Podcasts about Song dynasty

This episode we start to get more into the material culture of the period with court fashion, as we look at the court robes that went along with the updated court ranks.  Granted, we only have a few resources, but from those it does seem like we can construct at least a plausible idea of what the court may have looked like at this time. For more discussion, check out the blogpost:  https://sengokudaimyo.com/podcast/episode-137   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 137:  Courtly Fashion. In the New Year's ceremony, the court officials lined up in front of the Kiyomihara Palace, arranged by their relative court rank, dressed in their assigned court robes.  The effect was impressive—the rows of officials painting the courtyard like the bands of color in a rainbow, albeit one with only a couple of hues.  The fact that they were all wearing the same style of dress and black, stiffened gauze hats only added to the effect.  The individual officers were all but lost in what was, at least in outward form, a single, homogenous machine of government, just waiting for the command of their monarch to attend to the important matters of state. We are covering the reign of Ohoama no Ohokimi, aka Ama no Nunahara oki no mabito no Sumera no Mikoto, aka Temmu Tennou.  Last episode we went over the changes he had made to the family titles—the kabane—as well as to the courtly rank system.  For the former, he had consolidated the myriad kabane and traditional titles across Yamato into a series of eight—the Yakusa no Kabane.   These were, from highest to lowest: Mabito, Asomi, Sukune, Imiki, Michinoshi, Omi, Muraji, and Inaki.  By the way, you might notice that "Mabito" actually occurs in Ohoama's posthumous name:  Ama no Nunahara oki no mabito, which lends more credence to the idea that that kabane was for those with a special connection to the royal lineage. Besides simplifying and restructuring the kabane, Ohoama also reformed the court rank system.  He divided the Princely ranks into two categories:  Myou, or Bright, and Jou, or Pure.  For the court nobles the categories were:                Shou – Upright                Jiki – Straight                Gon – Diligent                Mu – Earnest                Tsui – Pursue                Shin – Advancement Each category was further divided into four grades (except for the very first princely category, Myou, which was only two).  Each grade was then further divided into large, "dai", or broad, "kou". And this brings us to our topic today. Along with this new rank system, Ohoama's administration also instituted a new set of court sumptuary laws. Some are vague in the record—we can just make assumptions for what is going on based on what we know from later fashion choices.  Others are a little more clear.  We'll take a look at those sumptuary laws, particularly those that were directly associated with the new court rank system, but we'll also look at the clothing styles more generally. To start with, let's talk about what we know about clothing in the archipelago in general.  Unfortunately, fabric doesn't tend to survive very well in the generally acidic soils of the Japanese archipelago.  Cloth tends to break down pretty quickly.  That said, we have fragments here and there and impressions in pottery, so we have some idea that there was some kind of woven fabric from which to make clothing out of. And before I go too far I want to give a shout out to the amazing people at the Kyoto Costume Museum.  They have a tremendous website and I will link to it in the comments.  While there may be some debate over particular interpretations of historical clothing, it is an excellent resource to get a feel for what we know of the fashion of the various periods.  I'll also plug our own website, SengokuDaimyo.com, which has a "Clothing and Accessory" section that, while more geared towards Heian and later periods, may still be of some use in looking up particular terms and getting to know the clothing and outfits. At the farthest reaches of pre-history, we really don't have a lot of information for clothing.  There is evidence of woven goods in the Jomon period, and we have Yayoi burials with bits of cloth here and there, but these are all scraps.  So at best we have some conjecture as to what people were wearing, and possibly some ability to look across the Korean peninsula and see what people had, there. There are scant to no reliable records from early on in Japanese history, and most of those don't really do a great job of describing the clothing.  Even where we do get something, like the Weizhi, one has to wonder given how they tended to crib notes from other entries. There is at least one picture scroll of interest: Portraits of Periodical Offering of Liang, or Liáng -Zhígòngtú.  It is said to have been painted by Xiao Yi in the early 6th century, and while the original no longer exists there is an 11th century copy from the time of the Song Dynasty.  The scroll shows  various ambassadors to the Liang court, including one from Wa.  The Wa ambassador is shown with what appears to be a wide piece of cloth around his hips and legs, tied in front.  His lower legs are covered in what we might call kyahan today: a rather simple wrap around leg from below the knee to the foot.  He has another, blue piece of cloth around his shoulders, almost like a shawl, and it is also tied in front.  Then there is a cloth wrapped and tied around his head. It's hard to know how much of this depiction is accurate and how much the artist was drawing on memory and descriptions from things like the Weizhi or Wei Chronicles, which stated that the Wa people wore wide cloths wrapped around and seamlessly tied As such, it may be more helpful to look at depictions actually from the archipelago: specifically, some of the human-figured haniwa, those clay cylinders and statues that adorned the burial mounds which gave the kofun period its name.  Some of these haniwa are fairly detailed, and we can see ties, collars, and similar features of clothing. These haniwa primarily seem to cluster towards the end of the Kofun period, in the later 6th century, so it is hard to say how much they can be used for earlier periods, though that is exactly what you will typically see for periods where we have little to know evidence.  I'm also not sure how regional certain fashions might have been, and we could very much be suffering from survivorship bias—that is we only know what survived and assume that was everything, or even the majority. Still, it is something. Much of what we see in these figures is some kind of upper garment that has relatively tight sleeves, like a modern shirt or jacket might have, with the front pieces overlapping create a V-shaped neckline.  The garment hem often hangs down to just above the knee, flaring out away from the body, and it's held closed with ties and some kind of belt, possibly leather in some cases, and in others it looks like a tied loop of cloth.  There is evidence of a kind of trouser, with two legs, and we see ties around the knee.  In some cases, they even have small bells hanging from the ties.  Presumably the trousers might have ties up towards the waist, but we cannot see that in the examples we have. We also see individuals who have no evidence of any kind of bifurcated lower garment.  That may indicate an underskirt of some kind, or possibly what's called a "mo"—but it could also be just a simplification for stability, since a haniwa has a cylindrical base anyway.  It is not always obvious when you are looking at a haniwa figure whether it depicts a man or woman: in some cases there are two dots on the chest that seem to make it obvious, but the haniwa do come from different artisans in different regions, so there is a lot of variability. We also see evidence of what seem to be decorative sashes that are worn across the body, though not in all cases.  There are various types of headgear and hairstyles.  Wide-brimmed and domed hats are not uncommon, and we also see combs and elaborate hairstyles depicted.  On some occasions we can even see that they had closed toed shoes.  For accessories, we see haniwa wearing jewelry, including necklaces (worn by both men and women), bracelets, and earrings.  In terms of actual human jewelry, early shell bracelets demonstrate trade routes, and the distinctive magatama, or comma shaped jewel, can be found in the archipelago and on the Korean peninsula, where it is known as "gogok".  Based on lines or even colored pigment on the haniwa, it appears that many of these outfits were actually quite heavily decorated.  Paint on the outfits is sometimes also placed on the face, suggesting that they either painted or tattooed themselves, something mentioned in the Wei Chronicles.  We also have archaeological examples of dyed cloth, so it is interesting that people are often depicted in undyed clothing.  There is one haniwa that I find particularly interesting, because they appear to be wearing more of a round-necked garment, and they have a hat that is reminiscent of the phrygian cap: a conical cap with the top bent forward.  These are traits common to some of the Sogdians and other Persian merchants along the silk road, raising the possibility that it is meant to depict a foreigner, though it is also possible that it was just another local style. If we compare this to the continent, we can see some immediate difference.  In the contemporaneous Sui dynasty, we can see long flowing robes, with large sleeves for men and women.  The shoes often had an upturned placket that appears to have been useful to prevent one from tripping on long, flowing garments.  Many of these outfits were also of the v-neck variety, with two overlapping pieces, though it is often shown held together with a fabric belt that is tied in front.  The hats appear to either be a kind of loose piece of fabric, often described as a turban, wrapped around the head, the ends where it ties together trailing behind, or black lacquered crowns—though there were also some fairly elaborate pieces for the sovereign. As Yamato started to import continental philosophy, governance, and religion, they would also start to pick up on continental fashion.  This seems particularly true as they adopted the continental concept of "cap rank" or "kan-i". Let's go over what we know about this system, from its first mention in the Chronicles up to where we are in Ohoama's reign. As a caveat, there is a lot we don't know about the details of these garments, but we can make some guesses. The first twelve cap-ranks, theoretically established in 603, are somewhat questionable in their historicity, as are so many things related to Shotoku Taishi.  And their names are clearly based on Confucian values:  Virtue, Humanity, Propriety, Faith, Justice, and Wisdom, or Toku, Nin, Rei, Shin, Gi, and Chi.  The five values and then just "Virtue", itself. The existence of this system does seem to be confirmed by the Sui Shu, the Book of Sui, which includes a note in the section on the country of Wa that they used a 12 rank system based on the Confucian values, but those values were given in the traditional Confucian order vice the order given in the Nihon Shoki.   The rank system of the contemporaneous Sui and Tang dynasties was different from these 12 ranks, suggesting that the Yamato system either came from older dynasties—perhaps from works on the Han dynasty or the Northern and Southern Dynasty, periods—or they got it from their neighbors, Baekje, Silla, and Goguryeo.  There does seem to be a common thread, though, that court rank was identifiable in one's clothes. As for the caps themselves, what did they look like?  One would assume that the Yamato court just adopted a continental style cap, and yet, which one? It isn't fully described, and there are a number of types of headwear that we see in the various continental courts. Given that, we aren't entirely sure exactly what it looked like, but we do have a couple of sources that we can look at and use to make some assumptions.  These sources l ead us to the idea of a round, colored cap made of fabric, around the brim that was probably the fabric or image prescribed for that rank.  It is also often depicted with a bulbous top, likely for the wearer's hair, and may have been tied to their top knot.     Our main source for this is the Tenjukoku Mandala Embroidery (Tenjukoku-mandara-shuuchou) at Chuuguuji temple, which was a temple built for the mother of Prince Umayado, aka Shotoku Taishi.    This embroidery was created in 622, so 19 years after the 12 ranks would have been implemented. It depicts individuals in round-necked jackets that appear to have a part straight down the center.  Beneath the jacket one can see a pleated hem, possibly something like a "hirami", a wrapped skirt that is still found in some ceremonial imperial robes.  It strikes me that this could also be the hem of something like the hanpi, which was kind of like a vest with a pleated lower edge.  Below that we see trousers—hakama—with a red colored hem—at least on one figure that we can see.  He also appears to be wearing a kind of slipper-like shoe. As for the women, there are a few that appear to be in the mandala, but it is hard to say for certain as the embroidery has been damaged over the years. That said, from what we can tell, women probably would have worn something similar to the men in terms of the jacket and the pleated under-skirt, but then, instead of hakama, we see a pleated full-length skirt, or mo.  We also don't have a lot of evidence for them wearing hats or anything like that. The round necked jacket is interesting as it appears to be similar to the hou that was common from northern China across the Silk Road, especially amongst foreigners.  This garment  came to displace the traditional robes of the Tang court and would become the basis for much of the court clothing from that period, onwards.  The round necked garment had central panels that overlapped, and small ties or fastenings at either side of the neck to allow for an entirely enclosed neckline.  This was more intricate than just two, straight collars, and so may have taken time to adopt, fully. The next change to the cap-rank system was made in 647, two years into the Taika Reform.  The ranks then were more directly named for the caps, or crowns—kanmuri—and their materials and colors.  The ranks translate to Woven, Embroidered, Purple, Brocade, Blue, Black, and finally "Establish Valor" for the entry level rank. The system gets updated two years later, but only slightly.  We still see a reference to Woven stuff, Embroidery, and Purple, but then the next several ranks change to Flower, Mountain, and Tiger—or possibly Kingfisher.  These were a little more removed from the cap color and material, and may have had something to do with designs that were meant to be embroidered on the cap or on the robes in some way, though that is just speculation based on later Ming and Qing court outfits. Naka no Ohoye then updates it again in 664, but again only a little.  He seems to add back in the "brocade" category, swapping out the "flower", and otherwise just adds extra grades within each category to expand to 26 total rank grades. And that brings us to the reforms of 685, mentioned last episode.  This new system was built around what appear to be moral exhortations—Upright, Straight, Diligent, Earnest, etc.  And that is great and all, but how does that match up with the official robes? What color goes with each rank category?  Fortunately, this time around, the Chronicle lays it out for us pretty clearly. First off we are given the color red for the Princely ranks—not purple as one might have thought.  Specifically, it is "Vermillion Flower", hanezu-iro, which Bentley translates as the color of the "Oriental bush" or salmon.  In the blogpost we'll link to a table of colors that the founder of Sengoku Daimyo, Anthony Bryant, had put together, with some explanation of how to apply it.  I would note that there is often no way to know exactly what a given color was like or what shades were considered an acceptable range.  Everything was hand-dyed, and leaving fabric in the dye a little longer, changing the proportions, or just fading over time could create slightly different variants in the hue, but we think we can get pretty close. From there we have the six "common" ranks for the nobility.  Starting with the first rank, Upright, we have "Dark Purple".  Then we have "Light Purple".  This pattern continues with Dark and Light Green and then Dark and Light Grape or Lilac.  Purple in this case is Murasaki, and green here is specifically Midori, which is more specifically green than the larger category of "Aoi", which covers a spectrum of blue to green.  The grape or lilac is specifically "suou", and based on Bentley's colors it would be a kind of purple or violet. The idea is that the official court outfits for each rank would be the proper color.  And yes, that means if you get promoted in rank, your first paycheck—or rice stipend—is probably going to pay for a new set of official clothes.  Fortunately for the existing court nobles at the time, in the last month of 685, the Queen provided court clothing for 55 Princes and Ministers, so they could all look the part. And the look at court was important.  In fact, several of the edicts from this time focus specifically on who was allowed—or expected—to wear what.  For instance, in the 4th month of 681, they established 92 articles of the law code, and among those were various sumptuary laws—that is to say, laws as to what you could wear.  We are told that they applied to everyone from Princes of the blood down to the common person, and it regulated the wearing of precious metals, pearls, and jewels; the type of fabric one could use, whether purple, brocade, embroidery, or fine silks; and it also regulated woollen carpets, caps, belts, and the colors of various things. And here I'd like to pause and give some brief thought to how this played into the goals of the court, generally, which is to say the goal of creating and establishing this new system of governance in the cultural psyche of the people of the archipelago.  From the continental style palaces, to the temples, and right down to the clothing that people were wearing, this was all orchestrated, consciously or otherwise, to emphasize and even normalize the changes that were being introduced.  When everything around you is conforming to the new rules, it makes it quite easy for others to get on board. The court had surrounded themselves with monumental architecture that was designed along continental models and could best be explained through continental reasoning.  Even if they weren't Confucian or Daoist, those lines of reasoning ran through the various cultural and material changes that they were taking up.  Sure, they put their own stamp on it, but at the same time, when everything is right in front of you, it would become that much harder to deny or push back against it. And when you participated in the important rituals of the state, the clothing itself became a part of the pageantry.  It reinforced the notion that this was something new and different, and yet also emphasized that pushing against it would be going against the majority.  So court uniforms were another arm of the state's propaganda machine, all designed to reinforce the idea that the heavenly sovereign—the Tennou—was the right and just center of political life and deserving of their position.  Getting back to the sumptuary laws and rank based regulations: It is unfortunate that the record in the Nihon Shoki doesn't tell us exactly how things were regulated, only that they were, at least in some cases.  So for anything more we can only make assumptions based on later rules and traditions.  A few things we can see right away, though.  First is the restriction of the color purple.  Much as in Europe and elsewhere in the world, getting a dark purple was something that was not as easy as one might think, and so it tended to be an expensive dye and thus it would be restricted to the upper classes—in this case the princely and ministerial rank, no doubt.  Similarly brocade and fine silks were also expensive items that were likely restricted to people of a particular social station for that reason. The mention of woolen rugs is particularly intriguing.  Bentley translates this as woven mattresses, but I think that woolen rugs makes sense, as we do have examples of woolen "rugs" in Japan in at least the 8th century, stored in the famous Shousouin repository at Toudaiji temple, in Nara.  These are all imported from the continent and are actually made of felt, rather than woven.  As an imported item, out of a material that you could not get in the archipelago, due to a notable lack of sheep, they would have no doubt been expensive. The funny thing is that the carpets in the Shousouin may not have been meant as carpets.  For the most part they are of a similar size and rectangular shape, and one could see how they may have been used as sleeping mattresses or floor coverings.  However, there is some conjecture that they came from the Silk Road and may have been originally meant as felt doors for the tents used by the nomadic steppe peoples.  This is only conjecture, as I do not believe any of these rugs have survived in the lands where they would have been made, but given the size and shape and the modern yurt, it is not hard to see how that may have been the case.  Either way, I tend to trust that this could very well have meant woolen rugs, as Aston and the kanji themselves suggest, though I would understand if there was confusion or if it meant something else as wool was not exactly common in the archipelago at that time or in the centuries following. The last section of the regulations talks about the use of caps and belts.  The caps here were probably of continental origin:  The kanmuri, or official cap of state of the court nobles, or the more relaxed eboshi—though at this time, they were no doubt closely related. In fact, a year later, we have the most specific mention to-date of what people were actually wearing on their heads: there is a mention of men tying up their hair and wearing caps of varnished gauze.  Earlier caps related to the cap rank system are often thought to be something like a simple hemisphere  that was placed upon the head, with a bulbous top where the wearer's hair could be pulled up as in a bun. The kanmuri seems to have evolved from the soft black headcloth that was worn on the continent, which would have tied around the head, leaving two ends hanging down behind.  Hairstyles of the time often meant that men had a small bun or similar gathering of hair towards the back of their head, and tying a cloth around the head gave the effect of a small bump.  This is probably what we see in depictions of the early caps of state.  Sometimes this topknot could be covered with a small crown or other decoration, or wrapped with a cloth, often referred to as a "Tokin" in Japanese.  But over time we see the development of hardened forms to be worn under a hat to provide the appropriate silhouette, whether or not you actually had a topknot (possibly helpful for gentlemen suffering from hair loss).  And then the hat becomes less of a piece of cloth and more just a hat of black, lacquered gauze made on a form, which was much easier to wear.  At this point in the Chronicle, the cap was likely still somewhat malleable, and would made to tie or be pinned to that bun or queue of hair.  This explains the mention of men wearing their hair up.  This pin would become important for several different types of headgear, but ties were also used for those who did not have hair to hold the hat on properly. Two years after the edict on hats, we get another edict on clothing, further suggesting that the court were wearing Tang inspired clothing.  In 685 we see that individuals are given leave to wear their outer robe either open or tied closed. This is a clue that this outer robe might something akin to the round-necked hou that we see in the Tenjukoku Mandala, where the neck seems to close with a small tie or button.  However, we do see some examples, later, of v-necked garments with a tie in the center of the neck, so that may be the reference..  Opening the collar of the formal robes was somewhat akin to loosening a necktie, or unbuttoning the top button of a shirt.  It provided a more relaxed and comfortable feeling.  It could also be a boon in the warm days of summer.  Leaving it closed could create a more formal appearance. The courtiers also had the option of whether or not to wear the "Susotsuki", which Bentley translates as "skirt-band".  I believe this refers to the nai'i, or inner garment.  This would often have a pleated hem—a suso or ran—which would show below the main robe as just a slight hem.  Again, this is something that many would dispense with in the summer, or just when dressing a bit more casually, but it was required at court, as well as making sure that the tassles were tied so that they hung down.  This was the uniform of the court.  We are also told that they would have trousers that could be tied up, which sounds like later sashinuki, though it may have referred to something slightly different.  We are also given some regulations specifically for women, such as the fact that women over 40 years of age were allowed the discretion on whether or not to tie up their hair, as well as whether they would ride horses astride or side-saddle.  Presumably, younger women did not get a choice in the matter.  Female shrine attendants and functionaries were likewise given some leeway with their hairstyles. A year later, in 686, they do seem to have relaxed the hairstyles a bit more: women were allowed to let their hair down to their backs as they had before, so it seems that, for at least a couple of years, women under the age of 40 were expected to wear their hair tied up in one fashion or another. In that same edict, men were then allowed to wear "habakimo".  Aston translates this as "leggings" while Bentley suggests it is a "waist skirt".  There are an example of extant habakimo in the Shousouin, once again, and they appear to be wrappings for the lower leg.  It actually seems very closely related to the "kyahan" depicted all the way back in the 6th century painting of the Wo ambassador to Liang. Even though these edicts give a lot more references to clothing, there is still plenty that is missing.  It isn't like the Chroniclers were giving a red carpet style stitch-by-stitch critique of what was being worn at court.  Fortunately, there is a rather remarkable archaeological discovery from about this time. Takamatsuzuka is a kofun, or ancient burial mound, found in Asuka and dated to the late 7th or early 8th century.  Compared to the keyhole shaped tombs of previous centuries, this tomb is quite simple: a two-tiered circular tomb nestled in the quiet hills.  What makes it remarkable is that the inside of the stone burial chamber was elaborately painted.  There are depictions of the four guardian animals, as well as the sun and the moon, as well as common constellations.  More importantly, though, are the intricate pictures of men and women dressed in elaborate clothing. The burial chamber of Takamatsuzuka is rectangular in shape.  There are images on the four vertical sides as well as on the ceiling.  The chamber is oriented north-south, with genbu, the black tortoise, on the north wall and presumably Suzaku, the vermillion bird, on the south wall—though that had been broken at some point and it is hard to make out exactly what is there. The east and west walls are about three times as long as the north and south walls.  In the center of each is a guardian animal—byakko, the white tiger, on the west wall and seiryuu, the blue—or green—dragon on the east.  All of these images are faded, and since opening of the tomb have faded even more, so while photos can help, it may require a bit more investigation and some extrapolation to understand all of what we are looking at. On the northern side of both the east and west wall we see groups of four women.  We can make out green, yellow, and red or vermillion outer robes with thin fabric belt sashes, or obi, tied loosely and low around the waist.  There is another, lightly colored—possibly white, cream or pink—that is so faded it is hard to make out, and I don't know if that is the original color.  These are v-necked robes, with what appear to be ties at the bottom of the "v".  Around the belt-sash we see a strip of white peaking out from between the two sides of the robe—most likely showing the lining on an edge that has turned back slightly.  The cuffs of the robe are folded back, showing a contrasting color—either the sleeves of an underrobe or a lining of some kind.  Below the outer robe is a white, pleated hem—possibly a hirami or similar, though where we can make it out, it seems to be the same or similar color as the sleeves.  Under all of that, they then have a relatively simple mo, or pleated skirt.  The ones in the foreground are vertically striped in alternating white, green, red, and blue stripes.  There is one that may just be red and blue stripes, but I'm not sure.  In the background we see a dark blue—and possibly a dark green—mo.  At the base of each mo is a pleated fringe that appears to be connected to the bottom of the skirt.  The toe of a shoe seems to peek out from underneath in at least one instance.  They don't have any obvious hair ornaments, and their hair appears to be swept back and tied in such a way that it actually comes back up in the back, slightly.  They appear to be holding fans and something that might be a fly swatter—a pole with what looks like tassels on the end. In comparison, at the southern end of the tomb we have two groups of men.  These are much more damaged and harder to make out clearly.  They have robes of green, yellow, grey, blue, and what looks like dark blue, purple, or even black.  The neckline appears to be a v-necked, but tied closed, similar to what we see on the women.  We also see a contrasting color at the cuff, where it looks like the sleeves have turned back, slightly.  They have belt-sashes similar to the women, made of contrasting fabric to the robe itself.  Below that we see white trousers, or hakama, and shallow, black shoes.  On some of the others it is suggested that maybe they have a kind of woven sandal, but that is hard to make out in the current image.  On their heads are hats or headgear of black, stiffened—probably lacquered—gauze.  They have a bump in the back, which is probably the wearer's hair, and there is evidence of small ties on top and larger ties in the back, hanging down.  Some interpretations also show a couple with chin straps, as well, or at least a black cord that goes down to the chin.  They carry a variety of implements, suggesting they are attendants, with an umbrella, a folding chair, a pouch worn around the neck, a pole or cane of some kind, and a bag with some kind of long thing—possibly a sword or similar. The tomb was originally found by farmers in 1962, but wasn't fully examined until 1970, with an excavation starting in 1972.  The stone at the entryway was broken, probably from graverobbers, who are thought to have looted the tomb in the Kamakura period.  Fortunately, along with the bones of the deceased and a few scattered grave goods that the robbers must have missed, the murals also survived, and somehow they remained largely intact through the centuries.  They have not been entirely safe, and many of the images are damaged or faded, but you can still make out a remarkable amount of detail, which is extremely helpful in determining what clothing might have looked like at this time—assuming it is depicting local individuals. And there is the rub, since we don't know exactly whom the tomb was for.  Furthermore, in style it has been compared with Goguryeo tombs from the peninsula, much as nearby Kitora kofun is.  Kitora had images as well, but just of the guardian animals and the constellations, not of human figures. There are three theories as to who might have been buried at Takamatsuzuka.  One theory is that it was one of Ohoama's sons.  Prince Osakabe is one theory, based on the time of his death and his age.  Others have suggested Prince Takechi.  Based on the teeth of the deceased, they were probably in their 40s to 60s when they passed away. Some scholars believe that it may be a later, Nara period vassal—possibly, Isonokami no Maro.  That would certainly place it later than the Asuka period. The third theory is that it is the tomb of a member of one of the royal families from the Korean peninsula—possibly someone who had taken up refuge in the archipelago as Silla came to dominate the entire peninsula.  This last theory matches with the fact that Takamatsuzuka appears to be similar to tombs found in Goguryeo, though that could just have to do with where the tomb builders were coming from, or what they had learned. That does bring up the question of the figures in the tomb.  Were they contemporary figures, indicating people and dress of the court at the time, or were they meant to depict people from the continent?  Without any other examples, we may never know, but even if was indicative of continental styles, those were the very styles that Yamato was importing, so it may not matter, in the long run.     One other garment that isn't mentioned here is the hire, a scarf that is typically associated with women.  It is unclear if it has any relationship to the sashes we see in the Kofun period, though there is at least one mention of a woman with a hire during one of the campaigns on the Korean peninsula.  Later we see it depicted as a fairly gauzy piece of silk, that is worn somewhat like a shawl.  It is ubiquitous in Sui and Tang paintings of women, indicating a wide-ranging fashion trend.  The hire is a fairly simple piece of clothing, and yet it creates a very distinctive look which we certainly see, later. Finally, I want to take a moment to acknowledge that almost everything we have discussed here has to do with the elites of society—the nobles of the court.  For most people, working the land, we can assume that they were probably not immediately adopting the latest continental fashions, and they probably weren't dressing in silk very much.  Instead, it is likely that they continued to wear some version of the same outfits we see in the haniwa figures of the kofun period.  This goes along with the fact that even as the elite are moving into palaces built to stand well above the ground, we still have evidence of common people building and living in pit dwellings, as they had been for centuries.  This would eventually change, but overall they stuck around for quite some time.  However, farmers and common people are often ignored by various sources—they aren't often written about, they often aren't shown in paintings or statues, and they did often not get specialized burials.  Nonetheless, they were the most populous group in the archipelago, supporting all of the rest. And with that, I think we will stop for now.  Still plenty more to cover this reign.  We are definitely into the more historical period, where we have more faith in the dates—though we should remember that this is also one of the reigns that our sources were specifically designed to prop up, so we can't necessarily take everything without at least a hint of salt and speculation, even if the dates themselves are more likely to be accurate. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

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The major Song Dynasty philosopher who began to formulate Neo-Confucianism.Support the show

Send us a textEp 664: Ever wondered how childhood experiences secretly shape your sexual desires and why most women struggle to ask for what they want in bed?In this eye-opening episode, Ruin Willow sits down with Tash Doherty (Miss Educated), a London-born writer, author, and sexuality advocate now based in Mexico who's on a mission to make the world "shamelessly sexy." Tash breaks down her three-pillar approach to sexual empowerment: discover what you want, believe you deserve it, and ask for it.The conversation dives deep into how family and cultural shame impact our sexuality, with Tash sharing insights from her upcoming **Sex Journal** launching on Kickstarter. This beautifully designed journal features 20 poems and themed prompts exploring ecstasy, obsession, longing, and desire—all designed to help women reduce shame and align their sex lives with their values.From discussing how childhood associations create unexpected fetishes to exploring the healing power of erotic writing, Tash traces sexuality's role throughout history—from Sappho to the Song Dynasty. She shares her journey from teen romance novelist to sex blogger, including viral pieces like "Get a Man Who Loves Your Bush."The duo also tackles the complex role of pornography in sexual education, highlighting ethical alternatives, and emphasizing the importance of self-exploration through masturbation and quality toys.Ready to explore your own sexual narrative without shame? Tune in for this transformative conversation about reclaiming pleasure and rewriting your story, thereby also improving your relationships. Key Takeaways:• A simple three-pillars formula—know what you want, believe you deserve it, ask for it—reframes sexual confidence as a learnable practice.  • Erotic journaling can dismantle familial shame and scaled into a mainstream coffee-table Sex Journal launched on Kickstarter.  • Stigmatized practices (masturbation, toys, "healthier" porn, open communication) are portrayed as deliberate tools to build self-knowledge, pleasure, and agency.Chapters Timeline:00:00:02 - Shamelessly Sexy00:04:23 - Writing a Sex Journal for Women00:07:23 - Shame and Sexuality00:12:37 - Exploring Female Sexuality and History00:16:09 - Exploring Sexuality Through Design00:18:12 - Achieving Orgasm Equality00:28:16 - Consent, communication, and sexual exploration00:30:56 - Orgasm Equality and Sexual Empowerment00:38:50 - Sex Tech and Favorite Toys00:39:38 - Sex Toys: Tools Not Replacements00:43:32 - Sex Toys Changed My Life, sexual health00:48:09 - Clitoris Shapes, Stimulation, and Orgasm, libido00:52:17 - Vulva vs Vagina, female anatomyConnect with Miss Educated, Tashhttp://misseducated.substack.com/http://tashdoherty.com/Support the showExclusives https://www.buzzsprout.com/1599808/subscribeNewsletters https://subscribepage.io/ruanwillowhttps://linktr.ee/RuanWillow Affiliates Firm Tech 15% OFF with code ruan15 https://myfirmtech.com/ruanwillow BeeDee dating app https://beedee.app/?r=ohfuckyeahThe Fantasy Box DATE30 for $30 OFF 1st box https://thefantasybox.sjv.io/c/6250602/2141126/26423

One of the great heroes of the Song Dynasty, born into the wrong time.Support the show

Shen Gua or Shen Kuo of the Song Dynasty is one of the most significant figures in the history of Chinese science.Support the show

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett analyze 2,000 years of Imperial China's civilizational patterns, examining how Confucian bureaucracy, geographic divisions, and cyclical dynastic struggles shaped one of history's most enduring empires. -- SPONSOR: ZCASH | SHOPIFY | NETSUITE | ORACLE The right technology reshapes politics and culture toward freedom and prosperity. Zcash—the "machinery of freedom"—delivers unstoppable private money through encryption. When your wealth is unseen, it's unseizable. Download Zashi wallet and follow @genzcash to learn more: ⁠https://x.com/genzcash⁠ Shopify is the world's leading e-commerce platform, offering a market-leading checkout system Shoppay and exclusive AI apps. Nobody does selling better than Shopify. Get a $1 per month trial at ⁠⁠https://shopify.com/momentofzen⁠⁠. More than 42,000 businesses have already upgraded to NetSuite by Oracle, the #1 cloud financial system bringing accounting, financial management, inventory, HR, into ONE proven platform. If you're looking for an ERP platform, get a one-of-a-kind flexible financing program on NetSuite: ⁠⁠https://netsuite.com/102⁠⁠ - Download your free CFO's guide to AI and machine learning. Oracle Cloud Infrastructure (OCI): Oracle's next-generation cloud platform delivers blazing-fast AI and ML performance with 50% less for compute and 80% less for outbound networking compared to other cloud providers. OCI powers industry leaders like Vodafone and Thomson Reuters with secure infrastructure and application development capabilities. New U.S. customers can get their cloud bill cut in half by switching to OCI before March 31, 2024 at ⁠⁠https://oracle.com/cognitive⁠⁠. -- FOLLOW ON X: @whatifalthist (Rudyard) @LudwigNverMises (Austin) @TurpentineMedia -- TIMESTAMPS: (00:00) Introduction (01:45) Imperial China Overview & Macro History (07:00) China's Fall of Rome Period (12:01) Geographic Regions of China (17:24) Sponsors: ZCash | Shopify (23:00) Qin Dynasty Unification (46:20) Qin Dynasty Fall & Han Dynasty Rise (54:00) Han Dynasty Economics & Expansion (1:25:00) Three Ruling Classes: Bureaucracy, Eunuchs, Nobility (1:36:33) Sponsors: Netsuite | Oracle (1:39:00) War of Three Kingdoms & Dark Ages (1:47:00) Tang Dynasty Golden Age (1:55:00) Neo-Confucian Renaissance & Song Dynasty (1:58:00) Mongol Conquest (2:00:00) Ming Dynasty Isolationism (2:08:00) Manchu Conquest & Qing Dynasty (2:12:04) Modern China's Challenges (2:19:24) Wrap Learn more about your ad choices. Visit megaphone.fm/adchoices

Tourists row boats along a river in Wenshan Zhuang and Miao autonomous prefecture, Yunnan province.游客们在云南省文山壮族苗族自治州的一条河流上划着船只游玩。 Summer has always been the peak tourism season in China. But this year's summer tourism season is not only about crowds and sunshine but also about change. Youths, especially Gen Z and college students, are reshaping the way the Chinese people travel. They prioritize quality over quantity, substance over mileage, and experience over exhaustion.夏季一直是中国旅游业的旺季。但今年的夏季旅游季不仅有熙熙攘攘的人群和明媚的阳光，还有变化的元素。年轻人，尤其是 Z 世代和大学生，正在改变中国人出行的方式。他们更看重品质而非数量，更注重实质内容而非行驶里程，更重视体验而非疲惫不堪。 Gone are the days of whirlwind itineraries packed with low-cost sightseeing. Today's youths seek better, richer experiences. According to travel platform Fliggy, the average travel spending by college students this summer is up by 6 percent year-on-year, with average trips lasting about 2.9 days. Tourism for them is not just about ticking the boxes; it's also about reconnecting with the self and rediscovering the joy of exploration.那些匆忙而简陋的旅行日程——充斥着低价观光活动的日子已经一去不复返了。如今的年轻人追求更优质、更丰富的体验。据旅游平台飞猪的数据，今年夏天大学生的平均旅行花费同比增长了 6%，平均旅行时间约为 2.9 天。对他们而言，旅游不仅仅是完成任务那么简单，更是与自我重新连接、重新发现探索乐趣的过程。As temperatures soar, young travelers are chasing comfort along with the quest for natural and historical sites. "Wellness travel" is a new trend. Think blue skies, snow-capped peaks, rolling grasslands and crystal clear lakes. Places like Qinghai province, the Xinjiang Uygur autonomous region, Yunnan province, the western part of Sichuan province, and Northeast China, where temperatures remain below 25 degrees Celsius in summer, have become favorite tourist destinations.随着气温不断攀升，年轻游客们不仅在探寻自然和历史遗迹的同时，也在追求舒适体验。“健康旅游”成为了一种新趋势。想象一下蓝天、白雪皑皑的山峰、起伏的草原和清澈的湖泊。像青海、新疆维吾尔自治区、云南、四川西部以及东北地区这样的地方，夏季气温低于 25 摄氏度，已成为热门的旅游目的地。 Some go even further — literally crossing the equator to experience winter in July. New Zealand, South Africa and Chile have become popular "reverse-season" retreats for Chinese tourists. Countries like Norway and Iceland, where travelers can hike across glaciers, ski on alpine slopes, or simply unwind in a lakeside village are also attracting lots of Chinese tourists.还有一些人则更进一步——甚至真的穿越赤道，以便在七月体验冬季。新西兰、南非和智利已成为深受中国游客喜爱的“反季节”度假胜地。像挪威和冰岛这样的国家，那里游客可以徒步穿越冰川、在高山滑雪场滑雪，或者只是在湖边的村庄里放松身心，也吸引了大量中国游客。 Today, travel is as much about emotions as it is about destinations. Events such as concerts, sports tournaments, and cultural festivals have become magnets for travelers. From music festivals and football games to dragon boat races and folk festivals, young people's choices are varied.如今，旅行不仅关乎目的地，更关乎情感体验。诸如音乐会、体育赛事以及文化庆典等各类活动已成为吸引游客的重要因素。从音乐节、足球比赛到龙舟赛和民俗节，年轻人的选择多种多样。 For young people, summer nights, in particular, have acquired added charm. For instance, in Xishuangbanna, Yunnan province, a night tour through a tropical forest — lit by glowing fireflies — feels like wandering through a living galaxy. At Gexian village, Shangrao city of Jiangxi province, "illuminated parades" turn the place into a dynamic painting, bringing the lanterns to life.对于年轻人来说，夏日的夜晚尤其增添了几分魅力。比如，在云南省的西双版纳，沿着热带森林进行的一次夜间游览——由发光的萤火虫照亮——让人感觉仿佛置身于一个活生生的星系之中。而在江西省上饶市的阁仙村，那些“点亮的游行”将这个地方变成了一幅充满活力的画卷，让灯笼仿佛有了生命一般。 For young Chinese tourists, participation is everything. Not interested in passive sightseeing, they want to be part of the experience. In Zhejiang province's Anji county, homestays in rural areas offer hands-on activities like farming, cooking, and traditional handicrafts, attracting families and young travelers alike. In Kaifeng, Henan province, an immersive boat tour, dubbed "A Day in the Song Dynasty (960-1279)" invites visitors to put on period attire, play poetry games, and enjoy music and dance along ancient canals. In Kaifeng's Wansui Mountain, a martial arts theme park, more than 80 live performances a day bring visitors "face-to-face" with Song-era heroes.对于年轻的中国游客来说，参与体验才是最重要的。他们不想只是被动地观光，而是希望亲身参与到其中。在浙江省安吉县，农村的民宿提供了诸如农耕、烹饪和传统手工艺等亲身体验活动，吸引了家庭和年轻游客。在河南省开封市，一场名为“宋朝一日（960 - 1279 年）”的沉浸式游船之旅邀请游客穿上古装，参与诗歌游戏，并在古老的运河边欣赏音乐和舞蹈。在开封的万顺山，一个武术主题公园每天会有超过 80 场现场表演，让游客与宋朝的英雄们“面对面”互动。 And interactive performers on "The Longest Day in Chang'an" themed street in Shaanxi province have been drawing tourists to theaters through historical narratives. You're not just watching a story; you're living it.在陕西省以“长安最长的一天”为主题的街头活动中，互动表演者通过讲述历史故事吸引游客前往剧院。你并非只是在观看故事，而是在亲身经历其中。 "Brave souls experience the world first" — this Gen Z motto reflects youths' growing thirst for novelty and adventure. Whether it's skydiving, bungee jumping, VR time travel or simulated space travel, young people are seeking once-in-a-lifetime thrills.“勇敢者率先体验世界”——这是 Z 世代的座右铭，它反映了年轻人对新鲜事物和冒险的日益强烈渴望。无论是跳伞、蹦极、虚拟现实时间旅行还是模拟太空旅行，年轻人都在寻求那种一生仅有一次的刺激体验。 In Qingdao, Shandong province, for example, a VR attraction brings Chinese sea creatures mentioned in folklore and mythology to life. In Gansu province, the Mars Base 1 Camp in Jinchang city fuses aerospace science with immersive tourism, offering space-themed music festivals, sci-fi salons, and the chance to "spend time among the stars".例如，在山东省青岛市，有一个虚拟现实体验项目将民间传说和神话中提到的中国海洋生物生动地呈现在人们面前。在甘肃省金昌市，火星基地 1 号营地将航空航天科学与沉浸式旅游相结合，举办太空主题音乐节、科幻沙龙，并提供“在星辰之间度过时光”的机会。As young people pursue richer, more layered experiences, tourism in China is shifting from "sightseeing travel" to "scene-based engagement", from grabbing eyeballs to winning hearts. The summer tourist surge is just the beginning.随着年轻人追求更丰富、更多元化的体验，中国的旅游业正从“观光旅游”向“场景互动”转变，从吸引眼球转向赢得人心。夏季旅游热潮只是个开始。Therefore, the travel industry must embrace personalization, creativity and quality, in order to develop immersive content, improve services, and foster regional collaboration. Only then can it help build a new tourism ecosystem, one that meets the evolving needs of young travelers while unleashing the full potential of the "experience economy".因此，旅游业必须注重个性化、创新性和品质，以开发沉浸式内容、提升服务质量并促进区域合作。只有这样，才能帮助构建一个新的旅游生态系统，这个系统能够满足年轻游客不断变化的需求，同时充分发挥“体验经济”的全部潜力。 Song Rui is director of the Tourism Research Center at the Chinese Academy of Social Sciences; and Tao Zhihua is a PhD student at the same institute. The views don't necessarily represent those of China Daily.宋瑞是中国社会科学院旅游研究中心的主任；陶志华则是该研究院的一名博士生。这些观点并不一定代表《中国日报》的观点。 wellness traveln.健康旅游/ˈwelnes ˈtrævl/ reverse-season retreatsn.反季节度假地/rɪˈvɜːs ˈsiːzn rɪˈtriːts/

Send us a textUnlike priceless yard sale finds, the discovery of your worth is not an accident. 1 Peter 1:18-19You know that it was not with perishable things such as silver or gold that you were redeemed from the empty way of life handed down to you from your ancestors, but with the precious blood of Christ.Remaster of Episode 29, originally aired on October 19, 2019.Support the show

遍地開花 biàn dì kāi huā - to bloom everywhere; something that is widespread故宮博物院 gù gōng bó wù yuàn - the National Palace Museum最具代表性 zuì jù dài biǎo xìng - the most representative宋朝 sòng cháo - Song Dynasty (960–1279)元朝 yuán cháo - Yuan Dynasty (1271–1368)明朝 míng cháo - Ming Dynasty (1368–1644)清朝 qīng cháo - Qing Dynasty (1644–1912)宮廷文物 gōng tíng wén wù - imperial court artifacts翠玉白菜 cuì yù bái cài - Jadeite Cabbage肉形石 ròu xíng shí - Meat-shaped Stone 毛公鼎 máo gōng dǐng - Ding cauldron of Duke Mao國立台灣博物館 guó lì tái wān bó wù yuàn - National Taiwan Museum珍貴物種 zhēn guì wù zhǒng - precious species縮影 suō yǐng - miniature; epitome標本 biāo běn - specimen泰雅族 t ài yǎ zú - Atayal Tribe (an indigenous group in Taiwan)長衣 cháng yī - traditional long clothing史前標本 shǐ qián biāo běn - prehistoric specimen莫那魯道 mò nà lǔ dào - Mona Rudao (a famous indigenous hero in Taiwan)珍貴 zhēn guì - valuable; precious文化資產 wén huà zī chǎn - cultural heritage順益台灣原住民博物館 shùn yì tái wān yuán zhù mín bó wù yuàn -Shung Ye Museum of Formosan Aborigines不僅 bù jǐn - not only保存 bǎo cún - to preserve; to conservePlanning to travel or move to Taiwan? If you'd like to improve your Chinese before you go, feel free to book a one-on-one lesson with me.I'll help you improve your Chinese so you can settle in more comfortably when you arrive.Book a one-on-one trial lesson with me !

In this crossover episode from the China Talk podcast, Nathan Labenz shares a thought-provoking conversation between Jordan Schneider, Ilari Michaela, and Professor David C. Kang that challenges conventional Western perspectives on East Asian international relations. Professor Kang argues that studying East Asian history on its own terms reveals a remarkably stable geopolitical system spanning nearly a millennium, where China maintained regional dominance without conquest through compatible cultures and mutual understanding. This alternative framework offers valuable insights that question the seemingly inevitable US-China competition narrative dominating AI discourse, suggesting that internal challenges may be more significant than external threats for both China and the United States. SPONSORS: Oracle Cloud Infrastructure (OCI): Oracle Cloud Infrastructure offers next-generation cloud solutions that cut costs and boost performance. With OCI, you can run AI projects and applications faster and more securely for less. New U.S. customers can save 50% on compute, 70% on storage, and 80% on networking by switching to OCI before May 31, 2024. See if you qualify at https://oracle.com/cognitive Shopify: Shopify powers millions of businesses worldwide, handling 10% of U.S. e-commerce. With hundreds of templates, AI tools for product descriptions, and seamless marketing campaign creation, it's like having a design studio and marketing team in one. Start your $1/month trial today at https://shopify.com/cognitive NetSuite: Over 41,000 businesses trust NetSuite by Oracle, the #1 cloud ERP, to future-proof their operations. With a unified platform for accounting, financial management, inventory, and HR, NetSuite provides real-time insights and forecasting to help you make quick, informed decisions. Whether you're earning millions or hundreds of millions, NetSuite empowers you to tackle challenges and seize opportunities. Download the free CFO's guide to AI and machine learning at https://netsuite.com/cognitive PRODUCED BY: https://aipodcast.ing CHAPTERS: (00:00) About the Episode (03:30) Introduction to East Asian Relations (04:41) Internal vs External Challenges (07:05) Song Dynasty's Fall (13:35) Western vs Eastern Frontiers (19:06) Shared Cultural Understanding (Part 1) (20:30) Sponsors: Oracle Cloud Infrastructure (OCI) | Shopify (23:45) Shared Cultural Understanding (Part 2) (25:57) Vietnam-China Relations (30:08) Korea's Diplomatic Strategy (Part 1) (32:19) Sponsors: NetSuite (33:52) Korea's Diplomatic Strategy (Part 2) (35:17) The Imjin War (43:36) Thucydides Trap Question (49:19) Power Transition Theory Debate (53:49) Expansion and Frontiers (01:02:00) Modern Implications (01:06:00) PRC and Imperial Legacy (01:13:16) Taiwan and Modern Challenges (01:25:42) US Role in East Asia (01:29:35) Concluding Thoughts (01:37:17) Outro

Today, we are looking at a story involving Su Dongpo, who was the butt of the greatest fart joke in all of Chinese history. The story involves Su Dongpo, the Song Dynasty's greatest poet, and a Zen Buddhist named Buddha's Stamp. 

Regarding the Song Dynasty mandarin who defined the mission for the Confucian intelligentsia.Support the show

From lotus root dishes to fiery hotpot, the animated blockbusterNe Zha 2 has ignited nationwide culinary trends, turning meals inspired by the film into social media sensations.从藕菜到火辣辣的火锅，动画大片《哪吒2》点燃了全国范围内的烹饪潮流，以电影为灵感的美食也成为了社交媒体上的热点。The feature has surpassed Avengers: Infinity War to become the sixth highest-grossing movie of all time worldwide, according to the Lighthouse Professional Edition, a box office data provider owned by Alibaba.根据阿里巴巴旗下票房数据提供商灯塔专业版(Lighthouse Professional Edition)的数据，这部动画电影已经超过《复仇者联盟3:无限战争》，成为全球有史以来票房第六高的电影。In the movie, the body of Ne Zha, a mythical demon child, is reborn from lotus root starch. Off-screen, sales of lotus root starch, lotus root soup and other dishes featuring the plant have surged, with restaurants embracing the ingredient in new and inventive ways.在这部电影中，神话中的魔童哪吒的身体是用莲藕重生的。银幕外，藕粉、藕汤和其他以这种植物为特色的菜肴的销量激增，餐馆以新的、创造性的方式接纳了这种食材。Meanwhile, a scene featuring the Octopus General — who speaks in a Tianjin dialect — being roasted in the furnace has turned the local specialty of stir-fried squid tentacles into a viral hit.与此同时，一个讲天津方言的章鱼将军在炉子里被烤的场景，使当地的特色菜炒鱿鱼足火了。Across the country, restaurants are rolling out Ne Zha-themed drinks, dishes and set meals, blending cinematic fantasy with real-world flavors.全国各地的餐馆都在推出哪吒主题的饮料、菜肴和套餐，将电影中的幻想与现实世界的味道融合在一起。One of the most memorable aspects ofNe Zha 2 is Taiyi Zhenren's distinctive Sichuan-accented Mandarin. This linguistic touch has unexpectedly turned hotpot — a Sichuan province culinary staple — into a marketing success, with restaurants seizing the opportunity to attract customers.《哪吒2》最令人难忘的一点是太乙真人的四川口音。这种语言的接触出人意料地使火锅——四川的一种美食——成为一种营销上的成功，餐馆抓住机会吸引顾客。In Sichuan's Yibin, Zha Hotpot eatery — already designed with Ne Zha-themed decor — has become a hot spot for fans eager to snap photos with installations inspired by the character's iconic huntianling (red armillary sash) and fenghuolun (wind-fire wheels).在四川宜宾，一家以哪吒主题为装饰的哪吒火锅店，已经成为粉丝们争相拍照的热点，店内的装置灵感来自哪吒标志性的“混天绫”和“风火轮”。The restaurant has also introduced a Ne Zha-inspired menu featuring meatballs, lotus root starch and seafood, all of which have quickly become favorites.这家餐厅还推出了受哪吒启发的菜单，包括肉丸、藕粉和海鲜，所有这些都迅速成为人们的最爱。In Sichuan's Chengdu, Feng Xiao Zhang Hotpot launched a promotional campaign where diners who posted a video wishing the restaurant success on social media could win aNe Zha 2 movie ticket if their post received over 30 likes.在四川成都，冯校长火锅推出了一项促销活动，食客只要在社交媒体上发布祝福该餐厅成功的视频，并获得30个点赞，就能赢得一张《哪吒闹海2》的电影票。"I love a good hotpot, but when it's both delicious and fun, that's even better," said Zhang Xuan, a tourist from Xi'an, Shaanxi province.“我喜欢好吃的火锅，但如果火锅既美味又有趣，那就更好了，”来自陕西西安的游客张轩说。Meanwhile, the hotpot chain Banu markedNe Zha 2 surpassing 10 billion yuan ($1.38 billion) at the box office by introducing the Honghu lotus root dish across its locations nationwide.与此同时，火锅连锁店巴努在全国各地推出了洪湖莲藕，来纪念《哪吒2》的票房突破了100亿元人民币(13.8亿美元)。The dish was an instant success, with strong sales from the moment it launched, according to staff.据工作人员介绍，这道菜一经推出就大获成功，销量强劲。In Sanya, Hainan province, Cinker Pictures Mega has taken the trend a step further by offering a hotpot-and-movie experience, allowing guests to enjoy a meal while watchingNe Zha 2 in a special screening room.在海南三亚，Cinker Pictures Mega将这一趋势更进一步，提供火锅和电影的体验，让客人在特殊的放映室里一边吃饭一边看《哪吒2》。"The hotpot wasn't particularly outstanding, but the ingredients were fresh," wrote a Dianping user, Yuxiaoman. "I cried just as much during my second watch — such a great film! Finally got to experience eating hotpot while watching a movie — absolutely amazing!"“火锅味道不出彩，但食材很新鲜，”大众点评网用户于晓曼写道。“我第二次看的时候还是哭了——这么棒的一部电影!终于可以一边看电影一边吃火锅了，太棒了!”Coffee shops and dessert cafes are also embracing the Ne Zha phenomenon. In Dalian, Liaoning province, JY & Sweetime has launched Ne Zha-themed cakes and coffee, featuring an illustration of the character and the motto, "My fate is determined by me, not by the heavens."咖啡店和甜品店也在追捧哪吒现象。在辽宁省大连市，JY & Sweetime推出了哪吒主题的蛋糕和咖啡，上面印有哪吒的形象和座右铭:“我命由我不由天"The Oreo cream filling was decent, but the design was incredible — super fitting for the theme!" wrote a Dianping user named "Woconglaimeiheguoshui".一位名叫“我从来没喝过水”的大众点评用户写道：“奥利奥奶油馅还可以，但设计太不可思议了--超级符合主题！”。Meanwhile, Cotti Coffee has announced an official collaboration withNe Zha 2, rolling out a new product series on March 17, complete with themed packaging and limited-edition merchandise.”与此同时，库迪咖啡宣布与《哪吒2》正式合作，于3月17日推出新系列产品，包括主题包装和限量版商品。Pop culture boost流行文化助推AsNe Zha 2 continues to attract large audiences, its impact on the food and beverage industry highlights how pop culture is reshaping consumer trends — one meal at a time.随着《哪吒2》继续吸引大批观众，它对餐饮行业的影响凸显了流行文化如何重塑消费趋势——一餐一景。"The film has not only gone viral but has also driven the growth of the entire lotus root supply chain," said Zhao Jinqiao, a 42-year-old restaurant industry researcher.42岁的餐饮业研究员赵金桥表示:“这部电影不仅火了，还推动了整个藕供应链的增长。”Zhao said it is not the first time film and television have driven food trends. In recent years, popular productions have frequently sparked demand for regional delicacies.赵说，这不是电影和电视第一次推动饮食潮流。近年来，受欢迎的影视作品经常引发对地方美食的需求。The 2019 TV dramaThe Longest Day in Chang'an boosted interest in fire crystal persimmons and water basin lamb from China's northwest. In 2022, the hit seriesA Dream of Splendor brought Song Dynasty (960-1279) tea culture into the spotlight, leading tea brands to introduce themed drinks that became consumer favorites. Similarly, animated films and TV shows have increasingly collaborated with tea and coffee brands to launch limited-edition beverages.2019年，电视剧《长安十二时辰》提高了人们对中国西北地区火晶柿子和水盆羊肉的兴趣。2022年，热播剧《梦华录》将宋代（960-1279年）茶文化推向聚光灯下，促使茶叶品牌推出主题饮品，成为消费者的最爱。同样，动画电影和电视节目也越来越多地与茶叶和咖啡品牌合作，推出限量版饮品。Behind this phenomenon, Zhao sees two key forces at play.在这一现象背后，赵看到了两股关键力量在起作用。First, restaurants are becoming more adept at leveraging pop culture to attract consumers and convert online buzz into sales. "With fierce competition in the industry, businesses are focusing on product innovation rather than price wars. They are enhancing their offerings with cultural, experiential, and emotional value," Zhao said.首先，餐厅越来越善于利用流行文化来吸引消费者，并将网上的热词转化为销售额。“随着行业竞争的激烈，企业正专注于产品创新，而不是价格战。他们正在用文化、体验和情感价值来提升他们的产品，”赵说。"Over the past few years, restaurant operators have learned how to integrate entertainment and youth culture into their strategies to draw traffic," he added.他补充说:“在过去的几年里，餐馆经营者已经学会了如何将娱乐和青年文化融入到他们的策略中来吸引客流量。”Second, consumer expectations for dining experiences have evolved. "People no longer just eat to satisfy hunger or pursue healthy choices. They now seek emotional connections through their dining experiences," Zhao said.其次，消费者对就餐体验的期望也在发生变化。“人们不再只是为了充饥或追求健康的选择而吃饭。他们现在通过就餐体验寻找情感联系。”赵说。WhileNe Zha2 has sparked a wave of themed offerings, Zhao believes the trend is also rooted in the character's deep cultural significance.虽然《哪吒2》引发了一波主题产品的热潮，但赵认为，这一趋势也植根于该角色深厚的文化意义。However, he cautioned businesses to be mindful of intellectual property concerns when using Ne Zha's image for promotions, warning of potential legal risks. He also noted that Ne Zha, as a traditional Chinese figure, has multiple representations beyond the one depicted inNe Zha 2.然而，他提醒企业在使用哪吒的形象进行宣传时要注意知识产权问题，并警告潜在的法律风险。他还指出，哪吒作为中国传统人物，除了《哪吒2》中所描绘的形象外，还有多种表现形式。For restaurant owners looking to capitalize on the trend, Zhao stressed the importance of both speed and long-term vision. "To seizeNe Zha 2's momentum, businesses must react quickly.对于希望利用这一趋势的餐馆老板来说，赵强调了速度和长远眼光的重要性。“为了抓住《哪吒2》的势头，企业必须迅速做出反应。But beyond short-term gains, they should also consider how to retain customers. The goal is not just to draw diners in with a trendy product, but to build lasting consumer habits," he said.但除了短期收益，他们还应该考虑如何留住客户。我们的目标不仅仅是用时髦的产品吸引食客，而是要养成持久的消费习惯。”Root cause of frenzy热潮的根本原因Lotus root has emerged as one of the biggest winners in the food industry boom sparked byNe Zha 2.在《哪吒2》引发的食品行业热潮中，藕已经成为最大的赢家之一。The humble ingredient, central to the film's storyline, has seen a surge in demand, driving remarkable growth across the food and e-commerce sectors.作为电影故事情节的核心，这种不起眼的食材需求激增，推动了食品和电商行业的显著增长。According to data from the short video-sharing platform Douyin, searches for "lotus root starch" have surged by over 200 percent year-on-year since the film's release on Jan 29, with interest continuing to climb.根据短视频分享平台抖音的数据，自1月29日该片上映以来，“藕粉”的搜索量同比飙升了200%以上，而且兴趣还在继续攀升。Online delivery platform Eleme has reported a 330 percent spike in related searches.在线外卖平台“饿了么”的相关搜索量飙升了330%。China Post's Hubei branch reported that between Jan 29 and Feb 11, approximately 170,000 packages of lotus root starch and lotus root stems were shipped from the province — 1.7 fold more than the same period last year.据中国邮政湖北分公司报道，在1月29日至2月11日期间，约有17万包藕淀粉和藕茎从该省运出，是去年同期的1.7倍。The impact is even more pronounced in Honghu, a major lotus root production hub in Hubei province.在湖北主要的莲藕生产中心洪湖，这种影响更为明显。Zhang Xianzhong, head of the Honghu Lotus Root Industry Development Center, said from Jan 29 to Feb 23, the industry's total sales revenue surpassed 582 million yuan, marking a 51 percent year-on-year increase.洪湖藕产业发展中心主任张献忠表示，从1月29日到2月23日，藕产业总销售收入超过5.82亿元，同比增长51%。Fresh lotus root sales alone reached 18,700 metric tons, while processed products like lotus root starch, lotus root stems, and lotus root soup also saw significant gains.仅新鲜藕的销量就达到1.87万吨，而藕淀粉、藕茎和藕汤等加工产品也取得了显著增长。"Fresh lotus root is selling out daily, over 200 tons of lotus root starch have already been snapped up, and e-commerce orders have risen 1.5 fold compared with last year," Zhang said.“新鲜莲藕每天都销售一空，200多吨莲藕淀粉已被抢购一空，电商订单比去年增加了1.5倍。At the Orsun century city mall branch in Wuhan, Hubei, of Laoxiangji fast food chain, takeout orders have surged during dinner hours with staff packing container after container of lotus root chicken soup.在湖北武汉的老乡鸡快餐连锁店奥森世纪城分店，晚餐时段的外卖订单激增，店员们将一箱又一箱的莲藕鸡汤打包。"Since the Spring Festival, sales of our lotus root chicken soup have risen about 30 percent compared with pre-holiday levels," said store manager Yuan Fangfang.店长袁芳芳说：“春节以来，我们莲藕鸡汤的销量比节前增长了约30%。”Laoxiangji's signature old hen soup, made with mineral water and stewed chicken, has long been a customer favorite.老乡鸡的招牌老母鸡汤，用矿泉水和焖鸡熬制而成，一直深受顾客的喜爱。But in Hubei, where lotus root is a staple, diners have frequently asked if the restaurant offers a lotus root version. In response to the demand, Laoxiangji introduced lotus root chicken soup in its Hubei outlets in September 2024.但在以莲藕为主食的湖北，经常有食客询问餐厅是否提供莲藕版本。为满足这一需求，老乡记于2024年9月在湖北分店推出了莲藕鸡汤。"The response has been overwhelming — nearly half of our soup orders are now for the lotus root version," Yuan said.袁说：“反响非常热烈--现在我们近一半的汤订单都是莲藕版的。”She noted that September and October, when lotus roots are at their softest and most flavorful, is the peak season for the dish. "For us in Hubei, drinking lotus root soup is a tradition. Growing up, the aroma of lotus root soup filled the alleys during autumn and winter. A bowl of it carries a sense of home," Yuan said.她指出，9月和10月是莲藕最柔软、味道最鲜美的时候，也是这道菜的旺季。“对于我们湖北人来说，喝莲藕汤是一种传统。在我们的成长过程中，每到秋冬季节，小巷里就弥漫着莲藕汤的香气。一碗藕汤承载着家的味道。This year, Laoxiangji remained open throughout the Spring Festival holiday period. "I never expected lotus root soup to become such a hit during Spring Festival," Yuan said.今年，老乡记在整个春节假期期间一直营业。“没想到春节期间莲藕汤会这么火。”Taking advantage of a rare break, she went to seeNe Zha 2 with her 15-year-old daughter, a high school student and fan of the film. After the holiday rush, the two returned for a second viewing.趁着难得的休息时间，她和15岁的女儿一起去看《哪吒2》，女儿是一名高中生，也是《哪吒2》的影迷。假期结束后，两人又去看了第二场。Located inside a shopping mall, Yuan's restaurant often welcomes moviegoers looking for a meal after screenings. "Maybe some of them, after watching Ne Zha 2, find themselves craving a bowl of lotus root soup," she said.袁的餐厅位于一家购物中心内，经常有观众在电影放映后前来就餐。“她说："也许有些人看完《哪吒2》后，会想喝一碗莲藕汤。Lotus' elan莲花的魅力Riding the success ofNe Zha 2, lotus root has emerged as a culinary sensation beyond its home in Hubei.借助《哪吒2》的成功，莲藕在湖北以外的地方引起了美食界的轰动。On the third day of the Chinese New Year, as the film's box office takings soared, Qingshuiting Hubei cuisine outlets in Beijing introduced a Ne Zha-themed meal set. The two-person set, featuring pork rib lotus root soup, fried stuffed lotus root, and lotus root starch, quickly attracted food lovers. Diners who presented aNe Zha 2 ticket stub could also enjoy a 12 percent discount on lotus root soup.大年初三，随着票房的飙升，北京的清水亭湖北菜门店推出了哪吒主题套餐。排骨藕汤、炸藕酿、藕粉等二人套餐迅速吸引了美食爱好者。凭《哪吒2》门票票根就餐的食客还可享受藕汤12% 折的优惠。Li Simei, co-founder of Qingshuiting, anticipated lotus root's surge in popularity, given its deep connection to the investiture of the gods scene in the movie, where Ne Zha's body is reborn from lotus root. Since the ingredient has always been a staple at her restaurant, she had planned to introduce themed dishes based on the audience response.清水亭的创始人之一李思梅预料到莲藕会大受欢迎，因为莲藕与电影中哪吒投胎的场景有很深的联系。由于莲藕一直是她餐厅的主打食材，她计划根据观众的反应推出主题菜肴。The restaurant's signature lotus root soup is made from Honghu's renowned starchy lotus roots. "October to March is when lotus root reaches peak flavor," Li explained.餐厅的招牌藕汤是用洪湖著名的淀粉质莲藕制作的。“十月到三月是莲藕味道最鲜美的时候，"李解释道。"During this period, it stores starch in the mud, creating a rich, glutinous texture."“在此期间，它将淀粉储存在泥中，形成丰富的糯米质地"。To appeal to younger diners, Qingshuiting has also re-imagined traditional lotus root starch desserts, offering flavors like green tea and orange, paired with lotus slices and lotus balls. The modern twist transforms the classic street treat into a trendy, Instagram-worthy dessert.为了吸引更多年轻食客，清水亭还对传统的藕粉甜点进行了重新设计，推出了绿茶和橙子等口味，并搭配了藕片和藕球。这种现代的变化将经典的街头小吃转变成了一种时尚的、值得在Instagram上分享的甜点。"Our restaurant aims to showcase high-quality Hubei ingredients, including Honghu lotus root, and bring delicious Hubei cuisine to diners in Beijing," Li said.“我们的餐厅旨在展示包括洪湖莲藕在内的优质湖北食材，为北京的食客带来美味的湖北菜。”李说The growing demand for Hubei's lotus root was also evident at a Feb 21 agricultural showcase hosted by the Hubei Provincial Department of Agriculture and Rural Affairs and the Hubei Government's Beijing Office.在2月21日由湖北省农业农村厅和湖北省政府驻北京办事处主办的农业展示会上，湖北莲藕日益增长的需求也显而易见。The event brought Beijing restaurateurs face-to-face with Hubei suppliers, with Honghu lotus root emerging as a star ingredient. Li noted that many Beijing restaurants are now incorporating Honghu lotus root into their menus and hopes that more establishments will follow suit in show-casing the region's high-quality produce.此次活动让北京的餐馆老板与湖北的供应商面对面，洪湖莲藕成为其中的明星食材。李指出，许多北京餐馆正在将洪湖莲藕纳入他们的菜单，并希望更多餐馆效仿，展示该地区的优质产品。Demonn.魔鬼；恶魔；精力过人的人；邪念Tentaclesn. 触手( tentacle的名词复数)；触角；触须；触毛Frenzyn.狂乱，狂暴；极度的激动；狂怒Signaturen.签名；鲜明特色

How has Chinese hegemony shaped power relations in East Asia? Why did imperial China conquer Tibet and Xinjiang but not Vietnam or Korea? Can learning from history help maintain peace in the Taiwan Strait? Today's interview begins with one shocking truth — while medieval Europe suffered under near-constant war, East Asia's Middle Ages were defined by great power peace. To discuss, ChinaTalk interviewed Professor David C. Kang, director of the Korean Studies Institute at USC and co-author of Beyond Power Transitions: The Lessons of East Asian History and the Future of U.S.-China Relations. We discuss… How East Asian nations managed to peacefully coexist for centuries, Why lessons from European history don't always apply in non-European contexts, Why wars begin and how they can be avoided, How to interpret outbreaks of violence in Asia — including conflicts with the Mongols, China's meddling in Vietnam, and Japan's early attempts at empire, State behaviors that cannot be explained by power transition theory alone, Whether the Thucydides trap makes U.S.-China war inevitable, Old school methods for managing cross-strait relations. Co-hosting today is Ilari Mäkelä of the On Humans podcast. Outro music: 荒城の月 "The Moon over the Ruined Castle" by 滝廉太郎 Rentarō Taki (Youtube link) Cover photo of a Song Dynasty axe-wielding god https://dragonsarmory.blogspot.com/2016/12/song-chinese-armor-in-religious.html Learn more about your ad choices. Visit megaphone.fm/adchoices

How has Chinese hegemony shaped power relations in East Asia? Why did imperial China conquer Tibet and Xinjiang but not Vietnam or Korea? Can learning from history help maintain peace in the Taiwan Strait? Today's interview begins with one shocking truth — while medieval Europe suffered under near-constant war, East Asia's Middle Ages were defined by great power peace. To discuss, ChinaTalk interviewed Professor David C. Kang, director of the Korean Studies Institute at USC and co-author of Beyond Power Transitions: The Lessons of East Asian History and the Future of U.S.-China Relations. We discuss… How East Asian nations managed to peacefully coexist for centuries, Why lessons from European history don't always apply in non-European contexts, Why wars begin and how they can be avoided, How to interpret outbreaks of violence in Asia — including conflicts with the Mongols, China's meddling in Vietnam, and Japan's early attempts at empire, State behaviors that cannot be explained by power transition theory alone, Whether the Thucydides trap makes U.S.-China war inevitable, Old school methods for managing cross-strait relations. Co-hosting today is Ilari Mäkelä of the On Humans podcast. Outro music: 荒城の月 "The Moon over the Ruined Castle" by 滝廉太郎 Rentarō Taki (Youtube link) Cover photo of a Song Dynasty axe-wielding god https://dragonsarmory.blogspot.com/2016/12/song-chinese-armor-in-religious.html Learn more about your ad choices. Visit megaphone.fm/adchoices

Jennifer Coates is back with me this week to cohost Part 4 of our series about researching our way to feeling better as artists. This time we go all the way back to 1306 to the Mongol empire and then zoom forward to the 1970's in the USSR and with a few more stops in between. We studied hard (and maybe got C minuses) but we ended up feeling inspired and hope you will too. The artists we spoke about:Zheng Sixiao of Southern China's Song Dynasty, "Ink Orchid" 1306, during Mongol Empire (Yuan Dynasty) under Kublai Kasimir Malevich of Russia/USSR, "Black Square" 1915, "Girls in a Field" 1928-30, "Female Worker" 1933, Russian icon paintingsThe Bulldozer Exhibition, 15 September 1974 and Oskar Rabin "Lamp and Shawl" 1974 & Lidya Masterkova "Untitled" 1974 of the Leonozovo Group, Photographs by Mikhail Abrosimov/ The Calvert JournalRead more: https://www.theguardian.com/world/2014/sep/17/bulldozer-underground-exhibition-revolutionised-russian-art https://www.edelman.com/insights/bulldozer-exhibition-my-eyewitness-account-russian-repression-6-amClaude Cahun of Jersey (Channel Islands/France), Partner/Collaborator, Marcel Moore, "I am in training, don't kiss me" 1927, "What do you want from me?" 1929, "Self Portrait" 1939The Nahua People of the Aztec Empire and the Florentine Codex: https://florentinecodex.getty.edu/ - facilitated by Franciscan Monk, Bernardino de Sahagún, Deep dive into the Codex with Dr. Diana Magaloni Kerpel, Deputy Director, Program Director, and Dr. Virginia Fields Curator of the Art of the Ancient Americas at the LA County Museum of Art (LACMA): https://www.youtube.com/watch?v=zUfg_WQwvMgGee's Bend Quilters of Alabama and their organization Souls Grown Deep: https://www.soulsgrowndeep.org/Other artists mentioned:Elisabeth Condon, Piet Mondrian**Disclaimer: As we are not historians by trade, some factual errors may have slipped through. Apologies if so **Jennifer Coates online: ⁠⁠web⁠⁠ and ⁠⁠IG⁠⁠Amy Talluto online: ⁠⁠web⁠⁠ and ⁠⁠IG⁠⁠Thank you, Jennifer! Thank you, Listeners!All music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks website: ⁠⁠⁠⁠⁠peptalksforartists.com⁠⁠⁠⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amy's website: ⁠⁠⁠⁠⁠amytalluto.com⁠⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

Regarding the Song Dynasty statesman -- and my ancestor -- Han Qi.Support the show

Last time we spoke about the fourth encirclement campaign against the CCP. In 1931, the CCP survived brutal encirclement campaigns while the threat of Japanese invasion in Manchuria shifted focus in China. The new leadership, known as the 28 Bolsheviks, seized control after the downfall of Li Lisan, leading to infighting within the CCP. Despite initial successes, Mao Zedong opposed the aggressive military strategies favored by the Bolsheviks. As the Red Army expanded, Mao's calls for caution clashed with the Central Committee's ambitions, highlighting the struggle for power and differing strategies within the party during a time of upheaval. As the 28th Bolsheviks gained power, they stripped Mao Zedong of key positions, deeming his strategies outdated. The Red Army, while suffering losses, adapted tactics and launched further offensives. Political tensions rose, leading to purges and reorganization under more orthodox leadership. Ultimately, despite setbacks, the CCP's resilience and guerrilla tactics allowed them to persist against KMT forces.   #128 the fifth encirclement campaign Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. So the CCP had just survived 4 encirclement campaigns. Now each time an encirclement campaign was unleashed, it was done so during a very tumultuous time to say the least. The first three were done between 1930-1931 where the Central Plains War and multiple large scale rebellions were kicking off. It was also on the cusp of the re-unification of China, thus Chiang Kai-Shek arguably had bigger fish to fry. During the fourth encirclement campaign Chiang Kai-Shek was very much taking notice of the red menace in his interior, however a rather earth shattering moment occurred, the Japanese had invaded Manchuria. And yes, we will get to the 15 year war in good time no worries folks your boy has a lot of goodies coming. So one can understand Chiang Kai-Shek could not very well fully go after the Reds when the Japanese had invaded northeast China and there was absolutely no telling where or when they would stop. Well the fourth encirclement campaign did not provide the results the KMT needed, so obviously there was to be a fifth…and guess what, the Japanese began an invasion of North China that same year of 1933. Now if you really are itching to hear more about these events we will tackle in a few episodes, over at the Pacific War Channel on Youtube or on all major podcast platforms might I suggest the following: my Kanji Ishiwara series covering his entire involvement in these events and during WW2, my full documentary/podcast on the Japanese invasion of Manchuria and lastly my full podcast on the Japanese invasion of North China. I am a very busy boy over there as you can see.  In the late winter and early spring of 1933, the Kwantung Army had begun an invasion of North China. They specifically began by invading the province of Rehe, modern day Jehol. After this they attacked the Great Wall of China, a pretty insane story to be honest, and descended further into north china. Understandably Chiang Kai-Shek shifted his focus from the Red menace to the Japanese at his front door. Beginning in July, the KMT established a review team to examine why the encirclement campaigns were failing to provide real results and what improvements could be made. They also established division level training units to retrain the forces with the lessons learned against the Reds. There was also a lot of integration of foreign military advisers, particularly Germans who helped develop better tactics and strategies. The Germans immediately proposed a more deliberate strategy against the Soviets. The first step they argued was to establish an economic blockade. Raw materials and durable goods could not be allowed to enter or leave the Soviet areas. Foods like rice and salt were especially targeted, there was to be an absolute ban on them going in or out. The second step was to establish a series of fortifications, basically blockhouses made out of concrete to provide fire support to offensive operations in nearby cities. As NRA forces advanced into areas to clear them, the previous blockhouses would be abandoned as new ones were built. There also needed to be lines of operation, requiring road development in rear areas to expedite logistical needs to the front. Now none of this sounds new compared to what we spoke about in the previous campaigns, but what was the issue was that it was not being done by all units prior. The KMT was also going to introduce political reforms that complemented the new standardized military strategies. New slogans arose such as “Thirty Percent Military, Seventy Percent Political,”. They were going to revive the baojia system.  The Baojia system was an administrative structure that emerged during the Song Dynasty 960–1279 AD and was prevalent in various forms throughout subsequent dynasties. Its primary purpose was to enhance local governance, community responsibility, and social stability. The system was based on the grouping of households into units known as "bao" and "jia". Each bao typically consisted of ten households, while a jia consisted of ten baos, totaling about one hundred households. This hierarchical structure allowed for more manageable governance and oversight, facilitating communication and administration at the local level. Under the Baojia system, each household was assigned to a bao, and the head of the bao was responsible for maintaining order, collecting taxes, and ensuring the compliance of families with local laws and regulations. The heads of the baojia units worked in conjunction with local officials to enforce state policies and maintain social harmony. This system not only provided a means for effective local governance but also fostered a sense of community among families. Neighbors were encouraged to cooperate and support one another, creating a network of mutual responsibility. In addition to its administrative functions, the Baojia system played a significant role in maintaining social order. By organizing families into these small units, it facilitated surveillance and mutual accountability among community members. Residents were motivated to monitor each other's behavior, discouraging misconduct and promoting adherence to social norms. As a result, the system contributed to the overall stability and cohesion of society, particularly in rural areas where government presence was often limited. Now to get all of this done, the KMT increased the NRA forces deployed to Jiangxi to nearly 700,000 who were broken down into 4 area armies and 5 air corps. They deployed the Northern Route NRA Army consisting of 33 divisions in Jinzhi, Jishui, Nangeng and the Le'an front; and the Southern Route NRA Army, consisting of eleven Guangdong divisions and one independent regiment, established a blocking position along a line connecting the cities of Wuping, Anyuan, Shangyou and Ganxian. The Southern Route NRA army would move to the blocking positions north in coordination with the other NRA forces to try and squeeze the Reds. The Western Route NRA army consisting of 9 Hunanese divisions and 3 independent regiments were responsible for blocking the Reds from advancing west of the Gan River. The Fujian-Zhejiang-Jiangxi area army HQ was assigned 11 divisions and 4 security regiments to block any Reds from escaping through northeast Jiangxi. All of this encompassed the fifth encirclement campaign.  When the NRA was ready to commence the campaign, it was too late for the Reds to properly mount a counter encirclement campaign. The only thing the Reds had going for them was their recruitment efforts that saw them grow perhaps 100,000 strong. The Red Army even began touting a slogan “Million Man Army” to further recruit. By late October 1933, the Reds were certainly numerous, but this also meant they needed more supplies and equipment. With their Eastern Front Army now in Fujian, the Central Front Army and local populace should have been raising revenues and stockpiling supplies, especially rice and salt, but that is of course if they knew a fifth encirclement campaign was coming.  On September 25th, the NRA deployed 3 divisions south from Nanchang to attack Lichuan. Within 3 days of battle, the city fell, which greatly shocked the CCP. The Central Front Red Army fell back, waiting for the Eastern Front Red Army to rush back over from Fujian to meet the threat. By October 6th both front Red armies consolidated to perform a counterattack. They first attacked Xunkou, where they annihilated 3 NRA brigades. However the success was to be short lived. For the proceeding two months, the Red Army attacked multiple NRA blockhouses in Zixi, Huwan Bajiaoting, Xiaoshi, Daxiongguan and Yuangai Mountain. Yet they were unsuccessful at breaching the defensive line. The concrete block houses were acting as pillboxes allowing the NRA to concentrate fire using brand new German made machine guns. They also were utilizing new Krupp artillery pieces and German made aerial bombs against the Red army formations whenever they assaulted the blockhouse line. By November the KMT's attention was slightly diverted as Fujian had just seen a full blown rebellion, more about that in the next episode, but to summarize a bit. On November 30th, the KMT 19th route army in conjunction with the Fujian provincial government rebelled against the KMT and set up an independent government. As you might be guessing, they were also working with the CCP. Back in October they had formed a military alliance, better said cease fire. This little arrangement did not last long and there even emerged hostilities. During this chaos the revolutionary military council held an emergency meeting to figure out a course of action. Otto Braun advocated for a strong offensive to decisively defeat the KMT. He argued the golden age of guerrilla warfare in China was over and now the Red Army must conduct convention warfare against NRA positions. Thus Mao Zedong's “lure the enemy in deep” strategy was replaced by “defending against the enemy outside the Soviet”. In January of 1934 the second soviet congress was held where a series of resolutions were passed to focus the Red Army against the fifth encirclement campaign. The resolutions reiterated Otto Braun's offensive strategy and repeatedly attacked Mao Zedong's strategies. Building upon the strategy of defending against the enemy outside the Soviets, Otto Braun also proposed using “short, swift thrusts”. This would see the employment of repeated infantry assaults to overwhelm the NRA blockhouse lines. Otto Braun also advocated for continuing the mass recruitment efforts and brought up perhaps beginning a system of conscription to fill the ranks. After the Fujian rebellion situation simmered down, the NRA refocused their attention against the Reds. The NRA established a line of blockhouses going from Lichuan to Le'an and began clearing out the area south of Ruijin using 35 divisions. The NRA forces first targeted Guangchang, lying about halfway between Nanchang and Ruijin. The NRA's Eastern Front also began advancing west, totaling some 14 divisions. By March of 1934 the NRA Northern and Eastern Fronts linked up at Deshengguan where they began coordinated efforts towards Guangchang. In response to the NRA advances towards Guangchang, the Red Army built a series of fortifications and trenchworks to defend the area. On April 9th, the NRA began its attack on Guangchang, deploying the 3rd Route army's 10 divisions from Nanfeng with heavy artillery and aircraft support. The NRA forces advanced south along both sides of the Xu River leading towards Guangchang. The Northern Route NRA Army established new blockhouses on one side of the river before clearing the other side. It took the NRA forces roughly 2 weeks to advance down the riverway to Guangchang. By April 23rd, they breached the Red Army's defensive lines and seized control over some high ground surrounding the area. The Reds were forced to pull back into the city where they continued to build fortifications and trench lines. On the 27th the NRA began to artillery and aerially bomb the city, easily destroying the wooden fortifications and trench lines constructed by the Reds. On the 28th, the NRA stormed the city forcing the Reds to retreat south. The Reds had suffered 5093 casualties, roughly 20% of their defending force at Guangcheng whereas the NRA suffered 2000 casualties. It was very evident, the NRA were wielding superior equipment, notably the heavy artillery and aircrafts that the Red's had no real answer for.  After Guangchang the NRA advanced in all four directions. By May 1, NRA forces from the Western Front had taken control of both Shaxi and Longgang. Meanwhile, the Eastern Route NRA forces advanced and captured Jianning by May 16. By June, the CCP began feeling the strain from these assaults. A combination of the blockade and the baojia system was gradually eroded local support for the CCP. The attrition warfare strategy also took a toll on the quality of leadership and experience in the Red Army, as more inexperienced soldiers filled the ranks. Under pressure, many of these recruits deserted, further weakening the Red Army's effectiveness. Additionally, the shortage of supplies and food lowered morale and diminished public support for the Red Army's offensive. Even military and party publications gradually withdrew their support for the offensive, shifting focus to the promotion of guerrilla warfare to conserve resources. Recruitment efforts to replenish losses had little impact as the NRA's superior strategy continued to stifle the Soviet, reducing its control from seventeen counties to ten. In the summer of 1934, the Red Army began exploring new strategies, establishing a defensive perimeter stretching from Ninghua to Ningdu and Xingguo. By May, the Central Committee convened and concluded that the current offensive strategy was ineffective, likely necessitating the Red Army's evacuation from the Soviet area. They sought approval from the COMINTERN to change their approach, which was granted a few days later, stressing that the CCP's priority should be preserving the Red Army's combat strength. However, Braun and Bo Gu proposed a different method. Instead of immediately preparing to withdraw from the Soviet, they advocated for a final stand, urging everyone to give their all to defend the territory and secure victory. Alongside this shift in rhetoric, the Red Army maintained its defensive posture, constructing wooden blockhouses and trenches. Additionally, the CCP approved an expansion of guerrilla warfare across multiple fronts to defeat the NRA. In July, the NRA launched another offensive, focusing this time on the city of Shicheng, positioned between Ninghua and Ningdu as their entry point. The two forces clashed fiercely along this final line of defense for nearly a month. In early August, the Red Army mounted a strong counteroffensive during the battle of Gaohunao, inflicting over 4,000 casualties on the NRA. However, the Red Army also suffered heavy losses and was forced to retreat to the last defensive line just north of Shicheng. At Shicheng, the Red Army managed to hold the NRA in a stalemate. Ultimately, the NRA deployed twelve large howitzers, breaking through the defensive line in August. Shicheng eventually fell in October. The defense cost the Red Army 5,000 casualties, leaving it severely weakened and forcing its leaders to consider drastic actions. By this point, the Jiangxi Soviet had been reduced to a small area around Ruijin and Xingguo. With mounting casualties and the imminent threat of an NRA assault on Ruijin, the Red Army made a bold decision to retreat from Jiangxi on October 10, 1934, ending the Fifth Extermination Campaign. There has been a lot of thorough investigative work into why the CCP failed during the fifth encirclement campaign. This episode will be a bit different then previous ones as I thought it might be interesting to tell the overall story and then explain the finer details as to why it went down this way. Going back to when I discussed the NRA analyzing why their fourth encirclement campaign had failed. The analytics from that were incorporated into plans formed by the German advisers such as Hans von Seeckt and Alexander von Faulkenhausen. The Germans dramatically improved the NRA's performance across the board. This was seen in terms of training, the employment of more modern military tactics and of course the Germans sold the NRA some really good toys. Now again this was done in the vacuum of the Japanese invasion of Manchuria and Northern China. The real aim of the Germans' assistance was directed against the Japanese, but the advisers acknowledged how China must combat the external aggressor while not succumbing to internal threats. Ironically it was that exact situation that had toppled multiple Chinese dynasties in the past, take the Ming for example.  The NRA also employed effective counterinsurgent strategies that complimented their conventional warfare strategies. Beginning back in 1928 the KMT gradually re-instituted the baojia system. The NRA first cleared out Red areas and then established local administrators who were loyal to the KMT, protected by local militias. Through this the NRA was able to hold cleared areas and block any Red infiltration. Many residents in these areas actively began providing intel to the NRA. The Baojia system also supported the economic blockade, providing a system of sentries at the entrance of villages placing a lot of pressure on the Red Army and local populations. Chiang Kai-Shek's political reform “70% political, 30% military” also helped incorporate many disenfranchised Chinese, taking their support away from the Reds. The NRA also adopted a methodical, patient approach to tackle the Reds. The NRA quickly found out the Reds did not have the necessary weaponry to take out their concrete blockhouses, thus a war of attrition was on the table. Electing for a long campaign rather than a short one severely hurt the Reds who were incapable of conducting prolonged operations. The NRA also had learnt from the Red's usage of diversionary and feint attacks, not falling for them this time around. There was also obviously their NRA enormous advantage in numbers, they did toss nearly a million men at the Soviets. On the other side the Red Army suffered from numerous internal problems. The Red Army had undergone numerous measures to reform and professionalize the army, under the leadership of the 28 bolsheviks whom dominated the Central Committee. The mass recruitment efforts were directly primarily on uneducated peasants who required intensive training. Meanwhile the offensive strategy was decimating Red Army forces, many new recruits were tossed straight into the front lines without any training. The lack of training and political guidance, accompanied with low morale led to mass desertions. By the end of the fifth encirclement campaign the Red Army could not generate the proper forces to fill its demand and simply kept tossing more and more untrained peasants into the lines, degrading the combat effectiveness. The arrival of the Twenty-eight Bolsheviks in the CCP led to significant changes in the overall military strategy of the Red Army. Much of the new leadership's perspectives were shaped by Stalinist Soviet ideology, which markedly contrasted with the views of both Li Lisan and Mao Zedong, particularly in relation to Mao Zedong's approach, which was influenced by political considerations. These ideological differences also resulted in a substantial gap in military tactics. Nevertheless, both the Bolsheviks and Mao shared a similar stance on the expansion and training of the Red Army, emphasizing the vital importance of political training in building a robust party army. Ultimately, the CCP believed that the success of the Red Army hinged on the professionalization of the force, ensuring unity of command, a shared understanding of the mission, and an enhanced capacity to execute that mission. The primary advocate for the professionalization strategy of the Red Army was the Soviet Union. Stalin's interest in the Red Army was driven by both external and internal factors. The Soviet Union viewed an imminent threat from both Japan and Germany. Japan, a longstanding adversary of Russia, had expanded its presence in China, particularly following the 1932 occupation of Manchuria, which posed a direct risk to Russia's southern flank and national security. The Soviets believed that a large, professional Red Army, loyal to the Soviet Union, would serve as a formidable defense against Japanese aggression, and later, German threats. Additionally, the Soviets resumed discussions with the Nationalist government after years of silence to help ensure the security of their Chinese flank. For Stalin, the struggle for control over the CCP was intertwined with a broader power struggle within the Soviet Union against Trotsky. His internal conflicts with Trotsky solidified his communist ideology, resulting in a stringent approach within the COMINTERN and the new CCP. Through the COMINTERN and Bolsheviks, Stalin aimed to consolidate his power by eliminating Trotskyists in China. These internal Soviet political dynamics ultimately influenced the choice of Chinese political and military strategies, which had detrimental effects on the Red Army. At first glance, the policies of the Twenty-eight Bolsheviks closely resembled those of Li Lisan. Both groups viewed the urban proletariat as the central force in the communist revolution. They shared the conviction that merging the revolutionary spirit of the proletariat with modern strategies would empower the Red Army to achieve victory. Additionally, they felt that the conditions were ripe for revolution to spread into urban areas, emphasizing the necessity for the Red Army to engage in the cities to support students and workers involved in the movement. Wang Ming even remarked that although the 1930 assault on Changsha was a mistake, he did not see this failure as evidence against the soundness of the strategy of targeting urban centers. Upon closer inspection, the distinctions between the two factions were quite pronounced. Disputes between them arose early on; in June 1930, Li Lisan criticized Wang Ming, Bo Gu, and two other group members for opposing his plans. However, their differences ran deeper than mere political conflict. Ideologically, the Bolsheviks challenged Li Lisan's characterization of the bourgeoisie. In Wang Ming's The Two Lines, he asserted that all "capitalist bourgeois reformers were counterrevolutionary." This broadened the definition to encompass wealthy and middle-class peasants, who became targets during land reform efforts. Additionally, their strategies for confronting urban centers differed significantly. The factions also had contrasting views on the role of the Red Army: Li Lisan believed it should support urban proletariat uprisings to capture the cities, while the Bolsheviks regarded it as the primary force for seizing the metropolis. The distinctions between Mao Zedong and the 28 Bolsheviks were significant. Unlike Mao Zedong, the Bolshevik-led CCP rejected any form of alliance, insisting on the defeat of both the Nationalists and the Japanese. In their view, both groups were imperialists and posed equal threats to the Soviet Union and the communist movement. During the Mukden Incident, many nationalists and communists sought to forge a united front against Japanese aggression. However, the CCP opposed this, advocating for the overthrow of what they considered the agent of imperialism—the KMT.  The Bolsheviks also held a strong opposition to Maoist military strategies. They believed that an incorrect guerrilla warfare approach had infiltrated the Red Army, epitomized by the "lure the enemy in deep" tactic. Wang Ming likened this strategy to a form of "retreat" or "escape." The Bolsheviks advocated for the significant expansion and professionalization of the Red Army, aiming to move away from a peasant mentality. With a larger force, the Red Army could adopt an offensive stance, employing Soviet tactics to capture urban centers and extend Soviet influence. While guerrilla warfare was not entirely dismissed, it was relegated to local militias in rear and flank areas. In contrast, Mao had a more practical perspective on the capabilities of Red Army soldiers. He recognized that the Red Army lacked the technology necessary for conventional warfare. Moreover, Mao believed that achieving victory was not the sole priority; sustainability after victory and ensuring that the gains outweighed the losses were also crucial considerations. In hindsight, the positional warfare and offensive tactics advocated by Otto Braun and the students proved to be ineffective against the NRA. However, at the time, it is understandable why this approach was favored over Mao Zedongs strategy of "luring the enemy deep." This new offensive military strategy was predicated on the belief that the Red Army was strong and capable of launching attacks against the NRA. Although this assessment may have been overstated, the victories achieved during the Extermination Campaigns did boost the morale of the Red Army. Furthermore, their later success in resisting the Fourth Extermination Campaign reinforced the capabilities of the Communist military forces. This offensive strategy also marked a departure from the tactic of conceding territory, which had always posed challenges for the local population. The CCP garnered more support for its strategy by asserting that the Red Army was now strong enough to defend their territory and confront the enemy directly, allowing locals to remain in their homes. This simple shift fostered greater support for their cause. Conversely, Mao Zedong had a keen understanding of local conditions and recognized the detrimental effects of Bolshevik policies on land redistribution. The Bolshevik approach increased the burden on a larger portion of the local populace and threatened the fragile support necessary for waging a "people's war." Mao Zedong and his followers also aimed to delay and hinder large recruitment efforts, arguing that expansion would be an unnecessary distraction for locals who were already busy with agricultural work. Moreover, the Bolshevik offensive strategy was more conventional compared to Mao Zedongs concept of mobile warfare. At that time, Mao Zedongs approach of "luring the enemy deep" and other mobile warfare tactics were revolutionary in China and faced considerable criticism and skepticism. Even after the significant defeat of the Li Lisan line, the ability of the Bolsheviks and Otto Braun to revive a similar strategy two years later demonstrated the ongoing support for a more conventional military approach. In its new strategy, the Red Army blended traditional and modern tactics to engage the enemy. On the one hand, it maintained its reliance on established strengths in intelligence gathering and deception to outmaneuver the NRA. However, with the introduction of the Twenty-eight Bolsheviks and Otto Braun, the Red Army transitioned from a mobile defense approach to employing “short, swift thrusts” as offensive tactics against the NRA blockhouses during the Fifth Extermination Campaign. The Red Army also capitalized on advantages gained from previous campaigns. Improvements in signal intelligence, particularly through increased collection of wireless communications and the creation of training schools, enabled the Red Army to closely monitor NRA movements during the Fourth Extermination Campaign. Additionally, the Red Army integrated tactical intelligence into its operations, using plain-clothed soldiers and deploying double agents within KMT units to gather intelligence and disrupt them. The thoroughness of the Red Army's intelligence collection was a notable strength. For instance, an intelligence report on the KMT's Seventy-ninth NRA Division analyzed the background and motivations of its soldiers, revealing that many hailed from the same area as their commander, which fostered strong loyalties. This insight made the unit a less appealing target for subversion, given the traditional Confucian emphasis on hierarchical loyalty. The Red Army continued to execute feints and deceptive operations throughout its campaigns. The Eleventh Red Army effectively served as the main effort on two occasions. Moreover, the Red Army sent misleading communications to confuse NRA forces. For instance, while near Huangpi, NRA scouts “intercepted” a message claiming that the Red Army's main forces were positioned in Nanchang, prompting the division units to lower their guard in the city, only to be ambushed. The biggest change to Red Army tactics was the introduction of what Otto Braun described as “short, swift thrusts,” while Lin Biao defined this tactic as “sudden, rapid raids launched against the enemy who emerges from their blockhouses to advance the fortification line by a short distance, specifically between 2½ to 5 kilometers or even less. These thrusts aim to eliminate the main enemy forces before they can solidify their position. Although the tactics appeared straightforward, significant differences emerged in their application, particularly between Braun's theoretical approach and Lin Biao's practical execution. Firstly, the ultimate objectives of the tactics differed greatly. Braun's approach was part of a broader strategy aimed at safeguarding Soviet territory. Rather than seeking a decisive victory over the numerically superior NRA forces, the Red Army focused on defending territory and achieving small tactical victories that could translate into operational and strategic advantages. In contrast, Lin Biao viewed this tactic as a means to “annihilate the enemy or secure victory in the entire battle.”His emphasis was on defeating the enemy and achieving a decisive victory. Secondly, Braun promoted a more methodical strategy, where the Red Army would establish strong points with small clusters of fortifications. These areas provided defensive protection against artillery and air assaults, creating conditions conducive for the Red Army to launch rapid attacks on the NRA when they were away from their blockhouses. During an attack, Braun suggested that the Red Army should first fix the NRA in its rear, flank, or even front, followed by a strike aimed at weakening the enemy to disrupt its forces. Conversely, Lin Biao had a different perspective on the assault, prioritizing mobility and movement for the Red Army during these thrusts. The Red Army's primary defense relied on secrecy, moving quietly to occupy high ground while only establishing makeshift defensive structures for air and artillery protection. When the enemy entered their territory, the Red Army would encircle their forces, cutting off their retreat and swiftly attacking their flanks before they could construct fortifications. He advocated for the pursuit, believing it was the most effective way to convert a tactical victory into operational or strategic success. In contrast, Lin Biao rejected the idea of pursuit, reasoning that if his tactics were executed effectively, the enemy would have no escape route, making a pursuit unnecessary. These differing views on tactics underscored the challenges of translating theoretical military concepts into practical application. Otto Braun's offensive strategy stemmed from his experiences and understanding of Western military traditions. When applied to the Chinese battlefield, Lin Biao adapted his own experiences to formulate his interpretation of “short, swift thrusts,” which incorporated several of Mao's tactical principles. Given the circumstances of the Red Army, Lin Biao aimed for a quick, decisive victory, steering clear of prolonged battles with the NRA. He utilized intelligence and terrain—particularly through reconnaissance—to gain an advantage over the enemy. His strategy prioritized focusing on the enemy rather than merely securing territory, enabling his unit to engage in battle on favorable ground. While the localization of “short, swift thrusts” did not provide the Red Army with the decisive edge needed to overcome the NRA, it illustrated how the Red Army continued to adapt concepts to local conditions to achieve success in combat. Between 1932 and 1934, the Red Army reached its maximum size and level of professionalism, only to be outmatched by a stronger NRA force. With the rise of the Twenty-eight Bolsheviks, the Red Army adopted a more aggressive, offensive strategy. Although this approach would later be deemed a mistake, it initiated a series of reforms that enhanced the Red Army's professionalism. During this period, the Red Army nearly doubled its strength to six army corps. To promote uniformity and centralize command, all Red Army units, including local militia groups, were standardized. Additionally, the Red Army founded the Red Academy and the Red Army War College, alongside specialized schools to train and develop its officers. These reforms contributed to the Red Army's success in the Fourth Extermination Campaign against the NRA and facilitated the expansion of Soviet influence into four provinces. However, following their defeat, the NRA adapted and developed a more effective strategy against the Red Army. Lacking the necessary heavy weapons and supplies, the Red Army could not prevent the systematic encirclement of the Jiangxi Soviet during the Fifth Extermination Campaign. In order to survive the Red Army would have to embark on arguably one of the most important historic moments of the CCP's history, it was a notably very long march. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. The 28 Bolsheviks wrestled control over the CCP and this had rather dramatic consequences. For one, Mao Zedong's strategies were thrown to the wind as full on offensive strategies took the center stage. In the face of the most intense NRA encirclement campaign as of yet, the CCP crumbled and would now have to march to away trying to survive.

The legend of "a dead cat for a prince" and the true story of the career of Empress Dowager Liu of the Song Dynasty.Support the show

On the great Song Dynasty philosopher who redefined Confucian thought.Support the show

Regarding the Song Dynasty architect and scholar of architecture.Support the Show.

主播：Wendi（中国）+ Selah（美国） 歌曲 ：Helpless现在，全球各地都正approaching some of the hottest times of the year（即将进入全年中最热的时候），所以让我们来聊聊，有哪些避暑（escape the heat）的妙方呢？主播Selah位于Phoenix, Arizona（凤凰城，亚利桑那州），这是one of the hottest cities on the planet（地球上最热的城市之一）。在夏季的时候，it gets to 115-120 F, 也就是45-48 degrees Celsius（摄氏度），can't even imagine（简直无法想象）！approach /əˈproʊtʃ/ v. 接近；临近01 世界各地的人们都有哪些避暑方式？一些避暑的common ways（常见的方式）有吃点东西来让自己cool down（凉快凉快），或者going somewhere（去某个地方）。在墨西哥和中国，人们会have mid-day naps（睡个午觉）。在墨西哥，午觉又被称为siestas。在中国，farmers in the past（古代的农民）一直有这个habit（习惯），人们可以很好地rest during the day（在白天休息），并且recharge for the afternoon（为下午充电）。· recharge /ˌriːˈtʃɑːrdʒ / v. 充电在欧洲南部，很多地方没有Air Conditioning（空调系统），所以取而代之的是adaptations on the living environment（对于居住空间的改造）：比如用thick walls（厚墙），小窗户以及courtyards（庭院）来让家里保持凉爽。在public spaces（公共空间），他们有plazas with fountains（喷泉广场）以及shaded areas（阴凉地儿）。· air conditioning 空调系统· adaptation /ˌædæpˈteɪʃ(ə)n / n. 改变；适应· plaza /ˈplɑːzə / n. 广场· fountain /ˈfaʊnt(ə)n / n. 喷泉当Selah在肯尼亚和乌干达游玩时，她发现人们gathered under large shaded trees（聚在“大树底下好乘凉”），这样既可以stay cool（保持凉爽）又可以socialize（社交一下）。大家都喜闻乐见的避暑方式还有来点cold treats（冰镇美食），比如ice cream（冰淇淋）、smoothies（冰沙）、juices（各类果汁），还有anything that can cool your body down（任何能让你降温的东西）。在中国，还有herbal teas（凉茶）也可以用来drive away the heat inside of our body（去去我们体内的火气）。· herbal /ˈɜːrb(ə)l / adj. 药草的· drive away 把……赶走很多人还会去swimming pools（游泳池）、lake（湖）或者是beach（海滩）来避暑。在美国TV series（电视连续剧）里，公共泳池就是个常见的setting（场景）。户外玩水对于孩子们来说是especially good（超赞），毕竟不上学的时候如果待在indoors（室内），娃们总是容易get a little antsy（变得有点坐立不安）。· antsy /ˈæntsi / adj. 坐立不安的在凤凰城，nearly（几乎）每家都会有一个backyard pool（后院泳池）。It's the only way to survive out here! （这是待在外面的唯一“活路”！）由于heat level（热度）可以达到危险的地步，他们还建立了Cooling Centers（降温中心），这样任何人都可以去乘凉。这对于those people who are experiencing homelessness（那些无家可归的人们）来说尤其重要。02 那中国古人是如何避暑的呢？对于ancient Chinese people （中国古人）来说，在大约700年前的Song Dynasty（宋朝），people started to have cold drinks and sell them on the street（最先开始有街边卖冷饮的先例），在一些poems written during that time（当时写下的诗歌）中也有记载。有一种snack叫冰雪，类似现在的shaved ice（刨冰），是冰mixed with（掺了）牛奶和糖，with fruit on top（最上面放水果）。消暑神饮sour plum juice（酸梅汤）也是宋人们的最爱！为了get away from the heat（避暑），古人没事儿还喜欢去temples in the mountains（山里的寺庙）呆着。· plum /plʌm/ n. 李子；梅子· temple /ˈtemp(ə)l/ n. 寺庙主播Wendi有一次在顺德的一处private garden（私人园林）见到了一个rockery with an artificial waterfall coming down（有人工瀑布流下的假山）。导游介绍说，这种景观竟能function as（充当为）古人们的air conditioning system（空调系统）。若你立定于前，when water hits the rocks（当水击于石），there will be a sense of cool breeze（会顿感阵阵凉风袭来）。· rockery /ˈrɑːkəri/ n. 假山；假山庭院· artificial /ˌɑːrtɪˈfɪʃ(ə)l/ adj. 人造的· function as 起……作用；可作为……人们也会在夏季change their outfits（换装），比如换上linen（亚麻）和更贵一点的silk（丝绸）这两种常见的fabrics（布料）。欢迎留言告诉我们：你都有什么避暑小妙方？

For transcriptions and more detailed shownotes, please go to: https://swordschool.com/podcast/could-hema-ever-be-big-in-china-with-zeng-yang/ To support the show, come join the Patrons at  https://www.patreon.com/theswordguy Today's episode is with Zeng Yang, who is a doctoral student at the Shanghai Sport University, where he is pursuing a PhD in the history of European swordsmanship from the 14th to the 17th centuries. He is a lifelong martial artist having begun training in Wushu at the age of eight. His master's degree is a comparison of Duan Bing and HEMA. In our conversation, we talk about the spread of Chinese martial arts to the Western world, through things like kung fu movies and immigration, but the question is, why the same hasn't happened in the other direction? How could HEMA become more popular in China? We hear about a new term, Bing Ji, which combines all steel weapons in an exciting new form of cross-cultural communication. Here's a bit of detail on some of the terms that come up in this episode: Wushu: The official name of Chinese martial arts Guoshu: The name of Wushu in the early 20th century that literally means "the art of the nation", thus elevating the status of martial arts to the level of the country. But currently people no longer use this term. Tau lu (routine or form): It is a pre-designed practice method and an important form of expression in Chinese martial arts. It had already emerged in the Song Dynasty (960-1279 AD) and has been widely used since the Ming Dynasty (1368-1644 AD). It is very similar to Assalto in Marozzo. It usually has a fixed start and end action. Each routine roughly contains dozens of actions. Bing Ji: The literal meaning is "fighting with cold weapons", which broadly refers to all fighting sports related to steel weapons, and narrowly refers to the fighting sports of historical martial arts. It is a term that emerged around 2016 to replace the concept of HEMA. Because China's HEMA not only involves European weapons, but also includes Chinese weapons, many people believe that continuing to use HEMA is inappropriate. Therefore, this new term has been created to describe historical martial arts sports. At present, Bing Ji has been widely used in China, and it is used in almost all historical martial arts competitions.

About the Song Dynasty official, scholar, and philosopher Zhou Dunyi.Support the show

Today, we're going to introduce a man known as “the best painter of the Song Dynasty”. Living in a period of cultural refinement, this 11th-century painter outshined his contemporaries with his seminal style in both figure and horse painting.

Elephants have played a surprisingly important role on the battlefield, even before the birth of Christ; notably in 5th Century BCE India, and during the Punic Wars in Africa.  But on 23rd January, 971, the Southern Han division of the Chinese military retired their famous elephant corps forever - after facing a massive aerial assault from crossbowmen from the Song Dynasty, who had defeated them in battle. War elephants were not just formidable attackers, but also served as platforms for archers, vantage points, and even provided cover for advancing troops. Despite their effectiveness, the inherent volatility of the animals - susceptible to spooking and turning on their own side -  led to their eventual decline. In this episode, Arion, Rebecca and Olly discover how some elephants continued to serve in the military, even after the development of gunpowder; consider the awesome psychological impact of being attacked by a troupe of elephants; and reveal how the Romans learned to defend themselves from elephants - with the aid of some squealing pigs… Content Warning: animal cruelty. #China #Animals #War #Medieval #BC Further Reading: ‘Elephants, kingship and warfare in Southeast Asia' (British Library, 2017): https://blogs.bl.uk/asian-and-african/2017/05/elephants-kingship-and-warfare-in-southeast-asia.html ‘In Ancient Rome flaming war pigs were used to counter elephants' (The Vintage News, 2016: https://www.thevintagenews.com/2016/09/15/ancient-rome-flaming-war-pigs-used-counter-elephants/ ‘War Elephants' (Royal Armouries, 2018): https://www.youtube.com/watch?v=ZI3-f8ebLlk Love the show? Join

Today, we'll talk about a timeless Chinese painting that vividly portrays the dynamic scenes of urban life during the Song Dynasty, making it a cherished symbol of traditional Chinese culture and history.

907 - 1279 - The story of the Song Dynasty takes us from the fall of the Tang Dynasty through to the conquest of China by the Mongols. We will take a closer look at the imperial examination process, innovations in printing, and some controversial changes in national policies.

Our usual look at the source materials that we used for this week's episode, including a look at how Chat GPT has come in useful for targetting important information on the worldwide web.

Taiping Guangji or "Extensive Records of the Taiping Era" is an anthology of stories compiled during the early Song Dynasty. Its editors chose to collect the stories under a series of clearly unworkable categories. In so doing, they made Taiping Guangji a perfect illustration of the point made in an essay by the Argentine writer Jorge Luis Borges.Support the show

Today, in our last episode of the year, we look at 1079 when Su Dongpo was tried for a poem. Bitter partisan fighting, liberals versus conservatives...except for the great poetry, this Song Dynasty fight might remind you of something closer to home. 

Near the end of the 11th century CE, there was a crisis in China's Song Dynasty. The imperial calendars were filled with errors. To fix them, the imperial court would have to reform one of the most essential institutions in the empire: The Bureau of Astronomy.

The focus in Part 3 will be on the Song Dynasty, the Jin and the Yuan. Looming large in Chinese medicine during this fertile period was Sun Simiao, the 药王 or King of Medicines. We'll look at his life as well as many others: Wang Shuhe 王叔和, more Tao Hongjing 陶弘景, Ge Hong 葛洪, Gong Qingxuan 龚庆宣, Chao Yuanfang 巢元方， and others. If you'll be in London Feb 1-2-3, I'll be there collaborating with the London Science Museum. Details here: https://www.sciencemuseum.org.uk/see-and-do/zimingzhong Learn more about your ad choices. Visit megaphone.fm/adchoices

The focus in Part 3 will be on the Song Dynasty, the Jin and the Yuan. Looming large in Chinese medicine during this fertile period was Sun Simiao, the 药王 or King of Medicines. We'll look at his life as well as many others: Wang Shuhe 王叔和, more Tao Hongjing 陶弘景, Ge Hong 葛洪, Gong Qingxuan 龚庆宣, Chao Yuanfang 巢元方， and others. If you'll be in London Feb 1-2-3, I'll be there collaborating with the London Science Museum. Details here: https://www.sciencemuseum.org.uk/see-and-do/zimingzhong Learn more about your ad choices. Visit megaphone.fm/adchoices

The focus in Part 3 will be on the Song Dynasty, the Jin and the Yuan. Looming large in Chinese medicine during this fertile period was Sun Simiao, the 药王 or King of Medicines. We'll look at his life as well as many others: Wang Shuhe 王叔和, more Tao Hongjing 陶弘景, Ge Hong 葛洪, Gong Qingxuan 龚庆宣, Chao Yuanfang 巢元方， and others. If you'll be in London Feb 1-2-3, I'll be there collaborating with the London Science Museum. Details here: https://www.sciencemuseum.org.uk/see-and-do/zimingzhong Learn more about your ad choices. Visit megaphone.fm/adchoices

The focus in Part 3 will be on the Song Dynasty, the Jin and the Yuan. Looming large in Chinese medicine during this fertile period was Sun Simiao, the 药王 or King of Medicines. We'll look at his life as well as many others: Wang Shuhe 王叔和, more Tao Hongjing 陶弘景, Ge Hong 葛洪, Gong Qingxuan 龚庆宣, Chao Yuanfang 巢元方， and others. If you'll be in London Feb 1-2-3, I'll be there collaborating with the London Science Museum. Details here: https://www.sciencemuseum.org.uk/see-and-do/zimingzhong Learn more about your ad choices. Visit megaphone.fm/adchoices

Did you know, that the compass, gunpowder, paper, and the printing press, all history-changing technologies, were invented in China? Yet, the realization of their economic values happened in Europe, not in China. This is the story of the steep price that imperial China paid for the sake of stability and scale, a story that Communist China seems to be repeating now. Dr. Yasheng Huang of MIT's Sloan School of Management, HbN's guest for this subject, analyzes China's colossal economic successes and gigantic failures ("gigantic" is his word) in the context of innovation, freedom of ideas, and diversity of ideologies. Similar to other countries, China's economic success depends on the right balance between scope and scale, terms that Dr. Huang explains. But in most of China's long history, this balance has tipped towards scale, with grave consequences for China's economy and civilization. In this episode, Dr. Huang discusses the following: What new perspective does his book (see below) offer about China? Hint: EAST. When was China's golden age of innovation? China's civil service exam system was an opportunity ladder - similar to America's rags-to-riches stories. China's universal education system was established centuries before Europe's. Unlike European monarchs, China's emperors were surrounded by commoners who entered the inner sanctum of the Imperial Court through merit, not by birthright. Why didn't China's rigorous education and meritocratic civil service system contribute to innovation and economic growth? When did China's innovation and economy fall behind Europe's? Despite its gigantic failures, why has China's Communist Party proved so durable? Read more about this episode, see historical images and watch videos on the HbN website here. This New York Times article, which I mention in this episode, is about a Chinese woman whose journey epitomizes the entrepreneurial spirit that was the backbone of China's economic miracle. A Gigantic Ponzi In China? Is China's real estate debt structure, essentially one gigantic Ponzi scheme? According to Dr. Victor Shih - yes it is. Dr. Shih is a professor at UC San Diego's School of Global Policy and Strategy, and the Chair in China and Pacific Relations. I spoke with him last year in Season 2, Episode 1, as China's giant real estate developer, the Evergrande Group, was defaulting on its loans. Our conversation then was timely for another reason: the publication of a book edited by Dr. Shih, Economic Shocks and Authoritarian Stability, which is about how authoritarian governments, such as China's, handle economic crises. I hope you enjoy these episodes. Adel Host of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠History Behind News⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcast Watch my guests & I ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here⁠ and join⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ our other supporters in the news peeler community. Thank you.

Lovers of all things Song Dynasty will surely recall the story of Qin Hui. He has top billing in this tale concerning the story behind Shù Dǎo Húsūn Sàn 树倒猢狲散. This one has practical applications these days when we see political and corporate leaders fall from grace. When that happens, we often get to view the spectacle of hangers-on and sycophants scattering and heading for the hills, to search once more for someone to suck up to. This Chinese Saying comes in handy when this happens. We all need someone to lean on. Make sure the one you choose has some staying power. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lovers of all things Song Dynasty will surely recall the story of Qin Hui. He has top billing in this tale concerning the story behind Shù Dǎo Húsūn Sàn 树倒猢狲散. This one has practical applications these days when we see political and corporate leaders fall from grace. When that happens, we often get to view the spectacle of hangers-on and sycophants scattering and heading for the hills, to search once more for someone to suck up to. This Chinese Saying comes in handy when this happens. We all need someone to lean on. Make sure the one you choose has some staying power. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lovers of all things Song Dynasty will surely recall the story of Qin Hui. He has top billing in this tale concerning the story behind Shù Dǎo Húsūn Sàn 树倒猢狲散. This one has practical applications these days when we see political and corporate leaders fall from grace. When that happens, we often get to view the spectacle of hangers-on and sycophants scattering and heading for the hills, to search once more for someone to suck up to. This Chinese Saying comes in handy when this happens. We all need someone to lean on. Make sure the one you choose has some staying power. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lovers of all things Song Dynasty will surely recall the story of Qin Hui. He has top billing in this tale concerning the story behind Shù Dǎo Húsūn Sàn 树倒猢狲散. This one has practical applications these days when we see political and corporate leaders fall from grace. When that happens, we often get to view the spectacle of hangers-on and sycophants scattering and heading for the hills, to search once more for someone to suck up to. This Chinese Saying comes in handy when this happens. We all need someone to lean on. Make sure the one you choose has some staying power. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Charles Liu and co-host Allen Liu continue our exploration into the poetry of the stars with Part 2 of our episode featuring poet/astronomer/cosmologist Dr. Yun Wang and poet/author Midge Goldberg, editor of “Outer Space: 100 Poems.” We pick up right where we left off in Part 1, with a discussion of standard candles and how Edwin Hubble used Cepheid Variable Stars to determine the distance to Andromeda – incorrectly, as Chuck explains. We then find out that Yun is working on not one, but two upcoming space telescopes: The Euclid Space Telescope launching in July 2023 and the Roman Space Telescope, a Hubble-class space telescope named after Nancy Grace Roman, NASA's first Chief of Astronomy, launching in 2027. As with Part 1, The LIUniverse couldn't possibly have two poets as guests on the show without a little poetry reading and analysis. Allen kicks it off by reading a Walt Whitman poem, “A Noiseless, Patient Spider.” Midge follows up with a reading excerpted from “My God, It's Full of Stars” by Tracy K. Smith, one of the first poems she chose to put into “Outer Space: 100 Poems.” Yun reads both the original Chinese version and then the translation of a poem by Su Dongpo, the Song Dynasty poet who is the third of the greatest poets in Chinese history, followed by an English translation. (The group discussed the other two, Du Fu and Li Bai of the Tang Dynasty era in China, in Part 1 – just another reason to go and listen if you haven't already, poetry fans!) Chuck reads from a poem by Salvatore Quasimodo, the Nobel prize-winning Italian poet, after which he reminds us all about Commander Data's unfortunate attempt at poetry about his cat Spot on Star Trek: The Next Generation. Allen begrudgingly reads the first couplet, and Midge describes what happens when AI writes a sonnet. Finally, Charles ends the episode with a reading and discussion of “When I Heard the Learn'd Astronomer” from Walt Whitman's “Leaves of Grass,” which Yun explains she doesn't hate anymore, but still doesn't love. If you'd like to know more about Dr. Yun Wang and her many scientific and poetic publications, see her bio page at the California Institute of Technology (Caltech): https://web.ipac.caltech.edu/staff/wang/. To learn more about Midge Goldberg, visit her website: https://www.midgegoldberg.com/ or follow her on Twitter at @MidgeGoldberg. “Outer Space: 100 Poems” is published by Cambridge University Press: https://www.cambridge.org/core/books/outer-space-100-poems/7D8D674BE0C7215CCC9FD0284044B819 We hope you enjoy this episode of The LIUniverse, and, if you do, please support us on Patreon. Credits for Images Used in this Episode: – Edwin Hubble in 1931 – John Hagemeyer, Public Domain – Euclid Space Telescope (rendering) – European Space Agency, CC BY-SA 3.0 – Roman Space Telescope (rendering) – NASA (WFIRST Project and Dominic Benford), Public Domain – Painting of Su Dongpo (posthumous) – Zhao Mengfu, 1301, Public Domain

Hello everyone. It's chapter 13. In this episode we discuss the specifics of Chinese nepotism, and how military command works in the Song Dynasty. 

Episode: 2607 The steam engine comes to China, and even greater change follows.  Today, steam comes to China.

Surfing and China are two words I didn't think you could put together in the same sentence. It turns out not only is there a rather large surfing scene in China, there's also a history that dates back to the Song Dynasty. Italian Nik Zanella first came to China in 1993 and is now based in Surfer's Paradise of Western Hainan. He came out with a book several years ago called "Children of the Tide" (弄潮儿). Though the lion's share of China's surfing history is limited to the tidal bore of the Qiantang River, it's still a rather interesting and amusing story. Thanks to Mr. Nik Zanella for taking the time to appear on the CHP. Learn more about your ad choices. Visit megaphone.fm/adchoices

Surfing and China are two words I didn't think you could put together in the same sentence. It turns out not only is there a rather large surfing scene in China, there's also a history that dates back to the Song Dynasty. Italian Nik Zanella first came to China in 1993 and is now based in Surfer's Paradise of Western Hainan. He came out with a book several years ago called "Children of the Tide" (弄潮儿). Though the lion's share of China's surfing history is limited to the tidal bore of the Qiantang River, it's still a rather interesting and amusing story. Thanks to Mr. Nik Zanella for taking the time to appear on the CHP. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Shonen Flop team is taking a much-needed holiday break. Instead of a new episode this week we're rerunning our favorite episode of the year!   Does this retelling of Chinese classic Water Margin leave its watermark?    We and our guest Red from Overly Sarcastic Productions discuss Youichi Amano's Shonen Jump manga Akaboshi: Ibun Suikoden.    Show Notes: You can reach us at Twitter @shonenflopcast or email us shonenflop@gmail.com   You can find our guest at youtube.com/@OverlySarcasticProductions and @OSPyoutube   Help keep the show running by joining the Shonen Flop Patreon at patreon.com/shonenflop. Get perks like early access to episodes; joining us during recordings, and exclusive episodes on manga like Akane-banashi, Witch Watch, or Blue Box.   Get Shonen Flop merch, including this episode's cover art, on a shirt, mug, print, or whatever else might catch your eye https://www.teepublic.com/stores/shonen-flop?ref_id=22733   Become a member of our community by joining our Discord. You can hang out with us, submit your questions or six word summaries! Find it at https://discord.com/invite/4hC3SqRw8r   Want to be a guest? You can ask to be on a future episode at bit.ly/shonen_flop_guest   Credits: Shonen Flop is hosted by David Weinberger and Jordan Forbes   Additional editing assistance by Dylan Crider you can find his podcast, Anime Out of Context at animeoutofcontext.com   Assistance with pronunciation, translation, and other miscellaneous research done by Tucker Whatley and MaxyBee   Episode art by Merliel (IG: mer_liel)   Cover art funded by our generous art benefactor Nigel Francis   Episode transcriptions by The Ghostwriters: Travis “T” Root, OzyRat, and TrafalagarWolfwood. You can find them on our website shonenflop.com   Shoutouts: D'ohmance Dawn: https://dohmancedawn.tumblr.com/   MAL Description:  After the war, which lasted 70 years motivated through greed, the Song Dynasty took control and managed to unite China as one. Having made alliances with the Northern countries, there were no enemies left that could invade. With such peace in hand, the country has made much progress, but that time has worn out. With no enemies left to fulfill such greed, it was inevitable that it would befall upon the common people.   However, a revolution has begun and the world will once again see change. 108 heroes gather under the Taiten-Gyoudou flag. A group of chivalrous thieves who travel the path to change the heavens. A new take on the Suikoden epic has begun.