Podcasts about eels

There is just one game to preview this week for the Parramatta Eels as the NSW Cup vie for a berth in the Grand Final. To get there they will need to defeat the New Zealand Warriors in a massive clash at Jubliee Stadium on Saturday. The Tip Sheet takes a deep dive on what the Eels need to do to overcome the minor premiers and which players could star for the Blue & Gold if they are to prevail over their trans-Tasman rivals. Sixties and Forty20 also take a quick look at the latest happenings for the Eels including a link to Cody Ramsay as well as their tips for the NRLW and HNWP award winners.

The finals roll on across the NRL and other graders and the Eels still have a burning hope alive in the NSW Cup. The Tip Sheet analyses the shortest Team List Tuesday of the year as Parramatta gear up to upset the New Zealand Warriors on Saturday. Sixties and Forty20 wrap up an otherwise quiet week for the Eels with the off-season arriving for all other major grades. Week 1 of the NRL finals produced banger after banger that culminated in a legendary shootout between the Raiders and Broncos. The boys wrap every game and look at the fallout heading into Week 2. There is also breaking news surrounding the QLD police investigation into Brandon Smith and Victor Radley as the show carefully prods at the new developments to see what is what.

Jason Demetriou joins Kevin Walters and Ben Dobbin to preview the first round of Finals footy in the NRL! Can Melbourne defend their hallowed turf and keep the Dogs out? Will the Raiders be able to cope with the pressure of Finals, with the Broncos heading down to Canberra in hot form? Warriors fans are playing mind games with the four-time premiers, but will it be enough to stop Cleary's slick, well-oiled machine? And the Sharks v Roosters clash is shaping up as a true battle of the titans in their do-or-die fixture. Plus, we chat about Ennis's new role, the Walker brothers returning to coaching, whether the Eels can be a force in 2026, and Taylan May's new contract!See omnystudio.com/listener for privacy information.

Jason Demetriou joins Kevin Walters and Ben Dobbin to preview the first round of Finals footy in the NRL! Can Melbourne defend their hallowed turf and keep the Dogs out? Will the Raiders be able to cope with the pressure of Finals, with the Broncos heading down to Canberra in hot form? Warriors fans are playing mind games with the four-time premiers, but will it be enough to stop Cleary's slick, well-oiled machine? And the Sharks v Roosters clash is shaping up as a true battle of the titans in their do-or-die fixture. Plus, we chat about Ennis's new role, the Walker brothers returning to coaching, whether the Eels can be a force in 2026, and Taylan May's new contract!See omnystudio.com/listener for privacy information.

Sixties is back from the Ken Thornett Medal! He runs through the big night for the Blue & Gold as he and Forty20 review all of the award winners for season 2025. The Tip Sheet then returns to its regularly scheduled previewing as the boys see how the Eels shape up across the NRLW, NSW Cup and HNWP. It is a love/hate relationship with the Raiders this week with the NSW Cup looking to overcome Canberra while the NRLW need a crucial assist from the Raiders if they are to make the finals.

Season Reviews for 17th to 9thKnights (00:30)Titans (14:30)Dragons (24:20)Souths (32:50)Tigers (41:40)Cowboys (49:30)Eels (57:30)Eagles (1:05:55)Dolphins (1:16:15)#NRL #Fifthnlast Hosted on Acast. See acast.com/privacy for more information.

The best time of year is upon us! Sea Eagles v Warriors (04:13) Roosters v Rabbitohs (09:34) Dragons v Panthers (16:36) Titans v Tigers (22:22) Bulldogs v Sharks (29:14) Dolphins v Raiders (41:44) Eels v Knights (48:54) Coal Train Cup winner (56:34) Slow Your Brain QF 1 (01:02:35) NRLW recap (01:28:34) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Joel is back from Queenstown and the boys have all the action from Round 27 of the NRL with the Knights getting the Wooden Spoon, Dolphins thump the Raiders, The Hammer is out of the Ashes Tour, The Chooks win the Book of Feuds 00:00 Eels def Knights 07:45 Dolphins def. Raiders 12:00 Broncos def. Storm 13:20 Hamiso Tabuai Fidow - Grade 3 tear - will miss the Ashes Tour. Should Mark Nawaqanitawase be in the Australian side? 15:40 Roosters def. Rabbitohs 25:00 Sea Eagles def. Warriors 27:30 Panthers def Dragons 28:20 Titans def. Wests Tigers 31:40 Sharks def. Bulldogs Listen to The Run Home with Joel and Fletch live every weekday: 3pm AEST on SEN 1170 AM Sydney and SEN 693 AM Brisbane Listen Online: https://www.sen.com.au/listen   Subscribe to The Run Home YouTube Channel ⁠https://www.youtube.com/@JoelandFletchSEN⁠   Follow us on Social Media! TikTok⁠ https://www.tiktok.com/@joelfletchsen⁠ Instagram:⁠ https://www.instagram.com/joelfletchsen⁠ X:      ⁠https://x.com/joelfletchsen⁠ *Timecodes approximate* Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to a Wide World of Sports update. A snapshot of the latest sport stories from the 9News team including: Dolphins & Eels finish NRL season with big wins Suns prepare for AFL semi-final against Lions Sinner + Alcaraz trade blows in US Open final The biggest sport stories in less than 5 minutes delivered twice a day, with reports from the 9News team across Australia and overseas. Subscribe now to make it part of your daily news diet. See omnystudio.com/listener for privacy information.

Welcome to a Wide World of Sports update. A snapshot of the latest sport stories from the 9News team including: Dolphins & Eels finish NRL season with big wins Suns prepare for AFL semi-final against Lions Sinner + Alcaraz trade blows in US Open final The biggest sport stories in less than 5 minutes delivered twice a day, with reports from the 9News team across Australia and overseas. Subscribe now to make it part of your daily news diet. See omnystudio.com/listener for privacy information.

Welcome to a Wide World of Sports update. A snapshot of the latest sport stories from the 9News team including: Dolphins & Eels finish NRL season with big wins Suns prepare for AFL semi-final against Lions Sinner + Alcaraz trade blows in US Open final The biggest sport stories in less than 5 minutes delivered twice a day, with reports from the 9News team across Australia and overseas. Subscribe now to make it part of your daily news diet. See omnystudio.com/listener for privacy information.

The conger is an ambush type predator seeking out cover in which to hide and then pounce on passing victims, though it will roam around openly on occasions to flush prey fish. Is found living in rocky holes underneath breakwaters, harbour walls, groynes and sewer outlets

Welcome to episode 710. We have two tales for you this week. First, a young woman facing eviction turns to an online ritual for help. Then, we learn the secret to keeping fish at its freshest: necromancy.COMING UPGood Evening: Patreon Bonus: 00:01:06John Betancourt's Sock It To Me as read by Danielle Hewitt: 00:03:35[Trigger] T. R. Steele's Julian of the Eels as read by Drew Sebesteny: 00:12:36TRIGGER WARNINGSJulian of the Eels contains scenes of Animal Death.PERTINENT LINKSSupport us on Patreon! Spread the darkness.Shop Tales to Terrify MerchOriginal Score by Nebulus EntertainmentNebulus on FacebookNebulus on InstagramSPECIAL THANKS TOAmanda CarrilloLestle BaxterOrion D. HegreSupport this show http://supporter.acast.com/talestoterrify. Hosted on Acast. See acast.com/privacy for more information.

The final round of the NRL season is upon us as the Parramatta Eels celebrate a big milestone for Will Penisini and farewell one of their favourite sons in Dylan Brown. The Tip Sheet breaks out the big guns for a big preview podcast as Chris Ricketts joins the boys from Chicago for the final five-game docket of the year. Parramatta are sending their Jersey Flegg Cup and NSW Cup squads to the finals and the boys run through their respective rosters. It is sudden death for the Flegg and they welcome back Chris Petrus as they take on the Panthers. The Cup face the Dragons and are bolstered by the return of Ronald Volkman and the debut of Isaac Jim. The HNWP are hunting an 8th straight win as they host the winless Dragons while the NRLW are hunting a win of any kind in their game against the Tigers. Finally in the NRL, it will be an emotional day for the Eels with a milestone for Will and the big farewell for Dyl. Can they see off their storied five-eighth with a win and in doing so secure their 10th victory of the season?

Maybe they should have rested some guys? Broncos v Storm recap (00:44) 'What About This Bloke?' (21:45) Sea Eagles v Warriors (30:40) Roosters v Rabbitohs (37:01) Dragons v Panthers (44:58) Titans v Tigers (51:25) Bulldogs v Sharks (59:31) Dolphins v Raiders (01:04:01) Eels v Knights (01:11:53) Coal Train Cup update (01:17:35) NRLW preview (01:20:15) Learn more about your ad choices. Visit podcastchoices.com/adchoices

This Week on the Pod.We're back with another week of chaos, hot takes, and questionable decisions. Here's what's on deck: The Week That Was – including the absolute villains who turn the lights on first thing in the morning. NRL & Football Accountability – because someone has to hold them to it. Round 26 Recap & Review – highs, lows, and the usual blow-ups. The Transfer Window Has Officially Closed – and the fallout begins. Managers on the chopping block – Ten Hag, Solskjær & Mourinho all sacked. Luis Suárez – spitting on opposition staff… yep, really.Racing Corner Treasurethe Moment takes out the Memsie Stakes. Weekend Blackbookers. Moir Stakes preview.The Bin List Barking at the pokie machine. Only wearing socks on the treadmill. (We're judging.)Listener Questions Who wins Rookie of the Year? Sitili Tupouniua's dacking moment. Best recovery for athletes? (Apparently drinking toilet water , ask Reece Walsh). Toby Rudolf: “My shit don't stink” (IYKYK).NRL Round 27 Preview & Stats Everything you need to know before the weekend.Punt Off Bets Back 'em, fade 'em, or just laugh at them.Stay up to date by following us on Instagram @Coastalsportspod(0:00) Catch Up (4:04) People Who Turn The Lights On First Thing In The Morning (10:56) NRL Accountability (18:39) Football Accountability (20:41) Major Transfers Across Europe (33:37) Luis Suárez Spitting On Opposition (35:22) Treasurethe Moment Takes Out the Memsie Stakes(36:21) Weekend Blackbookers (39:51) Moir Stakes Preview (43:55) Barking At The Pokies (48:08) Only Wearing Socks On The Tredmill (51:30) Who Wins Rookie Of The Year? (53:28) Sitili Tupouniua dacking(54:47) Is the Best Recovery For Athletes Drinking Toilet Water (56:57) Toby Rudolf My Shit Don't Stink (58:51) Broncos v Storm (1:07:02) Manly v Warriors (1:11:35) Roosters v Rabbitohs (1:16:28) Dragons v Panthers(1:20:39) Titans v Tigers (1:23:34) Bulldogs v Sharks(1:25:46) Dolphins v Raiders (1:28:00) Eels v Knights (1:30:24) Generational Wealth

They did it! Warriors v Eels (03:45) Storm v Roosters (13:53) Raiders v Tigers (23:37) Dragons v Sea Eagles (34:36) Cowboys v Broncos (37:45) Sharks v Knights (46:11) Dolphins v Titans (49:40) NRLW Recap (55:45) Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Graham is joined by Charlie White to review all the action from the penultimate round in the 2025 NRL season. On the show, the boys admit they were wrong about the Canberra Raiders, we continue the big debate around resting players and whether it hurts the integrity of the game. Plus, we unpack the Eels upset over the Warriors, the Roosters’ 40 unanswered points against the Storm and why the NRL must do everything to keep Mark Nawaqanitawase in the code! Email: thebyeround@gmail.com Ladbrokes: https://www.ladbrokes.com.au/ Hyundai: https://www.hyundai.com/au/ Become A Bye Round Classic VIP: https://classicsports.com.au/pages/thebyeround Follow The Bye Round On: Instagram: https://www.instagram.com/thebyeround/?hl=enTikTok: https://www.tiktok.com/@thebyeround?lang=enYouTube: https://www.youtube.com/@thebyeroundListen On Spotify: https://open.spotify.com/show/4UkvzTvKsY2shwMsbDiagaListen On Apple: https://podcasts.apple.com/au/podcast/the-bye-round-with-james-graham/id1629371037 0:00 We Were Wrong About The Raiders! 7:05 Raiders ‘Easy’ Path To The Grand Final 13:54 MOTW: Is The NRL Losing Integrity By Allowing Players To Be Rested? 22:09 Plenty To Play In Every Game Of Round 27 27:56 Willie Peters Rejects The Newcastle Knights 41:17 Instant Classic: Eels Upset The Warriors 47:09 Roosters Score 40-Unanswered Points Against Storm 53:22 We Must Keep Mark Nawaqanitawase In The NRL! 1:00:34 Perth Bears Backroom Staff Disaster 1:05:09 Cam Murray Rules Himself Out Of Kangaroos Tour 1:07:34 Wild Card Weekend Possibility 1:12:23 Elliot Whitehead Retires From Rugby LeagueSee omnystudio.com/listener for privacy information.

Tony Squires is joined by Wade Graham, Nathan Hindmarsh and Brent Read who dissected the Roosters big win over the Storm, the Warriors loss against the Eels and what happens at the Newcastle Knights next year? Plus, Bulldogs coach Cameron Ciraldo joined us after the win against the Panthers. Ready's Mail, Tony's Quiz, Believe It Or Not along with plenty more!See omnystudio.com/listener for privacy information.

Tony Squires is joined by Wade Graham, Nathan Hindmarsh and Brent Read who dissected the Roosters big win over the Storm, the Warriors loss against the Eels and what happens at the Newcastle Knights next year? Plus, Bulldogs coach Cameron Ciraldo joined us after the win against the Panthers. Ready's Mail, Tony's Quiz, Believe It Or Not along with plenty more!See omnystudio.com/listener for privacy information.

We're resting players as well! Pre-Thursday night announcement (00:46) 'What About This Bloke?' (18:22) Warriors v Eels (27:45) Storm v Roosters (31:13) Raiders v Tigers (36:27) Dragons v Sea Eagles (42:50) Cowboys v Broncos (48:55) Sharks v Knights/Adam O'Brien gone (55:51) Dolphins v Titans (01:08:40) NRLW Preview (01:11:03) Learn more about your ad choices. Visit podcastchoices.com/adchoices

00:00:00 – 00:15:00 | Kickoff & Point Nemo Mysteries The show opens with the Wheel of Doom and immediate fire clips. First topic: Point Nemo, the most remote place on Earth, a graveyard for satellites and decommissioned spacecraft. Talk about the infamous “Bloop” sound recorded near it, and theories of a lost civilization like Lemuria. Jokes about astronauts being the closest humans and riffs on conspiracy lore about underwater cities. 00:15:00 – 00:30:00 | Walmart's Sinister Lighting & Obama Pizza Viral video about Walmart replacing store lights with 10,000 Kelvin blue spectrum bulbs. Hosts break down how it triggers fight-or-flight responses, manipulates shoppers, and stresses employees. Speculation on “dark forces” and corporate psyops. Next spin: Obama Pizza in Kaliningrad, Russia. Strange restaurant with Illuminati-style décor. Jokes about Russian pizza vs. New York pizza, and comparisons to Comet Ping Pong. Sam riffs about “Hitler Chicken” in Thailand. 00:30:00 – 00:45:00 | Moon Conspiracies & Saturn's Energy Deep dive into the idea the Moon is artificial: The Dogon tribe's lore about a time before the moon. Theories it was “implanted” and acts as an energy harvesting station tied to Saturn. John Lear's claim that souls are collected and stored on the Moon. Hollow moon theories, NASA anomalies, and alien bases on the far side. Sam drops in a Danica Patrick story for comic relief. 00:45:00 – 01:00:00 | Ancient Architecture & Hidden History Conversation shifts to Greco-Roman architecture appearing worldwide. The theory: Rome conquered far more than we're told, or structures were repurposed from earlier civilizations. Discussion of the documentary The Old World Order and links to Tartaria resets. Speculation about world fairs as historical reprogramming. Plug for Mike's Our Big Dumb Mouth podcast. 01:00:00 – 01:15:00 | UFOs, Nuclear Secrets & Psyops A clip sparks talk about aliens monitoring nuclear weapons and strange cases at missile silos. Sam speculates this is a way governments mask their own secret tech. Mike dives into psyops layered on psyops, where even disclosure narratives are manipulated. They explore whether aliens, or just military shadow ops, are behind these stories. 01:15:00 – 01:30:00 | Wild Wrap-Up & Conspiracy Overload Rapid-fire final spins: strange viral clips, haunted AI mentions, and bizarre internet finds. Callbacks to earlier themes like Point Nemo, Walmart psyops, and the Moon as a soul trap. Closing energy: everything is connected through deception, technology, and mystery. They sign off with humor, chaos, and teasing more weirdness for the next episode.   Watch Full Episodes on Sam's channels: - YouTube: https://www.youtube.com/@SamTripoli - Rumble: https://rumble.com/c/SamTripoli Sam Tripoli: Tin Foil Hat Podcast Website: SamTripoli.com Twitter: https://x.com/samtripoli Midnight Mike: The OBDM Podcast Website: https://ourbigdumbmouth.com/ Twitter: https://x.com/obdmpod The 3rd Pyramind Band: https://www.youtube.com/@3rdPyramidBand But some Naked Gardener Tea! : https://www.thenakedgardener.us/store Doom Scrollin' Telegram: https://t.me/+La3v2IUctLlhYWUx  

Legends of Godiva: Part 5Surviving a Viking camp is not easy.Based on a post by LingeringAfterthought in 5 parts. Listen to the Podcast at Explicit Novels.Godgifu found Cnut sitting by the stream, absentmindedly throwing rocks into it with a sour look on his face. She walked to his side and rested her hand on his shoulder, "I'm sorry;" she said quietly."Why the Pindsvin sorry?" Cnut said quietly, "Afraid of Cnut the beast? Think he cut off the Pindsvin face for arguing with Cnut? You think easy? Be king to three countries?""And some of Sweden;" Godgifu added. "No; I don't. Half the time I can't deal with Coventry, much less Mercia. No; I meant I was sorry for assuming the worst about you. I only knew about you from stories told by people angry and hurting about what they had lost in war. After all that, I didn't even want you to be a man, much less one who's; well, goofy and likeable," she said, sitting down next to him."Not likeable. The Emma; she not like Cnut," he said with tired resignation."Look, if you say another woman's name during sex, of course she's going to be mad;""No. The Pindsvin not understand. The Emma not mad. The Emma not like Cnut. The Leofric say 'everyone like Cnut,' but the Emma; no," he said, throwing a pebble into the water."Well, what have you given her to like?" Godgifu asked, pulling a blade of grass out of the ground and putting it between her thumbs and blowing, making a loud screeching squawk sound. "What I mean is, you were in Coventry just a couple hours, and you got Sir Hulgar to like you; and he doesn't like anybody," she said, bumping his elbow with her shoulder."We play dice;""So, you spent some time with him, doing something he likes to do? Okay; when do you spend time with Emma?""Cnut king of three countries; spending time difficult. Give her good fuck. She even make the squirrel sound with good fuck, but then turn away after. Not talk. Not make the spoons. Just take the candle and the feather and scratches the paper with the ink and cries. The Emma not happy, not like Cnut. Maybe she think Cnut beast, too.""So, now you're going to Torksey so Leofric can tell her that, despite you saying Aelfgifu's name during sex, you're not fucking her anymore? Your plan is to prove the Emma's wrong to be upset and that you're right?" Godgifu asked."Yes. Tell her Cnut is right, good husband;" he said, his voice trailing off until he sighed heavily. "This; not good plan.""Nope. Telling us we're emotional and wrong about feeling something is pretty much going to go very badly for you every single time. You know what's a good idea?" she asked. Cnut glanced over at her uneasily. "Bringing me along with you," she finished."The Leofric; he not like this idea. The Pindsvin is small; break easy," he said, throwing a larger stone into the water."Yes, and the Leofric also won't tell you when you have bad ideas. I will. Bring me along, keep me safe somewhere and I'll help you win over the Emma. No problem. Everything fine," Godgifu said, imitating him and earning a scowl from Cnut."Pindsvin; you know Cnut not think 'everything fine' when he say 'everything fine,'" he admitted."Yes, Sire. Leofric knows, too. He just won't tell you so. He's too nice. He'll just help you anyway and probably get himself killed. Then, you would have an even bigger problem than no Emma," Godgifu said."What problem then?""Me.""Ah," Cnut said. Then, he stood and slowly pulled his tunic up and over his head, revealing a tanned and toned torso, bulging with muscles, so ridiculously gorgeous and perfect that Godgifu started laughing aloud. Knowing exactly the affect he had on her, Cnut grinned, threw his tunic at her, shucked his pants, and waded into the water to wash himself."Leofric! Help! I need to come again!" Godgifu laughingly yelled through the trees, watching Cnut bathe."Dammit woman, I'm currying Harold!" Leofric yelled back. "What happened? You were just supposed to apologize, for God's sake!""I am Cnut!" the King announced in explanation, causing Godgifu to burst into giggles. "Leofric! The Pindsvin comes with us to Torksey! Help us to win the Emma!" he yelled."What?" Leofric said, quickly running into the clearing. "Sire, that's; that's not; I mean; perhaps we should consider; it might not be;""The Pindsvin come! I am Cnut!""Don't I get a say in any of this, Sire?""See, I told you," Godgifu said, gesturing to Leofric. "He's too nice. You need me." She stood and pulled Leofric's tunic over her head and threw it down at his feet."Well, why does he need you?" Leofric asked, exasperated."I am Pindsvin!" she yelled happily, running naked into the water.Cnut, Leofric and Godgifu scouted the camp at Torksey, a fertile swath of land close to the banks of the River Trent. Numerous shelters and lodges lined the rough paths of the Vikings' army's winter home. Smoke came up in several places, no doubt from fires stoked by metalworkers that were melting down items stolen from England's holy places.Much to their surprise, there was also a small, but steady, stream of people approaching the camp. Cnut explained that it was known that many English towns nearby did business with the winter camp, but he never heard tell of numbers that would explain what they saw today. Everyone funneled toward a single entry point, where they would relinquish their weapons, submit to inquiries, and hand over a sum of money or goods before being allowed into the camp.Godgifu whispered to the two men crouched over where she lay behind the bush, "All right, so the plan is, I get in line, go in there and tell them I am a maid you sent to Emma, and then I talk with her and try to get her out of there;""No. That is not the plan. You're staying safe here at the ca;" Leofric said, frowning down at her, only to be interrupted by the King.Cnut grunted in agreement. "Yes. Plan very good. And the Pindsvin not say about when Cnut spray seed on numsen;"Godgifu looked over her other shoulder to Cnut and rolled her eyes, "Why on Earth would you think I'd tell her about you coming on my ass? Honestly; you think that we'd just be chatting about court or hairstyles and I'd just blurt out 'Oh, by the way;""No. You won't be chatting with anyone about anything because you will be here;" Leofric said, tugging her braid to turn her head toward him. Godgifu tugged her braid out of his hand, turned back to the King and raised her eyebrows, waiting for the answer to her question.Cnut held up a hand, effectively covering Godgifu's entire face, "Cnut knows the women. They get together. They say all the things," he said darkly.Leofric growled in frustration, "Diva, stop ignoring me. That is a Viking camp. Do you have any idea what they do to people, much less to someone like you?"Godgifu clenched her jaw and shook her head, "Leofric, you know I should be the one to go. I speak the language and I'm not, well; you two. If you two go and they recognized Cnut in there, they might hold him hostage and there's not a lot of people in the Witengamot that would pay to get him out. You can't go because you look exactly like every guy that's been fighting them all this time and they'd probably kill you on sight. Nobody ever worries about me because I look like a little;""Pindsvin; hedgehog, yes," Cnut said absently, patting the top of her head while squinting at the line of men entering the camp."So; what do I tell her to get her to leave?" Godgifu asked, worriedly watching Leofric rise angrily and stalk back to their camp."Tell her Cnut is here," he said, shrugging as if saying the obvious.Godgifu snorted and rolled her eyes, "Well, why would that make her leave the camp? You go off to another country after saying the wrong name when you were having sex and all of a sudden she's supposed to jump for joy when she gets a summons from you? No. You need to soften her up a bit. Be nice. Remind her of the good times. Like, what did you say when you asked her to marry you?""Not ask. Treaty. Treaty say 'Marry Cnut and promise not kill the Emma's Aethelred children. Send them to France. Not-dead children love France. Chalk cliffs. Good cheese. Everything fine.""Oh, dear God, you've really been leaning hard on this good-looking thing, haven't you?" Godgifu grumbled under her breath."I am Cnut;" he said, shrugging."Yeah, you are Cnut; and the Cnut is handsome. But, you know what? If you want to stay married and be a good king, you've gotta work harder than that. You've had it easy because you're tall, gorgeous, rich and powerful. Problem is, you're no longer trying to get a woman to bed, now. You're trying to make your wife happy and that's a completely different thing. A woman might get stupid once or twice about a handsome man, but unless you build more than that, she'll only hate herself more and more every time she gives in to you. Orgasms only make you happy for so long. Not-dead children living in another country aren't a good basis for a marriage, either. It doesn't give you a lot to talk about. I wish Leofric didn't hate the idea of it so much. He would know what to say," Godgifu said, glancing back to the grove of trees where Leofric had disappeared.Cnut grunted, "The Leofric has good words. Good words; ugly face.""Shut up!" she said, slapping his shoulder, "He's not ugly! He's just bruised. Don't be a jerk!""Why the small women always smæk big men?" grumbled Cnut scowling and rubbing his shoulder. "What Leofric say to win grumpy Pindsvin?" he asked.Godgifu thought for a while and smiled, shaking her head, "Not a thing, actually. In a situation where most people would have said a whole bunch of wrong things, Leofric just stayed quiet and close and invited me choose whether to talk to him; and it made me want to. He red me perfectly. That's what you need to do. Emma needs you to notice her, to enjoy her; to see what makes her happy." Godgifu sighed, looking up the trees to where Leofric had disappeared in the distance. She hated to do this. She wished there was another way."So, what makes the Emma happy?" she asked, poking Cnut in the hip with her elbow to draw his attention away from the camp.Instead of looking down at her, he kept his eyes fixed on the rough looking camp and sighed. "Not Cnut," he answered simply."Well, fine. I'll talk with her and get her to you, but just think about what I said, because making this woman happy just became your biggest challenge," Godgifu said.Cnut grunted in agreement and handed her a small pack, strapping it on her back and across her front in a way that seemed odd, yet comfortable. Looking back to the camp, she squared her shoulders, trying to be braver than she felt. "Okay;" she said, coughing to cover for her throat tightening in fear, "I'll come back as soon as I can. Tell Leofric; tell him; you know;" she said, wiping away the tears that started falling down her cheeks.Steeling herself, Godgifu started off for the Viking camp, but found her progress hindered when her feet left the ground. "What are you doing?" she squawked, as Cnut lifted her over his shoulder by her waistband and returned to the grove where Leofric had gone."The Leofric ready?" Cnut said, casually hanging Godgifu's kicking and squirming body from a branch on the tree and securing the strap around it that he had wrapped around her body under the guise of securing her pack.Leofric turned from Harold to Cnut, his face a mask of confused relief. "She's; not going then?""Pindsvin easy to catch when think she get her way. You not know this? Why work so hard?" Cnut said, casually ducking as Godgifu's foot grazed his ear. "She watch from here. Know her Leofric safe."Leofric nodded, glad Cnut couldn't see the fury in Godgifu's eyes. Leaning in and hoping she didn't take a bite out of him, he murmured, "Watch us. If anything goes wrong or if we don't come back by morning, go back to Coventry and tell Sir Hulgar what has happened. Tell no one who supports the Witengamot, just Sir Hulgar," he said, brushing Godgifu's hair back behind her ear."How am I supposed to do that? Loosen these straps. Cut me free. He's tied me up here like I'm going to be spit roasted," she hissed."How is it that treason is always the answer to every problem you come across? After we're gone, use the knife you're trying to wriggle out of your sleeve. You'll be free in 20 minutes. Now, give me a kiss for luck;" he whispered. Godgifu's lips trembled, unshed tears filling her eyes. Finally, she nodded and lifted her face to his. Expecting trouble, Leofric pecked her lips quickly and just barely dodged a head-butt from his future wife.With a glare of annoyance, Leofric reached behind her and pulled the hidden knife out of her sleeve, throwing it to the ground out of reach. Then, purposefully, he ran his hands over every inch of her body, removing three more weapons before he finished with her. "You come back," she said, wriggling against her bindings. "You come back, Leofric, or so help me I'll; I'll do the most dangerous thing I can think of; and then I'll keep doing dangerous things until I can join you again," she vowed.Leofric only smiled, took her face in his hands and kissed her tenderly, coaxing her lips with his until he felt her soften and kiss him back. "What did I do to deserve you?" he asked, smiling and pressing his forehead to hers."The Leofric was punishment for the Pindsvin tax debt! Come!" Cnut shouted, starting down the hill toward the camp. Leofric sighed, kissed Godgifu one last time, and took off to join the King.Godgifu watched the two men stride downhill and join the line of people waiting to enter the camp, slipping a length of thick wire out of the cuff of her tunic, careful to avoid the serrated edge carved into one side and began sawing away at the leather straps binding her to the tree. Her eyes never moved from the two men casually joining the line of men waiting to join the camp, trying to read their body language, drawing any possible meaning from the slightest gesture.Just as the men reached the front of the line, Godgifu cut through her bindings and climbed onto the branch to which she had been bound. When it was their turn to enter, Cnut spoke briefly to the guards. Then, he nodded to Leofric, who reached into his pack for a pouch; probably the money they were charging for admittance to the camp. Leofric handed the pouch to Cnut who passed it over to the guards. They were in! It was working!Then, Leofric turned toward her, his face lit up by the golden setting sun, and smiled. Godgifu almost raised a hand to wave to him; and then he sneezed. Leofric had done nothing more exciting than sneeze, when suddenly, as Godgifu watched in horror, the guards started shouting and sacks were thrown over both Leofric and Cnut's heads as the men protested, their hands were bound behind them, and they were dragged away kicking and struggling."Watch us. If anything goes wrong or if we don't come back by morning, go back to Coventry and tell Sir Hulgar what has happened;" Leofric's parting words echoed in Godgifu's mind. She had no intention whatsoever of heeding them, but having his voice with her was a comfort as she crept through the darkness around the edges of the Viking camp.Godgifu was accustomed to sneaking around unseen. After years of sneaking out of the castle, past servants and Sir Hulgar's watchful eye to rid herself of the veils she had to wear and put on the comfortable dress that she wore as Lady Godiva, she could easily melt into shadows or walk through lit places and be mistaken as someone else. These skills served her well as she prowled the cold marshes surrounding the encampment, watching and learning.She had seen the men drag Leofric and Cnut toward an area where numerous boats had been pulled onto the land and prepared for wintering. Had they been killed? Why would they have been brought to such a place? It didn't look like anyone spent much time out here with the boats. Most of the camp's population preferred the warmer areas where the metalworkers' fires burned. After searching the boat area, the only thing she saw was a disgruntled man arguing with himself as he carved a knife handle out of a piece of bone.Frustrated, Godgifu took to watching the occupants of the camp instead. Most of the men were engaged in some form of metalworking. Some were sorting pillaged items according to their metal into piles, where they would be moved to different areas of the camp to be broken into pieces and melted into coins or ingots by the ever-burning fires. Slaves were everywhere. Mostly boys and young men, though there were some women, as well. The most menial tasks were reserved for the male slaves: feeding the fires, carrying non-precious items around. The female thralls were most often seen sewing or cooking food, when they weren't regularly being pulled into a shelter to service one of the Vikings.From what Godgifu could tell, when they weren't counting their plunder or forcing themselves on their slaves, the Vikings mostly argued with each other. It appeared the camp was made up of several disparate groups of Vikings from different areas in Norway, Sweden, and Denmark. The languages were all somewhat similar, and because Godgifu spoke Danish, she was able to understand most of what they were saying. As for why they were arguing, it was surprising how petty it all was.Apparently two enormous blonde men, Hafdan and Gorm, were at odds because Hafdan used Gorm's favorite cup without permission and dented it when Hafdan came to blows with Toke over the proper lyrics to the song "Orm's Bloody Stump." After knocking Toke unconscious with the cup, Hafdan won the argument, but sadly the exceptional cup was irreparably damaged, in Gorm's view.Skarde told anyone that would listen that Leif's campsite was encroaching on his campsite. He ended his rants by pointing to a large rock marker he had placed at the border between the two shelters, promising that anyone who dared to touch it would be smelted along with the copper. Godgifu also saw Leif emerge and nudge the rock over a touch when Skarde had gone back inside his tent.Bjorn was despondent after burning half his beard away while playing a smelting prank on Balder. Apparently, the smelting prank involved a comical explosion of sorts, which killed Balder's favorite bed slave, as well as leaving half of Bjorn's beard charred away. Balder was insisting that Bjorn pay for the loss of his bed slave, and Bjorn was insisting that Balder should cut off half of his own beard first. Balder, for his part, did not appreciate Bjorn's logic.Most of all, the Torksey Vikings argued about something called "hnefatafl." Godgifu didn't understand the word, but it appeared it was a game involving many pieces on a board. It seemed to be like chess, but with one player starting with their pieces clustered in the middle of the board and the other player's pieces surrounding them.Godgifu learned that the Torksey camp was having a hnefatafl tournament, which explained the steady stream of people entering the camp after paying a fee. What she also gathered was that the tournament was not going well. Apparently, all the Viking groups that populated Torksey had different rules for playing hnefatafl, and because there was no recognized leadership among the different groups, the tournament that was likely intended as an enjoyable diversion for the colder weather had mounted quite the death toll amongst them. Indeed, it was rare that two Vikings of different bands would sit down at a hnefatafl board and it wouldn't end in blows or bloodshed.None of this explained why Leofric and Cnut were bagged and dragged away at the main entrance to the camp, but Godgifu hoped that an explanation and news of their welfare would come in time. Considering that the Vikings had no problems with maiming or striking each other dead for the slightest infractions, the fact that Leofric and Cnut were not killed immediately was actually encouraging. Godgifu had no doubt that if the Vikings wanted them dead, Leofric and Cnut would be dead.It was in a tent-like shelter on the outskirts of the camp that Godgifu found Queen Emma. Unlike the other shelters, it appeared somewhat cleaner and even more telling were the cracks of light between the walls of the tent by someone using candles inside. Gathering her courage, Godgifu waited until she would not be seen, and then crept up to the opening in the tent, where a soft voice could be heard muttering English in a vaguely French accent. "He roughly clasped her slender frame in his manly arms, shocking her untested virtue with the passionate, throbbing heat of his turgid;""Um; my Lady?" Godgifu whispered loudly.The voice fell silent, the occupant obviously pretending that no one was there. Godgifu would have found the situation amusing, if it weren't also so serious. "My Lady, I need to speak with you," she pressed.Silence."My Lad

That's the good stuff Panthers v Raiders (0:55) Breaking Brandon Smith news (26:15) Storm v Bulldogs (28:10) Sea Eagles v Dolphins (38:16) Titans v Warriors (44:55) Eels v Roosters (52:57) Knights v Broncos (01:02:42) Tigers v Cowboys (01:12:05) NRLW Recap (01:22:24) Learn more about your ad choices. Visit podcastchoices.com/adchoices

I thought Wet and Wild was on the Gold Coast!Rabbitohs v Dragons recap (00:20)'What About This Bloke?' (11:00)Panthers v Raiders (23:55)Storm v Bulldogs (44:40)Sea Eagles v Dolphins (54:16)Titans v Warriors (58:55)Eels v Roosters (01:02:47)Knights v Broncos (01:05:22)Tigers v Cowboys (01:08:35)NRLW Preview (01:15:24)  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Week That Was. Reflections on a night out after losing an Apple Watch and winning multiple features on Pokie machines. Khamzat Chimaev crowned as the Middleweight Champion after 5 rounds of domination over DDP. NRL & EPL Accountability. NRL Round 23 Recap & Review.The growing issue of players exaggerating for penalties.Horse Racing Group 1 Punt New Season Rules . Moir Stakes futures play. Winx Stakes Preview. EPL Match Day 2 Preview & Predictions. Multi & Goal Scorer Betting Opportunities. Football Best Bets. The “Bin List” - How Doomscrolling the night before can impact your driving the next day. Bakeries charging extra for sauce – fair or foul?The debate over long voice notes (over 60 seconds)Listener Questions - Is Xavier Coates is the greatest winger of all time?Jye Grey, Perth Bears Fullback? NRL Round 25 Preview – Stats, analysis and Punt-Off bets.Stay up to date by following us on Instagram @Coastalsportspod(0:00) Weekend Catch Up (6:48) Khamzat Chimaev Becomes The Middleweight Champion (8:45) NRL Accountability (17:29) Moir Stakes Futures Play(18:04) EPL Accountability (21:21) EPL Match Day 2 Preview & Predictions (35:55) Football Best Bets(36:28) Horse Racing Group 1 Punt Off(41:21) Winx Stakes (44:37) Doomscrolling Blowups (49:40) Bakeries Who Make You Pay For Sauce (52:13) Is Xavier Coates The GOAT Of Wingers (52:57) People Who Send Voice Notes For Over 60 Seconds (54:00) Jye Grey Perth Bears Fullback (54:44) Rabbitohs v Dragons (1:02:41) Panthers v Raiders (1:09:03) Storm v Bulldogs (1:15:54) Manly v Dolphins (1:19:31) Titans v Warriors (1:22:38) Eels v Roosters (1:26:30) Knights v Broncos (1:27:55) Tigers v Cowboys (1:29:45) Generational Wealth

... a 1 on 1 interview like you have never heard before! #UNFILTERED

... a 1 on 1 interview like you have never heard before! #UNFILTERED

Chaps, The Rabbit and Browny chat about The legendary efforts of Jye Gray, Tallis Duncan and Jai Arrow

Good times are here again Warriors v Dragons (01:55) Roosters v Bulldogs (12:11) Sharks v Titans (29:45) Broncos v Dolphins (34:31) Rabbitohs v Eels (43:48) Tigers v Sea Eagles (56:06) Cowboys v Knights (01:05:44) NRLW recap (01:09:41) News (01:20:35) Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s Adam Peacock, Nathan Hindmarsh, Jason Demetriou and Michael Chammas for this week’s Saturday Scrum. Michael Chammas breaks down his football Semi-Final victory last night for the team. We go in-depth on the Roosters big win over the Bulldogs, the Dragons stoic loss after three players were ruled out with HIA, and Harry Grant’s gamesmanship on Thursday against the Panthers. Mark Bosnich swings by to chat about the Eels, and the EPL kicking off tonight. Plus where will Tino Fa’asuamaleaui land? Are Samoa now favourites for the World Cup with Payne Haas defecting from Australia? Tony’s Quiz, Ask Hindy and Believe It Or Not? rounds out the show.See omnystudio.com/listener for privacy information.

It’s Adam Peacock, Nathan Hindmarsh, Jason Demetriou and Michael Chammas for this week’s Saturday Scrum. Michael Chammas breaks down his football Semi-Final victory last night for the team. We go in-depth on the Roosters big win over the Bulldogs, the Dragons stoic loss after three players were ruled out with HIA, and Harry Grant’s gamesmanship on Thursday against the Panthers. Mark Bosnich swings by to chat about the Eels, and the EPL kicking off tonight. Plus where will Tino Fa’asuamaleaui land? Are Samoa now favourites for the World Cup with Payne Haas defecting from Australia? Tony’s Quiz, Ask Hindy and Believe It Or Not? rounds out the show.See omnystudio.com/listener for privacy information.

This season we discuss over 300 albums of the 1990s selected from https://besteveralbums.com. The Six Singles segment starts at (3:45). This episode covers the following albums: Kid Rock - Devil Without a Cause (41:00), Patty Griffin - Flaming Red (1:10:51), Big Pun - Capital Punishment (1:36:01), and Eels - Electro-Shock Blues (1:59:20).Check out our YouTube page here: http://www.youtube.com/@combingthestacks1470Check out the Combing the Stacks Letterboxd list here: https://boxd.it/bS98c

Well, that was cool! Storm v Panthers recap (00:51) 'What About This Bloke?' (21:33) Warriors v Dragons (30:42) Roosters v Bulldogs (36:11) Sharks v Titans (41:55) Broncos v Dolphins (47:01) Rabbitohs v Eels (51:58) Tigers v Sea Eagles (57:06) Cowboys v Knights (01:00:44) NRLW preview (01:06:41) News (01:13:35) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Taylor Swift just announced her new album 'Midnights' is coming October 21st and she's embracing her inner showgirl for the artwork. We also discuss the homesickness of a young Aussie football recruit in the US, Jonathan Brown's pump up songs, and an AI specialist's warnings about AI blackmailing humans after reading company emails. Plus, NRLW player Mikayla Upton joins us to discuss the upcoming Indigenous Round doubleheader between the Broncos and Eels. Timestamps: 2:30 - Taylor Swift announces new album 7:00 - Aussie football recruit homesick10:30 - Jonathan Brown's pump up songs15:00 - AI blackmailing humans21:00 - Interview with Tamika UptonSee omnystudio.com/listener for privacy information.

In this episode, we tell the story of Annie Eels and Samantha Tapper, whose lives came to a tragic end inside a discreet massage parlour in the historic town of Shrewsbury. We explore the events of that summer afternoon in 2006, the circumstances that brought them there, and the mystery that gripped the community. Join us as we piece together the final hours of Annie and Samantha, and the questions that demanded answers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Buzz Rothfield joins Brent Read and Charlie White to look at the player movements over the next few weeks in the NRL. Tino is set to have some of the biggest deals in NRL history thrown at him from the Dogs, Dragons and Bears. Sandon Smith has been given the all-clear to leave the Roosters, which leaves a big door open for DCE - is this beneficial for Smith's career? The Eels and the Tigers have some promising young talent coming through the ranks, but which club will see success faster? After another head knock, Jake Trbojevic's future at the club is uncertain - Buzz has nothing but respect for him. And we finish with some insight into Jet Cleary and predict the remaining aspects of the 2025 NRL series! See omnystudio.com/listener for privacy information.

Buzz Rothfield joins Brent Read and Charlie White to look at the player movements over the next few weeks in the NRL. Tino is set to have some of the biggest deals in NRL history thrown at him from the Dogs, Dragons and Bears. Sandon Smith has been given the all-clear to leave the Roosters, which leaves a big door open for DCE - is this beneficial for Smith's career? The Eels and the Tigers have some promising young talent coming through the ranks, but which club will see success faster? After another head knock, Jake Trbojevic's future at the club is uncertain - Buzz has nothing but respect for him. And we finish with some insight into Jet Cleary and predict the remaining aspects of the 2025 NRL series! See omnystudio.com/listener for privacy information.

The Grand Old Club. Knights v Panthers (01:31) Raiders v Sea Eagles (06:36) Dragons v Sharks (13:53) Dolphins v Roosters (23:45) Bulldogs v Warriors (33:10) Titans v Rabbitohs (43:11) Eels v Cowboys (54:32) NRLW recap (01:03:53) News (01:26:44) Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Bear drops in for a cool chat & names his Dream 13! Any player. Any era. Any team. Any competition ... then combine them!

Barry and Abigail discuss Shooting Rubberbands at the Stars by Edie Brickell & New Bohemians and sample Cherry Limeade, Peach Kill All The Golfers, and Yacht Rock from B. Nektar Meadery in Ferndale, Michigan.Cherries are, in fact, both deciduous fruits and stonefruits.Edie Brickell and Steve Martin released a bluegrass album together in 2013, Love Has Come For You.The “flanged” guitar in the breakdown of What I Am reminded Abigail of Peter Frampton speaking through his guitar in Do You Feel Like We Do - Live.Abigail learned all about Edie Sedgwick and Little Miss S. from this article!Air of December reminded Abigail loosely of a poetic form called a sestina.Abigail entered The Wheel into the Abigail Hummel School of Speaking Smartly About Music with a comparison to I Fought the Law by The Clash. Abigail also wanted to remind everyone that the concept of the multiverse was first proposed by Hugh Everett III, the father of E of Eels. Listen to our episode on Eels: Owlectro-Shock Brews (Eels and Dangerous Minds Brewing Co.) or read this great biography of Hugh Everett III.Abigail compared the mystery percussion in Love Like We Do to the percussion in This Means War by Marianas Trench.Content-wise, Abigail compared Circle to THE GREATEST by Billie Eilish. Barry thought it was more similar to Transit Town by Harborcoat.She prompted Abigail to educate Barry about the concept of the manic pixie dream girl. Lyrically, it reminded Barry of Mean girls by Charli xcx.The “fact” we learned in Carlo's Corner has been partially debunked. If you're interested, you can learn more about Niels Bohr, Carlsberg, or Jarlsberg.Barry took an opportunity to plug our friend Kevin Richberg's Slate Hill Edible Forest.Nothing reminded Abigail of the Greek myth of Odysseus and Polyphemus. Barry brought up the hypothesis that fossilized dwarf elephant skulls may have inspired myths of Cyclopes. (And dinosaur bones dragons! And rhinos unicorns! And manatees mermaids!)Abigail then entered Nothing into the A.H.S.O.S.S.A.M. with a comparison to Crazy Love, Vol. II by Paul Simon.Listen to our resequenced playlist of this album, which we have called Retooling Rubberbands at the Stars.Up next… Navy Blues by Sloan, submitted to our Jukebox by Paul ZawackiJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On tonight's edition of Obbligato on APEX Express, which focuses on AAPI artists, musicians, and composers in the classical music world, host Isabel Li is joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. Featured Music: Sonatrinas: https://richardan.bandcamp.com/album/sonatrinas i got the electroshock blues: https://rasprecords.bandcamp.com/album/i-got-the-electroshock-blues   RICHARD AN (b.1995) is a performer and composer, born and raised in Los Angeles. Richard plays new music – usually with House on Fire – co-founded the tiny backpack new music series, and has performed with Monday Evening Concerts' Echoi Ensemble, Piano Spheres, The Industry and on Bang on a Can's LOUD Weekend. Richard plays piano and percussion, and has been known to sing, conduct, and teach. Richard's music has been performed by the Los Angeles Philharmonic Orchestra, Calder Quartet, HOCKET, C3LA, and more. His music has been released on CMNTX Records. Richard has a BM in Composition from USC and an MFA from CalArts. He is on faculty at the Pasadena Waldorf School, Glendale Community College and Harvard-Westlake. He plays taiko and tabla, and makes YouTube videos. Learn more about Richard's work on his website: https://richardanmusic.com/ Richard's social media: https://www.instagram.com/richardanmusic/ If you are in LA and want hear Richard's work, he's playing with House on Fire at the Sierra Madre Playhouse on August 17! https://www.sierramadreplayhouse.org/event/richardan2025   Transcript Opening: [00:00:00] APEX Express. Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express. 00:00:46 Isabel Li Good evening and welcome back to a new episode of Apex Express on KPFA, 94.1 FM. We are bringing you an Asian and Asian American view from the Bay and around the world. I'm your host, Isabel Li, and tonight is a new edition of Obbligato, which explores AAPI identities and classical music. Tonight I'm joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. 00:01:41 Isabel Li Welcome to the show. Welcome to APEX Express, Richard. My first question for you is how do you identify and what communities would you say that you're a part of? 00:01:50 Richard An My name is Richard An I use he/him pronouns and I'm a second generation Korean American. My parents are both Korean. My dad came from Busan, which is a large city in South Korea, and my mom was born in Seoul and then moved to South America and then made her way up to Los Angeles where they met. And as for identity, like, I think Korean American would be the most accurate one. This is and I think an ever evolving part of first of all my identity and the way that it intersects with my practice and also I think that's the case with many Asian American artists, I mean artists from immigrant families, you know, the the matter of your identity, especially if you feel more distanced from it for one reason or another, is like an unsolved question for everyone like there is no one answer. That works for people and that's a thing that me people like myself I think will be exploring for our entire lives. When I introduce myself to people, I say that I'm a classical musician. And at the very core of it, that is true. That's not a lie. And I am, you know, a part of the classical music community in Los Angeles. But as time goes on, I have noticed and realized. That I tend to align myself more with like the avant-garde and experimental contemporary music communities of Los Angeles, which has certainly an overlap with the classical community, both in practice and historically, but yeah, I I would say those are the sort of two biggest ones, classical musicians and experimental avant-garde, contemporary musicians, whatever label you want to use for that. 00:03:47 Isabel Li Yeah. Some of our listeners might not know what avant-garde music entails. Can you — how would you describe avant-garde music to someone who might not be as familiar with this particular movement? 00:03:57 Richard An Yeah. So avant-garde music, a sort of flippant and joking way to to talk about it is ugly music or music. You know, my dad, for example, wouldn't like, but I think. It's music that either interfaces with elements or confronts facets or issues in music that aren't typical of other kinds of music. The music that you might hear that is labeled of on guard might be noisy or dissonant or uncomfortable, or any kind of, you know, adjectives that are synonyms for noisy or ugly, but I have come to love that kind of music, you know 1. Because of the the kind of questions that they might ask about our perceptions of music and two, because I guess one way to put it is that to be a classical musician, you need to be in a practice room for many hours a day for many years and go to what is unfortunately a college, which is usually very expensive and I guess for lack of a better term, paywalled for like you need to have the kind of resources that allow you to attend a four year undergrad and then a two year masters and then a three-year doctorate. But avant-garde music, contemporary music, experimental music doesn't necessitate that kind of thing. Often those musicians do have a background that gives them some amount of, you know, virtuosity or facility in an instrument. But like some of the best experimental musicians. Alive and some of the best ones that I know have no, like extensive training in a particular instrument and some may not have a degree in music at all. And that's one thing that I in like that separates it from classical music is that. 00:05:44 Richard An Classical music can be, unfortunately a little bit exclusionary. I don't think by any one specific design, but the fact that you need so many hours and very specific instructions from a mentor that necessitate that kind of relationship. But experimental music, I think does a little bit better job of diversifying or making it feel more equitable. 00:06:12 Isabel Li That's a great point, actually. One of my questions following up with that was what do you think is possible with this genre, which you kind of mentioned earlier with perhaps how this genre makes classical music a little bit more equitable for those who are interested in this field. In your experience, composing, what do you think makes the genre special, and how do you go about it? 00:06:35 Richard An One thing that I've noticed about being involved in the sort of contemporary experimental avant-garde music sphere is that it makes me a better listener, and I think other people who attend these concerts will agree. Like for example a large part of this kind of music is drone or repetition or, you know, like long spans of unchanging sound. And if the the sound that is being produced at face value is not changing, well then what do you notice about it? What do you grab on to and one of the most, I think, gratifying experiences is listening deeper and realizing that, ohh, even though you know for example this piano playing two notes for 30 minutes might not like the instructions will say to do the same thing for 30 minutes, but your experience as a human being will certainly change over those 30 minutes, even if the the notes are not like you will notice the slight fluctuations in the way that someone is playing, you will notice the beating patterns in the pitches on an instrument that may not be perfectly in tune, you will note other ambient sounds, you will note like you will notice so much more about the world when you are confronted with the kind of music that you know. You can say it forces you to listen to these sounds but also invites you to listen to these things. And I think that's really, really special. That's not to say that that can't happen with other kinds of music. Or even with classical music. Surely you know there are many, many ways to listen to everything. But I've noticed this within myself. When I listen to long, repetitive drone based music that it really opens my ears and makes me a more active participant as a listener. 00:08:30 Isabel Li It's a great point actually. Part of my work– because I studied music, history and theory in college– was how music can engage various listeners to participate. Have you composed anything that perhaps engages the listener in this more of a participatory setting? 00:08:47 Richard An Yeah. So I guess in order the some of the stuff that I've done to engage the audience, I guess both literally, and maybe more figuratively is, I wrote a piece last year for the Dog Star festival, which is a a contemporary and experimental music festival that is actually happening right now, at the time of this recording. It's a multi week long festival that focuses on music of this type that was founded by people in the sort of CalArts music world. But I wrote a piece for that last year for three melodicas, which are these basically toy instruments that look like keyboards, but you blow into them and you blowing air through these makes the sound happen. It's basically like if you cross a harmonica and a piano together. But I I wrote a piece for three of these, playing essentially the same notes. And because these instruments are pretty cheap, and they're often considered toys or, you know, instruments for children, they're not tuned to the exact way that, like a piano or a vibraphone or an expensive instrument might be. But I wanted to use that for my advantage. For example, if I play an F# on one melodica the same F# on another melodica will not be exactly the same and playing those two pitches together will produce what's known as a a beat or beat frequency. Which is, you know, a complicated, you know, mathematic physics thing, but basically 2 notes that are really, really close, but not quite together will create a kind of third rhythm because the the pitches are so close. Like, for example, if if I play an A at 4:40 and another A at 441, you will notice that difference of 1 Hertz inside of your ears. And that's a really cool phenomenon that happens explicitly because you were there listening to the piece. They don't happen necessarily, you know, like in, in recorded formats like, it's a very difficult thing to capture unless you are in the room with these instruments. And the fact that we had this audience of, let's say, 40 people meant that all forty of these people were experiencing these beat frequencies and another really cool factor of this is depending on where you are located in the room. With the way that the beats will sound in your ears are different and purely by the fact of acoustics like a wave bouncing off of the wall over on your left, will feel really different if you are closer or further from that wall. So not only do the audiences ears themselves, you know, invite these this this participation, but the pure physicality of each listener means that they will have a very slightly different experience of what the piece is, and again like this will happen in any concert. If you're at a classical show, if you're at a rock show if, if you're further from the stage, if you're further to the left or right, you will get a slightly different position in the stereo field that the musicians are playing in, but pieces like what I wrote and many others that exist emphasize this kind of like acoustic phenomena. That is really, really fascinating to listen to. 00:12:23 Isabel Li That's fascinating. And to get a sense of Richard's work, we'll be hearing coming up next. The short excerpt from his album Sonatrinas. This is the duo excerpt performed by Wells Leng, Katie Aikam, Kevin Good and composer Richard An himself. [COMP MUSIC: Sonatrinas (Excerpt: Duo)] 00:17:38 Richard An And so the back story for this piece is this was written for one of my recitals at CalArts. I was planning on playing this piece by Michael Gordon called Sonatra, which is a really, really beautiful and difficult piece for solo piano that I gave myself as an assignment, which I was not able to do with the amount of time. And, you know, like I just didn't give myself enough time to do this thing, so I still had this program of several pieces written with the idea of having this Michael Gordon Sonatra in the middle, but now that that sort of middle part was gone, there was a bunch of pieces about a piece that didn't exist. So in order to fill that hole, I wrote this piece called Sonatrinas which is a cheeky nod to the Michael Gordon Sonatra, but also to the fact that each part of this is kind of a diminutive Sonata form. Everything has a sort of ABA– here's some idea. Here's a different idea, and now we go back to that first idea. Every single part of this has a little bit of that in it. 00:18:51 Isabel Li Yeah, that's fascinating. Even the name itself reminds me of Sonata form in classical music, where it's kind of like an ABA section. As you sort of talked about earlier. And it's really cool that you're adapting this in a more avant-garde context. This is a reminder you're listening to Apex Express. Today we are interviewing composer and musician Richard An. 00:19:12 Isabel Li I think the general question that I have next is can you tell me a bit about what drew you to music and how you got your start in music, how you got introduced to it and what things have inspired you over the years? 00:19:24 Richard An Yeah. So a real quick sort of, I guess, history of my involvement with music is that I started piano lessons when I was pretty young, either three or four years old. I continued that until I was 12 or 13. I decided I really wanted to become a musician. I started taking composition lessons with this composer, AJ McCaffrey, who is really responsible for a lot of what I know and my successes, if you can call it that. He got me into a lot of the music that I am into now and set the foundation for what I would study and what I would write he was one of the instructors for this program called the LA Phil Composer Fellowship program, which back when I was a participant from 2011 to 2013, was a program hosted by the Los Angeles Philharmonic that took 4 high school age students every two years. And you know, they they taught us, you know, everything. How a young composer needs to know how instruments work, how to write a score, how to talk to musicians, how to do everything that a that a composer needs to learn how to do and at the end of this program, after the two years the young composers write a piece for the at the LA Philharmonic. So I was extremely lucky that by the age of 17 I was able to write a piece for orchestra and get that played and not just any orchestra, with the Los Angeles Philharmonic, you know, undisputedly one of the best orchestras in the world. Right. And then after that I I went to USC for my undergrad and then went to CalArts for my masters. And then here we are now. And that those are sort of the like, you know if someone writes a biography about me, that's what we'll be, you know, involved in the thing. But I really started to develop my love for music in my freshman and sophomore year. In high school I I started to get into more and more modern composers. I started to get into more and more noisy things and a lot of this coincided actually with the passing of my mother. She died when I was 14 and you know that in any human the death of a parent will cause you to reevaluate and rethink aspects of your life. Things that you thought were certainties will not be there anymore. So for me, I stopped taking piano lessons and I sort of went headfirst into composition and which is why my degrees are specifically in composition and not piano. Had my mother's passing not happened, you know, who knows what I would be doing now? Maybe I'm not a composer at all. Maybe I'm not into avant-garde music at all, but because things happen the way that they did, I suddenly took a quick turn into avant-garde music and my involvement there only grew more and more and more. Until you know where I am today, I'm almost 30 years old, so I've been listening to and a participant of this music for maybe 15 years or so and I'm quite happy. 00:22:43 Isabel Li That's awesome to hear. 00:22:45 Isabel Li And perhaps a testament to Richard one's very versatile compositional style and avant-garde music coming up next are three pieces from his album i got the electroshock blues. There are five pieces in the album in total, but we will be hearing three of them. The first one called “feeling, scared today,” the second one, “pink pill,” and the fifth one, “la la.” [COMP MUSIC: i got the electroshock blues: 1. “feeling, scared today”, 2. “pink pill”, 3. “la la”.] 00:36:41 Richard An Earlier last year, I released a collection of live recordings under the title of I got the Electroshock Blues. Electroshock Blues is a song by the band Eels I encountered at a pivotal moment in my life. This was right around the time that my mother passed and this record and this song is heavily centered in grief. The main musician in the Eels, Mark Oliver Everett, was dealing with the passing of multiple family members and people who were close to him so it hit me in just the right way at just the right time. And because of that, this song specifically has stayed with me for many, many years. I found myself coming back to the contents of this song as I was composing and all the pieces on this album, of which there are 5 heavily take material from this song, whether that's words, chords, the melody. I really, you know, take it apart, dissect it and use those as ingredients in the pieces that I have written here and all of these are live recordings except for the first piece which was recorded in my studio. I just sort of overdubbed the parts myself, and there are credits in the liner notes for this album, but I just want to say that. The first piece which is called “feeling, scared today,” was originally written for the Hockett piano duo, which is a duo comprised of Thomas Kotcheff and Sarah Gibson. Sarah Gibson was a really close friend of mine who passed away last year and now this piece which in some way came out of a feeling of grief now has renewed meaning and another facet or aspect of this piece is centered in grief now. Because this was dedicated to Thomas and Sarah. Yeah. So these pieces are all derived from this one song. 00:38:57 Isabel Li That's a beautiful response. Thank you so much. Kind of following along your background and how you got to where you are. How do you think your identity has informed your work as a composer and musician? And this could be– you can interpret this in any way that you wish. 00:39:11 Richard An Yeah, this is a really interesting question. The question of how my identity interfaces with my music. In my art, particularly because no person's answer is quite the same, and I don't necessarily have this figured out either. So for a little bit of I guess for a little bit of context on me, I'm second generation Korean American, but I've never been to Korea and I never went to Korean school. My parents never really emphasize that part of my education. You could call it assimilation. You can call it whatever, but I think they valued other aspects of my growth than my explicit tie to Koreanness or, you know my specific identity as a Korean or Korean American, and because of that, I've always felt a little bit awkwardly distanced from that part of my identity, which is something that I will never be completely rid of. So in in a world and the field where whiteness is sort of the default part you know, particularly because you know, classical music does come from Europe, you know, for hundreds of years, like all of the development in this particular kind of music did happen in a place where everyone was white. So because of that background of where I come from and where my musical activity comes from, whiteness has been the default and still feels like it is. So me looking the way that I do as, an obvious not white person, as a person of color will always have a little bit of an outsider status to the thing. And with that comes the question of what are you bringing to classical music? What do you bring to the kind of music that you're creating? Like for example, the most I think the most well known East Asian composers are people like Toru Takemitsu or Tan Dun, people who will interface with their Asianness, in many different ways, but that often involves bringing, for example, a Japanese scale into your classical composition, or bringing a Japanese instrument into your classical composition. Those are, you know, examples of of of pieces by Toru Takemitsu, and other, you know, very successful. Asian American composers now may do similarly. Texu Kim is maybe someone who can also give insight into this, but nothing about me feels explicitly Korean, maybe besides the way that I look. And besides, the way that I grew up a little bit like I've never been to Korea. What right does that give me as a Korean, to for example, use a Korean instrument or use a Korean scale? I've never studied that music. I've never studied that culture. I in in some arguments I would be guilty of cultural appropriation, because I, you know, have not done the work to study and to properly represent. And for example, like Pansori, if I were to use that in any of my music. 00:42:46 Richard An But then the the the difficult question is well, then who does have the right? Does being Korean give me all the license that I need to incorporate aspects of my identity? And if I am not Korean, does that, does that bar my access to that kind of music forever? Another way of looking at this is, I've studied North Indian Classical Hindustani music for a while. I've played tabla and and studied that music at CalArts and I really, really love playing tabla. It's it doesn't make its way into my composition so much, but it is certainly a big part of my musicianship and who I am and, like, but am I barred from using ideas or aspects of that music and culture and my music because simply for the fact that I am not Indian? Many musicians would say no. Of course you've done your homework, you've done your research. You're doing due diligence. You're you're representing it properly. And many people who study this music will say music cannot go forward if it's not like the innervated and continued and studied by people like me who are not explicitly South Asian or Indian. That's an example of the flip side of this of me using or representing the music from a culture that I am not a part of, but again, am I really Korean? I've never been there. I wasn't born there. I speak the language conversationally. But this is an extremely long winded way of saying that I feel a tenuous connection to my Korean this my Korean American identity that hasn't been solved, that isn't solved and probably will never be completely solved. But I think that's exciting. I think that's an evolving aspect of my music and will continue to be that way as long as I continue to be involved in music and as as long as I continue to write. 00:45:05 Isabel Li Yeah, absolutely. That's a wonderful response. Actually. I was, as I was studying different types of world music and learning how people kind of borrow from different cultures. There is this always, this kind of question like ohh, like which types of musical elements from which cultures can I incorporate and obviously the aspects of personal identity definitely play into that a little bit. And part of my senior thesis in college was studying AAPI artists in classical music, and specifically that there are a lot of Asian-identifying musicians in the classical music world. But as you kind of mentioned earlier, I think classical music is very much still like grounded in whiteness and has this kind of air of elitism to it just because of its roots. How do you think this kind of identity intersects with the classical music world? And forgive me if you've already kind of talked about it before, but it's an interesting juxtaposition between like, for example, musicians who identify as AAPI or Asian in this kind of genre that is very– it's very associated with whiteness. Could you kind of talk about the dynamics of how these two aspects of like culture kind of interplay with one another? 00:46:26 Richard An Yeah, absolutely. So, you know, there are ways that I personally feel like I intersect with classical music with reference to my identity, and that also plays with the sort of cultural expectations, like there are stereotypes of Asian musicians, of Asian classical musicians. But there are not necessarily the same the same kind of stereotypes with white classical musicians. A very dominant like stereotype that you'll run into is the young Asian prodigy who practices 10 hours a day and may therefore be labeled as mechanical or unfeeling or, you know, are involved in in this a lot. So much so to the fact to the to the point where to excel an Asian American classical musician or as an Asian classical musician, in general, seems to always carry that stereotype. Like you know, Seong-Jin Cho's success as a pianist may not necessarily be attributed to his musicianship or his skill as a pianist. Because he is an Asian person, an Asian guy. Like how much of his success is because of the perceived tiger mom-ness that he might have existed under? How much of it is attributed to the same type of stereotypes that are labeled like that that label the five year old pianist on YouTube that that is clearly better than I am? Like some of these stereotypes help and some of these don't, but the I think it's undeniable that they exist in a way that doesn't in a way that doesn't carry for white people in the classical music sphere. And I think part of that is that classical music is still rooted in its Eurological identity. I think I'm using that correctly. That's an idea from George Lewis. Eurological versus Afrological. The context that I'm using Eurological right now is specifically in reference to George Lewis, who is a composer, trombonist, and musicologist who, I think coined the two terms to differentiate the roots of different styles of music, and you know, I haven't read enough to confidently say, but classical music is Eurological by example and like jazz would be Afrological by an example and the contexts in which they develop and exist and grew up are fundamentally different, which is what makes them different from each other. And again like this needs a little bit more research on my part. 00:49:23 Richard An Yeah, and because the classical music is so rooted in this thing, I don't believe that the stereotypes that exist for Asian classical musicians exist for white people. And I think that is something that will naturally dissipate with time, like after another 100 years of Asians, and, you know, people of color in, you know, every country in the world, with their continued involvement and innova otypes will disappear like this. You know, it may require certain concerted efforts from certain people, but I do believe that after a while these things will not exist. They'll sort of equalize right in the same way. That the divisions that we make between a Russian pianist and a French pianist and a German pianist, though you know people still do study those things like those aren't really dividing lines quite as strong as an Asian composer or an Indian composer might be. 00:50:27 Isabel Li Thank you for that perspective. I think it's, I think these are conversations that people don't kind of bring up as much in the classical music world and it's great that, you know, we're kind of thinking about these and probably possibly like opening some conversations up to our listeners hopefully. And so my next kind of pivot here is as you know with our current administration, Trump has canceled millions of dollars in National Endowment of the Arts grants, and it's been affecting arts organizations all over the nation. And I was kind of wondering, have you been affected by these cuts to arts programs and what kinds of advice would give upcoming musicians or composers in this era? 00:51:07 Richard An Yeah, that's a yeah, that's a big thing. And like, you know, changing day by day, right. So the Trump administration's effects on my life as a musician is simultaneously huge and also not really that much. So in one way these grant cuts have not affected my personal musical life because I haven't ever received a government grant for any of my arts making. So in one way like my life is the same, but in many, many, many other ways it has changed. Like I am involved with and I work with concert series and organizations and nonprofits that do rely on NEA funding and other government arts based funding. And if they have less money to fund their next season, that means certain projects have to be cut. That means certain musicians have to be paid less. That means certain programs have to change, especially if these funding cuts are aimed towards DEI or quote and quote, woke programming like that is, you know this that will by design disproportionately affect people of color in this field, which already you know, like is in a Eurocentric urological tradition like this is already something that people of color don't have a head start in if the funding cuts are aimed at certain types of programming that will disadvantage already disadvantaged groups of people, well then I don't know, that's even–we're starting even later than other people might be, and you know, like, if a musicians, if a person's reaction to this is despair, I think that's reasonable. I think that is an absolutely, like that's an appropriate reaction to what is fundamentally an attack on your voice as an artist. But I I have for as long as I can, you know, I have always worked under the impression that I will have to do the thing myself, and that's in the piece of advice that I give for a lot of people. You shouldn't necessarily wait for this ensemble to come pick you to play or or to to, you know, commission you to write a piece if you want to write the piece, you should do it and figure out how to put it on yourself. If you want to perform you know music by a certain composer, you should do it and then figure out how to do it yourself. That certainly comes from a place of privilege, like I can do this because I have enough work as a musician to be able to pay for the the passion projects it comes from a place of privilege, because I live in Los Angeles and the resources and musicians and other people who I would like to collaborate with live here, so you know, completely acknowledging and understanding that I I do believe that it's better to ask for forgiveness than to ask for permission. I think if you're a young musician and are feeling some despair about these funding cuts and you know the many, many, many other transgressions against humanity by this current administration. 00:54:38 Richard An I recommend you just go out and do it yourself. You find your people, you find your community, you pull favors, you work long nights and you do it and the reward will firstly be the good you're putting out into the world and then the the art you're making. But also this will be paid in kind by the community you're building, the musicians you're working with. And the the connections you make like you know I I have, I am currently conducting this interview from a studio space that I am renting out in Pasadena that I have built over the last two years that I do all of my rehearsals and my performances in, and that I, you know, host rehearsals and performances for other people, and this cannot happen and could not have happened without the goodwill and help and contribution from other people. When I say go out and do it yourself, I'm not saying that you as a human being are alone. I'm saying you don't need to wait for institutional approval or permission to go out and do these things. Get your friends and do them themselves. And my optimistic belief is that the support and the work will follow. 00:55:53 Isabel Li Richard, thank you so much for sharing your perspectives and your voice on this show today. And thank you to our many listeners of KPFA on tonight's episode of Obbligato on Apex Express. Which focuses on the AAPI community of the classical music world. There were some inspirational words on arts and arts making by Richard An musician and composer based in Los Angeles. 00:56:18 Isabel Li Please check our website kpfa.org to find out more about Richard An and his work as well as the state of the arts during this period of funding cuts. 00:56:29 Isabel Li We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world, your voices and your art are important. 00:56:41 Isabel Li APEX Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by Isabel Li. Have a great evening. The post APEX Express – 8.7.25 – Obbligato with Richard An appeared first on KPFA.

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Who gets to a Grand Final first: Souths or Eels and does Todd Payten have 5 games left as Cowboys' coach? Also on the show: – Rugby 360 raids — Up to 12 NRL stars sign letters of intent. – Big names linked: RTS, Nelson Asofa-Solomona, Papenhuyzen. – Bottom club rebuilds — Who gets to a Grand Final first: Souths or Eels? – Halves musical chairs — How Penrith, Dolphins & Dogs are bringing in new bloodSee omnystudio.com/listener for privacy information.

... a 1 on 1 interview like you have never heard before! #UNFILTERED

... a 1 on 1 interview like you have never heard before! #UNFILTERED

Eels play an important ecological role in many rivers and streams, but they're so eel-usive that even eel scientists have been challenged to observe them mating in the wild. Ellen Ruppel Shell is author of the 2024 book Slippery Beast: A True Crime Natural History, with Eels, and she sheds light on the eel's murky ecology and path through the seafood industry.   And the relentless heating of the Earth is prompting people to move after climate-related catastrophes and amid more gradual changes. Journalist Abrahm Lustgarten is the author of On the Move: The Overheating Earth and the Uprooting of America, about the northward migration he anticipates as Americans seek to escape punishing heat, fire, and drought.   Also stargazing has profoundly shaped who we are as human beings, and gave rise to science, religion, and origin stories from diverse traditions. Roberto Trotta, the author of the new book Starborn: How the Stars Made Us (And Who We Would Be Without Them) joins us to discuss how studying the night sky shaped science and why satellites now threaten our connection to the stars. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The National Farmers Union says the fight over inheritance tax on farms is not over, despite the publication of draft legislation which shows that the government isn't backing down. Campaigners against the re-impostion of the tax, which will be levied at 20 per cent on assets over a million pounds from April next year had hoped that the government would, at least, change aspects of the policy. The Government argues that its a fair tax which the majority of farm businesses either won't be liable for, or can plan for. A record breaking wet winter has been followed by a record breaking dry spring and early summer in many parts of the UK - with three heatwaves thrown in for good measure. So managing water has become a huge challenge for farmers, which we're exploring all this week on the programme. And, traditional Eel fishermen on Lough Neagh in Northern Ireland have said they're cancelling their season, and one of the factors they blame is water pollution. It comes as the Northern Ireland Executive has proposed more stringent measures to reduce run off from farms, which are strongly opposed by the Ulster Farmers Union.Presenter: Charlotte Smith Producer: Sarah Swadling

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