Podcasts about Performance Research

Amidst all the doom and gloom of the current zeitgeist, Harvard University literature professor & DLD 2025 speaker Martin Puchner remains cautiously optimistic about our high tech future. Reflecting on cultural and technological changes over the past 20 years. Puchner explains how digital technology has transformed academic research and teaching since 2005, noting how the internet has made obscure texts more accessible and changed how scholars work. While acknowledging concerns about declining humanities enrollment and student reading habits, Puchner maintains a cautiously optimistic outlook. He observes that while fewer top students choose to study literature, there's been a growth in public engagement with humanities through book clubs, podcasts, and adult education. Puchner offers nuanced perspectives on several contemporary issues, including the rise of student anxiety (which he attributes more to psycho-pharmaceuticals than technology), the paradox of people valuing reading while actually reading less, and the role of AI in education. He suggests that AI's ability to summarize texts might complement rather than replace deep reading, particularly for fiction where the reading experience itself is central. Looking ahead to 2045, Puchner is particularly optimistic about education's future, believing that interactive online platforms and AI could help democratize high-quality education globally. However, he maintains that human teachers will remain essential due to the affective, interpersonal nature of education—something demonstrated during COVID-19 when in-person interaction was lost. He sees technology as augmenting rather than replacing traditional educational experiences, much as print didn't eliminate lectures and film didn't replace theater.Martin Puchner, the Byron and Anita Wien Professor at Harvard University, is a prize-winning author, educator, public speaker, and institution builder in the arts and humanities. His writings range from philosophy and theater to culture and technology and have been translated into many languages. Through his best-selling Norton Anthology of World Literature and his HarvardX MOOC Masterpieces of World Literature, he has brought four thousand years of literature to audiences across the globe. His book, The Written World, which tells the story of literature from the invention of writing to the Internet, has been widely reviewed in The New York Times, The Times (London), the Financial Times, The Times Literary Supplement, The Atlantic, The Economist, among others, covered on radio and television, and has been translated into over twenty languages. It appeared on the Wall Street Journal bestseller list and received the Massachusetts Book Award. His book The Language of Thieves has been praised as an unusual combination of scholarship and memoir, and the writing, compared to Stevenson's Treasure Island and Tolkien's Lord of the Rings. An adventurous foray into the philosophy of language, it is also a reckoning with Germany's past. His book Literature for a Changing Planet is based on the inaugural Oxford University Lectures in European History, delivered in November 2019, has been reviewed in the Financial Times, The New York Review of Books and other venues. It calls for a new approach to storytelling and climate change. His most recent book, Culture: The Story of Us, tells a global history of culture that raises fundamental questions about how culture works, and how different cultures should relate to one another. In hundreds of lectures and workshops from the Arctic Circle to Brazil and from the Middle East to China, he has advocated for the arts and humanities in a changing world. At Harvard, he has instituted these ideas in a new program in theater, dance and media as well as in the Mellon School of Theater and Performance Research, which lasted from 2010-2022. Among his prizes are a Guggenheim Fellowship, fellowships at the Institute for Advanced Study in Berlin and at the Cullman Center at the New York Public Library, the Berlin Prize, and the 2021 Humboldt Prize. He is a permanent member of the European Academy.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

jess pretty is on a quest for pleasure that transcends time and the spaces she claims to reside in. her practices include writing, teaching, cooking, singing, conjuring, and dancing. pretty received an MFA in Dance with a minor in Queer Studies from the University of Illinois at Urbana Champaign. she has shown her work at the Chocolate Factory Theater, La Mama Experimental Theater Club (2017 La Mama Moves Festival), New York Live Arts (as a 2016/17 Fresh Tracks artist), CATCH!, Gibney Dance Center, Brooklyn Studios for Dance, the CURRENT SESSIONS, panoply performing arts space, Green Street Studios, and three ACDA conferences. pretty has been an artist in residence at Kent State (2017), the Chocolate Factory Theatre, and the Center for Performance Research (2019-2020) and was a 2020 member of the Queer Art Fellowship. pretty has collaborated and been a part of the works of: Will Rawls, Claudia Rankine, Kevin Beasley, Okwui Okpokwasili, Peter Born, Catherine Gallasso, David Thomson, Katie Workum, Niall Jones, Jennifer Monson, Cynthia Oliver, Leslie Cuyjet and Dianne McIntyre. pretty is the current steward of AUNTS; a punk/DIY performance series that hosts events/festivals/shows to highlight the works of experimental dance makers in NYC and beyond. pretty currently lives in Minneapolis, MN where she is an Assistant Professor of Dance at the University of Minnesota Twin Cities. Jess's Website The Walker Art Center i'm curating this year's Choreorapher's Evening Reverence for Impulse Is an unscripted and unplanned podcast with me, Weena Pauly-Tarr and my brother Tim Pauly, both working in the worlds of somatics: exploring bodies and all they hold/do/feel. We start each guest encounter with a few minutes of meeting each other without words, through the language of our bodies, before we press record and bring it to a conversation. This is not a hard hitting agenda or getting to the bottom of things. It's about finding each other in the not-knowing. We're here for the spaciousness, the awkwardness, the silliness, the silence — from the dark insides of our bodies to the bright insights of our minds, we're excited to welcome people who's impulses we'd like to get to know. Intro Music by Annie Hart Weena's Website: weenapauly.com  Weena's IG: @weenapaulytarr Tim's Website: intheserviceoflife.com Tim's IG: @in.the.service.of.life

Adam Virgile - Director of Applied Sports Science and Performance Research - joins us for the 65th episode of MTN. On today's episode we dive into everything from navigating the differences between high and low quality data, subjective evaluations, how bandwidth can affect implementation & effectiveness, what skills are becoming more and less useful in sports science, and a couple of Adam's key metrics he looks at Follow Adam on IG @adam.virgile and find him on X @AdamVirgile Find us on social media @mtn_perform and check back each Wednesday for a new episode Big Thanks to our sponsor Lumin Sports: Lumin continues to change the game within the AMS realm and recently launched their new strength builder platform. Head on over to luminsports.com - and mention Move the Needle at Check out to receive 20% off your first full year. & a huge Thank You to our sponsor, Hawkin Dynamics: Hawkin is the world leader in force measuring, and continues to put forth the tools for high-performance practitioners to be exactly that, high performers. If you haven't yet checked out Hawkins - head over to their website at: https://www.hawkindynamics.com/ and check out everything they have to offer Make sure to check out our sponsor, Samson Equipment: Samson is a leader in manufacturing elite weight room equipment (and have been for nearly 50 years). Founded by Dave and Linda Schroeder, Samson is weight room equipment made by coaches for coaches. Check them out at samsonequipment.com for more information Shoutout to our sponsor, 1080 Motion. The 1080 Sprint is the single best piece of training equipment in the world & has continually changed the game for training speed, strength, and power. Go to 1080motion.com to learn more.

As an experiment I just fed all the publicly available Employee Happiness research papers focused on Performance from the last 10 years into Google AI. I then used that AI to turn the findings into a podcast. The entire process took 2 mins max. Have a listen and let me know what you think... Scary? Useful? Am I out of a job? Better than my normal episodes?

In this episode of the Experts in Sport podcast, host, Martin Foster, is joined by guests, Dr Richard Ferguson and Dr Dave Nichols, to discuss research around elite cycling and performance.Timestamps:0.00-2.23 - Intro2.24-8.59 - Competing at an elite level and training9.00-12.29 - Individual or team sport and hierarchy12.30-17.14 - Research to understand level of performance17.15-21.38 - Interdisciplinary research at Loughborough University21.39-24.47 - Real-life applications of cycling24.48-27.19 - Potential use of online tools in elite training27.20-33.51 - Beneficial research at Loughborough33.52-42.16 - Loughborough Lightning 42.17-48.29 - Issues around androcentric research48.30-54.24 - Upcoming research54.25-57.11 - Outro

In Episode 141 of the PricePlow Podcast, Mike and Ben welcome Chad Kerksick, President of the International Society of Sports Nutrition (ISSN), to discuss his journey in exercise science and nutrition research. As a university professor and director of the Exercise and Performance Nutrition Laboratory at Lindenwood University, Chad has tons of experience, insights, and wisdom to share. Chad begins with an overview of his academic and professional background, detailing his roles and responsibilities at Lindenwood University. He discusses the challenges of balancing his busy schedule with his desire to be more active on social media, and it's our goal to bring him out to the media world more often. The conversation then shifts to the opportunities for collaboration between academic labs and the industry, highlighting the value of attending conferences for networking and exploring potential partnerships. Chad shares insights into the types of research his lab conducts, including studies on exercise and nutritional interventions that impact health, performance, and recovery outcomes. Elite research on elite athletes One of the key highlights of the episode is Chad's discussion of a unique case study on elite CrossFit athlete Tia-Clair Toomey. He details the process of collecting blood and stool samples to analyze changes in metabolites and the microbiome during intense training and competition, offering listeners a fascinating glimpse into the complexities of researching elite athletes. Throughout the episode, Chad underscores the power of consistency in diet and exercise, sharing practical advice for maintaining a balanced lifestyle. He also touches on his key research areas, including protein supplementation, probiotics, and resistance exercise, providing valuable insights for both researchers and fitness enthusiasts. This episode is the first of a two-part series aimed at introducing Chad to the PricePlow community and recapping the highlights of the ISSN 2024 conference. The second episode will zero in on a couple of specific ingredients. Chad Kerksick: Elite Performance Research & ISSN 2024 Recap | Episode #141″>https://blog.priceplow.com/podcast/chad-kerksick-issn-141 Video: Watch Chad Kerksick Discuss Research and ISSN 2024 https://www.youtube.com/watch?v=GMuvmSSidXc Show Notes with Chad Kerksick – ISSN, Performance, and More (00:00) – Welcome and Introduction to Chad Kerksick (05:00) – Challenges of a Busy Schedule and Social Media Presence (10:00) – Collaboration Opportunities in Academic Labs (15:00) – Recap of ISSN 2024 Conference (20:00) – Case Study on Tia-Clair Toomey's Fecal Matter (25:00) – Metagenomics and Metabolomics Analysis (30:00) – Shifts in Metabolites During Competition (35:00) – The Power of Consistency in Diet and Exercise (40:00) – Key Research Areas in Exercise Science (45:00) – Challenges and Rewards of Elite Athlete Research (50:00) – Future Research (55:00) – Podcast Wrap-Up, Closing Remarks, and Stay Tuned for Part 2 Where to Find Chad Kerksick Online Instagram: @ChadKerksick LinkedIn: linkedin.com/in/chadkerksick/ ISSN Website: SportsNutritionSociety.org…... Read more on the PricePlow Blog

On episode 262 of ABR, we are joined by Spencer Nix, the owner and chief researcher of Behavior & Performance Research. Spencer talks about his journey in the fitness industry that spans over two decades. He shares his experience of being a CrossFit Affiliate owner for more than ten years and his transition to creating BPR, which combines behavior and identity coaching with fitness and performance. Due to many similarities in their approach, a connection was bound to happen between Spencer and the team at BPR. Spencer's wealth of knowledge, heart, passion and authenticity impressed and inspired the Airey Bros. This episode is packed with valuable insights, and the conversation was so engaging that the hardest part was finishing it.Stay Connected Spencer NixBPR Instutite BPR Field ManualBPR Instagram

jess pretty is an Assistant Professor of Dance at the University of Minnesota Twin Cities and the current artistic director of AUNTS; a punk/DIY performance series that hosts events/festivals/shows to highlight the works of experimental dance makers in NYC. she has shown her work at La Mama Experimental Theater Club (2017 La Mama Moves Festival), New York Live Arts (as a 2016/17 Fresh Tracks artist), CATCH!, Gibney Dance Center, Brooklyn Studios for Dance, the CURRENT SESSIONS, panoply performing arts space, Green Street Studios, three ACDA conferences, and the Chocolate Factory Theatre. pretty has been an artist in residence at Kent State (2017), the Chocolate Factory Theatre, and the Center for Performance Research (2019-2020) and was also a 2020 member of the Queer Art Fellowship. pretty has collaborated and been a part of the works of: Will Rawls, Claudia Rankine, Kevin Beasley, Okwui Okpokwasili, Peter Born, Catherine Gallasso, David Thomson, Katie Workum, Niall Jones, Jennifer Monson, Cynthia Oliver, Leslie Cuyjet and Dianne McIntyre. call and response is a methodology for building connection and community; a celebration and appreciation for black life; an archival tool; and lens for embodiment. this work is personal and archival; calling on me to turn towards my own story, lineage and memory as the site of choreographic creation. in looking at myself, i aim to build a black queer archive to provide proof of life (instead of the constant images of black death we experience) for future generations. how do we come together? how do we see each other? how do we care for each other? how do we make space for pleasure, joy, ease and non-urgency? how do we 'get free' using the body as the site for radical transformation? taking place somewhere between an improvised self portrait and the middle of the dance floor, call and response directs our attention inward to the deep histories our bodies hold. calling us to say ‘yes' to "the encounter”, to vulnerability, to the collective, to the moving body, to change and to transformation.

Dr Glenn McConell chats with Dr David Martin. David has a remarkable and varied background starting off as a research scientist at the Australian Institute Sport and then National Sports Science Coordinator at Cycling Australia. He then becameDirector, Performance Research and Development at the Philadelphia 76ers. He is currently Chief Scientist, Director of Performance at Apeiron Life, San Francisco where he works to improve the healthspan of high net worth individuals. He is also an Adjunct Professor at the Australian Catholic University. We talked about all of this with a focus on the importance of belief systems in sports performance, how placebo effects are real, the use of placebos/belief effects in sports etc. A really interesting chat. I learned a lot. Twitter: davidtmartin0:00. Introduction to podcast and David Martin3:20. Testing Lance Armstrong and Cadel Evans8:00. Thermoregulation, Heat susceptibility9:10. Derek Clayton10:35. Amy Gillett Foundation11:40. Physiological attributes vs belief for exercise performance18:05. Cycling selection camps based on combat selection23:00. Belief effect25:20. Placebo effect of altitude training33:25. Does EPO (Erythropoietin) have its own effects on perf etc?38:00. Placebo effects on pain and depression etc42:00. The “I went to Harvard” /credentials etc effect45:05. Lying to win and Belief vs evidence47:05. How handle if mismatch between belief and evidence53:20. Real physiological effects of placebos1:01:40. How much of perf effect of CHO ingestion is belief effect1:03:10. Believable vs well informed people in sports team1:05:40. Importance of belief in the coach1:09:40. Physiological needs of the specific sport1:13:40. David and the Philadelphia 76ers1:19:00. NBA and trust/protection/managing1:23:53. His ideas and finishing up at the Philadelphia 76ers1:26:20. Regretted not going fully into academia?1:28:22. Rather fight 1000 x 1lb chickens or 1 x 1000 lb chicken?1:30:24. Balancing S&C needs and the coaches needs1:32:55. Reducing injuries in team sports1:34:55. Importance of pre-season conditioning1:35:40. Balance of winning vs how much money can make1:38:40. Lower body strength in NBA vs track cyclists1:41:18. Improving healthspans of high net worth individuals1:53:10. A focus on healthspan rather than lifespan1:58:55. Evidence base re supplements2:03:45. Miss the adrenaline of working with athletes?2:05:12. Outro Inside Exercise brings to you the who's who of research in exercise metabolism, exercise physiology and exercise's effects on health. With scientific rigor, these researchers discuss popular exercise topics while providing practical strategies for all.The interviewer, Emeritus Professor Glenn McConell, has an international research profile following 30 years of Exercise Metabolism research experience while at The University of Melbourne, Ball State University, Monash University, the University of Copenhagen and Victoria University.He has published over 120 peer reviewed journal articles and recently edited an Exercise Metabolism eBook written by world experts on 17 different topics (https://link.springer.com/book/10.1007/978-3-030-94305-9).Connect with Inside Exercise and Glenn McConell at:Twitter: @Inside_exercise and @GlennMcConell1Instagram: insideexerciseFacebook: Glenn McConellLinkedIn: Glenn McConell https://www.linkedin.com/in/glenn-mcconell-83475460ResearchGate: Glenn McConellEmail: glenn.mcconell@gmail.comSubscribe to Inside exercise:Spotify: shorturl.at/tyGHLApple Podcasts: shorturl.at/oFQRUYouTube: https://www.youtube.com/@insideexerciseAnchor: https://anchor.fm/insideexerciseGoogle Podcasts: shorturl.at/bfhHIAnchor: https://anchor.fm/insideexercisePodcast Addict: https://podcastaddict.com/podcast/4025218Not medical advice

Sydney Skybetter sits down with performance historian Doug Eacho to discuss emergent technologies of the last century. They explore how sci-fi has influenced our expectations for the future of performance, and why these expectations almost never become reality. About Doug: Douglas Eacho is a performance historian and theater director. His current research project concerns artists and engineers who have sought to automate theatrical processes, from French surrealists, to lighting board designers, to contemporary makers of algorithmic dance. He explores the increasing integration between automaticity and theatricality on and off the stage, and the shifting ways technology performs amidst conditions of economic stagnation. Another research thread concerns the long history of statistical representation as it has intersected with naturalist and aleatory performance; this work informed his article “Serial Nostalgia: Rimini Protokoll's 100% City and the Numbers We No Longer Are” (Theatre Research International, 2018). His reviews have been published in Theatre Survey, Theatre Journal, and Theatre and Performance Design. Before his doctoral studies, his found-text performances were presented around New York City, including at the Invisible Dog, Judson Memorial Church, and the Center for Performance Research. “His Fear of a Lonely Planet,” a piece about tourism, was devised with Stanford University students in 2018. Read the transcript, and find more resources in our archive: https://www.are.na/choreographicinterfaces/dwr-ep-8-overclocking-of-the-human-computer Like, subscribe, and review here: https://podcasts.apple.com/us/podcast/dances-with-robots/id1715669152  What We Discuss with Doug (Timestamps):  0:00:04: Intro to Doug Eacho and his expertise in performance history & technology 0:00:29: Discussion on the portrayal of AI in the media 0:01:52: Exploring the intersection of performance & technology throughout history 0:04:17: Defining performance and technology in relation to art 0:07:38: Analyzing the connection between acting and the portrayal of robots 0:09:15: Discussion on the sexist trope in Blade Runner 0:11:05: Mention of a deleted Salome dance scene in Blade Runner 0:13:08: Interpretation of science fiction as art about the present 0:14:12: Conclusion on the nature of science fiction as predictions of the future 0:16:33: Balancing the future and the present as a parent 0:18:05: The misconception of AI appearing out of nowhere 0:19:40: The history of technology and overestimating its capabilities 0:22:23: The impact of technology on labor and jobs 0:23:55: The narrative of creating better worlds through technology 0:25:23: The promises of digital technology in a capitalist society 0:26:12: Artists creating critical work on technology and inequality 0:27:39: Algorithmic dance and the work of Liz Santoro and Pierre Gaudar 0:30:53: Overclocking the human computer 0:33:37: Illusion of power in using AI systems 0:34:06: Show credits & thanks The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at www.choreographicinterfaces.org Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.    

This podcast hears how mental health and life chances of young people and their parents are being dramatically affected by post-pandemic cost of living pressures. Not only is there an elevated risk of psychological distress, the research also found food bank use and long-term poverty is associated with lower GCSE attainment. This sparks additional concerns about the long-term impact of the current cost-of-living crisis. Full show notes and links: coming soon More IOE podcasts: https://bit.ly/ioepodcast

Jonathan ‘Jono' Shepherd (Head of Performance Research at PING golf) and Doctor Aimee Mears (Senior Lecturer in Sports Technology at Loughborough University) discuss golf equipment, and how manufactures and research can work together to benefit players both expert and amateur with host Stuart McErlain-Naylor.Timestamps 00:00 - 04:19 - Introductions to guests, background in golf and sports technology04:20 - 11:18 - What is the performance research centre and what does it do?11:19 - 21:12 - The interaction between the player and the equipment 21:13 - 28:32 - What technology are being used and how that helps achieve the aims of the industry?28:33 - 30:26 - Variability of human movement or maximum performance 30:27 - 34:56 - Should you based equipment decisions off what the pros use? 34:57 - 37:57 - Speed, accuracy and the sweet spot in golf37:58 - 44:36 - Would golf clubs be different between men and women? 44:37 - 46:18 - How good are people at judging golf equipment for themselves46:19 - 49:14 - Conclusion, links and goodbyes from guests

Part of the special curated series enDurANCE, curated and guest hosted by Daniela Perazzo, and supported by the Ivor Guest Research Grant and the Race and Gender Matters Research Group at Kingston University, we discuss notions of endurance, perseverance, repetition and what they really require in art and life. Discussing their new work KARRASEKARE (the Sardinian word for Carnival) the conversation probes ideas of what collectivity can offer to duration and asks how cultural traditions can speak to our contemporary world and art. Keywords: Endurance, contemporary dance, dance research, perseverance, tradition, carnival As of publication in September 2023, Igor x Moreno are preparing for new tour dates in 2023/24 across the UK and Europe. All information can be found here: http://igorandmoreno.com/calendar/Igor x Moreno is the name under which the works created by choreographers Igor Urzelai and Moreno Solinas – in collaboration with an extended group of artists – are presented. Igor x Moreno's works stem from a fascination for people and what makes us such special animals. They use choreography and mostly non-verbal languages to create experiences which can surprise, energise and unsettle. Their works – highly constructed whilst deeply concerned with liveness – visit and escape different genres and styles.Igor x Moreno's creative processes favour questions over answers, action over narration, communication over expression, alterity over diversity, patience over productivity. They don't see entertainment as their duty, but as a useful communication tool. They work with rigour and playfulness. They value pointlessness. The team – based across Europe – gathers in Sardinia and London, from where Igor x Moreno's works have toured extensively in Europe and also in North and South America, Africa and Asia. Awards and recognitions include the Rudolf Laban Award and National Dance Awards and Total Theatre Awards nominations; their works have been selected for Aerowaves (2011, 2013 and 2015), NID Platform, British Council Showcase and British Dance Edition. Moreno Solinas and Igor Urzelai are affiliate artists of The Place (London), co-directors of Sardinian production company S'ALA (www.s-ala.com) and members of the Cultural Advisory Board of British Council Italy.Daniela Perazzo is a dance and performance scholar with a specialist interest in the intersections of the aesthetic and the political in interdisciplinary movement practices and experimental dramaturgical processes. She is a Senior Lecturer in Dance and Postgraduate Research Coordinator for the Department of Performing Arts and the School of Arts. She received a PhD in Dance Studies from the University of Surrey, funded by a university scholarship (2004-2007). Her first monograph, Jonathan Burrows: Towards a Minor Dance, was published by Palgrave Macmillan in 2019 in the "New World Choreographies" series. Other recent publications include articles in Dance Research Journal, Performance Philosophy, Performance Research, Choreographic Practices and Contemporary Theatre Review.

EPISODE 1691: In this special KEEN ON show from DLD Circular, Andrew talks to Martin Puchner, professor of literature at Harvard, about why truthful stories about nature should have neither beginnings nor endings Martin Puchner is the Byron and Anita Wien Professor of English and Comparative Literature at Harvard University, where he also serves as the founding director of the Mellon School of Theater and Performance Research. Puchner completed his BA at the Universität Konstanz; MA at the University of California, Santa Barbara, and at UC Irvine; and PhD at Harvard University. A recent fellow of both the Guggenheim Foundation and Cullman Center, he has published over a dozen books and anthologies, including Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (Princeton, 2006), which won the MLA's James Russell Lowell Award; The Drama of Ideas: Platonic Provocations in Theater and Philosophy (Oxford, 2010), awarded the Joe A. Callaway Prize and the Walter Channing Cabot Prize; and The Written World: How Literature Shaped Civilization (Random House, 2017). Puchner is the co-editor of Against Theatre: Creative Destructions on the Modernist Stage (Palgrave, 2006) and The Norton Anthology of Drama (2009), and the general editor of the Norton Anthology of World Literature. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this dialogue Prof Christo Doherty speaks to Professor Bruce Barton the Director of the University of Calgary's School of Creative and Performing Arts, and the Co-Artistic Director (with Pil Hansen) of Vertical City, an interdisciplinary performance hub they co-founded in Toronto in 2007. Bruce is a teacher and theorist of artistic research and is also a top creative practitioner. He has extensive experience as a director, playwright, dramaturg, and designer with numerous intermedial performance companies across Canada and internationally. In addition he has published widely and edited both major peer-reviewed and professional journals and is the editor/contributor of seven books, most recently the seminal collections, Performance as Research: Methodology, Knowledge, Impact in 2017 and At the Intersection between Art and Research in 2010. Bruce has also been very active in scholarly organisations. He was the founder and co-convenor of the “Articulating Artistic Research” Seminar at the Canadian Association for Theatre Research,IFTR, which he began in 2012. He is also a co-convenor of the Performance as Research Working Group of the International Federation for Theatre Research and the Artistic Research Working Group of Performance Studies international (PSi). It was his involvement with these organisations that brought him to Africa last month where he participated in the first African IFTR Conference in Ghana, followed by the first African PSi Conference held in Johannesburg, and hosted by the Wits School of Arts. Christo caught up with him shortly after his return to Canada to discuss his experience of the two conferences in two different African cities, the differences between the IFTR and PSi and the value of such scholarly organisations to emerging scholars. We then untangle the terminology around Performance as Research and Artistic Research before considering Bruce's key terms for evaluating Artistic Research: Methods, Knowledge, and Impact. Finally we explore the very exciting work that he has done, with his creative partner, Pil Hansen, with the Vertical City Performance in Toronto, particularly their innovative engagements using performance into the fields of cognitive science,and cognitive philosophy. Performance Research Knowledge · Vertical City Performance · International Federation for Performance Research · Perfromance Studies International

In this episode Luke and Liam dive into a research review on the impact going for a poo has on performance (yep you read that right, going for a poo)!The paper in question is: Defecation enhances cerebral perfusion and delays fatigue in elite triathletesBy Chen-Chan Wei et alThey dive into just how much of an impact can going to the toilet before a competition can have and to be honest the results might surprise you! For more info on our programs head over to our website hereCheck out our Instagram page where we post tonnes of useful info here Hosted on Acast. See acast.com/privacy for more information.

In this episode Luke and Liam dive into a research review on the impact Creatine has on Endurance Performance! The paper in question is: Creatine supplementation and endurance performance: surges and sprints to win the race by Forbes et alCreatine is incredibly well researched within the world of strength and power, but what about endurance? We dive into this and talk a lot more about how best to use creatine regardless of your goal. For more info on our programs head over to our website hereCheck out our Instagram page where we post tonnes of useful info here Hosted on Acast. See acast.com/privacy for more information.

Drawing on insights from experts in the Sporting Edge library, we delve into the psychology of risk. From the primitive instincts that keep us safe to the winner effect of excessive risk. Jeremy shares his personal experiences of managing risk in elite sport and we hear thought-provoking reflections and inspirational strategies to give you more confidence and clarity in the decisions you face.Tune in to hear key insights from:Dr Dehra Harris: Director of Performance Research and Education at Toronto Blue JaysWandi Bruine de Bruin: Provost Professor of Public Policy, Psychology, and Behavioral Science at University of Southern CaliforniaStuart Worden: Principal of BRIT School of Performing ArtsJohn Coates: former trader on Wall Street, author and neuroscientistJames Kerr: best-selling author, creative director, and brand consultant If you'd like to join the Sporting Edge Members Club to get 24/7 access to over 900 insights to accelerate your personal and professional development, apply the discount code PODCAST100 in the checkout here to get your first month free.Links mentioned:‘The Hour Between Dog and Wolf' by John Coates‘Legacy' by James KerrMastermind: James KerrConnect with JeremyContact hello@sportingedge.com LinkedIn https://www.linkedin.com/in/jeremysnape/ Twitter https://twitter.com/thesportingedgeFacebook http://www.facebook.com/TheSportingEdgeWebsite https://www.sportingedge.com/

In this episode, we discuss Mindset Tools, their importance, and how using them as a coach will bring your career to the next level! We'll also talk about #journaling – why it's NOT what you think, and how to do it in a way that will help you elevate your thinking and how you approach your clients. This video is a must-watch and can benefit everyone! It'll teach you the basics of coaching, and help you create a successful mindset. Follow us on Instagram: ⁠https://www.instagram.com/bpr.institute/⁠ ⁠Behavior & Performance Research⁠ (or BPR for short) is a group of coaching professionals who are obsessed with the art of radical health & athlete design. We specialize in movement, nutrition, and behavioral health. For the last 15 years, our facility in Dallas, Texas has served as a "test kitchen" for all the protocols, tools, and frameworks discussed.

This week's episode entitled “how to dissect disordered eating” is led by Marcela Arias Bruce, the Director of Coaching at Behavior & Performance Research. Marcela is an accomplished athlete, seasoned coach, and overall rad human being. While the topic isn't what you would consider an "easy topic", we think you'll appreciate the perspective and information. Topics 0:00 Mar's Story 12:00 Dissecting Disordered Eating 18:00 Navigating the two avatars of nutrition 24:00 Helping rewrite the script as coaches 38:00 Outro Watch the episode on YouTube - https://www.youtube.com/@bpr.institute Follow us on Instagram: https://www.instagram.com/bpr.institute/

In this episode, Spencer teams up with Chad Kackert, Director of Program Design at Behavior and Performance Research. Chad is a former professional football player and holds the distinguished title of “Grey Cup MVP”. This first discussion of many on the topic of “buy-in” and member adherence, they break down: Why purpose and identity are so crucial to behavior modification The Siamese twin of purpose and why it's so often overlooked How to create high stakes using an ancient Japanese word and concept How to reverse engineer any specific performance event  The need for AAR and reflection in training and experience AND MORE. Watch the episodes on Youtube - ⁠https://www.youtube.com/@bpr.institute⁠ Follow us on Instagram: ⁠https://www.instagram.com/bpr.institute/⁠ ⁠Behavior & Performance Research⁠ (or BPR for short) is a group of coaching professionals who are obsessed with the art of radical health & athlete design. We specialize in movement, nutrition, and behavioral health. For the last 15 years, our facility in Dallas, Texas has served as a "test kitchen" for all the protocols, tools, and frameworks discussed.

In this second episode of the BPR podcast, Spencer breaks down why you could be the best group class coach in the world but STILL fall short of providing what your clients need. He gets into: Ways that we all might maintain the group atmosphere yet provide the premeditated customization that so many of us need. The difference between scaling and customization The how-to's - ways you might immediately implement to more thorough and potent solutions Watch the episodes on Youtube - https://www.youtube.com/@bpr.institute Follow us on Instagram: https://www.instagram.com/bpr.institute/ Behavior & Performance Research (or BPR for short) is a group of coaching professionals who are obsessed with the art of radical health & athlete design. We specialize in movement, nutrition, and behavioral health. For the last 15 years, our facility in Dallas, Texas has served as a "test kitchen" for all the protocols, tools, and frameworks discussed.

In this inaugural episode, Spencer Nix asks, "What's the point of all this exercise?" Spencer is the owner and "chief researcher" at Behavior & Performance Research - a private gym located in Dallas Texas that has operated since 2008. Spencer holds an advanced degree in neuroscience and applied cognition, has traveled the country coaching coaches for over 10 years & is here to share how we might bring together the worlds of psychology and biology under one roof. In this monologue, Spencer discusses: How athletic success might not bring the happiness you think it will How current fitness operates the same as "minute clinics" and "tele-docs" do for health care An alternative, multidimensional model created 45 years ago How to immediately incorporate it into your own gym BPR's own psychometric that you can borrow and copy Link to the BPR Psychometric: https://su.vc/gqzilomq Watch the episodes on Youtube - https://www.youtube.com/@bpr.institute Follow us on Instagram: https://www.instagram.com/bpr.institute/

Spencer Nix, owner and chief researcher of Behavior & Performance Research joins us to discuss his 20+ year journey in the fitness industry. Spencer discusses his journey from a CrossFit affiliate owner for over a decade to the creation of BPR, which combines behavior and identity coaching with fitness and performance. Spencer shares many of the similar sentiments as we do at BTE, so a connection was bound to happen.Spencer has been in this space for a long time and actually one of my L1 instructors way back when I took my first CF L1 in 2010. He is a wealth of knowledge but it is his heart, passion, and authenticity that impresses and inspires us the most. This episode is packed with gems and like all good conversations, the hardest part was finishing it. Til next time.Instagram: @spencernix @bpr.instituteBPR Field Manual: https://amzn.to/3TmCKwwThe DOSE : Explore the Physiology of Psychology with a weekly workout for your body + mindset.

In this podcast, Claire MacDonald and Sarah Parry discuss the history of recording, the sharing of sound art between artists, how recording has shaped communities, the impact of technology on artists and their publics, and the artist's voice and the different genres it inhabits. About the Contributors: Claire MacDonald is a curator, writer, and editor whose work focuses on the intersections of performance, writing, and art. She is a founding editor of Performance Research and a contributing editor to PAJ: A Journal of Performance and Art. She recently served as Director of the International Centre for Fine Art Research at University of Arts London, and is currently Professor II at the Norwegian Theatre Academy. She has a PhD in Critical and Creative Writing from the University of East Anglia, and has recently written a novel. Sarah Parry has been teaching at the Univeristy of British Columbia since 2005. Her Ph.D. dissertation at the University of Alberta, entitled "Caedmon Records, the Cold War, and the Scene of the Postmodern", explored the history of Caedmon Records, a company that pioneered the recording of the spoken word. She teaches critical theory and modern and postmodern American poetry. Other interests include sound recording history and acoustical poetics.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this podcast, Claire MacDonald and Sarah Parry discuss the history of recording, the sharing of sound art between artists, how recording has shaped communities, the impact of technology on artists and their publics, and the artist's voice and the different genres it inhabits. About the Contributors: Claire MacDonald is a curator, writer, and editor whose work focuses on the intersections of performance, writing, and art. She is a founding editor of Performance Research and a contributing editor to PAJ: A Journal of Performance and Art. She recently served as Director of the International Centre for Fine Art Research at University of Arts London, and is currently Professor II at the Norwegian Theatre Academy. She has a PhD in Critical and Creative Writing from the University of East Anglia, and has recently written a novel. Sarah Parry has been teaching at the Univeristy of British Columbia since 2005. Her Ph.D. dissertation at the University of Alberta, entitled "Caedmon Records, the Cold War, and the Scene of the Postmodern", explored the history of Caedmon Records, a company that pioneered the recording of the spoken word. She teaches critical theory and modern and postmodern American poetry. Other interests include sound recording history and acoustical poetics.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this podcast, Claire MacDonald and Sarah Parry discuss the history of recording, the sharing of sound art between artists, how recording has shaped communities, the impact of technology on artists and their publics, and the artist's voice and the different genres it inhabits. About the Contributors: Claire MacDonald is a curator, writer, and editor whose work focuses on the intersections of performance, writing, and art. She is a founding editor of Performance Research and a contributing editor to PAJ: A Journal of Performance and Art. She recently served as Director of the International Centre for Fine Art Research at University of Arts London, and is currently Professor II at the Norwegian Theatre Academy. She has a PhD in Critical and Creative Writing from the University of East Anglia, and has recently written a novel. Sarah Parry has been teaching at the Univeristy of British Columbia since 2005. Her Ph.D. dissertation at the University of Alberta, entitled "Caedmon Records, the Cold War, and the Scene of the Postmodern", explored the history of Caedmon Records, a company that pioneered the recording of the spoken word. She teaches critical theory and modern and postmodern American poetry. Other interests include sound recording history and acoustical poetics.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this podcast, Claire MacDonald and Sarah Parry discuss the history of recording, the sharing of sound art between artists, how recording has shaped communities, the impact of technology on artists and their publics, and the artist's voice and the different genres it inhabits. About the Contributors: Claire MacDonald is a curator, writer, and editor whose work focuses on the intersections of performance, writing, and art. She is a founding editor of Performance Research and a contributing editor to PAJ: A Journal of Performance and Art. She recently served as Director of the International Centre for Fine Art Research at University of Arts London, and is currently Professor II at the Norwegian Theatre Academy. She has a PhD in Critical and Creative Writing from the University of East Anglia, and has recently written a novel. Sarah Parry has been teaching at the Univeristy of British Columbia since 2005. Her Ph.D. dissertation at the University of Alberta, entitled "Caedmon Records, the Cold War, and the Scene of the Postmodern", explored the history of Caedmon Records, a company that pioneered the recording of the spoken word. She teaches critical theory and modern and postmodern American poetry. Other interests include sound recording history and acoustical poetics.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

And disco and every other offshoot and derivative therein. Argue with my mom, who was there and could tell you. Black queer and trans people were forced to build space, shelter and sanctuary in the dancerie so we could all be free…follow us and Deborah Conton (@deeeebo_x)as she leads us through cultural memory, history, place and legacy. Part 2 coming soon!! Deborah Conton is an Atlanta native and Brooklyn resident actively involved in the club scene in Atlanta with many nights spent on the dancefloor, listening to Club Classics and House Music. She continues to create movement-based work for the Liberation of Black bodies. Her work led her to stage solo pieces for Movement Research (Judson Church), Performance Mix Festival, That's What She Said!, Sisterhood Summit, and the Center for Performance Research in Brooklyn via dance residency in 2020. She has also performed at Joe's Pub and SummerStage, under the guidance of The Illustrious Blacks. She is part of a Brooklyn-based dance collective known as Afro Mosaic Soul. This collective threw events with Ian Friday and The Illustrious Blacks, known as Libation in New York City. She is also a part of the Dancing Black Bodies Project via Ladies of Hip Hop, which sheds light on Black Women in the club, Hip Hop, and other Black Social Dance movements. House Music was the catalyst that led her deeper into her spiritual practice. She is also a practitioner of Isese Lagba, a tradition based out of Nigeria and also an Ifà practitioner. This work has led her to do collective work under the moniker of Dee Spark Tarot and create an Oracle deck that expands outside of divination work and mentorship. She is also in the process of launching a Tarot Deck this upcoming Spring 2023. Venmo: @ deborah-conton PayPal and Zelle: Deborah.Conton@gmail.com Cashapp: @deesparktarot1 @deeeebo_x @deesparktarot - Divination and Spiritual work @afromosaicsoul - Dance collective I am a part of https://we.tl/t-hL0QKDgrUt - footage from House In The Park Atlanta, Labor Day 2021 https://we.tl/t-QNVduDIITn - Praise dancing at Adult Skate, MJQ https://we.tl/t-hhitJQn2XC - Ash Lauryn spinning at Public Records https://we.tl/t-A0o0azE3iq - (First photo: Club Shelter party with Chicago DJ, Ron Trent spinning, 3rd photo from the Frankie Knuckles exhibit in 2021, Kerri Chandler and Merlin Bobb - nightlife legends, and a 2nd photo from House In The Park, Atlanta). White Racist Backlash Against Black Music During Disco Era: https://www.theguardian.com/music/2019/jul/19/disco-demolition-the-night-they-tried-to-crush-black-music Intro Music: BPTBH by Patience sings Outro Music : Apathy Happy by Benjamin Earl Turner

Martin Buchheit is a very passionate strength and conditioning coach that progressively developed into an applied sport performance scientist, with a main emphasis on football (soccer). Martins (>200 publications) focused on intervention strategies and profiling assessments that may improve players' physical and technical potential, using a scientific approach whenever possible. By using his background in strength & Conditioning (2 Msc), statistics (1 Msc) and his PhD in exercise physiology, he developed different training 'tools' such as the 30-15 Intermittent Fitness to program high-intensity interval training (HIIT) and the 5'-5' (now 4'-3') running test to monitor training status using accelerometers, GPS and heart rate (variability). Currently, Martin consults and speaks for various organizations, and holds the position of Head of Performance at Lille OSC, together with the role of Head of Performance Research at Kitman Labs, and helps lead up the Performance Intelligence Research Initiative. QUOTES “In the context of team sport, fitness does not often make the difference in winning or losing games” “Teams that had high speed exposures two days before games had less hamstring injuries during matches two days after” “We know if you look at contact time with a standardized same speed run, this can be indicative of acute fatigue” “Any data that be collected through normal practices in a football team, I like it” “The first discussion I had with the coaches I have worked with is tell me about the players and this is definitely the best way to start to build the interaction with coaches” “People say you should leave your ego at the door but no, you just need to have the volume control so when you need it, turn it high and when you don't need and need to collaborate, turn it down” "What is important with the anerobic speed reserve concept is not the exact numbers but to understand the profiling that comes with it" SHOWNOTES 1) Martin's background as a strength and conditioning coach, researcher and sport scientist across the globe 2) Building performance on a foundation of athlete health and the importance of player availability 3) The science and art of designing a training microcylce between matches in football 4) Having a pragmatic view on the use of technology in sport and getting data from normal team practices 5) Super simple standardized warmups for autonomic nervous system and neuromuscular monitoring 6) Developing relationships, influencing the coaches you are working with and managing egos in high performance sport 7) The anaerobic speed reserve concept, bucketing athletes and deciding training methods for each athlete PEOPLE MENTIONED Paul Larsen Raymond Verhiejen Dan Plews Nick Poulus Marc Quod

Dr. Carla Fowler is an MD PhD, founder of THAXA and elite executive coach. For the last decade, she has been a secret weapon for scores of CEOs, entrepreneurs, and other senior leaders. Carla's unique approach combines the latest research from performance science with timeless best practices to help top performers level up and achieve their goals.

Dance artist Carmen Caceres – passionate, driven, and inspiring! Hear what it was like for Carmen to: Move to NYC from Buenos Aires, Argentina and her deeply personal immigrant experience as a dancer and choreographer pulled between two cultures. How a childhood dream came true with an encounter with world-renowned dancer Mikhail Baryshnikov. What it's like to follow your artistic voice and create important immersive creative work today. “When I'm dancing, I get to be this person that's free from all those organized structures and enjoy the moment and be present.” Carmen Caceres is a dance artist originally from Buenos Aires, Argentina. Caceres has been creating and presenting dance works in Argentina and NY since 2009. In 2012, she founded DanceAction, a creative platform composed of artists from multiple disciplines to produce performing artworks in collaboration and provide educational opportunities. Her works have been presented in several venues, such as Dixon Place, Green Space Studio, Triskelion Arts Center, Teatro Sea, The Mark Morris Dance Center, the Center at West Park, and the Center for Performance Research. As a performer and collaborator, she has worked with Ines Armas, Jillian Peña, Lisa Parra, Elia Mrak, Jody Oberfelder, among other artists. Carmen also works as a dance educator and program director for different art education programs in New York City, Brooklyn, and the Bronx.  Connect with Movers & Shapers: A Dance Podcast Instagram: moversandshaperspodcast Facebook: moversandshaperspodcast More on this Episode: themovingarchitects.org/podcast Make your tax-deductable donation to Movers & Shapers! themovingarchitects.org/support

ONE & ONLY is an experimental comedy special written and performed by Sophia Cleary for an audience of one person. Using this 1:1 ratio of performer to audience, ONE & ONLY explores connection, intimacy and the shifting power dynamics in live comedy.   https://www.sophiacleary.com/ https://www.instagram.com/_sophia_cleary/ https://twitter.com/_sophia_cleary Sophia Cleary is a queer, genreless, childless & anti-disciplinary comedian, writer, and artist working with jokes, video, dance, music, and more. She has presented her work in NYC at the Center for Performance Research, Danspace Project, the Chocolate Factory, Dixon Place, The Kitchen, and e-flux and in Los Angeles at the Hammer Museum and Human Resources Gallery. Sophia co-created "Miracle," an anti-fan fiction play about Anne Geddes and GG Allin with performance artist Neal Medlyn. She is the founder and coordinator of the works-in-progress series REHEARSAL and former co-editor for Ugly Duckling Presse's performance annual Emergency INDEX. She is one-half of feminist punk band Penis, a collaboration with Samara Davis. Film playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

In this episode we are joined by Alex Vásquez Dheming, talking all things lighting and production management. Alex is a Lighting Designer and Production Manager from San Salvador, El Salvador based in NYC. She's known for her work with Big Dance Theater, Nélida Tirado, Calpulli Mexican Dance, Ariel Rivka Dance, New York Theatre Ballet, Vanaver Caravan, Jacob's Pillow Dance, Lincoln Center, Center for Performance Research, Performance Space NY, Dance Manager's Collective, Rattlesticks Theater, Museo del Barrio, The Tank NYC, Dutch Kills Theater Company, Playwright Horizons, Hypokrit Productions, and Theatreworks, among others. Her multidisciplinary work has been seen around the United States, Spain (Museo Guggenheim Bilbao), and France (Cannes Film Festival). Alex holds a BFA in Production Design from Savannah College of Art and Design (SCAD), participated in the '20/'21 Wingspace Theatrical Design Mentorship, is a Stagecraft Institute of Las Vegas (SILV) alumna, and is a recipient of The Playwright Realm's inaugural International Theatermakers Award. She was a featured designer in the San Diego Rep's Latinx New Play Festival 2020.  http://www.alexvasquezdheming.com/ We want to hear from YOU and provide a forum where you can put in requests for future episodes. What are you interested in listening to? Please fill out the form for future guest suggestions here and if you have suggestions or requests for future themes and topics, let us know here! @theatreartlife Thanks to David Zieher who composed our music.

This podcast is a two-part conversation between Anita Chari (Political Science, University of Oregon) and Kate Mondloch (Art History, University of Oregon). Episode 1 is an introduction to embodied and trauma-informed approaches for pedagogy, including practical resources for students, teachers, and administrators. Episode 2 will explore embodied and trauma-informed approaches as they relate to art historical and liberal arts pedagogy. Anita Chari, Associate Professor of Political Science, University of Oregon,  is a political theorist and somatic educator, and the co-founder of Embodying Your Curriculum, an organization that brings trauma-informed, embodied pedagogies to educators and health care practitioners. She has won multiple teaching awards for her innovative work to bring embodied, trauma-informed, social justice paradigms into higher education. At the University of Oregon she has taught for seven years as a faculty member in the Inside-Out prison education project, where she developed a pedagogical approach that facilitates social-emotional and embodied learning in the context of the unique learning environment of a correctional institution. Her interdisciplinary scholarly research explores the political significance of embodiment and mindfulness practices for our times. She is the author of A Political Economy of the Senses (Columbia University Press, 2015), and her research on embodied practices and political theory has appeared in venues including New Political Science, Philosophy and Social Criticism, Contemporary Political Theory, and Somatic Voices in Performance Research and Beyond (Routledge, 2020). Kate Mondloch is a professor of contemporary art history and theory in the Department of the History of Art and Architecture at the University of Oregon, where she holds a joint appointment as faculty-in-residence in the Clark Honors College. She writes and teaches about contemporary art spectatorship and embodiment, especially as both relate to new technologies. She is the author of Screens: Viewing Media Installation Art (Minnesota, 2010) and A Capsule Aesthetic: Feminist Materialisms in New Media Art (Minnesota, 2018). Her current book project, tentatively entitled Art of Attention, explores attention and body-mind awareness in art since 1950.

Resourcing and Reconnecting: Thinking Through Trauma-Informed Pedagogy and the Visual Arts This podcast is a two-part conversation between Anita Chari (Political Science, University of Oregon) and Kate Mondloch (Art History, University of Oregon). Episode 1 is an introduction to embodied and trauma-informed approaches for pedagogy, including practical resources for students, teachers, and administrators. Episode 2 will explore embodied and trauma-informed approaches as they relate to art historical and liberal arts pedagogy. Anita Chari, Associate Professor of Political Science, University of Oregon,  is a political theorist and somatic educator, and the co-founder of Embodying Your Curriculum, an organization that brings trauma-informed, embodied pedagogies to educators and health care practitioners. She has won multiple teaching awards for her innovative work to bring embodied, trauma-informed, social justice paradigms into higher education. At the University of Oregon she has taught for seven years as a faculty member in the Inside-Out prison education project, where she developed a pedagogical approach that facilitates social-emotional and embodied learning in the context of the unique learning environment of a correctional institution. Her interdisciplinary scholarly research explores the political significance of embodiment and mindfulness practices for our times. She is the author of A Political Economy of the Senses (Columbia University Press, 2015), and her research on embodied practices and political theory has appeared in venues including New Political Science, Philosophy and Social Criticism, Contemporary Political Theory, and Somatic Voices in Performance Research and Beyond (Routledge, 2020).   Kate Mondloch is a professor of contemporary art history and theory in the Department of the History of Art and Architecture at the University of Oregon, where she holds a joint appointment as faculty-in-residence in the Clark Honors College. She writes and teaches about contemporary art spectatorship and embodiment, especially as both relate to new technologies. She is the author of Screens: Viewing Media Installation Art (Minnesota, 2010) and A Capsule Aesthetic: Feminist Materialisms in New Media Art (Minnesota, 2018). Her current book project, tentatively entitled Art of Attention, explores attention and body-mind awareness in art since 1950.

Essa é versão podcast do "EcoNaturae Comenta", um quadro no qual falamos de um assunto que vem se destacando na mídia e colocamos a nossa opinião. Neste vídeo falamos sobre a ecocenografia, uma área de conhecimento que vem crescendo e beneficiando o meio ambiente. Para conferir o vídeo, acesse: https://youtu.be/l80g1pudI88 ► ACESSE NOSSO SITE PARA MAIS INFORMAÇÕES DO ECONATURAE: https://projetoeconaturae.wordpress.com/ ► SEJA NOSSO PADRIM: https://www.padrim.com.br/EcoNaturae ► DOE PONTUALMENTE: ➝ PicPay: https://picpay.me/econaturae ➝ Pix: Chave aleatória: naturae.eco@gmail.com CRIAÇÃO E CONTEÚDO: EcoNaturae - Educação para o Meio Ambiente APRESENTAÇÃO E ROTEIRO: Gabriel Messias - https://bit.ly/gmessiasbio EDIÇÃO: Antônio Chaves - https://bit.ly/antoniomchaves Gabriel Messias - https://bit.ly/gmessiasbio MATERIAL UTILIZADO: https://pastebin.com/w6q5UY0K REFERÊNCIAS: Cenografia Reciclada - Recicla Sampa - https://tinyurl.com/y6vbwlj8 O que é cenografia? - Fósforo - https://tinyurl.com/y3xc9rxh BEER, Tanja. Saved from the scrapheap: Revealing the creative potential of societal and scenographic leftovers. Performance Research, v. 22, n. 8, p. 107-114, 2018. BARROS, Carlos Frederico. Conceitos de Ecodesign Aplicados na Produção de Cenários: Uma estratégia ambiental para a Indústria da Televisão/Entretenimento. ► Inscreva-se para receber nosso Boletim Informativo direto em seu e-mail - https://mailchi.mp/a247a76a3c06/boletim-informativo ► SIGA NOSSAS REDES SOCIAIS ➝ Instagram - https://www.instagram.com/eco.naturae/ ➝ Facebook - https://www.facebook.com/naturae.eco ➝ LinkedIn - https://www.linkedin.com/company/26250283 ► E-MAIL PARA CONTATO: naturae.eco@gmail.com

In episode 90, Martin Buchheit and George Perry, , join us. Specifically you will learn: When ego is useful or detrimental How to turn your ego volume up and down to suit the task at hand How to improve performance though ego optimisation About Martin and George "Martin: I am a very passionate strength and conditioning coach that progressively developed into an applied sport performance scientist, with a main emphasis on football (soccer). My work (>200 publications) has focused on intervention strategies and profiling assessments that may improve players' physical and technical potential, using a scientific approach whenever possible. Using my background in strength & Conditionning (2 Msc), statistics (1 Msc) and a PhD in exercise physiology, I have developed different training 'tools' such as the 30-15 Intermittent Fitness to program high-intensity interval training (HIIT) and the 5'-5' (now 4'-3') running test to monitor training status using accelerometers, GPS and heart rate (variability). I also have extensive experience with fitness and strength training, injury prevention, recovery, nutrition, match analysis and youth development. I have been ranked as the 4 (2019) to 6th (2021) scientific expert in Soccer in the world. Currently, I consult and speak for various organizations, and hold the position of Head of Performance at Lille OSC, together with the role of Head of Performance Research at Kitman Labs, in charge of the Performance Intelligence Research Initiative with Derk McHugues" "George: Athlete performance coach, sports businessman and writer. US Navy veteran and law school dropout. Take care of your ego. Sometimes, it's the only friend you've got." Twitter: @mart1buch @AtlasCoached Instagram: @egoalsbook @mart1buch @georgeaboutsports Book: https://www.amazon.com/EGOals-Exercising-your-high-performance-environments/dp/B09HJ5VV51/ FREE 7d COACH ACADEMY TRIAL SIGN UP NOW: https://bit.ly/sfsepisode91 ​ Learn Quicker & More Effectively, Freeing Up Time To Spend With Friends And Family ​ Optimise Your Athletes' Recovery ​ Position Yourself As An Expert To Your Athletes And Naturally Improve Buy-In ​ Reduce Your Athletes' Injury Ratese ​ Save 100's Of Dollars A Year That Would Otherwise Be Spent On Books, Courses And More ​ Improve Your Athletes' Performance ​ Advance Forward In Your Career, Allowing You To Earn More Money And Work With Elite-Level Athletes ​ Save Yourself The Stress & Worry Of Constantly Trying To Stay Up-To-Date With Sports Science Research

------------------Support the channel------------ Patreon: https://www.patreon.com/thedissenter SubscribeStar: https://www.subscribestar.com/the-dissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ------------------Follow me on--------------------- Facebook: https://www.facebook.com/thedissenteryt/ Twitter: https://twitter.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Martin Puchner is the Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University. He serves as the founding director of the Mellon School of Theater and Performance Research at Harvard University. He is the author of several books, including The Language of Thieves: My Family's Obsession with a Secret Code the Nazis Tried to Eliminate. In this episode, we focus on The Language of Thieves. We talk about the origins of Rotwelsch, how it was influenced by other languages, the identity of the people who spoke it, and its social functions. We also discuss its relationship with the Nazi regime, and how Rotwelsch-speaking people were persecuted by the Nazis. Finally, we talk about what can we learn about a specific language by studying the history of its names, and what Rotwelsch can tell us about the development and evolution of other languages. -- A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: KARIN LIETZCKE, ANN BLANCHETTE, PER HELGE LARSEN, LAU GUERREIRO, JERRY MULLER, HANS FREDRIK SUNDE, BERNARDO SEIXAS, HERBERT GINTIS, RUTGER VOS, RICARDO VLADIMIRO, CRAIG HEALY, OLAF ALEX, PHILIP KURIAN, JONATHAN VISSER, JAKOB KLINKBY, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, JOHN CONNORS, PAULINA BARREN, FILIP FORS CONNOLLY, DAN DEMETRIOU, ROBERT WINDHAGER, RUI INACIO, ARTHUR KOH, ZOOP, MARCO NEVES, COLIN HOLBROOK, SUSAN PINKER, PABLO SANTURBANO, SIMON COLUMBUS, PHIL KAVANAGH, JORGE ESPINHA, CORY CLARK, MARK BLYTH, ROBERTO INGUANZO, MIKKEL STORMYR, ERIC NEURMANN, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, BERNARD HUGUENEY, ALEXANDER DANNBAUER, FERGAL CUSSEN, YEVHEN BODRENKO, HAL HERZOG, NUNO MACHADO, DON ROSS, JONATHAN LEIBRANT, JOÃO LINHARES, OZLEM BULUT, NATHAN NGUYEN, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, J.W., JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, IDAN SOLON, ROMAIN ROCH, DMITRY GRIGORYEV, TOM ROTH, DIEGO LONDOÑO CORREA, YANICK PUNTER, ADANER USMANI, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, AL ORTIZ, NELLEKE BAK, KATHRINE AND PATRICK TOBIN, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, NICK GOLDEN, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS P. FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, AND URSULA LITZCKE! A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, IAN GILLIGAN, LUIS CAYETANO, TOM VANEGDOM, CURTIS DIXON, BENEDIKT MUELLER, VEGA GIDEY, AND THOMAS TRUMBLE! AND TO MY EXECUTIVE PRODUCERS, MICHAL RUSIECKI, ROSEY, JAMES PRATT, MATTHEW LAVENDER, SERGIU CODREANU, AND BOGDAN KANIVETS!

In episode 77, Martin Buchheit, S&C Coach, Sport Scientist & Researcher , joins us. Specifically Martin will be looking at: Importance of the anaerobic speed reserve (ASR) Measuring the ASR Application of ASR data Case study About Martin "I am a very passionate strength and conditioning coach that progressively developed into an applied sport performance scientist, with a main emphasis on football (soccer). My work (>200 publications) has focused on intervention strategies and profiling assessments that may improve players' physical and technical potential, using a scientific approach whenever possible. Using my background in strength & Conditionning (2 Msc), statistics (1 Msc) and a PhD in exercise physiology, I have developed different training 'tools' such as the 30-15 Intermittent Fitness to program high-intensity interval training (HIIT) and the 5'-5' (now 4'-3') running test to monitor training status using accelerometers, GPS and heart rate (variability). I also have extensive experience with fitness and strength training, injury prevention, recovery, nutrition, match analysis and youth development. I have been ranked as the 4 (2019) to 6th (2021) scientific expert in Soccer in the world. Currently, I consult and speak for various organizations, and hold the position of Head of Performance at Lille OSC, together with the role of Head of Performance Research at Kitman Labs, in charge of the Performance Intelligence Research Initiative with Derk McHugues." Twitter: @mart1buch Instagram: @mart1buch Martins Website: https://martin-buchheit.net/ Martin's New Book, EGOals: https://egoalsbook.com/ FREE 7d COACH ACADEMY TRIAL SIGN UP NOW: https://bit.ly/sfsepisode77 ​ Learn Quicker & More Effectively, Freeing Up Time To Spend With Friends And Family ​ Optimise Your Athletes' Recovery ​ Position Yourself As An Expert To Your Athletes And Naturally Improve Buy-In ​ Reduce Your Athletes' Injury Ratese ​ Save 100's Of Dollars A Year That Would Otherwise Be Spent On Books, Courses And More ​ Improve Your Athletes' Performance ​ Advance Forward In Your Career, Allowing You To Earn More Money And Work With Elite-Level Athletes ​ Save Yourself The Stress & Worry Of Constantly Trying To Stay Up-To-Date With Sports Science Research

Undoubtedly, Culture! Is A Literary Device? © 2021 because it is encompassed with Literary devices which are techniques which I have employed to express my ideas and enhance my writing. In the scheme of things it should be noted that literary devices highlight important concepts in this text, strengthen this narrative, and help me connect to the characters and themes. However, it is noted that these devices that I employed in this text serve a wide range of purposes in literature. For example some of the devices employed in this piece will influence some global citizens on an intellectual level, while the remainder will be influenced on more emotional level. It is because of this reasoned explanation that I have posited this view Culture! Is A Literary Device? © 2021 Importantly and contextually speaking this way of thinking came to the fore because I have unearthed styles of literary devices which were  extracted from the information gathered thru research I have conducted on this matter. WORKS CITEDBurrell, Gibson (17 February 1998). "Modernism, Postmodernism, and Organizational Analysis: The Contribution of Michel Foucault". In McKinlay, Alan; Starkey, Ken (eds.). Foucault, Management and Organization Theory: From Panopticon to Technologies of Self. 1 Foucault and Organization Theory. SAGE Publications. p. 14. ISBN 9780803975477.Brandon Woolf, "Putting Policy into Performance Studies?", Performance Research 20.4 (2015) 104–11, doi:10.1080/13528165.2015.1071047.Barnes, Natasha. "Black Atlantic: Black America", Research in African Literatures, 27, n. 4 (Winter 1996): p. 106.Barthes". Random House Webster's Unabridged Dictionary.Barthes, Roland. Image—Music—Text. Essays selected and translated by Stephen Heath. New York: Noonday, 1977.Bone, John D., The Social Map and The Problem of Order: A Re-evaluation of "Homo Sociologicus", Theory & Science (2005), ISSN 1527-5558, onlineBraziel, Jana Evans, and Anita Mannur, Theorizing Diaspora. Malden, MA: Blackwell Publishing, 2006, p. 49.Bryant, Christopher G. A.; Jary, David (2003), "Anthony Giddens", in Ritzer, George (ed.), The Blackwell companion to major contemporary social theorists, Malden, Massachusetts Oxford: Blackwell, ISBN 9781405105958. Also available as Bryant, Christopher G. A.; Jary, David (2003). "Anthony Giddens". Chapter 10. Anthony Giddens. Wiley. pp. 247–273. doi:10.1002/9780470999912.ch11. ISBN 9780470999912. Extract.Bérubé, Michael (2009), "What's the Matter with Cultural Studies?", The Chronicle of Higher Education.Caves, R. W. (2004). Encyclopedia of the City. Routledge. p. 33.Cultural Studies - Literary Theories - A Guide - LibGuides at Bowie State ..."Cultural Studies Associations, Networks and Programs", extensive, but incomplete, list of associations, networks and programs as found on the website for the Association of Cultural Studies, Tampere, Finland.Cultural studies" is not synonymous with either "area studies" or "ethnic studies," although there are many cultural studies practitioners working in both area studies and ethnic studies programs and professional associations (e.g. Amer-ican studies, Asian studies, African-American studies, Latina/o Studies, European studies, Latin American studies, etc.).Cultural studies" is not synonymous with either "area studies" or "ethnic studies," although there are many cultural studies practitioners working in both area studies and ethnic studies programs and professional associations (e.g. American studies, Asian studies, African-American studies, Latina/o Studies, European studies, Latin American studies, etc.).Chivallon, Christine. "Beyond Gilroy's Black ASupport the show (http://www.buzzsprout.com/429292)

UX principles are applied nearly everywhere, including sports. From analyzing human performance data, communicating recommendations to athletes and coaches, understanding skill acquisition, and shifting to user (athlete)-centered training, the field of sports science research has exploded thanks in part to the proliferation of performance tracking technology. Chris welcomes to the podcast Dr. Rob Gray from Arizona State University and The Perception & Action Podcast to discuss how human performance research is changing the world of sports. https://www.linkedin.com/in/rob-gray-8232b417/ (Dr. Rob Gray on LinkedIn) https://perceptionaction.com/ (Perception & Action Podcast) Question or comments? Email us at UXSoup@strategyanalytics.com https://www.linkedin.com/in/chrisschreiner/ (Chris on LinkedIn) https://www.linkedin.com/in/lisa-cooper-556343135/ (Lisa on LinkedIn) https://www.linkedin.com/in/diana-franganillo-luque/ (Diana on LinkedIn) https://sa-ux.com/ (Strategy Analytics UX Innovation Practice)

On this week's Pacey Performance Podcast, Rob speaks to Martin Buchheit and George Perry. Martin is well-known in sports science for his work as Head of Performance Intelligence Research at Kitman Labs and as ex Head of Performance at Paris Saint Germain. George is a sports performance specialist, businessman and writer from Tulsa, Oklahoma. Together, they have co-authored EGOals - a comprehensive guide to the impact and importance of the human ego in sport, including self-confidence and portraying a positive image as an influencer in an often-competitive industry. Martin and George share inside information into what they've found working with both coaches and athletes with a big ego. Of course, it is possible for this to tip into arrogance – a dangerous trait in the world of sport. Luckily Martin and George are on hand to advise on how to balance confidence and humility and remain grounded as a coach. Listen to this week's podcast to learn all this and much more. This week's topics: The book Martin and George are working on, and why it's “the book they wish they had at the start of their career” How greater self-awareness will help in coaching Why the ego can be a powerful tool when harnessed in the right way The differences in ego between American, European and Australian coaches Dealing with – and coaching - Zlatan Ibrahimović and his big ego How big egos can drive performance standards Why Martin and George created fake, “egotistical” social media profiles Finding the right balance between confidence and humility The ‘made up' job titles in the sports science and coaching industries Building up your “bullshit filter”

Benedict Nguyen is a writer, dancer, and curator based on occupied Lenape and Wappinger lands (South Bronx, NY). Benedict's poetry has appeared or is forthcoming in AAWW's the Margins, Flypaper, and PANK. Their fiction writing was supported by an AWP Writer to Writer Mentorship in 2017. They're at work on a novel. Their criticism has appeared in the Brooklyn Rail, Shondaland, the Establishment, and Culturebot, among others, and in commissioned profiles for Danspace Project, Baryshnikov Arts Center, and Fusebox Festival. As the 2019 Suzanne Fiol Curatorial Fellow at ISSUE Project Room, Benedict created the multidisciplinary performance platform “soft bodies in hard places,” which has partnered with Materials for the Arts, Culturebot, the Asian American Writers Workshop, Center for Performance Research, and Bronx Academy of Arts and Dance! (BAAD!). They've performed in DapperQ Fashion week and in recent works by Sally Silvers, José Rivera, Jr., Nick Mauss at the Whitney Museum, Monstah Black, and more. They've worked as an arts admin unicorn and grant writer for Jennifer Monson, Donna Uchizono, and John Jasperse. They've served on selection committees for Movement Research at Judson Church, the MAP Fund, and Bronx Council on the Arts. Otherwise, Benedict has worked a tutor, grant writer, Postmate, cater waiter, and more. As a producer, educator, and artistic entrepreneur, Johnnie Cruise Mercer leads as the Company Director of Johnnie Cruise Mercer/TheREDprojectNYC (@jcm_redprojectnyc). His process-memoirs, happenings, and performance events have been commissioned/held at The Dixon Place, Bates Dance Festival (@batesdancefestival), Brooklyn Arts Exchange (@baxarts), AUNTS @NYU Skirball, The NADA Conference (@newartdealers), Abrons Arts Center (@abronsartcenter), The Fusebox Festival (@fuseboxfestival), Gibney (@gibneydance), Danspace Project Inc (@danspaceproject), The Clarice Smith Performing Arts Center (@theclaricemd), and most recently at the 92Y Harkness Dance Center. Mercer is currently 2019-2021 Artist in Residence at Brooklyn Arts Exchange (@baxarts), 2020-2021 Black Artist Space to Create AIR through The New Dance Alliance (@newdancealliance) and a 2020-2021 Ping Chong + Company (@pingchongco) Creative Fellow. Find out more info on the company and the work at www.trpnyc.com. Transcripts of this episode are available at odc.dance/stories.

Hi there! Glitter & Doom is off this week, so while we fish MacKenzie out from the bottom of the Grand Canyon, please enjoy one of our favorite episodes from Season 1.  Movement based performance artist, mayfield brooks spoke to us on Jan. 2020 about their love of Marsha P Johnson, their 2020 project Viewing Hours, and "improvising while Black." Today in 2021, mayfield premiered a new piece commissioned by the Abrons Art Center called Whale Fall. As an extension of that piece, an immersive installation will be up from June 12 to June 19th here in Brooklyn at the Center for Performance Research in Williamsburg.You can find more details about how to see it at cprnyc.org

“Healing is also a subgenre of dance. So, you can do bodywork and heal. You can do yoga and heal. You can practice certain kinds of dance, the curanderos have done and many folkloric kinds of dance, which heal you."Jonah Bokaer is an international choreographer and media artist known for his groundbreaking cross-disciplinary collaborations. He is co-founder of the Center for Performance Research, and founder of The Jonah Bokaer Arts Foundation. Bokaer's dances and films have been presented at the Guggenheim, MoMA PS1, the New Museum, the Whitney, and many other venues across 34 countries. He has received dozens of awards and grants, including a 2015 John Simon Guggenheim Memorial Foundation Fellowship, two New York Dance and Performance "Bessie" Awards, and a Rockefeller New York City Cultural Innovation Award.· http://jonahbokaer.net· www.creativeprocess.info

Jonah Bokaer is an international choreographer and media artist known for his groundbreaking cross-disciplinary collaborations. He is co-founder of the Center for Performance Research, and founder of The Jonah Bokaer Arts Foundation. Bokaer's dances and films have been presented at the Guggenheim, MoMA PS1, the New Museum, the Whitney, and many other venues across 34 countries. He has received dozens of awards and grants, including a 2015 John Simon Guggenheim Memorial Foundation Fellowship, two New York Dance and Performance "Bessie" Awards, and a Rockefeller New York City Cultural Innovation Award.· http://jonahbokaer.net· www.creativeprocess.info

The second episode of B>Podcast, the BIDE podcast, is published! Sebastian Garcia Ferro, artistic director of BIDE, interviews the lovely Ulla Mäkinen, artistic dancer and co-founder of BIDE. Ulla is a teacher and the director of Movement and Performance Research, and contemporary dance vocational education at North Karelia College Outokumpu, Finland.

What was the first Georgian song taught in the UK, and how did it come about? How can Georgian songs be used in theatre and ensemble training? And just how many songs are in the book 99 Georgian songs? Joan Mills, Voice Director at the Centre for Performance Research (https://thecpr.org.uk/), talks about tending the flame of living traditions - influenced by her recent interview of Sam Lee (https://soundcloud.com/samleesongs) and reflections on Sheila Chandra's music ‘Weaving My Ancestors' Voices' (https://www.sheilachandra.com/). She speaks of ‘Points of Contact' a concept that inspired many ‘Giving Voice' Festivals. Our wide ranging conversation covers: experimental voice practitioners; approaches to educating both actors and singers; her ‘legacy' bringing the book 99 Georgian Songs to life with the help of Joseph Jordania (https://twitter.com/drjordania) after the untimely death of its originator - Edisher Garakandize. She sees the Continuum as being “like a bridge, but also like a wheel”. Navigate this episode with the searchable transcript, complete with time stamps, available here https://voicesoftheancestors.co.uk/transcripts Support the podcast on patreon https://www.patreon.com/voicesoftheancestors Enjoyed this episode? Why not buy the creators a coffee? On ko-fi.com/voicesoftheancestors Become a monthly supporter on ko-fi with access to extras, like the full uninterrupted edition of our conversation with Joan Mills. Sign up for our email updates and never miss an episode: eepurl.com/hhgoOf To be invited to the Voices of the Ancestors Community - on Facebook click this link https://www.facebook.com/groups/516207299354485/ You might need to like our page first https://www.facebook.com/georgianpolyphony Music used: Ialoni (www.ialoni.bandcamp.com): Sabodisho (Batonebo); Mtiebi (https://www.discogs.com/artist/1729546-Mtiebi): Shen Khar Venakhi; Sakhioba (https://soundcloud.com/sakhioba): Khorumi; Mzetamze (https://www.amazon.com/Voices-Black-Sea-Ensemble-Mzetamze/dp/B000005D2H): Zruni; and Joan's recordings of the CPR group rehearsing with Edisher and Joseph. Books mentioned: 99 Georgian Songs (https://thecpr.org.uk/product/99-georgian-songs/) The Georgian Feast by Dara Goldstein (https://www.amazon.com/Georgian-Feast-Vibrant-Culture-Republic/dp/0520275918)

*We need your support to continue the show! If you've listened to more than a few episodes and have learned from our work, please join our Patreon today: www.greendreamer.com/support   About Mark Rectanus: Mark Rectanus is University Professor of German Studies (Emeritus) at Iowa State University. He has published numerous books and articles, including essays in New German Critique, Performance Research, and Museum and Society. His most recent book is Museums Inside Out: Artist Collaborations and New Exhibition Ecologies, which explores what it means to be a museum in the twenty-first century and how museums are blurring the traditional boundaries between their galleries and public spaces.   Song featured in this episode: Black Moss by Johanna Warren Green Dreamer with Kamea Chayne is a podcast exploring our paths to holistic healing, ecological regeneration, and true abundance and wellness for all. Find our show notes, additional resources, and newsletter on our website: www.greendreamer.com

In this episode of the Pacey Performance Podcast, I am speaking to Head of Performance Research at Kitman Labs, Martin Buchheit and CEO at Kitman Labs, Stephen Smith. I think I say this every week but this episode is slightly different. Kitman Labs recently embarked on a project to survey practitioners in the industry around what they want from research. Their aim is the partner with the industry to help answer the questions which are going to help coaches in their daily practice. It is fascinating where this project can go and I will look forward to catch up with these guys again through 2021. In this episode we discussed... Who are Martin Buchheit and Stephen Smith (education, background and current role) Why Martin moved out of pro sport to join Kitman Labs Where is sports science and where is it going? What are Kitman Labs doing differently? What is performance intelligence? How Kitman thinks the industry can change, advance, innovate with research Results from their recent survey   Martin can be found on Twitter @mart1buch and Stephen can be found on Twitter @stephensmith_ie This episode of the Pacey Performance Podcast is sponsored by Perch. Engineered at MIT, Perch uses small and mobile cameras to monitor and manage weight room performance without detracting from it. Perch is velocity based training. No strings attached. For exclusive deals and offers, tell them Rob sent you by going to pacey.perch.fit/. This episode of the Pacey Performance Podcast is sponsored by Hawkin Dynamics, the team behind the worlds only wireless force plate system. Hawkin Dynamics can be found at hawkindynamics.com and you can follow them on Twitter @hawkindynamics This episode is also sponsored by IMeasureU. IMeasureU are a world leading inertial platform to precisely quantify body movement and workload metrics in the field. IMeasureU can be found at imeasureu.com and you can follow them on Twitter @imeasureu. This episode is sponsored by BLK BOX, leaders in performance training equipment & facility design. BLK BOX manufacture and distribute a full range of strength training equipment across Europe from their Headquarters in Belfast, Northern Ireland. BLK BOK can be found at blkboxfitness.com and you can follow them on Twitter @blkboxfitness and Instagram @blkboxfitness. This episode is also sponsored by Kitman Labs. Kitman partners with leading sports teams to achieve consistent success, on and off the pitch. Over 150 teams across the globe use Kitman Labs' Athlete Optimization System to simplify daily operations and rely on the company's unique analytics to uncover the factors that influence success. You can find Kitman Labs at kitmanlabs.com and on Twitter @kitmanlabs. Keep up to date with everything that is going on with the podcast by following on Twitter @strengthofsci or visiting strengthofscience.com. Enjoy PP

Check out DanceConnectSeries.com for more information on each guest! Instagram: @danceconnectseries -------- Sophie Tibiletti is a Brooklyn based dancer, maker, and teacher. She began her dance training in Longview,Texas. In 2013 she moved to Philadelphia to further pursue her dance education at the University of the Arts, under the direction of Donna Faye Burchfield. There, she performed works by Jesse Zaritt, Katie Swords-Thurman, Curt Haworth, Mark Haim, and Netta Yerushalmy, and created many works of her own. She was also given the opportunity to study and perform abroad in France, Belgium, and Israel. Sophie graduated with a BFA in Dance in May of 2017. She currently teaches at Brooklyn Arts Exchange, Petite Performers, and Williamsburg Montessori School. In 2018-20 she has presented work at Spark Dance Forum, mouthful movement festival, Sans Limites Movement Festival, WAXworks, The Craft and Small Plates Brooklyn, and has performed at venues including Gibney Dance, BAAD!, Center for Performance Research, Triskelion Arts, and New Dance Alliance. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Welcome back to this week’s #FridayReview where I can’t wait to share with you the best of the week!   I’m looking forward to reviewing:   Thyroid Health Results Accelerator Trigger Point Roller Set Longevity Mindset Book Smelly Gas (research) Highways & Child Development (research) Positive Self-Talk & Performance (research(   For all the details tune into this week’s #CabralConcept 1736 - Enjoy the show and let me know what you thought! - - -   Show Notes & Resources: http://StephenCabral.com/1736 - - - Dr. Cabral's New Book, The Rain Barrel Effect https://amzn.to/2H0W7Ge - - - Join the Community & Get Your Questions Answered: http://CabralSupportGroup.com - - -  Dr. Cabral’s Most Popular At-Home Lab Tests: > Complete Minerals & Metals Test (Test for mineral imbalances & heavy metal toxicity) - - - > Complete Candida, Metabolic & Vitamins Test (Test for 75 biomarkers including yeast & bacterial gut overgrowth, as well as vitamin levels) - - - > Complete Stress, Mood & Metabolism Test (Discover your complete thyroid, adrenal, hormone, vitamin D & insulin levels) - - - > Complete Stress, Sleep & Hormones Test (Run your adrenal & hormone levels) - - - > Complete Food Sensitivity Test (Find out your hidden food sensitivities) - - - > Complete Omega-3 & Inflammation Test (Discover your levels of inflammation related to your omega-6 to omega-3 levels)

Our Next guest is Dr. David Martin who is the Chief Scientist & Director of Performance at Apeiron Life, a start-up in Menlo Park California that uses leading-edge human physiology and performance science to help executives achieve improved performance while preventing injury, and increasing long-term health span.His experiences working with high level Olympic and professional athletes from a range of different sports makes him one of the most sought after experts in the field of sports science and human performance. He spent 4 years in the NBA as the Director of Performance Research and Development for the Philadelphia 76ers. Prior to his time in Philadelphia, he spent 20 years at the Australian Institute of Sport. His body of work during at AIS was extremely vast, working with all types sports & Olympic Level Athletes. As a Senior Sports Scientist at AIS He led the initiative for the development of the Combat sports Center which was developed to help the Olympic Combat sports prepare for the 2020 Games in Tokyo. This later connected David and his group to Olympic Judo Champion and Japanese National Team Coach Kosei InoueI hope you all enjoy this thought provoking conversation with one of the most interesting people in the world of Sports Science and Human Development.www.judocast.comwww.cjjudo.comwww.apeiron.life

From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Cleansed, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageable: Success, Imagination, Failure (Methuen Drama) examines this phenomenon of what the theatre cannot do or has not been able to do at various points in its history. The book explores four principal areas to which unstageability most frequently pertains: stage directions, adaptations, violence and ghosts. Karen Quigley incorporates a wide range of case studies of both historical and contemporary theatrical productions including the Wooster Group's exploration of Hamlet via the structural frame of John Gielgud's 1964 filmed production, Elevator Repair Service's eight-hour staging of Fitzgerald's The Great Gatsby and a selection of impossible stage directions drawn from works by such playwrights as Eugene O'Neill, Philip Glass, Caryl Churchill, Sarah Kane and Alistair McDowall. Placing theatre history and performance analysis in such a context, Performing the Unstageable values what is not possible, and investigates the tricky underside of theatre's most fundamental function to bring things to the place of showing: the stage. Karen Quigley is Lecturer in theatre at the University of York, UK. Her previous publications include contributions to European Drama and Performance Studies, Journal of Contemporary Drama in English, Radical Contemporary Theatre Practices by Women in Ireland and Performance Research. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine’s A Crack Up at the Race Riots at Theater for a New City’s Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck’s The Blind, and performing in his production of Albert Camus’ Caligula (Chaerea) as part of the New Ohio Theater’s Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Cleansed, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageable: Success, Imagination, Failure (Methuen Drama) examines this phenomenon of what the theatre cannot do or has not been able to do at various points in its history. The book explores four principal areas to which unstageability most frequently pertains: stage directions, adaptations, violence and ghosts. Karen Quigley incorporates a wide range of case studies of both historical and contemporary theatrical productions including the Wooster Group's exploration of Hamlet via the structural frame of John Gielgud's 1964 filmed production, Elevator Repair Service's eight-hour staging of Fitzgerald's The Great Gatsby and a selection of impossible stage directions drawn from works by such playwrights as Eugene O'Neill, Philip Glass, Caryl Churchill, Sarah Kane and Alistair McDowall. Placing theatre history and performance analysis in such a context, Performing the Unstageable values what is not possible, and investigates the tricky underside of theatre's most fundamental function to bring things to the place of showing: the stage. Karen Quigley is Lecturer in theatre at the University of York, UK. Her previous publications include contributions to European Drama and Performance Studies, Journal of Contemporary Drama in English, Radical Contemporary Theatre Practices by Women in Ireland and Performance Research. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine’s A Crack Up at the Race Riots at Theater for a New City’s Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck’s The Blind, and performing in his production of Albert Camus’ Caligula (Chaerea) as part of the New Ohio Theater’s Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephen Smith, Founder and CEO of Kitman Labs welcomes Martin Buchheit, a renowned sports science researcher and published author, to Kitman Labs as the new Head of Performance Research. In this lively discussion the two talk about the past, present and future of performance science, data, sports research, and how teams create highly collaborative, data-driven organizations.  Key discussion points: How research can improve to help teams advance - on and off the field -  in a more practical and compelling way  The evolution of thinking about data and roles, to thinking about questions and problems The importance of asking the right questions with the right context at the right level Ego, humility, fear, trust and transparency! Are we stuck in satisficing mode? The keys to building a highly collaborative environment What it takes to have a seat at the strategic table

Geoff received his PhD from the University of Michigan, and works at the Michigan Research Performance Laboratory. He has placed 5th twice at the World 100 KM Championships, and won the 100 KM National Championship in 2016.  Episode Sponsor: Optimal Carnivore: Organ Complex https://www.amazon.com/dp/B07TV43WYD & Bone Marrow https://www.amazon.com/dp/B0845WP28C code: humansave10 BiOptimizers - www.magbreakthrough.com/human promo code: human10 LMNT - drinkLMNT.com/HPO Support the show: - https://www.patreon.com/HPOpodcast or https://www.paypal.me/hpopod Souls for Soles Article:  https://www.geoffreyburns.com/stream/trading-souls-for-soles  Website: https://zachbitter.com, https://www.geoffreyburns.com/  Instagram handles: @zachbitter, @geoffreyburns  Twitter handles: @zbitter, @geoffreyburns  Facebook handles: @zach.bitter YouTube: Zach (https://www.youtube.com/c/ZachBitterUltra)  Consultation with Zach: https://calendly.com/zbittercoaching  If you would like to contact the show, please send your emails to hpopodcast@gmail.com

WHY IS THAT TRENDING Couple of things Trending This Week were Paramount Pictures has signed a deal with Will Smith and Kevin Hart to remake the comedy classic Trains Planes and Automobiles. Cardi B had a one on one with Joe Biden and then made bigger news when she got into a back and forth with Tiger King documentary star Carol Baskins Tig Notaro is replacing Chris D’Elia in Zack Snyder’s Army of The Dead Which one of these topics stands out to you? 1. Ever since Prince Harry and Meghan Markle moved to California earlier this year, rumors have swirled that they had a plan to gain a foothold in Hollywood. They now seem to be taking steps to do that. According to sources, the couple has been quietly shopping an idea for a project around town, Variety has learned. 2. In July, AMC Theaters and Universal Pictures rocked the industry with their historic deal to collapse the traditional 90-day theatrical window to as little as 17 days before offering first-run features on premium VOD. In an exclusive new survey from Performance Research in partnership with Full Circle Research, nearly twice as many people said that they would wait the full 90-days to see a must-see movie at home than expressed a desire to see it first in a theater. According to the survey only 12% said they would definitely see a movie in a theater first if there was a 90-day wait to watch it at home on premium VOD (at a $20 price point). Another 15% said they would probably watch first in a theater. By contrast, 21% said they would probably wait to watch at home, and 23% said they would definitely wait. 3. Even Nominees Kerry Washington and Reese Witherspoon Are Confused About the 2020 Emmys. While we do know Jimmy Kimmel will return as host and the now-virtual show will once again air on ABC, that's as far as the confirmed details go at this point, leaving nominees like Witherspoon and Washington wondering what they'll be doing on their end. While both stars have a chance of accepting an Emmy Award come next month, how they would is a different question.

WHY IS THAT TRENDING Couple of things Trending This Week were Paramount Pictures has signed a deal with Will Smith and Kevin Hart to remake the comedy classic Trains Planes and Automobiles. Cardi B had a one on one with Joe Biden and then made bigger news when she got into a back and forth with Tiger King documentary star Carol Baskins Tig Notaro is replacing Chris D’Elia in Zack Snyder’s Army of The Dead Which one of these topics stands out to you? 1. Ever since Prince Harry and Meghan Markle moved to California earlier this year, rumors have swirled that they had a plan to gain a foothold in Hollywood. They now seem to be taking steps to do that. According to sources, the couple has been quietly shopping an idea for a project around town, Variety has learned. 2. In July, AMC Theaters and Universal Pictures rocked the industry with their historic deal to collapse the traditional 90-day theatrical window to as little as 17 days before offering first-run features on premium VOD. In an exclusive new survey from Performance Research in partnership with Full Circle Research, nearly twice as many people said that they would wait the full 90-days to see a must-see movie at home than expressed a desire to see it first in a theater. According to the survey only 12% said they would definitely see a movie in a theater first if there was a 90-day wait to watch it at home on premium VOD (at a $20 price point). Another 15% said they would probably watch first in a theater. By contrast, 21% said they would probably wait to watch at home, and 23% said they would definitely wait. 3. Even Nominees Kerry Washington and Reese Witherspoon Are Confused About the 2020 Emmys. While we do know Jimmy Kimmel will return as host and the now-virtual show will once again air on ABC, that's as far as the confirmed details go at this point, leaving nominees like Witherspoon and Washington wondering what they'll be doing on their end. While both stars have a chance of accepting an Emmy Award come next month, how they would is a different question.

Episode 34: Andy McDonald chats to Tracy Axel the Director of high performance analytics at USA surfing and manager of sports performance research and analytics at Mamba sports academy. In this episode with Tracy we’ll be discussing her role at USA surfing and unpackaged what professional surfing looks like from a sport science and performance analytics standpoint.  In this episode Andy and Tracy discuss:  Surfing as an Olympic sport Training culture in surfing Performance markers in surfing Physiology and conditioning in surfing Return to play in surfingFuture of research in surfingTracys approach to high-performance Effective communication between a performance MDT  Where you can find Tracy: LinkedInTwitter Instagram Smartletics Tempo AppApple App StoreGoogle App Store Website Keep up to date with everything that is going on with the podcast by following Inform Performance on: InstagramTwitterOur Website Our team  Andy McDonald  Ben Ashworth

In this ARA dialogue I speak with Mark Fleishman, Professor and Head of the Centre for Theatre, Dance, and Performance Studies, University of Cape Town and artistic director (together with Jennie Reznik and Mandla Mbothwe) of Magnet Theatre, an independent theatre company he established in Cape Town in 1987. Mark has been a leading figure in the development of Performance-Research both in South Africa and Internationally. Since 2008, he has been an active member of the Performance as Research Working Group of the IFTR, and was co-convenor of the group from 2009-2013. His frequently-cited articles have appeared in the South African Theatre Journal, Contemporary Theatre Review, and Theatre Research International. He is also editor of Performing Migrancy and Mobility in Africa: Cape of Flows, in the Studies in International Performance series at Palgrave (2016). At the same time, Mark has been active in professional theatre practice. His works for Magnet involve development projects in urban townships and rural communities using theatre as a tool for social justice and transformation. In this discussion we explore Mark's trajectory from a person primarily involved in theatre practice to becoming an academic and researcher in performance. Mark also expands on the thinking and experiences behind the paper he presented at the ARA2020 conference on artistic research in Africa, at Wits in January, and explains the hybrid model of research that has evolved from his work that spans the fluid space between independent theatre, the university, and the activist community. We also discuss strategic alliances necessary to develop artistic research within the university, and the relationship between performance practice and Sciences and Humanities. Mark also discusses the lessons learnt about North-South relations that have been learnt from teaching performance during the Coronavirus lockdown. Magnet Theatre Google Scholar https://scholar.google.co.za/citations?user=7m8GG9IAAAA

Arts Research Africa — In this ARA dialogue I speak with Mark Fleishman, Professor and Head of the Centre for Theatre, Dance, and Performance Studies, University of Cape Town and artistic director (together with Jennie Reznik and Mandla Mbothwe) of Magnet Theatre, an independent theatre company he established in Cape Town in 1987. Mark has been a leading figure in the development of Performance-Research both in South Africa and Internationally. Since 2008, he has been an active member of the Performance as Research Working Group of the IFTR, and was co-convenor of the group from 2009-2013. His frequently-cited articles have appeared in the South African Theatre Journal, Contemporary Theatre Review, and Theatre Research International. He is also editor of Performing Migrancy and Mobility in Africa: Cape of Flows, in the Studies in International Performance series at Palgrave (2016). At the same time, Mark has been active in professional theatre practice. His works for Magnet involve development projects in urban townships and rural communities using theatre as a tool for social justice and transformation. In this discussion we explore Mark's trajectory from a person primarily involved in theatre practice to becoming an academic and researcher in performance. Mark also expands on the thinking and experiences behind the paper he presented at the ARA2020 conference on artistic research in Africa, at Wits in January, and explains the hybrid model of research that has evolved from his work that spans the fluid space between independent theatre, the university, and the activist community. We also discuss strategic alliances necessary to develop artistic research within the university, and the relationship between performance practice and Sciences and Humanities. Mark also discusses the lessons learnt about North-South relations that have been learnt from teaching performance during the Coronavirus lockdown. Magnet Theatre Google Scholar https://scholar.google.co.za/citations?user=7m8GG9IAAAA

Brad Davidson, VP of Metabolism and Performance Research at Stark, has an understatedly important job. He works with a group of highly-trained specialists to help rejuvenate high performing people, let them move more freely, look better, and have limitless energy. Energy is a leader's greatest asset and Brad’s expertise is in teaching executives which lifestyle choices they make that are limiting them from reaching their full potential. Even if you think you’re performing at your highest potential, chances are you can still improve, and Brad’s knowledge is invaluable.  In his interview, Brad explains why people who are experts at recovery are the most successful, and why dedicated downtime helps increase productivity. He also analyzes different kinds of stress and how to avoid unnecessary stress with simple changes to lifestyle choices. Identifying good sleep habits and being nourished as the most important factors in living with limitless energy, Brad takes the time to share some tips for achieving both. Your life will completely change when you learn that exercise and nutrition are not punishments, but actually incredible rewards that give you power. We've built a special collection of 20 minute interviews from members of @Provisors and @Vistage speakers. To see the directory and choose an interview visit ExitCoachRadio.com Are you and your Company Transition-Ready? Click Here for a free report & assessment!  

Emily Oliveira is a multi-disciplinary artist who explores notions of queer utopian futurity and femine labor. She is a graduate of the Rhode Island School of Design and studied performance at Brown University. She has exhibited and performed widely in venues, including Wave Hill, Vox Populi, The Java Project, Disclaimer Gallery, SPRING/BREAK Art Show, Paradice Palase, Center for Performance Research, SOHO20, and Ars Nova. She has received fellowships and residencies from Yaddo, BRIC, The Museum of Arts and Design, Wave Hill, Ars Nova, The Horned Dorset Colony, and AIR Gallery. All images courtesy of the artist 00:00 - Introduction 00:39 - Emily Oliveira 01:44 - The Healing - Flora Hibberd 05:13 - Textiles and Labor 17:38 - Video and Alternate Realities 36:46 - Outro 37:06 - Finish

In Episode 5 of Series 1, Johannes Birringer, choreographer and Professor of Performance Technologies at Brunel University talks to Eline Kieft about his journey into combining dance and performance with technologies, why an evolution of body knowledge is more important to him than a specific identity, how our bodies are educated by environments, sensorial experiences and wearables, and how the unknown can be a fertile learning space for growth, creativity and student-learning. The episode includes some wonderful sound-bites to highlight the variety of environmental and sensorial stimuli, based on Birringer's workshop on “underground spatialities” (for Rice University’s Anthropology students). The episode includes some wonderful sound-bites to highlight the variety of environmental and sensorial stimuli. Episode notes    Useful links: http://www.brunel.ac.uk/dap http://www.danssansjoux.org http://www.aliennationcompany.com http://undergroundspatialities.com/ http://interaktionslabor.de References Barba, Eugenio and Savarese, Nicola (1991) A Dictionary of Theatre Anthropology: The Secret Art of the Performer. London: Routledge.  Böhme, Gernot (2017) The Aesthetics of Atmospheres: Ambiences, Atmospheres and Sensory Experiences of Space. Trans. Jean-Paul Thibaud. London: Routledge.  Birringer, Johannes and Danjoux, Michèle (2019) “Sound and Wearables.” In: Foundations in Sound Design for   Embedded Media: an interdisciplinary approach, ed. Michael Filimovicz, London: Routledge, pp. 243-74. Birringer, Johannes (2017) “Metakimospheres.” In Susan Broadhurst and Sara Price (eds), Digital Bodies: Creativity and Technology in the Arts and Humanities. London: Palgrave Macmillan, pp. 27–48.  Birringer, Johannes (2016) “Kimospheres, or Shamans in the Blind Country.” Performance Paradigm 12: http://performanceparadigm.net/index.php/journal/article/view/176 Birringer, Johannes (2013) “Audible Scenography.”  Performance Research 18(3): 192-93. Birringer, Johannes (2011) “Dancing in the Museum.”  PAJ:  A Journal of Performance and Art 99: 43-52.  Birringer, Johannes (2010) “Moveable Worlds/Digital Scenographies.” International Journal of Performance Arts and Digital Media 6 (1): 89–107. Birringer, Johanness (2009) Performance, Technology, and Science. New York: PAJ Publications. Cooper Albright, Ann and Gerer, David (2003) Taken by Surprise: A Dance Improvisation Reader. Middletown: Wesleyan University Press.  Danjoux, Michèle (2017) Design-in-Motion: Choreosonic Wearables in Performance, PhD Thesis, London College of Fashion, University of the Arts London.  D’Evie, Fayen (2017) ‘Orienting through Blindness: Blundering, Be-Holding, and Wayfinding as Artistic and Curatorial Methods.’ Performance Paradigm 13: 42-72.  Gaensheimer, Susanne and Kramer, Mario, eds. (2016) William Forsythe: The Fact of Matter. Bielefeld: Kerber Verlag.  Hay, Deborah (2015) Using the Sky: A Dance. New York: Routledge.  Ingold, Tim (2011) Being Alive: Essays on Movement, Knowledge and Description. London: Routledge. Mitra, Royona (2018) “Talking Politics of Contact Improvisation with Steve Paxton.” Dance Research Journal 50(3): 6-18.  Oliver, Mary (2014) Wild Geese: Selected Poems. Eastburn:  Bloodaxe Books Ltd. Paxton, Steve (2008) Material for the Spine: A Movement Study. DVD-rom. Brussels: Contredanse Editions. Song, Haein (2019) Ecstatic Space: NEO-KUT and Shamanic Technologies. Phd Thesis, Brunel University London.  Tsing, Lowenhaupt Anna (2015) The Mushroom at the End of the World:  On the Possibility of Life in Capitalist Ruins. Princeton: Princeton University Press. Xu, Zhi (2019) Choreographing Chinese Dancing Bodies:  Yangge and Technology. PhD Thesis, Brunel University London (forthcoming) Zumthor, Peter. 2006. Atmospheres: Architectural Environments – Surrounding Objects. Basel: Birkhäuser Verlag.

In this episode of Frankly Speaking, Frank Rossi chats with Dr John Sorochan of the University of Tennessee about the latest research in measurement and testing technology for management of sports turf surface performance and safety.

Barbora Příhodová is a researcher, teacher, and curator in theatre studies. Her research focuses on design and space in performance, and her work bridges the United States and Europe. Born in the Czech Republic, she currently lives in the Philadelphia area and teaches as adjunct faculty. She is one of the curators of the Prague Quadrennial of Performance Design and Space (PQ Talks, 2019), the world’s largest event focused on performance design and space. She has published essays and book reviews in catalogues and peer-reviewed journals including Theatre Design & Technology, Performance Research, and Theatralia. She holds an M.A. in Theatre Studies and English Language and Literature, and Ph.D. in History and Theory of Theatre, from Masaryk University, Czech Republic. She is a recipient of Fulbright Research Fellowship (2010) and the Short-Term Research Fellowship at the New York Public Library (2013), and she was selected to participate in Mellon Summer School of Theatre and Performance Research at Harvard University (2013). www.barboraprihodova.com http://thinkingdance.net/

State of the Arts NYC is pleased to have dancer/choreographer Jonah Bokaer back on our show. Bokaer talks with usabout his Center for Performance Research in Williamsburg. Bokaer's Foundation secured affordable rehearsalspace for dance in a 4,000 sq. ft commercial condominium. Space is an issue in NYC for visual and performanceartist. We talk with Bokaer on what we can as a City.

Rachel Bowditch (Phd) is a theatre director, an Associate Professor, Head of the MFA in Performance, and the Director of Graduate Studies in the School of Film, Dance, and Theatre in the Herberger Institute for Design and the Arts. Her areas of specialty are the Lecoq method, Rasaboxes, mask, devising, site-specific theatre, immersive theatre, incorporating innovative technology into performance, festival and utopian theory, and performance studies.  She is the author of three books: On the Edge of Utopia: Performance and Ritual at Burning Man (2010/University of Chicago Press/Seagull), Performing Utopia (2017/University of Chicago Press/Seagull), and Physical Dramaturgy: Perspectives from the Field (2018/Routledge) with Jeff Casazza and Annette Thornton. She is currently working on a book under contract with Routledge about Richard Schechner’s performance workshop and rasaboxes with Paula Murray Cole and Michele Minnick (expected publication 2019). Her work has been published in TDR (The Performance Review), Performance Research, Theatre Topics, the Journal of Media and Religion, Ecumenica, and Puppetry International as well as book chapters in Festive Devils in the Americas edited by Milla Riggio and Paolo Vignolo, Playa Dust: Collected Stories from Burning Man edited by Samantha Krukowski, and Focus on World Festivals edited by Chris Newbold. She presents both her scholarship and theatre research at theatre conferences nationally and internationally. She has was a recent Fellow at the Harvard Mellon Institute for Performance Research in 2018. She has received competitive funding from the Map Fund, the National Endowment for the Arts, the Network of Ensemble Theatres NET/TEN Exchange Grant, and the Arizona Commission on the Arts. Her performance and directing work specializing in devising, site-specific, and physical theatre, tackle challenging social issues from suicide, addiction, madness, forced relocation, the death penalty, and colonization has been seen at theatres and venues such as Childsplay, Mixed Blood, Northwest Children's Theatre, the Denver Center, Mesa Arts Center, Phoenix Art Museum, IDEA Museum, and Scottsdale Public Art. Her artistic work has been featured and reviewed in The Director's Vision by Scott Shattuck, Digital Media, Projection Design, and Technology for Theatre by Alex Oliszewski and Daniel Fine (Routledge), New York Times, Wall Street Journal, Theatre Journal, Newsweek, American Theatre, The Sun (NYC), The Village Voice, Time Out New York, Live Design, Rolling Stone, Vogue Italia, U.S. Airways Magazine, Channel 12 News, Channel 8/PBS, ABC 15 News, Minneapolis Star Tribune, Minneapolis Daily Planet, Aisle Say Twin Cities, TYA Today, the Phoenix New Times and Arizona Republic among other publications. As a Burning Man scholar, she has been attending the event since 2001. For directing work visit: www.vesselproject.org

Jay Dicharry, DPT, discusses running performance, running research, and how to select the right shoe.

Bryan started his career at the University of Missouri Department of Physical Therapy in 2012. Before this, he served as a strength & conditioning coach at the University of Missouri since 2004, and before that at Arizona State University, University of Tulsa, and Missouri State University. Mann is internationally renowned for his work in autoregulation of strength training, specifically with Velocity Based Training and the Autoregulatory Progressive Resistance Exercise method (APRE). Mann splits his time between teaching, researching in sports performance enhancement, working as the Research Director for the Human Performance Institute, and working as the Director for Performance Research with the Department of Athletics. Quotes “You get it at school because kids are cruel” “It all started because of a birthmark and inquisitive nature and progressed from there” “When I do that (increase eccentric strength), I see a huge increase in the athletes ability to change direction” “Some of the things that I think now, I would have laughed at in my younger days” “Mostly what I use the velocity (measures) for, is speed-strength & strength-speed” “For the VBT, I honestly think it does not matter what style you use, what matters is the feedback” “I will fight with them to make sure they get the extra repetitions in the gym… I really don't want to have to fight with them and make them do something before they even start” “When we started implementing velocity (VBT), we had an additional two years of increasing power” “If change of direction deficit is whack, then they’ll probably need more eccentric work” “Every time we have an (academic) test week, our HRV goes into the shitter” Shownotes 1) The ins and outs of APRE and where it comes from 17:35 2) How the APRE method fits into an athlete training continuum (1 x 20, APRE, Triphasic, Concurrent/Block, Bondachurk) 24:05 3) Bryan’s preference for linear position transducers (LPT) 29:23 4) Travelling with Gymaware and problems with airport security 33:08 5) Practical implementation of VBT with small and large groups, velocity and the Bosco strength continuum 36:25 6) Using velocity loss as markers of lifting quality to increase desired muscle cross sectional area and Werner Gunthor 44:14 7) The use of pre-training monitoring tests (hand dynos, CMJ, wellness questionnaire) and why he doesn’t use them anymore if they cant be embedded into the program 50:04 8) Underlying theory for improving speed in athletes e.g. rate coding and why absolute strength stops giving transfer after a certain period 54:13 9) Levels of absolute strength “needed” for athletes e.g. double bodyweight squat 1:00:06 10) Needs analysis for sports and Bryan’s testing battery (CMJ, IMTP, 10/20m, 505) 1:02:30 11) A low cost practical Force Velocity assessment 1:09:21 12) How getting piss drunk helped him stumble on the effects of mental stress on injury incidence 1:13:14 13) Christain Cantwell’s (Olympian Shot Putter) training exploits 1:26:40 People mentioned 1) Leo Matveyev 2) Michael Yessis @dryessis 3) Robb Rodgers 4) Rick Perry Chicago Bears 5) Joe Kenn @bighousepower 6) Pat Ivey 7) Dan Austin 8) Stephen Sayers 9) Mary-Beth Brown 10) Kendrick Knight 11) Thomas DeLorne 12) Yuri Verkhoshansky 13) Sophia Nimphius @docsoph 14) Cal Dietz @cal.dietz 15) Christian Cantwell 16) Natalia Verkhoshansky 17) Antoly Bondarchuk 18) Henk Kraajienhoff @henkkraaijenhof 19) Buddy Morris @buddymorris412 20) Tudor Bompa 21) Nick Gill @nicgill_health_and_performance 22) Werner Gunthor 23) Valerie Adams @valerieadamas84 24) Jeremy Sheppard @sheppardcoach 25) Tim Suchomel @drtsuchomel 26) Mike Stone 27) Phil Wagner @drphilwagner 28) Robert Newton @profrobnewton 29) Mike McGuigan @mike_mcguigan

Kate Mossman reviews George Michael: Freedom, the film George Michael was working when he died, in which he and a host of A-List names talk about his songs, his career, his relationships and his battles with the music industry. The Irish writer John Banville is the highly acclaimed winner of the 2005 Man Booker Prize, The Sea. His novels include The Book of Evidence, Ghosts and now, Mrs Osmond. It's a sequel to Henry James' The Portrait of a Lady. That novel famously ends inconclusively: having travelled to England against her husband Gilbert Osmond's wishes to witness the death of her beloved cousin Ralph, we don't know if she'll return to her husband in Rome or shape some other future for herself. Banville talks about continuing her story and his debt to James.When Tate Modern opened its new extension last year, for the first time the gallery had purpose built spaces for performance art, and as Fierce, the live art festival in Birmingham prepares to open, Front Row invited Aaron Wright, the festival's artistic director and Dr Claire MacDonald, co-founder of the arts journal Performance Research to discuss the current state of the performance art landscape.Michael Fassbender, whose previous films include Hunger, 12 Years a Slave and Steve Jobs, discusses his role as Harry Hole in the film adaptation of Jo Nesbo's thriller The Snowman, in which he plays a detective on the hunt for a serial killer in Norway whose killing spree starts with the first snowfall.Presenter: Stig Abell Producer: Rebecca Armstrong.

Bryan Mann, from the University of Missouri, talks to the NSCA Head Strength and Conditioning Coach, Scott Caulfield, about the future of velocity-based training, work-life balance, and getting a PhD while being a full-time strength and conditioning coach.Bryan Mann, PhD, CSCS, RSCC*D, is an Assistant Professor of Physical Therapy, Director of Performance Research for Intercollegiate Athletics, and Director of Research for the University of Missouri-Human Performance Institute. He has been involved in strength and conditioning since 1999. He has experience working with athletes at all levels, including many Olympians and professional athletes. Mann earned his Doctorate in Health Education and Promotion from the University of Missouri in 2011 with an emphasis in Sports Psychology and Fitness. Find Bryan on Twitter: @jbryanmann | Find Scott on Twitter: @scottcaulfieldShow Notes “The better you are at something, the slower you can go and the heavier loads you can lift.” - 6:59“If we go where the research is leading us, we’re going to look at special exercises.” - 8:18“The effect of the feedback from velocity is so crucial.” - 8:29NSCA College Coaches Special Interest Group on Facebook: https://www.facebook.com/groups/NSCA.CollegeCoachesSIG/ - 16:40“If I heard an interview with somebody that said something I liked, or that I wanted to know more on, I called them up.” - 21:41“Shaking hands... it’s a lot different than using your thumbs on Twitter.” - 23:25“I thought I had something to contribute, so I had a responsibility to contribute.” - 30:31“I make people angry all the time, I'm good at that—that means nothing to me.” - 33:23“Sometimes people fail because they don’t really want it.” - 38:05“I’m a product of the people who have been around me.” - 40:13“If you claim yourself as an expert, you’re not. It just means you don’t know what you don’t know.” - 41:03

Friday Reading Series Maryam Ivette Parhizkar is a writer, musician, and scholar interested in sound, resonance, migration, family myths, and finding ways to use them to work through the constraints of the English language. Part of the editorial collective of Litmus Press, she is the author of two chapbooks: Pull: a ballad (The Operating System, 2014) and As for the future (Portable Press at Yo-Yo Labs, 2016). Audra Wolowiec is an interdisciplinary artist based in Brooklyn, NY. Through sculpture, installation, text and performance, she makes conceptually driven work with an emphasis on sound and the material qualities of language. She received a BFA from the University of Michigan and MFA from the Rhode Island School of Design. Her work has been shown at Magnan-Metz, Reverse, Art in General, Socrates Sculpture Park, MOMA P.S.1 and the Center for Performance Research. She has been an artist in residence at Bemis Center for Contemporary Art and the Physics Department at the University of Oregon. Her work has been featured in Time Out NY, The Brooklyn Rail, Hyperallergic, PennSound, andthresholds (MIT Dept of Architecture). She holds teaching positions at Parsons, The New School for Design, SUNY Purchase, and Dia:Beacon.

Friday Reading Series Maryam Parhizkar writes, researches and works via her musical training, and is completing her MA concentration in American Studies at the CUNY Graduate Center. She is the managing editor of Litmus Press and the author of Pull: a ballad (The Operating System, 2014). She will be joined by cellist Hamilton Berry for part of this reading/performance. Audra Wolowiec is an interdisciplinary artist based in Brooklyn, NY. Through sculpture, installation, text and performance, she makes conceptually driven work with an emphasis on sound and the material qualities of language. She received a BFA from the University of Michigan and MFA from the Rhode Island School of Design. Her work has been shown at Magnan-Metz, Reverse, Art in General, Socrates Sculpture Park, MOMA P.S.1 and the Center for Performance Research. She has been an artist in residence at Bemis Center for Contemporary Art and the Physics Department at the University of Oregon. Her work has been featured in Time Out NY, The Brooklyn Rail, Hyperallergic, PennSound, and thresholds (MIT Dept of Architecture). She holds teaching positions at Parsons, The New School for Design, SUNY Purchase, and Dia:Beacon.

Bojana Bauer je dramaturškinja i teoretičarka plesa i performansa koja živi i radi u Parizu. Govorimo o ulozi dramaturgije u savremenom plesu i performansu kao i razlikama između srpske i francuske scene savremenog plesa.Bojana Bauer, po obrazovanju plesačica klasičnog plesa, trenutno sprovodi svoje istraživanje na 'École doctorale esthétique, sciences et technologies des arts / Université de Paris 8. Nakon rada kao producentkinja na festivalu Alkantara u Lisabonu, predaje u brojnim školama, na različitim master programima koreografije i performansa. Ona takođe sarađuje sa različitim umetnicima, kao što su Latifa Laâbissi, Vera Mantero, Ivana Müller, Pedro Gómez-Egaña i mnogi drugi. Njeni eseji i drugi tekstovi, objavljivani su na francuskom, engleskom, portugalskom i srpskom u časopisima / izdanjima poput Repères, Mouvement, Maska, Performance Research et The Walking Theory.www.pedrogomezegana.com/Domain.htmlwww.festival-far.ch/index.php?id=38