Podcasts about I Will Dare

President Donald Trump's plan to apply twenty-five percent tariffs on Canadian and Mexican exports is set to start tomorrow. We'll hear from an official who oversees the relationship between Minnesota and Canada on how these tariffs could impact the local economy. The White House is taking control of media access to the president. And it's raising concerns of press freedom. We'll hear from a former White House correspondent from Minnesota. And it's been fifty years since researchers first gathered to discuss the emerging field of DNA technology. We'll talk to a Minnesota scientist about how the research and its ethics has evolved.Plus, the puck has dropped for the boy's state hockey tournament. We'll get the highlights from our sports contributors.Our Minnesota Music Minute was “I'm Not Giving Up on You” by Mike Kota. Our Song of the Day was “I Will Dare” by the Replacements.

In this episode, Craig marks the 40th anniversary of The Replacements' iconic album Let It Be. He explores how the 1984 release broke new ground for alternative rock, blending punk energy with heartfelt introspection. Craig discusses the album's enduring influence, with tracks like "I Will Dare" and "Unsatisfied" showcasing the band's raw emotion and rebellious spirit. As he reflects on its lasting impact, Craig highlights how Let It Be remains a touchstone for both fans and musicians, cementing The Replacements' legacy as pioneers of the indie rock scene.Shawn shifts the focus to one of his favorite albums from the last 20 years, Bon Iver's For Emma, Forever Ago. He dives into the emotional depth and haunting beauty of Justin Vernon's debut, discussing how its sparse production and introspective lyrics created a sound that resonated with listeners on a deeply personal level. Shawn explores how For Emma helped redefine the indie folk genre, influencing a generation of artists with its raw vulnerability and atmospheric soundscapes.Together, Craig and Shawn explore the power of these two transformative albums—one celebrating a legacy and the other shaping a new era of music. Whether you're a fan of raw, heart-on-sleeve rock or intimate, soulful folk, this episode is a celebration of the timeless music that continues to inspire.

Send us a Text Message.Get ready as we set the stage for a tribute to Mama Cass of the Mamas and Papas. We look back at the myths surrounding her tragic death in 1974 and celebrate her immense talent, iconic harmonies, and the personal dramas that defined the band. You'll hear a personal anecdote about a fun video project set to "California Dreamin'" and learn fascinating tidbits about her connection to actress Natalie Wood and the Laurel Canyon music scene.Ever wondered what makes Stone Temple Pilots' album "Purple" a timeless classic? Celebrate the 30th anniversary of this groundbreaking album with us as we spotlight its hit singles and its unique connection to "The Crow" soundtrack. Reflect on the heart-wrenching story of Brandon Lee and appreciate the enduring success of "Purple" on the Billboard charts. We'll also delve into standout tracks from "The Crow" soundtrack, such as The Cure's "Burn" and Nine Inch Nails' cover of Joy Division's "Dead Souls," underscoring the lasting impact of this era's music.Jimmy Guthrie shares the fascinating backstory of The Kinks' "You Really Got Me," revealing the innovative use of a razor blade on a guitar amp that created its iconic sound. We also explore influential albums and tracks from the early '80s, including "I Will Dare" by The Replacements and "This Is What You Want... This Is What You Get" by Public Image Limited. You'll gain a new appreciation for these albums and the unique stories behind them.Learn Something New orRemember Something OldPlease Like and Follow our Facebook page Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.

Dolph Chaney -  Ice Cream EmbersGeoff Palmer - Give It UpPat Todd & The Rankoutsiders -  All We Have To ShowTommy And The Rockets - '67 CamaroThe Catholic Girls - Hear My PrayersBrad Marino_Lucy_Grin and Bear It 2023Kurt Baker - She Don't Wanna Be AloneSLD - A Perfect DayRinehearts - Could You Would YouMarc Valentine - Jinx of Finchley RoadRooftop Screamers - Another Life (feat.Tim Smith)Tamar Berk - 1997The Ruby Tears - Hanging With The GirlsKent Liverpool - Change Will Come From the StreetsOrbis Max - If This Is FunJeremy - Fight The Good FightThe Men - Easy RollingSuper 8 - I Will Dare

Welcome back to the Fresh Sounds Podcast! This week, Mark and Brendan are back with some quality music to share. This week's show kicks off with a scorcher of a new single from Sam Fender. Then, a trans-Atlantic collaboration between Amen Dunes and (yes) Sleaford Mods. After that, a bit of quirky pop from the English band Teleman. Next, a stellar mishmash from Nevermen, which feature  Tunde Adebimpe of TV on the Radio, Mike Patton of Faith No More, and Adam “Doseone” Drucker, of Anticon Records fame. We wrap the pod this week with our archive track: 1984's "I Will Dare," by the undyingly great Twin Cities band The Replacements. Bonus tracks cover a number of genres, with new songs from Stone Giants teaming up with Amon Tobin; a dance tune pairing UK DJ Mark Hawkins with soulman Jamie Lidell; an Eastern indie track from St. Petersburg, Russia from a band named Shortparis; and a bit of light synthpop from King Gizzard & The Lizard Wizard, followed by a banger from Catching Flies remixed by DJ BORING. For those like Brendan, who don't mind an occasional shot of noise, we wrap with a new single from the noiseniks who go as Pop. 1280. If you are new, please take a second to sign up for our newsletter right here.  We will not share your info, period. This is a two-man podcast, not a faceless corporation. We respect you and your time far, far more than that. Peace, out! Have a great weekend, and a wonderful week ahead! 

Sintonía: "All Pervading" - Edward Larry Gordon "Takin a Ride", "Shiftless When Idle", "Kids Don´t Follow", "Color Me Impressed", "I Will Dare", "Unsatisfied", "Kiss Me On The Bus", "Bastards of Young", "Left of the Dial", "Alex Chilton", "Skyway", "Can´t Hardly Wait", "Achin´ to Be", "Merry Go Round" y "Pool & Dive", extraídas de la recopilación "The Replacements: Don´t You Know Who I Think I Was? (The Best Of)", editada por Sire Records en el 2006. Todas las canciones interpretadas por The Replacements, excepto donde ponga lo contrario   Escuchar audio

After spending a few days listening to the new 'mats box set I thought I'd review and talk about the latest release from the Gods in plaidCheck out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appRate & review the podcast - send us a screenshot for a free PCH shirt!email me for FREE Power Chord Hour guitar picks - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg

Ben and Dianne discuss I Will Dare by the Replacements with special guest, comedian and musician, Jeremy Essig! To be or not to be a predator? That is the question, but I will dare to say we found the answer! Jeremy is cursed with some bad wifi juju but we work that out too.  Dressed Up Like a Douche from Bethany RiosBette Davis Eyes She said, “I used to think she said “haul a bathtub just to please ya” I mean – that IS some effort. Guilty Pleasure SongDianne: Santeria by Sublime Ben: Hey Jealousy by Gin Blossoms Jeremy: Room Service by Kiss Special THANK YOU Chuck Savage & Eddie Hawkins: Intro music Sara Wessling: Guilty Pleasures vocals   **********   We have a Patreon Page! https://www.patreon.com/rockthecashbar If you would like to help support Rock the Cash Bar we have some fun perks! For $5 a month Patreon members will receive early access to all episodes, RTCB swag AND they will have the opportunity to VOTE on every other songs of the week! Website: https://www.rockthecashbarpodcast.com PLEASE rate and leave us a review! It really helps!! Thank you!

On this week's episode of Teen Girl Talk we're getting summer jobs at Adventureland!  A thoughtful, heartfelt kind of movie about love lost and gained.  Also on this episode Suesie talks job romance.  Frank invents a new kind of movie preview.  Intro is I Will Dare by the Replacements.  Outro is Unsatisfied by the Replacements.     Please rate, review and subscribe to the show on iTunes E-mail: realteengirltalk@gmail.com  Facebook: https://www.facebook.com/groups/teengirltalk/ Buy us a coffee: https://ko-fi.com/teengirltalk Frank's Youtube: https://www.youtube.com/channel/UCJcUttxP0ujvc6HXBz-4kIw/videos Frank's Wattpad: https://www.wattpad.com/user/FranklinCota

On this week's episode of Teen Girl Talk we're getting summer jobs at Adventureland!  A thoughtful, heartfelt kind of movie about love lost and gained.  Also on this episode Suesie talks job romance.  Frank invents a new kind of movie preview.  Intro is I Will Dare by the Replacements.  Outro is Unsatisfied by the Replacements.     Please rate, review and subscribe to the show on iTunes E-mail: realteengirltalk@gmail.com  Facebook: https://www.facebook.com/groups/teengirltalk/ Buy us a coffee: https://ko-fi.com/teengirltalk Frank's Youtube: https://www.youtube.com/channel/UCJcUttxP0ujvc6HXBz-4kIw/videos Frank's Wattpad: https://www.wattpad.com/user/FranklinCota

Empty Glass Essay 5/25/2019 One thing I bought hook, line, and sinker through the nonstop diet of rock and roll literature I ingested through my formative years was the myth that getting fucked up helped the young artist become great. I remember John Lennon saying, in LENNON REMEMBERS, that substances had no effect on his artistic output with a quip along the lines of "I would have written 'I Am the Walrus' if I was on acid or under water." Of course that isn't the Lennon "Walrus" quote that stuck with me. He also said that he wrote "I Am the Walrus" by eating acid one weekend and writing a verse or line, then eating acid the next weekend and writing another verse or line, rinse and repeat until you make it to "goo-goo-ga-joob." I bring this up because I truly believed that chemical dependency was a prerequisite for rock and roll. I was a little stoner kid but, really, BEER! Nothing special about it. We were the type of kids who would play "hey mister" outside of the liquor store and go into the woods and get drunk and tell stories. This happened all the way through my teenage years. I gew up in Baltimore. While Minor Threat and Bad Brains were playing the 9:30 Club me and my guys were in the woods slamming warm Schaffer, smoking pot riddled with seeds and stems in corncobs we would purchase at the Royal Farm on Edmondson Avenue right inside the beltway, daring each other to piss on tombstones, playing drinking games that always had to do with rock and roll trivia, mainly the Beatles. The first song I wrote that I had the guts to play and sing was called "I Hope It's You and Me" and it was intended as my version of "If Only You Were Lonely", the B-side to "I Will Dare" by the Replacements. The hook was the line "I might drink myself to an early grave" so when anyone wanted to hear it they would yell "DRINK MYSELF TO AN EARLY GRAVE!" which is a great prank in and of itself. I continued to write drinking songs for THE REST OF MY FUCKING LIFE! Whenever we do a slow number in C-major even now Brian refers to it as "a drunken swagger." My friends, "Empty Glass"is a song in that grand tradition. It has that garagey mid-atlantic thing going on. Pork says it "sounds like a New Jersey bar band." The mid-atlantic is a strange place. The suburbs are much more urban than to the west, where designers and planners wisely ditched crap that sucks. It's on old and aching suburbia. It's a pre strip mall suburbia. It has main streets, sidewalks, and little stores. It has pizza shops. This ain't the city, but it also isn't the suburbs as they are presently constituated. The houses are close together, the streets are narrow, the corners have what used to be barber shops or liquor stores. One block towards the city and you got the row homes made famous on Baltimore's keynote addition to American pop culter - THE WIRE, and one block the other way and you got mansions. Not MCmansions but real old time structures that slave owners once called home. In the working class sections of these little hamlets a couple blocks off of a road that at one time was a railroad track, you got yourself garages and basements - the petri dish for 70's and 80's little pothead rock and rollers.   These houses were big enough that, when the kids grew up, there was a small space that parents ceded to their offspring. This is what Lee Gardner referred to as, in his review of Circle 9's IF IT WAS UP YOUR ASS YOU'D KNOW IT, "rec-room genius." Another writer for an underground metal mag called Circle 9 "stoner friendly rock guys who have probably played their fair share of keggers." I don't know what's wrapped me up in this sepia toned nostalgic reverie. This is the milieau in which 1993 takes place, when these punk ass little fuckfaces have turned into young adults and the cushion of fuck up is gone. This is when people start to get lost to drugs and prison. That's the backdrop. Cocaine and PCP, two of the shittier drugs. But "Empty Glass" itself was my attemp at writing something that would fit in on, if not PLEASED TO MEET ME, then HOOTENANNY. It's got the Stonesy Chuck Berry chugga chuggas and the suspended majors that Paul Westerberg uses so expertly. I even took words directly from Paul Westerberg interviews and made them lyrics. He was and remains the master of devestating couplets, either as insults or come ons or "generational longing" type stuff. Nowadays the lyrics in "Empty Glass" to me have the cadence of a sitcom. Set up - punchline. Exposition, set up - punchline - et cetera.  Thinking hard about this song it feels like a nice addition to the canon of boozy little pop songs written by guys and girls who aren't quite urban or suburban but somewhere in between. It's like ole Porky said when the song was coming together in the shed (the more things change!)and previously mentined in this essay. New Jersey Bar Band Rock.

Skinny dippin' in the oil o' joy.....Set 1 opening up the card game with a royal flush in my books! NRBQ from their very first self titled LP just re-released for the first time ever on vinyl by Omnivore Records and baby they nailed it! Covering Eddie Cochran's "C'mon Everybody". Country Music Hall of Famer sweetens the pot with "Baby, I Just Want You". Helping out Floyd is Cajun God Link Davis! Davis is a triple-threat cat....fiddle, sax, harmonica and he can sing! We'll hear more from Mr. Davis in the next round....Horace Andy stokes the pot with his version of Bill Withers' "Ain't No Sunshine"...someone get me a spliff, mon! Mark Oliver Everett AKA The Eels is "Kinda Fuzzy" from all the action..... Set 2: Link Davis gets to sit at the "big pot table" and immediately bluffs with "Don't You Big Shot Me"...The Replacements won't fold and raise with "I Will Dare"....you know when your playin' poker with the big boys it pays to blend in like a "Chamelion" like Herbie Hancock from his genre breaking LP HEADHUNTERS. The Onion Radio News chimes in with a timely report on North Korea....Country Joe can't stand the tension and declares..."Hold On It's Comin"...Jessie White takes a break from his gig as a Maytag repairman and with his Jungle Drums declares...."We got the tenor sax, guitar and drums...we're all set to make a R&R record....all right now let's hear it" Set 3: After the game everyone sits back and partakes in their stimulous of choice...I'm guessin' that The Pretty Things' "Walking Through My Dreams" is hinting at Dr. Albert Hoffman's chemical compound LSD...remember that the good Dr. was the first. We all know how Willie Nelson relaxes so we played his NORMAL radio ad. Rosetta Howard best known for the first version of "If Your A Viper" plays a different song with The Harlem Hamfats.."Candy Man". And nodding out with The Jim Kweskin Jug Band from a soundtrack of my childhood..."If Your A Viper" offa their 1967 LP GARDEN OF JOY. Well that's it for this week my friends....I'm leaving you in the good hands of Canada's Mother Earth and "Soul Sacrifice"

The “Open for Business” sign is in the window and we are fully operational. Step inside for one hell of an experience that will expand your pallet and perk your ears. In this episode we feature a wonderful variety such as artists from the great white north, full acoustic splendor, block rocking beats, a killer tribute to The Doors, songs depth, “Three of a Kind”, rough and ready rockers bringing the real and the weird. Your number is up, so come on in and let Euphoric Musicality Radio chart your musical course. Like us on Facebook: https://www.facebook.com/euphoricmusicalityradioFollow us on Twitter: https://twitter.com/euphmusicradioE-mail: euphoricmusicalityradio@gmail.comWebsite: www.euphoricmusicalityradio.caCredits:EMR Host: CurtisEMR Producer: Lesley Playlist:1) Rain in the Scarecrow, John Mellencamp (0:00:00)2) Let Go, Good Pinsent Keelor (0:05:34)3) I Will Give You Everything, Skydiggers (0:10:06)4) 5 Days in May, Blue Rodeo (0:13:47)5) 1939, Hayden (0:22:55)6) River’s Edge, Great Lake Swimmers (0:27:32)7) First LIght, Bob Carpenter (0:31:38)8) We Will Not Be Lovers, The Waterboys (0:38:50)9) Country Death Song, Violent Femmes (0:45:48)10) 2541, Grant Hart (0:50:42)11) Nancy and the Gridle Boy, K.C. Accidental (0:57:45)12) Star Guitar, The Chemical Brothers (1:02:42)13) Building Steam with a Grain of Salt, DJ Shadow (1:09:04)14) The Soft Parade, Sons of Hippies (1:17:29)15) Riders of the Storm, Dead Skeletons (1:25:44)16) The End, The Ravonettes (1:29:53)17) Bottles and Flowers, Juliana Hatfield (1:35:40)18) The Circus is Leaving Town, Isomer Campbell & Mark Lanegan (1:41:00)19) River of Deceit, Mad Season (1:46:31)20) Heavenward, Wolf Alice (1:51:19)21) Fox on the Run, The Replacements (1:58:15)22) Hold My Life, The Replacements (1:59:24)23) I Will Dare, The Replacements (2:04:00)24) Wind Up Bird, Heartless Bastards (2:09:40)25) DK-PI, Aero Flynn (2:13:59)26) Surrender Under Protest, Drive-by Truckers (2:18:58)27) Ace, The Jayhawks (2:22:43)28) The Space Program, A Tribe Called Quest (2:30:55)29) PRIDE, Kendrick Lamar (2:36:34)30) Under Pressure, Ben Harper & The Relentless 7 (2:41:08)31) Regiment, Brian Eno & David Byrne (2:45:34)32) Slowly Going Deaf, Mr. Bungle (2:53:03)

Welcome to Tree Hill, where Ball is LIFE, but unfortunately the Ravens lost the playoffs at the end of Season 1(Thanks Lucas!). So, while Ball is still the biggest catalyst in this series that ran 9 seasons, the folks of Tree Hill will have to find something else to occupy  their time in the 2nd half of the school year. Thankfully, there's plenty of drama to go around in season 2.  Join as we discuss all things Tree Hill in our binge-casting of the series! Jeannette, Jimmy and Winston sit down and discuss the Season 2 episodes "I Will Dare" and "We Might As Well Be Strangers"   Join us as we talk about sex in broom closets, the term "new booty" and the mystery that is pickled eggs.... we also talk a bit about these episodes! If you like what you hear, or you don't please send us feedback and don't forget to rate, review and subscribe!     Follow us on Twitter: https://twitter.com/OnlyOthPod Like Our Facebook Page: https://www.facebook.com/OnlyOTHpod/ Email us at: theresonlyothpod@gmail.com Check our Soundcloud!  Itunes Feed: https://itunes.apple.com/us/podcast/theres-only-one-tree-hill.../id1144795491  Our website where you can find all our eps and donate is here: http://theresonlyoth.podbean.com/ We are also now on google play music as well!

We cover CM Punk getting wrecked at UFC 202, AJ Styles as champ, the superiority of Smackdown over Raw as a whole, and we weight in on the excellent if slightly strange finish to the inaugural Cruiserweight Classic. Music: The Replacements - "I Will Dare"

Part 2 of my conversation with guest Matt Phillion as we discuss the sad state of political discourse. I've also got the Bonehead of the Week and music from Paul Westerberg, Robert Pollard, A.C. Newman and Hot Snakes. Show notes: - Matt doesn't like awkward stuff, avoids those types of campaign clips - They built their campaign around it - Tim Thomas vs. the White House - Facebook is full of Constitutional scholars - Matt is on Romneycare - Running for office requires a boring past - You can't escape your past...especially when you post it on Facebook - Europe isn't exactly running smoothly, either - Everybody's in a cocoon here - Matt overuses social media because he's self-employed - The Internet has made people lazy about research - Matt wrote a dating column for a while - When AOL started, emails would delete after 30 days - The Internet has changed the way we learn about each other - Bonehead of the WeekMusic:Paul Westerberg - My Road Now Robert Pollard - Who's Running My Ranch A.C. Newman - Encyclopedia of Classic Takedowns Hot Snakes - Light Up the Stars Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review! The Paul Westerberg song was released last week to the I Will Dare blog. Download it for free from I Will Dare. The Robert Pollard song is on the album Jack Sells the Cow on Fire Records. Download the song for free from SoundCloud. The A.C. Newman song is on the album Shut Down the Streets on Matador Records. Download the song for free at Stereogum. The Hot Snakes song is on the album Automatic Midnight on Swami Records. Download the song for free at Epitonic. The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian; check out his site PodGeek.

This week's Geek of the Week, supergenius Jodi Chromey, stops by the studio for a choreographed 'Pinky Tuscadero hand jive' with Nancy and to chat about her career as a writer.  Jodi initially claimed to be more "nerd" than "geek", but after talking about her former life as a tech writer and then admitting to her love of Fonzie, her past blogs about Dawson's Creek and cataloging her Sweet Valley High books as a child, it became obvious that we had chosen a true geek. Jodi began writing her blog, I Will Dare, in 2000.  Aside from her own blog, Jodi is the editor for Minnesota Reads and is the mastermind behind paulwesterberg.net.   In this podcast, Jodi offers up advice on becoming a writer while giving us a brief glimpse into what inspires her (peanut butter and gin!), which begs the question, how did it take us this long to invite Jodi to be our Geek of the Week?