Podcasts about for song

Ryan Droste returns to TCBCast, this time to guide us through his response to an intriguing listener email all about how history teachers like him may choose to discuss Elvis's place in the broader story of American history, and how he specifically teaches his teenage students about Elvis, Sun Records, race relations and the music industry of the 1950s. For Song of the Week, Ryan picks the beautifully sung ballad "Today Tomorrow and Forever" from one of his all-time favorite Elvis movies, Viva Las Vegas, both as a solo cut and as a duet with Ann-Margret. Then, Justin pieces together an unexpectedly heartbreaking story behind the cheerful Olivia Newton-John hit "Let Me Be There" that Elvis famously covered in his March 20, 1974, Memphis concert (released as an album itself) as well as resurfacing a few years later again on the Moody Blue album. This is a Song of the Week that you do not want to miss - it may change how you think of the song entirely. uge thanks goes out to David "Ghosty" Wills of "We Say Yeah" for his assistance with research materials for this Song of the Week. You can check out more of Ryan's history content at youtube.com/MrDrosteHistory as well as find him as usual discussing pro wrestling on Top Rope Nation. CONTENT WARNING: the SOTW segment starting at 1:39:15 contains discussion about suicide. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. Patrons receive early access to episodes, exclusive new bonus episodes and an extensive archive of over 4 years of bonus episodes covering a range of topics related to Elvis and early rock and roll!

Bec and Justin discuss their favorites of the many songs Elvis recorded or performed titled after the women and girls they're about by name. From Caroline to Petunia, Marguerita to Marie and Annie to Kathleen, the tunes span the breadth of love, heartbreak and stories of unique musical characters. For Song of the Week, Justin takes the opportunity to jump from Elvis's messy but fun home recording of "San Antonio Rose" to explore a bit of the history behind Bob Wills' iconic western swing hit, examine contemporary perspectives that challenge our ideas of what the boundaries of oldies "country" music were, and how the Texas Playboys' work paved the way for rockabilly and rock and roll. Then Bec celebrates a belated Easter, spotlighting Elvis's heartfelt 1973 cover of Dottie Rambo's "If That Isn't Love," a gospel record all about Jesus's sacrifice, as well as explore a bit of the detail behind the friendship Elvis and Dottie shared and his deep appreciation for the music of her family group, The Rambos.  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

This week, John Michael Heath from EAP Society joins Justin to reflect on the music of pianist, producer, and songwriter David Briggs, who first joined Elvis in the recording studio in 1966 and continued working through the rest of Elvis's career periodically in and out of sessions and live shows. David passed away this past week at the age of 82. The guys select some of their favorite tracks featuring David's work, and also remember Wink Martindale and Will Hutchins who both passed away as well. For Song of the Week, call it a belated Easter segment, with Justin selecting Elvis's versions of the country standard "There Goes My Everything" and its gospel counterpart "He Is My Everything" from the early 1970s. John then gives us a quick primer on how to interpret Elvis's approach to the melding white and black gospel traditions for the How Great Thou Art sessions before spotlighting the more direct influence of Jimmy Jones & The Sensationals on "So High." Justin then takes the baton and together the duo explore the earlier (and Biblical) roots of the song and a couple neat secularized R&B versions of the same song. You can hear more from John and Jamie Kelley at youtube.com/EAPSociety or visiting eapsociety.com. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Rabia from "Suddenly: A Frank Sinatra Podcast" and "TCBCast After Dark" joins Justin for a main feed discussion all about the 1977 compilation "Welcome to My World," which brought together an intriguing collection of country recordings spanning from 1958-1973 with some loose thematic threads that we try to tease out. Plus, Rabia dug up a handful of original contemporary reviews that reveal how critics received this album at the time, both positively and negatively! For Song of the Week, as voted on by TCBCast Patreon backers, Justin rolls with the final track featured on the album, Don Gibson's "I Can't Stop Loving You" which was a mainstay of Elvis's setlists for a number of years and also recorded as a jam during his 1969 sessions. Justin reflects on Gibson's original, Ray Charles' iconic cover, and what Elvis might have intended with his frequent inclusion of it in his live shows.  Rabia then takes us home with a dive into the rare one-liner Elvis did (twice!) of "Tiptoe Through the Tulips," a Tin Pan Alley song resurrected in 1968 - the same year Elvis was filmed on the set of his NBC TV special singing the song - by the immensely talented pop culture phenomenon that was Tiny Tim.  You can find "SUDDENLY" on most major podcast platforms where TCBCast is also available. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

David "Ghosty" Wills, host of "We Say Yeah: A Cliff Richard Podcast" and the Vintage Rock and Pop Shop joins Justin this week to explore how the "rockabilly revival" era, which technically spanned a near 20-year period between roughly 1970-1990 but culminated around 1981-83, led to the release of two compilations of Elvis material that RCA felt best captured his image as a rebellious rock and roll icon. From the 50s nostalgia of the 1970s to the success of acts like The Stray Cats, Robert Gordon, Dave Edmunds and Shakin' Stevens, Justin picks Ghosty's brain for his memories of becoming a young Elvis fan during this fascinating period of revitalization for classic rock and roll. For Song of the Week, Ghosty brings a thought-provoking finale to the main topic by looking for insights in The Stray Cats's 1992 recording "Elvis on Velvet;" a psychobilly takedown of the media's intense (and weird) fascinations with Elvis. Meanwhile, Justin heads back to the '50s myself to hear how Elvis transformed the country standard "Have I Told You Lately That I Love You" into a jaunty, bopping tune on the 1957 "Loving You" album. Be sure to check out "We Say Yeah!" on all major podcast platforms! As mentioned early in the episode, you can also hear Ghosty interviewed about his work as a voice actor on the podcast "4Kids Flashback." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

For the first time since the third-ever episode of TCBCast, we're immersing ourselves fully in the music of the US Army's own Tulsa MacLean! Bec and Justin explore the three recording sessions in April & May 1960 that led to the iconic, bestselling #1 album. As it turns out, unusual for Elvis sessions, numerous songs had vastly different arrangements attempted as Elvis and the band struggled to find their footing with the material, as well as contend with external pressures that frustrated Elvis. With classic pop-tinged songs like "Wooden Heart," "Pocketful of Rainbows" and "Doin' the Best I Can" supplemented by material that alluded back to Elvis's earlier 1950s stylings like "Blue Suede Shoes," "Frankfort Special" and "Shoppin' Around," this was a ton of fun to explore. For Song of the Week, Justin decided to pick "Let's Be Friends," which was cut from the film "Change of Habit" and instead became the title track of a low-budget compilation the following year, and tries to puzzle out where it might have fit in the movie's story. Then Bec lays all her cards on the table, selecting "From A Jack to A King," the country classic that Elvis almost semi-jokingly laid down at Chips Moman's American Sound Studio. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.  

This week, to mark the Valentine's Day holiday, Gurdip, Bec and myself gave a listen to the one explicitly Valentine-themed Elvis compilation, released 40 years ago amid celebrations of Elvis's 50th birthday. Far from being a mere collection of famous love songs, some surprising deep cuts make the grade, but also a lot of songs about broken hearts, which confounds Gurdip. For Song of the Week, Bec digs into the title theme from 1961's "Wild in the Country," and Gurdip matches with another movie title track, this time from 1967's "Double Trouble." Justin, however, takes the opportunity to examine the history behind one of the few songs Elvis ever publicly declared among his favorites, "Padre," which he recorded in 1971 but wasn't released until 1973. Plus, if you're needing something to listen to today, we've got a special Valentine's Day playlist made up featuring songs from this album and a mix of other romantic tracks: https://open.spotify.com/playlist/0eW2fGlc0x0CyAeTJIL9gw?si=dc41503407554785 If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Following on from Part 1, Justin, Olivia and guest host Chris Jones (of the "Hall of Songs" podcast) explore Elvis's Hot 100 hits that never made it to the Top 40, closing out the movie era with tracks from Speedway and Live A Little, Love A Little and moving into the 1970s, a decade that surprisingly offered Elvis far more pop success than may often be perceived, as only 5 of his single A-sides charted outside the Top 40 (and only the Christmas and gospel singles not charting whatsoever in the Hot 100). Also touched upon are the three posthumous Hot 100 hits that never reached the Top 40: The Elvis Medley, and the remixes of A Little Less Conversation and Rubberneckin'. For Song of the Week, Chris is inspired by having recently watched "The Big Lebowski" to pick Elvis's 1966 home recording of the Sons of the Pioneers cowboy classic that opens that film, "Tumblin' Tumbleweeds," while Olivia goes deep on the extensive history behind Elvis's version of the apocalyptic spiritual "I, John," rooted almost entirely in Black gospel tradition until Elvis's 1971 recording released on the "He Touched Me" album in '72. Visit hallofsongs.com or find it on your podcast platform of choice to hear more of Chris and his buddy Tim. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

TCBCast is a zoo this week! In old-school TCBCast fashion, Gurdip and Justin are ranking the songs that Elvis did mostly all about critters of the world, from hound dogs to snowbirds and everything in between. It's wildly unscientific, please don't take it too seriously! The idea is to get you thinking about the lyrics to Elvis's songs more closely. As we mention, you would be SHOCKED at how many animals get mentioned in Elvis songs you wouldn't expect - and not all movie songs, either!  For Song of the Week, Gurdip re-lives his frustrations as a young Elvis fan with RCA's handling of the clearly lyrically incomplete release of "Mexico" from "Fun in Acapulco," while Justin gets funky with the Lord listening to "Seeing is Believing" from the "He Touched Me" album.  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. (PS we have been made aware that somehow we all missed the "alligator" of Polk Salad Annie - don't come for us!!)

Justin is joined by John Michael Heath from EAP Society for a thorough examination of the 2008 album "Christmas Duets" which paired Elvis' original vocal tracks from 1957 and 1971 with 1:1 re-creations of the backing tracks and some of the biggest female entertainers in the field of country music at the time: Carrie Underwood, Martina McBride, Wynonna Judd, Gretchen Wilson and others, as well as bringing in a couple entertainers Elvis himself had been a fan of in the 70s: Olivia Newton-John and Anne Murray.  Often written off as a mere cash-grab, the duo discuss the careers of the album's producers, the talented studio band brought in to replicate the original arrangements, and several other guests that reveal a more nuanced picture of a likely genuine tribute to Elvis that ended up trying to play things too safe and went awry in the process - and the guys ponder what makes artificial duets work or flop. They also discuss the exciting news about Peter Guralnick's upcoming book, now officially confirmed as "The Colonel and the King," releasing August 5, 2025.  For Song of the Week, John's selection of "I Was Born About Ten Thousand Years Ago," the traditional folk song which Elvis used to link the 1970 concept album "Elvis Country," and the version by Brownie McGhee that Elvis is known to have taken inspiration from, suddenly opens doors that lead to the histories behind numerous other Elvis recordings that will blow you mind, including (but not limited to) our other Song of the Week, "Adam and Evil" from "Spinout." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

To celebrate the American Thanksgiving holiday, Gurdip and Justin got together to reflect on the things they're most thankful for about or within the Elvis world, from songs and movies to releases and the fandom, it's a contemplative discussion on this week's show! For Song of the Week, Gurdip selects the rarely-heard "Britches," which was cut from the 1960 film "Flaming Star," and Justin digs deep on Elvis's 1969 cover of Hank Snow's signature song, "I'm Movin' On." To those of our listeners in the United States - Happy Thanksgiving! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

The rocket carrying the three-member crew of the Shenzhou XIX mission, China's 14th manned spaceflight, lifted off early on Wednesday morning, from the Jiuquan Satellite Launch Center in northwestern China's Gobi Desert.10月30日清晨，中国第14次载人飞行任务——搭载神舟十九号载人飞船三人乘组的运载火箭在位于中国西北部戈壁滩的酒泉卫星发射中心点火发射。Illuminated by the dazzling flame produced by its engines, a 20-storey-tall Long March 2F carrier rocket roared to life at the scheduled ignition time of 4:27 am local time, and soared into clear dark skies.在发动机喷射出的耀眼火焰的照耀下，20层楼高的长征二号F遥十九运载火箭于预定点火时间（当地时间凌晨4点27分）轰鸣着腾空而起，飞向夜空。Aboard the craft was its crew, mission commander Senior Colonel Cai Xuzhe, Lieutenant Colonel Song Lingdong, and Lieutenant Colonel Wang Haoze.该航天员乘组由指令长蔡旭哲大校、宋令东中校、王浩泽中校组成。They are expected to fly for around six-and-a-half hours until they reach the Tiangong space station, currently orbiting about 400 kilometers above Earth, and their spaceship will then connect with the front port of the Tianhe core module, the main body of Tiangong.他们预计将飞行约6.5小时，直至抵达目前在距地球上空约400公里的轨道上运行的天宫空间站。他们的飞船将与天宫主体——天和核心舱前向端口对接。The Shenzhou XIX team will then float into the space station to meet their Shenzhou XVIII mission peers, who have been in orbit for six months.随后，神舟十九号飞行乘组将进入空间站，与已经在轨道上驻留6个月的神舟十八号飞行乘组会合。The crews will spend about four days together as the previous team hands over to the newcomers. Cai and his teammates will then take over Tiangong, and the Shenzhou XVIII crew will fly back to Earth on Monday. 两组航天员将共同生活四天左右，进行交接工作。随后，神舟十九号乘组将接管天宫，神舟十八号乘组将于11月4日返回地球。The Shenzhou XIX team will be the eighth batch of inhabitants of the space station, which was completed in late 2022.神舟十九号航天员乘组将是天宫的第八批居住者。天宫空间站已于2022年底完工。The three astronauts will perform a host of tasksincluding carrying out scientific experiments and technological demonstrations; conducting spacewalks to install space debris shield equipment and other external devices; retrieving instruments from outside the space station; and performing science lectures.三名航天员将执行一系列任务，包括开展科学实验和技术演示，进行太空行走以完成空间站碎片防护装置安装、舱外载荷和舱外平台设备安装与回收，以及进行科普讲座。Their work will relate to multiple research disciplines such as microgravity physics, material science, space medicine, spacecraft technology and life science, said Lin Xiqiang, deputy director of the China Manned Space Agency.中国载人航天工程办公室副主任林西强表示，航天员们的工作将涉及微重力基础物理、空间材料科学、航天医学、航天技术、空间生命科学等多个研究学科。Cai was part of the six-month Shenzhou XIV mission that lasted from June to December 2022. For Song and Wang, this is their first extraterrestrial journey.从2022年6月到12月，蔡旭哲执行过为期六个月的神舟十四号载人飞行任务。对宋令东和王浩泽来说，这是他们的首次地外之旅。The launch saw Wang Haoze, 34, become the third Chinese woman to go into space, after Liu Yang and Wang Yaping, and also the first female spaceflight engineer.此次发射后，34岁的王浩泽成为继刘洋和王亚平之后第三位进入太空的中国女性，也是首位女性航天飞行工程师。lift off起飞，发射ignition time点火发射时间retrievev．回收；寻回extraterrestrialadj. 地球外的

Justin and Bec have a relaxed discussion about all the exciting Elvis news from within the last week or so, including the trailer for "Return of the King," a behind the scenes preview from Layered Reality's upcoming Elvis Evolution show, Ernst Jorgensen's experimentation with Peter Jackson's MAL de-mixing technology and more. Plus, Elvis trivia returns for a week! For Song of the Week, Bec tackles the romantic "Speedway" ballad "Who Are You? (Who Am I?)" then Justin - just for the laugh of doing them both in a single episode - digs into the understated but similarly named 1969 gospel number "Who Am I?" If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Olivia joins Justin for their thoughts on the TV special Riley Keough did with Oprah, filmed at Graceland, Riley's Graceland Q&A, and the rest of Lisa Marie's book now that things have started to finally settle. The duo also answers a bunch of listener feedback, discuss dialogue edits on "The Last Tours, Volume 1" FTD, and a recent video Olivia watched about one of Elvis' Ed Sullivan performances of Hound Dog. For Song of the Week, Justin selects Elvis's cover of the Waylon Jennings hit "You Asked Me To," and ponders the implications of a minor lyrical change Elvis made in his final version. Olivia highlights Elvis's 1976 recording of Larry Gatlin's "Bitter They Are, Harder They Fall."  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

As you'll hear in our intro discussion, Justin and Bec have pushed out their TTWII Rehearsals episodes just a bit due to some extenuating circumstances, but still got together for a discussion about the lightweight, wholesome 1970 budget release on the Camden label, "Let's Be Friends," which compiled a mix of late-60s tracks (and one inexplicable 1962 recording).  For Song of the Week, Justin soaks in the "Fountain of Love" from 1962's Pot Luck, and Bec gets funky with the Leiber & Stoller-penned Stax track "If You Don't Come Back." Next week, we'll be uploading a bonus episode for Tuesday while the TCBCast gang will be busy reading and getting together as soon as we can for an in-depth discussion about Lisa Marie Presley and Riley Keough's "From Here to the Great Unknown" as well as the Oprah special airing October 8.

It's a fairly light episode this week, with Justin and Bec discussing the latest in Elvis news, including Graceland's big "Presley for a Day" tour announcement, briefly reacting to the Guitar Man Sessions FTD, Bec's latest Elvis book pick-ups and more. For Song of the Week, Bec spotlights Elvis' cover of the obscure Ivory Joe Hunter song "It's Still Here." Meanwhile, Justin cracks into the Guitar Man sessions FTD to explore the outtakes and early alternate arrangement of "Singing Tree," which languished for decades as a "Clambake" soundtrack bonus song. We have some beefy topics coming up in the coming weeks that we're busy preparing for, including discussions on the 1960 "Elvis is Back!" recording sessions, "That's The Way It Is" rehearsals and much more! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Olivia & Justin continue their exploration of how "Viva Las Vegas" was made, on the 60th anniversary year of its release! The duo spends a good chunk of time on the filming schedule, deleted scenes, pondering why certain creative choices were made, and also digging a bit into post-production aspects like editing, scoring and marketing. The most critical resource by far for this episode was the excellent FTD book and CD set "The Making of Viva Las Vegas" which is sadly no longer in print after its 2019 release. For Song of the Week, Olivia picks "Love Letters," the song Elvis recorded in 1966 and then revisited again in the studio in 1970. Justin selects a holiday highlight with "If I Get Home on Christmas Day" off the "The Wonderful World of Christmas" album. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Ryan & Justin convene to revisit one of their all-time favorite live Elvis albums, "On Stage 1970," which was conceived as an album full of new songs, compiled from a mix of Vegas shows from February 1970, padded out with a couple leftovers from the August 1969 engagement. Both of the guys had the album early in their respective fandoms and have a huge appreciation for this period of Elvis's career, just a few months prior to the famous "That's The Way Is It" run in August 1970. The duo also briefly touches on the bonus tracks included on the 1999 expanded edition, the 2010 Legacy edition, and "The On Stage Season," the FTD release which featured a high quality soundboard of the closing show from February 23, 1970, which gives a better idea of what an Elvis show during this period felt like front to back than the sort of fantasy concert presented by the album. For Song of the Week, Justin goes back into the history behind Bob Wills' "Faded Love," which Elvis cut in mid-1970 for the "Elvis Country" album, which stretches as far back as an incredible, heartbreaking true story from the mid-19th century that inspired "Dear Nellie Gray," the song whose melody that became Faded Love. Ryan, on the other hand, takes it light with the breezy "There's A Brand New Day on the Horizon" off the 1964 "Roustabout" soundtrack. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

After 5 1/2 years, TCBCast returns to the subject of books about Elvis as a full episode! Gurdip and Justin did an early episode of the show about some of their favorite reads on the life, career and phenomenon of Elvis, but this time Bec gets to open up her extensive Elvis library to talk about her favorites, and Justin gets to talk about some of the ones he's read and appreciated most in the intervening years. These aren't necessarily recommendations to rush out and buy immediately after listening, as a few that are referenced are quite difficult to find nowadays (especially the FTD books) but there are definitely a few that you may want to pick up afterwards. For Song of the Week, Bec picks "I'm Falling in Love Tonight", the Don Robertson ballad that the songwriter himself got to play on for the "It Happened At the World's Fair" soundtrack, while Justin highlights "Take Good Care of Her," which Elvis had a Top 10 country hit with in 1974. One of the news items we reference at the top of the show: https://www.nbcnews.com/news/us-news/graceland-elvis-presley-scam-naussany-branson-missouri-rcna157155  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Justin, Bec and Gurdip managed to coordinate a quick but fun Song of the Week, news & listener message episode (though naturally recorded JUST before "In The Ghetto" off the "Memphis" box dropped). The gang briefly discusses the Memphis Recording Service "Las Vegas On Stage February 1973" box set, Bec pleads forgiveness for a "verbal typo" on her most recent episode, and then examine a provocative editorial about Elvis, Graceland and America sent to us by one of our patrons. For Song of the Week, Gurdip goes flying high on a "Harem Holiday," Bec puts on her Sunday best to listen to both the 1966 and 1968 versions of "Where Could I Go But To The Lord" and Justin delves into "Put the Blame On Me" off the "Something for Everybody" album (and subsequently featured in "Tickle Me.") Link to Michael Bertrand's editorial: https://theconversation.com/could-elvis-graceland-hold-a-key-to-bridging-americas-cultural-divide-230841 If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Justin and Olivia are joined by guest host Chris Jones (former host of the wonderful "Hall of Songs" podcast, you can find him as @jonesca17 on social media) to explore the surprisingly heartfelt and thought-provoking world of songs that either reference or are about Elvis, explicitly or implicitly. Spanning a wide array of genres, eras and artists, each of us pick five of our favorites to examine the common themes that begin to surface like fame, commercialization, celebrity obsession, mythology, religion, the Deep South, America, transportation/travel, class, race relations, and the closeness of family. For Song of the Week, Olivia selects "Drums of the Islands", a "Paradise Hawaiian Style" track that's rooted in real Polynesian culture. Justin chooses to delve into "Only the Strong Survive," Elvis' cover of Jerry Butler's classic 1968 hit, and Chris takes us home by covering Elvis' down and dirty 1971 version of the iconic holiday blues number, "Merry Christmas Baby." A special episode playlist: https://open.spotify.com/playlist/1yrvYGYK6c7W8ysEwbh7nM?si=f9e75a2706694579 If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

This episode begins with a TCBCast-mini-style intro with Gurdip and Justin discussing the passing of singer-songwriter Mark James and the news of Sony's "Memphis" box set, out August 9, 2024.  Then, Gurdip taps out and Bec taps in for a fun exploration of some of our favorite deep cut Elvis concert rarities - the songs he almost never pulled out, from ones done only once (like Oh Happy Day or Rubberneckin') to those done at best for maybe a handful of shows (Memphis Tennessee, anybody?) For Song of the Week, Bec ponders "(Such An) Easy Question" which Elvis recorded in 1962 but that was also reused in the 1965 movie "Tickle Me." Then Justin closes us out with a quick exploration of "I Will Be Home Again," the Golden Gate Quartet homage that Elvis and Charlie Hodge harmonized on for "Elvis is Back" in 1960. For those who haven't seen it yet elsewhere, Sony released a behind the scenes mini-doc about the new "Memphis" set on YouTube: https://www.youtube.com/watch?v=d8XGKNVko-g Our live rarities playlist (on YouTube, since other streaming services don't have FTDs or bootlegs!): https://www.youtube.com/playlist?list=PLg-DEia9bCgaA-7wTppzt2tTFXJkHaXGA Interview with Orlandus Wilson of the Golden Gate Quartet sourced from: http://tofuhut.blogspot.com/2009/02/glisten-work-of-father-3-more-info-on.html and its archived version on the Internet Archive. Selah Jubilee Quartet version of "I Will Be Home Again" available to hear here: https://archive.org/details/78_i-will-be-home-again_selah-jubilee-quartet-lou-singer-bennie-benjemen-raymond-levee_gbia0077522a If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Special guest Darin Evans joins Gurdip and Justin for a brief exploration of what each think were Elvis' best 5 singles, considering the strength of the A & B-sides, overall success and (naturally) personal taste. For Song of the Week, Darin piggybacks off Justin's choice of "Kissin Cousins No. 2" last week and goes for "Kissin' Cousins," the upbeat single from the 1964 movie which featured Elvis musically portraying two different characters within a single song. Then Justin explores the understated and oft-neglected 50s country ballad "How's The World Treating You," including how Elvis altered the original's lyrics and intent in the recording that featured on his 1956 sophomore LP "Elvis," before Gurdip closes out the episode by zeroing in on the last of the four original demo recordings that Elvis recorded at Memphis Recording Service to be released to the public: "It Wouldn't Be The Same Without You."  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Bec crashes an episode with Gurdip and Justin covering the 1971 Camden "C'mon Everybody," a compilation collecting a handful of tracks that at the time of its release had previously only been available on the Extended Play soundtracks for Follow That Dream, Kid Galahad, Viva Las Vegas and Easy Come, Easy Go. It turns out to be one of the breeziest, enjoyable Camdens and the gang has a ton of fun digging into it. Also discussed are news items including the upcoming Guitar Man Sessions FTD, the false Graceland foreclosure, and Justin's recent Elvis finds - which includes a copy of our main topic album! For Song of the Week, Bec hangs around just to commentate on our picks, with Gurdip selecting the title track of 1967's "Double Trouble" which leads to reading songwriter Mort Shuman's hilarious recollection (or lack thereof) about the song in Ken Sharp's "Writing for the King, before closing out with Justin's Song of the Week, the short" opening title version of "Kissin' Cousins" often referred to as "No. 2." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Bec & Justin bask in some nostalgia for their days as younger Elvis fans at the turn of the 21st century, reflecting on the major mainstream BMG Elvis releases from 1999 and how those releases influenced the crew's perspectives on Elvis' creative journey. From period retrospectives "Suspicious Minds: The 1969 Anthology," "Sunrise," "The Home Recordings," "Burning Love" and "Tomorrow is A Long Time" to hits compilations like "Can't Help Falling in Love: The Hollywood Hits" and "Artist of the Century" - and, naturally, the first ever Follow That Dream releases - 1999 was a good year for Elvis fans. For Song of the Week, both hosts go for fairly reflective, contemplative songs, with Justin selecting 1969's understated "This is the Story" and Bec digging into "It's Over," most famously featured in Elvis' "Aloha From Hawaii" special from 1973. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

This week Justin and Olivia are exploring the recordings (both final masters and alternate dubs that were considered) where Elvis sang with himself, starting from "I'm Yours" in the early 60s, working their way up through the very dense 1969 recordings, and well into the 1970s. There's both more than you'd think, and not enough! They ponder what sort of creative choices were made to lead Elvis to lay down these special vocals. It's a very unique angle (and frequently exquisite listening) from which to examine Elvis' music! For Song of the Week, Olivia digs into the absolutely massive treasure trove of outtakes from the multiple different versions Elvis recorded of the title track from 1957's "Loving You" plus a few minor later live versions and covers, while Justin puts on my detective hat to try to solve some mysteries about the obscure home recording "Apron Strings," made while Elvis was in the Army. Special thanks to David "Ghosty" Wills of the "We Say Yeah" podcast for some additional info on Cliff Richard's recordings of "Apron Strings"! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Gurdip and Justin put their heads together for an interesting and provocative thought experiment: what Elvis songs would they pick if they had to remove 5 songs from each decade of his career? Would they just pick our least favorites - or consider the historical, social and cultural ramifications of each decision? Plus, are some periods of Elvis' career easier to prune than others?  And then in the second part of the episode, Justin's joined by Olivia as they look at streaming data from a popular digital music platform to examine what the least listened-to Elvis songs (of ones originally released during his lifetime) are in modern times - the ones that at least one contingent of Elvis fans themselves seem to have inadvertently given away that they'd prefer not going out of their way to listen to. For Song of the Week, Justin knocks out "This is Living" from the soundtrack of Elvis's 1962 boxing-musical-drama Kid Galahad, while Olivia similarly picks an early 60s movie song, the sweetly-sung lullaby "Big Boots" from 1960's G.I. Blues.  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Gurdip's on vacation and between day jobs and personal emergencies, timing isn't lining up just yet Part 2 of the Nashville sessions, so Bec and Justin got together for a quick spur of the moment episode and managed to rope in John Michael Heath of EAP Society for a loose Elvis discussion among the three. The team discusses John & his father's Elvis artifacts in their collection, favorite Elvis movies, the 1969 American Sound Sessions and the 1970 Nashville Marathon both come up, as well as John's recent acquisition of Memphis photographer William Speer's non-Elvis collection of decades worth of photos. For Song of the Week, John revisits a 1969 track previously featured as SotW (early in our run by Gurdip's nephew Roman) to give his heartfelt interpretation of Elvis' reading of Johnny Christopher's "Mama Liked The Roses." Justin's Song of the Week similarly focuses on a surprising, unexpected alternate interpretation of the December 1973 Stax recording "Your Love's Been A Long Time Coming" direct from the mouth of its writer, Rory Bourke, as well as a mini-SOTW side discussion on a January 1974 Las Vegas one-liner Elvis sang of the Rory Bourke co-write, Charlie Rich's "The Most Beautiful Girl." If you'd like to hear more from John and Jamie Kelley, please visit youtube.com/EAPSociety or EAPSociety.com for details on their upcoming "Spring Festival" event in Iowa. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Justin and Bec explore Elvis' "marathon" sessions from June 1970, starting with laying the groundwork for the return to Nashville's RCA Studio B, pondering why Elvis may not have chosen to return to Chips Moman's American Sound in Memphis. Instead Elvis is joined this time by a new band led by his live guitarist James Burton but otherwise comprised largely of country-soul players who had worked alongside producer Felton Jarvis in Muscle Shoals, Alabama, including Chip Young, Jerry Carrigan, David Briggs, Norbert Putnam and Charlie McCoy, and rather than a meticulous planned session with Chips' guiding vision... they tear through dozens of songs across four nights, with a follow-up session later that September. Part 1 focuses on the establishing information and the first two nights, June 4-5 and June 5-6, 1970.  For Song of the Week, Bec highlights "I Met Her Today," the understated Don Robertson ballad that was cut in 1961's Pot Luck sessions but held until the hodgepodge Elvis For Everyone album four years later. Meanwhile, Justin goes way back to the Sun era, selecting the middle child single "Milkcow Blues Boogie" - couched between Good Rockin' Tonight and Baby Let's Play House, yet containing that same genius melding of blues (it was written and originated by Kokomo Arnold) and country (also highly popularized by western swing artists like Bob and Johnnie Lee Wills) in a new rockabilly style as anything else he did at Sun. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

You're about to be taken on a journey...  Justin is joined by Rabia of Suddenly: A Frank Sinatra Podcast to tackle Australia's near-exclusive 1983 compilation "Elvis Blue" (also released in Japan & South Africa) which compiles all 19 songs Elvis released during his lifetime with the word "blue" in the title.  This strange collection of songs that, when initially described, sounds like a novelty cash-in, ends up becoming a compelling, thoughtful alternate exploration of the span of Elvis' entire artistic journey, from Sun Records to the last song he ever sang. Justin & Rabia examine the lyrics of these songs and spend time reflecting on the themes of loss, loneliness, sadness, love-gone-wrong and - surprisingly - a sort of disaffected, comedic flippancy in there, too.  For Song of the Week, the theme is carried forward, with Justin picking two Red West-penned 1966 home recordings "I've Been Blue" and "It's No Fun Being Lonely," one of which explicitly would fit the main topic's subject, and another that fits tonally. Rabia selects "I Need Somebody to Lean On," the understated, jazzy ballad from "Viva Las Vegas" and tries to root out some potential inspirations Pomus/Shuman may have had for it, and together Justin & Rabia ponder the potential influence of Ol' Blue Eyes himself on Elvis' crooning. Rabia's show "Suddenly: A Frank Sinatra Podcast" is available on all major podcast platforms where you can find TCBCast, with more info at suddenlypod.gay. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Ryan returns this week to look back on his time and findings exploring the world of Elvis bootlegs, from soundboards and audience recordings to studio material and fan-made spliced takes. Justin takes the opportunity to loosely discuss some of the history of Elvis bootlegs and try to contextualize where Elvis bootlegs have fit within the larger rock bootleg scene, and the guys ponder whether there is even a future for Elvis bootlegs to offer anything new or interesting now that A) the official collector's label, Follow That Dream, has done a lot of the work both clearing out the vaults and clawing back material originally found on bootlegs and releasing it in the best possible quality and B) not many people buy CDs at all anymore to begin with, with YouTube and digital trading in online circles are the predominant way of obtaining material nowadays. For Song of the Week, Ryan selects the bopping 1957 hit "I Beg Of You" and celebrates its cowriter, Rose Marie McCoy, while Justin picks the 1969 track "True Love Travels on a Gravel Road", effectively an album cut that Elvis still felt strongly enough about to consider bringing into his live setlist a couple times in the 70s.

Oh yeah, we went there. Gurdip & Justin sit down with the 1978 compilation album, intended for children but so often cited by Elvis fans who were around at the time as one of the worst and most misguided projects Colonel Tom Parker ever spearheaded... but is it, really?! Closer examination may be necessary! (Note: the guys ponder why the presence of an elephant in the artwork; Bec reached out after the fact and reminded us that Colonel Parker's favorite animal was, in fact, the elephant!) Also discussed is the newly surfaced Forth Worth, TX footage of Elvis from early 1958 (available here through the University of North Texas: https://digital.library.unt.edu/ark:/67531/metadc2049375/m1/?fbclid=IwAR1d8oliLIWVkU29QBzgdovqXuai1MqaWMZClyo3eYU3hHMPQjYTj8typek) and the upcoming release of numerous demos from songwriter Randy Starr on the Bear Family Records label "Randy Starr - Presley Style" as well as a rarely-seen or discussed November 1957 article about Elvis from TAN magazine that was dug up by friend of the show John Michael Heath. For Song of the Week, Gurdip knocks out another classic 50s track with the early country ballad "I'm Counting On You" that featured on Elvis' debut LP, while Justin sifts through the web of interconnected gospel songs that connect to "You Better Run," which Elvis was recorded and filmed singing during the rehearsals for "Elvis On Tour" in 1972 and also performed in concert at least a couple more times later in the 1970s. Source for the TAN magazine scan: https://archive.org/details/sim_tan_1957-11_8_1/page/30/mode/2up?view=theater

Valentine's Day's coming up soon, so Justin and Bec decided to round up their favorite Elvis songs about love and relationships, and Bec even wrangled Gurdip and Ryan's lists from them as well. It's a total gush-fest over some of the most expressive and memorable romantic recordings Elvis ever made. For Song of the Week, Bec stays on theme, picking the more downbeat "Something Blue" from the album "Pot Luck" while Justin spotlights "Tell Me Why," one of Elvis' more underrated and obscure 1957 recordings, left unreleased until surfacing on a single in the mid-1960s. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Gurdip & Justin react to recent Elvis news, including Elvis' current charting holiday hits, the release of streaming data for "Agent Elvis" on Netflix for the first half of 2023, and Baz Luhrmann's statements that he intends to eventually, "one day" create an episodic version of his "Elvis" film. They guys also reflect on both the year 2023 for TCBCast, and the last six years of the show.  For Song of the Week, Gurdip selects "Long Legged Girl (With the Short Dress On)" from 1967's "Double Trouble." For Justin, the question is: how do you handle discussing "Silver Bells," one of the most famous Christmas songs of all time that everyone's heard? You try to ignore all the noise, talk about the movie it was written for, one which quite never became a perennial holiday favorite, and the songwriters' hilarious original title. We'll have one more episode of TCBCast dropping later this week - before Christmas - and it's a doozy. Stay tuned! If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

This week, Gurdip and Justin finally do an episode they've been threatening to do for some time now, exploring the work of Italian DJ Agostino Carollo, aka "Spankox," who in the late 00s began remixing Elvis songs that had fallen into the European public domain and ended up getting the endorsement of EPE/Graceland for his first two albums, making them technically official releases... an endorsement subsequently lost for the third, holiday-themed project.  The guys cover those first three albums, and also touch upon an obscure 2003 Elvis-inspired movie project, "DJ Hound Dog," that Spankox worked on and produced before turning in his "Baby Let's Play House" remix, as well as what else he's been remixing in recent years since he has mostly stopped producing new Elvis mixes. Even people who don't like remixes might find this episode interesting and funny - and if you really don't like these remixes specifically, you may feel a little schadenfreude by the time we get to "Christmas Remixes." In the news segment, the guys also briefly discuss the announcement of "Priscilla" coming to digital platforms (FYI this episode was recorded prior to the announcement of Cailee Spaenee being nominated for a Golden Globe), "Elvis' Golden Records" rising up into the Top 50 country albums chart earlier this month, and Justin give my initial impressions of the new book "Elvis and The Colonel: An Insider's Look at the Most Legendary Partnership in Show Business" by Greg McDonald and Marshall Terrill.  For Song of the Week, Gurdip picks the home recording "Sweet Leilani," most famously done by Bing Crosby, and Justin decided to go with the holiday season theme and highlight the lesser-appreciated "It Won't Seem Like Christmas Without You" from the 1971 "Elvis Sings the Wonderful World of Christmas" album.  If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Ryan and Bec take the reins this week for a fun-filled episode as both dig into their favorite Elvis performances that were professionally filmed, from TV appearances, network specials & documentary films. Ryan also gives his thoughts on the Christmas at Graceland NBC special, and both react to news from Baz Luhrmann about his future Elvis-related projects. For Song of the Week, Bec explores the history behind "I Believe in the Man in the Sky" from the "His Hand in Mine" album, while Mr. Droste takes us back to "Poison Ivy League" from 1964's "Roustabout." If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Gurdip is out unexpectedly so special guest Darin Evans joins Justin once again, this time for a loose, lighthearted (and unexpectedly beefy) ranking of all of the Elvis movie title songs, from Love Me Tender to Change of Habit; weighing the songs themselves, how they're used in their respective movies, and how well they represent the films they're from.  The team also react to listener feedback regarding the recent Elvis and Country Music miniseries as well as recent news including the Christmas at Graceland lineup (airing November 29!!) and Dolly Parton's new Elvis-themed duet with Ronnie McDowell, and Darin gives his thoughts after having seen "Priscilla" - FYI, Justin has also finally seen "Priscilla" and his initial impressions bonus episode with John Michael Heath of EAP Society is up over at the TCBCast Patreon. For Song of the Week, due to Darin jumping in at the last minute since Gurdip had an unexpected emergency at the day job, Justin's the only one with a song of the week, but brings the funky "Find Out What's Happening" from Elvis' 1973 Stax sessions. Timestamps 0:00 - News & Listener Feedback 31:30 - Main Topic 2:01:20 - SOTW: Find Out What's Happening If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Gurdip and Justin dig into the September 1967 and January 1968 sessions that brought country singer-songwriter Jerry Reed into Elvis' circle for a brief moment, until business interests got in the way. Through spread out across various singles, soundtracks as bonus tracks, and budget compilations, these sessions collectively show Elvis already embracing material that returns him to his blues and country roots, leading him to his comeback. Justin also provides some context on Jerry Reed's early career before his breakout hit "Guitar Man," famously covered by Elvis during these sessions.  For Song of the Week, Justin takes the opportunity of covering these sessions to talk about "The Prisoner's Song," a deeply important pivotal 1924 recording in more ways than one, which Elvis, Jerry and the band attempted to comedically subvert during these sessions, only for their jam to have been partly recorded by Felton Jarvis, surfacing decades later on bootlegs re-titled as "Wings of an Angel", revealing in hindsight a disappointing moment of casual carelessness on Elvis' behalf. Gurdip, on the other hand, spotlights the fantastic #1 1958 hit "Hard Headed Woman" from the King Creole soundtrack... a hit that barely features in the movie it's from! If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Gurdip and Bec join forces to gush over Bec's very first Elvis album, Elvis' Golden Records, Volume 2, aka 50 Million Elvis Fans Can't Be Wrong. Encapsulating singles released between 1957-1959, this iconic album captures the Elvis of the 50s at perhaps his very best, accompanied on many tracks by more members of the Nashville A-Team. For Song of the Week, Justin tags in for a brief discussion on the obscure song "The Titles Tell," recorded originally by Elvis' Memphis friend Barbara Pittman while under contract with Sam Phillips, but never released at the time and never done by any other artist - yet we have a home recording of Elvis singing a very credible version of it in Germany! Gurdip, interestingly enough, goes for another Germany home recording, picking "Oh Lonesome Me," the Don Gibson hit, of which Elvis' home version only first surfaced in 2018. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Bec joins Justin for a very loose, silly, and not-remotely-serious discussion about some of our least favorite Elvis songs and performances. Not "the worst," just some of the ones that don't hit us in quite the same way they might hit everyone else. The subject is so spirited that there are both giggle fits and strong disagreements! For Song of the Week, Justin revisits one of the songs he featured on his very first "least favorite" list, and makes amends with "Golden Coins" from the "Harum Scarum" soundtrack. Bec, on the other hand, calls attention to an unironically passionate and thrilling 1970 vocal turn from Elvis on the very underrated "The Sound of Your Cry" and its session outtakes (coincidentally, both songs this week are from the SAME songwriters!!) If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

This week, we're talking about the topic voted upon by our Patreon backers, loosely exploring how Elvis's time in the US Army affected his life & career, both in the short term and the long term.  For Song of the Week, from similarly poll-winning tracks, Gurdip & Justin tackle both ends of Elvis' career, with Justin handling the flip side of Elvis' very first demo acetate, "That's When Your Heartaches Begin," and the handful of times Elvis would revisit it throughout his career, while Gurdip reflects on the old country standard "Blue Eyes Crying in the Rain," which Elvis recorded in 1976, and is sadly the last known song to have been sung by Elvis before his death. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Gurdip and Justin get together this week to dig into the 1965 compilation album "Elvis for Everyone" and ponder what reasons there might have been behind the scenes for this oddball collection of previously unreleased tracks put out to mark the 10th anniversary of Elvis's RCA contract.  Before that, though, the guys briefly discuss the trailers for "Priscilla" and the Paramount+ documentary "Reinventing Elvis" being produced by Steve Binder, and then get into a substantial discussion about the ramifications of breakthrough technology that's made potential AI-assisted songs featuring the voices of artists like Elvis much more viable on a user level - and the reaction EPE gave Rolling Stone when asked their thoughts on AI Elvis songs... and some exclusive news on that front that Justin has been holding onto and unable to discuss until now. For Song of the Week, Justin waltzes his way to "This is Our Dance," the Les Reed-Geoff Stephens ballad that was a loose re-imagining of their own Engelbert Humperdinck hit, "The Last Waltz" surfacing on the "Love Letters from Elvis" album in 1971. Then, Gurdip steps right up to "The Love Machine" from the 1967 film "Easy Come Easy Go." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast. Timestamps 0:00 - Start/News 14:45 - A.I. Discussion 42:30 - Main Topic "Elvis for Everyone" 1:19:30 - SotW: This is Our Dance 1:30:50 - SotW: The Love Machine

Justin joined this week by Elvis fan and host of "Stories We Could Tell: A Mavericks FANCast" Mark Potter, and together they dive into the deeply-felt influence of Elvis's music on Raul Malo, lead singer of the band The Mavericks, famously known as the Grammy-award winning country music band that had their most mainstream success in the 1990s. Gurdip and Justin have discussed and praised Raul and The Mavericks a number of times on TCBCast, particularly on our "Elvis covers" episodes. From Raul's unique insights on "It's Now or Never" and his longstanding love of "Aloha from Hawaii" to The Mavericks' opportunity to collaborate with Scotty Moore and DJ Fontana on the "All the King's Men" album and beyond, Mark and Justin hit on as much as we can! For Song of the Week, Mark selects "Alla En El Rancho Grande," which, although Elvis joked around with in the rehearsals for "That's The Way It Is," quickly reveals itself to have a vast amount of history and alternate versions dating all the way back to Mexican cinema of the 1930s. Then, Justin opts for Elvis's 1961 take on "Judy," originally from 1960 by writer Teddy Redell.  If you'd like to hear more of Mark's podcast episodes, which features fan interviews, former band members and deep-dives into The Mavericks' discography and other influences, you can check out "Stories We Could Tell" at https://mavericksfancast.podbean.com/ and on any other major podcast platforms, and follow along at facebook.com/StoriesWeCouldTell If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

The TCBCast gang wrap up the second part of their review of 1961's "Follow That Dream" pondering where it ranks among Elvis's best acting roles. For Song of the Week, Bec bows but from featuring a song but hangs around to comment on the boys' picks, with Ryan tackling Elvis' live performances of Neil Diamond's iconic American classic, "Sweet Caroline" throughout the 1970s, while Justin pops back to the early 60s to appreciate a song from the other film Elvis made for The Mirisch Company, Kid Galahad, with the humble, cozy crooning of "Home Is Where the Heart Is." "Follow That Dream" is available on all major digital movie services to buy or rent. Richard Powell's "Pioneer Go Home" is also available where all eBooks are sold at the time of this episode's release and is highly recommended. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast. Part 2 of this review is already available in early access for patrons!

Justin and Gurdip take some time this week to spotlight some notable or interesting versions of songs associated with Elvis that have been covered by other acts, both during and after Elvis' lifetime. For Song of the Week, while Gurdip hops aboard the "Frankfort Special," from the 1960 flick "G.I.  Blues," Justin relaxes with the more mellow but sweetly performed ballad "All That I Am" from "Spinout." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Yes, you're seeing this correctly - it's a weekend TCBCast! Gurdip and Justin get together for their initial impressions of the first three episodes of Netflix's "Agent Elvis" starring Matthew McConaughy, Kaitlin Olson, Don Cheadle, Johnny Knoxville, Tom Kenny and Priscilla Presley. As Gurdip had not had a chance to catch up on the whole season as of recording, discussion is mostly limited to the early episodes and analysis on the show's overall story, themes and ideas will wait for another day. For Song of the Week, Justin selects the understated and oft-forgotten 1970 Nashville cut "When I'm Over You" while Gurdip picks Danny Fisher's Leiber & Stoller-penned alma mater, "Steadfast Loyal and True" from 1958's "King Creole." For those not interested in "Agent Elvis" (it is NOT a show for everyone, that's for sure), here are the timestamps for the show to skip ahead to Songs of the Week: 0:00 Start 3:20 Trivia 8:45 Main Topic 1:20:50 SOTW: When I'm Over You 1:26:15 SOTW: Steadfast, Loyal and True

Justin and Bec wrap their extensive exploration of Elvis' time at Chips Moman's American Sound Studio by covering the material recorded there in February 1969, from "Power of My Love" to "Kentucky Rain" and more, before pondering the many reasons, good and bad, why Elvis never returned to American. For Song of the Week, 1960's the year to focus on, as Justin picks "I'm Gonna Walk Dem Golden Stairs" from the His Hand in Mine album while Bec spotlights "Shoppin' Around" from the "G.I. Blues" soundtrack. Justin & Gurdip's initial impressions of Agent Elvis episodes 1-3 is out early at the TCBCast Patreon and will go up on the main feed in the near future, to be followed by a proper series review later.  Timestamps: Start 0:00 Listener Feedback 10:00 Main Topic 26:00 SotW: I'm Gonna Walk Dem Golden Stairs 1:37:48 SotW: Shoppin' Around 1:50:00 If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music history and movie enthusiast.

This week, Gurdip and Justin sit down with a handful of their favorite Elvis country recordings. For Song of the Week, Gurdip picks the traditional Mexican song "Guadalajara," an ode to the city of the same name, which Elvis recorded for a 1963 film set in Acapulco, a city over 500 miles away... oops! Then, Justin bites the bullet and makes the case that "Barefoot Ballad" from Kissin Cousins was a lazy attempt to mock the country genre that had no teeth, pairing a genuinely credible country instrumental by the Nashville A-Team with lyrics that don't actually have any satirical bite. NOTE: Recorded before the Academy Awards ceremony, our reactions to that news will come next week.

Continuing on from TCBCast 255, Justin and Bec give an overview of some of their favorite songwriters for Elvis, how their material shaped Elvis's career, and why their work resonates with us, along with spotlighting some of the songs they wrote for other acts as well, whether they were solo singer-songwriters, regular collaborators, or Brill Building coworkers.  For Song of the Week, we're tackling the winning songs from the most recent Patreon poll, with Bec snagging "Patch It Up," the memorable Eddie Rabbitt-penned rocker from "That's The Way It Is" and Justin reflecting on the meaning of Mac Davis' "Don't Cry Daddy" across generations of the Presley family and to Elvis fans. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music history and movie enthusiast.

This week, we're taking a look back at Elvis's March 1975 recording sessions that produced the heavily country-tinged album "Today" - his very last session in a proper recording studio. Can Gurdip overcome his longstanding beef with country music to give the material a fair shake or is that just a great big "Fairytale"? Do producer Felton Jarvis' heavy overdubs work or do they lead to "T-R-O-U-B-L-E"?  For Song of the Week, Justin sticks with the country theme, picking Elvis's 1976 Jungle Room version of "Love Coming Down," originally by George Jones, while Gurdip muses over the lightweight "One Boy, Two Little Girls" from 1964's "Kissin' Cousins." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music history and movie enthusiast.