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Painter George, aka George Harry Crampton-Glassanos, is fine if you wanna call him just "George." In this episode, meet and get to know George. Both of his parents came to San Francisco early in their lives. His mom hails from the East Coast and her family were all working-class folks. His grandpa was a business agent for a machinist's union in Massachusetts. That grandfather shaped George's later involvement in organized labor. (Today, he's a member of the ILWU). George never knew this grandparent who had an outsize impression on him. He died shortly after George was born. But in Massachusetts, in addition to his union involvement, he owned a store that sold records on one half and hats on the other. His dad moved to San Francisco from the Midwest to attend school at the Art Institute (RIP). He got into that school and often slept overnight on a ledge on campus. Both of George's parents were punk rockers in SF in the late-Seventies. Amazing. His dad even lived with the guitarist from The Avengers (Penelope Houston's punk band). Though they would meet later, both spent time at the famed Mabuhay Gardens back in the day. George's dad was a painter as well, and that turned out to have a huge influence on George. His parents met when his mom got a job with his dad's construction working crew. This was around the mid-Eighties. George came along in 1989. After that, his parents had two more boys, making George the oldest of three. His earliest memories are from around the mid-Nineties in The Mission. George spent time when he was a kid running around The Mission and pre-gentrification Dogpatch with his dad. They lived on 18th between San Carlos and Lexington (or, zooming out a bit, between Mission and Valencia). That's two blocks from where I lived from 2003 to 2017, incidentally. But George's family got evicted from that apartment on 18th. The building sold and the new owners evicted tenants one by one, including families like George's. Both of his brothers were born in that apartment. His dad had made modifications there, handyman that he was. And George was old enough to remember all the awesome neighbors they had. I ask George about his favorite restaurants when he was a kid. "I fuckin' ate burritos every night of the week," he answers. He'd hit up nearby La Cumbre or El Buen Sabor around 300 times a year. Whiz Burger also figured big in George's childhood diet. There was a diner across 16th from The Roxie called Aunt Mary's (George shows me a coin purse from the place while we're recording) that he loved as well. Art was always encouraged at home. George's dad would bring home boxes of fax paper for him to draw on with ballpoint pens. He'd draw and draw and draw, often of things he saw. He remembers staring out the window of their place on 18th and watching cars go by, and he'd draw those. But it wasn't until high school at School of the Arts that George really started cranking it out. At SOTA, teachers encouraged George to draw whatever the hell he wanted to. He remembers drawing a skeleton pushing a paleta cart. When George tells me he attended SOTA 2004–2008, I mention that a number of past guests of this show went there around that time. "[The school] churned out a lot of us," he says. Joe Talbot, who co-wrote, produced, and directed The Last Black Man in San Francisco, went to SOTA in that era. George goes on a sidebar to share a story of getting caught smoking pot by a SOTA vice principal. I ask him to rattle off the SF schools he went to, and George obliges. Waldorf in The Mission for Kindergarten, then a Waldorf school in Pac Heights through eighth grade. They wanted him to attend their high school, but he chose SOTA instead. The Waldorf schools also encouraged art, which George appreciated. The social dynamics could be strange, though. You'd have kids like him who got into that school thanks to financial aid being classmates with kids who lived in mansions. After eighth grade, he needed a change. After he graduated from School of the Arts, George took some classes at City College. He'd been working summers painting houses for his dad, and eventually, college tailed off so he could work more. It also gave George more time for his artistic painting. This was about 20 years ago, and since then, he's been painting murals, hanging out with graffiti painters, doing work on Clarion Alley, and working with Precita Eyes to paint various houses and walls in The Mission. I ask whether George's art has evolved over the years. After thinking it over, he talks about the influence of cars and his mom and dad's comic book collections. He loved his mom's underground comics collections, and talks about going down to 23rd Street with them to Scott's Comics and Cards and SF Comic Book Co. next door. George points to artists like Spain Rodriguez, R. Crumb, and the Hernandez Brothers as having shaped his art from a young age. He'd go to Avalon on Mission for iron-on old English letters to have put on hats. The cholo influence of his neighborhood was seeping in, and George ran with it. The gumball machines on Mission with their foil stickers also played a part. He'd take those stickers home, many with images of cars on them, and draw from them. And of course the cars cruising Mission Street caught his artistic eye. George also touches on some of the violence he witnessed in The Mission in the Nineties, when he was a kid. George and his friends got around on skateboards, beater bikes, and Muni. He's quick to point out how, back in the day, you could take the 26-Valencia if you wanted to avoid potential trouble on the 14-Mission. I ask whether George got into any trouble himself. He says mostly harmless stuff like shoplifting. That was before his aforementioned time at School of the Arts. George has mixed feelings about the art scene, and I get it. He's had his art in shows, but prefers bookstores or community-oriented spaces vs. white-walled galleries. He doesn't feel like the audience that goes to those spaces is his. When he talks about painting at home after a long day at work, I ask George to talk about that work. He's currently part of a crew painting the new container cranes in the Port of Oakland. The ILWU is assembling the cranes and George and others use marine enamels to make the cranes look good. We end the podcast with how you can find George and his art. "You can find me on 24th Street," he says. No website. He's on Instagram at @paintergeorge415. We recorded this podcast at George's home in South San Francisco in April 2026. Photography by Nate Oliveira
Join this channel to get access to perks: https://www.youtube.com/channel/UCkHTY1eNYHr9JoTndx_m6kA/join New T-shirts & more are now available! http://tee.pub/lic/BAMG Your 100% drama-free comic book-focused podcast is back! Join John & Richard as the Hot Book of the Week focuses on a classic Jim Steranko cover - then they hit the Viewer Mailbag to chat tape removal, Conan the Barbarian in the 1970s, Michael Turner & more. The Old Fart Rule takes us back to 1984 and a Hernandez Brothers comic that's NOT Love & Rockets. Finally, our Underrated Books of the Week include a 1961 Marvel Omnibus and the return of the Impossible Man! Bronze and Modern Gods is the channel dedicated to the Bronze, Copper and Modern Ages of comics and comic book collecting! Follow us on Facebook - https://www.facebook.com/BronzeAndModernGods Follow us on Instagram - https://www.instagram.com/bronzeandmoderngods #comics #comicbooks #comiccollecting --- Support this podcast: https://podcasters.spotify.com/pod/show/bronzeandmoderngods/support
This week Sarah Webb (Knave of Hearts) joins the gang to talk about what's handy to know and check out for a newbie to the medium. Comic creators that are worth checking out, comic narratives, breaking out of the panel structure, crazy first convention stories and making comics for the love of it. Theres also plenty of tips, recommendations and a lot of hilarious comics banter to boot, so buckle up for another classic! Great stuff to check out this week - Sarah Webb, Knave of Hearts, Love and Rockets, The Hernandez Brothers, Comics and Sequential Art, Will Eisner, Terry Moore, Chris Bachelo,, Adam Help, Pet Shop, Infinite Wheatpaste Volume 1, Avery Hill Publishing, Jon Sterling: Superspy, Steamroller Man, Geek Syndicate, Lenore, Roman Dirge, Tyrant Fall, Bootleg Spiderman, Outrage Aux Bonnes Moeurs Parla La Voie Du Livre, Dynamite Comics, Madballs vs Garbage Pail Kids
This week on The Treatment, Elvis sits down with director and actor Vera Drew, whose film “The People's Joker” is a queer reimagining of Todd Philips' “The Joker.” Next, producer Jerry Bruckheimer, whose career of blockbusters in film and television spans five decades, joins to discuss his latest megahit “Top Gun: Maverick.” And for The Treat, “Love and Rockets” co-creators Jaime and Gilbert Hernandez talk about two films whose meanings continue to evolve for them.
This week on The Treatment, Elvis sits down with Jaime and Gilbert Hernandez, also known as the Hernandez brothers, who created the Love and Rockets comics, now out in a special boxed set commemorating the 40th anniversary of the first issue. Next, Jeremy Dauber, author of “American Comics: A History” joins to give historical perspective and round out the comics conversation. And finally on The Treat, actor and director Clea DuVall explains how ‘90s alternative female rock made her feel less alone as a struggling teenager and still inspires her in her work.
The Hernandez Brothers make it to television, but they don't talk about Blubber enough for our taste, and Alan Moore throws some words on the page but doesn't include any Don Simpson pictures? Well, if everything is wrong in the world, then what is right? Garth Ennis. Garth Ennis is always right!
Join us in this episode for a conversation with Eric Reynolds, Vice-President of Seattle-based publisher Fantagraphics. Headquartered in Seattle's Maple Leaf community—with their Bookstore & Gallery in the industrial Georgetown neighborhood—Fantagraphics has quietly produced a stunning body of work over the last 40+ years. Their genres span alternative comics, classic comic strip anthologies, manga, magazines and graphic novels. The imprint's stable of contemporary comics creators includes Jessica Abel, Peter Bagge, Ivan Brunetti, Charles Burns, Daniel Clowes, Mary Fleener, Roberta Gregory, Mega Kelso, Manny Murphy, Joe Sacco, and Chris Ware. They also include the enigmatic artistry of Jim Woodring as well as the magical realism of the Hernandez Brothers. Eric's passion for comics brought him to Seattle in the early 1990's at age 20 to intern at Fantagraphics, whose owners soon promoted him to publicist. In this podcast, Eric explores synergies between the fledgling alternative comics movement and Sub Pop Records, as well as independent media (including The Rocket & The Stranger) during this watershed period. These and other stories reveal Eric's purposeful stewardship of a vulnerable yet resolute enterprise through untold business obstacles, elevating comics into a mature art form along the way. For Eric, Fantagraphics remains a labor of love. “Sometimes it's a matter of be careful what you ask for; But it really is incredible to see comics taken seriously as art in a way that we could only dream about, years ago.” ~ Eric Reynolds
On a very special Episode 10 of X-Ray Vision, Jason Concepcion is joined by both co-hosts, Rosie Knight & Cody Ziglar, for an all hosts, all comics, all conversation! In Previously On…(1:10) Jason goes solo (and Soprano) to unpack the trailer of Disney+'s Boba Fett, Sony's Morbius, and celebrate the formation of the brand new Comic Book Workers United union at Image Comics (link to support below!). In the Airlock (9:51) Jason, Rosie, and Zig dive deep (deeeeep) into the world of comics, offering entry points for eager new readers, some all time personal faves, and what they're looking forward to in all things panel & page. In The Endgame (1:00:22), Jason, Rosie, and Zig play Some Assembly Required, picking their comics character to go head-to-head-to-head in a randomly selected scenario (Hint: stock up on Koopa Shells). Use #XRVEndgame & let us know what you think of their choices! Tune in every Wednesday and don't forget to Hulk Smash the Follow button! Follow Jason: twitter.com/netw3rk Follow Crooked: twitter.com/crookedmedia PLUGS: Check out Comic Book Workers United & show your support! The Listener's Guide for all things X-Ray Vision! Black Widow (2020) - Kelly Thompson & Elena Casagrande. Available here. Hawkeye (2012) - Matt Fraction & David Aja. Available here. Hellions (2020) - Zeb Wells & Stephen Segovia. Available here. Young Avengers (2013) - Kieron Gillen, Jamie McKelvie, & Matt Wilson. Available here. Infinity Gauntlet (1991) - Jim Starlin, George Pérez, & Ron Lim. Available here. Silver Surfer: Rebirth of Thanos (1990) - Ron Lim & Jim Starlin. Available here. X-Men: Grand Design (2018) - Ed Piskor. Available here. Ultimate Spider-Man (2000) - Brian Michael Bendis with Mark Bagley, Stuart Immonen, David LaFuente, & Sara Pichelli. Available here. Avengers Disassembled / New Avengers (2004) - Brian Michael Bendis with various, including David Finch & Steve McNiven. Available here. Saga of Swamp Thing (1984) - Alan Moore, Stephen Bissette, & John Totleben. Available here. Batman: Year One (1987) - Frank Miller & David Mazzucchelli. Available here. Hellboy: The Chained Coffin and Others (1998) - Mike Mignola. Available here. Invincible (2003) - Robert Kirkman with Cory Walker & Ryan Ottley. Available here. This One Summer (2014) - Mariko & Jillian Tamaki. Available here. Super Mutant Magic Academy (2015) - Jillian Tamaki. Available here. Very Near Mint (2011) - Justin Peterson. Available here. Scott Pilgrim (2004) - Bryan Lee O'Malley. Available here. Love and Rockets (1982) -The Hernandez Brothers, Gilbert, Jaime, & Mario. Available here. Akira (1982) - Katsuhiro Otomo. Available here. Fantasy Sports (2015) - Sam Bosma. Available here. We3 (2004) - Grant Morrison and Frank Quietly. Available here. Demon Days (2021) - Peach Momoko. Available here. Trial of the Amazons DC Event (2022) - Written with input by Becky Cloonan, Michael Conrad, Vita Ayala, Stephanie Williams, Joelle Jones, and Jordie Bellaire. Start with Nubia & The Amazons, available here. The Antagonists (2020) - Tyler F. Martin with Felipe Dunbar, Kelechi Nwaogwugwu, Kieran Jack, Giacomo Guida. Available here. Fist of the North Star re-release by Viz (2021) - Buronson & Tetsuo Hara. Available here. The Good Asian (2021) - by Pornsak Pichetshote & Alexandre Tefenkgi. Available here. The Department of Truth (2021) - James Tynion & Martin Simmonds. Available here. For a closed-captioned version of this episode, please visit crooked.com/xrayvision.. For a transcript of this episode, please email transcripts@crooked.com and include the name of the podcast. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode, we dive into the world of cults, we learn about the Aztecs, and an eccentric doctor defines Love Bombing. Join us as we talk about how Magdalena Solis aka the High Priestess of Blood took over the scam of two grifter brothers and turned it into a blood bath. --- Send in a voice message: https://anchor.fm/bloodthirsty-times/message Support this podcast: https://anchor.fm/bloodthirsty-times/support
Episode 101 with The Hernandez Brothers.Follow Isaiah Hernandez.https://www.instagram.com/brawlersacademy/https://www.instagram.com/theswagadelicshow/Follow Zack Hernandez.https://www.instagram.com/tryptamine08/Subscribe to the Youtube https://www.youtube.com/c/TheSnakePitWithRattlesnakeRoySubscribe to the Patreon https://www.patreon.com/rattlesnakeroyBuy Snake Pit Merch https://thesnakepitwithrattlesnakeroy.com/Follow on social mediaTwitter: https://twitter.com/rattlesnakeroyInstagram: https://www.instagram.com/rattlesnakeroy_/Facebook: https://www.facebook.com/rattlesnakeroy
Please be aware: the topics we discuss in this episode are of a sexual and violent nature. If you are sensitive to these topics, you may want to skip this episode.In this episode, we review two incredibly different movies. First, Rachel presents the 1994 Warner Brothers film, Black Beauty. From Wikipedia: Black Beauty is a 1994 American film adaptation of Anna Sewell's novel by the same name directed by Caroline Thompson in her directorial debut. The film stars Andrew Knott, Sean Bean and David Thewlis. The film is also treated as an autobiography of the horse Black Beauty as in the original novel, and is narrated by Alan Cumming as the voice of the 'Black Beauty'. This is the fifth feature film adaptation of the 1877 classic novel by Anna Sewell.Nathan presents the totally unrelated 1997 film, Dance With the Devil: Perdita Durango, released as Dance with the Devil in the United States, is a 1997 Spanish/Mexican action-crime film directed by Álex de la Iglesia, based on Barry Gifford's novel 59° and Raining: The Story of Perdita Durango. It stars Javier Bardem as Romeo Dolorosa and co-stars Rosie Perez. It was inspired by Magdalena Solís and the Hernandez Brothers sect.
A live recording of our educational podcast The How, The Why with Kathy Rodgers, Kirsten (Bruce) Meekins, Laura Beth Bachman, and Stacy Russo. This panel will share their stories behind the book We Were Going to Change the World: Interviews with Women from the 1970s and 1980s Southern California Punk Rock Scene. Kathy Rodgers lives in Ventura. She was born and raised in Oxnard, California, which is the home of Nardcore and the Hernandez Brothers comic book fame Love and Rockets. She became a photographer at the age of 13 and almost solely shot punk bands, specifically local Nardcore bands. She graduated Otis/Parsons School of Design with a degree in photography. She also published, edited, shot, and wrote for her magazine Mute on the Floor which existed from 1990-1993. Kirsten (Bruce) Meekins grew up in Redlands, California, and now splits her time between there and the Reno/Tahoe area of Northern Nevada. She is a Registered Natural Health Practitioner and has just launched a new nutrition coaching practice. She still attends as many live music shows as she can and credits the DIY scene in the 80s with her entrepreneurial spirit. Laura Beth Bachman lives in Downtown Long Beach with her partner, Matt Irwin. She is the drummer for the all girl surf/punk band The Neptunas. Laura is a truth seeker and beat keeper who believes it takes grit to be a woman in this world. Stacy Russo, a librarian and professor at Santa Ana College, is a writer, poet, and artist. Her book We Were Going to Change the World: Interviews with Women from the 1970s/1980s Southern California Punk Rock Scene (Santa Monica Press) features interviews with 37 women who were involved in the scene in diverse ways, including as musicians, photographers, journalists, fanzine creators, and fans. Her other books are Love Activism (forthcoming spring 2018, Litwin Books);Life as Activism: June Jordan’s Writings from The Progressive (Litwin Books); and The Library as Place in California (McFarland). She grew up in the 1980s Southern California punk rock scene, which has been a big influence on her life. Stacy takes her coffee black and eats chocolate every morning. We Were Going to Change the World: Interviews with Women from the 1970s and 1980s Southern California Punk Rock Scene documents the punk rock scene of the 1970s and ’80s in Southern California, which is widely acknowledged as one of the most vibrant, creative periods in all of rock and roll history. And while many books have covered the artists who contributed to the music of that era, none have exclusively focused on the vitality and influence of the women who played such a crucial role in this incredibly dynamic and instrumental movement. We Were Going to Change the World captures the stories of women who were active in the SoCal punk rock scene during this historic time, adding an important voice to its cultural and musical record. Through exclusive interviews with musicians, journalists, photographers, and fans, Stacy Russo has captured the essence of why these women were drawn to punk rock, what they witnessed, and how their involvement in this empowering scene ended up influencing the rest of their lives. 1888 Center programs are recorded and archived as a free educational resource on our website or with your favorite podcast app including Apple and Spotify. Each episode is designed to provide a unique platform for industry innovators to share stories about art, literature, music, history, science, or technology. Produced in partnership with Brew Sessions.
Time Codes: 00:00:26 - Introduction 00:02:22 - Setup of the recording 00:04:30 - The Hernandez brothers panel at HeroesCon 01:08:05 - Wrap up 01:09:46 - Contact us At this year's HeroesCon, Andy and Derek moderated a couple of panels, one of which was entirely devoted to the Hernandez brothers, Gilbert and Jaime. In this on-location episode, you'll hear the Two Guys talking with the brothers about their new magazine-sized Love and Rockets series, the logistics of going from an annual to a quarterly, the experiences of continuity and 35+ years of character development, their efforts (especially Gilbert's) in producing standalone works outside of any serialized format, their historical places within the larger context of non-mainstream comics, and the brothers' thoughts on the current state of the medium.
Movie Meltdown - Episode 386 This week we hang out with artist Dirty Donny as we discuss, among other things - designing the artwork for pinball machines, working with Metallica and our movie o' the week Heavy Metal. And as we assure ourselves that we aren't just watching the movie to see naked cartoon girls, we also bring up... laserdiscs, Eddie the Head, Hernandez Brothers, BMX bikes, skateboarding, Sean Penn, guitars and cars, The Hellacopters, I can't believe I'm allowed to buy this, Ivan Reitman, the big kid down the street, Stephen King, Bernie Wrightson, a '73 Dodge van, Superchannel, Beavis and Butt-head, my dork hanging out, Conan the Barbarian, one of my hero directors, Thrasher Magazine, Wizards, springs on the back shocks on the front, the plastic gas tank, The Cannonball Run, the motor painted green, Warren Oates, problems with the soundtrack, Clint Eastwood, coming up with the breadbox, Ralph Bakshi, camping with my parents, a bootleg VHS, Love and Rockets, robot Brigitte Nielsen, midnight movies, John Candy, my third grade mind, anything after it didn't exist yet, the legend that it was done in Ottawa, an animation cell, music was secondary to the artwork, Stripes, EC Comics, Monte Hellman and that Smokey and the Bandit model kit. Spoiler Alert: You really have to watch Heavy Metal yourself to experience just what was going on back in the day. So go watch it now. "It's that weird mixture of National Lampoon meets SCTV meets Dungeons and Dragons... it's all of those geeky things of the early 80's." For more on Donny and his artwork, go to: http://www.dirtydonny.com/
On the newest episode of "That Comic Smell" We are joined by a Guest!! Our friend Mike Sedakat dropped in to talk comics with us. This month we talk about The Hernandez Brothers own, incredible, "Love and Rockets". We dive into the timeline of the stories, a little brief overview and general chat about what we all think about it. Later we have another cup of tea and David tells about his time away in Leeds at "Thought Bubble" with "Treehouse Comics" He also shares with us some of his finds whilst there. We then talk "Doctor Strange" before firing into a tangent on "The A Team" All this and more on this months episode. These are some of the titles we discussed: Love and Rockets (The Hernandez Brothers) The Cleaner [Man of Destiny] (Fraser Geesin) Island (Rozi Hathaway) Sneaky Business (Rozi Hathaway) I Don't Believe in the Sun (Stephen Merritt, Lem) Safe From Harm (Joan Edam) Beats (One Beat Zines) Bum Storm (Robert Luckett) Madness on Mars (Joe Bamford, Doctor Simpo) Skip Tobey Vol.1 (Andy Herd) Fear (Zu Dominiak) The Orb (Zu Dominiak)
Jacq Cohen is the publicist of Fantagraphics Books. Before that, she was an assistant publicist at Dark Horse Comics and interned at Top Shelf Comix. Fantagraphics Books has been a proponent of comics as a legitimate form of art and literature since they started publishing the Comics Journal in 1976. Since then, they’ve published some of the greatest cartoonists in history including George Herriman, Charles Schulz, Carl Barks, the Hernandez Brothers, Robert Crumb, Chris Ware, Dan Clowes, Peter Bagge, and many, MANY more (including TMSIDK's own Ed Piskor). This year, Kim Thompson, the co-publisher of Fantagraphics Books and one of the most significant figures in comics history, passed away. As a result, 2013 has been a difficult year for the company. Besides the emotional impact of his loss, there have been financial losses due to his active role at the company. In order to overcome this shortfall, Fantagraphics Books has organized a Kickstarter campaign to help finance next season’s book publishing. Although Cohen no-doubt deserves her own episode of Tell Me Something I Don’t Know, she graciously took time to talk about this fundraiser (don’t worry, dear listeners, we get to hear a bit about her and what she does at her dream job!). Please consider helping Fantagraphics Books by supporting this Kickstarter and share this episode with your friends who love comics. Thank you.
Dave Wyndorf, the mastermind behind the mighty Monster Magnet, lends us his massive mind as we make our way through Tom Scioli’s Final Frontier, Secret Stash, Paul Pope’s Battling Boy, Pat Broderick, NYCC, Doctor Strange and Steve Ditko, John Buscema, Jack Kirby, Five Ghosts from Frank Barbiere and Chris Mooneyham from Image, editors, Marvel: The Untold Story, Agents of S.H.I.E.L.D., David Bowie and Brian Eno, Pearl Jam, John Sumrow, Ace Doubles, Arthur Suydam, Chris Ryall, Wally Wood’s Witzend and Fantagraphics, Eros Gone Wild from Humanoids, Tom Sutton, Alex Toth, Pat Boyette, Moebius, Richard Corben, Robert Crumb, Frank Cho, Dave Stevens, the Hernandez Brothers, the Johnson Smith Company, Brandon Graham’s Prophet, Jonathan Hickman and infinity, the Ultimate Universe, New 52, Deathstroke, Hawkman, Jim Woodring’s Fran from Fantagraphics, Mike Norton, New Frontier, Jay Gonzo’s La Mano del Destino from Castle and Key, The Battle Over Citizen Kane, Iron Man 3, George Romero, Walking Dead, American Horror Story, and a whole mess more!
Chris blinks in and out and back in again amidst talk on the Muppets and Fraggle Rock, Jim Rugg, Hi Fructose volume 15 with James Jean and Al Columbia, Grant Morrison and Mukesh Singh's 18 Days OGN from Dynamite, Shadowlands, the Avengers titles, Chris Samnee and Thor: Mighty Avenger, Casanova Max, a reaction to a listener voicemail (I know, right?!?), I, Zombie, Comic Book Artist #15, the Hernandez Brothers, Alex Toth and Spielberg's 1941, convention oversaturation, Alex Ross, Phil Hester and Jonathan Lau's Black Terror #5-9, X-Men: Hope, Fantomex, Brightest Day #1, RASL, Echo, and a whole mess more!