Podcasts about Muni

Það held ég kæru hlustendur. Þá er enn einn föstudagurinn runninn upp sem þýðir að föstudagskaffinu hefur verið sullað yfir allt borð. Það var á nægum fréttum að taka þessa vikuna en auk þess tuða þeir Addi og Iddi yfir kolefniseiningum og það ekki í fyrsta skiptið. Muniði svo eftir skattframtalinu. Gleðilegan föstudag.

BBB23: Domitila se arrepende de blefe sobre Lari e dá munição a Boco Roso; Amigo de Fred irrita ADM

 This week on the show, Christopher is joined by Stacy Evans, Chief Broadband and Technology Officer at BrightRidge, the municipal network for Johnson City, Tennessee. They talk an accelerating build timeline, returning millions to local government, keeping electric prices low, and working with nearby communities to build a more resilient eastern Tennessee that serves as a hotbed for new investment and innovation.  ★ Support this podcast ★

Our conversation explains the recent performance shift within the municipal market, plus a performance outlook against a backdrop of the recent climb in rates. We also cover portfolio themes to consider and discuss the relative value opportunities from New York issuers. Featured is Kathleen McNamara, Senior Municipal Strategist Americas, UBS Chief Investment Office. Host: Daniel Cassidy

In today's episode, public transit advocate, designer and illustrator Chris Arvin shares the dramatic story of how Muni became the first public transit system in a major US city.  Complaining about the bus might be San Francisco's unofficial favorite past time, but few know about the true origins of our transit system. You can find Chris at @chrisarvinsf on Twitter, and you can also shop their Transit themed merch at transit.supply.

This week on the podcast, Christopher is joined by Joan Engebretson, Managing Editor at Telecompetitor. They chat about writing for different kinds of audiences, separating hype from fact, and what the confusion that reigned over the mapping challenge process this past winter. ★ Support this podcast ★

Welcome back to The Muni 360 Podcast from New York Life Investments. Join us as the seasoned, active investors at MacKay Municipal Managers provide valuable insights into the highly fragmented, complex, and inefficient municipal bond market. On this episode, host Chris Roberti is joined by Ian France, directly from the MacKay Municipal Managers trading desk in Los Angeles. Ian is a Research Analyst and Trader, focusing on the high yield municipal segment of the market. He joins Chris to share some of his observations for 2023 so far in the municipal market and how it compares to last year. The duo also discusses the credit landscape and why investors should consider active management as a replacement or complement to passive approaches. So, sit down, press play and join us for this insightful episode of The Muni 360 Podcast, from New York Life Investments!Follow UsTwitter @NYLInvestmentsTwitter @MacKayMuniMgrsFacebook @NYLInvestmentsLinkedIn: New York Life InvestmentsLinkedIn: MacKay Municipal ManagersPresented by New York Life Investmentswww.newyorklifeinvestments.comMacKay Municipal Managers is a team of portfolio managers at MacKay Shields. MacKay Shields is 100% owned by NYLIM Holdings, which is wholly owned by New York Life Insurance Company. “New York Life Investments” is both a service mark, and the common trade name, of certain investment advisors affiliated with New York Life Insurance Company.SMRU 5436105

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists Tonight on APEX Express it is A Time for Remembering. We are remembering what it is like to grow up in San Francisco and be connected to this land that is not ours. We are remembering the incarceration of 120,000 Japanese Americans and Japanese Latin Americans. We Are talking with artists and lawyers and policy makers. People who help us shape our vision of what it means to be American. Host Miko Lee talks with artists Celi Tamayo-Lee and Na Omi Judy Shintani and Lawyer Don Tamaki. Join us.   Muni Raised Me February 24–April 9, 2023 Opening Reception, SOMArts Cultural Center Artist NaOmi Shintani's website The Art of Resilience: Tanforan Exhibit Tours, Panel Discussion & Memorial Walk through February 25, 2023 1-4PM PST San Bruno BART Station & AZ Gallery, San Bruno, CA & Online ongoing exhibit on the exterior plaza and inside the San Bruno BART Station.   Day of Remembrance San Francisco, February 19, 2023, 2:00 PM – 4:00 PM PST Tickets here. StopRepeatingHistory.Org   Additional information about the Cal Reparations Task Force It convened in June of 2021, and on June 1, 2022, fulfilled its first charge of publishing a sweeping, nearly 500 page report drawing a through line from the harm of 246 years of slavery, 90 years of Jim Crow and racial terror, and decades more of continuing discrimination. Here is link to  the 29 page Executive Summary, https://oag.ca.gov/system/files/media/ab3121-interim-report-executive-summary-2022.pdf   Show Transcripts: A Time for Remembering [00:00:35] Miko Lee: Tonight on apex express. It is a time for remembering. We are remembering what it is like to grow up in San Francisco and be connected to this land that is not ours. We are remembering the incarceration of 120,000 Japanese Americans and Japanese Latin Americans. We are talking with artists and lawyers, policymakers, people who help us shape our vision of what it means to be American. Hi, I'm your host, Miko Lee. And tonight on apex express I speak with artists Celi Tamayo-Lee and Na Omi Judy Shintani and lawyer Don Tamaki join us aboard apex express Welcome to Apex Express, Celi Tamayo-Lee . [00:01:19] Celi Tamayo-Lee: Thank you for having me, Miko. [00:01:21] Miko Lee: We're so happy to have you as an artist, as a community organizer. So my first question for you is, who are your people and what legacy do you carry with you? [00:01:32] Celi Tamayo-Lee: My people are creatives. people who like to eat a lot. My lineage comes from ELOs Norte in the Philippines, in the province of La Wag and also from Toisan in village, Sega, which is, in the Guandong province in China. My people love to dance. My people are nature lovers, ocean lovers, and those who wanna figure out what it fights to get to liberation. I carry with me legacies. Of deep hope and deep faith and legacies of adventuring. I think a lot about both my grandmothers, my Popo June and my Lola Anisha, who were just both very. Revolutionary in my mind, for their times. My grandmother from the Philippines coming here, from her small village, having I think just a high school degree and making a life for herself and her family in San Francisco. My other grandmother, June, who was a housewife in Palo Alto, who I think otherwise would have become a doctor, had higher education been m ore accessible for, women in her time. I think both of them were just really loving women , who hosted a lot of open space for their communities through their food, through gatherings and parties and also being a safe place for many of our relatives in the United. [00:03:09] Miko Lee: Thank you for that. I often think about my Popo who had all this power and imagination and what it would be like if she was living today. Do you feel like you carry an additional, , responsibility to fulfill some of their dreams since they could not during their time. [00:03:28] Celi Tamayo-Lee: Yeah. I think about that a lot. I think in the moments where I'm like, wow, I have just sat at a table all day on my computer. Is this what my ancestors dreamt for me? But I think especially as I have been exploring more of my gender identity. I think I identify as a non-binary person and I think that might be something that they couldn't quite, imagine in, in the language and the terms that they knew. But I think that like real freedom to express one's within their body and how they express themselves outwardly is definitely something I think they dreamt for me and. I also feel a responsibility to be a part of movement work and be a part of continuing to build community because that is something that I've benefited so much from them. [00:04:22] Miko Lee: Talk a little bit more about your community organizing and how you combine that with your artistry and your imagination. [00:04:28] Celi Tamayo-Lee: It's definitely been a journey for myself to identify as an artist and I think, mostly cuz there's so many messages about the ways in which art will never be a career path because of how dicey it is in terms of making money, in many ways, ironically, shout out my parents, who were both very creative people and also, people who have fought for social justice for most of their lives. my dad is a civil rights attorney and was a community organizer as a young person, but also, A musician and has always played in bands as a fun side gig. when he was my age, he was in a band called Stand that would perform all over the Bay Area. And my mom herself is also a cook and just a very creative person made all my Halloween costumes growing up and as an avid gardener. Having parents like that gave me just permission to continue to grow myself in a creative way. And I do think throughout so much of history movements have really succeeded because of their artistic aspects. Even within our Asian American history, there are so many important graphic designers and artists who made protest posters. Made movement graphics that really called into being like the spirit , of what people were fighting for. , I think about all of the songs that were sung throughout the Civil Rights movement and, I think culture just has a really powerful way of opening people's minds up to things that may feel out. reach when they're thinking in a more rational way. I just think that any movement that we need, is gonna depend on the way in which culture has been influenced through art. [00:06:25] Miko Lee: And speaking of that, you've been in the studio at Soma all day today, setting up a new exhibit called Muni Raised Me. Can you tell us about your latest project? [00:06:35] Celi Tamayo-Lee: This project called Muni Raised Me is a exhibit that will be in Soma Arts for six weeks, and it is a part of their curatorial residency programs. So myself and two of my really good friends, Sasha Vu and Mei Mei Lee, we saw the flyer on Instagram that they were calling for proposals and, , applied with this idea of a show called Muni Raised Me. really what It is, is, a love letter, a gathering, a dance party of so many of our friends, our talented friends who are. Visual artists, painters, collage artists, fashion designers, photographers it's really a space that we actually wanted to create for a long time, but never really found the platform to do it. And so much of it is trying to. ,I think juxtapose like the beauty and the roots that we come from having grown up in San Francisco while also naming just the struggle it has been to persist and live here. ,most of us artists were born in the early nineties and have just come of age in this tech era within San Francisco. 2011 was when Mayor Ed Lee invited tech companies like Twitter and Google and LinkedIn in with these major tax breaks. From 2009 to 2013, every time that I visited home, There were just more and more beloved businesses that had been replaced by condos and replaced by fancy coffee shops selling $6 lattes. For myself and for many of my friends it's been a painful and lonely experience to try and maintain a life here and to, make rent, to feel creative, to still work in public service. So many of the artists in our show are organizers themselves, or are teachers and educators in public schools or in afterschool programs. And so to try and live all those different multiple dreams and identities is really a struggle in San Francisco. [00:08:53] Miko Lee: So when somebody walks into Soma Arts, what will they see with Muni raised me. [00:08:58] Celi Tamayo-Lee: Ooh. I will say one of the first things they will see is a Muni bus that we were actually gifted from SFMTA. It just so happened that they were retiring a number of their buses and we got connected to the right person. , shout out Nicole Christian who knew somebody and. We have transformed that bus into an altar. You can walk through the bus, and throughout the bus there will be altars, but there will be definitely a focal point at the very back of the bus for people to view, but also for people to interact with. I think that so much of living in the city and having grown up in the city is an experience of grief and we really wanted to make space in the show for people to bring in ancestors and bring in family members who have been lost, , or, even family members who have been pushed out of the Bay Area. we also wanna commemorate lives lost to police violence. yeah, We hope that altar can be, a realm in which the spirit is felt beyond just , the material setting of a gallery. There's also gonna be a lot of amazing collage work from Erin Kimora. We have a beautiful installation from Arena Alejo, along with, Alyssa Avilas, who is a painter and multidisciplinary artist. People will just see a lot of kind of iconography from the nineties. We have a couple of painted Muni passes and a lot of, yeah, just different gestures and shout outs to this public transportation system that I know for myself, I spent hours and hours of my life on. It was a little bit of a pocket of freedom, like with my parents not necessarily knowing where I was. It wasn't home, it wasn't school. It was a place where I got to just enjoy and see my city. [00:11:02] Miko Lee: And What would you like folks to feel after they leave the show? [00:11:06] Celi Tamayo-Lee: I hope that they leave feeling reminded that San Francisco is them and that any kind of beauty or spark or funkiness or weirdness that they feel themselves missing from San Francisco actually can come back through their own creativity, through their own hello to a neighbor through their own small act of kindness. You know, I think there are deeper relationships also made through this show. I hope that there's a feeling of oh, my people are still here. I am connected to a sense of justice and community that maybe doesn't always feel present in the everyday, but is actually there. I hope that it. Reignites some sense of connectedness to other people who call this place home. [00:11:59] Miko Lee: I wonder if you could just speak a little bit about how art helps us remember the past so that we can learn and move forward in the future. [00:12:08] Celi Tamayo-Lee: Yeah, I think art is really critical to remembering our history. It's definitely one thing to read something in a book and another thing to experience it through imagery and sound and color. it was important to us in this exhibit to in our alter space, include really important historical figures of San Francisco. So we're including people like Victoria Manalo Draves who was a Filipina American olympic swimmer, she was one of the first women swimmers to win in her divisions of diving. We also have people like Mary Ellen Pleasant, who was an African-American woman, one of the first African-American millionaires in the country, who is also dubbed as the Harriet Tubman of the West. She helped hundreds of African-American people, basically find and make lives here in San Francisco. And, She challenged the government when they told her that she couldn't ride actually on a certain part of the public transportation, and it went to the California Supreme Court and she won and that is what stopped discrimination on the trolley routes in San Francisco. Art reaches people who would not normally seek out that history. I think it just gives people a much deeper sense of their own legacies or legacies that they may not even know that they're connected to. [00:13:51] Miko Lee: Celi Tamayo-Lee, thank you so much for joining us on Apex Express. [00:13:56] Celi Tamayo-Lee: Thank you for having me. Miko. For anyone who's looking for more information, you can follow us on Instagram@MuniRaisedMe and also find us online@somaarts.com/Muniraisedme. [00:14:10] Miko Lee: That was Sealy to Mio Lee talking about muni raised me. Now take a listen to pistol jazz by Hi no Tori. A taiko solo. [00:17:41] Miko Lee: Welcome back. You are tuned into apex express, a 94.1 KPFA and 89.3 KPF. Be in Berkeley and online@kpfa.org. That was a Taiko solo. Hi no Tori by pistol jazz. Welcome artist and narrator of culture, NaOmi Judy Shintani to Apex Express. [00:18:03] NaOmi Judy Shintani: Thank you for having me. I'm excited to talk with you. [00:18:06] Miko Lee: We're excited to talk with you too, and I wanna kick it off by first asking you, who are your people and what legacy do you carry with you? [00:18:16] NaOmi Judy Shintani: Well, I do quite a bit of my artwork about, the Japanese American history and so those are some of my people, I would say. But I also want my work to be visible to all kinds of people. So I'd say everyone's my people. The legacy I carry, part of that has to do with the incarceration, that is part of the history of my family. That is something that I carry with me. I think that there is intergenerational trauma. There's lessons you learn in legacy from your family and your culture. [00:18:54] Miko Lee: So we are coming along to the Day of Remembrance, which is a day that recognizes the Japanese-American incarceration. Can you tell about your family's personal connection with the incarceration. [00:19:07] NaOmi Judy Shintani: My father's family was up in Washington State in the Puget Sound area, and they lived on a houseboat and were oyster farmers. When Pearl Harbor was bombed, they immediately came and got my grandfather, who was a leader in the community. They were a concerned or worried that he might be a spy or might have information. And so He was taken away and my grandmother and my father's and his sibling didn't really know what had happened to him. A few days later they came for my grandmother and my father and his siblings. They eventually ended up at Tule Lake incarceration camp. Then my grandfather was allowed to be with the family there. On my mother's side, she was actually in Hawaii and the family was not incarcerated per se, though there's a lot of limitations and curfews that they had to live with. Her father was also a leader in the community and he was taken away for a year. And I think At that time my mother didn't really, probably up until the time of her death did not believe that they were incarcerated in Hawaii. But of course, we've learned later that there were incarceration camps in Hawaii and that my grandfather actually was incarcerated. [00:20:36] Miko Lee: Yeah, so many of these stories are hidden. Finally the one incarceration camp in Oahu is just getting turned into a, a national park soon. So More people will know about that history. That's one of the many hidden histories about the internment camps in Hawaii. [00:20:52] NaOmi Judy Shintani: Exactly. One of my goals is to explore the incarceration history in Hawaii. I've mostly been focused on my father's family cuz there's been more information. So I'm very interested in learning more about the legacy of trauma in Hawaii. [00:21:10] Miko Lee: You're an amazing artist, have created so many important pieces, and can you talk more about how you combine your sense of family history, your activism with your artistry? [00:21:22] NaOmi Judy Shintani: I think originally I started wanting to learn more about what happened to my family and also to come to grips with it for my own self. That's when I really started exploring trying to learn more, trying to Get my father to talk more about his experience and that is what really spurred me to start making art. At one point when we went to the Tule Lake pilgrimage together, he was asked how often do you think about the incarceration? It was a general question out to the elders that were at Tule Lake and they had to raise their hand and so they said every 10 years, every five years, every. Three years and they kept going and my father still had his hand raised for every day. And at that point I thought, this is something that is deep in our family, a deep trauma that's not been talked about a whole lot, and it has affected me and many families. That's when I really decided, Spend more time exploring that and exploring also meant doing research. It meant talking to other people. It meant gathering information. I did a lot of outreach to hear other people's stories written or oral. I also did surveys for descendants of people that were incarcerated cuz I hadn't heard that much from them. All of these thoughts and stories became part of my art and I think of my art as a way of educating people as well as honoring them honoring the people that were incarcerated and as a healing. [00:23:16] Miko Lee: In the byline next to your name, it says that you are a “narrator of culture, the unspoken compels me to create.” Can you share a little bit more about what that means to you? [00:23:27] NaOmi Judy Shintani: Well, I was thinking about what is it that I'm actually doing in my work and I was working with someone to come up with some sort of naming of myself, and I finally came up with the idea that I tell other people's stories, I tell stories of culture so that's why I became a narrator of culture. The unspoken compels me to create, that's because I am very Adamant about bringing these stories out to the public. I think that is through the personal stories about what people experienced. That is how we really know the history. A lot of this kind of history, these personal stories are not in history books in high school or middle school. It's about, Individuals and families. It's not just about, 120,000 people. I mean, that's a big number, but to hear the actual stories of parents and children and grandparents I think that puts a whole different light on it. [00:24:36] Miko Lee: Can you talk a little bit about your piece that's at the San Bruno BART station. [00:24:41] NaOmi Judy Shintani: I was hired by bay Area Rapid Transit Bart to create a art exhibit or historical exhibit about the Tanforan detention center that was on the land of where the BART station and the mall is now and was originally a racetrack. I came in as a curator, so I thought about what is important for people to know about Tanforan and how am I going to express that through writing and through art and through historical photographs. I actually thought that there's a lot of discrimination and hardships that Japanese immigrants, the Issei experience before. Pearl Harbor was bombed that I think had an influence on how the Japanese people were treated during that war time. So I really started talking about the history way earlier. About coming over, not being able to become citizens, not being able to own land and yet persevering and becoming successful. So that all rolled into the incarceration. There was a lot of discrimination because, the successfulness of the Japanese even though they had so many hardships. That was just an example of what things I thought were important for people to know about the incarceration, the history of Tanforan. I also spent a lot of time Expressing and telling the history of the artists that were at Tanforan art was a very important part of the incarceration. So I talked about people that were incarcerated, artists that were incarcerated, the art school they had there, and showed some of the art that was created there. and then I also included Art of Descendants. To express, you know, what's happened? How are people expressing the incarceration in art now. [00:26:48] Miko Lee: I love that you curated this kind of trauma informed practice that has been lasted for generations. Can you talk more about the art school that was at the Tanforan concentration camp? I hadn't heard that story before. [00:27:02] NaOmi Judy Shintani: Obata, who was a professor at uc, Berkeley was incarcerated. And so When he got there, he thought we have to have something that will give people some hope or some something to do while they're in prison. He had an art school that was for children as well as for adults. to Teach and encourage people to use their creativity to survive this difficult time. They had hundreds of students and a lot of different subjects as well as drawing and painting. [00:27:36] Miko Lee: So anybody can go and see this public exhibit that opened in September, right? [00:27:42] NaOmi Judy Shintani: Yes. If you want to go see it, you can of course you can ride on Bart and get off at the San Bruno BART station is, it's right on the main street level floor. If you're going by car, if you come to the Bart parking lot or the Tanforan Shopping Center, you can let the station agent know that you're there to see the exhibit. Then you'll be able to come in without having to buy a ticket. They're also encouraging classrooms and groups to come in. So you have a large group. You can call or email Bart and they will arrange that. There's also a memorial which is outside of the BART station, and that was put together by a group of Japanese Americans, some of which had connections with the incarceration there at Tanforan. They just opened a beautiful outdoor memorial, which has a statue of two of the young mochita girls that were in incarcerated photographed by Dorthea Lang. And also they have the names of the people that were . Incarcerated engraved, and they have a horse stable structure that can give you the size and the space that you would've been in if you were incarcerated there. BART and AAWAA, which is the Asian American Women's Arts Association are putting on a curatorial tour, as well as a memorial walkthrough and a multicultural artist panel on February 25th. People that wanna get more information can come have a special experience on that day. [00:29:26] Miko Lee: You're tuned into APEX express., a 94.1 K PFA and 89.3 KPFB in Berkeley and online@kpfa.org. Can you talk to me about your project that you're working on right now? [00:29:40] NaOmi Judy Shintani: Dream Refuge for Children imprisoned was originally introduced at the Triton Art Museum in Santa Clara. And it has since been traveling. It not only is about the Japanese incarceration, but I've also included children that were incarcerated in the United States, including native American children in boarding school situations that were removed from their communities and also the Central American refugee children which are the most recent group that has been incarcerated and a t the beginning were removed from their parents, and I just thought that was traumatic and horrible. It's reminded me so much of what our families went through in the incarceration of the Japanese Americans. [00:30:34] Miko Lee: Can you describe for listeners what this work looks like? [00:30:39] NaOmi Judy Shintani: I did life size drawings of children on mattresses are put onto cots. I also sewed talismans on each of the children. That represents a form of protection, a symbol of protection for the different children. So the Japanese Americans had little embroidery symbols as in Japan they would sew them on the back of children's kimonos to watch their back. I carried on that tradition of adding those kinds of symbols in red thread. For the native American children, I made little belt pouches of cedar and sage herbs that were given to me by a elder who knew I was working on this project. And so I sewed those into little red pouches that had the symbol of the four directions. For the Central American children I sewed purple crosses cuz they would often be carrying these crosses, with them when they came across the border. So those are all arranged in a circle. I just felt that the circle was such a healing shape and I wanted people to come into the space and see these sleeping children in this safe space and to relate to their experiences. And I had recordings of stories that were told by elders now about their experience when they were children. I had a woman that was in Native American boarding schools that told her stories and then also collected the stories. Belinda Arianga, a woman in Half Moon Bay that went to the border, and she told me the stories of those children. These voices were all recorded so that you can hear their stories in the room. [00:32:33] Miko Lee: So why for you as an artist, did you want to have both something that you could look at and then also listen to what was the impact of having those dual experiences for audience? What's your intention behind that? [00:32:46] NaOmi Judy Shintani: I really wanted people to experience the incarceration with different modalities. So I felt that by them seeing the children sleeping, they had one experience also walking in a circle. That was another experience. So they, there was a movement involved. To hear the stories I think gave another level and also to hear elders telling the stories that they remembered when they were children, along with hearing children speaking in Spanish and in English. And to have different ages and different genders. Telling the stories that they experienced. I think that just gave a whole nother. Way of the history entering the viewers. [00:33:32] Miko Lee: To me, there's also something quite powerful about the fact that they're sleeping children , because there's this whole innocence and kind of beauty that comes within that sleeping space, and yet they're held in detention. So it's this very intense juxtaposition. [00:33:51] NaOmi Judy Shintani: Yes. That was something that I really thought about and wanted to express that sort of vulnerability, but yet when they're sleeping, they have this time to dream of being in a different place or being in their own space. That was one of the things I really wanted people to come away with. The other thing I didn't talk about is that the Central American children I placed on the floor and they're sleeping among the Mylar blankets as well as textiles from Central America. And that really came to me when I spoke to a woman who was from Honduras who been released from those detention centers and she said whatever you do, don't put our children on beds, because they had to sleep on the cement floor. So I really took that to heart and wanted to show them in their correct plight of being imprisoned in such horrible conditions and the circle of the children around them. From the earlier generations of incarceration, I felt they were almost like guardians for the Central American children. [00:35:06] Miko Lee: And you went down to Crystal City to be part of the pilgrimage and protest, is that right? [00:35:12] NaOmi Judy Shintani: Yes. I was invited by Satsuki. Ina I wanted to talk to her about her story and about her experience. She said why don't you come along? We are going to go to Crystal City. It was the first time they were going. We're also gonna do a protest at the detention center. You can talk to a lot of people there. You can see what's happening I did talk to some families and children at the bus station that had been released when we were giving them some food and backpacks and things like that, and that was really moving and I think that actually that experience of going on that trip that sort of cemented the dream refuge for me. [00:35:56] Miko Lee: You mentioned your dad and how he kept his hand raised the whole time that he thought about the incarceration every day. Has he had the opportunity to see your work?. [00:36:05] NaOmi Judy Shintani: Yes, he has seen my work. He was very proud of it. He would often go to my art exhibits and be photographed with my work and Attend shows and I was always very happy to have him there and I think it was emotional for him. He didn't necessarily speak a lot, but he was present and I think it meant a lot to him that I was making work about his experience. [00:36:33] Miko Lee: Since we're coming up upon the day of Remembrance, how does art impact remembering and specifically about remembering about the Japanese incarceration? [00:36:44] NaOmi Judy Shintani: Well, I think it impacts it in a lot of ways. One way is that there were not a lot of cameras allowed into camp. A lot of the art that was created in camps are the only documentation, true documentation by the prisoners of what it was. To be there and how they were feeling and how they were experiencing camp. Mine Okubo's work, who I use in the Tanforan exhibition is really important because her drawings were almost the only thing I could find that showed just the. Experience of being in a horse stable, the experience of having to go to public bathrooms where people had no privacy. I mean, Those kinds of things weren't photographed by Dorothea Lang or any of the other photographers that were sent by the W R A because they were not trying to show the traumatic side of the incarceration. The fact that these artists were able to document and express themselves, that, that is, historically important and also important as a way of people understanding the emotional impact of what was going on in the camps. There's just something about a painting or a sculpture or drawing that shows such a deeper level of history it doesn't even have to be history, just the colors or the brush strokes. These are all things that you can't read about in a history book. You can't experience it in the same way. I also feel that with the descendants creating art for example, the Sansei Granddaughters is a collective I'm part of. We've all expressed our family's experience. in different ways some people are sewing, Rako Fuji, she uses glass to create kimonos with photographs. There's just different ways, that people use whatever media they think is right to express their history. [00:38:53] Miko Lee: Na Omi Shintani thank you so much for speaking with me. We're looking forward to seeing more of your artwork and your voice in the world. [00:39:01] NaOmi Judy Shintani: I really appreciate the opportunity to talk about the art and how important it is for our history in our education of this traumatic experience. I wanted to also make sure that people come to the carrying the light for Justice Bay area Day of Remembrance. Sunday, February 19th from two to four Pacific Standard Time, it's going to be at the Christ United Presbyterian Church on Sutter Street in San Francisco. In person or online. The keynote speakers can be Don Tamaki. There's gonna be spoken word performance by Lauren Ito the MCs Ryan Yamamoto, the anchor for C B s News Bay Area. And there'll be a candle candle lighting ceremony. It's always a very moving experience. It's a time for remembering and honoring those who've been incarcerated. It's a time of community and I hope people will attend. [00:40:05] Miko Lee: Welcome Don Tamaki, amazing esteemed lawyer and activist. Welcome to Apex Express. [00:40:11] Don Tamaki: Thank you. [00:40:11] Miko Lee: So first I wanna just start with the big question. Who are your people and what legacy do you carry with? [00:40:18] Don Tamaki: I'm part of the Japanese American community, I'm most known for serving on the legal team, which reopened Korematsu versus the United States. The 1944 US Supreme Court decision, widely regarded as one of the worst decisions in US Supreme Court history, our legal team reopened it some 37 years later. Newly discovered secret, intelligence reports and Justice Department memos admitting. There was no reason to lock up Japanese Americans. They were not a dangerous population. They were not engaging in espionage or sabotage , and arguments and memos between Justice Department lawyers about their legal duty and the fact that they were about to tell lies to the US Supreme Court in order to manipulate the outcome of that decision. That decision ended up in 1944 upholding the constitutionality of uprooting some 120,000 Americans of Japanese ancestry, including my parents and their extended families into 10 concentration camps, stretching from California to Arkansas. [00:41:26] Miko Lee: Wow. You've just given us a whole history lesson. Thank you so much. And you have been a part of so many critical moments in the Asian American Pacific Islander movement. You described part of that in the overturning of the Fred Korematsu 40 year conviction, but you're also the founder of Asian Law Alliance. And were the ED at Asian Law Caucus and you're the co-founder of Stop Repeating History all of your work is just so powerful and important. I wonder with the rise and attention on anti-Asian hate right now, where do you see the Asian-American movement going forward? [00:42:02] Don Tamaki: Well, I'm glad that all light is being shined on they hate incidents against Asian Americans. It has been happening for some time, but it's never really has gotten national attention let alone regional and local attention as it is now. So I think it's on balance. It's a good thing. On the other hand, I think we as Asian Americans knowing our history need to understand where the hate comes from in the first place. And by that I mean what is the cultural strain, the historical tradition, the norm of policies and laws that led to prejudice being so systemic in the first place. If you connect the dots, I think it does go back to 1619 in the very beginnings of enslavement in America, which laid the foundations propped up the institution of slavery for 246 years. 90 years of Jim Crow to follow, and decades more of exclusion and discrimination targeted first at black people. But while those policies and laws put a target on the backs of African-Americans it also Ended up targeting on occasion Asian Americans, Latinos other disfavored groups. And so this bias has really recycled over and over through our entire history. And from time to time resurfaces to impact us as Asian Americans. The Trump administration's a pretty good example where even though we have our model minority status Asian Americans became the spreaders of the Chinese virus. Mexicans were labeled as drug dealers and rapists. White supremacists declared that Jews and immigrants were poised to replace them. And the continuation of black people being killed at the hands of law enforcement, and it barely would ev evoke any reaction at all because it was deemed so normal until the May 25th, 2020 murder of George Floyd, which was captured on videotape. So this kind of thing where, you know, of course the Japanese Americans ended up in concentration camps. The Chinese Exclusion Act of 1882 was the first ban against a country. But it gets recycled in different forms, whether it's the 2017 Muslim ban that Trump put out or other things that ultimately in fact, the thinking I think, of the entire country including our own communities. While I'm very hardened that we're focusing on the hate incidents against Asian Americans, I think that's been a ignored area. I'm concerned about each group sticking up for its own tribe only and not connecting the dots I did to identify where this pathology comes from in the first. So speaking of cross solidarity work, I know your work led to the groundwork reparations for incarcerated Japanese Americans during World War ii, and last year you were appointed by Governor Newsom to a reparations task force for African Americans. Can you tell where that reparations committee is at right now? Following the murder of George Floyd triggering the largest protests in American. By September of the same year, 2020 the legislature had passed secretary Shirley will Webber's bill creating a task force to study reparations proposals for African Americans and make recommendations to the legislature. I'm one of nine members appointed by the governor in the legislature, and we have three charges. One is to document the harm of the legacy of slavery, covering two and a half centuries and another century of Jim Crow in decades, more of exclusion and discrimination, and connect those dots. To the current outcomes today, and we've done that in a very sweeping, scholarly, comprehensive report. It's been called the Interim report because it's not the final ones coming out this June. The second goal is to study reparations proposals and make recommendations to the legislature. The final report, which is due 2023 in just a few months. The third requirement is to educate the public about what's happened. Because as this is really, the subject is so buried and erased. The product of a willful amnesia call it. The fact that we're. The American public, the New York Times, Washington Post is just now publishing articles on Tulsa and Greenwood in which 300 African Americans were murdered in what was called a race riot, even though that happened over 100 years ago. People are just learning about that now. And what the I interim report that we issued last June reveals is that this is not an isolated incident. That the history is littered with Greenwood. Part about educating the public, creating curriculum to provide information to students and so on. That's really our charge going forward. And in June of 2023, we'll be issuing our final report. I know that both Tsuru for solidarity and the Japanese American Citizen League worked last year to get reparations for African Americans in the Chicago area utilizing marijuana tax. I'm wondering if there's other reparations models that have been happening in the US. There's discussion for the first time. The reparation idea is as old as the Civil War when 40 acres in a mule was promised with a period of 12 years of reconstruction that happened only to have all of that rescinded. Thereafter, and again, I think because of at least it was triggered, I think by the Floyd murder local municipalities and counties, about maybe two dozen or TA have taken this up in California so far as the only state and each of those areas are coming up with different kinds of proposals. I have to say that this is largely because of the unwillingness of Congress even to study reparations, let alone do anything about it. And so local jurisdictions have taken up the lead on this. As far as the state task force on reparations is concerned, I think all of the forms are on the table. None have been decided on yet or voted on. That will come in the run up to June of 2023. [00:48:54] Miko Lee: I believe you're the only non-African-American member of that commission. Is that right? [00:48:58] Don Tamaki: That is right. [00:49:00] Miko Lee: So how can the Japanese-American reparations and apology be utilized as a model for reparations for African-American and indigenous folks? [00:49:09] Don Tamaki: They're big differences, of course between the Japanese American experience and. The experience of black people in America. First off, as the listeners know, there's simply no equivalence between four to five years in the concentration camp, losing all of your property and your businesses. Some folks even lost their lives as compared to 400 years of two and a half centuries of enslavement followed by Jim Crow and. Legalized and customarily enforced segregation, the results of which we're seeing e every day in our communities. But there are some things that are useful. The Japanese American redress and reparations movement is maybe one of the very few examples where the government acknowledged a great, wrong, apologized for. and put meaningful compensation behind that to create a meaningful atonement and how we got there. Some of the, there are some lessons that are maybe of some use. I think the other thing in my role as the only non-black person on the task force is to demonstrate. We can and should, and we're obligated to be allies in this effort. And although Japanese Americans don't have the history of black Americans in America we do know something about racial profiling. We know something about being removed and vilified and organizing to get back our dignity and some measure of atonement and. that lesson is really an American story of the meaning of the Constitution and what it means to be an American. When democracy and institutions are being challenged and in our case failed. I think with respect to other groups, whether they're. Native people or Latinos or L G B T Q, populations, disabled and so on. We all ought to be taking a look at reparations because it shines a light on so much of where the sense of separation and inequality comes from in the first place. [00:51:17] Miko Lee: Can you talk to us about the Day of Remembrance? I know you're gonna be the keynote speaker this year. Can you talk about the importance of the day? of remembrance? [00:51:25] Don Tamaki: Well, It's certainly important from a personal standpoint for our own community. It's time to reflect on our families who were taken away and incarcerated for no good reason but for the country, it's important to memorialize, and we do this annually about the perils to democracy. When racism shouts louder than the Constitution and our community endured a time where, The facts didn't matter. The law didn't matter and the constitution didn't matter. And why is that important? Because we're seeing that play out in real time today. The January 6th Capitol insurrection the Capitol was defied, five people died. 25,000 troops were deployed to protect the peaceful transfer of power. and millions today believe the election was stolen despite the utter lack of any evidence of fraud that would've made any difference in the outcome. This kind of collapse is something our own community experienced. literally the three branches of government failed. The presidency, legislative branch, Congress, and in our case, the courts they all bowed to the will of a racist notion knowing, and the government knew it at the time that that was. A, a completely false premise and yet no one had the courage to stand up, at least within the Department of Justice and within the courts. It was so normal that it was allowed to happen. We're seeing this playbook play out. It's not peculiar to the United States. This demagoguery is something that's happening worldwide and the elements are the same, which is, number one, appeal to prejudice. Number two, engage in fear mount mongering and scapegoating and three traffic in conspiracy theories and fake news. There's certainly a parallel there And that also led to the formation of stop repeating history. To be an alert, to be a point of reflection that we've seen this before and unless we become active and intervene, it's gonna happen over and over again. So that's certainly. A big reason why the day of remember it is such an important annual event. [00:53:41] Miko Lee: How does it feel to be the keynote speaker this year? [00:53:44] Don Tamaki: Well, I've gotten more than my share of recognition. There are many other people that have done really important work, but it gives me a platform at least to talk about the importance of reparations for African Americans and why it is not just a black issue, but an issue of long overdue justice. And that by shining a light on the origins of systems of exclusion, discrimination, that it helps all of us. It gives me an opportunity to connect some of the dots between our community struggle and that which been a constant for black people in America. [00:54:20] Miko Lee: We're gonna put a link to stop repeating history onto the show notes so people can take a deeper dive into some of your work. Don, you make change happen through policy and laws, and we're also talking with artists in this episode. How do you think art can help shape and change social issues? [00:54:38] Don Tamaki: As a lawyer, I used to think that laws and cases and legal action are the most important thing. And don't get me wrong it's, important. We reopened this ancient case of Korematsu versus United States, and we made a legal point as well as a public policy point. But I think the driving force For both good and bad in America, which is an amalgamation of both is culture and what I mean to say that is to say, if the culture says you will be locked up, the laws don't matter. The constitution doesn't matter. Nothing matters. You will be locked up because the culture is saying that is the norm. and I think we're again seeing this over and over again. And so how is culture created these belief systems? A lot of it has to do with artists authors those who create. that reflect and help shape the public's values. I think Artists and writers and others play a huge role in determining or helping to determine the values of a society. In the reparations movement, as well as to happen in the Japanese American redressing, reparations. the Art was really important when we went to announce our reopening of the filing of the petition in behalf of Fred Korematsu, Gordon Hirabayshi and Minori Yasui, I called up news desks and these are educated journalists who had no idea that this had even happened in America. When I talked about American style concentration camps, they said you're talking about Japanese prisoners of war, aren't you? And they said, no, these are the removal and incarceration of an entire American population. They had not heard about that. Since that time, there've been so many books and movies and creative works and art. After how many years later Now it's in the public consciousness. People generally on both sides of the aisle, now regard this roundup is really bad idea of real travesty and an injustice. I'm glad that we played a legal role in all that. But how did the script get flipped? That was because of education. So the impact of documentary films, of books, of magazine articles, played a huge role in moving the needle of public opinion. and I think that's been true of every movement especially in the modern era. I think the artists are crucial. [00:57:07] Miko Lee: Don Tamaki, thank you so much for speaking with us. We look forward to hearing your keynote speech at the San Francisco Day of Remembrance. [00:57:15] Don Tamaki: Thank you, Miko. [00:57:16] Miko Lee: Thank you so much for joining us. Please check out our website, kpfa.org backslash program, backslash apex express to find out more about the show tonight and to find out how you can take direct action. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. Apex express is produced by Miko Lee Jalena Keane-Lee and Paige Chung and special editing by Swati Rayasam. Thank you so much to the KPFA staff for their support have a great night. The post APEX Express – 2.16.23 – A Time for Remembering appeared first on KPFA.

We focus in specifically on the state of the municipal market, including reflections on YTD performance (following a challenging 2022), an outlook for returns, among other timely topics within the asset class. Featured are Kathleen McNamara, Senior Municipal Strategist Americas, UBS Chief Investment Office, and Jamie Iselin, Senior Portfolio Manager and Head of the Municipal Fixed Income Team, Neuberger Berman. Host: Daniel Cassidy

In this month's Masters of the Muniverse, Eric Kazatsky and co-host Karen Altamirano are joined by Adam Stern, the co-head of research at Breckinridge Capital Advisors. Breckinridge is a $42 billion asset manager and has long been considered one of the industry's firsts in muni ESG. Stern gives his take on the current state of Muniland, and if ESG investors are losing confidence in the designation and standards. muni ESG

This week on the podcast and on the most Valentines-iest of days, Christopher is joined by Katie Espeseth, Vice President of New Products EPB Fiber, at the municipal network in Chattanooga, Tennessee. After catching up on the release of the network's 25 gigabit service and the latest progress of the HCS EdConnect initiative (which has connected almost 10,000 homes), Katie shares with Christopher how its SmartNet Plus program expands the managed Wi-Fi framework to take advantage of the many devices we all have in our homes that connect to the Internet. The show ends with Katie and Christopher reflecting on how – thanks not only to Chattanooga, but the other cities as well as telephone and electric cooperatives in the state – Tennessee is among the best-connected across the country, with some of the fastest speeds and most affordable rates available.This show is 29 minutes long and can be played on this page or via iTunes or the tool of your choice using this feed. We want your feedback and suggestions for the show-please e-mail us or leave a comment below.Listen to other episodes here or view all episodes in our index.Subscribe to the Building Local Power podcast, also from the Institute for Local Self-Reliance, on iTunes or Stitcher to catch more great conversations about local communities, the concentration of corporate power, and how everyday people are taking control.Thanks to Arne Huseby for the music. The song is Warm Duck Shuffle and is licensed under a Creative Commons Attribution (3.0) license. ★ Support this podcast ★

This week on the podcast, Christopher is joined by General Manager Brad Nosler and Senior Customer Support specialist Elizabeth Pereira, both from the city of Hillsboro, Oregon. The city's municipal broadband network, HiLight, is new, having begun signing up subscribers in the spring of 2021. Notably, HiLight began building in the areas highest-need neighborhoods, where connectivity … Continue reading "HiLighting Hillsboro, Oregon – Episode 538 of the Community Broadband Bits Podcast"

Trail EAffect with Christine Byl of Interior Trails LLC - Trail Building in Alaska #111 How Christine got into Trail Building What drew Christine to Glacier National Park and the Trail Crew What drew Christine and her husband Gabe to Alaska Founding Interior Trails with her husband Gabe Types of Projects / Work that Interior Trails takes on Using Helicopters for logistics to get both crew members and materials into work sites Recounting some of her early years of Trail Building compared to what it is today Christine's perspective of the PTBA when she first got involved to where it is today How the PTBA provides a culture of professionalism 2023 International Trails Summit in Reno, NV Christine as a board member of the PTBA The importance of Visibility Women in Trail Building Dawn Packard Women's Gathering at the 2022 Sustainable Trails Conference Favorite Tool(s) that Christine has for Trail Building Christine's book: Dirt Work Coming from Grand Rapid's MI Advice from Christine Closing Comments and Thank You's Christine's Bio: Christine Byl, co-owner of Interior Trails, LLC, is a writer and a trail builder of 27 years. After 12 years working on federal trail crews in Glacier NP, Chugach NF and Denali NP, in 2008 Christine and her husband Gabe Travis founded Interior Trails, specializing in sustainable trail design, layout, construction, consulting and training. Clients across Alaska include the Muni of Anchorage, State of Alaska's DNR, Alaska State Parks, Student Conservation Assoc., Alaska Trails, National Park Service, and many others, as well as international partnerships in Argentina and Canada. For further information about Interior Trails, visit www.interior-trails.com. Christine's first book, Dirt Work: An Education in the Woods is about trail crews, tools, wild places, and labor, and has been selected for many "Best of" lists including by Backpacker Magazine. A new novel is due out in March: Lookout, set in NW Montana which she called home for many years. For information about books, teaching, and keynote speaking, please visit www.christinebyl.com. Christine lives on a few acres of tundra north of Denali National Park and spends as much time as possible exploring via foot, bike, ski, boat and dog. Links: Interior Trails LLC: https://www.interior-trails.com/ Christine Byl: http://www.christinebyl.com/ Dirt Work on Amazon: https://www.amazon.com/Dirt-Work-Education-Christine-Byl/dp/0807033278 Professional Trail Builders Association: https://www.trailbuilders.org/ 2023 International Trails Summit: https://web.cvent.com/event/24d42cc6-9b01-4aad-8cb7-425826bc429c/summary   This Podcast has been edited and produced by Evolution Trail Services Trail EAffect Show Links: Trail Effect Podcast Website: www.traileaffectpodcast.com Contact Josh at evolutiontrails@gmail.com Support Trail EAffect through donations at: https://www.patreon.com/traileaffect You can also reach out and donate via PayPal or other means if you feel so inclined to do so.

This week on the podcast, Christopher is joined by ILSR Communications Team Lead Sean Gonsalves to talk about the most recent Tribal Broadband Bootcamp, in Gila River. Tribal attendees from across North America came together – some experienced, and others tackling structural broadband inequities in their regions for the first time – came together to meet … Continue reading "Training to Build the Networks We Want at Broadband Bootcamps – Episode 537 of the Community Broadband Bits Podcast"

What's up this week in the municipal markets? Find out. The Muni 360 Weekly Wrap Up Podcast covers the municipal landscape from the lens of the trading desk, supply/demand dynamics, views on volatility, and key themes for investors to consider. Follow UsTwitter @NYLInvestmentsTwitter @MacKayMuniMgrsFacebook @NYLInvestmentsLinkedIn: New York Life InvestmentsLinkedIn: MacKay Municipal Managers Presented by New York Life Investmentswww.newyorklifeinvestments.com MacKay Municipal Managers is a team of portfolio managers at MacKay Shields. MacKay Shields is 100% owned by NYLIM Holdings, which is wholly owned by New York Life Insurance Company. “New York Life Investments” is both a service mark, and the common trade name, of certain investment advisors affiliated with New York Life Insurance Company.

This week on the podcast, Christopher is joined by Rudolf van der Berg, Partner at Stratix Consulting, a Dutch consulting firm that does work in telecommunications and has been deeply involved in the historic level of new infrastructure deployment projects in northern Europe. Rudolf breaks down what's going on today in Europe's broadband landscape, including efforts … Continue reading "Market Dynamics, Regulations, and Historic Fiber Investments in Europe – Episode 536 of the Community Broadband Bits Podcast"

Welcome back to The Muni 360 Podcast from New York Life Investments. Join us as the seasoned, active investors at MacKay Municipal Managers provide valuable insights into the highly fragmented, complex, and inefficient municipal bond market. For this episode, host Chris Roberti is joined by Bob DiMella, directly from the MacKay Municipal Managers trading desk in Los Angeles. Bob is the Co-head and Co-CIO of Mackay Municipal Managers and a municipal bond Portfolio Manager with a focus on the investment grade segment of the market. He joins Chris to help share their top five insights for 2023.  These represent their team's macro views for the year as well as themes they implement in the portfolios they manage. This is an episode you do not want to miss, so join us for this episode of The Muni 360 Podcast, from New York Life Investments!Follow UsTwitter @NYLInvestmentsTwitter @MacKayMuniMgrsFacebook @NYLInvestmentsLinkedIn: New York Life InvestmentsLinkedIn: MacKay Municipal ManagersPresented by New York Life Investmentswww.newyorklifeinvestments.comMacKay Municipal Managers is a team of portfolio managers at MacKay Shields. MacKay Shields is 100% owned by NYLIM Holdings, which is wholly owned by New York Life Insurance Company. “New York Life Investments” is both a service mark, and the common trade name, of certain investment advisors affiliated with New York Life Insurance Company.SMRU 5398501.3

San Francisco has just 815,000 residents. But its annual budget is nearly $14 billion. The budget covers the operations of both the city and county of San Francisco, and half of that is money earmarked for the airport, port, Muni, and public utilities, among other enterprise agencies. But that leaves nearly $7 billion in General Fund money for a city with less than a million people. And, the city is projecting a $728 million deficit over the next two years. Where does the money go and does San Francisco's budget reflect the values of its citizens? We'll talk about the budget, the looming deficit, and the financial state of San Francisco, which has had one of the slowest economic recoveries from the pandemic in the nation. Guests: Jim Wunderman, President and CEO, Bay Area Council - A regional business-sponsored public policy group JD Morris, City Hall reporter, SF Chronicle Michelle Allersma, director, San Francisco Controller's Office Budget and Analysis Division Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest explains why brighter days appear to be ahead for muni investors and how to consider positioning accordingly, including a look at the case of municipal ETFs. Featured is Kathleen McNamara, Senior Municipal Strategist Americas. Host: Daniel Cassidy

This week on the show, the staff get together to bend their collective imaginations to what we expect to see as the biggest news stories of 2023. Returning to join Christopher are Sean Gonsalves, Christine Parker, Emma Gautier, and Ry Marcattilio to discuss the BEAD funding rollout, mapping, the current state of preemption laws, Starry, the … Continue reading "Predictions for 2023 – Episode 535 of the Community Broadband Bits Podcast"

In this episode of The Reorg Primary View, Seth Brumby, Deputy Managing Editor of Reorg's municipals coverage talks with Yaffa Rattner, Senior Managing Director and Head of Municipal Credit at HilltopSecurities. Topics range from a reflection on 2022, a discussion of HilltopSecurities's High Yield Municipal Survey, and expectations for 2023. We're looking for feedback to improve the podcast experience! Please share your thoughts here: www.research.net/r/Reorg_podcast_survey #highyield #highyieldbonds #municipals

Sécheresses, inondations et canicules semblent devenir plus fréquentes qu'auparavant. Ces événements souvent extrêmes donnent bien l'impression que le climat évolue. Mais on peut se demander si de tels changements sont liés au réchauffement climatique. C'est pour mesurer cette éventuelle influence qu'un nouvel indice climatique vient d'être mis au point. Il s'agit du "Climate Shift Index" ou CSI. Il a été élaboré par le "Climate Central", une Organisation non gouvernementale composée de scientifiques et de journalistes. Cet indice climatique relève, chaque jour, des milliers de températures, dans toutes les contrées du globe, et les compare à des données plus anciennes. Le CSI indique donc si les écarts de températures constatés, par rapport à la moyenne des relevés antérieurs, peuvent être attribués au réchauffement climatique, et, dans l'affirmative, dans quelle proportion. Pour rendre cet indice plus parlant, il est figuré par une échelle, qui va de -5 à +5. Plus l'on se rapproche du sommet de l'échelle, plus il est probable que l'anomalie remarquée est liée au réchauffement climatique. Ainsi, si une zone donnée est affectée d'un indice +4, par exemple, on peut raisonnablement penser que les écarts de température qu'on y relève sont dus à l'action du réchauffement climatique. Le chiffre attribué signifie que la température constatée est relevée quatre fois plus souvent qu'auparavant, et qu'elle est liée au réchauffement climatique. Pour rendre les choses encore plus claires, on a associé cette échelle à une carte. Sur celle-ci, des couleurs correspondent aux chiffres. Ainsi, le rouge foncé accompagne l'indice maximal, +5. Muni de ces chiffres et de ces cartes en couleurs, l'observateur peut repérer plus facilement les changements opérés par le réchauffement climatique. Ainsi, les chercheurs à l'origine de ce nouvel indice ont pu mesurer à quel point ce réchauffement modifiait, d'ores et déjà, le climat de la planète. En effet, ils ont constaté que les modifications de températures induites par le réchauffement climatique concernaient 96 % de la population du globe. Autrement dit, la très grande majorité des habitants de la planète est déjà touchée par ce phénomène. Learn more about your ad choices. Visit megaphone.fm/adchoices

What's up this week in the municipal markets? Find out. The Muni 360 Weekly Wrap Up Podcast covers the municipal landscape from the lens of the trading desk, supply/demand dynamics, views on volatility, and key themes for investors to consider. Follow UsTwitter @NYLInvestmentsTwitter @MacKayMuniMgrsFacebook @NYLInvestmentsLinkedIn: New York Life InvestmentsLinkedIn: MacKay Municipal Managers Presented by New York Life Investmentswww.newyorklifeinvestments.com MacKay Municipal Managers is a team of portfolio managers at MacKay Shields. MacKay Shields is 100% owned by NYLIM Holdings, which is wholly owned by New York Life Insurance Company. “New York Life Investments” is both a service mark, and the common trade name, of certain investment advisors affiliated with New York Life Insurance Company.

This week on the podcast, Christopher is joined by returning guest Blair Levin. Levin has served as former chief of staff to FCC Chair Reed Hundt as well as executive director of the National Broadband Plan (2009-2010). Nowadays, he's a nonresident senior fellow at Brookings, and joins Christopher to unpack all that we might expect to … Continue reading "What Can We Expect to See in 2023? – Episode 534 of the Community Broadband Bits Podcast"

What would make you take off your headphones on the bus to talk to a stranger? In this episode, storyteller Alex Randall shares how he started talking to his fellow riders, and how these "Muni chats" changed the way he looks at our city. Alex takes the 38 Geary often and he likes all things San Francisco: history, sports, art, politics, and public transit. You can find him at @ArtrepreneurSF on both Instagram and Twitter.

As a bomb cyclone hits San Francisco, Total SF hosts Peter Hartlaub and Heather Knight hunker down in the San Francisco Chronicle archive and look forward to exploring San Francisco in 2023, and each choose seven things that listeners should do in the city this year. Choices include two of the city's most underrated hikes, the Muni route with the best views and a new adventure to challenge Peter's fear of heights. Produced by Peter Hartlaub. Music from the Sunset Shipwrecks off their album "Community," Castro Theatre organist David Hegarty and cable car bell-ringing by 8-time champion Byron Cobb. Follow Total SF adventures at www.sfchronicle.com/totalsf  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the podcast, Christopher Mitchell join's Drew Clark on Broadband.Money's Ask Me Anything series, and in true fashion, he never ducks the hard questions. With audience questions, Drew and Christopher cover wide ground, including why the national broadband marketplace needs publicly owned infrastructure options, the benefits of open access models, how cities can … Continue reading "Christopher Mitchell's Ask Me Anything – Episode 533 of the Community Broadband Bits Podcast"

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It's December, which means it's time to pull the staff together and get a handle on what happened in the broadband landscape in 2022. Joining Christopher is GIS and Data Visualization Specialist Christine Parker, Associate Researcher Emma Gautier, Outreach Team Lead DeAnne Cuellar, Senior Reporter and Communications Team Lead Sean Gonsalves, and Senior Researcher and … Continue reading "Year in Review 2022 – Episode 532 of the Community Broadband Bits Podcast"

San Francisco is a beautiful place to have a wedding, as Total SF hosts Peter Hartlaub and Heather Knight learned, after attending the nuptials of podcast listeners Kevin Dublin and Kate Lewin. Hartlaub and Knight play audio from that wedding, then invite Chronicle arts and culture columnist Tony Bravo for a draft to pick the best places in the city to get married. The Muni historical streetcars, Hornblower cruises, San Francisco Botanical Garden and Vaillancourt Fountain (!?!) make the list. Produced by Peter Hartlaub. Music from the Sunset Shipwrecks off their album "Community," Castro Theatre organist David Hegarty and cable car bell-ringing by 8-time champion Byron Cobb. Follow Total SF adventures at www.sfchronicle.com/totalsf  Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew Coller previews tomorrow's Vikings vs Colts matchup at the start of the hour before some talk about the success municipal bars and liquor stores have enjoyed this year. Plus, it's another round of Am I Wrong? with Dave.

As we head into 2023, our conversation reflects on the recent performance drivers of munis and outlines expectations for the year ahead. We also focus on risk factors and considerations when it comes to positioning within munis. Featured are Peter Hayes, Head of Municipal Bonds for BlackRock, and Kathleen McNamara, Senior Municipal Bond Strategist Americas for the UBS Chief Investment Office. Host: Daniel Cassidy

Welcome back to The Muni 360 Podcast from New York Life Investments. Join us as the seasoned, active investors at MacKay Municipal Managers provide valuable insights into the highly fragmented, complex, and inefficient municipal bond market. On this episode, host Chris Roberti sits down with Mike Denlinger, directly from the MacKay Municipal Managers trading desk in Los Angeles. Mike works as a Municipal Bond Portfolio Manager at MacKay Municipal Managers with a focus on the investment grade segment of the municipal market. Together they discuss their observations on how the municipal bond landscape has shaped up in 2022, what has been the catalyst behind the strong rally municipal markets have seen since November and what that means for the future of Munis. So press play and join us for this insightful episode of The Muni 360 Podcast, from New York Life Investments!Follow UsTwitter @NYLInvestmentsTwitter @MacKayMuniMgrsFacebook @NYLInvestmentsLinkedIn: New York Life InvestmentsLinkedIn: MacKay Municipal ManagersPresented by New York Life Investmentswww.newyorklifeinvestments.comMacKay Municipal Managers is a team of portfolio managers at MacKay Shields. MacKay Shields is 100% owned by NYLIM Holdings, which is wholly owned by New York Life Insurance Company. “New York Life Investments” is both a service mark, and the common trade name, of certain investment advisors affiliated with New York Life Insurance Company.SMRU 5077127

This week on the podcast, Christopher is joined by Senior Reporter, Editor and Communications Team Lead Sean Gonsalves and GIS and Data Visualization Specialist Christine Parker to talk about how bad data can blind us and good data can drive positive policy solutions. First, they talk about a new guide developed by ILSR to help citizen-advocates, nonprofits, … Continue reading "Data-Driven Policy Solutions – Episode 531 of the Community Broadband Bits Podcast"

How often do you ask yourself, "What would you do if this happened to you on Muni?" Storyteller Keli Dailey explores that very difficult question on stage at Muni Diaries Live, where she shared a tale about an unexpected turn of events on the bus. Keli is an award-winning journalist, performer and educator. ​She teaches media classes at the University of San Francisco, Saint Mary's College of California and Mills College, where she also leads the Communication program. She says that she believes in the power of comedy to communicate news, and that's something we can definitely identify with here at Muni Diaries headquarters. Got a story to tell on the podcast? Email us a short pitch at muni.diaries.sf@gmail.com!  

Welcome back to The Muni 360 Podcast from New York Life Investments. Join us as the seasoned, active investors at MacKay Municipal Managers provide valuable insights into the highly fragmented, complex, and inefficient municipal bond market. On this episode, host Chris Roberti sits down with Scott Sprauer, directly from the MacKay Municipal Managers trading desk in Los Angeles. Scott serves as Senior Managing Director and Portfolio Manager at MacKay Municipal Managers with a focus on the investment grade segment of the municipal market. Together, the duo discusses their thoughts on how the midterm elections are shaping up to impact the municipal landscape in general. Hear first-hand how MacKay Municipal considers public policy and the political landscape to be a core part of the research process and work they do. So, get ready, press play and join us for another episode of The Muni 360 Podcast, from New York Life Investments!Follow UsTwitter @NYLInvestmentsTwitter @MacKayMuniMgrsFacebook @NYLInvestmentsLinkedIn: New York Life InvestmentsLinkedIn: MacKay Municipal ManagersPresented by New York Life Investmentswww.newyorklifeinvestments.comMacKay Municipal Managers is a team of portfolio managers at MacKay Shields. MacKay Shields is 100% owned by NYLIM Holdings, which is wholly owned by New York Life Insurance Company. “New York Life Investments” is both a service mark, and the common trade name, of certain investment advisors affiliated with New York Life Insurance Company.

On this week's episode of R&B Money, Tank and J Valentine are joined by Muni Long. Muni will share memories of a sheltered upbringing which inevitably led her onto her path, blowing up on the internet before that was a thing. Muni began placing records on many artists accumulating her an arsenal of hits and after some ups and downs, Muni is back outside, doing things her way. Listen and Enjoy! Follow The Podcast: Tank: @therealtank   J Valentine: @JValentine Podcast: @RnbMoneyPodcastSee omnystudio.com/listener for privacy information.

Welcome to the Fore Golfers Network Podcast Ep 359 - Jeremy Wilson - A 50 State Muni Golf Journey Of A Lifetime Have you ever dreamed of leaving your job and heading out on a cross-country journey to play golf in all 50 states? Jeremy Wilson of Paired Up Golf is doing just that and the stories he's gathering on a national tour of muni courses are really amazing. We talk all about the decision to go, the challenges of the drive, and the memories he's making along the way. ---------------- FGN 24/7 Listener Hotline - 989-787-0193 - we want to hear from you! Subscribe to the FGN Podcast Check out FGN videos on YouTube !

Storyteller Ilyse Magy has hella Muni bonafides: she was the first paid “staff member” of San Francisco Transit Riders, where she helped pressure city officials to actually ride the bus. But one Halloween evening, when Ilyse found herself evangelizing the value of public transit, the Muni gods had other plans. You can see even more Muni (and SF!) goodies at the Muni Diaries Art Market this Saturday, Dec. 3, 2022, at 80 Albion, from noon to 4pm! 

Back from the T day holiday! Lexx had a great time seeing loved ones, and Sana went to New York. Plus, someone is really hating on Biz's "Las Oakland Raiders", and a Bay Area clown really stole a whole Muni bus.

This week on the podcast, Christopher is joined by Tamarah Holmes, Director at the Office of Broadband at Virginia Department of Housing and Community Development. Virginia is ahead of the game compared to a lot of the states in terms fo its planning and proactive work with providers to achieve universal access in historically unserved and underserved areas. Tamarah … Continue reading "A Layered Approach to Universal Access in Virginia – Episode 530 of the Community Broadband Bits Podcast"

Comedian and friend David Kildal joins the boy's Bjorn RG Nick Scalzone, and Paul Heinrich in the studio to chat about track suits, Costco Coffins, Cold plunge again, drinking hard Topo Chicos, Muni, Spiced apple water, Moving endings, Porn corn, and David's Air Griffey's. New Full Episodes every Wednesday! Follow us on Instagram and Twitter! Size 10: https://www.instagram.com/size10podcast/ https://twitter.com/size10podcast Bjorn RG: https: https://www.instagram.com/bjornrgcomedy/ Nick Scalzone: https://www.instagram.com/nickscalzonecomedy/ David Kildal: https://www.instagram.com/davidkildal/ Support our Sponsors!!! Bearskn: https://www.bearskn.com/discount/SIZE10 Email us with your feedback, questions, comments, angry rants, confessions of your undying love for us, or anything else you think we need to see or hear about, at size10podcast@gmail.com Thank you for supporting the podcast!

Many of you might know Mike Delia better as Mr. Boston, an operator on the F-Market and an impressive list of standard lines across town. Hailing from Massachusetts, he got bit by the transit bug when he was just 5 years old, riding the bus with his father, who was also an operator. You can often find him wearing his distinctive operator's cap on the F line, perhaps even on Car No. 1059 -- painted in his hometown Boston livery.  At Muni Diaries Live last month, Mike shared the story of his journey as a transit operator, which brought him to San Francisco, and his battle with a serious illness that brought him closer to so many of his passengers.  

This week on the podcast, ILSR Senior Reporter and Editor Sean Gonsalves joins the show for another installment of Crazy Talk. Today's topic is fiber, with the two breaking down a recent op-ed in The Hill by Technology Policy Institute President Scott Wallsten. Christopher and Sean inject a much-needed reality check, as well as some nuance, to Wallsten's performative anxiety … Continue reading "Crazy Talk on Fiber Deployments – Episode 529 of the Community Broadband Bits Podcast"

Working hard to build your business and don't want to see it lost or unprotected? Having the right coverage and the right team of accountants, insurance, and legal advisors is vital to avoid damaging lawsuits for your business. Suneera discusses essential items to protect your business with commercial tax and insurance expert Frances Batista. Suneera calls it “funding your fears,” so you don't have to worry about it. Frances also shares why more female entrepreneurs need to hit the golf course. Frances Batista is the founder of Muni, a conglomerate of Insurance and Tax corporations based in Connecticut, serving 13 states and offering all lines of commercial and personal insurance. Since launching in 2016, Frances has scaled her companies into multi-seven-figure businesses in just six years.  In 2021, she was awarded Insurance Professional of the Year by the International Association of Insurance Professionals.  Frances advocates theatre arts and is passionate about serving the local community. She currently sits on the board of multiple local nonprofits, including  Shakesperience and Salvation Army.   Connect with Frances: IG: https://www.instagram.com/muniinsurance Website: https://www.muniinsurance.com   Join us for a 2-day intensive business workshop, with exclusive access to Suneera Madhani, a Forbes 40 Under 40, billion-dollar founder, EY Entrepreneur of the Year award recipient for an immersive business experience that will give you the tools and playbooks to create an actionable plan to scale your business in 2023: https://theceoschool.mykajabi.com/ceo-school-december-2023-workshop This episode is sponsored by The Club, a monthly digital community to help you level up and leadership and life. Learn more today at https://join.theceoschool.co/

Welcome back to The Muni 360 Podcast from New York Life Investments. Join us as the seasoned, active investors at MacKay Municipal Managers provide valuable insights into the highly fragmented, complex, and inefficient municipal bond market. On this episode, host Chris Roberti sits down with Scott Sprauer, directly from the MacKay Municipal Managers trading desk in Los Angeles. Scott serves as Senior Managing Director and Portfolio Manager at MacKay Municipal Managers with a focus on the investment grade segment of the municipal market. Together, the duo discusses their thoughts on how the midterm elections are shaping up to impact the municipal landscape in general. Hear first-hand how MacKay Municipal considers public policy and the political landscape to be a core part of the research process and work they do. So, get ready, press play and join us for another episode of The Muni 360 Podcast, from New York Life Investments!Follow UsTwitter @NYLInvestmentsTwitter @MacKayMuniMgrsFacebook @NYLInvestmentsLinkedIn: New York Life InvestmentsLinkedIn: MacKay Municipal ManagersPresented by New York Life Investmentswww.newyorklifeinvestments.comMacKay Municipal Managers is a team of portfolio managers at MacKay Shields. MacKay Shields is 100% owned by NYLIM Holdings, which is wholly owned by New York Life Insurance Company. “New York Life Investments” is both a service mark, and the common trade name, of certain investment advisors affiliated with New York Life Insurance Company.SMRU 5077127

This week on the podcast, Christopher is joined by Dustin Loup, Project Manager of the National Broadband Mapping Coalition, housed at the Marconi Society. Dustin joins us to talk about the new national Federal Communications Commission broadband maps, currently under construction and intended to replace the current and hopelessly broken one to prepare for tens of billion … Continue reading "Maps, Maps Everywhere – Episode 528 of the Community Broadband Bits Podcast"

Our conversation outlines recent performance drivers and offers an outlook through year-end and into 2023. We also touch on possible implications of the 2022 US midterm elections and speak to positioning considerations for the asset class. Featured are Mark Paris, Head of Municipals for Invesco, and Kathleen McNamara, Senior Municipal Strategist Americas, UBS Chief Investment Office. Host: Daniel Cassidy

Vish Muni is the founder of PGL Properties LLC. a commercial real estate investment company extending investment opportunities. He started with investing in Single family homes 10 years back before transitioning to multifamily investing in 2019 where he found his true passion. Since then, he has participated both as a general partner and limited partner in over 6 syndications accounting for more than 1,000 doors.   We talked to Vish about the importance of mentorship and education, why you should join network events, the things you need to look out for before investing, and things to do before investing with a group.   Groundbreaker: Click here to learn how to raise more money and speed up the syndication process by 80%!   [00:01 – 05:20] Opening Segment  Vish talks about his background; He talks about how he got into real estate investing; How finance helped him to think outside the box [05:16 – 22:56] Networking and Education Why he switched to multifamily from duplexes; The importance of mentors; Why networking is so important; How networking events and getting educated helped Vish in his journey;  [14:12 – 26:30] 0 to 700 Units How you can scale from 0 to 700 units; How joining one networking group will lead to another; How capital raising became his niche; Why you should invest in a deal as an LP before you do anything else; The things you need to look out for when investing; What you should do before investing with a group,   Announcement: Download Our Sample Deal and Join Our Mailing List   [26:30 – 35:37] Round of Insights Apparent Failure: A deal that failed;   Digital Resource: Toggle   Most Recommended Book: Sell or Be Sold   Daily Habit: Exercising   #1 Insight for Raising Capital for Multifamily Investing: Don't get excited by the fancy numbers, and educate yourself.   Best Place to Grab a Bite in Belton, Austin: Deadfish Grill   Contact Vish: To learn more go to Vish's website or find him on Linkedin.   Tweetable Quotes: “With accountability comes mentorship" - Vish Muni   Thank you for joining us for another great episode! If you're enjoying the show, please LEAVE A RATING OR REVIEW,  and be sure to hit that subscribe button so you do not miss an episode.