Podcasts about box sets

En este episodio Rana Fonk y Manuel Etchart imaginan como podrían hacer buenos Box Sets de discos de los Red Hot Chili Peppers si tuvieran los derechos. Soñemos juntos :)

Listen below or click here for full show notes 36 Years Later, Star Trek’s Most Popular Series Is Referencing An Iconic TNG Episode EVERY Star Trek: SNW season 4 title revealed (including ‘Tomorrow’s Enterprise’) Subspace Chatter STAR TREK Takes Over SDCC With 60th Anniversary Celebration and STRANGE NEW WORLDS Season 4 Panel — GeekTyrant Star Trek Heading To Comic-Con 2026 With Hall H Panel For ‘Strange New Worlds' & 60th Anniversary – TrekMovie.com ‘Star Trek’ Sets Anniversary & ‘Strange New Worlds’ Comic-Con Panels STAR TREK Beams Down to SDCC 2026 with Panels, Activations, a STRANGE NEW WORLDS Screening, and More! – TrekCore.com “Star Trek” Celebrating 60th Anniversary at San Diego Comic-Con 2026 with Panels, Offsites, Fan Screening, More – San Diego Comic-Con Unofficial Blog Hallmark Announces 2026 Convention-Exclusive STAR TREK Ornament, Shuttlecraft Einstein, Available Online in October – TrekCore.com Star Trek fans react to SNW SDCC badges (and it’s not all good) Wizards Unexpectedly Reveals Four 3-Color Star Trek Commander Precons Star Trek: SNW season 4 SDCC screening will include ‘surprise giveaways’ Roddenberry Entertainment Reveals Three Star Trek SDCC 2026 Panels Star Trek Gets a AAA Game with a Darker Tone in Shadow Frontier  Ro Laren Returns In ‘Star Trek: Shadow Frontier' Horror Game Featuring Michelle Forbes – TrekMovie.com Paramount Wants Star Trek: Shadow Frontier to Be the Best Star Trek Video Game of All Time Star Trek Showrunners Confirm Doctor Who Crossover Talks – Here’s Why It Didn’t Happen  60 Years Later, Could The Two Oldest Sci-Fi Franchises Finally Cross Over? An Important Announcement : r/lowerdecksgame Star Trek Lower Decks Mobile Game Ending Service | GameGrin Star Trek Christopher Cantwell Enterprise Comic First Look  Star Trek’s funniest Vulcan will return to Strange New Worlds Beloved Star Trek film character will appear in SNW season 4! CLICK HERE to see our ratings for Star Trek episodes and movies we have discussed on the show. Ratings ata compiled and maintained by Listener Diane Here are links to 142 additional stories.broken out by series, movies and other categories. You can find it all over at The Topic is Trek .com in the show notes for episode 204. CLASSIC TV SERIES (in order of premiere) Star Trek: The Original Series (1966 – 1969) [3 seasons] A Star Trek: The Original Series Actor Had Their Role Reduced Thanks To Paramount  Nearly 60 Years Later, ‘Star Trek's Most Chilling Death Still Defines Sci-Fi Horror  Star Trek: TOS ‘The Corbomite Maneuver’ 60th anniversary (Redshirts retro review)  Star Trek: TOS ‘The Menagerie Part II’ 60th anniversary (Redshirts retro review)  Star Trek: TOS ‘Balance of Terror’ 60th anniversary (Redshirts retro review)  Star Trek: TOS ‘The Conscience of the King’ 60th anniversary (Redshirts retro review)  Star Trek: TOS ‘Shore Leave’ 60th anniversary (Redshirts retro review)  60 Years Ago, Star Trek’s Most Important Rule Changed Sci-Fi Forever  Star Trek: The Next Generation (1987 – 1994) [7 seasons] The Quiet Dignity of Commander William T. Riker on ‘Star Trek: The Next Generation’  ‘Star Trek's Most Hated Episode Is Still the Sci-Fi Show's Biggest Mistake  The most underrated episodes of Star Trek: The Next Generation  Star Trek: The Next Generation Wasn’t Just 1987’s Best Sci-Fi Series, It Changed TV  Stephen Hawking Had One Request When He Visited Star Trek: The Next Generation’s Set  Star Trek: The Next Generation’s Scariest Episode Is A Body Horror Extravaganza  Star Trek icon looks ahead to TNG’s ‘remarkable’ 40th anniversary  A Star Trek: TNG Episode Convinced Audiences The Broadcast Was Glitching  The Most Emotional Star Trek Scene Was Written As A Joke Star Trek: Voyager (1995 – 2001) [7 seasons] Seven of Nine’s Greatest Star Trek: Voyager Line Hits 10x Harder 28 Years Later  Captain Janeway’s Single Greatest Star Trek Line Hits Harder Than Any Sci-Fi Quote Since  Star Trek: Voyager's Darkest Story Is Still 1 of Trek's Best, 30 Years Later  Star Trek's Biggest Actors Argued Whether Their Characters Were Secretly In Love  ‘Star Trek: Voyager’s Most Important Character Is Only In 6 Episodes  STREAMING SERIES AND MOVIES (in order of premiere) Star Trek: Picard (2020 – 2023) [3 seasons] Star Trek Officially Revived Its Best Villains After a 24-Year Wait  Star Trek: Strange New Worlds (2022 – present) [4th season yet to premier, 5th/final season filmed] Star Trek: Strange New Worlds Season 3 Quietly Broke Gene Roddenberry's Most Sacred Rule  The visual effects of ‘Star Trek: Starfleet Academy’ – befores & afters  60 Years Later, Star Trek Gives Scotty A Win That He Never Gets In The Original Series  Star Trek: Strange New Worlds Trailer Has Plenty Of Callbacks To Its 1960s Origins  Star Trek: SNW will ‘open up whole new doors’ in season 4  ‘Star Trek: Strange New Worlds’ Season 4 Teases Spock and Kirk Team Up  ‘Star Trek: Strange New Worlds’ Unveils Season 4 Trailer  STAR TREK: STRANGE NEW WORLDS Season 4 | Official Trailer (2026) 4K – YouTube  A Beloved Star Trek: Discovery Actor Announced A Return To The Franchise, Then Quickly Deleted  Special Star Trek: Strange New Worlds season 4 screening scheduled for summer  Star Trek EP discusses origin of La’an & Spock’s romance  Star Trek: Strange New Worlds Season 4 Premieres July 23, Prepares for Final Season  Star Trek Officially Fixed a 53-Year-Old Captain Pike Continuity Problem  Star Trek: Strange New Worlds is radically changing Captain Kirk for the better  Star Trek's New Kirk Ending Will Be The Most Controversial In Canon History  Star Trek: SNW season 4 is ‘intense, and we pull no punches’  ‘Strange New Worlds’ Season 4 Cast Might Break A Modern Star Trek TV Record  ‘Star Trek: Strange New Worlds' Cast Talks Season 4, Improvising On Set, and Checking All The Boxes – TrekMovie.com  Interview: Henry Alonso Myers and Akiva Goldsman Talk ‘Star Trek: Strange New Worlds’ – Awards Radar  Star Trek: Starfleet Academy [2026 – present] [season 2 will end series] Star Trek: Starfleet Academy DELETED SCENE | Exclusive – YouTube  Star Trek: Starfleet Academy actor blasts current Paramount ownership for abandoning the series | Popverse  Star Trek’s Robert Picardo Has Me In My Feelings With His Latest Comments About Starfleet Academy Season 2  Unannounced “Year One” series ‘Star Trek: Strange New Worlds' Star Addresses Possible Kirk and Spock Spin-Off [Exclusive]  Star Trek: Strange New World Fans Are Begging For A Specific Spinoff, And Now I’m Convinced After Watching…  Captain Kirk Spinoff Will Happen If Star Trek Actors “Get The Phone Call”  I’m Sorry, But Star Trek’s Captain Kirk Spinoff Wouldn’t Make Any Sense – ComicBook.com  60 Years Later, ‘Star Trek: Year One’ Could Work, But There’s A Big Catch  Star Trek’s New Captain Kirk Spinoff Talk Highlights a Harsh Reality for the Franchise – ComicBook.com  Star Trek Is Officially Done With Captain Kirk  unannounced “Star Trek: Legacy” series Star Trek: Picard: Frakes on What Riker Would Be Doing During Legacy  Jeri Ryan Should Have Been Leading Star Trek's Future These Past 3 Years  Star Trek II: The Wrath of Khan (1982) The Lost Version of ‘Star Trek II’ That Almost Replaced Khan  Film Quote of the Day: The ‘Star Trek’ Line That Changed How Sci-Fi Looked at Life and Death | No Film School  Wrath of Khan Director Nicholas Meyer Talks About How He Found His Way Into a Series He Didn’t Get at All – Reactor  ‘Star Trek II: The Wrath of Khan’ Remembered by Nicholas Meyer  Star Trek IV: The Voyage Home (1986) The Lost ‘Star Trek IV' Sequel That Fans Were Never Supposed to See: Beyond ‘The Voyage Home'  Star Trek IV returns to cinemas & new Voyage Home poster breakdown  Star Trek IV: The Voyage Home Gets 40th Anniversary Return With 1 Caveat  Star Trek V: The Final Frontier (1989) Captain Kirk’s Greatest Star Trek Line Perfectly Defines The Franchise’s Worst Movie  Star Trek VI: The Undiscovered Country (1989) 35 Years Ago, Kirk's Coldest Star Trek Line Sparked The Captain's Last Great Character Arc Star Trek: Generations (1994) A Big Star Trek Generations Plot Hole Only Exists Because Of A Cut Scene Star Trek: First Contact (1996) Disclosure Day and Star Trek: First Contact have one brilliant thing in common Star Trek: Nemesis (2002) Star Trek: Nemesis Has the Franchise’s Scariest Opening Scene  The Star Trek Nemesis Cast Blames The Director For The Movie’s Failure  “He Was A F—ing Editor”: Jonathan Frakes, Brent Spiner And Ron Perlman Skewer ‘Star Trek: Nemesis' Director – TrekMovie.com OTHER MEDIAStar Trek books, audio books Boldly Going Into Print: The Star Trek Adaptations of James Blish – Reactor  Star Trek Is Bringing Back Jake Sisko, And I Hope It Answers A Major Starfleet Academy Question  Star Trek DVDs Exclusive Star Trek: TOS 60th Anniversary Blu-ray is now available to preorder  STAR TREK: STARFLEET ACADEMY Available for Digital Purchase Today – TrekCore.com  Star Trek Marks 60 Years With a Definitive Original Series Box Set  Star Trek video games/board games Star Trek Online previews the Undiscovered event starring the new Deep Space Encounters | Massively Overpowered  Star Trek Online reveals next big content update, Undiscovered, starring Lisa Locicero and Robert Picardo | Massively Overpowered  Star Trek: Universes Beyond Officially Releases November 2026  Picard Officially Returns in New Star Trek Release Set For November 13  Collecting Magic: The Gathering® | Star Trek: A First Look  25 Years Later, Star Trek Just Revealed The Fate Of One Forgotten Character  16-year-old MMO Star Trek Online is moving forward by tinkering with the past, unearthing and remaking one of its oldest storylines—and you can play it right now | PC Gamer  Star Trek: Outposts Unknown – Official Announcement Trailer – IGN  ‘Star Trek: Fleet Command' Expands With ‘Starfleet Academy' – TrekMovie.com  ‘Star Trek Online: Undiscovered' Revives Miral Paris Story Arc, Now With The Doctor And A K'Vort-class Starship – TrekMovie.com  Star Trek Online – Official Undiscovered Season Launch Trailer – IGN  Star Trek toys/collectibles/other merchandise NEW Voyager MSD Okudagram Light Up Panel– Master Replicas  STAR TREK Merch Roundup — New EXO-6 Figures, Anniversary Blu-ray Box Sets, and LOWER DECKS FLUXX Card Game – TrekCore.com  Star Trek fans can still preorder Seven of Nine figure (but time is almost up)  Factory Entertainment Announces Three More STAR TREK Collectibles, Including Gold-Pressed Latinum Bars – TrekCore.com  Loungefly Introduces Two New STAR TREK Themed Bags – TrekCore.com  Star Trek Comics/graphic novels/magazines Star Trek: Red Shirts: Ghost of the 21st Century is Far More Than Just a Trek Tale (Early Review) – ComicBook.com  Star Trek Sequel Confirmed: Picard Fan-Favorite Returns as the Main Character  Stargazers: A Star Trek Story episode 2 (Redshirts review)  ‘Star Trek: Picard' Officially Continues Seven of Nine's Story in New Release  Star Trek Officially Changes Canon With a Surprising Twist That Rewrites Franchise History  ‘Star Trek: Legacy’ and Why Fans Still Want the ‘Picard’ Spinoff  Star Trek writer has ‘big plans’ for Enterprise-G (and is ‘amazed’ Paramount ‘is going to let’ him)  Stargazers: A Star Trek Story episode 4 (Redshirts review)  Ensign’s Log: Christopher Cantwell on IDW’s upcoming STAR TREK relaunch  Picard Officially Returns in New Star Trek Release Set For November 13  See Kirk Seize Command In ‘Star Trek: The Last Starship' #9 Preview – TrekMovie.com  Star Trek’s Goodbye To Captain Kirk Confirms The End Of An Era  Upcoming Star Trek Release is Finally Giving Us the Deep Space 9 Horror Paramount Couldn’t – ComicBook.com  After 47 Years, Star Trek Movies’ New Era Faces Its Greatest Test (& Already Failed It Once)  Star Trek’s Goodbye To Captain Kirk Confirms The End Of An Era  Worf Officially Returns to Deep Space 9 in New Star Trek Horror Series  NickALive!: Star Trek: Red Shirts — Ghost of the 21st Century Trailer | IDWPublishing  MISCELLANEOUS Paramount+ / Paramount Skydance Star Trek Reboot Going Back To Wrath of Khan, Next Generation Roots (Exclusive) – Cosmic Book News  Franchise-wide/Miscellaneous How to Get Into ‘Star Trek': A Full Franchise Introduction  Paramount's New Star Trek Strategy Will Go Down as 1 of Sci-Fi’s Most Historic Fumbles  Gene Roddenberry Redeemed Iconic Star Trek Villain Before Dying  It’s Officially the End of an Era for Star Trek  Star Trek’s 7 Worst Character Deaths of All Time – ComicBook.com  Paramount Dismantling Star Trek After a Historic Streaming Run Makes Even Less Sense Now  Star Trek: All 3 Main Spock Actors, Ranked  What No DOCTOR WHO and No STAR TREK Means For Sci-Fi – Nerdist  Star Trek: 10 Episodes That Wasted An Incredible Premise  How Star Trek: The Next Generation gave me hope for a future where I might actually belong | CBC Arts  Supplemental – Live From Trek Long Island: ‘Generations Of Star Trek Women' Panel With Five Guest Stars – TrekMovie.com  10 Star Trek predictions that came true in the real world  Watching the Star Trek universe in chronological and release order  Doctor Who: RTD Explains Why “Star Trek” Wasn’t the Universe For Him Space, “Star Trek,” and Social Justice – Mother Jones  12 Star Trek Episode Pairings Perfect for a Double Feature  What Happens To Star Trek’s Prisoners? Federation Penal Colonies Explained  The 10/10 Star Trek Masterpiece That Remains the Best Crossover Episode in Sci-Fi History  It's Officially the End of an Era for ‘Star Trek' Television  13 Star Trek Pitches Out There (And Where They’re At)  Paramount+ Is Dismantling Star Trek After a Historic 9-Year Streaming Run  Sky Mix Thursday: From Border Security to Star Trek – Your Watchlist  Star Trek Creator Gene Roddenberry Once Made A Rule Named After Isaac Asimov – AOL  Star Trek Beyond | 10 years on, where does the film franchise go next? | Film Stories  Star Tracks is out of this world  – The World Journal  Convention news/fandom Star Trek actors scheduled for Trekfest (which is held in a very special city)  Star Trek fans, Trek Fest is back in Riverside | News | kwwl.com  Actor Watch Star Trek Actor Reveals Concerns About Franchise’s Future Under Paramount With Shot At Donald Trump  Star Trek actor cast in secret Universal film on the heels of SFA’s cancellation  William Shatner Officially Reveals Whether He’d Return to Star Trek, 32 Years After Generations Killed Him Off – ComicBook.com  Star Trek’s William Shatner, 95, Remains Open to Playing Kirk Once Again  Star Trek actor shares hilarious ‘Treknado’ pitch ahead of Shark Week  Anson Mount Reveals His ‘Star Trek’ Plans After ‘Strange New Worlds’ Ends (Exclusive)  Family of ‘Star Trek’ star Nichelle Nichols speaks about lawsuit – YouTubePassings ‘Star Trek' Actress Antoinette Bower Dies at 93  GOODBYE, CHARLIE! Main Mission Star Trek: The Next Generation novel“Q-Strike”Written by Greg CoxPart 3 of the “Q Continuum” trilogyFirst published: September 1998 End Of Show It’s about time to refill the dilithium chamber and get on out of here.  Find Clinton at Comedy4Cast Find Chuck and Kreg at Technorama Podcast If you liked the show, please be sure to tell a friend about it. And subscribe, so you’ll never miss an episode. We’d love to hear from you. Follow us on BlueSky (@thetopicistrek), visit our Facebook page or call us at 816-TREKKER, that’s (816) 873-5537 Don’t put on the red shirt!

What's the difference between a bundle, a box set, an anthology, and a collection? How can being part of an anthology be creatively interesting and useful for marketing? With Jamie Ferguson In the intro, Amazon Kindle increases the 70% royalty share; audiobook marketing tips (Voices by InAudio); The Builder's Creed [Seth Godin]; Future Vision XPrize; Researching the dark side of travel [Anna Sayburn Lane]; Photos from Bruges @jfpennauthor; Bones of the Deep: A Thriller – J.F. Penn. Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes The difference between bundles, box sets, anthologies, and collections Why a multi-author project means lots of people promoting the same book, not just you How to find and pitch for anthology opportunities, and what editors look for in a contributor Contracts, rights, and royalty splits explained for short fiction Why Kickstarter and special print editions are changing the anthology game Inkwren, the publishing management tool Jamie built for backlists and anthologies You can find Jamie at JamieFerguson.com. Transcript of the interview ith Jamie Ferguson Jo: Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. Just for context too, one of my short stories, “The Dark Queen”, is in the Amazing Monster Tales: Into the Briny Deep anthology. So I'm excited to talk about this today. Welcome to the show, Jamie. Jamie: Thanks for having me, Jo. Jo: Lots to talk about. But first up— Tell us a bit more about you and how you got into writing and self-publishing. Jamie: Well, I wanted to be a writer since I was at least six, maybe before then. So it was just something I always wanted to do, but I always did it on the side. I had a year, many years ago, where I was really busy with work, and I just felt like I didn't write anything the entire year, and I thought, “I'm going to give it up.” Then the next year—that was 2011—I started seeing more about self-publishing, and that really invigorated me and made me feel like, “No, why am I giving up something I've wanted to do since before I went to school?” So I got back into a novel I had worked on years before. I went to a writing workshop with Dean Wesley Smith up in Oregon, back in the day, and then I had my energy back. I've been writing ever since. Still on the side, unfortunately, but someday. Jo: Hopefully! Tell us a bit more about what kind of genres you write. Because balancing your own books with also doing these anthologies and things is quite difficult. Jamie: Yes, it definitely is. I'd say I primarily write contemporary fantasy, but I'll write anything in any genre if I'm really excited about it. I also have a soft spot for Westerns. They take a little more time because I like to research all the facts, but those are really fun to write. Creating anthologies on your own is actually quite a bit of work. One of the things I also do is work with two other authors, DeAnna Knippling and Tami Veldura, and create more anthologies with them. That's really fun because then we can each take a different piece. There's also always somebody to talk to, as opposed to doing it on your own. Jo: Let's start with the terminology, because I definitely struggled with this, and I think people still do. We've got bundles, we've got box sets, we've got anthologies, we've got collections—and are these in ebook, audiobook, or print? Can you start by explaining what all of these words actually mean? Jamie: Yes. In my book I actually use the term “multi-author collection” or “multi-author project”, because there are so many different permutations and it does get confusing. From my perspective, I think of a bundle as a collection. It could be a collection of ebooks. Technically it could be a collection of print books, although people generally use “box set” for that—but then a box set can also be a box set that's all ebooks. An anthology, I usually use for something that's a collection of short stories where there's an editor who's actually edited all the stories. I have had stories in anthologies where somebody didn't edit them, and they would technically be called a curator. So it is definitely confusing. I have not done anything with audio collections, but that certainly is another area that I actually think is pretty interesting. Jo: I also think that a single author… so I've done a short story collection, but an anthology is multiple authors. Is that right? Jamie: Yes. Jo: I think when I came into the indie space, there were a lot more multi-author… we all called them box sets back in the day, when it was just ebooks, right? And now we can actually do boxed sets with boxes through things like BookVault. So it feels like the term “box set” has also gone out of fashion. So if people listening are thinking of doing any of this, you do have to figure out what is the thing you might be signing up for. So let's talk about the multi-author projects, as that's where you specialise. What are the benefits for an author to be involved in a multi-author anthology project? Jamie: The biggest benefit is that you are one of multiple people promoting the same project, whether it's print or ebook or whatever. If I put out a short story collection on my own, I'm the one promoting it, and maybe I can get a couple of other people to write about it, but it's really just me. If I'm part of an anthology with 15 other authors, that's 15 other people who are promoting the same project. That's more newsletters, more Facebook posts, maybe something on their Patreons, whatever it is. You get more synergy, and you get more touch points with potential readers. Then hopefully that translates into sales as well. So that's definitely the biggest part of it—the promotion. Then I also personally really enjoy these types of collections because it's just fun to work with other people. There's a nice energy when everybody's like, “Oh, I put this in my newsletter, and I put this here, and I put this here,” and you feel like you're part of something bigger than just your own piece. Jo: What about the creative benefits? Especially with short stories, often people will write them for a collection or for an anthology project. Jamie: Yes. I've definitely written some stories that I never would have thought I'd write, because somebody I knew asked if I would be interested in being in their collection—whether it's an ebook bundle or a print anthology. So at least for me, that's been really fun. One of the ones that stands out is that I was asked to be in a dinosaur collection once, and I was like, “I don't write dinosaur stories.” And then I did. I set a dinosaur story in London, and it was really fun to write, and I never would have come up with that in a million years. Jo: Let's say we've got 12 authors. They've all written short stories, and now it's in this anthology. But what is the market for these kinds of things? Have you found that there is a readership for short story anthologies that carries over to the author's longer work? Jamie: There is. I like to think of it as: if I have a story in a collection or an anthology—whether it's one I'm editing or somebody else is editing—that's one more place for people to find me. A lot of times anthologies will take reprints as well, like your story. “The Dark Queen”—that was a reprint. We asked if you'd be interested in participating in the Amazing Monster Tales series. And I actually really like printing stories again that have already been published, because there are a lot of stories out there that can be hard to find. Or if it's an older book. I have one author I've known for, like, 30 years. I reprinted one of her stories that was originally published in, I think, 1999, and the anthology it was in was out of print. You couldn't find it, and it was a fantastic story. So it's fun to be able to give new life to those stories and give them more opportunities, and also just have more ways for people to find you. Jo: Yes, I definitely think it's a long game. I don't think appearing in a short story anthology in one particular month is going to mean that your whole back collection just sells, right? Jamie: No, definitely not. It's more about avenues to be found. I know there have been some anthologies that have made quite a bit of money, but in general you're probably not going to make as much money, but you will have those extra places for people to find you. Jo: I always feel like yes, there is maybe a small amount of money, but it is more about almost a marketing thing in itself. So let's say an author is listening and they're like, “Do you know, this sounds like a great idea.” How can they pitch for things like this? How do they find out about opportunities, or get noticed to be asked? And what are the expectations for them? Jamie: The biggest thing is networking. There used to be a couple of opportunities where you could make people aware that you had stories that you were interested in potentially having picked up for something. I'm not aware of anything like that now. When I create a collection, I have a mailing list that I send out, and it includes authors I've published before. It includes a couple of extra people who somehow found my mailing list. And I'll publish, like, “Here's what I'm doing.” There are also authors I've met at writing workshops. I've been able to read some of their work, I'll approach them and say, “Hey, I really liked such and such a story. Would you be interested in writing for this?” Then there are a couple of other websites, like Duotrope, and places that advertise markets and calls for submissions. Jo: Yes, I've found them also on small presses that do these kinds of projects. They often put up one call for submission a month or something, and you can write for their particular thing. In general, the short story markets are the places to keep an eye on. Jamie: Yes, definitely. Jo: If an author wants to pitch to have their story as part of an anthology, do you want to know things like platform, or is it just the story itself? Jamie: I personally look at the author's platform. I do make exceptions—there are actually two authors I've worked with a couple of times who don't have websites. They are people I know personally and they are very, very good writers, so I'll make an exception for things like that. But otherwise, if somebody submitted a story to me and I didn't know that person, I would check out their website, I would check out their social media, I would see what else they had done. Part of what you're doing when you're creating a collection is thinking not just about how you, as the person organising this, will promote the collection, but how the authors who are participating will help promote it as well. If it's somebody who has a lot of fans, even if they're not very active on social media, that can help a lot too. There are a lot of different factors, though. Jo: So then talk us through the project timeline. How long do things take, and what sort of involvement do the authors have along the way? Because it's a lot to juggle. Jamie: Yes, it is a lot to juggle. I can give you an example with the Monster Tales series. We'll come up with an idea, and we also like to try to get the artwork done early on in the process. We don't need it that soon, but it's really great to have that taken care of. We'll contact authors. I think for this one we used my mailing list, but we've also contacted a number of people individually that we know who write the style of stories we like. Then, as the submissions come in, we usually wait until we have a nice chunk of them to start going through, and then we'll pick some right away. Sometimes it'll be like, “Oh my gosh, of course we want this story,” and we'll wait to fill out the other slots. Then we'll negotiate sometimes. Sometimes it's like, “I want this story.” “Well, I want this other story.” And we have to figure out how the word count works. Once we finalise the stories, then usually what happens with that anthology is that DeAnna—who is a very, very good editor—will make the first editing pass, and then I'll make the second. And now Tami's involved, so Tami will make the third, and then we'll iterate. Once all three of us have gone through the first time, then we'll send the story back to the author for edits. So the most the author has to do for most of the process is just wait for us to edit their story, and then work on their edits and get them back. Then, once we get closer to launch, we'll give them information about what we're going to do. For example, we're going to launch the next issue with a Kickstarter. So our authors know that we have a Kickstarter coming, and we'll give them more information as we get closer to the actual launch date. Jo: So how long might an author expect before their work is out there? Jamie: It really varies. I've had some collections published very quickly—let's say a couple of months. Some have taken longer just because somebody ends up having some life issue and things get delayed. So I'd say ideally it would be more like three to nine months. Jo: Yes, I think… depending on the— Jamie: —collection and the complexity. Jo: Yes, exactly. Jo: And you did mention word count there. Just give us a range of what word count you like to get. Jamie: So these days I'm shooting for between 75,000 and 80,000 for the total word count for a collection. That includes the stories, but it also includes the opening, the introduction. For one we're working on now, we're going to have some interstitials, where we have little bits of things we're going to write in between each story. So that's the overall size of the collection. I'll keep track of the word count as the stories come in, and then as we edit the stories, sometimes they grow, sometimes they shrink. Sometimes that's a big enough difference where we're like, “Okay, we need one more story to fill it in.” But that's the target. Jo: And how much for each individual story? Jamie: That varies. I've done a bunch of different things. These days, what I'm advertising is between 3,000 and 8,000 words. I also always tell people: if you're outside this range on either side, just check with me, and if it's something that's really an excellent fit for the book, I'll make an exception. The one that's coming out, I think we have a 1,500- or 2,000-word story that was just amazingly perfect for what we wanted. There was another story, actually I think it was the issue that you were in, that was at least 12,000 words, but it also was a perfect fit for the theme. So I will make exceptions, but within reason. I wouldn't put a novella inside an anthology, because then you'd have a 22,000-word story next to a 3,000-word story, and I personally feel like that's really jarring for the reader. You don't want to go from something super short to something super long. It just doesn't feel like it flows well to me. Jo: No, absolutely. Jo: We'll come back to the making of it because you mentioned some really interesting things there. But just on the contractual side—a lot of indie authors don't necessarily do any publishing contracts for their work, unless it's signing the terms and conditions when uploading on Amazon or Kobo. So tell us a bit about the contract side. What rights are we talking about here? Any red lines in contracts around this kind of thing? Jamie: For contracts, I would recommend people read Kristine Kathryn Rusch's posts on this. She is way more informed about this than I ever will be, so when I have questions, I'll look at her posts. I've asked her a couple of questions. What we're doing for the Amazing Monster Tales… this is the first time that I've actually had authors sign contracts. Prior to this, I've used PubShare, which handles royalty splits and all of that, and that was really great. We want to do direct sales and Kickstarters and have lots of other options. So we did put together a contract this time. I'd have to pull it up, but I think we asked for first worldwide rights in English—I'm getting the terminology wrong here—but that was basically it. Jo: Or, I guess, reprint rights if the story's already been licensed. Jamie: Correct. We have two contract templates, one for original stories and one for reprints. We made sure to make that distinction, because it is definitely a distinction. In the book by Kristine Kathryn Rusch—it's called Closing the Deal… on Your Terms—I highly recommend that for anybody interested in learning more about contracts. Jo: Yes, that's great. And just for people listening: when you said you didn't have contracts before, you just used PubShare. So in that way, the author still retained the rights and you just split the royalties—it was more of a co-writing thing. Jamie: Correct. When you publish stories through PubShare, the author signs an agreement with PubShare, and then I, as the editor or organiser, would also sign a separate agreement. So each of us has an agreement with PubShare. We don't have agreements with each other, if that makes sense. Jo: Yes, so it's very different to move into Kickstarter. So tell us about what you're now moving into. Jamie: Well, Kickstarters are a new world for me personally. I have many friends who have had Kickstarters. I've supported Kickstarters. I watch them. But it's something where I'm very happy to have two partners who have done Kickstarters before. I'm not sure how many Tami's done—I think Tami's done the most at this point. So this is all new to me. But it's very exciting. At this point we have a backlist, so part of the plan, for the Monster series, is to offer issues one through four as part of the rewards when we launch issue number five. That's really exciting, because I never had a backlist like that before. Jo: Yes, and in fact the money is in the backlist, as ever, and those add-ons or bundles as part of Kickstarter are great. So are you going to do special print editions, or is it digital only? Jamie: We are talking about special print editions. You mentioned BookVault earlier—we've been looking at BookVault. Our other anthology series that hasn't come out yet will also launch with a Kickstarter. It's dragon-themed, and Tami actually did the cover work, which is beautiful. BookVault just gives you so many options that we never had before, so I'm very excited about that. Jo: Yes, I think it's a really good idea. I did gorgeous hardbacks for my solo author collection, so I think it's a great idea. So from the publisher side, let's come back to that. You've mentioned you have to write things like an introduction and interstitials, and you're trying to balance the stories. What are some of the other things that people might think about if they want to organise their own anthologies? Jamie: Oh gosh, where to start? There's the basic setting up of the anthology, so you have to define the table of contents. You might get a bunch of stories that are really awesome, and you might have to tell somebody who has a wonderful story—and maybe even who's a good friend of yours—that you're going to pass on it because their story doesn't fit with all the other stories. Every time I have to do that, I feel kind of bad. But being on this side, it's really interesting to see how you can tell which stories fit together and which don't. There's also the editing process, which can be a lot of work. Part of what I like about working with Tami and DeAnna is that DeAnna really loves editing. I feel like I'm a good editor, and I can do it, but for me it's more of a job. For DeAnna, she loves it, so she does the bulk of the editing, which is great. When I do it on my own, I feel like it's a task I have to do. There's lots of cat-herding. Sometimes people take a while to get their edits back. Sometimes they have life events, and you have to delay things because you're waiting on them. There are all the little tiny pieces of organising things—like, if you're reprinting stories, you need to make sure you get the copyright attribution correct. A lot of times I'll have to go and look up where something was originally published. An author might say, “Oh, it was published in this year,” and I'm like, “Okay, actually it was published in this other year, by this other publication first.” So I'm trying to be organised there. henT one of the things that very infrequently—I think it's only happened to me twice—every once in a while, you're in the middle of editing a story and you have to pass on it, even though you've already accepted it, because the editorial vision and the author vision for the story are not the same, and you can't reconcile that. Jo: I think that's really interesting, because so much of what you're talking about there—you mentioned vision—it's almost taste. You're saying which stories fit. It's not just a case of, I don't know, a pirate anthology and then picking 10 stories about pirates, right? You seem to be thinking about this in a more artistic way. So can you talk a bit more about that? How do you decide on a theme, and then how do you know that a story doesn't fit? Jamie: In the beginning, I was not this selective. In the beginning I'd say, for example, “Hey, I'm putting out a collection about fairies. Give me a fairy story,” and that was it. As I've edited the stories, it's become easier to see how things fit. So, for example, if I have 10 stories in an anthology and I have an 11th story, and they have different tones—let's say the 11th story is really funny and all the other stories are very serious—then that would be a fit thing. That's not necessarily taste; it's just that you don't want one funny story if everything else is really dark and scary or serious. As far as picking a theme, the theme could be very broad. With this dragon anthology we're working on, we decided we wanted it to be called A Hoard of Books. So the theme was: has to have dragons, has to have books, and that's pretty much it. And then we were like, “Let's just see what we get.” We were very surprised at what we got. We thought we'd have more serious stories, and it turned out most of them were very light-hearted and really fun. And we're like, “You know what? That actually changes the way we're looking at the whole series,” because we did not expect that. With the monster series, we'll pick a theme. So, for example, the next issue is Monsters in Love, and for those it's more like, let's just see what happens. Sometimes I'll have a more specific theme. The next anthology I'm publishing on my own is called Fairy Bargains, and I wanted people to obviously have fairies, but I wanted there to be something related to the mythology and lore of having a bargain with a fairy—and there's a lot of stuff about that. So for some things like that, when I put out a call, I'll provide information. I might say, “Here's a link to a Wikipedia article. Here's some mythology that might be helpful for you,” just because I want things to stick a little bit more to the theme itself. Whereas with Monsters in Love, there's a very wide range of stories, and that was very fun to work through. Jo: Oh, yes. There's a lot of monster, on the spicy side as well. But were you doing a clean Monsters in Love, as opposed to in lust? Jamie: Yes, this is a clean one. That's pretty funny. But boy, when you give authors the room for these types of things, you get all kinds of stories, and it is super fun to work with those collections. Jo: As you're talking, I definitely want to do more short stories. It's really interesting, because you can actually generally get paid more for a first print—first print rights on a short story—but I often want to just publish it myself. Then I was really happy to be in yours, because it was a reprint anyway. So I was like, well, there's absolutely nothing to lose if it goes in as a reprint. So these things can be really interesting. Talking of the finance from your side of things: you have a small press and you're doing this publishing yourself, but you're paying all these authors and doing a lot of work. So how does it work as the publisher, in terms of these anthologies, financially? Jamie: With the ones we've published so far, because we've gone through PubShare, it's been a royalty split. As the editors, we would take a percentage, and then we pay for the artwork, and of course all of our time. I think what we were doing there was saying 70% of the royalties would be split equally between all of the authors and the stories. So, for example, if I had a story as well, I would get part of the author split—the same percentage as everybody else in the collection—in addition to the editor split. For what we're doing now, we've changed this a little bit, and I believe we said 60% goes to the authors, and then we're going to keep a share of the proceeds for the business because we want to be able to pay for the artwork out of the business account. We want to pay for advertising, whatever we need to do—like setting up our store, or if we wanted to invest in anything, we want to be able to do that as the business, as opposed to it just being us doing this on our own. We're just trying to treat it a little bit differently. Jo: And I know it's so much work—a crazy amount of work. How many anthologies and books do you have to do in a year to make it worthwhile financially? Jamie: Oh, I don't know. I would say, unless you get an opportunity—like, for example, to have an anthology in a story bundle or something like that—you may not break even. But if you're going to do this, do it more for the marketing, do it more because you enjoy it. Now, going forward, I think that will change, because we are looking at Kickstarters, we are looking at direct sales. We're very motivated to try to make this more of a business thing than a fun side project. So, ask me in a year. Jo: Yes, hopefully more. I do think Kickstarter is great for short stories. I actually buy quite a few collections on Kickstarter. I think they're actually really hard to discover through, say, Amazon—it's a place that is quite hard to identify short stories. Whereas I've found I've bought collections on Kickstarter because there's so much more of a sales page—there's so much more rich media that tells me how I'm going to feel about the stuff. I've bought short story anthologies and collections from people I don't know. So I think it's a really good thing to do. There is an audience there. Jamie: Yes, definitely. And it does feel like the anthologies on Amazon don't sell as well—you don't make as much as you used to. I've been doing this for, well, gosh, 10 years now, and I feel like the sales numbers on Amazon in the past year were noticeably lower than they would have been six or eight years ago. So I am very excited about Kickstarter. Plus, Kickstarter just feels really fun. You're not just throwing your book up; you also have all the extra stuff with the page, you have the rewards, and it just feels really exciting. Jo: No, I agree. I really love it. I didn't do it for a long time, and now I just love it. Jo: So, staying with the publisher side of things— Any practical formatting and production tips? Because in these types of projects, all kinds of people just send you different stuff. Jamie: I have a style guide. So whether it's me or it's the group project, once all the edits are complete, I'll do a formatting pass, and I'll make sure I use curly quotes and the same em dash format and everything, just so everything in the book is formatted the same way. Every once in a while there's an author who has something particular that they want, and I can work around that, and that's fine. I also work with a lot of Canadian authors, and I'll let them keep their Canadian spellings. I don't think everybody does that, but I feel like that's their voice in a way, so I don't correct those. I might check some things there. I think the formatting is important—it makes things look better if everything has the same style. Then I use Vellum, which makes things really easy. I love Vellum. Because I publish so many authors at this point, I have a Vellum file where I store their biographies and their links, so when I publish a new anthology I'll just go grab, say, Jo's “about the author” page from that collection and put it into the new file. Then I also track when the last time was that I checked with the author about their biography. If it's been more than a year, I'll check in with them and say, “Hey, do you have an updated biography you want me to use? Here are your links—do you have any different links now?” So that makes it a lot easier from the formatting standpoint. Jo: And you mentioned Vellum—having done box sets on Vellum, you can just drag a whole book in there if you want to do a three-book box set, or three short stories, whatever. It's much easier to just drag things in, and it makes it easier to format. So I would say to people: you don't need to worry too much about that. There are lots of things that can help you. But even with doing the print stuff for the Kickstarter—people have opinions, don't they? So in terms of authors' opinions and managing—you mentioned herding cats—how do you manage all of that side of things? Jamie: I haven't actually had a lot of trouble with that. The authors I've worked with seem to feel like they gave me their story, and then once the edits are out of the way… I haven't had anybody have any issues with the covers. Usually they love the covers, especially for the Monster series. So, no problems there. Jo: Oh, that's good. Well, I would say a tip would be to make sure you're communicating, if you're somebody who's organising. So talk a bit about communication. Jamie: Communication is very important. What I try to do is send regular updates, especially if I'm in the middle of edits or working on something and I'm not ready to launch. I'll send an update email out to the authors and just say, “Here's what's going on, here's what the plan is.” Or if the plan has to change, if the launch date has to change for some reason, I'll let the authors know about that. Actually, with the upcoming Monsters in Love issue, we were originally not going to do a Kickstarter. That was a late decision, so I contacted all the authors and said, “We've changed our plans. We're going to launch this with a Kickstarter. Please confirm that you're okay with this.” One author was not comfortable with the Kickstarter idea, so he pulled his story, and then we found a replacement story for that. But I just feel like the communication piece is really essential. It's really important for the authors to know what's going on. Jo: Yes, absolutely. So, we've talked about how marketing is a good thing, in terms of there being lots of people marketing. How are you effectively marketing these kinds of books, as the premise is quite different to a single author project? Jamie: Right. There's the usual—write a release post, write posts on social. I do additional things, so I'll publish what I call a story spotlight for each story in the anthology. That's just where I talk a little bit about the story, I provide an excerpt, and then I provide the author's bio and links to find them. Those are really great, because they're very quick to put together. The hardest part is getting a short excerpt that shows enough about the story to be engaging. But that really isn't that much time, either. Then those are also nicely evergreen. I've actually searched for authors before, when I'm trying to research them for an interview, and I've found my own spotlight posts and my own interview posts with authors come up at the top of the list, which is kind of funny. I also do interviews with as many of the authors in a collection as are willing to participate. Sometimes people just don't have the time—I don't make this required—but I usually get 80 to 90% of the authors participating. So, for example, this year I'm in a couple of bundles on StoryBundle, and I'm doing interviews for people there. It's also really fun, and you're not paying for advertising—you're just creating something that the authors are excited about and they want to share. So it promotes the collection, but it also promotes the author, which I find really nice. It's a nice networking thing too, and I'm happy if someone wants to interview me. It's like free publicity for each person, in addition to the collection. Jo: I love that you've used the word “fun” quite a lot, which I find amazing. You're obviously a super collaborative person. I've co-written a number of books— I've been part of some collections, and I really think that there are two personalities. One is like me, where we really love the creation stuff and the publishing stuff, but we're hyper-controlling. And then someone like you—you're very collaborative, and you're doing such a great job. To people listening, I would say: if you're more like me, don't organise an anthology. What you want is Jamie, or somebody who actually finds it fun to organise a big group of authors. Jamie: Yes. It is definitely interesting working with other partners in this, because when I publish an anthology on my own, I make all the decisions. I pick the artwork, I pick the theme, I do everything, I decide the table of contents. But when you're working with other people, you do need to negotiate. So we've had a couple of times where it's like, “I want this story.” “Well, I want this other story, I don't like the story that you want.” And so we have to barter, in a way. Aside from that, it is nice, because you get to split up the tasks. I could focus on things like the organising—I do the Vellum files, I do the final cover and everything. For the Kickstarters, actually, Tami's got more expertise, so Tami's going to be working on the Kickstarters for our collections together. If I had to do all this on my own, it's a ton of work. It's a ton of work. So it is nice to split it up. Jo: And of course, one of the things is managing so many moving parts—and you've actually built a tool to manage all this. So tell us a bit about that tool, and how it might be useful for people with big backlists as well as anthologies. Jamie: I built what I think of as a publishing management application. The original idea is that, for years and years, I wanted a software tool that would do catalogue management, because I was managing my own catalogue, and I was also managing—at this point I've published at least 20 anthologies, so that's a lot of authors. Then last summer, I had an author who I'd published a number of times, who was going to, I think, WorldCon, and she asked if I could give her covers for five anthologies she'd been in, so that she could make some promotional material. I was like, “Oh, sure, I can do that.” And then I was like, “Well, wait a second—is this in Notion?”—because I started trying to use Notion last year—”or is it in a spreadsheet?” It turned out her information was in, like, three different places, and I had to work to pull it together. And then I was like, “You know what? That's it. I'm just going to finally write this application.” So Inkwren manages your stories. As an author, I can manage my stories—I can track which are published, which are drafts, which are just ideas. I can track my publications. From the publisher standpoint, it's really helpful, because I can track each anthology I've published and what I'm working on. I can track the edits, I can track the contracts. I can upload contract templates—so we talked earlier about the original and reprint contract templates that I use. I upload those, and they have placeholders in them. When I generate the actual contract, the author's name will replace the placeholder—I'll have the text “author name” in the contract template, and it'll get replaced by, like, “Joanna Penn” or whatever. So that saves a lot of time. Then I also added in task tracking, because I started to feel like, well, now all my stuff is in one place, but my tasks are somewhere else. So now I can associate tasks with a publication. For example, for the book I'm working on right now, I know which tasks I need to do for the cover, and which for the interior, and everything. I have a template of tasks. Then I can also track tasks related to promotions. For example, the story bundle I'm promoting right now, I have a task for each interview I'm doing with the authors, and I have a calendar view. I can see when I'm going to publish them and know that they're all spread out. It saves me so much time, and it's so much easier. Jo: I do think building tools when you actually need the tool yourself is very useful. Just say the name again, and spell it out for people. Jamie: It's Inkwren. My own personal publishing company is Blackbird Publishing, and I wanted something related to birds and writing. So I came up with Inkwren, which is I-N-K-W-R-E-N, and it's just inkwren.com. Jo: And it is available for other people to potentially buy and use? Jamie: Yes, it is. Jo: Well, I think that's super useful, because it's very hard when people are starting out and they think, “Oh, I've only got one book—why would I need any kind of tool to manage it?” But over the years, your backlist grows, especially with short stories. So I love that you've built this, and there's probably more that you can add over time as you expand the business yourself. So much potential. So we are at the end. Where can people find you and your books and everything you do online? Jamie: My author website is JamieFerguson.com. And then, obviously, I mentioned Inkwren earlier. My publishing company is BlackbirdPublishing.com. And then the projects I'm doing with Tami and DeAnna—we have a couple of websites, but the easiest way to find us is our press, which is BorogrovePress.com. Jo: Fantastic. Well, thanks so much for your time, Jamie. That was great. Jamie: Thanks, Joanna.The post Bundles, Box Sets and Anthologies With Jamie Ferguson first appeared on The Creative Penn.

On this episode, JD is joined by Ryan McQuade to discuss our Top 5 Criterion box sets that we would like to see! Plus, we have State of the Union conversation on the superhero genre and where it might be headed in the near future.  - Opening (0:30) - Superhero State of the Union (15:59) - Top 5 Criterion Box Sets (1:12:59) Visit insessionfilm.dashery.com to support the show with InSession Film merch! Episode sponsor: koffeekult.com - Get 15% OFF with the code: ISF26 Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content! Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

3BG's first successful podcast was about the Saiyan Saga of Dragonball Z. That was 15 years ago! We covered all of Dragon Ball, GT , The Z series and its movies. Before we head to Dragonball Super, let's have a fun convo about our favorite anime of all time. We talk about Box Sets, the video games, Oldtaku memories, Sailor Moon v DBZ, Vic Migtouchayounggirlinahotelroom, Live Action, our favorite petty/funny moments and how DBZ kicked opened the door for anime in America.

In this episode, Brian talks about some Imprint films Boxsets.   This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

Kicking off the fifth season of Imprint Cast, join Tony Michas and John Mathews along with Imprint Cast Family Members Paul Berriman and Jim Mulvihill and special guest, Imprint Films Blu-ray Collections Fan Group member Tim Leggoe discuss their opinions of the Best of Imprint Films for 2025.The categories discussed are the Top 3 Cover Art, Top 3 Special Features, Top 3 Box Sets, Best Imprint Television Release, Best Imprint Asia Release, Best Bespoke Collector's Set, Honorable Mentions and the Top 3 Imprint Releases of the year.

Corey Feldman Vs Marcie Hume: The battles rages on as Corey continues to deny his involvement in the recently released documentary. Marcie drops some heat with footage of Corey Feldman happily going along with the documentary.Professor of Rock and Justin Hawkins: They sit down to discuss their run-ins with Corey Feldman and their very wrong opinion that Corey Feldman is somehow in on the goof.Get On The Bus: This channel features a Corey Feldman interview where he of course tries to retcon all the classic stories like "Go 4 It" being stolen and his Billboard lies.COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, ANTI-COREY POD!, REAL ONES!, FILTH PIGS!, FIRST SHOW OF THE NEW YEAR!, 20-20-DIX!, PIG!, SNATCH!, NEW YEAR!, ROAD TO 50K!, A WHOLE NEW GREER!, JUDY GREER!, HAIL THE QUEEN!, I DON'T KNOW WHAT I'M SAYING!, WORSHIP!, MISSJUDYGREER!, COREY FELDMAN VS THE WORLD!, MARCIE HUME RESPONDS!, FOOTAGE!, DEBUNKS!, LAWYERS!, STATEMENT!, INVOLVEMENT!, PROFESSOR OF ROCK!, JUSTIN HAWKINS!, NEGOTIATION!, INTERVIEW!, UNRELEASED!, ET!, TOP 5!, DOESN'T GET IT!, NOT AN ACT!, NOT IN ON IT!, BRITISH!, BRILLIAN!, PERFORMATIVE!, INTERVIEW!, GET ON THE BUS!, ODB!, WU TANG!, KURUPT!, RZA!, PRODUCTION!, LICKEY SPLICKETY!, FRED DURST!, EVERYBODY!, PINK FLOYD!, 18 RELATIONSHIPS!, SERIOUS!, NUMBER ONE FILMS!, HARASSMENT!, ANGELS!, COMPLAINT!, BOX SETS!, 200! You can find the videos from this episode at our Discord RIGHT HERE!

Episode 647. Jeff Fura VP of A&R at Universal Music Enterprises sits down with us to talk KISS! Does Universal still own the KISS catalog of music? What the vault that holds all KISS assets is like? How UMe determines what KISS album might get a box set release? Could The Elder get a box […]

Here's a rebroadcast of Season Two Episode 60:Jed discusses four out-of-print piano box sets that are ripe for reissue:Milosz Magin plays Chopin (Accord, 10 CDs). A link to his Etudes: https://www.youtube.com/watch?v=TzArJYgJqdEAnnerose Schmidt plays Mozart's Complete Piano Concertos (Berlin Classics, 10 CDs). Link to purchase - https://www.amazon.com/Mozart-Piano-Concertos-Wolfgang-Amadeus/dp/B0036ULAY6France Clidat plays Liszt (Decca, 14 CDs). Link to listen to Hungarian Rhapsodies No.s 1-10 - https://www.youtube.com/watch?v=Afo2NTiZz2YRaymond Trouard: Une vie pour le piano (Sony Classical, 11 CDs). Links to purchase - https://www.ebay.com/itm/115569835636, https://www.amazon.com/Raymond-Trouard-Une-Pour-Piano/dp/B0017YZIIW. Link to Grieg Concerto - https://www.youtube.com/watch?v=uGVYdTY_uxM

We count down the standout 4K UHD releases of the year - from Hammer's prestige restorations and Arrow's bangers to BFI classics and boutique mega-sets. Expect practical buying advice, technical notes on picture and audio, plus a look at surprise favourites and what we want next year.

Collections are the thing in this week's look at physical media with Erik Childress and Peter Sobczynski. Criterion has nearly the entire oeuvre of Wes Anderson. Vinegar Syndrome has a pair of Larry Fessenden works while Universal has packaged up a bunch of Draculas in 4K. Kino has a bunch of Dan Curtis and the Airport films while Warner Bros. has Freddy Krueger in a new 4K set. There is also the shorts of Creepshow, the beginning of American Pie and Yorgo Lanthimos plus one of the great action films of the new millennium that you may have missed.3:40 - Criterion (Isle of Dogs (4K), The French Dispatch of the Liberty, Kansas Evening Sun (4K) , The Wes Anderson Archive In 4K (Ten Films, Twenty-Five Years))15:02 - Warner Archive (Black Samson)20:29 - Arrow (The Good, the Bad, the Weird (4K), Creepshow 2 (4K))34:08 - Universal (American Pie (4K), Dracula: Complete Legacy Collection (4K))53:36 - WB (A Nightmare on Elm Street Collection (4K))1:10:01 - Shout Factory (Mama (4K))Kino (Dogtooth (4K), Dan Curtis' Late-Night Mysteries, Airport (4K), Airport 1975 (4K), Airport ‘77 (4K), Airport ‘79: The Concorde (4K))Vinegar Syndrome (Of Monsters and Madness: The Films of Larry Fessenden Vol. 2)TV (Touche Turtle and Dum Dum (The Complete Series))NEW (The Life of Chuck (4K), Becoming Led Zeppelin (4K), Just the Two of Us)CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

After spending a little time mulling over the post-release feelings surrounding "The Colonel & The King," Justin and Bec give their thoughts on the newest Elvis box set from Sony Legacy, Sunset Boulevard, which encompasses recordings and rehearsals done between 1970-1975 at RCA's Studio C in Hollywood. The duo reflect on the the successes and shortcomings of this era of box sets that seems to be drawing to a close.  From Elvis in Nashville, Back in Nashville, Memphis and Sunset Boulevard mark a period where producer Ernst Jorgensen and mixer Matt Ross-Spang have seemingly reinterpreted Elvis's multi-track studio work in the 1970s through a more "rockist" lens; that is to say, one that promotes and emphasizes the perceived authenticity or purity of raw material recorded in-studio by Elvis and a core rhythm band without additional backing vocalists, strings and horns.  Despite great, modern-sounding re-mixes, these box sets have also marred by inconsistent mix decisions that contradict the claims that you're only hearing what Elvis heard in the studio - selectively leaving some overdubs, removing contributions from musicians that were physically in the studio with Elvis, and much more. It's a thought-provoking discussion about what the goals were, what value these sets have added, and whether they have helped us understand Elvis's creative process any better. For Song of the Week, Bec picks a childhood favorite, the sweet ballad "A Boy Like Me, A Girl Like You" from the Girls! Girls! Girls! soundtrack. Then, Justin uses "Good, Bad But Beautiful," an instrumental intended for Elvis to finish, to explore the fascinating circumstances of sessions, publishing, and release schedules that led to its recording at Stax in July of 1973... and Elvis's rejection of the Clive Westlake-penned song (later done by Shirley Bassey) at a late September 1973 session at his Palm Springs home, less than three weeks after having attempted to fire his manager.  This is one you won't want to skip... because there's a special Elvis Week surprise in this Song of the Week segment, courtesy of our good friends Jamie and John over at the EAP Society. 

Hablamos junto a Sebastián Navia de los diferentes Box Sets que los Beach Boys fueron editando, resaltando los tres mas importantes The Capitol Years , Good Vibrations: Thirty Years Of The Beach Boys y Made In California.

In this episode, I talk about one of my favorite musical formats--the CD Box Set! That's right! It's a theme episode!!! Enjoy! Blog: http://emptychecking.blogspot.com Bandcamp: http://derekbrink.bandcamp.com email: db@derekbrink.com Time Index: ...there's just one topic. If you want to be a jerk and skip the intro, the "show" starts at 6:57. But...really? You don't have just short of 7 minutes to hear about my day? Wow... The music in this episode is all from my Departure album: Deeper Than Oceans Lectio Divina Thanks!

Jed discusses four out-of-print piano box sets that are ripe for reissue:Milosz Magin plays Chopin (Accord, 10 CDs). A link to his Etudes: https://www.youtube.com/watch?v=TzArJYgJqdEAnnerose Schmidt plays Mozart's Complete Piano Concertos (Berlin Classics, 10 CDs). Link to purchase - https://www.amazon.com/Mozart-Piano-Concertos-Wolfgang-Amadeus/dp/B0036ULAY6France Clidat plays Liszt (Decca, 14 CDs). Link to listen to Hungarian Rhapsodies No.s 1-10 - https://www.youtube.com/watch?v=Afo2NTiZz2YRaymond Trouard: Une vie pour le piano (Sony Classical, 11 CDs). Links to purchase - https://www.ebay.com/itm/115569835636, https://www.amazon.com/Raymond-Trouard-Une-Pour-Piano/dp/B0017YZIIW. Link to Grieg Concerto - https://www.youtube.com/watch?v=uGVYdTY_uxM

  Catalyst Game Labs announced $5 increases on Forcepacks and Box Sets, and $1 increases on Salvage Box products due to tariffs. They paid $240,000 in unexpected import taxes in March, with a 30% tariff requiring 10% MSRP increases. RPG sourcebooks remain unaffected due to a 2024 U.S. Customs ruling classifying RPG books as “books” […]

Thanks for listening to Season 5, Episode 12 of Dialogue Alley! In this episode, Erik and Carly talk about:News: New Czech books! Casting Updates for HBO Show. Main Topic: Mini Box Sets! We dive into the very first mini box set from the UK!Translation of the Show: The box!  Dialogue Alley is the official podcast of The Potter CollectorCarly @alltheprettybooks on InstagramErik @knockturnerik on InstagramMelanie @theharrypottercollection on InstagramPeter @ThePotterCollector on InstagramThanks to our Editor: TommyImages of books that are discussed on this episode will be available on Instagram @dialogueallypodcast, as well as DialogueAlley.com and alltheprettybooks.net For more content from The Potter Collector, visit Peter's WebsiteDialogue Alley trusts The Harry Potter Specialist to authenticate signed Harry Potter books. JOIN US ON PATREON!! You can get access to our Discord, ad-free episodes, and our BONUS EPISODES! patreon.com/dialoguealleySend Questions and Listener Mail to: Dialoguealleypodcast@gmail.comVisit our site dialoguealley.com We would love to hear from you!Music:The Magic Shoes 

The Grateful Dead released a big box set that Kirk will not buy, leading Doug and Kirk to discuss box sets of CDs. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes: Enjoying The Ride, Grateful Dead (https://store.dead.net/en/grateful-dead/special-collections/60th-anniversary/enjoying-the-ride-dead.net-exclusive-%5B60-cd%5D/081227813048.html) Grateful Dead Complete Europe '72 Box Set (https://kirkville.com/coming-soon-grateful-dead-complete-europe-72-box-set/) New Live Release from Yes: Progeny, Seven Concerts from 1972 (https://kirkville.com/coming-soon-new-live-release-from-yes-progeny-seven-concerts-from-1972/) Why Box Sets Are Stuck in the Past (https://www.rollingstone.com/music/music-features/where-are-new-music-box-sets-1235229328/) Vinyl and packaging manufacturer, Key Production Group, reveals its predictions for vinyl and physical music releases in 2025 (https://www.recordoftheday.com/news-and-press/vinyl-and-packaging-manufacturer-key-production-group-reveals-its-predictions-for-vinyl-and-physical-music-releases-in-2025) Steve Reich: Collected Works (https://amzn.to/424qaGO) Our next tracks: J.S. Bach: The Art of Fugue — Phantasm Viol Consort (https://www.phantasm-consort.com/recordings/js-bach-the-art-of-fugue) Mose Allison: The Best of Mose Allison (https://amzn.to/3FHxHnx) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

    *SPECIAL NOTE* Saul and Jolene would like apologize for the lack of epidodes for the past Month.   This was due to Saul having to have heart valve replacement surgery.  Saul is recovering and Jolene is taking care of him.  Saul and Jolene would like to thank all the listeners for their support of their podcast.           The latest episode concerns Starter Box Sets.  What a good starter set should have in the box and why.  Starter Sets have changed from the days of the D&D Blue Box Set.   After their brief discussion Saul lists 3 Stater Sets are to him are what starter sets should strive to be.    Listen to hear what 3 starrter sets really appealed to Saul and why.             Web Art by Jim Foster      Episode Art by Michael Shean-Jones     Music by Sam Gallager, song Starter,  off the album Night Music     Available from Tribeofnoise.com    Used Under the Creative Commons License 4.0     https://creativecommons.org/licenses/by-sa/4.0/

On this episode we discuss the possible new 2025 releases we could see from KISS this year. The Box Sets, the Off The Soundboards, Documentaries and more!

EP 602 Discussing Current Metal News Including This Years M3 Lineup

EP 602 Discussing Current Metal News Including This Years M3 Lineup

Episode 607. Mark takes the time this week to discuss at bit more about the cool things coming from KISS this year. Two box sets, more Off The Soundboard recordings. The machine is cranking back up are you ready for some incredibly cool and surprising releases? Press requests please contact Michael Brandvold at www.michaelbrandvold.com Since […]

Thanks for listening to Season 5, Episode 7 of Dialogue Alley! In this episode, Erik and Carly talk about:News: New Japanese 25th, Limited Edition Set!New Books for CarlyMain Topic: Mini Box Sets! We dive into the mini set from the UK: The Magical Adventure BeginsTranslation of the Show: Philisopher's Stone from The Magical Adventure Begins set. Dialogue Alley is the official podcast of The Potter CollectorCarly @alltheprettybooks on InstagramErik @knockturnerik on InstagramMelanie @theharrypottercollection on InstagramPeter @ThePotterCollector on InstagramThanks to our Editor: TommyImages of books that are discussed on this episode will be available on Instagram @dialogueallypodcast, as well as DialogueAlley.com and alltheprettybooks.net For more content from The Potter Collector, visit Peter's WebsiteDialogue Alley trusts The Harry Potter Specialist to authenticate signed Harry Potter books. JOIN US ON PATREON!! You can get access to our Discord, ad-free episodes, and our BONUS EPISODES! patreon.com/dialoguealleySend Questions and Listener Mail to: Dialoguealleypodcast@gmail.comVisit our site dialoguealley.com We would love to hear from you!Music:The Magic Shoes 

Top 35 Box Sets & Reissues of 2024! Join me as I take you through the year's best box sets and reissues.

Joining Tony Michas and John Mathews on the final episode of 2024 are Imprint Cast Family Members, Suzanne Boleyn, Paul Berriman and Jim Mulvihill. And on his Imprint Cast debut, the host of the YouTube channel, Collector Creations, Julian Meyers discussing the Best of Imprint Releases of 2024.The topics include in our opinions are Top 3 Cover Art, Top 3 Special Features, Top 3 Video Essays, Top 3 Box Sets, Top 3 Audio Commentaries, Top 3 TV Shows and Top 3 Imprint Releases of the Year.This episode is dedicated to the loving memory of Lee Gambin.

Thanks for listening to Season 5, Episode 5 of Dialogue Alley! In this episode, Erik and Carly talk about:News: Nothing Earth ShatteringMain Topic: Mini Box Sets! We dive into the green mini box set from Germany.Translation of the Show: German Book 4 (paperback) from Green Mini Box SetDialogue Alley is the official podcast of The Potter CollectorCarly @alltheprettybooks on InstagramErik @knockturnerik on InstagramMelanie @theharrypottercollection on InstagramPeter @ThePotterCollector on InstagramThanks to our Editor: TommyImages of books that are discussed on this episode will be available on Instagram @dialogueallypodcast, as well as DialogueAlley.com and alltheprettybooks.net For more content from The Potter Collector, visit Peter's WebsiteDialogue Alley trusts The Harry Potter Specialist to authenticate signed Harry Potter books. JOIN US ON PATREON!! You can get access to our Discord, ad-free episodes, and our BONUS EPISODES! patreon.com/dialoguealleySend Questions and Listener Mail to: Dialoguealleypodcast@gmail.comVisit our site dialoguealley.com We would love to hear from you!Music:The Magic Shoes 

This week, the gang welcome back the Kiss Krew (Chris, Rob, Rich, and Scott) to dream up their ideal KISS box set. What goodies will they include in the deluxe editions? Will anyone do a non album focused box set? Tune in to find out! Hosted by Steve Wright, Brian "BC" Chapman and Ryan "BB" Bannon Special Guests: Chris Granza, Rob Kelleher, Rich Lien and Scott Sadowski Produced by Dylan Wright Music by Mark Sutorka Facebook: https://www.facebook.com/PTHpodcast 

Here Is My Amazon Wish List - https://www.amazon.com/hz/wishlist/ls... Follow Me On Letterboxd - https://boxd.it/qN3B Follow Me On TikTok - https://www.tiktok.com/@steelbookobse... Follow Me On Instagram - https://www.instagram.com/steelbookob... Here Is My LinkTree - https://linktr.ee/Steelbookobsessed?u... Malko Protector Website - https://www.malkoprotectors.com/?ref=...

This Week's New Release Round Up is absolutely loaded with amazing releases. Just the unboxings alone will take a long time not to mention answering all of your questions. Here Is The Drive 4K Steelbook Amazon Link - https://amzn.to/4fGgZCu Umbrella Entertainment website (use code STEELBOOK15 at checkout to save 15% off your order0 - https://shop.umbrellaent.com.au/ Here Is My Amazon Wish List - https://www.amazon.com/hz/wishlist/ls... Here Is My LinkTree - https://linktr.ee/Steelbookobsessed?u... Follow Me On TikTok - / steelbookobse. . Follow Me On Instagram - / steelbookob. . Follow Me On Letterboxd - https://boxd.it/qN3B

Even though there are only 21 titles in this week's stack the size of this stack is not tiny in the lease... in fact it is chock full of greatness. Should be fun to go through this stack. Here Is My Amazon Wish List - https://www.amazon.com/hz/wishlist/ls... Follow Me On Letterboxd - https://boxd.it/qN3B Follow Me On TikTok - / steelbookobsessed Follow Me On Instagram -   / steelbookob.  . Here Is My LinkTree - https://linktr.ee/Steelbookobsessed?u...

https://fishmusic.scot

I'm adding a lot of great titles to the collection this week and thanks to Dark Sky Selects one of you watching the live stream will win a copy of Hatchet: The Complete Collection for yourself. I love doing like giveaways so this should be a fun stream. Here Is My LinkTree - https://linktr.ee/Steelbookobsessed?u... Follow Me On TikTok - / steelbookobse. . Follow Me On Instagram - / steelbookob.

This week I'm adding 14 titles to the collection. 10 of which come from boutique companies and three of the other four are 4K titles. We are going to go over each title and talk about each one. Here Is My LinkTree - https://linktr.ee/Steelbookobsessed?u... Follow Me On TikTok - / steelbookobse. . Follow Me On Instagram - / steelbookob. .

https://youtube.com/live/YyKsnl_D6Ps?feature=share The Police are set to release a 6CD super deluxe edition of their acclaimed 1983 album, Synchronicity. This extensive reissue includes a wealth of previously unheard alternate takes, outtakes, and demos. As their fifth and final studio album, Synchronicity features hit singles such as "Every Breath You Take," "Wrapped Around Your Finger," "King of Pain," and "Synchronicity II." The album has sold 15 million copies globally, with 8.5 million in the USA alone. This reissue project, which took three years to complete, was created with the band's involvement and endorsement. It includes a 60-page hardcover book with comprehensive new sleeve notes by music journalist Jason Draper, detailing the album's creation and history. The box set contains: CD1: The original album, including "Murder By Numbers," remastered from the original tapes. CD2: 18 tracks featuring all original 7" / 12" B-sides plus 11 exclusive non-album bonus tracks, available on CD for the first time. CD3 and CD4: Previously unreleased alternate takes of all the Synchronicity songs. CD4 also includes unreleased Police tracks, such as an early version of Andy Summers' "Goodbye Tomorrow" (later renamed "Someone To Talk To"), a demo of Stewart Copeland's "I'm Blind" (later "Brothers on Wheels" for the Rumble Fish soundtrack), a first take of "Truth Hits Everybody," and rare covers of Eddie Cochran's "Three Steps To Heaven" and Chuck Berry's "Rock and Roll Music." CD5 and CD6: 19 previously unreleased live recordings from the September 10, 1983, concert at the Oakland-Alameda Coliseum, USA. The 6CD box also includes four art prints. Additional formats include a 2CD set (repeating the first two discs of the super deluxe edition), a 4LP vinyl edition (42 tracks), and a vinyl picture disc with a revised track order. #thepolice #Synchronicity #sting #stewartcopeland #andysummers #johnnybeaneTV

Doc McGhee returns for the third time to give us an update on everything KISS. We cover the Avatars, the final show at MSG, the biopic, box sets, off the soundboards, selling the brand, the future of the KISS Kruises and much more!

We've all seen them tantalizingly promoted across the internet.  Many of us have spent more than we should on them.  Most of us have debated if we really need them or if we'll get in trouble from our significant others for buying them: Box Sets.  Super Deluxe Box Sets.  Album compilation box sets.  Whichever the flavor, these expensive records are becoming more and more prevalent.  Host Rob from Northern Revolutions is joined this time around by Racer Joe from Racer Records on YouTube to discuss box sets: what makes a good one, are they really worth the big price tag, are they essential (or a luxury) and a whole lot more. Listen up!   For more information on host Rob (Northern Revolutions): https://www.youtube.com/@NorthernRevolutions   For more information on Racer Joe (Racer Records): https://www.youtube.com/@RacerRecords   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com  

Originally aired on February 9, 2024   We're gonna keep saying it - the old ways are sometimes the best   Topics of Discussion: Time to go back to box sets, because digital anime ain't safe Knuckles hits hard for the new Sonic TV series Give the fans ideals - Stellar Blade is where it's at   Hosts: Jolt Aeveirra Noble Guil

The Blu-ray Bloodhound has outgrown his kennel! John Tiberius Kirk spars with blu's buddy Shameful Steve Noble as he provides reviews and news of releases on physical media this month. Box Sets, Blu-rays and all the 4K's you can shake a mouldy VHS at! Hosted on Acast. See acast.com/privacy for more information.

A good looking physical media box set just makes any collector smile and for me steelbook box sets look the most impressive. Today my guest Alex Thomas and I will gush over these amazing sets and deep dive into one of the largest steelbook sets we own the Harry Potter 8-Film Ultimate Collection. Subscribe to Alex Thomas Youtube Channel -    / @alexthomasreviews   Follow my Boutique Talk Podcast on Spotify - https://open.spotify.com/show/5vsBLGh... Here Is My LinkTree - https://linktr.ee/Steelbookobsessed?u... Follow Me On TikTok - https://vm.tiktok.com/TTPd6v1sda/ Follow Me On Instagram - https://www.instagram.com/steelbookob...

In this soft spoken asmr video, we'll unbox some Target and Ulta Beauty and Wellness advent calendar sets featuring various skin, makeup, and health products. I hope you enjoy this festive holiday show and tell.

EPISODE #94 - Roctober has been quite a month in Van Halen land as two box sets appeared on the scene - one legit and one bootlegged. The Daves do a deep dive into both collections. A massive mailbag and tons of VH News complete this pumpkin-spiced fall episode.Download the podcast for free on Spreaker, YouTube, iHeartRadio, Spotify, Google podcasts, Amazon Music, Podvine or iTunes. Connect with the Daves on Twitter: @ddunchained, Facebook: Dave & Dave Unchained – A Van Halen podcast, Instagram: ddunchainedpodcast or via email: ddunchainedpodcast@gmail.com

The official attendance numbers for New York Comic Con are here. The Scott Pilgrim 20th Anniversary box sets are on sale before their 2024 release. DC boss Pam Lifford is leaving Warner Bros. Discovery. All on Comic Book Club News for October 27, 2023.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

40k and Age of Sigmar Battleforce boxes are coming soon, and we discuss whether they are worth your attention. Age of Sigmar Stormbringer magazine which brings a slow drip of Warhammer models to your door each week, is coming to the US finally. A new Warhammer card battler game called "Warpforge" is in early access and we discuss the pros/cons. Hosts: David tha Warboss, Medicae Steve & Chief Librarian Lawson Show: (00:00) Introduction (05:37) Cocktail Recipe Dakka Smakka Thraka (Happy Orktober)  1.5 oz Midori melon liqueur  1.5 oz cointreau or triple sec  1 oz lemon juice  stir ingredients in tumbler with ice, then strain in a cocktail glass add dry ice if you want to be extra spooky (or orky)...but don't drink the dry ice! (08:53) 40k and Age of Sigmar Battleforce boxes (40:29) Age of Sigmar Stormbringer magazine/model subscription (52:46) Warhammer Warpforge card battler on Steam Web - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://dadhammerpodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Adam updates on all things about his car, comics, health and then talks about new music he's recently got.

In this episode, Brian talks about 3 box sets from Indicator - the Michael J Murphy, Mexico Macabre and the From Hollywood to Heaven Box sets. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

In this episode, Brian goes through three recent Film noir Box Sets from Kino Lorber (Volumes 12, 13 and 14). This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

Episode 199 of the Nialler9 Podcast is about scarcity and rarity.Prompted by the news of a Strokes box set of 7" singles this month, Andrea Cleary talks about the particular form and use of B-sides in the streaming era, the role of singles in the ongoing vinyl revival (2022 was the 15th straight year of vinyl sale growth), and why we love vinyl so much anyway.We read Jeremy D. Larson's howlingly good Maneskin review for Pitchfork aloud, check into the Grammys from Sunday night to find that things are as they always seem to be and Steve Albini is hating on Steely Dan and it's a hoot.Listen to the episode below or subscribe in your favourite podcast appListen on Apple | Android | ACAST | Pocketcasts | CastBox | Stitcher | Spotify | RSS FeedSupport Nialler9 on Patreon and join our Discord community Subscribe to the podcast and please leave a review on iTunes, tell your friends or commit to supporting us directly. Support us on Patreon.Songs played on the Nialler9 Podcast Spotify PlaylistPrevious podcast episodes Hosted on Acast. See acast.com/privacy for more information.

For the final new episode of 2022, Paul speaks with former John Hughes music supervisor Tarquin Gotch about the new box set Life Moves Pretty Fast: The John Hughes Mixtapes. We also check in with Julia Nash and Mark Skillicorn whose documentary, Industrial Accident, tells the story of Wax Trax! Records in Chicago, one of John Hughes favorite places to find music for his films. RSD co-founder Carrie Colliton drops by to close out another great year of RSD Podcasts. Listen to the end to hear Paul's tribute to Terry Hall who passed away as we were putting this show together. For more information about Record Store Day go to RecordStoreDay.com. Sponsored by Dogfish Head Craft Brewery, Tito's Handmade Vodka, and Crosley turntables. Have a safe and happy holiday, and wonderfully musical 2023.