Podcast appearances and mentions of Chris Ware

Los humoristas gráficos José María Pérez 'Peridis', Julio Rey, Carla Berrocal y Darío Adanti conversan sobre el arte y la libertad de expresión junto a Jordi Costa, comisario de la muestra sobre la obra de Chris Ware en el Centro de Cultura Contemporáneo de Barcelona (CCCB).

Oakland-based graphic artist Hugh D'Andrade, author of the graphic novel “The Murder Next Door,” talks about: His first graphic novel, The Murder Next Door, including what led him to finally making a graphic novel after being a big fan of them for a long time; studying fine art at the California College of Arts and Crafts back in the 1980s, and then going back to the same school, now called simply California College of the Arts, to get a masters in graphic novels; graphic novelists who have been influential to Hugh, including Adrian Tomine from nearby Berkeley, Chris Ware, who he refers to as both a giant and a genius in the field, as well Art Spiegelman, Thi Bui (whom he had as one of his graphic novel professors), Marjane Satrapi, and Phoebe Glockner; how the graphic novelists he's met have generally been very talkative and have quirky sensibilities, but also have introverted streaks which are necessary for long stretches alone that are necessary for producing their work; how he worked on the beginning of his graphic novel while in grad school, where the crits were very nurturing and supportive, unlike crits from back in the day (undergrad); where graphic novel reading falls in our attention economy; the value he puts on the hand-drawn in comics, with modest digital intervention; and how Vipassana meditation, the first chapter of the book, played a big role in Hugh's healing journey…. [the Conversation continues for another hour in the BONUS episode for Patreon supporters] In the 2nd half of the full conversation (available to Patreon supporters), Hugh talks about: the distinction between cartooning and illustration, and how challenging it is to render a person from multiple views in that style; what feedback he's gotten so far, with at least one reader saying that it was ‘very unique,' probably meaning they found it too dark; the roll his parents played (or didn't play) in healing from his trauma (the murder the book is focused on); his trolling of conspiracy theorists on social media (which is described in the book), which came out of his reaction to people making things up about who was responsible for the murder, along with the pros and cons of engaging with a conspiracy theorist; his description of 3 or 4 major career trajectory paths for artists in big art capitals, inspired by his nephew and students and their impending career paths- the A path/A-train: rock star; B path/B train: you have a partner who has a job/supports you financially;  C path/train: artist with a day job;  D-train: you live just outside of a major city, or in a college town, or rural areas; housing in the U.S., particularly in the art capitals (a sort of passion of both of ours) and how he bought a house in East Oakland, a part of the city he had never been in and he'd been living in the East Bay for decades; how he's in a ‘coffee dessert,' meaning he needs to drive at least 10 minutes to get to a good coffee spot, leading to a beautiful paradox: as a participant in gentrifying his neighborhood, he realizes that as soon as that fancy coffee place pops up in his neighborhood, the gentrification will essentially be complete; the neighborhoods Hugh lived in in San Francisco, particularly the Mission, Hayes Valley and the Tenderloin, and their respective reputations and what he experienced living there as an older young person going to punk shows and the like; his friend Rebecca Solnit's book Hollow City, about how gentrification displaces people of color as well as creative communities; we dig quite a bit into the weeds of the housing crisis, and how he lived on the cheap in the Bay Area for years, including getting around by bike up until 10 years ago; and finally he talks about his music show highlights over the years, including his changing relationship to the Grateful Dead over the decades. 

Abrimos el programa con una llamada a Beatriz Iso, guionista del documental Kantauri, que nos sumerge en las aguas del mar Cantábrico. Un recorrido submarino desde la costa hasta 20 kilómetros mar adentro, donde descubrimos un ecosistema rico en biodiversidad. Flora y fauna marina que también forman parte del origen de la cultura vasca, y cuya protección es clave para el futuro.Después, recibimos al músico y compositor portugués Rodrigo Leão, que presenta su nuevo disco O Rapaz da Montanha. En este trabajo, además de mostrar su dominio de la música instrumental, Leão se lanza con coros y voces, incluida la suya propia.En la "Pequeteca", Leticia Audibert nos habla de Todos los besos del mundo, un álbum infantil escrito por Marta Morros Serret e ilustrado por Mariona Tolosa Sisteré.Más tarde, Mery Cuesta nos trae sus centellas y se centra en la visita a España del artista gráfico y dibujante de cómics Chris Ware. Su exposición Dibujar es pensar se inaugura en el Centro de Cultura Contemporánea de Barcelona.Recordamos también una historia que ya contamos en 2018: la del Cine San Miguel, en Martos (Jaén). El Ayuntamiento, ahora propietario, busca fondos europeos para rehabilitarlo como espacio cultural. Lo cuenta Íñigo Picabea.Y volvemos a los escenarios con Juan Echanove, que regresa a La Zarzuela en un doble programa con El bateo de Chueca y La revoltosa de Chapí. Del 9 al 27 de abril se representarán 15 funciones de este montaje, que recupera incluso un terceto inédito. Lo cuenta Olga Baeza.Finalmente, Ángela Núñez nos lleva al Museo Reina Sofía, que abre al público su terraza del sexto piso del edificio Nouvel como una sala al aire libre, donde expone tres grandes esculturas que nunca antes había mostrado.Escuchar audio

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Hoy hablamos de literatura, arte y memoria con invitados de lujo. Empezamos con la editorial Continta Me Tienes, especializada en feminismo, LGTBIQ+, artes escénicas y pensamiento contemporáneo. Sus editoras, Sandra Cendal y Marina Beloki, nos cuentan sobre su colección (h)amor, que celebra su décimo aniversario con la publicación de su décimo volumen, '(h)amor bi (y) bollo)'.Nos acompañan también tres autoras que han contribuido a la colección: Paula Villanueva y Aida González, coautoras del volumen conmemorativo, y Tatiana Romero, historiadora especializada en relaciones de género y autora de '(h)amor propio', '(h)amor húmedo' y '(h)amor gordo'. Juntas reflexionan sobre la evolución de la colección y su impacto en la literatura contemporánea.Seguimos con la escritora y periodista Laura Fernández, que conversa con Rodrigo Fresán sobre su ensayo 'El pequeño Gatsby'. Fresán, recién llegado de Nueva York tras recibir un reconocimiento por su novela 'Melvill', analiza el impacto del clásico de Fitzgerald y su legado en la literatura.En Barcelona, el Centro de Cultura Contemporánea inaugura 'Dibujar es pensar', una exposición dedicada a Chris Ware, uno de los autores más innovadores del cómic moderno. Nos lo cuenta Montse Soto.Y en Madrid, Casa América abre 'Latina', una muestra sobre la imagen de la mujer en el espectáculo y la música afrocaribeña y latina del siglo XX. Un recorrido visual por la colección de Gladys Palmera que nos presenta Ángela Núñez.Escuchar audio

The latest volume of Chris Ware's Acme Novelty Date Book series is made up of pages from his personal sketchbooks, providing a window into his ideas, obsessions and insecurities. Chris tells Mattea Roach about his career as a cartoonist, staying in touch with childhood and why his daughter is the star of the comics in this book.

The Vancouver author and radio host's memoir May It Have a Happy Ending discusses her journey of love, grief and radio; the CBC Books senior producer recommends hopeful books to inspire us in the New Year; musician Julian Taylor talks about his favourite parenting book; a sneak peek at what authors are coming to Bookends with Mattea Roach this winter; and why patience was key for Amanda Peters in writing her first novel on this episode of The Next Chapter.Books discussed in this episode include:Great Expectations by Vinson CunninghamThe Capital of Dreams by Heather O'NeillUnearthing by Kyo MaclearAcme Novelty Datebook Volume Three by Chris WareI Might Be in Trouble by Daniel AlemanHum by Helen Phillips

Chris Ware  Buy The Acme Novelty Daybook 3 here:  https://drawnandquarterly.com/books/acme-novelty-datebook-volume-1-3-slipcase-edition/ Gateway Books/Artists  Art Spiegelman - Maus  Robert Crumb  Desert Island Books Madame Bovary  Anna Karenina Ulysses  Moby Dick  Lolita  Regret - Guy de Maupassant Best of 2024  Final Cut - Charles Burns Sunday - Olivier Schrauwen Petar & Liza - MIROSLAV SEKULIC-STRUJA, TRANSLATOR: JENNA ALLEN I'm So Glad We Had This Time Together - Maurice Vellekoop Tell Me a Story Where the Bad Girl Wins: The Life and Art of Barbara Shermund - Caitlin McGurk Blurry - Dash Shaw Looking forward to in 2025 Crumb: A Cartoonist's Life - Dan Nadel Joe Sacco - War on Gaza Anders Nelson - Tongues  Barnaby - Crockett Johnson  Jaime Hernandez - Life Drawing 

My guest in this week's Book Club podcast is Chris Ware — author of Jimmy Corrigan, Building Stories and Rusty Brown, and a man widely regarded as one of the greatest living cartoonists. Chris's new book, The Acme Novelty Datebook Volume Three, opens his sketchbooks for public consumption: a potentially painful move for an artist as self-conscious and perfectionist as Ware. He tells me a bit about the relationship between cartooning and architecture, what he's trying to do with his graphic novels, the importance of R Crumb and Art Spiegelman to his work, and what gave him the confidence to turn his back on fine art.  

My guest in this week's Book Club podcast is Chris Ware — author of Jimmy Corrigan, Building Stories and Rusty Brown, and a man widely regarded as one of the greatest living cartoonists. Chris's new book, The Acme Novelty Datebook Volume Three, opens his sketchbooks for public consumption: a potentially painful move for an artist as self-conscious and perfectionist as Ware. He tells me a bit about the relationship between cartooning and architecture, what he's trying to do with his graphic novels, the importance of R Crumb and Art Spiegelman to his work, and what gave him the confidence to turn his back on fine art.  

Comics, like cinema, is an eminently modern medium. And as with cinema, looking closely at it can swiftly acquaint us with the profound weirdness of modernity. Do that in the context of a discussion on Charles Burns' comic masterpiece Black Hole, and you're guaranteed a memorable Weird Studies episode. Black Hole was serialized over ten years beginning in 1995, and first released as a single volume by Pantheon Books in 2005. Like all masterpieces, it shines both inside and out: it tells a captivating story, a "weirding" of the teenage romance genre, while also revealing something of the inner workings of comics as such. In this episode, Phil and JF explore the singular wonders of a medium that, thanks to artists like Burns, has rightfully ascended from the trash stratum (https://www.weirdstudies.com/20) to the coveted empyrean of artistic respectability—without losing its edge. BIG NEWS: • If you're planning to be in Bloomington, Indiana on October 9th, 2024, click here (https://cinema.indiana.edu/upcoming-films/screening/2024-fall-wednesday-october-9-700pm) to purchase tickets to IU Cinema's screening of John Carpenter's In the Mouth of Madness, featuring a live Weird Studies recording with JF and Phil. • Go to Weirdosphere (http://www.weirdosphere.org) to sign up for Matt Cardin's upcoming course, MC101: Writing at the Wellspring, starting on 22 October 2024. • Visit https://www.shannontaggart.com/events and follow the links to learn more about Shannon's (online) Fall Symposium at the Last Tuesday Society. Featured speakers include Steven Intermill & Toni Rotonda, Shannon Taggart, JF Martel, Charles and Penelope Emmons, Doug Skinner, Michael W. Homer, Maria Molteni, and Emily Hauver. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Charles Burns, Black Hole (https://bookshop.org/a/18799/9780375714726) Clement Greenberg's concept of “medium specificity” (https://en.wikipedia.org/wiki/Medium_specificity#cite_note-2) Terry Gilliam (dir.), The Fisher King (https://www.imdb.com/title/tt0101889/) Seth (https://drawnandquarterly.com/author/seth/), comic artist Chris Ware, Building Stories (https://bookshop.org/a/18799/9780375424335) “Graphic Novel Forms Today” (https://www.jstor.org/stable/10.1086/677339) in Critical Inquiry Raymond Knapp, The American Musical and the Performance of Personal Identity (https://bookshop.org/a/18799/9780691141053) Vilhelm Hammershoi (https://en.wikipedia.org/wiki/Vilhelm_Hammersh%C3%B8i), Danish painter Ramsey Dukes, Words Made Flesh (https://bookshop.org/a/18799/9780904311112) G. Spencer-Brown, [Laws of Form](https://en.wikipedia.org/wiki/LawsofForm) Dave Hickey, “Formalism” (https://approachestopainting.wordpress.com/wp-content/uploads/2013/01/19135319-hickey-7-formalism-036.pdf) Nelson Goodman, [Languages of Art](https://en.wikipedia.org/wiki/LanguagesofArt) Chrysippus (https://en.wikipedia.org/wiki/Chrysippus), Stoic philosopher Scott McCloud, Understanding Comics (https://bookshop.org/a/18799/9780060976255)

Bienvenue pour un nouvel épisode de l'été de la dépression chez ComicsDiscovery. Cette semaine, dans notre sélection indé, on aborde les relations père Fils au travers de Jimmy Corrigan de Chris Ware. Pour nous accompagner, nous avons eu la joie de recevoir Arno Kikoo. On remercie beaucoup notre invité Arno Kikoo d'avoir accepté notre invitation, vous pouvez retrouver son travail sur le site : https://www.comicsblog.fr/ où il est redac chef, dans son podcast https://www.first-print.fr/ et le retrouver sur twitter : https://x.com/Arno_Kikoo Jimmy CorriganJimmy vit une vie insignifiante. Pas du tout social, il vit seul et se contente de travailler dans un emploi de bureau sans intérêt. Il rêve sa vie dans l'indifférence générale. La seule personne qui se soucie de lui, c'est sa mère qui l'étouffe. Un jour cependant, il reçoit une lettre. Celle-ci vient de son père, celui qui l'a abandonné. Il décide de partir à sa rencontre. Cet évènement bouscule sa vision du monde. Une histoire de familleLe titre aborde les relations pères fils et comment les erreurs et les évènements traumatiques peuvent se répercuter de génération en génération. Ce n'est pas un Jimmy Corrigan mais trois que le lecteur suit. Briser le cycle de l'erreur et de l'abandon de son enfant n'est pas une chose facile. Reconnecté avec lui n'est pas simple non plus. Les personnages doivent affronter leur passé et se confronter à l'autre pour pouvoir avancer un récit compliquéJimmy Corrigan n'est pas un récit à mettre entre toutes les mains. L'esthétique de Chris Ware est assez particulière. Elle possède une grande technique et propose un visuel riche de signification. Cependant, son apparence parfois trop généreuse peut perdre le lecteur en l'empêchant de prêter attention à certains Easter Eggs nécessaire à la compréhension de l'histoire et des sentiments des personnages. Le comics demande au lecteur beaucoup d'attention à son lecteur, il est donc nécessaire de prendre le temps de découvrir les aventures de ce petit bonhomme et sa famille. Si vous avez aimé Jimmy Corrigan et que vous voulez découvrir d'autres comics.Nous vous conseillons l'écoute de ces épisodes de ComicsDiscovery :ComicsDiscovery S05E11: Rusty Brown https://jamesetfaye.fr/comicsdiscovery-s05e11-rusty-brown/ComicsDiscovery S05Bonus : Blankets https://jamesetfaye.fr/comicsdiscovery-blankets/ComicsDiscovery S05Bonus : Black Hole https://jamesetfaye.fr/comicsdiscovery-s05bonus-black-hole/ Le mot de la finComme toujours, nous vous invitons à venir partager votre avis avec nous, que vous soyez d'accord ou non, cela nous fait toujours plaisir d'échanger avec vous. Si vous avez envie de nous écouter en direct, c'est le mardi soir à 20 h sur notre chaîne Twitch. https://www.twitch.tv/jamesetfaye Retrouvez nos chroniqueurs sur leurs réseaux sociaux :Sophie : https://linktr.ee/sophiahautrice?Spades : https://linktr.ee/SpadesOnAirFaye : https://linktr.ee/fayefanel Vous pouvez nous retrouver sur nos réseaux sociaux : Facebook : https://www.facebook.com/ComicsDiscovery/Twitter : https://twitter.com/comicsdiscoveryInstagram : https://www.instagram.com/comicsdiscovery/TikTok : https://www.tiktok.com/@jamesetfaye Vous pouvez nous écouter sur :Spotify : https://spoti.fi/2Qb8ffDAusha : https://podcast.ausha.co/comicsdiscoveryiTunes : https://apple.co/2zw9H1QDeezer : https://www.deezer.com/fr/show/55279 Sans oublier le replay en vidéo sur :YouTube : https://www.youtube.com/@ComicsDiscovery/Twitch : https://www.twitch.tv/jamesetfaye Pour nous soutenir :Tipeee: https://fr.tipeee.com/james-et-faye Vous pouvez venir discuter avec nous sur notre serveur discord :Discord : http://discordapp.com/invite/GsBTkDS Et Retrouvez nos autres productions sur notre site :Le site de James & Faye : https://jamesetfaye.fr/

Sally is joined by Bread Tarleton (Ponyshow, Horse) for a look at Little Lit: Folklore and Fairy Tale Funnies edited by Art Spiegelman and Francoise Mouly (RAW Junior, 2000), a venture into stories for kids with comics by Dan Clowes, Chris Ware, David Mazzucchelli, Kaz, and many more. Find Bread on Instagram @bread_comix. Support Thick Lines and get bonus content at patreon.com/thicklinespod.

Sally is joined by Dash Shaw (Bottomless Belly Button, BodyWorld, Cryptozoo) to discuss Social Fiction by Chantal Montellier (New York Review Comics, 2023). Topics discussed include how to read a comic, combining comics and poetry, Bubbles Con, Jacques Tardi, The Drifting Classroom, Dylan Dog, Dawn of the Dead, Chris Ware, C.F., Métal hurlant, Becky Chambers, J.G. Ballard, Dash's next book, and lots more. But first, a show announcement at the top of the episode. Follow Dash on Instagram at @dash_shaw. Support the show and get bonus episodes at patreon.com/thicklinespod. Follow us on Instagram @thicklinespod.

L'émission Front Page est une revue d'actualité qui s'intéresse à tout ce qui touche le monde de la bande dessinée américaine (comics) du côté des Etats-Unis comme de la France, ainsi qu'à ses adaptations tous médias confondus. Le podcast est une série régulière chez First Print et revient au rythme de trois épisodes par mois, hors contenus spéciaux. Ce Front Page est le premier podcast consacré à l'actualité comics du mois de juin 2024.Répondez à notre GRANDE ENQUÊTE ICI - IL EST ENCORE TEMPS !!Le podcast est sponsorisé par Pulps et on vous propose un "Focus Pulps" chaque mois ! Découvrez une sélection de comics VO à prix de lancement !Le Focus Pulps de juin 2024 : X-Factor #1 / Jenny Sparks #1 / The Power Fantasy #1 - et Lilith #1Si vous appréciez le travail fourni par l'équipe et que vous souhaitez soutenir le podcast, vous pouvez partager les émissions sur les réseaux sociaux et vous abonner à nos différents comptes, laisser des notes sur les différentes plateformes d'écoute, ou encore nous soutenir via notre page Tipeee. Très bonne écoute à vous, et à bientôt pour le prochain podcast !Le ProgrammeCOMICS - 05:00Point Ulule : Nemu et le nouveau Seidkona Press (David Lopez)Point dédicaces : Lorenzo De Felici et Chris WildgooseComic Shops Assemble : un nouveau collectif de libraires spécialisés comics en FrancePetrol Head annoncé chez Komics Initiative (en même temps qu'au ciné')Chris Ware, Seth et Noah Van Sciver au programme de Charlotte Mensuel (mais pas que…)Chez Panini, des rééditions “luxe” pour Weapon X, Marvels, Spider-Man Bleu…… mais aussi Immortal Hulk en Omnibus et du Chip Zdarsky…… ou encore G.O.D.S. et Vengeance of the Moon KnightLes artistes de comics migrent massivement vers CaraTV - 1:31:00Une série 300 en développement chez Warner Bros. TelevisionCharlie Hunnam (et plein d'autres) se rajoute au casting de CriminalEnfin le premier trailer pour Tales of the TMNTCINEMA - 1:44:40Le court-métrage Room Service est en ligne !Giancarlo Esposito se rajoute tardivement à Captain America : Brave New WorldSony Pictures et les IA, les déclarations un poil désespérantes Un premier trailer pour Venom : The Last DanceSoutenez First Print - Podcast Comics de Référence sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Following Art Spiegelman's declaration that 'the future of comics is in the past,' Drawing from the Archives considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time. Dr. Benoît Crucifix is assistant professor of Cultural Studies at KU Leuven and researcher at the Royal Library of Belgium, working on the FED-tWIN “Pop Heritage” project. The aim of the project is to valorize collections of popular print culture. He is interested in the cultural practices that move and reframe existing comics in a variety of contexts and settings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Following Art Spiegelman's declaration that 'the future of comics is in the past,' Drawing from the Archives considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time. Dr. Benoît Crucifix is assistant professor of Cultural Studies at KU Leuven and researcher at the Royal Library of Belgium, working on the FED-tWIN “Pop Heritage” project. The aim of the project is to valorize collections of popular print culture. He is interested in the cultural practices that move and reframe existing comics in a variety of contexts and settings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Following Art Spiegelman's declaration that 'the future of comics is in the past,' Drawing from the Archives considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time. Dr. Benoît Crucifix is assistant professor of Cultural Studies at KU Leuven and researcher at the Royal Library of Belgium, working on the FED-tWIN “Pop Heritage” project. The aim of the project is to valorize collections of popular print culture. He is interested in the cultural practices that move and reframe existing comics in a variety of contexts and settings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Following Art Spiegelman's declaration that 'the future of comics is in the past,' Drawing from the Archives considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time. Dr. Benoît Crucifix is assistant professor of Cultural Studies at KU Leuven and researcher at the Royal Library of Belgium, working on the FED-tWIN “Pop Heritage” project. The aim of the project is to valorize collections of popular print culture. He is interested in the cultural practices that move and reframe existing comics in a variety of contexts and settings.

Following Art Spiegelman's declaration that 'the future of comics is in the past,' Drawing from the Archives considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time. Dr. Benoît Crucifix is assistant professor of Cultural Studies at KU Leuven and researcher at the Royal Library of Belgium, working on the FED-tWIN “Pop Heritage” project. The aim of the project is to valorize collections of popular print culture. He is interested in the cultural practices that move and reframe existing comics in a variety of contexts and settings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Fecha de Grabación: Miércoles 20 de marzo de 2024. Algunas noticias y temas comentados: Se anunciaron los primeros equipos creativos para X-Men post-Krakoa Los comerciales de Cerveza Cristal en Star Wars Algunas de nuestras series favoritas de Marvel NOW! Recomendaciones de entre los cómics de Gail Simone Las etapas más recomendables de Birds of Prey Algunas recomendaciones de cómics para niñas y niños Además: Frazer Irving, Chris Ware, Jack of Hearts (Marvel), ¡...y mucho más! Comentario de cómics: The Flash (Nº768 a Nº771 y Annual 2021), cómic escrito por Jeremy Adams, con arte de Brandon Peterson, Marco Santucci, David Lafuente, Kevin Maguire, Jack Herbert y otros, color de Michael Atiyeh y otros, y rótulos de Steve Wands. (DC Comics) Comentario de Cine: Robot Dreams, largometraje animado dirigido por Pablo Berger, con música de Alfonso de Villalonga, basado en la novela gráfica de Sara Varon. (Vertigo Media) Pueden escuchar el podcast en este reproductor: Descarga Directa MP3 (Botón derecho del mouse y "guardar enlace como"). Peso: 107 MB; Calidad: 128 Kbps. El episodio tiene una duración de 1:56:17 y la canción de cierre es "Beatiful Things" de Benson Boone. Además de nuestras redes sociales (Twitter, Facebook, Instagram), ahora tenemos una nueva forma de interactuar con nosotros: un servidor en Discord. Es un espacio para compartir recomendaciones, dudas, memes y más, y la conversación gira alrededor de muchos temas además de cómics, y es una forma más inmediata de mantenerse en contacto con Esteban y Alberto, así como con otros escuchas. ¡Únete a nuestro servidor en Discord! También tenemos un Patreon. Cada episodio del podcast se publica allí al menos 24 horas antes que en los canales habituales, y realizamos un especial mensual exclusivo para nuestros suscriptores en esa plataforma. Tú también puedes convertirte en uno de nuestros patreoncinadores™ con aportaciones desde 1 dólar, que puede ser cada mes, o por el tiempo que tú lo decidas, incluyendo aportaciones de una sola vez. También puedes encontrar nuestro podcast en los siguientes agregadores y servicios especializados: Comicverso en Spotify Comicverso en iVoox Comicverso en Apple Podcasts Comicverso en Google Podcasts Comicverso en Amazon Music Comicverso en Archive.org Comicverso en I Heart Radio Comicverso en Overcast.fm Comicverso en Pocket Casts Comicverso en RadioPublic Comicverso en CastBox.fm ¿Usas alguna app o servicio que no tiene disponible el podcast de Comicverso? En la parte alta de la barra lateral está el feed del podcast, el cual puedes agregar al servicio de tu preferencia. Nos interesa conocer opiniones y críticas para seguir mejorando. Si te gusta nuestro trabajo, por favor ayúdanos compartiendo el enlace a esta entrada, cuéntale a tus amigos sobre nuestro podcast, y recomiéndalo a quien creas que pueda interesarle. Deja tus comentarios o escríbenos directamente a comicverso@gmail.com

MC Nutraceuticals™ is a subsidiary of MC Global Holdings that is focused on bringing brands the highest quality input materials for their customers, as well as same day shipments for raw materials. MC Nutraceuticals™ is also one of the largest manufacturers of hemp derived cannabinoids which include Delta 8, HHC, THCp, CBN, THCv, and many more across the Globe. Supplying over 500 brands across the US, Europe, and Asia alone. If this is something that peaks your business interests, visit www.mcnutraceuticals.com or get at the team directly at (800) 685-8084!See omnystudio.com/listener for privacy information.

Full episode at patreon.com/thicklinespod. Katie and Sally catch up on readings, comics etiquette questions, and recent films. Topics discussed include Chantal Montellier, Chris Ware, Priscilla, May/December, being a Wikipedia outlaw, and lots more. Thank you to our Patreon subscribers for making this episode possible! Catch Sally live in Philly at Partners & Son with a VISCERE #1 event tonight at 6:00pm ET: partnersandson.com/

J. J. Abrams i Doug Dorst han reinventat la lectura f

J. J. Abrams i Doug Dorst han reinventat la lectura f

J. J. Abrams i Doug Dorst han reinventat la lectura f

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! COMICOFONÍA #274… Esta semana no os traemos una batería de polémicas o debates, pero os invitamos a asistir al primer Brainstorming de nuestro nuevo proyecto. Y como ya teníamos pocas cosas en mano, ahora nos sumergimos en la creación de nuestro propio cómic, no os perdáis la creación del Escuadrón Trasunto, los héroes que no mereceis, ni necesitáis, pero que vienen a acabar con la herejía. Esta semana reflexionamos largo y tendido sobre las últimas polémicas con las tiradas de ECC Ediciones, os contamos la experiencia con nuestro padre Chris Ware, hablamos sobre Hiroshima y La Bomba, y debatimos sobre la evolución de los Salones del Cómic. La Comicofonía consiste en una hora en directo a micro abierto donde podréis conocernos mejor, escucharnos de forma más distendida y lo más importante, podréis participar todos en directo con nosotros. Durante esta hora nos oiréis charlar sobre diversos temas y escuchareis nuestros experimentos radiofónicos más rocambolescos. Será una hora desenfadada llena de humor e improvisación. Para escuchar este audio suscríbete para apoyar todo lo que hacemos desde Patreon.com/TomosyGrapas uniéndote a la nuestra comunidad de YouTube o bien apoyando nuestro canal desde Ivoox. Escucha este episodio completo y accede a todo el contenido exclusivo de Tomos y Grapas Cómics. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/126491

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! COMICOFONÍA #273… Esta semana comentamos los cofres que publicará ECC en diciembre y especulamos sobre el posible futuro de la editorial, pasamos por la última polémica surgida por los Marvel Zombies, hablamos de Milenio 3, os adelantamos una nueva caja para la tienda y divagamos sobre los análisis del Podcast. Esta semana reflexionamos largo y tendido sobre las últimas polémicas con las tiradas de ECC Ediciones, os contamos la experiencia con nuestro padre Chris Ware, hablamos sobre Hiroshima y La Bomba, y debatimos sobre la evolución de los Salones del Cómic. La Comicofonía consiste en una hora en directo a micro abierto donde podréis conocernos mejor, escucharnos de forma más distendida y lo más importante, podréis participar todos en directo con nosotros. Durante esta hora nos oiréis charlar sobre diversos temas y escuchareis nuestros experimentos radiofónicos más rocambolescos. Será una hora desenfadada llena de humor e improvisación. Para escuchar este audio suscríbete para apoyar todo lo que hacemos desde Patreon.com/TomosyGrapas uniéndote a la nuestra comunidad de YouTube o bien apoyando nuestro canal desde Ivoox. Escucha este episodio completo y accede a todo el contenido exclusivo de Tomos y Grapas Cómics. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/126491

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! COMICOFONÍA #272… Esta semana reflexionamos largo y tendido sobre las últimas polémicas con las tiradas de ECC Ediciones, os contamos la experiencia con nuestro padre Chris Ware, hablamos sobre Hiroshima y La Bomba, y debatimos sobre la evolución de los Salones del Cómic. La Comicofonía consiste en una hora en directo a micro abierto donde podréis conocernos mejor, escucharnos de forma más distendida y lo más importante, podréis participar todos en directo con nosotros. Durante esta hora nos oiréis charlar sobre diversos temas y escuchareis nuestros experimentos radiofónicos más rocambolescos. Será una hora desenfadada llena de humor e improvisación. Para escuchar este audio suscríbete para apoyar todo lo que hacemos desde Patreon.com/TomosyGrapas uniéndote a la nuestra comunidad de YouTube o bien apoyando nuestro canal desde Ivoox. Escucha este episodio completo y accede a todo el contenido exclusivo de Tomos y Grapas Cómics. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/126491

Antonio Soler encontró un diario por casualidad dentro de un libro de 2ª mano y de ahí publica 'Yo que fui un perro'. Seguimos con el dibujante Chris Ware, autor de 'Jimmy Corrigan', de visita por España para recibir a Use Lahoz con lo último de Peter Orner. Terminamos con Sitges, SEMINCI y un descubrimiento que une el acelerador de particular con Leonador da Vinci. Escuchar audio

This week's show features Chris Oliveros, publisher and founder of Montreal's Drawn and Quarterly, one of the most respected publishing houses for comic book literature in the world.Chris has brought to the world books from authors like Robert Crumb, Julie Doucet, Chris Ware, Kate Beaton, Chester Brown and Dan Clowes. But eight years ago Chris left his job as publisher at D&Q to write and draw his own comic - his first in almost 30 years. It's called “Are You Willing to Die For The Cause,” a work of journalism that tells the largely forgotten story of the real origins of the FLQ - the militant, violent Quebec separatist group that changed Canadian history forever. Host: Jesse Brown Credits: Tristan Capacchione (Audio Editor and Technical Producer), Bruce Thorson (Senior Producer), Annette Ejiofor (Managing Editor), Karyn Pugliese (Editor-in-Chief)Further Reading: Are You Willing to Die for the Cause? — Drawn & QuarterlySponsors: Douglas, Elijah Craig, RotmanIf you value this podcast, support us! You'll get premium access to all our shows ad free, including early releases and bonus content. You'll also get our exclusive newsletter, discounts on merch at our store, tickets to our live and virtual events, and more than anything, you'll be a part of the solution to Canada's journalism crisis, you'll be keeping our work free and accessible to everybody.You can listen ad-free on Amazon Music—included with Prime. Hosted on Acast. See acast.com/privacy for more information.

Hello, everybody's scheduled got all messed up so we didn't get a chance to record a new episode this week. We thought you might like to check out our Patreon-only bonus series Started/Finished where we, guess what, talk about what we've started and finished lately. In this one from earlier this year, Alan and Sarah talk about Citizen Sleeper, Tunic, Piranesi, Pokerface, and Chris Ware. We hope you like it and we'll be back with a regular episode in two weeks. Started/Finished is a looser recording environment than Juvenalia so you'll occasionally hear footsteps from pets and spouses during the ep but hopefully it's not too distracting. Juvenalia artwork by Dee McDonnell This episode was produced by Alan. Juvenalia is a Tall Tales podcast. Thank you Cassie.

We answer the following questions about superpowers: Can superheroes be real people? (No.) Can real people become superheroes? (Maybe.) And which is better: flight or invisibility? (Depends who you ask.)  Host Ira Glass talks to comic artist Chris Ware, who thought about superheroes a lot of the time as a kid. He invented his own character and made a superhero costume, which he wore to school under his regular clothes. Which went fine until he realized he would have to change for gym class. (6 minutes)Act One: John Hodgman conducts an informal survey in which he asks the age-old question: Which is better: The power of flight or the power of invisibility? (14 minutes)Act Two: Kelly McEvers with the story of Zora, a self-made superhero. From the time she was five years old, Zora had recurring dreams in which she was a 6'5" warrior queen, who could fly and shoot lightning from her hands. She made a list, pages and pages long, of all the things she could accomplish to actually become that superhero: martial arts, evasive driving, bomb defusing. By the time she was 30, most of her list had been checked off. She was as close to a superhero as any mortal could hope to come. But her dream had changed. (17 minutes)Act Three: Ira talks with Jonathan Morris, the amazingly funny and charming editor of the website "Gone and Forgotten," an internet archive of failed comic book characters. Jonathan explains what makes a new superhero succeed, and what makes him tank. (9 minutes)Act Four: Of course you can't be a superhero without a supervillain trying to destroy you. And the most interesting supervillains, of course, are the ones who think that they're the real heroes, not the guys in the capes. Glynn Washington tells the story of Evil D. (9 minutes)Transcripts are available at thisamericanlife.org

It's been a while since we had one of our inspiration episodes, where we take a look at material outside of the CtD canon that we find helpful for grokking the themes of the game. We've had novels and spoopy novels, but in this episode (#THE ANSWER) we're turning to graphic novels and other visual narratives of the comic form. A professor might say, pairing text with image creates its own kind of media experience for the reader, tickling a particular set of imaginative centers in the brain that are good for conceptualizing the intricate mytho-fictive narratives of the game. But more simply put, MOAR COMIX BETTER GAME. (And even if you don't think of yourself as a "comics reader," these are worth a look.) The full list: Neil Gaiman with various artists, Sandman (and assorted spinoffs) — the original fan annotations website is archived here, but there is also an official Annotated Sandman out from DC Kieron Gillen and Stephanie Hans, DIE — and see the tie-in roleplaying game here! Jack Kirby and Stan Lee and so many others, X-Men Marjorie Liu and Sana Takeda, Monstress Winsor McCay, Little Nemo in Slumberland (and variations on the title) — in the public domain, so you can see many of the old strips (along with the excellent Krazy Kat) at the Comic Strip Library [bonus! Jamie McKelvie, Suburban Glamour] Alan Moore, Watchmen — there was a film adaptation and everything, but here's the 80s cartoon the world deserved Brian K. Vaughan and Fiona Staples, Saga — we're not going to link to merchandise websites, but you can get resin statues of plushies of the Lying Cat, if you so desire (and really, why wouldn't you?) Chris Ware, Jimmy Corrigan, the Smartest Kid on Earth Bill Watterson, Calvin and Hobbes Bill Willingham and (mostly) Mark Buckingham, Fables And then as usual, another list, where you can rail about how right or wrong we were about this list (although take note—limiting ourselves to eleven was tough, and we acknowledge there's a lot more out there): Discord: https://discord.me/ctp Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Mastodon: https://dice.camp/@ChangelingPod Patreon: https://www.patreon.com/changelingthepodcast If you join our Discord, feel free to send us your suggested stats for Hobbes the Lycian, or vote on which sidhe Houses you think Xavier and Magneto would fall into, or just talk about the episode to your hearts' contentments. our hosts Josh Hillerup (any pronoun) often trips over speech balloons and tumbles through the fourth wall. Pooka G (any pronoun/they) defies the square panel as a convention of story-binding, favoring instead the trapezoid. "Let's see if we can call time on this trend by demanding and creating big, wild comics which stretch our imaginations. Let's make living breathing, sprawling adventures filled with mind-blowing images of things unseen on Earth. Let's make artefacts that are not faux-games or movies but something other, something so rare and strange it might as well be a window into another universe because that's what it is." —Grant Morrison

It was my pleasure to host my good friend Chris Ware of 1H1D on the Fireside Talks to talk about one of his favorite games ever in Splinter Cell and give us all a real look at what it takes to run an Xbox Game Pass podcast. After all, what's not to love? We get to talk about one of the coolest dads in video games, Sam Fisher and we can finally - gladiatorial style -  settle once and for all that Cool Ranch Doritos are the dominant chip in their flavor profile lineup! Hope everyone is having a wonderful Friday again and a great weekend.(00:47) - Intro(02:37)- Interview with Chris Ware of 1H1D(50:00) - Splinter Cell Review(1:23:00) - OutroBoth Chris and his co-host Tom are amazing hosts and you can find them and there content all at the link below! You also need to buy the 1H1D Gamepass journal at the amazon link below. I promise we're not sponsored here I just love organizational stationary!!! https://linktr.ee/tc1h1dGamepass Journal: https://www.amazon.com/dp/B0BRLY2ZS6?psc=1&ref=ppx_yo2ov_dt_b_product_detailsIntermission/Game Music:  All in game music from Splinter Cell: Stealth Action Redefined [Composed by: Michael Richard Plowman]Mix & Mastered by: Daniel Campolihttps://www.danielcampoli.com/portfolioIf you want to reach out to Nick and Will personally to engage with us about the show, follow us on any link here:https://linktr.ee/FridayNightGamecastSupport the show

Artist and illustrator Thomas Woodruff joins the show to celebrate his amazing new graphic opera, Francis Rothbart! The Tale of a Fastidious Feral (Fantagraphics). We get into how Chris Ware's Jimmy Corrigan floored him and inspired him to make this 300-page extravaganza, what it was like to finally make a comic after decades of critiquing them in his role at the School of Visual Arts, and how living through the AIDS crisis forced an emotionalism into his art. We talk about the terrible glamour of his art, his predilection for making series of works (like his 365 paintings of apples and his ongoing series of apocalyptic, graceful dinosaur paintings), the virtues of carbon pencil and his hunt for the last supply of his favorite paper, and why he treats teaching drawing is like a religious rite. We also discuss his legacy vis-a-vis the students he taught and the programs he built, his philosophy of using the same model for a full year of drawing classes, the story of his first tattoo and the apotropaic act, the difference between having a sensibility vs. a style, why he retired from SVA after 20 years of chairing the Illustration and Cartooning departments, how students changed over that span, the mind-melting experience of watching Diver Dan as a child, The Next Project, and more! Follow Thomas on Instagram and at Vito Schnabel Gallery • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

This Episode we interview Chris Ware, Andrea U-Shi Chang, Melissa Holzman about their take on being a Gym Owner. Welcome to the Gym Lords Podcast, where we talk with successful gym owners to hear what they're doing that is working RIGHT NOW, and to hear lessons and failures they've learned along the way. We would love to share your story! If you'd like to be featured on the podcast, fill out the form on the link below. https://gymlaunchsecrets.com/podcast

This Episode we interview Chris Ware, Andrea U-Shi Chang, Melissa Holzman about their take on being a Gym Owner. Welcome to the Gym Lords Podcast, where we talk with successful gym owners to hear what they're doing that is working RIGHT NOW, and to hear lessons and failures they've learned along the way. We would love to share your story! If you'd like to be featured on the podcast, fill out the form on the link below. https://gymlaunchsecrets.com/podcast

Katie and Sally are joined by Dash Shaw (Discipline, Bottomless Belly Button, Cosplayers) to discuss Acting Class by Nick Drnaso (Drawn & Quarterly, 2022). Topics discussed include Chris Ware, Ari Aster, Dungeons & Dragons, The Rehearsal, Julian Opie, Chantal Akerman, Todd Solondz, Batman: Year One, E. C. Segar, Peter Saul, and lots more. Find more Dash at dashshaw.net and on Instagram at @dash_shaw. Support the show and get bonus episodes at patreon.com/thicklinespod, and follow us on Instagram at @thicklinespod.

His intricate, careful depictions of modern life have won him accolades in the US and the UK, as well as the Angoulême International Comics Festival Grand Prize in 2021. Chris Ware sits down with FRANCE 24 as his cartoons and graphic novels are displayed at the Pompidou Centre's public library in Paris. He tells us how a childhood absorbed in Charles Schulz's "Peanuts" comic strip prompted a fascination for the "mechanical nature" of a story told in words and pictures. We also discuss how the intimate bond between writer and reader makes books powerful, subversive objects that still manage to bother those who seek to censor alternative viewpoints.

Join us in this episode for a conversation with Eric Reynolds, Vice-President of Seattle-based publisher Fantagraphics. Headquartered in Seattle's Maple Leaf community—with their Bookstore & Gallery in the industrial Georgetown neighborhood—Fantagraphics has quietly produced a stunning body of work over the last 40+ years. Their genres span alternative comics, classic comic strip anthologies, manga, magazines and graphic novels. The imprint's stable of contemporary comics creators includes Jessica Abel, Peter Bagge, Ivan Brunetti, Charles Burns, Daniel Clowes, Mary Fleener, Roberta Gregory, Mega Kelso, Manny Murphy, Joe Sacco, and Chris Ware. They also include the enigmatic artistry of Jim Woodring as well as the magical realism of the Hernandez Brothers. Eric's passion for comics brought him to Seattle in the early 1990's at age 20 to intern at Fantagraphics, whose owners soon promoted him to publicist. In this podcast, Eric explores synergies between the fledgling alternative comics movement and Sub Pop Records, as well as independent media (including The Rocket & The Stranger) during this watershed period. These and other stories reveal Eric's purposeful stewardship of a vulnerable yet resolute enterprise through untold business obstacles, elevating comics into a mature art form along the way. For Eric, Fantagraphics remains a labor of love. “Sometimes it's a matter of be careful what you ask for; But it really is incredible to see comics taken seriously as art in a way that we could only dream about, years ago.” ~ Eric Reynolds

THE ISSUE: ACME Novelty Library #8 Written, illustrated, & lettered by Chris Ware Published 1997, Fantagraphics Books, Inc. THE GUEST: Austin English Domino Comics impresario Austin English joins In This Issue… to discuss our first experiences with the Chris Ware comic ACME Novelty Library #8. (We also briefly discuss the legacy of the Vertigo Comics release Dhampire: Stillborn (1997) by Nancy A. Collins & Paul Lee) _

durée : 00:53:07 - L'Heure bleue - par : Laure Adler, Céline Villegas - Jusqu'au 10 octobre, la Bibliothèque publique d'information (Bpi) du Centre Pompidou à Paris en partenariat avec le Festival international de la Bande Dessinée d'Angoulême, rend hommage à l'immense talent de l'artiste américain Chris Ware. Il est l'invité de 'Heure Bleue.

Zack's new pod is over on it's own feed! Check out this second ep here and go subscribe! THE ISSUE: ACME Novelty Library #8 Written, illustrated, & lettered by Chris Ware Published 1997, Fantagraphics Books, Inc. THE GUEST: Austin English Domino Comics impresario Austin English joins In This Issue... to talk about our first experiences with the Chris Ware comic ACME Novelty Library #8. (We also briefly discuss the legacy of the Vertigo Comics release Dhampire: Stillborn (1997) by Nancy A. Collins & Paul Lee)

THE ISSUE: ACME Novelty Library #8 Written, illustrated, & lettered by Chris Ware Published 1997, Fantagraphics Books, Inc. THE GUEST: Austin English Domino Comics impresario Austin English joins In This Issue... to talk about our first experiences with the Chris Ware comic ACME Novelty Library #8. (We also briefly discuss the legacy of the Vertigo Comics release Dhampire: Stillborn (1997) by Nancy A. Collins & Paul Lee)

Katie and Sally discuss Olivier Schrauwen's "Parallel Lives" (Fantagraphics, 2018), a collection of speculative memoir science fiction comics plus one very real (?) alien encounter. Topics discussed include Star Trek: The Next Generation, Jesse Marsh, Chris Ware, Scatman John, UFOs, getting lost in the Johnson & Johnson mansion, Mr. Yuk, and lots more. ATTN LA: visit Katie at the Permanent Damage show on Sunday, May 15 at Permanent Records Roadhouse, 1906 Cypress Ave. Free admission! Email your questions for our 40th episode Q&A to thicklinespod@gmail.com, or leave us a voicemail at 818-538-4659. Support Thick Lines by subscribing to our Patreon at patreon.com/thicklinespod and follow us on Instagram @thicklinespod.

durée : 00:59:43 - Mauvais genres - par : François Angelier - Les liens entre bandes dessinées et cinéma, l'univers de Chris Ware pour nos retrouvailles avec le Festival d'Angoulême.

durée : 00:33:43 - Boomerang - par : Augustin Trapenard - Biographe de Paul Valéry, Jacques Derrida, ou Agatha Christie, il est surtout connu en tant que scénariste de BD avec sa série "Les cités obscures", et comme grand spécialiste d'Hergé, Jiro Tanigushi ou encore Chris Ware. Benoît Peeters est l'invité d'Augustin Trapenard. - invités : Benoît Peeters - Benoît Peeters : Ecrivain, scénariste, critique - réalisé par : Lola COSTANTINI

Alex Schmidt and Michael Swaim, the original Kurt Vonneguys, are back to break down the new 'Slaughterhouse-Five' graphic novel! If this isn't nice, what is? The graphic novel is by writer Ryan North and artist Albert Monteys. Publisher page: https://shop.boom-studios.com/collections/slaughterhouse-five Also here's a link to a *VIDEO VERSION* of this podcast episode (it's the same audio, plus some photos of what we're talking about): https://youtu.be/5BghQzkY0iE Vonneguys news: we're returning once more, in 2022, for a new episode about 'The Writer's Crusade' by Tom Roston. Find out more about that book here: https://www.abramsbooks.com/product/writers-crusade_9781419744891/ SEGMENTS: Franken-Time (00:03:55) Plot Time (00:24:55) Kurt Blurt Redux (00:43:45) Recurring Characters Redux (00:51:45) Kurt Cameo Redux (00:58:05) VonneWHAT Redux (01:00:30) The Meat (01:04:20) Ryan North and Albert Monteys-grades (01:17:25) Related Reading (01:21:25) Vonnegut News (01:26:00) LINKS for Related Reading: 'Jimmy Corrigan: The Smartest Kid On Earth' by Chris Ware: https://bookshop.org/books/jimmy-corrigan-the-smartest-kid-on-earth/9780375714542 'Bone Sharps, Cowboys, and Thunder Lizards' by Jim Ottaviani and Big Time Attic: https://bookshop.org/books/bone-sharps-cowboys-and-thunder-lizards/9780966010664 Quote from Tennessee Williams: https://www.themarginalian.org/2018/07/30/tennessee-williams-love/ 'Synedcoche, New York' (2008 movie): https://www.imdb.com/title/tt0383028/?ref_=nv_sr_srsg_0 LINKS for background about this graphic novel: ComicsBeat.com interview with Ryan North: https://www.comicsbeat.com/interview-adapting-slaughterhouse-five-with-ryan-north/ Publisher interview with Ryan North and Albert Monteys: https://youtu.be/BU5xv4AhoCc Article about Albert Monteys leaving 'El Jueves' over censorship: https://www.thelocal.es/20140606/spanish-comic-censored-jueves-king-joke/ Image Comics page for the 'Solid State' graphic novel by Jonathan Coulton, Matt Fraction, and Albert Monteys: https://imagecomics.com/comics/series/solid-state Vox.com article citing new Dresden statistics: https://www.vox.com/culture/2019/3/31/18287062/slaughterhouse-five-50th-anniversary-kurt-vonnegut January 2018 'Dinosaur Comics' strip that quotes 'Slaughterhouse-Five': https://qwantz.com/index.php?comic=3236 August 2021 news from Deadline.com on Noah Hawley's adaptation of 'Cat's Cradle': https://deadline.com/2021/08/noah-hawley-cats-cradle-not-moving-forward-at-fx-tca-1234814354/ Review from The AV Club: https://www.avclub.com/slaughterhouse-five-is-a-near-flawless-adaptation-that-1845419158 Review from Polygon: https://www.polygon.com/comics/2020/9/15/21438090/slaughterhouse-five-comic-graphic-novel-kurt-vonnegut-ryan-north-albert-monteys Review from MonkeysFightingRobots.co: https://monkeysfightingrobots.co/review-slaughterhouse-five-is-a-perfect-graphic-novel-adaptation/ LINK to a Google Sheet with all of Alex and Michael's past Vonnegrades: https://docs.google.com/spreadsheets/d/1F2juhwV4ia1MzdQC8krE0yiV9e7rdrpkbMguGL037uo/edit?usp=sharing

運動漫畫《乒乓》；叩問生死的《藍色青春》、《日本兄弟》；青春成長的《惡童當街》、《SUNNY》、《GOGO MONSTER》；古典雅緻的《竹光侍》、《渾沌》⋯⋯一位不斷挑戰自己的日本漫畫家松本大洋，開拓了漫畫閱讀的眼界，也刺激著一股「不能輸」的編輯魂。 . 聽編輯小毛首度分享《GOGO MONSTER》中文版祕辛——細節的講究、各環節的愛與熱情，如何提煉出與作品動人藝術性相輝映的紙本收藏價值，以及最重要的，看漫畫的爽度！ . ▍ 迷誠品Podcast EP109｜今天讀什麼〈圖像閱讀特企〉 爽度就在細節裡：松本大洋漫畫的愛之編輯術 來賓｜MaoPoPo（大塊文化副總編輯） 主持｜Amber（誠品職人） . ▍ 重點摘要 06:33 原來這些書的編輯也是她！獨具慧眼的編輯與她的書單 14:02 「我想做的是拿在手上就有爽度的漫畫！」 16:38 你發現狀聲詞也中文化了嗎？「『沒發現』對我來說是最大的讚美！」 30:04「《乒乓》非常成功，但他也沒有繼續畫運動漫畫啊。」在創作上不斷前進的漫畫家 39:09 在日本也是相當破格的作品，那我們怎麼可以輸！無法放過任何人的《GOGO MONSTER》出版祕辛首度公開！！ 46:54 編輯最推薦！！松本大洋絕對不能錯過的作品（來賓心聲：可是我看到訪綱就覺得這題很難誒(๑•́ ₃ •̀๑)～） . ▍ 邊聽邊讀 做一本能讀得暢快的圖像書 >> https://pse.is/3q4e6z #夢枕獏 ✕ 松本大洋 神級合作《渾沌》 >> https://eslite.me/3rglqq 《GOGO MONSTER》 >> https://eslite.me/3ry4pg 松本大洋作品展 >> https://eslite.me/3s8mbe . ▍ 延伸聆聽 ➢EP074｜彷彿潘朵拉的盒子，直視你心中的洞穴 ft. 川貝母｜https://link.chtbl.com/ey0ELLBX ➢EP105｜日本漫畫史的高山：《柘植義春漫畫集》｜https://link.chtbl.com/25MWDJC2 ➢EP092｜我反抗，故我們存在：卡繆的反抗三部曲｜https://link.chtbl.com/mYdwyMOO -- 圖片版權 © 松本大洋 Taiyo Matsumoto -- #迷誠品Podcast 1OO集了！