac.weebly.com/ CHRISTINA ROSE ASHBY ​is an Alaskan theater artist living in Brooklyn. She is the founding artistic director of Permafrost Theatre Collective. Christina specializes in new work creation and the reimagining of classics. Christina conceived and directed PTC’s production of Are You Alice: A New Wonderland Tale, a classic reimagining that had several short runs in New York City and made its international debut at the Edinburgh Fringe Festival in August of 2019. Select past credits include “Lack of Milk,” “Lost Sock Laundromat Astoria Queens” and “Suspicion Obsession Paranoia Marriage,” all by frequent collaborator Ivan Faute; “Living With an Angel,” a semi-autobiographical clown fantasia by Catherine Restivo-Romito; “Life is a Dream: a New Vintage” by Calderon and adapted by Annie R. Such; and “A Bright Room Called Day” by Tony Kushner. MFA in directing from the Actors Studio Drama School. Follow her on Twitter and Instagram @christinaroseashby. ​www.christinaashby.net

Revolution, An Artistic Explosion is an exploration of what it means to be an artist and what happens when different forms come together and try to make their voices heard.JESSICA ‘JES’ WASHINGTON is a New York City based actress, dancer, and writer; born and raised in Memphis, TN. She has a true love for storytelling. She is currently receiving her MFA at the Actors Studio Drama School in New York City. Theater credits: Lena in ​Who Will Sing For Lena​, a one-woman show with huge acclaim; performed along the east coast. Awards include: Best Lead Actress in a Drama (3x), People’s Choice, Best Overall Production, winner of AACT National Festival 2019. Procne in ​Love of the Nightingale​, Francine/Lena in ​Clybourne Park​, forwarding an EMACT nomination: Best Supporting Actress in a Drama. Independent film credits: Riley (lead) in feature ​Uprising​, Ealey in action short ​MAAT​ (lead), Jasmine in ​Even​, and Young Belinda Royale in ​Half the History: Belinda Royale Story​. Voice Over credits: Isabelle Powell in ​Greater Boston​, becoming winner of Best Supporting Actress in Audio Drama.Anel Carmona is a Mexican actor and playwright based in NYC. She has performed in dozens of plays in both countries including T​ales of the White Mountain ​(Rising Sun Performance Theatre), ​Catch me in America​ (Strike Anywhere Performance Ensemble), and ​Ti Jean and His Brothers​ (Ma’s Playhouse). Her favorite writing credits include ​Adios Fjord​ (Off-Broadway), Chocolate en la Estación​ (Guadalajara, Mexico), and her play ​A seis pies de distancia​ was recently published in the Mexican Theatre anthology ​De Pandemia a Pandemonium​. She holds a MFA in Playwriting by the Actors Studio Drama School and is a proud member of the Dramatist Guild of America.Isabel Faith Billinghurst is a freshly-graduated Musical Theatre major from Otterbein University. They moved to NYC this January, and are very excited to hop into their first project here! Past credits include Laura in ​The Glass Menagerie​ (French Creek Theatre), Banquo in ​The Tragedy of Macbeth, ​and Diana in Next to Normal​ (Otterbein University). For some laughs, feel free to check out their co-hosting on Did You Find This Helpful? available wherever you listen to your podcasts. ​Isabelfaithbillinghurst.comMarcina Zaccaria is a Writer, Director, and Arts Administrator. Previous plays include "Village, My Home" performed at the Dream Up Festival at Theater for the New City, and "All About Image/ We Are The Elite" performed at the Fringe Festival in NYC. Monologues from "A Digital Stratosphere Platform for Peace" have been read at Dixon Place and on Salon Radio. Also, the "The Body Politic" and "On Becoming a Mermaid" were available on Amazon. She has directed readings and plays in venues that include New Dramatists, Theaterlab, HERE Arts Center, 13th Street Repertory Company, Soho Rep, Dance Theater Workshop, and the Museum of Jewish Heritage. Arts administration experience includes Audience Services work at the Roundabout, and providing support for the Executive Director/ Contemporary Programming at Lincoln Center for the Performing Arts, Inc. She is a member of the League of Professional Theatre Women. She has reviewed plays and musicals at TheaterPizzaz.com. Clips can be found on Twitter​, Her theater articles have been published in The Theatre Times, Howl Round, and The Brooklyn Rail. ​https://marcinazac.weebly.com/ CHRISTINA ROSE ASHBY ​is an Alaskan theater artist living in Brooklyn. She is the founding artistic director of Permafrost Theatre Collective. Christina specializes in new work creation and the reimagining of classics. Christina conceived and directed PTC’s production of Are You Alice: A New Wonderland Tale, a classic reimagining that had several short runs in New York City and made its international debut at the Edinburgh Fringe Festival in August of 2019. Select past credits include “Lack of Milk,” “Lost Sock Laundromat Astoria Queens” and “Suspicion Obsession Paranoia Marriage,” all by frequent collaborator Ivan Faute; “Living With an Angel,” a semi-autobiographical clown fantasia by Catherine Restivo-Romito; “Life is a Dream: a New Vintage” by Calderon and adapted by Annie R. Such; and “A Bright Room Called Day” by Tony Kushner. MFA in directing from the Actors Studio Drama School. Follow her on Twitter and Instagram @christinaroseashby. ​www.christinaashby.net

Playwright, actor, and director Charles Ludlam (1943-87) helped to galvanize the Ridiculous style of theater in New York City starting in the 1960s. Decades after his death, his place in the chronicle of the American theater has remained constant, but his influence has changed. Although his Ridiculous Theatrical Company shut its doors, the Ludlamesque Ridiculous has continued to thrive and remain a groundbreaking genre, maintaining its relevance and potency by metamorphosing along with changes in the LGBTQ community. Author Sean F. Edgecomb focuses on the Neo-Ridiculous artists Charles Busch, Bradford Louryk, and Taylor Mace to trace the connections between Ludlam’s legacy and their performances. Using alternative queer models such as kinetic kinship, lateral historiography, and a new approach to camp, Charles Ludlam Lives!: Charles Busch, Bradford Louryk, Taylor Mac and the Queer Legacy of the Ridiculous Theatrical Company (University of Michigan Press, 2017) demonstrates that the queer legacy of Ludlam is one of distinct transformation— one where artists can reject faithful interpretations in order to move in new interpretive directions. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine’s A Crack Up at the Race Riots at Theater for a New City’s Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck’s The Blind, and performing in his production of Albert Camus’ Caligula (Chaerea) as part of the New Ohio Theater’s Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Can care be enacted through art? Inside a cathedral, staff members from a nursing home work with an artist to perform a poetic text about caregiving, loss, and taking the time to feel one's feelings. In the months leading up to the performance, the artist navigates her twenties—and art and life converge in unexpected ways. In Stages: On Dying, Working, and Feeling (Thick Press, 2020), Rachel Kauder Nalebuff has created a stirring work of hybrid nonfiction that takes us behind the scenes of artmaking and caregiving. Melding curiosity, humility, playfulness, and self-deprecation, Stages is an inquiry into the work it takes to sustain a meaningful life. Rachel Kauder Nalebuff is a writer working often in the realms of performance and oral history. She is editor of My Little Red Book (Hachette, 2009), a collection of people's first period stories, and co-editor of The Feminist Utopia Project (Feminist Press, 2015) with Alexandra Brodsky. She runs a mentor program for seniors with Caitlin Ryan O'Connell and many friends throughout the New York City Department of Aging. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine's A Crack Up at the Race Riots at Theater for a New City's Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck's The Blind, and performing in his production of Albert Camus' Caligula (Chaerea) as part of the New Ohio Theater's Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Can care be enacted through art? Inside a cathedral, staff members from a nursing home work with an artist to perform a poetic text about caregiving, loss, and taking the time to feel one’s feelings. In the months leading up to the performance, the artist navigates her twenties—and art and life converge in unexpected ways. In Stages: On Dying, Working, and Feeling (Thick Press, 2020), Rachel Kauder Nalebuff has created a stirring work of hybrid nonfiction that takes us behind the scenes of artmaking and caregiving. Melding curiosity, humility, playfulness, and self-deprecation, Stages is an inquiry into the work it takes to sustain a meaningful life. Rachel Kauder Nalebuff is a writer working often in the realms of performance and oral history. She is editor of My Little Red Book (Hachette, 2009), a collection of people’s first period stories, and co-editor of The Feminist Utopia Project (Feminist Press, 2015) with Alexandra Brodsky. She runs a mentor program for seniors with Caitlin Ryan O’Connell and many friends throughout the New York City Department of Aging. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine's A Crack Up at the Race Riots at Theater for a New City's Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck's The Blind, and performing in his production of Albert Camus' Caligula (Chaerea) as part of the New Ohio Theater's Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Darknight Productions will present “You Don’t Know How It Feels” as part of the Dream Up Festival at Theater for the New City - an honest and daring look at a student who is sexually assaulted by her teacher. The hope is to further the dialogue that will help end the stigma surrounding this crucial issue. Who can you turn to when trust is betrayed? Dena and her friends love Mr. McCoe, he is the coolest. After Dena’s sister dies, he listens, helps her bring up her grades and prepare to try out for the basketball team. He manipulates the power dynamic so that her family, friends, teachers and school administration are not aware of the dark turn their relationship takes. This is a forthright and caring exploration of a young woman’s story reminding us how important it is to pay attention. This play contains sexual violence, assault and abuse. It is not suitable for children under the age of sixteen.  Facebook Event Ticketing Website  Mon 8/21 at 1pmET/10amPT or anytime in the archives.   Thanks to our sponsors: Safety Bags, Inc., StadiumBags.com and Traci's Healthy Habits.  Follow us on Facebook, Twitter and Instagram.  Email Traci at traci.womradio@gmail.com for information on how to become a guest or sponsor!

Darknight Productions upcoming season includes:  Kelley Blessing's important new play "You Don't Know How It Feels, accepted into the Dream Up Festival at Theater for the New City, performances 8/26 - 9/16.  What I Always Wanted To Do, the Musical - A Perfect 10! in October and original new one acts in December. There will be a cabaret fundraising event at 353 W 48th St., 2nd. Floor.  You can also donate here.  We will also recap The Family Repertory Co's Series of Short Stories, with some snippets and interviews from the show as well as this month's Kairo's Cafe.   Mon 7/16 at 11:00amPT/2:00pmET or anytime in the archives.   #WoMRadio is committed to raising awareness about bullying and we are sharing David Carraturo's heartfelt PSA in honor of his daughter, Julianna who tragically committed suicide this year.  Thanks to our sponsors Safety Bags, Inc., StadiumBags.com and Traci’s Healthy Habits.  Follow us on Facebook, Twitter, Instagram and Google+.  Email traci.womradio@gmail.com for information on how to become a guest or sponsor!

ARTILLIERS presents: Episode 8 of Cruel Runnings. This week's guest is filmmaker Mat Stolarik (our first!) who takes us through a thesis film where everything went wrong. Then, Trey Fillmore performs for us Artaud's notes on an "Act In Street" from his collected writings. Hosted by Jake Beckhard & Serena Berman. Cruel Runnings is a product of Artilliers, a new paraclassical theatre company. Artilliers is producing "Artaud Artaud" at the Dream Up Festival at Theater for the New City. Tickets are now available: http://tix.smarttix.com/Modules/Sales/SalesMainTabsPage.aspx?ControlState=1&DiscountCode&SalesEventId=4232&DC You can help build the altar where we revere & ruin the sacred texts of theatre by following us on Facebook at www.facebook.com/Artilliers, and contribute to the mission at https://cash.me/$artilliers

ARTILLIERS presents: Episode 7 of Cruel Runnings. This week's guest is actor Trey Fillmore, who introduces us to an acting teacher from hell. And Zi Alikhan returns with a letter from Artaud to a professional actress, requesting that she seriously reconsider her disinterest in playing a woman prone to flatulence in his next play. Hosted by Jake Beckhard & Serena Berman. Cruel Runnings is a product of Artilliers, a new paraclassical theatre company. Artilliers is producing "Artaud Artaud" at the Dream Up Festival at Theater for the New City. Tickets are now available: http://tix.smarttix.com/Modules/Sales/SalesMainTabsPage.aspx?ControlState=1&DiscountCode&SalesEventId=4232&DC You can help us make old plays in new ways and new plays in bold places by visiting our website at www.artilliers.com

ARTILLIERS presents: Episode 6 of Cruel Runnings. This week's guest is director Zi Alikhan, who recounts a troubling exercise in La Ronde. And David Rosenberg returns to reimagine Artaud's tumultuous "The Theatre and the Plague" as an Apple commercial. Hosted by Jake Beckhard & Serena Berman. Cruel Runnings is a product of Artilliers, a new paraclassical theatre company. Artilliers is producing "Artaud Artaud" at the Dream Up Festival at Theater for the New City. Tickets are now available: http://tix.smarttix.com/Modules/Sales/SalesMainTabsPage.aspx?ControlState=1&DiscountCode&SalesEventId=4232&DC You can help build the altar where we revere & ruin the sacred texts of theatre by following us on Facebook at www.facebook.com/Artilliers.

ARTILLIERS presents: Episode 5 of Cruel Runnings. In a special episode, actor Peter Smith, who plays ARTAUD in our upcoming production of ARTAUD ARTAUD, reads us a strangely tender piece by Antonin Artaud in its entirety - the both touching and distressing love story, "The Window Of Love". Hosted by Jake Beckhard & Serena Berman. Cruel Runnings is a product of Artilliers, a new paraclassical theatre company. Artilliers is producing "Artaud Artaud" at the Dream Up Festival at Theater for the New City. You can help build the altar where we revere & ruin the sacred texts of theatre by donating to our inaugural season on our Kickstarter page -https://www.kickstarter.com/projects/1805339697/artilliers-a-para-classical-theater

ARTILLIERS presents: Episode 4 of Cruel Runnings. This week's guest is actor David Rosenberg, who talks about being asked to go Full Hank Azaria. And Emily Altschul returns to rouse us out of our sleepy normalcies into a realm of Pure Artistic Enlightenment. Hosted by Jake Beckhard & Serena Berman. Cruel Runnings is a product of Artilliers, a new paraclassical theatre company. Artilliers is producing "Artaud Artaud" at the Dream Up Festival at Theater for the New City. You can help build the altar where we revere & ruin the sacred texts of theatre by donating to our inaugural season on our Kickstarter page - https://www.kickstarter.com/projects/1805339697/artilliers-a-para-classical-theater

ARTILLIERS presents: Episode 3 of Cruel Runnings. This week's guest is actor and founding Artillier Serena Berman, who recounts a story about acting as a child in LA. And Trey Fillmore (@TreyFillmore) plays us an Artaud-inspired track. Hosted by Jake Beck. Cruel Runnings is a product of Artilliers, a new paraclassical theatre company. Artilliers is producing "Artaud Artaud" at the Dream Up Festival at Theatre for the New City. You can help build the altar where we revere & ruin the sacred texts of theatre by donating to our inaugural season on our Kickstarter page - https://www.kickstarter.com/projects/1805339697/artilliers-a-para-classical-theater

ARTILLIERS presents: Episode 2 of Cruel Runnings. This week's guest is actor Emily Altschul, who tells the story of a series of cruelties in a fringe show that was "like if sarah ruhl wrote an episode of Girls about sexual assault." Jake Beck, your host, probes just what we mean by Cruelty. And Michael Lorz returns to perform a one man rendition of Artaud's first play. Cruel Runnings is a product of Artilliers, a new paraclassical theatre company. Artilliers is producing "Artaud Artaud" at the Dream Up Festival at Theatre for the New City. You can help build the altar where we revere & ruin the sacred texts of theatre by donating to our inaugural season on our Kickstarter page - https://www.kickstarter.com/projects/1805339697/artilliers-a-para-classical-theater

ARTILLIERS presents: Episode 1 of Cruel Runnings. This week's guest is Michael Lorz, an extraordinary actor, who recounts for us the cruelest performances of Rock of Ages he ever had to wrestle with. Jake Beck, your host, introduces the show and the Big Guy Himself, Mr. Antonin Artaud. And Serena Berman reads an excerpt from a letter written by Artaud in his younger days. ------- Cruel Runnings is a product of Artilliers, a new paraclassical theatre company. Artilliers is producing "Artaud Artaud" at the Dream Up Festival at Theatre for the New City. You can help build the altar where we praise & profane the sacred texts of theatre by donating to our inaugural season on our Kickstarter page - https://www.kickstarter.com/projects/1805339697/artilliers-a-para-classical-theater