Podcasts about national yiddish theatre folksbiene

“Isaac Bashevis Singer called my mother the Sherlock Holmes of Yiddish songs,” says Zalmen. His family heritage and Steven's splendid singing were big factors in the triumph of Fiddler on the Roof in Yiddish. Presented by the National Yiddish Theatre Folksbiene and the YIVO Institute for Jewish Research.

Zalmen Mlotek is the Artistic Director of the National Yiddish Theatre Folksbiene. He and his son, Avram Mlotek are the forces behind Amid Falling Walls: Unveiling Resilience and Hope During the Holocaust. Arranged by Zalmen with a libretto by Avram Mlotek, this Off-Broadway production presents songs created and performed in ghettos, cabarets, concentration camps, and theaters. The musical is currently playing at the National Yiddish Theatre Folksbiene at The Museum of Jewish Heritage. This episode was recorded November 27, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

Avram Mlotek visits with "The Shmooze" to talk about the upcoming performance of Amid Falling Walls, for which Avram created the libretto. "Amid Falling Walls" (Tsvishn falnkike vent) is a groundbreaking musical that pays homage to the perseverance of the human spirit during one of the most devastating moments of history. The performance, presented by National Yiddish Theatre Folksbiene, is composed of songs that were written and performed in ghettos, clandestine cabarets and theaters, forced labor camps, and partisan encampments. Episode 357 November 14, 2023 Amherst, MA

This week on The Transgender Show is Marla Alpert. Marla (She/They) is a seasoned actor and singer, having performed in the national tours of Jekyll and Hyde and Ragtime, as well as with the National Yiddish Theatre Folksbiene's The Sorceress, and in over a dozen regional shows throughout the country. She is also the host of her own podcast about legendary Broadway flops, Flop of the Heap, and is a regular content creator on TikTok, advocating for transgender representation in media, and sharing her journey to reclaim her space in the theatre industry, while transitioning. ★ Support this podcast on Patreon ★

On the latest episode of Dominic Carter City Hall, Zalmen Mlotek, Artistic Director at National Yiddish Theatre Folksbiene, joins the podcast to talk about his off Broadway play "Fiddler on the Roof" in Yiddish. For the main message of his play is to fight against antisemitism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on the Dominic Carter Show: Dominic talks about the alarming video showing an attacker pulling a baseball bat from his pants and hitting an oblivious man in the back of the head on a Manhattan sidewalk, Waukesha Wisconsin Parade returning today, the NYPD brass ‘stick it' to cops, order phone decals to try to curb personal calls, texts, and much more. Zalmen Mlotek, Artistic Director, National Yiddish Theatre Folksbiene also joins Dominic to talk about the off Broadway play Fiddler on the Roof, the theatre, anti-Semitism, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dominic speaks with Zalmen Mlotek, Artistic Director, National Yiddish Theatre Folksbiene about the off Broadway play Fiddler on the Roof, the theatre, anti-Semitism, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fiddler on the Roof in Yiddish, performed by the the Drama Desk Award-winning National Yiddish Theatre Folksbiene, returns to the stage for a seven-week limited engagement, November 13, 2022 to January 1, 2023, Off-Broadway at New World Stages. NYTF Artistic Director Zalmen Mlotek talks about building the show with a mostly non-Yiddish speaking cast, and the history of the world's oldest continuously operating Yiddish theatre company. For more, visit nytf.org/fiddler.

A Leg Up By Ken KaissarDirector Amy KaissarSeptember 20, 2022 – October 9, 2022A world premiere comedy for the 21st century!Initially slated for its world premiere in the 2019/20 season, this witty and outlandish story is a new comedy for the 21st century written as a traditional farce. In A Leg Up, Charles Griffin III (O'Neil) has staked what's left of his fortune on the new Miraculous Knee-to-Toe XR-3000 with 3D Helix, an intelligent prosthetic leg, designed for a presidential candidate, Senator Sam Wannamead (Hogan). Unfortunately, his mistress Laurie (Hamilton) announces she's pregnant, his business partner Stephanie (Alpert) has her eye on his wife Barbara (Maurer), and the Senator is having an affair with the leg designer Rufus (Robbins), and it's not even lunchtime yet!ABOUT MARLA ALPERTMarla Alpert [She/They] is a seasoned actor and singer, having performed in the national tours of Jekyll and Hyde and Ragtime, as well as with the National Yiddish Theatre Folksbiene's The Sorceress, and over a dozen regional shows throughout the country. She is also the host of her own podcast about legendary Broadway flops, Flop of the Heap, and is a regular content creator on TikTok, advocating for transgender representation in media and educating on trans issues. You can find her on Instagram or Tiktok, @thefloorismarlava.For More Information: https://brtstage.org

This week's episode will feature a robust discussion on antisemitism. Our featured guest Daniella Rabbani lives in the nexus of art, culture, and politics in the global Jewish community. Daniella is an award-winning actress and her credentials include several productions with New York's famed National Yiddish Theatre Folksbiene, which brings Yiddish-language theater back to life, The Americans, and Ocean's 8. Daniella is a second-generation descendent of Holocaust survivors and an outspoken advocate for Israel and the American Jewish community.

This month, Ali and I learn from Zalmen Mlotek. Zalmen is an internationally recognized authority on Yiddish folk and theater music as well as a leading figure in the Jewish theatre and concert worlds. He is the Artistic Director of the National Yiddish Theatre Folksbiene. His vision brought the critically acclaimed award-winning Fidler Afn Dakh (Fiddler on the Roof in Yiddish ) directed by Joel Grey, for which he served as music director, to Broadway. The link to Chana Gonshor's beautiful rendition of Zalmen's text can be found here.

This episode is all about NYTF's annual concert tradition: Soul to Soul. The electrifying and emotionally captivating theatrical concert that explores the parallels of African American and Jewish history takes to our virtual stage this Martin Luther King, Jr. Day. We interview NYTF Artistic Director Zalmen Mlotek and singer Elmore James. We discuss how the two artists first met, their relationship to Yiddish and African Music, and learn about how the first Soul to Soul concert came to fruition. Then, we talk to Soul to Soul director/producer Tatiana Wechsler about the process of making Soul to Soul virtually, growing up in an African and Jewish household, her performing influences, and her time performing with NYTF in The Golden Bride. About our GuestsZalmen Mlotek is an internationally recognized authority on Yiddish folk and theater music as well as a leading figure in the Jewish theatre and concert worlds. For the past 20 years, he has been the Artistic Director and conductor at National Yiddish Theatre Folksbiene. He brought Yiddish-Klezmer music to Broadway and Off-Broadway stages with the Tony-nominated Those Were the Days and Drama Desk Nominated Amerike – The Golden Land. He serves as Music Director for most NYTF productions, including the Drama Desk Nominated musical, THE GOLDEN BRIDE. His music can be heard in over two-dozen recordings and films, has taught and performed all over the world and worked with countless singers including Jan Peerce, Theodore Bikel and Mandy Patinkin. He is currently the musical director and conductor of critically acclaimed, award-winning Fidler Afn Dakh (Fiddler on the Roof – In Yiddish), directed by Joel Grey. He received his musical training at the Juilliard School of Music and studied under Leonard Bernstein.Elmore James Elmore James has spent a lifetime in the theater as an actor, Broadway musical performer, international opera singer, and director. He has performed at all the major musical venues in New York City, including the Metropolitan Opera House and Carnegie Hall, as well as in the opera houses of Europe.​Tatiana Wechsler – NYTF: The Golden Bride, The Sorceress. Off-Broadway: X: Or, Betty Shabazz…, Julius Caesar (The Acting Company). NYC: Othello. First woman to play Curly in Oklahoma! (Oregon Shakespeare Festival). Regional: Love in Hate Nation (Two River Theatre), Benny & Joon (Paper Mill Playhouse), The Legend of Georgia McBride (Marin Theatre Company), Love’s Labor’s Lost (OSF). Film: Netuser. Appearances at The O’Neill Theater Center, Joe’s Pub, Feinstein’s/54 Below, Yankee Stadium, Birdland, The Beacon Theatre, Madison Square Garden, Town Hall, The Minskoff Theatre, Lincoln Center, The Delacorte Theater, and Radio City Music Hall. Singer-songwriter. NYU New Studio graduate.

A conversation with Matthew Didner. He is the associate artistic director for the National Yiddish Theatre Folksbiene, and was the associate director on the Drama Desk Award winning Nation Folksbiene Theatre production of Fiddler on the Roof, but it both feels like yesterday and a lifetime ago that he was helping me embody my Chandler Bing on stage. Today we're taking the ride from good old times to artistic fulfillment. NYTF.org

From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Cleansed, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageable: Success, Imagination, Failure (Methuen Drama) examines this phenomenon of what the theatre cannot do or has not been able to do at various points in its history. The book explores four principal areas to which unstageability most frequently pertains: stage directions, adaptations, violence and ghosts. Karen Quigley incorporates a wide range of case studies of both historical and contemporary theatrical productions including the Wooster Group's exploration of Hamlet via the structural frame of John Gielgud's 1964 filmed production, Elevator Repair Service's eight-hour staging of Fitzgerald's The Great Gatsby and a selection of impossible stage directions drawn from works by such playwrights as Eugene O'Neill, Philip Glass, Caryl Churchill, Sarah Kane and Alistair McDowall. Placing theatre history and performance analysis in such a context, Performing the Unstageable values what is not possible, and investigates the tricky underside of theatre's most fundamental function to bring things to the place of showing: the stage. Karen Quigley is Lecturer in theatre at the University of York, UK. Her previous publications include contributions to European Drama and Performance Studies, Journal of Contemporary Drama in English, Radical Contemporary Theatre Practices by Women in Ireland and Performance Research. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine’s A Crack Up at the Race Riots at Theater for a New City’s Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck’s The Blind, and performing in his production of Albert Camus’ Caligula (Chaerea) as part of the New Ohio Theater’s Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Cleansed, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageable: Success, Imagination, Failure (Methuen Drama) examines this phenomenon of what the theatre cannot do or has not been able to do at various points in its history. The book explores four principal areas to which unstageability most frequently pertains: stage directions, adaptations, violence and ghosts. Karen Quigley incorporates a wide range of case studies of both historical and contemporary theatrical productions including the Wooster Group's exploration of Hamlet via the structural frame of John Gielgud's 1964 filmed production, Elevator Repair Service's eight-hour staging of Fitzgerald's The Great Gatsby and a selection of impossible stage directions drawn from works by such playwrights as Eugene O'Neill, Philip Glass, Caryl Churchill, Sarah Kane and Alistair McDowall. Placing theatre history and performance analysis in such a context, Performing the Unstageable values what is not possible, and investigates the tricky underside of theatre's most fundamental function to bring things to the place of showing: the stage. Karen Quigley is Lecturer in theatre at the University of York, UK. Her previous publications include contributions to European Drama and Performance Studies, Journal of Contemporary Drama in English, Radical Contemporary Theatre Practices by Women in Ireland and Performance Research. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine’s A Crack Up at the Race Riots at Theater for a New City’s Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck’s The Blind, and performing in his production of Albert Camus’ Caligula (Chaerea) as part of the New Ohio Theater’s Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Born in the small town of Lubbock, Texas, Steven Skybell knew at the age of 10 as Pavel the peasant boy in the local theatre version of Fiddler on the Roof that the stage was where he belonged. A graduate of both Yale University's undergraduate and graduate theatre studies programs, in 1988 Steven stepped right off the stage at Yale Repertory and onto the boards at the Neil Simon Theatre for his broadway debut in Eugene O'Neill's Ah, Wilderness! Classically trained in Shakespeare, ironically Steven does not think of himself as a musical theatre performer. But to everyone else? His performance as Tevye in the Yiddish version of FIDDLER ON THE ROOF directed by Joel Grey is a tour de force and the performance of a lifetime. The show was sold out and seen by celebrities and politicians such as Hillary Clinton, Hugh Jackman, Baryshnikov, Lin-Manuel Miranda (to name a few).The production won the 2019 Outer Critics Circle Award for Best Revival, the 2019 Critics Circle Special Citation Award and Steven won the 2019 Lucille Lortel for Best Lead Actor in a Musical. The show was the brain child of both Joel Gray and the National Yiddish Theatre Folksbiene's (NYTF) Artistic Director, Zalmen Mlotek. Steven has appeared on broadway in shows such as, Love! Valour! Compassion!, WICKED, and The Full Monty. He and his husband, Michael Cole (who is Stephen Schwartz's personal assistant), live a couple of hours north outside the city in a little town known as Mahopac, NY. They have 2 children "fur babies" named MacKenzie and Caleb both are Blue Merle Australian Shepherds. If you ever find yourself on the lake in this lovely little hamlet, you might even see Tevye slaloming across the wakes and doing some tricks.I will tell you that that Steven is as lovely to converse with as he is on stage. Honest. Charming. Kind. Funny. Interesting. He says the trick to acting is If the thought is clear then the actor's message will get across. Steven Skybell is truly a very rich man!

Playwright, actor, and director Charles Ludlam (1943-87) helped to galvanize the Ridiculous style of theater in New York City starting in the 1960s. Decades after his death, his place in the chronicle of the American theater has remained constant, but his influence has changed. Although his Ridiculous Theatrical Company shut its doors, the Ludlamesque Ridiculous has continued to thrive and remain a groundbreaking genre, maintaining its relevance and potency by metamorphosing along with changes in the LGBTQ community. Author Sean F. Edgecomb focuses on the Neo-Ridiculous artists Charles Busch, Bradford Louryk, and Taylor Mace to trace the connections between Ludlam’s legacy and their performances. Using alternative queer models such as kinetic kinship, lateral historiography, and a new approach to camp, Charles Ludlam Lives!: Charles Busch, Bradford Louryk, Taylor Mac and the Queer Legacy of the Ridiculous Theatrical Company (University of Michigan Press, 2017) demonstrates that the queer legacy of Ludlam is one of distinct transformation— one where artists can reject faithful interpretations in order to move in new interpretive directions. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine’s A Crack Up at the Race Riots at Theater for a New City’s Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck’s The Blind, and performing in his production of Albert Camus’ Caligula (Chaerea) as part of the New Ohio Theater’s Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Can care be enacted through art? Inside a cathedral, staff members from a nursing home work with an artist to perform a poetic text about caregiving, loss, and taking the time to feel one's feelings. In the months leading up to the performance, the artist navigates her twenties—and art and life converge in unexpected ways. In Stages: On Dying, Working, and Feeling (Thick Press, 2020), Rachel Kauder Nalebuff has created a stirring work of hybrid nonfiction that takes us behind the scenes of artmaking and caregiving. Melding curiosity, humility, playfulness, and self-deprecation, Stages is an inquiry into the work it takes to sustain a meaningful life. Rachel Kauder Nalebuff is a writer working often in the realms of performance and oral history. She is editor of My Little Red Book (Hachette, 2009), a collection of people's first period stories, and co-editor of The Feminist Utopia Project (Feminist Press, 2015) with Alexandra Brodsky. She runs a mentor program for seniors with Caitlin Ryan O'Connell and many friends throughout the New York City Department of Aging. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine's A Crack Up at the Race Riots at Theater for a New City's Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck's The Blind, and performing in his production of Albert Camus' Caligula (Chaerea) as part of the New Ohio Theater's Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Can care be enacted through art? Inside a cathedral, staff members from a nursing home work with an artist to perform a poetic text about caregiving, loss, and taking the time to feel one’s feelings. In the months leading up to the performance, the artist navigates her twenties—and art and life converge in unexpected ways. In Stages: On Dying, Working, and Feeling (Thick Press, 2020), Rachel Kauder Nalebuff has created a stirring work of hybrid nonfiction that takes us behind the scenes of artmaking and caregiving. Melding curiosity, humility, playfulness, and self-deprecation, Stages is an inquiry into the work it takes to sustain a meaningful life. Rachel Kauder Nalebuff is a writer working often in the realms of performance and oral history. She is editor of My Little Red Book (Hachette, 2009), a collection of people’s first period stories, and co-editor of The Feminist Utopia Project (Feminist Press, 2015) with Alexandra Brodsky. She runs a mentor program for seniors with Caitlin Ryan O’Connell and many friends throughout the New York City Department of Aging. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine's A Crack Up at the Race Riots at Theater for a New City's Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck's The Blind, and performing in his production of Albert Camus' Caligula (Chaerea) as part of the New Ohio Theater's Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Can care be enacted through art? Inside a cathedral, staff members from a nursing home work with an artist to perform a poetic text about caregiving, loss, and taking the time to feel one’s feelings. In the months leading up to the performance, the artist navigates her twenties—and art and life converge in unexpected ways. In Stages: On Dying, Working, and Feeling (Thick Press, 2020), Rachel Kauder Nalebuff has created a stirring work of hybrid nonfiction that takes us behind the scenes of artmaking and caregiving. Melding curiosity, humility, playfulness, and self-deprecation, Stages is an inquiry into the work it takes to sustain a meaningful life. Rachel Kauder Nalebuff is a writer working often in the realms of performance and oral history. She is editor of My Little Red Book (Hachette, 2009), a collection of people’s first period stories, and co-editor of The Feminist Utopia Project (Feminist Press, 2015) with Alexandra Brodsky. She runs a mentor program for seniors with Caitlin Ryan O’Connell and many friends throughout the New York City Department of Aging. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine's A Crack Up at the Race Riots at Theater for a New City's Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck's The Blind, and performing in his production of Albert Camus' Caligula (Chaerea) as part of the New Ohio Theater's Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Can care be enacted through art? Inside a cathedral, staff members from a nursing home work with an artist to perform a poetic text about caregiving, loss, and taking the time to feel one’s feelings. In the months leading up to the performance, the artist navigates her twenties—and art and life converge in unexpected ways. In Stages: On Dying, Working, and Feeling (Thick Press, 2020), Rachel Kauder Nalebuff has created a stirring work of hybrid nonfiction that takes us behind the scenes of artmaking and caregiving. Melding curiosity, humility, playfulness, and self-deprecation, Stages is an inquiry into the work it takes to sustain a meaningful life. Rachel Kauder Nalebuff is a writer working often in the realms of performance and oral history. She is editor of My Little Red Book (Hachette, 2009), a collection of people’s first period stories, and co-editor of The Feminist Utopia Project (Feminist Press, 2015) with Alexandra Brodsky. She runs a mentor program for seniors with Caitlin Ryan O’Connell and many friends throughout the New York City Department of Aging. Originally from the North Shore in Massachusetts, Toney Brown is a theater director/performer in New York City. He studied Theater Arts at the University of Massachusetts, Amherst. In NYC, was a Performance Project Fellow at the University Settlement and adapted Harmony Korine's A Crack Up at the Race Riots at Theater for a New City's Dream Up Festival. In addition, he was worked extensively with the director Dennis Yueh-yeh Li adapting King Lear, assistant directed Maeterlinck's The Blind, and performing in his production of Albert Camus' Caligula (Chaerea) as part of the New Ohio Theater's Producers Club Festival. When he is not podcasting on NBN, he hosts NYTF Radio, a podcast exploring the history of Yiddish Theatre for the National Yiddish Theatre Folksbiene, available on all platforms. He is an enthusiastic cinephile and avid Red Sox fan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Valerie continues her exploration about how the theatre and restaurant industries are responding to the pandemic crisis. This week, she speaks to Isaac Zablocki, director of the Reelabilities Film Festival dedicated to stories about people with disabilities, which will show films online,  actors Drew Seigla and Stephanie Lynn Mason, who performed in a new virtual series launched by the National Yiddish Theatre Folksbiene, Teresa Eyring, executive director of the Theatre Communications Group, speaking about World Theatre Day, and Sal Scognamillo, chef-owner of the legendary Patsy's in the theatre district, who chats about the challenges he faces and the blessings he has received See omnystudio.com/listener for privacy information.

Valerie speaks about how the theatre and food establishment communities are responding to this unprecedented time. Plus a conversation with Zalmen Mlotek, the artistic director of the  National Yiddish Theatre Folksbiene, about  a new online program initiated by the theatre company, Mark Annunziato, a principal at Sound Associates, the premiere sound rental company on Broadway, and the story behind the successful bakery Carousel Cakes, when Valerie speaks with owner Nancy Finkelstein. See omnystudio.com/listener for privacy information.

Interview with Motl Didner, Artistic Director of the National Yiddish Theatre Folksbiene, Director of The Sorceress (די כּישוף־מאַכערין), and Associate Director and Dialect Coach for the smash-hit production of Fiddler on the Roof in Yiddish (פֿידלער אויפֿן דאַך). As Yiddish coach for Fiddler, Didner was the main person responsible for training the mostly non-Yiddish-speaking cast to mount the USA's first-ever Yiddish-language production of Fiddler on the Roof, resulting in a smash hit (winner of Drama Desk, Outer Critics Circle, and Lucille Lortel awards) that is still running off-Broadway at Stage42 (info: https://fiddlernyc.com). The Sorceress (Di Kishef-Makherin), which is being presented by the Folksbiene for a limited run in Yiddish with English and Russian subtitles, is an operetta written by Avrom Goldfadden, considered the father of modern Jewish theatre, in 1878. It is one of the earliest works of Yiddish theater and the first formal Yiddish theatrical production introduced in America by the celebrated Thomashefsky family. It's being performed through Dec 29 2019 at the Museum of Jewish Heritage in Lower Manhattan -- info here: https://nytf.org/the-sorceress Interview with Barry Goldstein, whose Yiddish translations of The Wind in the Willows (די װינט אין די װערבעס) and The Colour of Magic (דער קאָליר פֿון כּישוף) were recently published. Goldstein is active in the Yiddish literary scene, both at home in Boston and internationally: besides his translations, Goldstein was Associate Editor of the very highly regarded Comprehensive Yiddish-English Dictionary (Indiana University Press, 2013), and his Yiddish writing has appeared in the Yiddish literary journal Yidishland (ייִדישלאַנד), as well as others, in recent years. For info and links to all of Goldstein's translations, visit his web site: https://bgoldstein.org/ Goldstein's interview is by Sholem Beinfeld, a regular contributor to the Yiddish Voice, co-Editor in Chief of the Comprehensive Yiddish-English Dictionary, and Professor of History, Emeritus, Washington University, St. Louis. Dr. Beinfeld served as principal consultant on the film Partisans of Vilna (credited as Solon Beinfeld). He was senior consultant and historian to the Kovno Ghetto Exhibition project of the United States Holocaust Memorial Museum and consultant to the Museum on the Ghetto archive holdings in the Lithuanian State Archives in Vilnius. Music excerpts: Orchestra conducted by Zalmen Mlotek (soloists: Stephanie Lynne Mason, Racheel Zatcoff, Rosie Jo Neddy): Shadkhnte, Shadkhnte (Matchmaker, Matchmaker), from the CD Fiddler on the Roof in Yiddish: The 2018 Cast Recording Klezmer Conservatory Band (soloist: Judy Bressler): Chanuka, Oy Chanuka Moishe Oysher: Drei Dreidele - Spin the Dreidle Intro instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air Date: December 25, 2019

Introducing NYTF Radio! A New podcast presented by the National Yiddish Theatre Folksbiene. NYTF Radio Serves to educate listeners on the rich cultural history of Yiddish Theatre. Season 1 will consist of 4 episodes that trace the early history of Yiddish theatrical performance in Europe and the United States from Purim Spiels, to Avrom Goldfaden, to late 19th century Yiddish theatre scene in America. Join host Toney Brown as he takes a deep dive into the history of Yiddish Theatre: interviewing actors, directors and scholars alike.

Tradition, tradition! We sit down with legendary actress Jackie Hoffman, who plays Yenta in the National Yiddish Theatre Folksbiene's production of ‘Fiddler on the Roof’ in Yiddish, and Motl Didner, the Folksbiene's associate artistic director. Hoffman tells us about learning her lines in Yiddish and her favorite role of all time. Didner teaches us a few key phrases in Yiddish We also chat with Australian punk rocker-turned-novelist Bram Presser, who wrote The Book of Dirt which won the National Jewish Book Award for debut fiction. He tells us about discovering the real story of his Holocaust survivor grandfather's wartime years, which shapes the book, as well as his Yiddish punk background with the band Yidcore. We’re heading to Chicago! We'll be at the Logan Square Auditorium Wednesday, June 26 at 7 p.m. with special guest Blair Braverman, who recently became the second Jewish woman to complete the Iditarod. Presented with Hadassah Chicago-North Shore. Get your tickets here. Subscribe to our weekly newsletter to get new episodes, photos, and more. Email us at Unorthodox@tabletmag.com or leave a message at our listener line: 914-570-4869. Follow us on Twitter and Instagram, and join our Facebook group. Learn more about your ad choices. Visit megaphone.fm/adchoices

Experience "Fiddler on the Roof" in a new way – in Yiddish, the language of Tevye and his family! Directed by Oscar and Tony Award-winner Joel Grey and presented by National Yiddish Theatre Folksbiene, the rich Yiddish translation by Shraga Friedman, z”l, adds new depth and dimension to the most well-known Jewish musical in the world. Don’t miss the beloved story of a community and its struggle to balance traditions and desires in a changing world. The little town of Anatevka will bustle with the sounds of mame-loshn in the U.S. premiere of Fiddler in Yiddish. Director Grey and actor Steven Skybell discussed the new version of the classic musical.

Visiting the podcast this episode are the dynamic duo Jana Robbins and Haley Swindal – a pair that meet somewhat recently in This One’s For the Girls off-Broadway and have gone on to become a producing, acting, singing, writing powerhouse team. They are currently performing their sold out show “We Just Move On – The Songs of Kander and Ebb” at Feinstein’s/54 Below. In this episode, we cover a wide range of topics including why Jana decided to add writing and producer to her credits, and what it was like for Haley to grow up with a love for theatre in the midst of her baseball-loving family (her grandfather is the late Yankees owner, George Steinbrenner!). Tony nominee Jana Robbins made her Broadway debut in 1974 win the musical Good News, followed by many others including I Love My Wife, Crimes of the Heart, and Gypsy before making her Broadway producing debut in 2005 with Little Women, followed by Ragtime (Tony nomination). In the winter of 2017, Jana joined other renowned theater artists and producers as part of the National Yiddish Theatre Folksbiene’s Artistic Council. She is currently the lead producer behind the smash hit, “Fiddler on the Roof – In Yiddish” (http://fiddlernyc.com/).  Haley Swindal is about to make her principal Broadway debut as Matron Mama Morton in the hit revival of Chicago (congrats!), but made her Broadway debut in 2013 in the production of Jekyll & Hyde. She has numerous off-Broadway credits to her name as well, including The Secret Garden, Damn Yankees, and of course, This One’s for the Girls. Interview content begins at 1:49. Connect with Jana via JanaRobbins.com and Haley via @hswindal on Instagram. Connect with The Theatre Podcast:Twitter & Instagram: @theatre_podcastFacebook.com/OfficialTheatrePodcastTheTheatrePodcast.comAlan’s personal Instagram: @alansealesJillian’s personal Instagram: @jillianhochmanEmail us at feedback@thetheatrepodcast.com. We want to know what you think.Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

Interviews with two cast members of the smash-hit Yiddish version of Fiddler on the Roof, known as Fidler afn Dakh in Yiddish, which has just had its run at the National Yiddish Theatre - Folksbiene in New York extended by two months. Info: http://nytf.org/fiddler-on-the-roof/ Michael Yashinsky played the roles of Mordkhe the innkeeper as well as Nokhem the beggar from the beginning of the current production of Fidler Afn Dakh until around the broadcast date on Aug 30 2018. We wish Michael success in his new role teaching Yiddish at University of Michigan. Michael Yashinsky's web site: https://yashinsky.com/ Daniel Kahn played the role of Perchik, the revolutionary intellectual, from the beginning of the current production of Fidler Afn Dakh until just few days before this interview was broadcast on Aug 30 2018. He is a Berlin-based Yiddish actor, singer, and songwriter, who founded and leads the klezmer band Painted Bird (http://paintedbird.net) Music: Leybele Waldman: Der Nayer Yor (excerpts) Fiddler on the Roof in Yiddish (Fidler Afn Dakh) Cast: Youtube highlights (https://youtu.be/X7yryjpzUv8) Intro instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Thanks to our Sponsors! Israel Book Shop, Brookline, MA (https://www.israelbookshop.com/) The Butcherie, Brookline, MA (http://www.butcherie.com/) Cheryl Ann's Bakery, Brookline, MA (http://cherylannsbakery.com/) BLER Travel, Brookline, MA (http://bler.vacationport.net/) Air Date: Aug 29 2018

The big news this summer on the New York theatre scene has been the premier of the Yiddish version of the much beloved musical, "Fiddler on the Roof", presented by the National Yiddish Theatre Folksbiene and Directed by Oscar and Tony Award Winner, Joel Grey. In fact, both Mr. Grey and the Folksbiene's CEO, Chris Massimine were previous guests on the program. The Yiddish version of "Fiddler" has been such a hit that its run keeps getting extended! In this episode, Host Steven Shalowitz sits down to chat with three of the show's cast members: Jennifer Babiak who plays Golde; Adam B. Shapiro who plays the Rabbi and Bobby Underwood who plays the Constable. Each talks about the relevance of "Fiddler" today, working with Joel Grey, and of course, they each share their own one way ticket destinations. Jennifer, Adam and Bobby are just some of the accomplished guests featured on The One Way Ticket Show, where Steven explores with his guests where they'd go if given a one way ticket, no coming back! Destinations may be in the past, present, future, real, imaginary or a state of mind. Steven's guests have included: Nobel Peace Prize Winner, President Jose Ramos-Horta; Legendary Talk Show Host, Dick Cavett; Law Professor, Alan Dershowitz; Broadcast Legend, Charles Osgood; International Rescue Committee President & CEO, David Miliband; Grammar Girl, Mignon Fogarty; Journalist-Humorist-Actor Mo Rocca; Bronx Borough President Ruben Diaz, Jr.; Abercrombie & Kent Founder, Geoffrey Kent; Travel Expert, Pauline Frommer, as well as leading photographers, artists, chefs, writers, intellectuals and more.   

In a theatre career that was launched in the early 1950's, Joel Grey's credits include Chekhov's The Cherry Orchard (Roundabout); Anything Goes; Wicked; Chicago; George M! (Tony Award nom.); Cabaret (Tony Award).  He was Ned Weeks in the Public Theatre's original off-Broadway production of Larry Kramer's seminal play, The Normal Heart, in 1986, and co-directed the Tony Award-winning Broadway premiere in 2011.  Mr. Grey's film credits include Cabaret (Academy Award), Buffalo Bill and the Indians, Remo Williams: The Adventure Begins, Dancer In the Dark, The Seven Percent Solution and many more.  He is also an internationally exhibited photographer with four published books, Pictures I Had to Take (2003), Looking Hard at Unexamined Things (2006), 1.3 – Images From My Phone (2009), and The Billboard Papers (2013).  Mr. Grey's work is part of the permanent collection of The Whitney Museum of American Art. His memoir, Master of Ceremonies, was released in 2016 (Flatiron Press).  Joel Grey made his professional debut at the age of nine as Pud in the Cleveland Playhouse production of On Borrowed Time. In this episode, Mr. Grey shares his one way ticket to be hunkered down in his apartment with his family! Grey also sings a little ditty penned by his father, the entertainer, Mickey Katz, whom he lovingly recalls. Plus, he sheds light on the relevancy of the musical, Fiddler on the Roof, the US premier of the Yiddish version which he's directing for the National Yiddish Theatre Folksbiene. Joel Grey is just one of the extraordinary guests featured on The One Way Ticket Show, where Host Steven Shalowitz explores with his guests where they'd go if given a one way ticket, no coming back! Destinations may be in the past, present, future, real, imaginary or a state of mind. Steven's guests have included: Nobel Peace Prize Winner, President Jose Ramos-Horta; Legendary Talk Show Host, Dick Cavett; Law Professor, Alan Dershowitz; Broadcast Legend, Charles Osgood; International Rescue Committee President & CEO, David Miliband; Grammar Girl, Mignon Fogarty; Journalist-Humorist-Actor Mo Rocca; Bronx Borough President Ruben Diaz, Jr.; Abercrombie & Kent Founder, Geoffrey Kent; Travel Expert, Pauline Frommer, as well as leading photographers, artists, chefs, writers, intellectuals and more. 

Christopher Massimine, Chief Executive Officer at National Yiddish Theatre Folksbiene, is responsible for the brand transformation of Folksbiene over the last six years. Since his arrival to Folksbiene, seasonal attendance has more than doubled, social reach has emerged as an Industry leader, thousands of new press and promotion opportunities have been secured, and service-focused growth-driven organizational policies have been developed and enacted. Christopher has stewarded the company in securing prominent producing affiliations and led the planning and execution of Folksbiene's 2015 critically-acclaimed award-winning hit musical The Golden Bride (and its 2016 remount), and the timely and relevant Amerike—The Golden Land. This past season he shepherded Folksbiene's first Broadway venture as producers on Paula Vogel's poignant period drama Indecent, which garnered several prominent accolades, including a Tony Award nomination for Best Play. He is a Founding Board Member of the Immigrant Arts Coalition, a Board Member at the Alliance of Resident Theatres/New York and serves on Committees for the Producers Guild of America, Off Broadway League, NY Emmy Awards, NYU Alumni Society, NY Festivals, and Mayor's Cultural Community Council. In this episode, Christopher discusses his one way ticket to Easter Island! Plus, he shares the vibrant history of the NYTF and the work of the Immigrant Arts Coalition. Christopher is just one of the extraordinary guests featured on The One Way Ticket Show, where Host Steven Shalowitz explores with his guests where they'd go if given a one way ticket, no coming back! Destinations may be in the past, present, future, real, imaginary or a state of mind. Steven's guests have included: Nobel Peace Prize Winner, President Jose Ramos-Horta; Legendary Talk Show Host, Dick Cavett; Law Professor, Alan Dershowitz; Broadcast Legend, Charles Osgood; International Rescue Committee President & CEO, David Miliband; Grammar Girl, Mignon Fogarty; Journalist-Humorist-Actor Mo Rocca; ; Bronx Borough President Ruben Diaz, Jr.; Abercrombie & Kent Founder, Geoffrey Kent; Travel Expert, Pauline Frommer, as well as leading photographers, artists, chefs, writers, intellectuals and more. 

Christopher Massimine, CEO of National Yiddish Theatre Folksbiene, discusses the work at the world's oldest continuously operating Yiddish theatre company, and the new Immigrant Arts Coalition, created to engage the community, create a vital dialogue, and further the success of its artists. For more, visit nytf.org and immigrantarts.org.

Christopher Massimine, CEO of National Yiddish Theatre Folksbiene, discusses the work at the world's oldest continuously operating Yiddish theatre company, and the new Immigrant Arts Coalition, created to engage the community, create a vital dialogue, and further the success of its artists. For more, visit nytf.org and immigrantarts.org.

Christopher Massimine, CEO of National Yiddish Theatre Folksbiene, discusses the work at the world's oldest continuously operating Yiddish theatre company, and the new Immigrant Arts Coalition, created to engage the community, create a vital dialogue, and further the success of its artists. For more, visit nytf.org and immigrantarts.org.