Podcasts about help falling in love

Justin and Bec give their reactions to watching Disney's live action remake of the 2002 animated classic "Lilo and Stitch," which prominently featured Elvis's music. The remake does, too, so we primarily center our discussion initially around how Elvis is used; but since Bec had never seen the original before, she gave it a watch after having gone to see the reworking in theatres, and the duo compare notes on things that were different, what worked and what didn't. For Song of the Week, since the "Blue Hawaii" album is seen prominently in the new "Lilo and Stitch", both hosts decided to pick songs from the 1961 classic, with Justin first picking "Ku-U-I-Po," the ballad also written by "Can't Help Falling in Love" cowriters Peretti-Creatore-Weiss for "Blue Hawaii." Bec then dives headfirst into the multi-faceted history behind "Aloha Oe," the traditional Hawaiian song penned by the last Queen of Hawai'i, Liliʻuokalani, and its double meaning as both a simple romantic farewell as well as symbolizing the loss of indigenous sovereignty. This prompts further discussion on how the song is used in "Blue Hawaii" and in both versions of "Lilo and Stitch," bringing the whole thing together. Be warned - if you haven't made it out to see the movie, this whole episode contains numerous spoilers for both the 2002 and 2025 versions of "Lilo and Stitch." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

On August 16, 1977, Elvis Presley – the groundbreaking performer whose voice, swagger, and style changed the face of American music – died at the age of 42. Presley's career was defined by explosive success, from his early rockabilly hits like Hound Dog and Jailhouse Rock, to sweeping ballads like Can't Help Falling in Love and It's Now or Never. With 18 No. 1 singles and over a billion records sold worldwide, he became not just the King of Rock and Roll, but a symbol of cultural transformation in postwar America. Yet his later years were marked by personal isolation and a growing dependence on prescription drugs, culminating in his untimely death at Graceland, his Memphis home. Still, his influence endures—through music, fashion, and film—and his legacy as one of the most electrifying and iconic figures of the 20th century remains unshakable. Hosts: Jason Beckerman & Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Steve and Captain Evil are ‘All Shook Up' as they take a trip to Graceland, diving deep into the world of ‘The King'. But will they end up in Heartbreak Hotel after seeing Elvis' home, or will it be ‘A Big Hunk o' Love' for Memphis? Then, the ultimate question: If you caught Mark McGwire's historic home run ball, would you keep it and cash in for ‘Three Million Dollars, Baby' or do the right thing and hand it back—risking a lifetime of ‘Suspicious Minds' judging you? Or would you be ‘Caught in a Trap' of moral dilemma? And finally, grab your ‘Blue Suede Shoes' and get ready for a tearjerker—Steve shares a ‘Can't Help Falling in Love' moment from one of his shows that proves sometimes, life gives you ‘A Little Less Conversation' and a lot more heart. Don't be ‘Lonesome Tonight'—tune in now! See what we did there?

In this special tribute podcast, we count down Elvis Presley's top 5 hits, exploring the lasting impact of his legendary music. From the raw energy of “Jailhouse Rock” to the heartfelt “Can't Help Falling in Love,” each track represents his timeless influence on rock and roll. Join us as we revisit the King's greatest moments, diving into the stories behind the songs that made Elvis an icon.

Trish Stratus joins us in studio! Jack Harlow covers Elvis' ‘Can't Help Falling In Love'. Snoop & Dr. Dre preview new album. Plus, we learn everyone on the show needs glasses. 

This is part of a series about romance in movies. ***Referenced media:“Pretty in Pink” (Howard Deutch, 1986)“Beverly Hills Cop: Axel F” (Mark Molloy, 2024)“Ted Lasso” (Jason Sudeikis, Bill Lawrence, Brendan Hunt, and Joe Kelly, 2020-2023)“Alien” (Ridley Scott, 1979)“Lethal Weapon” (Richard Donner, 1987)Audio quotation:“Some Kind of Wonderful” (Howard Deutch, 1987), including the songs “Do Anything” by Pete Shelley, “The Hardest Walk” by The Jesus and Mary Chain, “Can't Help Falling in Love” by Lick the Tins, and “Miss Amanda Jones” by The March Violets, https://www.youtube.com/playlist?list=PLn0CsEM2lH5MR2YErPNK1SyXOrCp_3REG

One of the greatest songwriters of the 60's, Bob Dylan had released seven solo albums between 1962 and 1966.  Bob Dylan's Greatest Hits compiles many of the singles from this period along with some of the songs Dylan wrote for other musicians.  The compilation went to number 10 on the Billboard 200 chart, number 3 on the UK album chart, and has been certified five times platinum by the RIAA.In the summer of 1966, Dylan crashed his motorcycle near his home, and took off time to recover.  The record company was anxious to follow up Dylan's successful "Blonde on Blonde" album, but had no new recordings available, and no clarity on how long Dylan would be out of the studio.  Thus the decision to release a Greatest Hits album was an easy one for them.  Born Robert Allen Zimmerman in Duluth, Minnesota, the stage name comes from the poet Dylan Thomas.  Bob Dylan rose out of the Beatnik coffee houses, and he took inspiration from a wide variety of sources including Woodie Guthrie, Hank Williams, and blues artists like Robert Johnson.  He has the unusual distinction of having won a Nobel Prize in Literature. Wayne takes us through this iconic folk rock compilation album, and friend of the show Greg Lyon joins us in Bruce's absence for this week's podcast. Positively 4th StreetThis non-album single was released in 1965 between the "Highway 61 Revisited" album and the "Blonde on Blonde" album, and reached the top 10 on charts in both the US and the UK.  The lyrics are laden with bitterness, as the singer laments the lack of compassion in a person who "has a lot of nerve to say you are my friend."  An inspiration for this song could have been the reaction Dylan received from folk artists and fans when he "went electric."Blowin' in the WindWhile Dylan released this as a single in 1963, the most successful version of this song was the cover by Peter, Paul and Mary in the same year.  This well-known protest song asks a number of questions in its lyrics, most focused on issues of peace and freedom.  Whether an answer "blowin' in the wind" is obvious or difficult to grasp is left deliberately ambiguous.  The Times They Are a-Changin'This is the title track to Dylan's 1964 album.  It is iconic today as a commentary on society in general and 1960's society in particular.  The number of groups that have covered this song is vast, including such diverse names as Joan Baez, the Beach Boys, Bruce Springsteen, Billy Joel, and Burl Ives.Subterranean Homesick BluesA number of things make this song famous, from the early video style to the rapid lyric pace, to the inspiration for the name of the domestic terrorist group of the 70's, the Weather Underground ("you don't need a weatherman to know which way the wind blows").  Dylan claims inspiration from Chuck Berry and the scat songs of the 1940's in the creation of this track. ENTERTAINMENT TRACK:Sitting There Standing by the Chocolate Watchband (from the motion picture "Riot on the Sunset Strip")This counterculture movie came out during this time, sporting a soundtrack that may be better than the film itself. STAFF PICKS:Detroit City by Tom JonesRob starts the staff picks with a slow blues number originally written by Mel Tillis.  Jones cover of this country song originally released by Bobby Bare is about being lonely and homesick on the road.  Jones' version went to number 27 on the Billboard Hot 100.  I'll Be Doggone by Marvin GayeLynch brings us an upbeat tune which is the first song on which he collaborated with Smokey Robinson.  The lyrics tell the singer's girlfriend that if she cheats on him he'll be (dog)gone.  This was a big time for the Motown sound.Can't Help Falling In Love by Elvis PresleySpecial guest Greg's staff pick is an iconic ballad by the King.  Recorded for the movie "Blue Hawaii" in 1961, it was on the charts in 1962, but has been popular ever since.  Elvis was a great inspiration for Greg's life and musicianship.Action Woman by the LitterWayne features an early garage band with a fuzzy feel.  It is a good early example of psychedelic music, and chronicles a man's search for a woman of action - a more active girlfriend. INSTRUMENTAL TRACK:Music to Watch Girls By by the Bob Crewe GenerationThis is a great song title with which to finish off the podcast - or ride in an elevator!  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! Today, we're diving into the glamorous and sometimes chaotic world of cinematic weddings as we count down our Top 5 Wedding Scenes in film and television. After that, we'll explore the intriguing and stylish drama of Don't Worry Darling and take a light-hearted turn with the antics from Neighbours.Top 5 Wedding Scenes in Film and Television:The Godfather (1972) - The opening wedding scene sets the tone for this iconic film, showcasing the Corleone family's power dynamics and blending personal joy with business undercurrents. It's a masterclass in how a festive occasion can be layered with narrative depth.Four Weddings and a Funeral (1994) - This film's exploration of various wedding styles and the emotions they evoke makes each ceremony memorable. It perfectly captures the humor, awkwardness, and tenderness of weddings, making it a classic in the romantic comedy genre.Game of Thrones - "The Red Wedding" (Season 3, Episode 9) - Perhaps one of the most shocking wedding scenes ever filmed, the Red Wedding was a pivotal moment in the series, filled with treachery and heartbreak, leaving a lasting impact on viewers and characters alike.Crazy Rich Asians (2018) - This film features a stunningly beautiful wedding scene that combines traditional elements with lavish modern details, set to a haunting cover of "Can't Help Falling in Love." It's visually captivating and emotionally charged, reflecting the film's themes of love and family expectations.My Big Fat Greek Wedding (2002) - This wedding is a joyful, chaotic celebration of Greek culture, packed with comedic moments and touching on themes of cultural identity and familial bonds. It's a heartwarming depiction of how a wedding can bring families and communities together.In Don't Worry Darling, directed by Olivia Wilde and starring Florence Pugh and Harry Styles, we dive into a 1950s utopian community with dark secrets lurking beneath its polished surface. The film combines stylish aesthetics with psychological suspense, exploring themes of empowerment, reality, and illusion. While there isn't a wedding scene central to its plot, the film's tension and mystery provide a backdrop for examining how individual desires and societal pressures can clash, much like the dynamics often present at a wedding.Switching gears, Neighbours often features weddings that are quintessential soap opera fare—full of drama, unexpected revelations, and sometimes, heart-warming moments. These episodes offer lighter, more dramatic interpretations of weddings, providing entertainment that spans generations of viewers.Whether you're a fan of lavish celebrations, dramatic twists, or the simple joy of a well-told love story, today's episode promises a fascinating look at the most memorable weddings in film and television. Join us as we say "I do" to exploring these pivotal moments that capture the essence of human relationships and cultural traditions.

En esta edición, te traemos la Mini Biografía de UB40, la legendaria banda que redefinió el reggae en todo el mundo.

Singer, songwriter Josie Sal is an old soul, but only 12. She debuts Black Velvet, on the 25th anniversary of the song about Elvis. She started her career performing in Southwest Florida and in her home town of Pittsburgh, Pennsylvania. Her musical influences are Billy Joel, Jelly Roll, and Lanie Wilson. Learn about Josie's love to perform, favorite songs and hear her rendition of Elvis' "Can't Help Falling in Love." To purchase/stream Josie Sol music: click linktr.ee/josiesalvittiEnjoy Josie's unique blend of country roots and contemporary flair, breathing new life into classic songs. Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Josie Sal to Debut "Black Velvet" Cover on GeorgiaRadio.com with Matt Jolley TUESDAY - Sept 17th - 12pm (Noon)GEORGIA RADIO - Exciting news for country music fans! Tune in to GeorgiaRadio.com this Tuesday, September 17th at 12 p.m., when rising star and twelve-year-old singer-songwriter Josie Sal joins Matt Jolley for a chat about her highly anticipated single, a powerful cover of Alannah Myles's iconic hit "Black Velvet." This special broadcast will feature the song's radio debut, and Josie will share insights about her connection to the track and her journey in the music industry.In celebration of the song's 25th anniversary, Josie decided to record her own version of "Black Velvet" after being repeatedly told by fans that her voice was a perfect match for the soulful, sultry tune. Despite initially being unfamiliar with the song, Josie quickly fell in love with its haunting melody and the deep story behind it, even more so after discovering it was about Elvis Presley—fitting, since her first-ever performance was Presley's “Can't Help Falling in Love.”“I didn't know the song at first, but when I listened to it, I loved it!” Josie shared. “I wasn't ready to sing it back then, but I added it to my playlist, and when my voice matured, I knew it was the perfect time to record it.”Premiering earlier with The Hollywood Times, Josie's rendition of "Black Velvet" infuses a fresh, contemporary twist into the timeless hit, blending her country roots with a soulful edge. This latest release marks a major milestone in Josie's career, further establishing her as one of country music's most promising new talents.Make sure to catch her live interview and song debut on GeorgiaRadio.com this Tuesday, and be ready to experience this young artist's unique take on the classic hit.For more info and to stream/purchase the single, visit: linktr.ee/josiesalvitti.Upcoming Tour Dates for Josie Sal:SEP 20 - Canonsburg Oktoberfest / Canonsburg, PASEP 22 - Tootsie's Orchid Lounge Birthday Bash / Nashville, TNOCT 20 - Hard Rock Cafe / Pittsburgh, PAOCT 26 - Rippy's Honky Tonk / Nashville, TNOCT 27 - The Josie Music Awards / Nashville, TNNOV 09 - Private Event / Venice, FLNOV 16 - Fisherman's Village LIGHT UP NIGHT / Punta Gorda, FLDEC 06 - Punta Gorda Tree Lighting / Punta Gorda, FLStay tuned for more updates as Josie continues to tour and release new music!Support this podcast at — https://redcircle.com/georgia-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

John Charles in conversation with Sophie Sullivan and Jamie Wesley

La Venganza de los Lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:02:13 Segmento Dispositivo • La muerte de Pelias0:02:32 • "Pucherito De Gallina" ♫ (Canta Edmundo Rivero, 1958) Música y letra de Roberto Medina, 1951. Segmento Humorístico • ¿Qué hay que hacer para ser azafata de vuelo?0:22:06 Segmento Humorístico • Modales y obligaciones sociales (quede como un rey, usted que es un ordinario)0:39:42 Segmento Humorístico • Tchaikovsky0:56:05 • Viajes emocionantes para ver animales salvajes0:56:30 Sordo Gancé / Trío Sin Nombre • Presentación1:14:55 • "The Word" ♫ (The Beatles, Rubber Soul, 1965) • "Lloró Como Una Mujer" ♫ (José María Aguilar/Celedonio Flores) Canta Julio Sosa. Con Leopoldo Federico y Su Orquesta. • "Can't Help Falling in Love" ♫ (Hugo Peretti/Luigi Creatore/George David Weiss) Elvis Presley, Blue Hawaii, 1961. • "Manoblanca" ♫ (Antonio De Bassi/Homero Manzi, 1941) Orquestra Ángel D'Agostino, 1944. • "Sea" ♫ (Jorge Drexler, Sea, 2001) • "Blue Monk" ♫ (Thelonious Monk, Thelonious Monk Trio, 1954) • "Signed, Sealed, Delivered (I'm Yours)" ♫ (Stevie Wonder, Signed, Sealed & Delivered, 1970)

This time in Strangerville, Meg is off on a bit of a break so we have Jolyn Metro filling in. We discuss Burning Man, European theme parks, Jolyn lies a lot and encourages others to do so, and Troy Williams takes the Strangerville Live stage to talk about his mom's funeral. Story Can't Help Falling In Love, by Troy Williams Production by Eli McCann & Jolyn Metro Join our Patreon! For sponsorship inquiries, please email us at sponsors@itjustgetsstranger.com

Surprisingly, it's been revealed "Can't Help Falling In Love" is the most popular first dance song, although people chose different versions to Elvis Presley's but top wedding DJ Billy McGaley tells PJ Coogan not on his radar as they chat wedding music. Hosted on Acast. See acast.com/privacy for more information.

UB40, a reggae band from Birmingham, UK, emerged in the late 70s from humble beginnings, with members scraping by on unemployment benefits. The band's original lineup consisted of friends from Moseley School of Art and local schools: Robin and Ali Campbell, Earl Falconer, Brian Travers, Jimmy Brown, Norman Hassan, and later, Michael Virtue and Astro. They named themselves after the unemployment benefit form "UB40" and quickly became known for their left-wing political stance, aligning themselves with causes like Rock Against Racism and anti-National Front protests. In 1980, UB40's debut single "King b/w Food For Thought" reached the UK Top 5, setting the stage for their success. Their first album, Signing Off (1980), was a blend of reggae, dub, and politically charged lyrics, reaching No. 2 in the UK and staying in the charts for 72 weeks. By 1981, their second album, Present Arms, solidified their reputation, with the hit single "One In Ten" becoming an anthem for the unemployed and a protest against the UK government's policies. UB40's third album, UB44 (1982), marked a transition, but it was Labour of Love (1983) that truly catapulted them to international fame. This album of reggae covers, including the iconic "Red Red Wine," became their first UK No. 1 album and produced their first US No. 1 single. This success established UB40 as reggae ambassadors, introducing reggae to new audiences worldwide. Throughout the 1980s, UB40 continued to release successful albums, including Geffery Morgan (1984), Rat In The Kitchen (1986), and UB40 (1988). Their collaborations with Chrissie Hynde on "I Got You Babe" and "Breakfast In Bed" were also hits. The late 80s and early 90s saw the band achieve global success with Labour Of Love II and Promises and Lies, the latter featuring "Can't Help Falling In Love," which became another US No. 1 hit. In the mid-90s, the band took a break, with members pursuing solo projects. However, they returned with Guns In The Ghetto and Labour Of Love III , continuing to tour extensively. Their influence and success were underscored by their contribution to the England rugby team's 2003 World Cup campaign with "Swing Low" and the Grammy-nominated Who You Fighting For (2005), which featured politically charged songs and love ballads. In 2008, Ali Campbell left the band to pursue a solo career, replaced by his brother Duncan Campbell. The band continued to release albums and tour, with TwentyFourSeven receiving critical acclaim. Despite Astro's departure in 2013, UB40 continued to tour successfully, playing sold-out shows across the UK, Europe, and beyond. UB40's enduring appeal lies in their ability to blend reggae with socially conscious lyrics, making them one of the most influential reggae bands in history. Their journey from Birmingham's working-class roots to global stardom is a testament to their talent, resilience, and commitment to their music and message. To celebrate their 45th anniversary, the band has just released the album UB45. Joining us this week to share the story of their rise to international fame is original member, drummer Jimmy Brown. For more head to their website https://ub40.global/

Big feelings are in the air as Stop Everything! co-founding parent Benjamin Law returns to talk about Netflix's gay Japanese dating reality show The Boyfriend, and Beverley tells him about the latest chapter in the Ballerina Farm trad wife mumfluencing saga.Also: Ben recounts his favourite horny moments from The Olympics.Show notes:The Times article "Meet the Queen of the Trad wives and her eight children"The Times follow up article "My day with the Trad wife queen and what I really thought of her"

  Direct Download From a house concert in Columbus, Ohio to Mackinac Island, Michigan, this episode takes a look at Bing's adventures on summer tour in the first part of July. Includes a live rendition of “Hallelujah” and “Can't Help Falling In Love”. Bing Futch is endorsed by Folkcraft Instruments, V-Picks and Wolf Hill Woodworking. Enjoy "Dulcimerica"? Consider supporting the program by becoming a patron!

We're caught in a trap. We can't walk out. Because on this episode of Baconsale, we're talking about Elvis Presley. We know some of you have a Burning Love for the King of Rock and Roll, but we also know that others think he's just a Hound Dog whose songs belong In the Ghetto. Nevertheless, Joel, Kent & Zack listened to all of Elvis's studio albums and they Can't Help Falling in Love with his music and stage presence. After briefly sharing the King's history, we'll get into some Trouble as we list our bottom five Elvis tracks, get All Shook Up as we steal each other's song picks, declare “It's Now or Never” and give out some very specific awards, and then tell each other “Don't Be Cruel” as we list our top five favorites from one of the best-selling music artists of all time.   Press play to step on our blue suede shoes!   And if you want to throw a party in the county jail, visit Baconsale.com to find our official Spotify playlist for this episode.

WTOP's Jason Fraley interviews Jimmy Brown, founding drummer of UB40, which rocks the Hollywood Casino at Charles Town Races in West Virginia on Saturday. They discuss the band's biggest hits, from originals like “King” and “Food For Thought,” to smash covers of “Red Red Wine,” “I Got You Babe” and “Can't Help Falling in Love.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

WTOP's Jason Fraley interviews Jimmy Brown, founding drummer of UB40, which rocks the Hollywood Casino at Charles Town Races in West Virginia on Saturday. They discuss the band's biggest hits, from originals like “King” and “Food For Thought,” to smash covers of “Red Red Wine,” “I Got You Babe” and “Can't Help Falling in Love.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

The Richard Syrett Show, June 26th, 2024 Can Trudeau Survive Loss of Toronto Safe Seat? https://globalnews.ca/video/10588298/can-trudeau-survive-liberals-stunning-toronto-byelection-loss Conservative Candidate DQ'd from Race in Calgary-Signal Hill https://www.westernstandard.news/alberta/exclusive-calgary-conservative-nomination-candidates-disqualified-from-race/55104  Wyatt Claypool – Senior Correspondent with The National Telegraph KEEPING AN EYE ON YOUR MONEY Carbon tax costs Ontario economy $4.1 billion this year https://www.taxpayer.com/newsroom/carbon-tax-costs-ontario-economy-4.1-billion-this-year Jay Goldberg, Ontario Director of The Canadian Taxpayers Federation https://www.taxpayer.com Top Climate Scientist Sums Up Second Donald Trump Term With 2 Chilling Words https://www.huffpost.com/entry/climate-expert-donald-trump-second-term-warning_n_667939fae4b0bd985dc51f69  Fifty Years Ago Scientists Were Predicting Another Ice Age https://realclimatescience.com/2024/06/another-ice-age-2/#gsc.tab=0  Tony Heller, Geologist, Weather Historian, Founder of Real Climate Science dot com Julian Assange Finally a Free Man https://www.nbcnews.com/politics/justice-department/julian-assange-reached-plea-deal-us-allowing-go-free-rcna158695  Leighton Grey, a Senior Fellow with the Frontier Centre for Public Policy and Host of The Grey Matter Podcast 'Surreal to watch': With Trump ahead, stolen election seen 'in crystal clarity' https://www.wnd.com/2024/06/surreal-watch-trump-ahead-stolen-election-seen-crystal-clarity/  Joe Kovacs, Executive News Editor, WND.com Author of “Reaching God Speed: Unlocking the Secret Broadcast Revealing the Mystery of Everything.” THIS DAY IN ROCK HISTORY Audio: The Byrds “Mr. Tambourine Man” Keith Richards “Happy” Cher “Gypsies, Tramps, and Thieves” Elvis Presley “Unchained Melody” 26 Jun 1965 The Byrds went to No.1 on the US singles chart with their version of Bob Dylan's 'Mr Tambourine Man'. Only Roger McGuinn from the band played on the song, the drummer Hal Blaine who played on the track also played on 'Bridge Over Troubled Water'. 26 Jun 1973 Rolling Stone Keith Richards and his girlfriend Anita Pallenberg were arrested at their home in Chelsea, London on drugs and gun charges. 26 Jun 1974 Cher divorced Sonny Bono after 10 years of marriage. Four days later, Cher married guitarist Gregg Allman, the couple split 10 days after that, got back together and split again. They stayed married for three years, producing Elijah Blue Allman. June 26th 1977 On this day in music, June 26, 1977, 42-year-old Elvis Presley played his final concert at Indianapolis' Market Square Arena, just seven weeks before his sudden death. Donning his signature white-and-gold suit, The King performed classics like “Can't Help Falling in Love,” “Jailhouse Rock,” and “Don't Be Cruel,” plus covers of “Unchained Melody” and “Bridge Over Troubled Water.” While the subsequent CBS TV special, Elvis in Concert, was often touted as capturing this particular show, it actually featured footage from two earlier dates on the tour (Omaha, NE on June 19 and Rapid City, SD on June 21). Jeremiah Tittle, Co-Host of "The 500 with Josh Adam Myers" podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

En el audio de hoy hablaremos de nuestra boda en Murcia y en el Castillo de Lorca.  Música: 20 de abril, Celtas Cortos; Concierto de Aranjuez, Yepes; New World, Vangelis; Recuerdos de la Alhambra, Yepes; Romance Anónimo, Tárrega; Can't Help Falling In Love, Elvis Presley; Love is Here To Stay, E Fitzgerald and L Amstrong; When You Need Me, Bruce Springsteen; Ateo, C.Tangana; Opus, Eric Prydz; My Way, Frank Sinatra. 

"You like to watch, watch this!" We watched "Sliver" from 1993 with our friend Adam Yeend and we're gonna start closing out blinds at night! Sharon Stone followed the breakout success of "Basic Instinct" (1992) with another Erotic Thriller - this time playing a much more grounded character. Listen, we love Catharine Tramell, but Stoney decided to switch things up and leave the murdering to the boys this time. William (Billy) Baldwin is giving us his best Alec impression right down to flashing those Baldwin Buns. And would it be a '90s Erotic Thriller without a soundtrack straight out of the Pure Moods catalog? Enigma even wrote "Carly's Song" specifically for this film but we would be remiss if we didn't mention the UB40 rendition of "(I Can't Help) Falling in Love with You" that was everywhere for the rest of the '90s. We also unpack the WILD alternate ending inside of a volcano (not making this up) as well as the shifting of certain plot points to allow the new ending to make sense.  Did Hollywood try to recreate the lightning in a bottle of "Basic Instinct" with "Sliver"? Maybe. We still think "Sliver" is a lot of fun and definitely worth the revisit.  Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay X (Twitter): @MTMUGPod Scott Youngbauer: X (Twitter) @oscarscott / Instagram @scottyoungballer Peter Lozano: X (Twitter)/Instagram @peterlasagna

  Direct Download Continuing with the Stark Session series, featuring the Folkcraft Instruments DulciVox mountain dulcimer, Bing works up “Can't Help Falling In Love” from melody to full arrangement with chords and rhythm. Bing Futch is endorsed by Folkcraft Instruments, V-Picks and Wolf Hill Woodworking. Enjoy "Dulcimerica"? Consider supporting the program by becoming a patron!

For top-notch musical theatre, look no further thank Spotlight Musical Productions. From our beginnings as the IBM Choir over fifty years ago, Spotlight Musical Productions showcases Toronto's most passionate local talent, from our cast to our creative team. At Spotlight, we're proud not only to deliver outstanding productions for our loyal audiences, but also to foster community through our shared love of musical theatre. The music of Elvis comes alive in “All Shook Up”. Inspired by Shakespeare's “Twelfth Night”, “All Shook Up” follows a small Midwestern town that is thrown into a frenzy with the arrival of Chad, a good-looking, motorcycle-riding, roustabout, who rides from town to town with a guitar on his back, blue suede shoes on his feet, and a song in his heart. Repressed by their conservative mayor, the town begins to come alive once more under Chad's influence. Lovers meet, woo, pursue, and more, all in one zany night that will change the town forever. Featuring such Elvis hits as "Love Me Tender", "Heartbreak Hotel", "Can't Help Falling in Love", "Jailhouse Rock", "Blue Suede Shoes", "Don't Be Cruel", and  "It's Now or Never", “All Shook Up” is a rocking, heartwarming tale about following dreams, opening up to love, and the power of music.

Hoy en el programa:La parodia de Gastón Can't Help Falling In Love” de Elvis Presley.Reflexiones que tocan tu corazónPaty Estrada y su ayuda a la comunidad.Las ocurrencias de KatrinaEn la historia de una canción Andy Valdez nos habló de “Una aventura ”En las jugadas de Faitelson hablo de la nuevas reglas de la fifa,La última palabra con Gustavo  Adolfo Infante hablo y Yolanda SaldívarEn el ya basta hablamos junto con la Diva de México de la gente que tiene, muchos años sin saber de sus hijos, o padres.

Este é só um trechinho de uma aula completa, que você encontra aqui no podcast :) Quer dar aquele up no seu inglês com a Teacher Milena ?

THE RISE & FALL OF ELVIS PRESLEY! Give online therapy a try at https://betterhelp.com/reelrejects Start your Shopify journey at https://www.Shopify.com/rejects Elvis Full Movie Reaction Watch Along: https://www.patreon.com/thereelrejects With Dune 2, The Bob Marley Biopic, & the Academy Awards on the Horizon, Andrew Gordon & John Humphrey check out the film that transformed Austin Butler's voice forever!! Directed by Baz Luhrmann (Moulin Rouge!, Romeo + Juliet, The Great Gatsby) & Starring Austin Butler (Once Upon a Time in Hollywood) as Elvis aka The King of Rock 'n Roll alongside Tom Hanks (Forrest Gump, Castaway, Captain Phillips, Big) as Col. Tom Parker, with David Wenham (The Lord of the Rings: The Two Towers, The Return of the King, 300), Kodi Smit-McPhee (Dawn of the Planet of the Apes, X-Men: Apocalypse, The Power of the Dog, Deadpool 2), Richard Roxburgh (Van Helsing), Dacre Montgomery (Power Rangers, Stranger Things), Gary Clark Jr. (Luke Cage, Chef) & More! Andrew & John react to all the most memorable scenes & best songs including Elvis' First Concert, Suspicious Minds, Hound Dog / Sister Rosetta Tharpe, "Trouble" at Russwood Park, Club Handy on Beale Street, Baby Let's Play House, Blue Suede Shoes, Can't Help Falling in Love, & Beyond! How does Baz Luhrmann's style suit the legacy of such a complicated figure & where does Austin Butler fall in the Pantheon of great Elvis performances? How does this compare to the likes of Walk the Line, Rocketman, Ray, & others?? #Elvis #AustinButler #ElvisPresley #BazLuhrmann #TomHanks #RockNRoll #History #Biopic #FirstTimeWatching #MovieReaction #MovieReactionFirstTimeWatching   Follow Andrew Gordon On Socials: Instagram: https://www.instagram.com/agor711/?hl=en Twitter: https://twitter.com/Agor711 Support The Channel By Getting Some REEL REJECTS Aparrel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG On INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time to round out your research of Elvis Presley by perusing his Hollywood pieces! The King of Rock and Roll did 31 films in 13 years, and Robin and Lisa discuss three of his most popular! King Creole, Viva Las Vegas, and Blue Hawaii, with their hit songs, beautiful costars, and gorgeous destinations, combine into irresistible 60's escapism! Celebrate Elvis' birthday and swoon over Can't Help Falling in Love, a forbidden love, and steaming hot chemistry with Ann-Margaret. Happy 89th to the King! Mark Feeney's article: FEENEY, MARK. “Elvis Movies.” The American Scholar, vol. 70, no. 1, 2001, pp. 53–60. JSTOR, http://www.jstor.org/stable/41213106. Accessed 11 Jan. 2024.https://www.instagram.com/realoldreels/

I'm Ellen Bernstein-Ellis, Program Specialist and Director Emeritus for the Aphasia Treatment Program at Cal State East Bay and a member of the Aphasia Access Podcast Working Group. Aphasia Access strives to provide members with information, inspiration, and ideas that support their aphasia care through a variety of educational materials and resources. I'm today's hosts for an episode that will feature Jocelen Hamilton and Theresa Yao from Stanford Healthcare. We will discuss how adapting the A-FROM to swallowing disorders can offer a person-centered approach to assessing and treating a person with dysphagia.   Guest Bios     Theresa Yao is a licensed speech language pathologist at Stanford healthcare and a lecturer at San Jose State University. Her clinical and research interests include head and neck cancer rehabilitation, voice disorders, dysphagia, and aphasia. She is passionate about serving people from diverse backgrounds with communication and swallowing disorders. She was a fellow for life of the Albert Schweitzer Fellowship program, and co-founded the Bay Area's Swallowing Support group. She has been actively volunteering in community groups for stroke survivors who need communication support. She has always been a strong advocate for her patients and profession. Jocelen Hamilton has practiced as a licensed speech language pathologist for 19 years. She specializes in management of communication and swallowing disorders in adults with head and neck cancer. She began her career at the University of Iowa Hospitals and Clinics, and then joined the Stanford Outpatient Head and Neck Clinic in 2020. She also previously served as a clinical assistant professor for the University of Iowa's Communication Sciences and Disorders department with a focus on supervising graduate students and helping individuals with strokes and brain injuries. Her current clinical interests center around the development of frameworks to facilitate whole person care for individuals with swallowing disorders.   Listener Take-aways Think creatively about how to apply the A-FROM to other communication disorders, like swallowing Learn how dysphagia can impact the participation, environment and personal domains Consider some PROs that help to capture the impact of dysphagia on quality of life of both the patient and the caregiver Explore some ways to adapt EMRs to incorporate A-FROM or Swal-FROM into your daily notes Show notes edited for conciseness and clarity Ellen Bernstein-Ellis So I'm excited to have both of you here today. Thank you and welcome, Theresa.   Theresa Yao  00:55 Thank you, Ellen. I'm glad to be here.   Ellen Bernstein-Ellis  00:57 And Jocelen you too.   Jocelen Hamilton  00:59 Yes. Thank you so much for having us.   Ellen Bernstein-Ellis (Interviewer)    Welcome both of you, again, to this podcast. And as our listeners get to know you, we like to open with a fun icebreaker question. I'm going to pose two different questions that you've selected for today. So, Theresa, let's start with you.   I guess for full disclosure, I want to admit that, I will share--I don't have to admit, I am sharing that I had the honor and pleasure of being your supervisor at Cal State East Bay in the Aphasia Treatment Program (ATP). So I know that may come up today. I just want to let our listeners know that we've known each other for a while. I have been really fortunate in that relationship and seeing you emerge and thrive as such a wonderful contributor to our field.   So Theresa, could you please share one experience or role that has been meaningful to you as an aphasia ambassador?   Theresa Yao  03:22 Thank you, Ellen. It was great experience when I was in the Aphasia Treatment Program at Cal State East Bay. So that's actually one of the experiences I wanted to share as an opening, because I was at the Aphasia Treatment Program as a co-director for the choir, Aphasia Tones. And that was one of the best memory in my life. And I remember one time, one of our members who had more of a severe expressive aphasia, and usually has minimum verbal output, and we all know him. But whenever he starts singing, Can't Help Falling in Love, this particular song, you can hear that those beautiful words just came out right out from his mouth, fluently, beautifully. He was always so happy every time that he heard the music, and he just enjoy singing along.   That was just a really amazing moment for me to realize that people with aphasia with minimum verbal output, they can still enjoy and participate in choir, and can still communicate that way. It's just showed me how powerful it was to use the Life Participation Approach to Aphasia. And in our choir at that time, we have all different levels of severity. All members join together, and then they all enjoy and engage in this choir experience. So that's really meaningful. Whenever I think of LPA, I think of him, I think of this song, and I think of Aphasia Tones.   Ellen Bernstein-Ellis  04:54 Thank you for sharing that. And Theresa, it was wonderful to have you as a co-director. And see you step up to the challenge of leading the choir. And you're right, we really have a strong motto of participation at every level. And you really worked hard to make sure that happened. So thank you for sharing that. And yes, that's one of my favorite topics, so I loved hearing about that.   And Jocelen, I'm also excited to ask you to share with the listeners something about one of your experiences. So would you like to share an Aphasia Access, favorite resource or moment? What comes to mind for you?   Jocelen Hamilton  05:28 Yes, well, this is really neat for me to be on this podcast, because it is this podcast that is a favorite of mine, and a major “aha” for me.   Ellen Bernstein-Ellis Well, thank you, just thank you.   Jocelen Hamilton I worked with patients with head neck cancer for about nine years. I then did a major shift and then worked in a graduate training clinic at the University of Iowa. And during that time, previously, when I was at the hospital with a very heavy caseload and working with individuals with dysphagia. And so then switching over and working with individuals with strokes and brain injuries, that was much more communication focused.   And I had this caseload I was taking over with the graduate students and learning about all the current treatment principles and treatment options and all the research that had been developed. It had been probably close to 10 years since I had worked regularly with individuals with neurogenic communication disorders.   I had knew nothing about LPAA. I knew nothing about Aphasia Access, the organization. And I was thinking about this recently, of how I even came across it. But I think probably I was searching one of these treatment modalities, and a podcast came up. So I listened to some of the other podcasts and I was like, oh my goodness, this totally resonated, LPAA. And the podcasts and other resources through the website, totally resonated with me, and helped me better understand what my frustration was within an impairment only based approach, which was in my training and my background, and things like that, to like see a whole different way. So I learned as much as I could. And I tried to share all of that with my students, we were all learning together of how to implement this. So it's really neat to now be a part of this podcast and participate.   Ellen Bernstein-Ellis  07:32 We're so glad you agreed. And I just want to thank you. If there was ever a wonderful plug for membership to Aphasia Access, I think you just gave it. Thank you so much. for that.   Well, let's dive in a little bit more to our topic of the day. We're going to be talking about how and why you both decided to adopt the A-FROM or the Framework for Outcome Measurement of Aphasia by Kagan and Simmons-Mackie to your work with head and neck cancer patients. So I know we usually focus on aphasia, but we're taking this really important tool and talking about how you adapt it. So many listeners are, of course already familiar with the A-FROM. But can you briefly describe the social model framework for our listeners?   Theresa Yao  08:16 I can start with just a brief introduction. I think everyone, if you're listening to this podcast, you are already very familiar with A-FROM, which is based on the World Health Organization's ICF model. They address a few health and social domains such as body structure, function, activities, participation and contextual factors like personal and environmental factors. And like Ellen mentioned before, Dr. Kagan and colleagues, adapted this ICF model to create a very user-friendly framework for the outcome measurement in aphasia. And this becomes the Living with Aphasia Framework Outcome Measures the A-FROM and it has the domain of aphasia severity, which is the body function or impairment level, and then also participation, environment, personal factor. So these are the core concepts of the LPA approach. Thats what we are based on using this A-FROM to adapt it to this Swallow-SWAL-FROM, we call it. The Living with Swallowing Difficulties framework of measures.   Ellen Bernstein-Ellis  09:22 So let's talk a little bit more about this. Jocelen, do you want to share your story as an SLP and how you came to introduce the A-FROM into your work at Stanford in the head and neck cancer clinic?   Jocelen Hamilton  09:37 Sure. So after about a year and a half of working with individuals with aphasia and applying LPAA and using the A-FROM with clients, I then changed gears back to working with people who had neck cancer and we moved to California and I joined the Stanford team and I was back into primarily working with individuals with dysphagia. I just kept thinking about how can I take this model the A-FROM and apply that to working with individuals with dysphagia.   How I would previously use the A-FROM is that Venn diagram. I would just draw it on a piece of paper and start writing my notes on that as I was maybe doing an intake or working with a client. I started doing some of that model just in my note taking and looking at these different domains that might be impacted. And this was just kind of over a series of months, and even a year, where I was thinking about how to apply this and shared it with my patients. Here are some of the things that I'm seeing and what you're sharing with me that shows your participation is being impacted.   Then I ended up talking with our director, Heather Starmer, about an idea of a project—like how can I move this ahead. Theresa had recently joined our team and Heather said, you might want to talk to Theresa about that. She might be interested in doing a presentation on this. And so it was great, because Theresa and I had not yet talked about our aphasia backgrounds together. It was really neat to then work together and begin to apply this with more of our patients. Initially, we kind of struggled with what the environmental domain look like for somebody with dysphagia. And it was neat to talk through different cases with each other to see how it could apply. And then that's where the Swal-FROM came from.   Ellen Bernstein-Ellis  11:39 Wow, that's wonderful that the two of you were at the right place at the right time. And I always feel that the expression “stronger together” seems really fitting in this situation. But Theresa, do you want to share how you brought a life participation perspective into your work at Stanford?   Theresa Yao  11:57 Yes, sure. Because I've always been a big fan of the ICF model. When I was a student clinician in Aphasia Treatment Program, I learned so much from this model, from LPAA, and from Ellen, you. And also, of course, our members in our Aphasia Treatment Program. And I just could see the huge benefit from the LPA approach in the client's life.   So that's why once I started working in real clinics, I always think about this model. And when I started in at Stanford, I started working with the head neck cancer patients. I just feel like so many patients, they live with long term dysphagia, or a sore throat because of the neck cancer treatment they had. And they sometimes just can't get rid of it. They have to live with it. It's just like aphasia. They live with aphasia. And then it just clicked.  I just think that it's pretty similar to the situation that you're living with aphasia, and it's that same impact on patients quality of life, on their participation.   Then I just started thinking, maybe we can do something with this model to help our patients. And then, of course, Jocelen was there, and then we were just talking about her experience with aphasia treatment and LPAA. And we just clicked. That's why we came up with this (ASHA) presentation, and this idea of how to adapt this A-FROM to our Swal-FROM. And then also, we're talking about this because I also started a support group because I feel like people wanted to get connected. They wanted to engage like aphasia group.  They wanted that community to be able to participate, to be able to share. So that's why I think this also helped me to try to initiate this project, this group, so that we can help more people so that they can, they can help each other.   Ellen Bernstein-Ellis  13:56 I really love that you saw the power of group therapy, and you then were able to bring it into a different treatment arena. I really don't remember hearing too much about separate support groups for people with swallowing disorders. I don't know how common they are. But it sounds wonderful that you started one, Theresa. So very exciting. What do we know about the incidence of dysphagia in stroke survivors, and then people in skilled nursing, and from there, head and neck cancer? The reason I ask because I think there's overlap. I mean, you're seeing the dysphagia in head and neck cancer, but we know that it occurs frequently. Do you have any numbers to share about the incidence in stroke survivors?   Jocelen Hamilton  14:39 Yes, so it's about 45% of individuals with strokes experience, some degree of dysphagia and there's been research that's shown 40 to 60% of older individuals in nursing homes have dysphagia. There's even some research out there that one in 25 adults will experience dysphagia. Then when we look at individuals with head and neck cancer, and this could be on the lower range, but one of the particular statistics is 45 to 50% of individuals with head and neck cancer experience dysphagia.   Ellen Bernstein-Ellis  15:11 The importance of considering the whole person (for dysphagia tx) is really going to affect a lot of people that we might be seeing as therapists. And the two of you saw that there was a strong impairment focus in dysphagia management.  Can you give an example?   Theresa Yao  15:27 I can talk a little bit about this. When I was in grad school, I know that most of the things we learned was how to identify the impairment of dysphagia. We learned all kinds of treatments and exercises for dysphagia. We learned like how to modify diet, how to look for aspiration, penetration. Almost everything we learned, and also what we've been practicing in our clinical practice are heavily focused on the deficit and impairments. That's basically how we trained to assess and treat the physiological changes or the deficit. It just, to me, sounds like it's really technical.   I recently just look up the ASHA NOMS, the National Outcomes Measurement System-- that's what we usually use as judgment of whether the patient is making progress or not. They use this particular functional communication measures to see there's like different levels. If you're really looking at this national measurement system, you can see that the wording and the definition of each level is pretty much impairment focus. They mention diet level, safety, efficiency of swallowing, compensatory strategies, or cues, etc. So these are really heavily focused on impairment, but you don't really see like things that relate to participation, quality of life, environment, and those factors. So the consequences that if all the clinicians are just looking at the impairments and not looking at other factors, then you are missing a lot, you're not treating the whole person.   Ellen Bernstein-Ellis  17:11 Well, that's perfect, because that leads me to my next question. Why is it important to go beyond the impairment level measurement with dysphagia?       Jocelen Hamilton  17:24 I would say, because dysphagia is more than a physical difficulty. That's our name for that physical impairment. But it influences more, just like we know, with aphasia, that it's not just how much they can say, what they understand in the different modalities, but how a change in this function in the body influences everything.   So one of the analogies that I can relate to, that I've heard before in terms of looking at accessibility, has to do with like, physical impairments. So if somebody is paralyzed, they can't move their legs, well, the physical therapists are going to look at their legs and see the range of motion, their strength and all of that. But they're also going to think about how are they going to get into their house? And how are they going to move around?   Well, sometimes what can happen with dysphagia, as Theresa already talked about, we're looking just at how does that epiglottis move? What is the airway invasion like? But then are we going to talk about well, what's going to happen? We just had the holiday with Thanksgiving and the holidays now. What are family meals going to look like? I think one of the things that sticks out to me is what would my day to day life and social life be like if I couldn't drink with ease and comfort, I couldn't eat with ease and comfort, if I needed to have special food and special liquids and special strategies? So this impacts so many things within a social realm, and personal realm as well. We'll get into that in more detail as we go. But it's not just about the change in a physical function. How does that influence the rest of our lives? And it really does. There's been research that shows about burden and quality of life and psychological health.   Ellen Bernstein-Ellis  19:08 Well, this really hits close to home for me. I'm going to share with our listeners a personal story, because I've always been very passionate about our field and an advocate for speech language pathologists, but being on the other side of the table, when my husband was diagnosed with terminal cancer, did nothing but increase my own respect and appreciation for the role we play in supporting our clients and their loved ones.   Through this process, specifically with dysphagia, and I want to give a shout out to my husband's speech pathologist at Stanford, Heather Starmer, (and another congratulations to her because she just was made a 2023 ASHA fellow), but I'll just always remember the day that we came in. I know that Heather was set with her treatment plan-- I could already guess what we needed to do for the day. And that plan went out the window because we both signaled, Steve and I, that he was just feeling an increasing burden of trying to manage all of the home tasks we were supposed to do for both PT and speech, and it was just really impacting how he was feeling. And so instead, Heather focused on the personal impact and the quality of life issues that we were bringing up. Steve wanted to be compliant. He wanted to be the best patient there was. But she really listened to him carefully. She brought her best counseling skills to the table that day, and helped us come up with a plan that we could manage in a way that would help us sustain his quality of life as best as possible.   So I really saw, personally, I mean, I saw day in and day out how his dysphagia from his head neck cancer really impacted, hugely impacted, his participation with our family, and his quality of life. I am grateful for this work that you're doing and the passion you feel for looking at the whole person as you assess and treat dysphagia. And thanks to you, I've been reading, since dysphagia is not usually in my wheelhouse as much these days, but thanks to preparing for this particular episode, I was able to read some articles by Rebecca Smith and her colleagues that showed me that there's some amazing work being done looking at this whole topic, so thank you for that. Okay, and taking a deep breath, because that's a story I've been thinking about for quite a bit.   Back into our next question. What is the speech pathologist's role in assessing and addressing health related quality of life and the associated mealtime quality of life? That seems to be talked about a lot in the literature right now. Jocelen, is that you again?   Jocelen Hamilton  21:57 I'm glad you mentioned Rebecca Smith's work. There are actually three papers, I think, that that group, she and colleagues, put out in 2022. And specifically, I'll share a few quotes from their paper The True Cost of Dysphagia and Quality of Life:  The Views of Adults with Swallowing Disability, but in a way, there's a call to action, and she's not the first to mention it. But for us to include social participation, and their overall well-being, as part of our dysphagia intervention. To make that routine, and then to also ask questions: How are you doing? How are the holidays? How are these social settings with eating? I like to ask patients and their family members, and ask them separately, not meaning like individually, within the same session: Are you participating in doing this, the same things that you did before your diagnosis? Or how is that looking? Are you going out to eat as much? What do you miss now that is different and you're experiencing changes in your swallowing.   And it's interesting, because sometimes the partner will say that they miss going out to eat, and they need to navigate feelings like, “Well, I don't feel comfortable eating this in front of my loved one who has difficulty swallowing. I feel conflicted about I get to eat ribs, and they don't.” Those kinds of things. The importance of eliciting these stories, so we can really see what are their challenges, because then we can, like LPAA teaches us, we can engage in this creative problem solving and how we can help navigate through some of these challenges. I think those are a couple of important things that we can look at to support people.   Ellen Bernstein-Ellis  23:45 Thank you. And I just wanted to let our listeners know that we're putting all these references into our show notes. I took some from your ASHA presentations that I attended. So those will all be cited in the show notes.   Well, to expand to the participation, environment, and personal domains, you started to think about using patient reported outcomes or PROs for assessment. Why don't we go through the domains and discuss potential tools and interventions to fill out this framework a little bit more. So what might it look like if you consider participation?   Jocelen Hamilton  24:24 When we're looking at participation, we're looking at these meaningful activities may or may not involve oral intake, but looking at their current levels of participation compared to their pre cancer status. So how often, and in what ways, is someone with swallowing challenges participating? I kind of already talked about that a little bit. And how are the family members doing?   Here's one of the interesting things that I've had patients share here. Sometimes, one of the swallowing strategies that a patient needs to complete is a purposeful throat clear, and a re-swallow, or some patients do naturally their throat clearing, or maybe they're coughing when they're eating and drinking. This is an area where it calls attention to them when they're doing this. And then during the pandemic, we were all super hyper aware is somebody clearing their throat? Is somebody coughing? I've had some patients where they really don't feel comfortable because it calls attention. And people ask, how are they doing?   And also, another challenge being that when swallowing is hard, talking and swallowing is extra hard. When swallowing is challenging, most people need to just do that, where we take for granted that meals are a very social time. So some of those issues can be really challenging. There's also some individuals where their difficulty with swallowing has to do with loss of the bolus coming out and so there's almost changes in appearance, where they may not feel it. Their lip, their chin might be numb, and they don't know that liquids are dripping out, or they have a piece of food sitting there. So, they might be hesitant to go out and participate in different social settings. Even sometimes we have patients where they don't feel comfortable eating with their own family members, where they will eat completely separate from their spouse.   Ellen Bernstein-Ellis  26:28 I am just really struck again about the overlap of some of the things in your head neck cancer patients with clients I see with aphasia. It's really striking. So should we take a moment and discuss how this might look if you consider the environment?   Jocelen Hamilton  26:44 I really didn't address a PRO at all.   Ellen Bernstein-Ellis  26:46 Oh, it's not too late. We can still do that.   Ellen Bernstein-Ellis  26:52 Why don't you go ahead?   Jocelen Hamilton  26:55 Sure. Okay. So we're looking in this interview, right, like gathering information, learning how these things are challenging for them. For patient reported outcomes, PROs, Theresa, and I both looked into different ones. And oh, this one has these questions. And this would fall within this domain. So I'll touch base on a few of them here. And then some of them, they have questions that actually apply to  all of the domains.   So for these, there's one the Swal-QOL, this is probably the most broad in terms of looking at all of the domains that are within this Swal-FROM. It has 10 different quality of life concepts that it has specific questions for. So for this one, there's one subset that's all about social functioning. Some of the questions, they're rating from either strongly agree five point scale to strongly disagree, One of the questions, for example, is “I do not go out to eat because of my swallowing problem.” That really tells you where they're at with that participation, or “Social gatherings like holidays or get togethers are not enjoyable because of my swallowing problem.” So that really hones in on that challenge.   Within our specific area of practice with individuals with head neck cancer, there's a scale called the Performance Status Scale Head Neck Cancer, PSS-HN. Now you might think, how might I use this? I encourage people to be open minded, even though this wasn't validated. And some of these are not validated on individuals who have dysphagia from a different cause other than head neck cancer. It doesn't mean that you can't use it as a way to gather information, engage, and perhaps re administer.   I'm also a big fan of, as people fill this out, having a conversation about their responses as they go to gather information. But with this, the Performance Status Scale, there's a specific rating scale about public eating. So zero means always eats alone. And 100 is no restriction of eating for any place food or company. So they would eat out at any opportunity. Where in-between might be one point on the scale, “eats only in the presence of selected persons and selected places”, or they would eat out but there would be another option,  “eat out, but be more selective about the diet textures and things they would consume in a social setting”, which is common. Some individuals will specifically choose different foods when they're when they're in a social setting.   There's also another PRO, the Dysphagia Handicap Index. So with this one, it's a 25 item questionnaire and it does specifically look at physical, functional and emotional aspects of dysphagia. And so a couple of questions from there that would fit with the participation domain include, “I'm embarrassed to eat in public” and “I don't socialize this much due to my swallowing problem”. Those could give some insight into these areas by selecting some of those questions.   Ellen Bernstein-Ellis  30:08 Well, I'm really glad you caught me. I think I was so struck about the overlap that, thank you for coming back and talking about those PRO's. Are we good? Can we transition to the environment next? What would this look like? What does the Swal-QOL look like if you consider the environment.   Theresa Yao  30:29 When you talk about the environment, it can be factors such as the availability of the appropriate food textures, and oral liquid consistencies across different social settings. For example, if you go out to the restaurant, are there any easier food texture that's available for people with dysphagia? And that's one of the environmental factors.   And then there's a new article from ASHA leader that just came out about dining with dysphagia. So that's actually a pilot program from University of Cincinnati that try to help restaurants to expand their menu options so that they have more choices for people with swallowing disorders.   Ellen Bernstein-Ellis That's amazing.   Theresa Yao Also, another factor that related to the environment is the attitude and level of acceptance or support the people with dysphagia can get from their family, their friends, or even just strangers in their eating situation. So just like Jocelen mentioned, if you're coughing or clearing the throat, what the reaction from other people will be like, -- if they're supportive, or if they're not so. Sometimes these factors can make a patient uncomfortable eating out because of those environmental factors. And then also, the attitude from people around usually can be impacted by culture. Which type of textures they prefer to consume, and how they consume. If you go to a different type of restaurant, they may have different types of food textures, that are specifically for that culture, so that's also another factor.   And then also, on the broader spectrum, is the attitude from the healthcare professionals or the public, because the attitude from healthcare professionals is basically, because dysphagia is invisible, and when you are in the hospital, not everyone can see it. If you have leg injury or arm injury, people can see it. But if you have dysphagia, you can't see it. And then when the health care provider is, prescribing your pills, and if you can't swallow, how can they take the pill? They probably are not aware of this, this type of disability, so they may not prescribe you the right pills.   These are the things that we can consider as environmental factors. And of course, even larger scale, there's health care policies, the service systems, that may impact the people with a dysphagia too, because insurance may not pay all the dysphagia services, or how often can people get dysphagia support or service? So those are all the environmental factors that we may consider.   Ellen Bernstein-Ellis  33:21 I think the importance of this framework is helping us as clinicians to continue to think just broader and more widely about what's impacting the person in front of us. I mean, wow, you are giving us a lot of factors, from the very personal to the broader social policy. And I want us to take a moment and also talk about personal factors, that whole domain.   Theresa Yao  33:41 Personal factors can also be very, very important. And  a lot of things can be involved. So we know that the person was dysphagia may not be the same person, have the same hobbies or same traits, as before their treatment. So that may cause anxiety, or they may feel embarrassed because of their eating habits, or the change of their eating habits. Because we know that eating and drinking is very individualized. Some people, if they're born as a slow eater, they probably are okay with their dysphagia diet or if we ask them to eat slowly and take smaller bites, that's totally fine. But if some people are born as a fast eater, they will have a huge challenge with, if you give them the strategy to eat slow, taking small bites, because that's just not them anymore. They just feel like they're a different person and then they feel disappointed or frustrated if they can't eat as fast as they used to.   And I always share this in my clinic. I  see two patients with similar procedures. One person can feel really happy with their diet. They feel okay because they're always eating soft foods or soups. And then another person just with a little bit of impairment of mouth opening, they feel like it's just really frustrating because they can't bite their sandwiches and burgers. And that just makes a huge difference. But if you're only looking at their swallow study, it's the same, they probably don't have any major impairment, but the impact on the quality of life on their participation, environment, and also personal factor. It's so different. So that's why I think considering a personal factor is really important.     Ellen Bernstein-Ellis  35:38 So you're giving us examples of the things we should be thinking about, you're giving us examples of some of the PROs that might help us measure. But if many of the EMRs, the electronic medical records are set up for impairment focused measures, how can you adapt the documentation to include these other domains? That's always a barrier, or can be maybe, not always, can be.   Jocelen Hamilton  36:00 I think sometimes it can be a barrier. If sometimes the entry is just you have to click certain things, there's not a lot of room for free text. With the EMR that we have, we can have a set template, but we can copy and paste anything in there. So what I did is I took the A-FROM--actually, in the same paper that put out the A-FROM, they put the FROM, Framework for Outcome Measurement, and actually suggest that you could use it for individuals with TBI and called it TBI-FROM.    I took that and put it into a template and have the citation for it there and then added a title. It gives a visual for other individuals reading the note of what I'm talking about. ‘Survivorship beyond body function domain: Dysphagia's impact on personal, participation, environmental domains', so I have that as a title. I have it as this set, we use epic, so I can do dot phrases (Smart Phrases). I can drop that into a note. And then as I go through and document, I have the subtitles of body function, participation, environment, personal factors in as I'm collecting this information. That's how I can organize my note.   I don't do it every single time with every single patient. Sometimes some of our sessions are more impairment focused, like we need to for safety reasons focus on this. Sometimes it's more a whole session all about how are they doing with their personal domain? I had a patient in the clinic today, and he is depressed, and we just had this quick talk of, “Okay, what do we need to do? Can you talk to your primary care doctor? This is common, many individuals with head neck cancer have depression.” But I'll organize my note, getting back to the notes, with those subtitles and putting the information in there. It also is a cue for me, because I keep needing cues and reminders to come back and broaden that focus, instead of always being in on the impairment and you monitor, document, and then monitor, as I'm reviewing back on their notes to see how they're doing across these different domains.   Ellen Bernstein-Ellis  38:19 That is a beautiful example of how you can adapt something. I'm sure a lot of our listeners really appreciate you describing it so carefully, and hopefully will inspire some of them to see what they can do to adapt their EMRs.   A little bit earlier, you mentioned the importance of getting perspective from both the client and the care partner. How does the caregiver or care partner experience fit into the Swal-FROM?   Theresa Yao  38:47 Caregiver or care partners, they play a really important role in this whole journey with individuals with dysphagia. And I'm sure Ellen, you probably were in that role before. Most of the time, it's the caregiver making the meals for the spouse. Making the meals for the patients with dysphagia can be very challenging. Because just the texture, you have to take care, and the taste. I have caregivers talking to me. They told me that they tried their best to make all the foods but the patient didn't eat at all or didn't like it at all. Then they feel super frustrated. These are all the challenges that the caregivers may face.   Dr. Samantha Shune and colleagues, they did a lot of work on this caregiver burden topic. Their study said increased caregiver burden has been associated with the degree of impact that dysphagia is having on mealtime logistics. Family members also report increased anxiety and fear and frustration, stress, embarrassment and social isolation. So these are very two critical things to consider when we're thinking about whole person care, because we can't just care for one person, the patient. But if the caregiver is also experiencing all the stress, all the anxieties, we also need to consider that factor.   Researchers in Australia, Professor Nund and colleagues, they also pointed out that this specific caregiver burden is third party disability. And it's the consequence of that person's impairment, which impacts the functioning and ability of their family members or significant others. That's why we want us to fit this caregiver experience into this Swal-FROM framework. Just adding the family caregiver in all the different domains to support patients with dysphagia. And caregiver can influence four domains. But at the same time, also, we need to take care of, examine, the four domains of the family member or the caregiver--going to check their participation, their environment, and their personal factors. Those are really important, because their health and well-being can be affected by being in the journey of taking care of people with dysphagia. So they're super tied closely. That's why we wanted to fit this framework as well.   Ellen Bernstein-Ellis  41:21 One of the clinical tools I've learned is available is a PRO measure called the CARES, developed by Shune and colleagues, and we'll again put the citation in our show notes. Theresa, could you describe that a little bit more?.   Theresa Yao  41:37 So this is a wonderful screening tool that developed by Dr. Shune and colleagues. It's full name is called Caregiver Analysis of Reported Experiences with Swallowing Disorders. It has 26 items in the questionnaire. And then there's two parts that explore a different aspect of dysphagia's impact on the caregiver. One is a checklist on the behavior and functional changes, and one is a checklist of the subjective caregiver stress. Basically, it's a simple yes/no questionnaire. You can give it to the caregiver and they can just circle yes or no. Then from that, you can figure out what area you may address as an SLP. Or you may want to refer them to a specific team or professionals to address that, because we have limited scope of practice, we can't do everything. But if we can help them to identify the issue and then point them in the right direction, to the right team. That may help a lot.   Ellen Bernstein-Ellis  42:43 In your ASHA presentation you also mentioned the Rome Foundation is a resource and another website that offers skill building around managing serious illness conversations. We're going to put both of those resources into the show notes for people, but we don't have time right now to go into them fully.   But Jocelen, can you address or share what benefits you've seen by adopting this framework? Does it help with goal setting? Does it help with acceptability of recommendations? What have you seen?   Jocelen Hamilton  43:12 I think it's helped me and I feel like it's helped patients and our families have a little more clarity about, okay, these are the areas that are challenging. And again, I'm a visual person, so if I write it out with them, and they're telling me things, and I'm explaining, I get excited about the diagram, and I'm like, you know, see, this seems like an area of challenge. Is there something that you're interested in doing in this area? Are you willing to talk with another person who's gone through this?   So I feel like it really can give clarity, I think, for myself, what you know that A-FROM does, and Swal-FROM now is to not, I professionally can get really hung up on the impairment. And I can't always change that, right? We can't always change it to the degree that we would like. Of course, we would like everybody to have complete resolution, right? And so there can be this frustration and powerlessness with that. And obviously the patients and our family members can be experiencing that also.   And with this broader view, we can say but here's what we can focus on what can we do to have you participate that would make you feel better? What can we do that would help you with your personal feelings? So I feel like it addresses things that matter and we can have more conversations about how is their day to day life being impacted? What are some small steps we can take in a direction that might help them and their families.   Ellen Bernstein-Ellis  44:43 That's beautiful. Thank you so much, Theresa and Jocelen. It has been a pleasure  and I've learned so much from both of you, listening to you apply this framework and look deeply and carefully at quality of life for people with dysphagia. I really appreciate it. Is there anything else you want to add?   Theresa Yao  45:03 I just wanted to add a little bit. So I think it's really important as clinicians to listen to our patients and caregivers, because we need to learn from their experiences, their perspective. And, like we mentioned dysphagia is invisible. I wanted to share one of the quotes from one of the dysphagia support members. He says,  “dysphagia is a label you carry with you inside.” And that's really just so true, because it's hidden. If you go outside, people see like you what you can walk, you can talk, but they don't know that this disability is hidden inside. And I think it's so important to address not just the impairment, but also listen to the patient's perspective. And then help them to address all the domains. I always think that you become a better clinician because what you learn from your patient. So that's all we need to do.   Ellen Bernstein-Ellis  46:08 I can't think of a better way to close this interview. Even though I could ask you several more questions, we could be here for another hour, I just want to thank you for bringing that patient's voice, a client's voice, into the discussion today, so beautifully. And let's end on that note of really learning from our patients' perspectives. So I want to thank you both. And I want to thank our listeners for listening today. And for the references and resources mentioned in today's show, please see our show notes. They're available on our website at www.aphasiaaccess.org. And there you can also become a member of our organization.   Jocelen Hamilton Yes, yes, Do it!   Ellen Bernstein-Ellis Thank you! Browse our growing library materials and find out about the Aphasia Access Academy. If you have an idea for a future podcast episode, email us at info@AphasiaAccess.org For Aphasia Access Conversations, I'm Ellen Bernstein-Ellis. And thanks again for your ongoing support Aphasia Access   Resources and References Ariadne Labs: Serious Illness Care Program https://www.ariadnelabs.org/serious-illness-care/serious-illness-care-program/ The Rome Foundation https://theromefoundation.org/   Chen, A. Y., Frankowski, R., Bishop-Leone, J., Hebert, T., Leyk, S., Lewin, J., & Goepfert, H. (2001). The development and validation of a dysphagia-specific quality-of-life questionnaire for patients with head and neck cancer: the MD Anderson dysphagia inventory. Archives of Otolaryngology–Head & Neck Surgery, 127(7), 870-876. Hamilton, J., Yao, T. J. (2023). Framework to Guide Whole-Person Care for Individuals with Dysphagia. 2023 ASHA Convention, Boston, MA. Hamilton, J., Yao, T. J. (2022). Shifting to Whole-Person Care for Head Neck Cancer Survivors Living with Dysphagia. 2022 ASHA Convention, New Orleans, LA. Hickey, E. and Douglas, N. (2021) Person-Centered Memory and Communication Interventions for Dementia: A Case Study Approach. Plural Publishing, Inc. Howells, S. R., Cornwell, P. L., Ward, E. C., & Kuipers, P. (2021). Client perspectives on living with dysphagia in the community. International Journal of Speech-Language Pathology, 23(2), 201-212. Kagan, A., Simmons‐Mackie, N., Rowland, A., Huijbregts, M., Shumway, E., McEwen, S., ... & Sharp, S. (2008). Counting what counts: A framework for capturing real‐life outcomes of aphasia intervention. Aphasiology, 22(3), 258-280. List, M. A., D'Antonio, L. L., Cella, D. F., Siston, A., Mumby, P., Haraf, D., & Vokes, E. (1996). The performance status scale for head and neck cancer patients and the functional assessment of cancer therapy‐head and neck scale: a study of utility and validity. Cancer: Interdisciplinary International Journal of the American Cancer Society, 77(11), 2294-2301. McGinnis, C. M., Homan, K., Solomon, M., Taylor, J., Staebell, K., Erger, D., & Raut, N. (2019). Dysphagia: interprofessional management, impact, and patient‐centered care. Nutrition in Clinical Practice, 34(1), 80-95. McHorney, C. A., Bricker, D. E., Kramer, A. E., Rosenbek, J. C., Robbins, J., Chignell, K. A., ... & Clarke, C. (2000). The SWAL-QOL outcomes tool for oropharyngeal dysphagia in adults: I. Conceptual foundation and item development. Dysphagia, 15, 115-121. Nund, R. L., Scarinci, N. A., Cartmill, B., Ward, E. C., Kuipers, P., & Porceddu, S. V. (2016). Third-party disability in carers of people with dysphagia following non-surgical management for head and neck cancer. Disability and rehabilitation, 38(5), 462–471. https://doi.org/10.3109/09638288.2015.1046563 Shune, S. Moving beyond the isolated swallow: Dysphagia in the context of the shared mealtime. https://dysphagiacafe.com/2015/03/19/moving-beyond-the-isolated-swallow-dysphagia-in-the-context-of-the-shared-mealtime/ Shune, S., Davis, C., & Namasivayam-MacDonald, A. (2021). Contributors to Dysphagia-Related Burden Among Spousal Caregivers of Stroke Survivors. Archives of Physical Medicine and Rehabilitation, 102(10), e65. Shune, S. E., & Namasivayam-MacDonald, A. (2020). Dysphagia-related caregiver burden: Moving beyond the physiological impairment. Perspectives of the ASHA Special Interest Groups, 5(5), 1282-1289. Silbergleit, A. K., Schultz, L., Jacobson, B. H., Beardsley, T., & Johnson, A. F. (2012). The dysphagia handicap index: development and validation. Dysphagia, 27, 46-52. Smith, R., Bryant, L., & Hemsley, B. (2023). The true cost of dysphagia on quality of life: The views of adults with swallowing disability. International Journal of Language & Communication Disorders, 58(2), 451-466. Smith, R., Bryant, L., & Hemsley, B. (2022). Dysphagia and quality of life, participation, and inclusion experiences and outcomes for adults and children with dysphagia: A scoping review. Perspectives of the ASHA Special Interest Groups, 7(1), 181-196.

Dan and Jon have made it to The Aloha State to gab about the 1961film that introduced the world to Elvis singing I Can't Help Falling in Love. Dan and Jon talk about their own experiences in Hawaii, representation of indigenous Pacific Islanders, and conflicting feelings about the King of Rock and Roll.Hey, Viktor! trailerNext episode: Wayne's World (1992) • IllinoisSee what native tribes reside or resided in what is now known as IdahoContact us, follow us on social media, or buy some merch at linktr.ee/RuinedChildhoods Hosted on Acast. See acast.com/privacy for more information.

We're about to embark on a musical journey with the King of Rock 'n' Roll himself, Elvis Presley, and his historic album, "Aloha from Hawaii via Satellite." Released in 1973, "Aloha from Hawaii via Satellite" is not just an album; it's a sonic adventure that captures the magic of Elvis' live performance and the global spectacle of the concert broadcast via satellite. This album is a testament to Elvis Presley's enduring charisma and his ability to captivate audiences around the world. The concert, performed at the Honolulu International Center, marked a groundbreaking moment as it was beamed to over a billion viewers in more than 40 countries. Elvis, clad in his signature jumpsuit, delivered a performance that showcased not only his vocal prowess but also his dynamic stage presence. The album features a mix of Elvis classics and contemporary hits, including "Suspicious Minds," "Burning Love," "Can't Help Falling in Love," and "Steamroller Blues." Each song is a testament to the King's versatility, blending rock, gospel, and ballads with a style uniquely his own. Elvis' connection with his audience was palpable, and "Aloha from Hawaii" captures that electric energy. His magnetic stage presence and the sheer joy he brought to his performances made him a cultural icon, transcending generations. Beyond the music, Elvis' impact on popular culture is immeasurable. He was not just a singer; he was a global phenomenon, and this album stands as a testament to his enduring legacy. Elvis' influence extended to fashion, film, and even the cultural phenomenon of rock 'n' roll itself. As we gently place the needle on this vinyl gem, we invite you to join us on a musical voyage with "Aloha from Hawaii via Satellite." We'll explore Elvis Presley's impact on the music industry, the cultural significance of this landmark concert, and the timeless allure of the man who will forever be the King of Rock 'n' Roll. So, get ready to be transported to the magic of Elvis on this episode of Dem Vinyl Boyz.

Dan and Jon have made it to The Aloha State to gab about the 1961film that introduced the world to Elvis singing I Can't Help Falling in Love. Dan and Jon talk about their own experiences in Hawaii, representation of indigenous Pacific Islanders, and conflicting feelings about the King of Rock and Roll.Next episode: Smoke Signals (1998) • IdahoSee what native tribes reside or resided in what is now known as HawaiiContact us, follow us on social media, or buy some merch at linktr.ee/RuinedChildhoods Hosted on Acast. See acast.com/privacy for more information.

Firstly, we're diving into the world of music, romance, and unforgettable moments as we explore the Top Wedding Songs.   This podcast is for engaged couples who are stressed out with wedding planning and family expectations but want a fun wedding day.   We'll explain our suggestions for the Grand Entrance, First Dance, Father and Daughter Dance, Mother and Daughter Dance, Mother and Son Dance, and cake-cutting songs.   Get ready to discover the melodies that will make your wedding a musical masterpiece.    The Stress-free Wedding Planning Podcast #68: The Top Wedding Songs from the First Dance to The Cake Cutting Host: Sal & Sam Music: "Sam's Tune" by Rick Anthony   TIMESTAMPS  0:00:00 Introduction: The Top Wedding Songs from the First Dance to The Cake Cutting 0:03:35 Discussion about Grand Introductions songs 0:04:30 Songs: Ain't No Mountain High Enough, Walking On Sunshine and Beautiful Day 0:05:00 Songs: On Top Of The World and Believe in a Thing Called Love 0:05:30 Songs: I Got A Feeling and Don't Stop the Party 0:06:00 Songs: All I Do Is Win and Walk It Out 0:06:30 Songs: Love Story, Wagon Wheel and Here for the Party 0:07:30 Discussion about First Dance songs 0:07:45 Songs: Unchained Melody, Amazed and Your Song 0:08:15 Discussion about the song Can't Help Falling in Love 0:09:00 Songs: Best Friend, Marry Me, and To Make You Feel My Love 0:09:30 Discussion about The Cake Cutting and the Farmer In The Dell 0:10:00 Discussion about the Farmer In The Dell song 0:11:00 Songs: Sugar Pie Honey Bunch, How Sweet It Is and Pour Some Sugar On Me 0:12:30 Wedding tip Wednesday 0:16:00 Discussion about the father-daughter, mother-son, and mother-daughter songs 0:17:00 Discussion about Mother Son Dances Song by Toni Becker called Dance With My Baby  0:18:00 Songs: I Loved Her First, Tupoelo Honey, and Have I Told You Lately, 0:19:00 Songs: Butterfly Kisses and Landslide 0:20:00 Discussion about mother-daughter dance 0:20:30 Songs: I'll Be There, 0:21:00 Songs: My Daughter's Eyes  0:21:30 Song: Mother 0:22:00 Discussion using alternatives to well known versions and the option to not do these dances at all. 0:24:00 Close   Get your FREE no-obligation report TODAY: "8 QUESTIONS YOU MUST ASK A WEDDING PROFESSIONAL BEFORE BOOKING THEM" http://forms.aweber.com/form/55/756659955.htm Music List Giveaway  https://www.afterhourseventsofne.com/guestcontact *** Join us in the Stress-free Wedding Planning Facebook group https://urlgeni.us/facebook/stress-free-wedding-planning Sponsored in part by Clear Vision Productions and the Wedding Styles of CT Wedding Shows.   https://www.weddingstylesofct.com/   https://www.theclearvisionagency.com/ Wedding Tip Wednesday on the Stress-free Wedding Planning Podcast is sponsored by EMERGE Cosmetics – 10% OFF promo code: SF1 https://shopemergecosmetics.com/ Copyright © 2023 Atmosphere Productions LLC All Rights Reserved. Produced By Atmosphere Productions in association with After Hours Events of New England https://atmosphere-productions.com https://www.afterhourseventsofne.com #stressfreeweddingplanning #stressfreeweddingplanningpodcast #ctweddingdj #atmosphereproductions #afterhourseventsofne #cvpevents #clearvisionproductions #theclearvisionagency #dreamwedding #WalkDownTheAisle

Jonathan Cilia Faro is an Italian/American Opera Singer who was called the “MOST POWERFUL AND PASSIONATE LIVING VOICE” by Julio Iglesias Jr.    The newest album by Jonathan Cilia Fairo, Romantico features sixteen of the greatest love songs of all time. The album highlights Faro's distinctive fusion of opera and pop, leading audiences through an emotional journey of love songs like never before.    Infusing his individual flair into timeless tracks like “O Sole Mio,” “Love Story,” “The Prayer,” and “Can't Help Falling In Love.” This is the album to have to romance your better half.    With a string of sixteen successful albums, four inspirational and twelve crossovers, plus the top-selling album in Europe, he continues to deliver his unique blend of musical stylings. . #operasinger #opera #lovesongs #romance #popmusic #gospelmusic #Sicily #italy #operasongs #newalbum #newmusic #thegodfather #theprayer #osolemio #jonathanciliafaro

Jonathan Cilia Faro is an Italian/American Opera Singer who was called the “MOST POWERFUL AND PASSIONATE LIVING VOICE” by Julio Iglesias Jr.    The newest album by Jonathan Cilia Fairo, Romantico features sixteen of the greatest love songs of all time. The album highlights Faro's distinctive fusion of opera and pop, leading audiences through an emotional journey of love songs like never before.    Infusing his individual flair into timeless tracks like “O Sole Mio,” “Love Story,” “The Prayer,” and “Can't Help Falling In Love.” This is the album to have to romance your better half.    With a string of sixteen successful albums, four inspirational and twelve crossovers, plus the top-selling album in Europe, he continues to deliver his unique blend of musical stylings. . #operasinger #opera #lovesongs #romance #popmusic #gospelmusic #Sicily #italy #operasongs #newalbum #newmusic #thegodfather #theprayer #osolemio #jonathanciliafaro

The episode that launched Peter's career as a musical analyst on YouTube, and the most popular video on his channel until being surpassed this year by Diana Ankudinova's performance of "Can't Help Falling In Love." Dimash's performance of "Stranger" solidly planted his flag as one of the world's great vocalists, and this episode was Peter's first exposure to Dimash, having gotten hundreds (if not thousands) of requests to analyze his voice. Please enjoy this deep vocal analysis of Dimash Kudaibergen's live performance of "Stranger."

The 2nd addition to the Analysis Essentials Series, please enjoy my full vocal analysis of Diana Ankudinova's live performance of "Can't Help Falling In Love," originally by Elvis Presley. This audio comes from my most popular YouTube video to-date, recently surpassing 500,000 views -- if you'd like to watch the video, follow the link below. Enjoy!   https://youtu.be/-A-wAOR4XOQ  

Matt and Samer a mix of great love songs to use on your wedding mix.Spotify:https://open.spotify.com/playlist/1CiIgY2i5jDepAIb21JHSd?si=02f88732f70f4847Apple Music:https://music.apple.com/us/playlist/wedding-love-songs-mix/pl.u-aZb0N55F1DZBq4vCrazy In Love (feat. Jay-Z) by BeyonceThis Will Be (An Everlasting Love) by Natalie ColeAin't No Mountain High Enough by Marvin Gaye, Tammi TerrelSo Damn Lucky by Dave MatthewsMarry You by Bruno MarsGod Only Knows by The Beach BoysI'm Yours by Jason MrazOverjoyed by Stevie WonderUnchained Melody by The Righteous BrothersCan't Help Falling in Love by Elvis PresleyUnforgettable by Natalie Cole, Nat King ColeYou're All I Need To Get By by Marvin Gaye, Tammi Terrell Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

Welcome back to another fun show!  Sorry that we've sort of been hit-and-miss since Annie returned from Europe.  Working this whole 4/10 schedule usually means I'm home by 6 pm and that's a little late for my Central-Time Co-Host Sibling to get started recording.  But don't you worry - the 4/10's will be ending SOON! Meanwhile, you're going to hear Annie and I talk alot about "New Millenium" things in the next few episodes.  Yeah, we know - that was, like, 23 years ago...but the good news about that is there was incredibly good music being cranked out during those early years.  The early 2000's were my years living in Chicago, Arizona, and Nashville all before moving to California - I hosted a karaoke show in Chicago, discovered country music in Arizona, and you can bet your ass that I loaded up on a TON of musical influences during my 18 months living in Nashville. Regardless - as Annie and I were kicking up new show ideas, this whole "Our Fave Cover Songs of The New Millenium" seemed an obvious choice and I do hope that you'll enjoy our selections.   And is there a playlist?  OMG - you're darn tootin' there is!  You can find that bad boy RIGHT HERE.   ALTHOUGH - there are three of our songs that you can't find on Apple Music (BIG TIME SAD FACE).  But not to worry - we have links to them here! BETTER MAN - Sugarland 50 Ways to Leave Your Lover - Miley Cyrus Can't Help Falling in Love - 21 Pilots ENJOY!!!

Chris Smither – No Expectations Pep Laguarda & Tapinera - Caseta del Plater Roy Harper – Goldfish Paul Simon – American Tune Bridget St. John – Some Kind of Beautiful Molly Drake – Poor Mum Judy Mayhan – Everlovin' Ways Pete Dello – Here Me Only We Five - Can't Help Falling in Love

True to form – Friday's bring the music video companion episodes to THE SUMMER OF 93 AT 30! Picking from Casey Kasem's top 10 each time. So this is a big deal. For the past 11 years I've been a regular guest on Out Now with Aaron and Abe. Aaron, as you know, frequently has […]

There was a time when the occupation of songwriter did not automatically include singer in the description. Usually a songwriter wrote the song and then it was performed by a singer. This began to change in the 1950s and became the norm in the 1960s. Songwriters began to perform their own compositions, and the era of the Brill Building was coming to a close. This week we present classic performances of songs not written by the performer. We'll hear covers by Bob Dylan, The Flatlanders, Los Lobos, Dawn McCarthy & Bonnie “Prince” Billy and lots more. Under the covers … this week on the Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways Christopher O'Riley / “Pink Moon” / Second Grace: The Music of Nick Drake / World VillageArt of Time Ensemble / “The Boy in the Bubble” / Ain't Got Long / Art of Time RecordingsSolo Razafindrakoto / “Crosstown Traffic” / Solodeguitare / Rough TradeFraser & DeBolt / “Don't Let Me Down” / Fraser & Debolt w/ Ian Guenther / ColumbiaDori Freeman / “I Want to See the Bright Lights Tonight” / Letters Never Read / Blue HensLiz Simmons / “Night in the City” / Poets / Self-producedDawn McCarthy & Bonnie “Prince” Billy / “Devoted to You” / What the Brothers Sang / PalaceTim O'Brien / “The Same Boat, Brother” / He Walked On / Howdy SkiesLoudon Wainwright III / “How I Love You (I'm Tellin' the Birds, Tellin' the Bees) / I'd Rather Lead A Band / Thirty TigersChristopher O'Riley / “Northern Sky” / Second Grace: The Music of Nick Drake / World VillageLos Lobos / “Sail On, Sailor” / Native Sons / New WestThe Flatlanders / “She Belongs to Me” / Treasure of Luck / Thirty TigersBill Frisell / “I'm So Lonesome I Could Cry” / Ghost Town / NonesuchBob Dylan / “Can't Help Falling in Love” / 1970 / ColumbiaSpecial Consensus / “Sweet Home Chicago” / Chicago Barn Dance / CompassPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways 

It's Episode 48 of the Friday Night Karaoke Podcast, and the theme of the week was #FNKElvis! January 8th was Elvis Presley's birthday (and consequently FNK Moderator / Behind the Filter's host Mars Cross and FNK Founder Joe Rubin share the same), so that week the FNK community sang songs from the 50s to tip their hats to the King's big day. It's Now Or Never, so how about A Little Less Conversation and a lot more Jailhouse Rock while we build a musical Bridge Over Troubled Water to ignite our Burning Love for karaoke. If I Can Dream, it'll be about Blue Suede Shoes and That's All Right because FNK is Always On My Mind. Don't Be Cruel, and when we post our best Hound Dog, don't Return To Sender since I'm All Shook Up over The Wonder Of You. So pull up to the Heartbreak Hotel in your Long Black Limousine and get ready for our Unchained Melody to ease your Suspicious Minds - this is Elvis week and we just Can't Help Falling In Love with your songs! Featured in this episode alongside hosts Mike Wiston and Joe Rubin: Sarah Keen and Mizter Mark with Hound Dog by Elvis Paul Bright with My Ring Around Your Neck by Elvis AsthmaBully Jones with Burning Love by Elvlis Brett Arellano and Simone Tellier with You Dont Have To Say You Love Me by Elvis (originally Dusty Springfield) Joe Rubin with Let's Play House by Elvis Isabel Aguilar with It's Now Or Never by Elvis James R. Isaac III with The Wonder of You by Elvis (originally by Ray Peterson) Eric Dubrofsky with Love Me Tender by Elvis Shannon Larson with Can't Help Falling in Love by Elvis You Don't Know Me with Ron R. Green by Elvis Love what you hear? Join the official Friday Night Karaoke FB group, a completely negativity free karaoke destination, and be part of the action! www.facebook.com/groups/fridaynightkaraoke. Hope to see you there!

Counting Down the Greatest Cover Songs of All-Time!!#60-56Intro: Can't Help Falling in Love by twenty one pilotsOutro: Can't Help Falling in Love by Elvis Presley60. Mrs. RobinsonOriginal #1: Mrs. Robinson (Version 1) by Simon & GarfunkelOriginal #2: Mrs. Robinson (Version 2) by Simon & GarfunkelOriginal #3: Mrs. Robinson by Simon & GarfunkelAlternate: Mrs. Robinson by Frank SinatraAlternate: Mrs. Robinson by Marcelo RezendeAlternate: Mrs. Robinson by Eric JohnsonCover: Mrs. Robinson by The Lemonheads59. My Heart Will Go OnOriginal: My Heart Will Go On by Celine DionAlternate: My Heart Will Go On by Caleb and KelseyAlternate: My Heart Will Go On by Sylvia YacoubCover: My Heart Will Go On by DragonForce58. Leaving on a Jet PlaneOriginal: Leaving on a Jet Plane by Peter, Paul & MaryAlternate: Leaving on a Jet Plane by John DenverAlternate: Leaving on a Jet Plane by Chantal KreviazukCover: Leaving on a Jet Plane by Drivin' N' Cryin'57. I'll Stand By YouOriginal: I'll Stand By You by PretendersAlternate: I'll Stand By You by Josh GrobanAlternate: I'll Stand By You by Natalie TaylorAlternate: I'll Stand By You by Rod StewartCover: I'll Stand By You by Cast of Zoey's Extraordinary Playlist & Alice Lee56. Stand By MeOriginal: Stand By Me Father by The Soul StirrersAlternate: Stand By Me by Ben E. KingAlternate: Stand By Me by Florence + the MachineAlternate: Stand By Me by Tracy ChapmanAlternate: Stand By Me by John LennonAlternate: Stand By Me by NEEDTOBREATHECover: Stand By Me by Otis ReddingVote on your favorite cover version from today's episodeAnd if you haven't yet voted on previous episodes:Vote on your favorite cover version from Episode 1Vote on your favorite cover version from Episode 2Vote on your favorite cover version from Episode 3Vote on your favorite cover version from Episode 4Vote on your favorite cover version from Episode 5Vote on your favorite cover version from Episode 6Vote on your favorite cover version from Episode 7Vote on your favorite cover version from Episode 8

In honor of Valentine's Day, let The Moth whisper sweet somethings in your ear(buds). Stories of falling in love, enduring devotion, and romance that blooms in the most unlikely places—or between the most unlikely people. This episode is hosted by Moth Executive Producer, Sarah Austin Jenness. The Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media. Hosted by: Sarah Austin Jenness Storytellers: Inclement weather threatens David Greco's romantic plans for Jazz Fest.  Eva Santiago reconnects with an old friend who is now in prison.  Paola Ayala is worried that her mother found a private letter.   Auburn Shaeffer and her husband share an unlikely first home.  Matthew Mercier uncovers his parents' love story. 

Britney trying to have dinner, Tennessee cop thinking she's a snack, and a woman marrying her duvet. That's just the tip of the iceberg this week! Follow us on Instagram: https://www.instagram.com/justinmartindale https://www.instagram.com/thecomedystore https://www.instagram.com/comedystorestudios