Podcasts about gurdip

Gurdip's back!!! ...kinda? April Fools! Originally released back in May 2022 on our Patreon, Gurdip demanded to have his say about Terry Stafford and his famous cover of "Suspicion," so Justin obliged and they sat down not just with the single, but Terry's full 1964 album. Released on the Crusader Records label to capitalize on Stafford's surprise Top 5 success with his hit recording of the same name, "Suspicion" featured an array of Elvis-likes from original Brill Building songwriters behind some of Elvis's early '60s material, including Doc Pomus, Ben Weisman, Fred Wise, and Sid Wayne. As you'll hear, evidence strongly suggests that many, if not all, of the songs included were pitched to Elvis for consideration, with several even getting recorded.  Justin also guides us a little further past the album to Stafford's post-Suspicion career, including later singles and more significantly as a songwriter himself, with such hits as Buck Owens' "Big in Vegas" and George Strait's "Amarillo by Morning." Joe W. Specht's short-but-thorough biography "The Life and Music of Terry Stafford" was immensely helpful to finding more information on Stafford's story. It's available as of this posting through Texas State University's website here: https://digital.library.txstate.edu/handle/10877/7519 No foolin' - This "TCBCast Jukebox" is one of our all-time favorites we've done. If you enjoyed this, we've also done bonus episodes about Elvis's musical contemporaries such as Ann-Margret, Johnny Cash, Little Richard, Chuck Berry, The Platters, Dean Martin, Eddie Cochran, Gene Vincent, and many more, with more on the way as exclusive bonus content. Please consider joining up over at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. While we're out this week, Justin and Bec will be back next week with a discussion about "G.I. Blues" - revisiting it, its soundtrack and recording sessions for the first time since literally our third-ever episode of TCBCast!

Gurdip and Justin continue their discussion of 1967's "Double Trouble" as this infamous Elvis film finally introduces its more zany comedic elements with The Wiere Brothers, Helene Winston's grabby "Gerda" and a goofy Captain and First Mate intent on blowing up their own ship. The wacky side characters liven up the back half of the story - though the script remains equally as confusing and its attempts at absurdity flounder.  But - what if there's a twist to the story of Double Trouble that no one's ever pondered before that may make revisiting the film a bit more tolerable in the future? Justin's come up with a theory that may change the way you view the movie, though definitely not intended by the filmmakers! Song of the Week will return next week with our episode on the history of Elvis's Extended Play records! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

This is it! We've finally decided to just do it and visit the one Elvis movie often considered to be among the worst of his narrative feature films, 1967's "Double Trouble," directed by Norman Taurog for MGM from a script by Jo Heims, and co-starring Annette Day, Yvonne Romain, John Williams, Monty Landis, Leon Askin, Norman Rossington, Chips Rafferty and The Wiere Brothers. It's classic TCBCast, just Justin and Gurdip on their own. Justin digs deeper than most and read through "The Choice," the obscure original 1960 novel that "Double Trouble" was VERY loosely inspired by (enough to merit a "story by" credit for author Marc Brandel, but that's about it.)  Then, the guys dig into the "comedy" renowned for its story about killers lurking in the shadows hunting a rich heiress, bumbling jewel thieves, slapstick police officers, a mysterious femme fatale and waiting patiently for the age of consent. Promoted as a fun romp across "mad mod Europe," yet filmed entirely on set in the United States (not counting second unit) and mostly just set in Belgium, "Double Trouble" is perhaps one of the most contentious narrative films in the Elvis canon. And yet... one of us ends up liking it more than you might expect? You'll just have to listen and find out... If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

This week, to mark the Valentine's Day holiday, Gurdip, Bec and myself gave a listen to the one explicitly Valentine-themed Elvis compilation, released 40 years ago amid celebrations of Elvis's 50th birthday. Far from being a mere collection of famous love songs, some surprising deep cuts make the grade, but also a lot of songs about broken hearts, which confounds Gurdip. For Song of the Week, Bec digs into the title theme from 1961's "Wild in the Country," and Gurdip matches with another movie title track, this time from 1967's "Double Trouble." Justin, however, takes the opportunity to examine the history behind one of the few songs Elvis ever publicly declared among his favorites, "Padre," which he recorded in 1971 but wasn't released until 1973. Plus, if you're needing something to listen to today, we've got a special Valentine's Day playlist made up featuring songs from this album and a mix of other romantic tracks: https://open.spotify.com/playlist/0eW2fGlc0x0CyAeTJIL9gw?si=dc41503407554785 If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

After an intensive holiday season, we're taking a week off, so from the TCBCast Patreon archives we bring an episode from December 2023 when Bec and Justin convened to explore the Top 20 hits during the week in early 1969 that "If I Can Dream" peaked at #12, the highest it would reach on the Hot 100. What kept Elvis out of the Top 10? Turns out a lot of really iconic music! Unlike our usual Billboard charts episodes, the duo decide to go for broke and cover all of the Top 20, not just to include Elvis, but numerous other iconic songs of 1969 from acts as far reaching as Dusty Springfield, Jay and the Americans, The Turtles, Marvin Gaye, Sly & the Family Stone, BJ Thomas, Tommy James & the Shondells and many more. Then, we jump in our time machine back to November 2021's bonus episode and hear Gurdip and Justin's "Songs of the Month," as Gurdip spotlights a very Elvis-and-Buddy-Holly-influenced rockabilly cut from Buddy Knox, "Party Doll," while Justin picks "Three Cigarettes in an Ashtray" a beautiful but an otherwise largely overlooked Patsy Cline tune occasionally encountered in a famous video game, and which manages to have a TON of Elvis connections.  If you enjoy this kind of discussion and what we do on TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. This month, patrons are getting an album review of Chuck Berry's "Berry Is On Top" and a discussion on the 3rd episode of the CMT TV Series "Sun Records." We'll be back next week!

TCBCast is a zoo this week! In old-school TCBCast fashion, Gurdip and Justin are ranking the songs that Elvis did mostly all about critters of the world, from hound dogs to snowbirds and everything in between. It's wildly unscientific, please don't take it too seriously! The idea is to get you thinking about the lyrics to Elvis's songs more closely. As we mention, you would be SHOCKED at how many animals get mentioned in Elvis songs you wouldn't expect - and not all movie songs, either!  For Song of the Week, Gurdip re-lives his frustrations as a young Elvis fan with RCA's handling of the clearly lyrically incomplete release of "Mexico" from "Fun in Acapulco," while Justin gets funky with the Lord listening to "Seeing is Believing" from the "He Touched Me" album.  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. (PS we have been made aware that somehow we all missed the "alligator" of Polk Salad Annie - don't come for us!!)

Gurdip and Justin delve into the recording sessions from May 1963 and January 1964 which produced songs initially spread out across numerous singles and albums over a five year span. While the music reflected a more polished Nashville-tinged pop sound that Elvis had been subtly building upon in the early 60s, giving us such iconic recordings as "Devil in Disguise," "Memphis Tennessee" and "It Hurts Me," fans at the time never quite got the chance to take full stock of what Elvis was artistically doing at this moment in time. But decades later, the material comprised the retrospective compilation "For the Asking" aka "The Lost Album." The guys sit down to look back on all of it. For the first Songs of the Week of 2025, Gurdip surprises with a short excursion to hear Elvis' live on-stage gag performances of "The Mickey Mouse Club March." Then, Justin spotlights "Look Out Broadway," the aspirational showtune from "Frankie and Johnny" that makes numerous Gilded Age pop culture references and features vocalists Ray Walker and Eileen Wilson chiming in as other characters... in one of the very few traditional musicals Elvis ever made in his film career! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Merry Clambake! The entire TCBCast gang is joined by Rabia and Felix from Suddenly: A Frank Sinatra Podcast, Jamie and John from EAP Society, Kristen, Benita and Margarita from Those Elvis Girls, David "Ghosty" Wills from We Say Yeah: A Cliff Richard Podcast, Garrett Cash from "The Beat! With Garrett Cash", and Darin Evans, all in a manner never quite heard before - a non-linear episode intercut across four different discussions! The TCBCast Gang tackles the movie head on, giving Gurdip, Ryan and Bec (who missed most of the last two Christmases) the chance to voice all their questions about what makes this low-rated Elvis movie so eminently watchable... and also confusing. Meanwhile, Olivia brings her own deep dives. Oh, and most of them are drinking.  The Suddenly Crew took an experimental approach this year, watching the film "Bake to Front," starting their viewing at the halfway point of the film and working their way back around to the infamous "Clambake" musical sequence as an unintended finale. Those Elvis Girls discuss what makes Elvis' films fun to watch, what it's like to view his film career while being relatively new to the fandom, and call for #JusticeForClambake! And a gathering of film buffs get together to explore the year 1967 in film: what the big hits and notable releases were, and how Elvis' film career slots into the overall picture between the fading old Hollywood studio system and the more experimental and independent New Hollywood. Most fun of all, there's an exploration of some of the movies that Elvis Presley himself is known to have watched in 1967. There's a few surprises in store throughout as well! As of this episode's release date, "Clambake" can be watched freely (with ads) on TubiTV and Pluto TV in the United States and may be available on a streaming platform in your region as well. The "Clambake" soundtrack is on all major music platforms. Chapters: 0:00: Start (Part 1 Begins) 9:40: TCBCast Host Intro 32:05: Those Elvis Girls Intro 40:38: "Bake to Front" 50:00: 1967 In Film 1:16:25: An Alternate Opening, Gold Bullion & Sunken Treasure 1:33:53: "Sure Must Have An Awful Long Cord": Mobile Car Phones in 1967 1:42:14: Golddiggers of a Different Sort 1:51:29: GOOP, Baby! 2:06:27: Elvis, the Cinephile 2:29:48: (Part 2 Begins Here) The End of the Hays Code & Elvis' Late-Career Films 2:46:48: Airboats and Costuming Woes 2:54:33: Shelley Fabares 3:08:04: The Women of Clambake 3:21:27: Character Business You Never Noticed + "Slang of Ages" 3:36:41: The Girl I Never Loved, and Other Soundtrack Songs 3:44:23: "With a C..." and Alternate "Confidence" Demos 3:57:06: The Films That Released Alongside Clambake 4:07:00: Magical Mystery Tour, Kiddy Songs and In The Ghetto 4:22:18: "The Magic Word" and Shortnin' Bread 4:35:20: Closing Thoughts - TCBCast Hosts, Film Buffs & Those Elvis Girls 4:43:08: What is a "Clambake Musical"? 4:46:30: Closing Thoughts - EAP Society & Suddenly 4:52:30: Why Clambake? & Finale Thank you to all our friends who joined in this year. Please make sure to follow their shows: Suddenly and We Say Yeah can be found on all the same major podcasting platforms as TCBCast. EAP Society can be found at youtube.com/EAPSociety and EAPSociety.com. Those Elvis Girls can be followed at youtube.com/ThoseElvisGirls and instagram.com/Those.Elvis.Girls, and Garrett Cash's radio show "The Beat with Garrett Cash" can be found on Soundcloud at https://soundcloud.com/garrett-cash-635212819.

To celebrate the American Thanksgiving holiday, Gurdip and Justin got together to reflect on the things they're most thankful for about or within the Elvis world, from songs and movies to releases and the fandom, it's a contemplative discussion on this week's show! For Song of the Week, Gurdip selects the rarely-heard "Britches," which was cut from the 1960 film "Flaming Star," and Justin digs deep on Elvis's 1969 cover of Hank Snow's signature song, "I'm Movin' On." To those of our listeners in the United States - Happy Thanksgiving! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Gurdip, Ryan, Olivia, Bec and Justin discuss at length the new Netflix documentary directed by acclaimed sports doc filmmaker Jason Hehir, "Return of the King: The Fall and Rise of Elvis Presley," purportedly about the making of the 1968 Comeback Special. Following in the wake of the special's prominence in Baz Luhrmann's 2022 biopic and the Paramount Plus documentary "Reinventing Elvis," the gang is surprised to learn this is an unchallenging, conventional retelling of Elvis' life story leading up to 1968 intended for the most casual of potential viewers. There's a few new bits of footage, thoughtful contributions from the small group of talking heads and a fairly well-constructed first half, but the TCBCast crew's smaller grievances about certain inaccuracies, exclusions or lack of nuance begin to pile up around the midpoint until the whole thing topples over in its coverage of the special itself, culminating in an outburst over the way the film handles the special's iconic finale. So, the crew all went back to rewatch the original 1968 broadcast version of "Singer Presents Elvis" - complete with original sponsor advertisements - which we have not revisited on TCBCast properly since 2018, and reflect on both the special itself, the incredible work of its extremely under-recognized crew who made it possible for Elvis to shine, and whether the documentary captures what was so great about the NBC special in a way that is useful or insightful.  "Return of the King" is streaming via Netflix, the 50th anniversary version of the "Comeback" Special is available on Apple TV or purchasable on digital distribution platforms, and an original broadcast version of the special, intact with Singer Sewing Company commercials, has also been made available on the Internet Archive. The video clip we mention near the end of the show is viewable on EAP Society's YouTube channel. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Justin and Bec begin to explore the recordings that remain from the rehearsals leading up to the August 1970 concerts that would become the centerpiece of the 1970 documentary film "That's The Way It Is." The film's director, Denis Sanders, was fascinated by Elvis as a creative force and wanted audiences to get a glimpse of his working process - some of which briefly appeared in the final film, some surfaced in the MGM collection "The Lost Performances" and further material in the Special Edition re-edit of the film from 2001 - but despite several official releases of select material and numerous bootlegs over the years, it wasn't until 2020 that Sony's FTD sub-label officially released the vast majority of the audio of the TTWII rehearsals for the most ardent fans to hear and learn from. In this first part, the duo only cover the first two days of rehearsals filmed & recorded, July 14-15, 1970, but also lay the groundwork for the more dense back portion of the rehearsals. Our next episode will cover the rest from July and August 1970 as well as Songs of the Week from Gurdip and Justin. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Netflix has dropped the trailer for the new documentary about the making of the 68 Comeback Special releasing November 13. Gurdip and Justin were in the middle of recording another episode when the trailer landed, so the guys dropped everything to react immediately. Watch the trailer for "Return of the King: The Fall and Rise of Elvis Presley" here: https://www.youtube.com/watch?v=JHStpufGGzA

Gurdip, Ryan, Bec, Olivia and Justin all are at different stages of reading Lisa Marie Presley & Riley Keough's new book, but the team was able to get together to record a brief initial impressions bonus episode. We strongly recommend the book. There are spoilers in this episode but not for the whole book. Please be aware that there is discussion of sexual abuse from ~7:00-13:40. If that may be upsetting to you, please skip over that portion. We did not feel it appropriate to pepper the episode with clips, music, etc. It's just us and our largely raw reactions this time. We have had as much time as everyone else to process what we've in the book, and only one of us has completed it in full, so please be generous with us, and be kind to everyone else out there as this book's contents are sure to create some contention in the Elvis world. It's a very raw, emotional read/listen but we cannot recommend it more highly, both as a book and in audiobook form. 

Gurdip and Justin wrap up their coverage of the March & April 1960 recording sessions that resulted in "Elvis is Back!" and three number one singles and the guys ponder whether these may have been the best sessions Elvis ever undertook. Then after the main topic, Gurdip taps out and Ryan Droste hops into the ring for a bit of Elvis news regarding the upcoming Oprah special with Riley Keough on October 8 and then Song of the Week, with Ryan returning to his favorite Elvis movie, "It Happened At the World's Fair" and its smoldering song of seduction, "Relax." Then, Justin closes things out by trying to put Elvis's 1957 recording of "I'll Be Home for Christmas" in context by showcasing how different it is from the only prior recorded versions between Bing Crosby's original and Elvis's version, and attempting to forget all about the other several thousand versions that followed. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Gurdip and Justin delve into the landmark 1960 recording sessions in which Elvis declared that he was indeed back, both literally from the Army as well as on top of the charts, with the sessions giving him three massive US number one hits in "Stuck On You," "It's Now or Never" and "Are You Lonesome Tonight?"  As many of our listeners know, Elvis is Back is perhaps Gurdip's favorite Elvis album ever, and these are his favorite sessions, so he's thrilled to bits. Armed with the "Elvis is Back Sessions" FTD, we explore how Elvis had evolved as an entertainer in the two years since his last sessions in Nashville and appraise the choice of material, from covers/reworkings of existing songs that he'd been practicing at home, such as "Soldier Boy," "Like A Baby" and "There's No Tomorrow" as well as wholly new songs written expressly for him, like Doc Pomus & Mort Shuman's first song for him "A Mess of Blues," and, of course, the stunning doo-wop ballad "Fame and Fortune." Part 1 covers the March session and the first half of the April session, ending with "It's Now or Never." Part 2 will cover the rest of the April session, plus Song of the Week with Ryan! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Justin and Gurdip of TCBCAST join us this week to review the 1965 LP ‘More Hits By Cliff' track-by-track. 

Justin was out last week, so we've pulled this from deep in the archives buried in the back of the TCBCast salt mines: Gurdip and Justin's 2022 review of Pat Boone's landmark 1963 Elvis tribute record "Pat Boone Sings Guess Who?" No, we're not joking!  This may be the most we're ever gonna talk about Pat Boone at one time so we crammed in a few of his other hits into the discussion on top of this... album? Experience? Prank? It's the project that got Boone inducted into Colonel Parker's Snowmen's League of America and features arrangements by credible jazz pianist Paul Smith. Part spoof, part homage... if you can only say one thing, well you can't say that Pat Boone was never in on the joke! Then, from the July 2022 edition of TCBCast Now, Justin heads west for our "Song of the Month" segment, selecting Marty Robbins' iconic 1959 showdown ballad "Big Iron," while Gurdip was inspired to pick Englebert Humperdinck's sweeping 1968 recording "A Man Without Love" by a recent movie viewing. Both songs Elvis was likely to have been familiar with, released during his lifetime from contemporaries! Next week on TCBCast, we'll be bringing our first impressions of the "Memphis" box set which releases THIS FRIDAY, August 9 - plus EAP Society co-host John Michael Heath will be joining in for a special episode about the history of Memphis' music industry.  If you like this kind of content, you can hear more bonus content just like this that we do for our supporters over at Patreon.com/TCBCast. We kindly thank all our Patreon backers - your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy!

Gurdip was really feeling the season, so in between prepping for next week's meaty episode with Ryan on "On Stage 1970", Justin and Gurdip had a breezy little classic TCBCast-style discussion about the Elvis songs that evoke memories or give them vibes of warm summer days.  The guys also quickly tackle two Songs of the Week, with Gurdip giving "Once is Enough" from "Kissin' Cousins" the second chance he feels it deserves, and Justin simmering with the understated (and oft-overlooked) Don Robertson-penned ballad "Love Me Tonight" from the early 1963 sessions that should have led to a studio album (later known as The Lost Album or For the Asking), but instead the song was buried as a bonus on the soundtrack for "Fun in Acapulco." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

After 5 1/2 years, TCBCast returns to the subject of books about Elvis as a full episode! Gurdip and Justin did an early episode of the show about some of their favorite reads on the life, career and phenomenon of Elvis, but this time Bec gets to open up her extensive Elvis library to talk about her favorites, and Justin gets to talk about some of the ones he's read and appreciated most in the intervening years. These aren't necessarily recommendations to rush out and buy immediately after listening, as a few that are referenced are quite difficult to find nowadays (especially the FTD books) but there are definitely a few that you may want to pick up afterwards. For Song of the Week, Bec picks "I'm Falling in Love Tonight", the Don Robertson ballad that the songwriter himself got to play on for the "It Happened At the World's Fair" soundtrack, while Justin highlights "Take Good Care of Her," which Elvis had a Top 10 country hit with in 1974. One of the news items we reference at the top of the show: https://www.nbcnews.com/news/us-news/graceland-elvis-presley-scam-naussany-branson-missouri-rcna157155  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Justin, Bec and Gurdip managed to coordinate a quick but fun Song of the Week, news & listener message episode (though naturally recorded JUST before "In The Ghetto" off the "Memphis" box dropped). The gang briefly discusses the Memphis Recording Service "Las Vegas On Stage February 1973" box set, Bec pleads forgiveness for a "verbal typo" on her most recent episode, and then examine a provocative editorial about Elvis, Graceland and America sent to us by one of our patrons. For Song of the Week, Gurdip goes flying high on a "Harem Holiday," Bec puts on her Sunday best to listen to both the 1966 and 1968 versions of "Where Could I Go But To The Lord" and Justin delves into "Put the Blame On Me" off the "Something for Everybody" album (and subsequently featured in "Tickle Me.") Link to Michael Bertrand's editorial: https://theconversation.com/could-elvis-graceland-hold-a-key-to-bridging-americas-cultural-divide-230841 If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

This episode begins with a TCBCast-mini-style intro with Gurdip and Justin discussing the passing of singer-songwriter Mark James and the news of Sony's "Memphis" box set, out August 9, 2024.  Then, Gurdip taps out and Bec taps in for a fun exploration of some of our favorite deep cut Elvis concert rarities - the songs he almost never pulled out, from ones done only once (like Oh Happy Day or Rubberneckin') to those done at best for maybe a handful of shows (Memphis Tennessee, anybody?) For Song of the Week, Bec ponders "(Such An) Easy Question" which Elvis recorded in 1962 but that was also reused in the 1965 movie "Tickle Me." Then Justin closes us out with a quick exploration of "I Will Be Home Again," the Golden Gate Quartet homage that Elvis and Charlie Hodge harmonized on for "Elvis is Back" in 1960. For those who haven't seen it yet elsewhere, Sony released a behind the scenes mini-doc about the new "Memphis" set on YouTube: https://www.youtube.com/watch?v=d8XGKNVko-g Our live rarities playlist (on YouTube, since other streaming services don't have FTDs or bootlegs!): https://www.youtube.com/playlist?list=PLg-DEia9bCgaA-7wTppzt2tTFXJkHaXGA Interview with Orlandus Wilson of the Golden Gate Quartet sourced from: http://tofuhut.blogspot.com/2009/02/glisten-work-of-father-3-more-info-on.html and its archived version on the Internet Archive. Selah Jubilee Quartet version of "I Will Be Home Again" available to hear here: https://archive.org/details/78_i-will-be-home-again_selah-jubilee-quartet-lou-singer-bennie-benjemen-raymond-levee_gbia0077522a If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Gurdip and Olivia sit down for a super fun discussion picking one song from each of Elvis' narrative films (from Love Me Tender through Change of Habit) from within the movie itself that they especially enjoy, not including those just on the soundtrack or recorded for but cut from the final film. They also discuss the title, cover design and release date for Lisa Marie Presley and Riley Keough's new book "From Here to the Great Unknown," set to release later this year and speculate on what kind of book it may be. There's no Song of the Week this week due to a scheduling issue, but this is still a full-length show. SOTW returns next week with Justin and Bec! This episode was recorded before the news of the passing of Mark James, writer of "Suspicious Minds," "Always On My Mind," "Moody Blue" and others. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Special guest Darin Evans joins Gurdip and Justin for a brief exploration of what each think were Elvis' best 5 singles, considering the strength of the A & B-sides, overall success and (naturally) personal taste. For Song of the Week, Darin piggybacks off Justin's choice of "Kissin Cousins No. 2" last week and goes for "Kissin' Cousins," the upbeat single from the 1964 movie which featured Elvis musically portraying two different characters within a single song. Then Justin explores the understated and oft-neglected 50s country ballad "How's The World Treating You," including how Elvis altered the original's lyrics and intent in the recording that featured on his 1956 sophomore LP "Elvis," before Gurdip closes out the episode by zeroing in on the last of the four original demo recordings that Elvis recorded at Memphis Recording Service to be released to the public: "It Wouldn't Be The Same Without You."  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Bec crashes an episode with Gurdip and Justin covering the 1971 Camden "C'mon Everybody," a compilation collecting a handful of tracks that at the time of its release had previously only been available on the Extended Play soundtracks for Follow That Dream, Kid Galahad, Viva Las Vegas and Easy Come, Easy Go. It turns out to be one of the breeziest, enjoyable Camdens and the gang has a ton of fun digging into it. Also discussed are news items including the upcoming Guitar Man Sessions FTD, the false Graceland foreclosure, and Justin's recent Elvis finds - which includes a copy of our main topic album! For Song of the Week, Bec hangs around just to commentate on our picks, with Gurdip selecting the title track of 1967's "Double Trouble" which leads to reading songwriter Mort Shuman's hilarious recollection (or lack thereof) about the song in Ken Sharp's "Writing for the King, before closing out with Justin's Song of the Week, the short" opening title version of "Kissin' Cousins" often referred to as "No. 2." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

It's not everyday that new Elvis audio from the 1950s surfaces, but this past week that very thing did happen, as European label Memphis Recording Service released newly discovered audio from Elvis's November 22, 1956, concert in Toledo, Ohio, recorded originally by local radio DJ Ron Ross. Subsequently, the original mono audio was also uploaded to YouTube by another fan who had sourced the audio himself as well. Gurdip and Justin break down the content itself, and contrast the YouTube upload and the MRS audio, the latter of which is a flawed restoration that clearly prioritizes general listening experience over historical accuracy. Some will appreciate it, others may take issue. But aside from the minor quibbles there - what new insights does the audio tell us? That's what we aim to find out. The fan upload of the audio is available here, presumably worldwide: https://www.youtube.com/watch?v=Mm6HJKJCGmo Memphis Recording Service's restoration is available in numerous other regions around the world also on YouTube, though it is region-locked, American listeners will have to import the audio, but others including Canada, Australia and European countries as well as elsewhere should be able to hear the tracks at this link: https://www.youtube.com/playlist?list=OLAK5uy_kgzE2ikYXBylwLjyysg2NfIq5h4lg4vvU Alan Hanson's write-up on the Toledo concert is highly recommended, since we didn't have a chance to do our own deep-dive during the short time between the announcement/release and us recording this mini-sode, and as usual, Alan's work is impeccably researched, written and insightful: http://www.elvis-history-blog.com/elvis-toledo-56.html

Gurdip and Justin put their heads together for an interesting and provocative thought experiment: what Elvis songs would they pick if they had to remove 5 songs from each decade of his career? Would they just pick our least favorites - or consider the historical, social and cultural ramifications of each decision? Plus, are some periods of Elvis' career easier to prune than others?  And then in the second part of the episode, Justin's joined by Olivia as they look at streaming data from a popular digital music platform to examine what the least listened-to Elvis songs (of ones originally released during his lifetime) are in modern times - the ones that at least one contingent of Elvis fans themselves seem to have inadvertently given away that they'd prefer not going out of their way to listen to. For Song of the Week, Justin knocks out "This is Living" from the soundtrack of Elvis's 1962 boxing-musical-drama Kid Galahad, while Olivia similarly picks an early 60s movie song, the sweetly-sung lullaby "Big Boots" from 1960's G.I. Blues.  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Gurdip returns this week for a lively discussion about the soundtrack to Elvis' 1968 film "Speedway," which co-starred Nancy Sinatra, who features on two tracks, making her one of the few artists to ever appear on an album with Elvis during his lifetime. The guys dig a bit into the recording sessions (which, minus Sinatra's contributions, were primarily done at MGM's soundstage instead of at RCA Studio B as usual) and how this move affected the production quality of the album, the poor choice of promotional single material, unfortunate timing of the film & soundtrack's release, and ponder how Elvis' final soundtrack LP for a fictional film managed to, like the first movie album from 11 years earlier, end up with nearly half the songs featured not even appearing in the film itself.  The guys also catch up on a bunch of listener emails, and then for Song of the Week, Gurdip selects Elvis' unique 1957 interpretation of the spiritual "I Believe," while Justin goes much lighter, picking "Poor Boy," recorded for and featured in his first feature, Love Me Tender. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Justin is joined on this episode by longtime guest and inquisitive mind Olivia Murphy-Rogers, who Gurdip, Ryan, Bec & Justin are pleased to announce is joining the TCBCast crew!! Justin and Olivia explore the concept of the "fool" in Elvis' music - song titles, lyrics, and at critical moments in his life from his childhood in Tupelo to his final television special. Justin continues the theme with his Song of the Week, Elvis' 1971 version of "Fools Rush In (Where Angels Fear to Tread)" and they look at the history of both the song (which dates back to the 1940s) but also the phrase itself. Olivia's Song of the Week, by contrast, is the final "studio" recording Elvis laid down in the Jungle Room in 1976, a cover of Jim Reeves' crossover hit "He'll Have to Go." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.  (Note from Justin: We're already aware we somehow missed "Love Me, Love the Life I Lead"! Sorry!")

Gurdip's on vacation and between day jobs and personal emergencies, timing isn't lining up just yet Part 2 of the Nashville sessions, so Bec and Justin got together for a quick spur of the moment episode and managed to rope in John Michael Heath of EAP Society for a loose Elvis discussion among the three. The team discusses John & his father's Elvis artifacts in their collection, favorite Elvis movies, the 1969 American Sound Sessions and the 1970 Nashville Marathon both come up, as well as John's recent acquisition of Memphis photographer William Speer's non-Elvis collection of decades worth of photos. For Song of the Week, John revisits a 1969 track previously featured as SotW (early in our run by Gurdip's nephew Roman) to give his heartfelt interpretation of Elvis' reading of Johnny Christopher's "Mama Liked The Roses." Justin's Song of the Week similarly focuses on a surprising, unexpected alternate interpretation of the December 1973 Stax recording "Your Love's Been A Long Time Coming" direct from the mouth of its writer, Rory Bourke, as well as a mini-SOTW side discussion on a January 1974 Las Vegas one-liner Elvis sang of the Rory Bourke co-write, Charlie Rich's "The Most Beautiful Girl." If you'd like to hear more from John and Jamie Kelley, please visit youtube.com/EAPSociety or EAPSociety.com for details on their upcoming "Spring Festival" event in Iowa. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Oh yeah, we went there. Gurdip & Justin sit down with the 1978 compilation album, intended for children but so often cited by Elvis fans who were around at the time as one of the worst and most misguided projects Colonel Tom Parker ever spearheaded... but is it, really?! Closer examination may be necessary! (Note: the guys ponder why the presence of an elephant in the artwork; Bec reached out after the fact and reminded us that Colonel Parker's favorite animal was, in fact, the elephant!) Also discussed is the newly surfaced Forth Worth, TX footage of Elvis from early 1958 (available here through the University of North Texas: https://digital.library.unt.edu/ark:/67531/metadc2049375/m1/?fbclid=IwAR1d8oliLIWVkU29QBzgdovqXuai1MqaWMZClyo3eYU3hHMPQjYTj8typek) and the upcoming release of numerous demos from songwriter Randy Starr on the Bear Family Records label "Randy Starr - Presley Style" as well as a rarely-seen or discussed November 1957 article about Elvis from TAN magazine that was dug up by friend of the show John Michael Heath. For Song of the Week, Gurdip knocks out another classic 50s track with the early country ballad "I'm Counting On You" that featured on Elvis' debut LP, while Justin sifts through the web of interconnected gospel songs that connect to "You Better Run," which Elvis was recorded and filmed singing during the rehearsals for "Elvis On Tour" in 1972 and also performed in concert at least a couple more times later in the 1970s. Source for the TAN magazine scan: https://archive.org/details/sim_tan_1957-11_8_1/page/30/mode/2up?view=theater

Valentine's Day's coming up soon, so Justin and Bec decided to round up their favorite Elvis songs about love and relationships, and Bec even wrangled Gurdip and Ryan's lists from them as well. It's a total gush-fest over some of the most expressive and memorable romantic recordings Elvis ever made. For Song of the Week, Bec stays on theme, picking the more downbeat "Something Blue" from the album "Pot Luck" while Justin spotlights "Tell Me Why," one of Elvis' more underrated and obscure 1957 recordings, left unreleased until surfacing on a single in the mid-1960s. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

The TCBCast gang is off for one week, but we've got something special from the archives: one of our earliest previously Patreon-exclusive unofficial commentaries, for the 1992 heavily-Elvis-inspired rom-com "Honeymoon in Vegas" starring Nicolas Cage, Sarah Jessica Parker and James Caan, written & directed by Andrew Bergman (Blazing Saddles, The Freshman) with a soundtrack jam-packed with covers of Elvis songs and the movie itself containing numerous original Elvis recordings as well. Gurdip and Justin sat down with the film back in early 2021 for the first time in years to see if it held up. "Honeymoon in Vegas" is, as of this upload in 2024, available to buy digitally on a handful of platforms including Apple & Amazon - or you can do like we hosts did and cue up our old DVDs (or even VHS!) to watch along - or just enjoy the listen! And let us know if you watched it when it first came out. whether you've seen it recently, or if you're a fan of the Elvis-inspired soundtrack, as always you can email us at tcbcast@gmail.com If you enjoyed this, please consider supporting us with a donation at Patreon.com/TCBCast! Patrons get exclusive access to an archive of three years of bonus content just like this, with more commentaries, bonus movie and album reviews, early access to new episodes and more! If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Gurdip & Justin ring in 2024 by looking at one of the earliest posthumous albums from 1978, "A Canadian Tribute," created to celebrate Elvis' 1957 tour of Canada and the songs Elvis recorded that have Canadian connections. Gurdip, as our resident Canadian, had this one in his youth so the guys decided to see if it holds up as well as it did back in the day.  The guys also discuss the announcement of Lisa Marie's new book, coming this October completed by Riley Keough, additional information on the Elvis Evolution experience scheduled to premiere this November, and the announcement that EPE has acquired what is claimed to be the original 1954 acetate of "That's All Right" played on the air by Dewey Phillips, the authenticity of which has been called into question in numerous fan groups and most prominently by our friends at EAP Society (please check out their video here: https://www.youtube.com/watch?v=KDKGo5lpx40) Gurdip grills Justin on a different type of Elvis trivia, and for Song of the Week, he takes on "Are You Sincere" from the 1973 "Raised on Rock" album, while Justin ponders "What Now, What Next, Where To?" - a solid 1963 cut that undeservedly languished as a bonus track on the soundtrack for "Double Trouble." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Marking Elvis Presley's 89th birthday (and 6 years and 300 episodes of TCBCast), Justin, Gurdip, Ryan and Bec gather to give their thoughts on writer-director Sofia Coppola's adaptation of Priscilla Presley's autobiography. The gang dig in and ponder whether it's any better or offers anything more than the other previous depictions of the Elvis & Priscilla story: e.g. the 1988 TV adaptation, the 2005 CBS miniseries, the handful of scenes in Baz Luhrmann's "Elvis"... but ultimately pitting it against its source: Priscilla & Sandra Harmon's original 1985 bestselling book "Elvis & Me." As we expect most of our listeners will already be familiar with the story of "Elvis & Me," the discussion is more broad, generally covering the main beats. While there is minor discussion on Elvis news at the start, since this particular topic was always going to bit a bit chunkier, the first Songs of the Week of 2024 will arrive on TCBCast 301.  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Happy New Year!! Justin is out sick so episode 300 is delayed! So what is this? Well if you add up all the various bonus episodes along the way we've well blown past 300 long ago anyway so the number's arbitrary, so give us this weird one! Gurdip is joined by John Michael Heath from EAP Society to briefly discuss news and the recent "Elvis: Now In Person 1972" FTD 4-CD set and book by David English and Pal Granlund, as well as to bond over gospel and doo-wop. Plus - a round of Elvis Trivia returning this week as John is in the hotseat! There's no Song of the Week this week - just a fun, lightweight discussion. The gang will be back next week for the proper 300! Want to hear more from John and Jamie Kelley? Visit youtube.com/EAPSociety If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Like socks. underwear and an ugly sweater from a relative you never see, you didn't ask for it but you're getting it anyway.  The biggest gathering of guests on a single episode of TCBCast ever convene for the strangest of holiday events: Clambake. We know exactly what you're thinking, but it turns out there's SO MUCH MORE we didn't talk about last year, there's less overlap than you might expect in terms of things to learn about 1967's "Clambake." We even managed to squeeze a Song of the Week in mid-show for "A House That Has Everything," digging into its roots as Mexican melody "Te Quiero Dijiste" and its other English adaptation "Magic is the Moonlight." And you know, even these end-of-year holidays aren't often so much about the holiday itself - it's the coming together with the people you care about. Speaking of which, here's who all makes an appearance: Gurdip, Justin, and Bec  Rabia and Felix from Suddenly: A Frank Sinatra Podcast John Michael Heath from EAP Society David "Ghosty" Wills from We Say Yeah: A Cliff Richard Fan Podcast  And special guests Olivia Murphy-Rogers, Darin Evans and Garrett Cash. The entire listening audience gets to vote whether this tradition continues next year, email "Clambake Yes" or "Clambake No" to clambake2024@gmail.com. Chapters:  0:00: Preshow 8:23: Official Introductions & Clambake Memories 31:44: Will Hutchins Memories w/Ghosty Wills 51:00: "Who Needs Clambake?" 1:01:17: Gildersleeve and Good 1:23:28: Shelley Fabares Discussion 1:31:18: Song of the Week: A House That Has Everything 1:50:24: Confidence, Agent Elvis and Italian James Bond 2:09:50: Clambake's Story Is Broken... But Didn't Have to Be! 2:23:25: Shortnin' Bread... and Bikinis, Too! 2:49:17: Post 'Bake Clarity 2:58:13: Clambake Down Under, GOOP and Daddy Issues 3:06:12: Soundtrack, Bonus Songs & Metacommentary 3:38:44: In Praise of Jeff Alexander 3:47:12: Arthur H. Nadel & The Lost OTHER Agent Elvis 3:58:25: Closing Thoughts & A Very Merry Clambake To All

Gurdip & Justin react to recent Elvis news, including Elvis' current charting holiday hits, the release of streaming data for "Agent Elvis" on Netflix for the first half of 2023, and Baz Luhrmann's statements that he intends to eventually, "one day" create an episodic version of his "Elvis" film. They guys also reflect on both the year 2023 for TCBCast, and the last six years of the show.  For Song of the Week, Gurdip selects "Long Legged Girl (With the Short Dress On)" from 1967's "Double Trouble." For Justin, the question is: how do you handle discussing "Silver Bells," one of the most famous Christmas songs of all time that everyone's heard? You try to ignore all the noise, talk about the movie it was written for, one which quite never became a perennial holiday favorite, and the songwriters' hilarious original title. We'll have one more episode of TCBCast dropping later this week - before Christmas - and it's a doozy. Stay tuned! If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

This week, Gurdip and Justin finally do an episode they've been threatening to do for some time now, exploring the work of Italian DJ Agostino Carollo, aka "Spankox," who in the late 00s began remixing Elvis songs that had fallen into the European public domain and ended up getting the endorsement of EPE/Graceland for his first two albums, making them technically official releases... an endorsement subsequently lost for the third, holiday-themed project.  The guys cover those first three albums, and also touch upon an obscure 2003 Elvis-inspired movie project, "DJ Hound Dog," that Spankox worked on and produced before turning in his "Baby Let's Play House" remix, as well as what else he's been remixing in recent years since he has mostly stopped producing new Elvis mixes. Even people who don't like remixes might find this episode interesting and funny - and if you really don't like these remixes specifically, you may feel a little schadenfreude by the time we get to "Christmas Remixes." In the news segment, the guys also briefly discuss the announcement of "Priscilla" coming to digital platforms (FYI this episode was recorded prior to the announcement of Cailee Spaenee being nominated for a Golden Globe), "Elvis' Golden Records" rising up into the Top 50 country albums chart earlier this month, and Justin give my initial impressions of the new book "Elvis and The Colonel: An Insider's Look at the Most Legendary Partnership in Show Business" by Greg McDonald and Marshall Terrill.  For Song of the Week, Gurdip picks the home recording "Sweet Leilani," most famously done by Bing Crosby, and Justin decided to go with the holiday season theme and highlight the lesser-appreciated "It Won't Seem Like Christmas Without You" from the 1971 "Elvis Sings the Wonderful World of Christmas" album.  If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Gurdip is out unexpectedly so special guest Darin Evans joins Justin once again, this time for a loose, lighthearted (and unexpectedly beefy) ranking of all of the Elvis movie title songs, from Love Me Tender to Change of Habit; weighing the songs themselves, how they're used in their respective movies, and how well they represent the films they're from.  The team also react to listener feedback regarding the recent Elvis and Country Music miniseries as well as recent news including the Christmas at Graceland lineup (airing November 29!!) and Dolly Parton's new Elvis-themed duet with Ronnie McDowell, and Darin gives his thoughts after having seen "Priscilla" - FYI, Justin has also finally seen "Priscilla" and his initial impressions bonus episode with John Michael Heath of EAP Society is up over at the TCBCast Patreon. For Song of the Week, due to Darin jumping in at the last minute since Gurdip had an unexpected emergency at the day job, Justin's the only one with a song of the week, but brings the funky "Find Out What's Happening" from Elvis' 1973 Stax sessions. Timestamps 0:00 - News & Listener Feedback 31:30 - Main Topic 2:01:20 - SOTW: Find Out What's Happening If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Gurdip and Justin dig into the September 1967 and January 1968 sessions that brought country singer-songwriter Jerry Reed into Elvis' circle for a brief moment, until business interests got in the way. Through spread out across various singles, soundtracks as bonus tracks, and budget compilations, these sessions collectively show Elvis already embracing material that returns him to his blues and country roots, leading him to his comeback. Justin also provides some context on Jerry Reed's early career before his breakout hit "Guitar Man," famously covered by Elvis during these sessions.  For Song of the Week, Justin takes the opportunity of covering these sessions to talk about "The Prisoner's Song," a deeply important pivotal 1924 recording in more ways than one, which Elvis, Jerry and the band attempted to comedically subvert during these sessions, only for their jam to have been partly recorded by Felton Jarvis, surfacing decades later on bootlegs re-titled as "Wings of an Angel", revealing in hindsight a disappointing moment of casual carelessness on Elvis' behalf. Gurdip, on the other hand, spotlights the fantastic #1 1958 hit "Hard Headed Woman" from the King Creole soundtrack... a hit that barely features in the movie it's from! If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Gurdip & Justin react to the virtual holiday duets with Pentatonix and Kane Brown released within the last week or so, briefly discuss the leaks of emails sent from Lisa Marie to Sofia Coppola, and dig into Songs of the Week. Gurdip selects the bubbly "It's A Wonderful World" from 1964's "Roustabout" while Justin goes deep on the obscure 1960 Elvis home recording "When the Swallows Come Back to Capistrano" - not just songwriter Leon Rene and the famous hit version by the Ink Spots, but also the actual event of the Return of the Swallows observed each year at the Mission San Juan de Capistrano.  If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

FYI - not "new" - we had some sort of technical hiccup we only just noticed that seemed to have unpublished the except on YouTube and Patreon, just making sure it's reposted! Gurdip, Justin, Ryan and Bec are back together for the first time since January; the gang is reacting not only to the exciting news from Baz Luhrmann confirming via Instagram that he is in fact still working on a project involving officially unreleased TTWII & EOT footage, but also to the new trailer for Sofia Coppola's "Priscilla," starring Cailee Spaeny, which gave us a better glimpse (and sound) of Jacob Elordi's Elvis, along with more rapidfire scenes to break down. It's not as extensive or thrilling as the Luhrmann trailer breakdowns from last summer, but it was a ton of fun to get together once again to do it! Enjoy!

Gurdip and Bec join forces to gush over Bec's very first Elvis album, Elvis' Golden Records, Volume 2, aka 50 Million Elvis Fans Can't Be Wrong. Encapsulating singles released between 1957-1959, this iconic album captures the Elvis of the 50s at perhaps his very best, accompanied on many tracks by more members of the Nashville A-Team. For Song of the Week, Justin tags in for a brief discussion on the obscure song "The Titles Tell," recorded originally by Elvis' Memphis friend Barbara Pittman while under contract with Sam Phillips, but never released at the time and never done by any other artist - yet we have a home recording of Elvis singing a very credible version of it in Germany! Gurdip, interestingly enough, goes for another Germany home recording, picking "Oh Lonesome Me," the Don Gibson hit, of which Elvis' home version only first surfaced in 2018. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Gurdip is back! The guys discuss the latest FTD releases, early reviews of "Priscilla" and listener feedback before Justin is joined for a brief Elvis chat by young Elvis fan Mal, of TCB Discussions (instagram.com/tcbdiscussions), who has been posting and blogging about Elvis, his career, his life and his influences. It's a very loose talk, but Justin picks her brain on how she became an Elvis fan during the height of pandemic lockdowns, and her journey as a fan these past couple years. You can visit Mal's blog as well over at https://tcbdiscussions.wixsite.com/tcbdiscussions Gurdip re-joins for Song of the Week and he settles in with the Mexican-flavored crooner ballad "You Can't Say No In Acapulco" from 1963's Fun in Acapulco, while Justin finally close a 5-and-a-half-year-long gap, finally tackling the song he'd originally intended to feature way back on Episode 5... and digs into Elvis's 1968 collaboration with Jerry Reed on Chuck Berry's 1956 hit "Too Much Monkey Business," the lyrical changes Elvis made from the original, and of course, the 1980 overdubbed "Guitar Man" version. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

This week, enjoy a sampler from the TCBCast Patreon bonus episode archives as Gurdip and Justin revisit the 7th episode of the 2016 HBO program "Vinyl," a show centered around a struggling fictional record label in the 1970s trying to scoop up real life popular artists. In the episode "The King and I," the series protagonists visit Vegas in an attempt to sign Elvis (played by ETA Shawn Klush) to leave RCA and Colonel Parker, and get him back to his rock roots.  Also featured post-discussion are two "Songs of the Month" from the July 2022 episode of TCBCast Now, both songs from Elvis peers as Gurdip spotlights Englebert Humperdinck's 1968 hit "A Man Without Love" and Justin rides into the town of Agua Fria to celebrate Marty Robbins' "Big Iron." TCBCast 279 and the first two volumes of the upcoming Elvis and Country Music miniseries are available now in early access on our Patreon. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Dreams of Consciousness Podcast Episode 286 features an interview with Gurdip Singh Narang and Aditya Barve of Gutslit. Gutslit are the spearhead of a vibrant Indian death metal scene that's finally getting recognition from the wider metal world. The Mumbai-based band may have formed to emulate their favourite brutal death and grindcore bands, but those influences have become peers as Gutslit shares more concert halls and festival stages with them. I spoke with bassist Gurdip Singh Narang and vocalist Aditya Barve about how metal crosses language barriers, and why evolution is important for the band. We also discussed why it took almost half a decade for the band to release their third album Carnal, and how guitarist Prateek Rajagopal's role as producer/engineer has led to a career in Hollywood. My thanks again to Gurdip and Aditya for speaking with me, and to you for listening. Music In This Episode: "Brazen Bull" taken from the album Amputheatre "Bind Torture Kill" (feat. Julien Truchan of Benighted) "Body Snatcher" "Altar of Putridity" taken from the album Carnal Thanks for listening! Interviews, reviews, and more at www.dreamsofconsciousness.com

This week, we're talking about the topic voted upon by our Patreon backers, loosely exploring how Elvis's time in the US Army affected his life & career, both in the short term and the long term.  For Song of the Week, from similarly poll-winning tracks, Gurdip & Justin tackle both ends of Elvis' career, with Justin handling the flip side of Elvis' very first demo acetate, "That's When Your Heartaches Begin," and the handful of times Elvis would revisit it throughout his career, while Gurdip reflects on the old country standard "Blue Eyes Crying in the Rain," which Elvis recorded in 1976, and is sadly the last known song to have been sung by Elvis before his death. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

Gurdip and Justin get together this week to dig into the 1965 compilation album "Elvis for Everyone" and ponder what reasons there might have been behind the scenes for this oddball collection of previously unreleased tracks put out to mark the 10th anniversary of Elvis's RCA contract.  Before that, though, the guys briefly discuss the trailers for "Priscilla" and the Paramount+ documentary "Reinventing Elvis" being produced by Steve Binder, and then get into a substantial discussion about the ramifications of breakthrough technology that's made potential AI-assisted songs featuring the voices of artists like Elvis much more viable on a user level - and the reaction EPE gave Rolling Stone when asked their thoughts on AI Elvis songs... and some exclusive news on that front that Justin has been holding onto and unable to discuss until now. For Song of the Week, Justin waltzes his way to "This is Our Dance," the Les Reed-Geoff Stephens ballad that was a loose re-imagining of their own Engelbert Humperdinck hit, "The Last Waltz" surfacing on the "Love Letters from Elvis" album in 1971. Then, Gurdip steps right up to "The Love Machine" from the 1967 film "Easy Come Easy Go." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast. Timestamps 0:00 - Start/News 14:45 - A.I. Discussion 42:30 - Main Topic "Elvis for Everyone" 1:19:30 - SotW: This is Our Dance 1:30:50 - SotW: The Love Machine

Justin joined this week by Elvis fan and host of "Stories We Could Tell: A Mavericks FANCast" Mark Potter, and together they dive into the deeply-felt influence of Elvis's music on Raul Malo, lead singer of the band The Mavericks, famously known as the Grammy-award winning country music band that had their most mainstream success in the 1990s. Gurdip and Justin have discussed and praised Raul and The Mavericks a number of times on TCBCast, particularly on our "Elvis covers" episodes. From Raul's unique insights on "It's Now or Never" and his longstanding love of "Aloha from Hawaii" to The Mavericks' opportunity to collaborate with Scotty Moore and DJ Fontana on the "All the King's Men" album and beyond, Mark and Justin hit on as much as we can! For Song of the Week, Mark selects "Alla En El Rancho Grande," which, although Elvis joked around with in the rehearsals for "That's The Way It Is," quickly reveals itself to have a vast amount of history and alternate versions dating all the way back to Mexican cinema of the 1930s. Then, Justin opts for Elvis's 1961 take on "Judy," originally from 1960 by writer Teddy Redell.  If you'd like to hear more of Mark's podcast episodes, which features fan interviews, former band members and deep-dives into The Mavericks' discography and other influences, you can check out "Stories We Could Tell" at https://mavericksfancast.podbean.com/ and on any other major podcast platforms, and follow along at facebook.com/StoriesWeCouldTell If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

The TCBCast gang is taking it relatively light this week; no main topic but Gurdip and Justin discuss the news about the newly announced Aloha from Hawaii 50th anniversary set from Sony, Gurdip takes a round of trivia, and Justin talks about his trip at the start of the month to visit Jamie Kelley, John Michael Heath and Ryan in Iowa. Then, for our Songs of the Week, Gurdip sings the praises of "Santa Lucia," which Elvis recorded for "Viva Las Vegas." Meanwhile, Justin spotlights some Elvis memories from Kenny Loggins and Jim Messina, whose 1972 smash throwback hit "Your Mama Don't Dance" is one Elvis would incorporate into "oldies" medleys through 1973-1974.  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.