Podcasts about laocoon

On this episode of Out Of Office: A Travel Podcast, the boys Catholic out hard. In celebration of Lent, “Conclave,” and a Catholic Jubilee Year, Kiernan talks us through the top sites to see in Vatican City. Rome is expecting 32M visitors this year, and now each and every one can listen to Out of Office! Things We Talked About on Today's Episode: Jubilee 2025 https://www.usccb.org/jubilee2025  Holy Doors https://www.ewtnvatican.com/articles/5-holy-doors-what-every-catholic-should-know-ahead-of-jubilee-2025-4075  Saint Peter's https://www.basilicasanpietro.va/en/  Pope John XXIII https://www.seattletimes.com/nation-world/martyrs-miracles-and-the-stuff-of-making-saints/  Vatican II https://www.vaticannews.va/en/vatican-city/news/2022-10/vatican-ii-council-60th-anniversary-video-history-background.html  Papal Altar and Canopy https://en.wikipedia.org/wiki/St._Peter%27s_Baldachin  Chair of Saint Peter https://www.ncregister.com/cna/historic-chair-of-st-peter-on-public-display-in-vatican-basilica-for-first-time-in-150-years  Tomb of Saint Peter https://en.wikipedia.org/wiki/Saint_Peter%27s_tomb  Saint Peter Statue https://stpetersbasilica.info/Statues/StPeter/StPeter.htm  La Pieta https://fa-inkwell.org/1039/arts/artists-review-la-pieta-one-of-michelangelos-earliest-works/  Vatican Museums https://www.museivaticani.va/content/museivaticani/en.html  Laocoon and his Sons https://www.museivaticani.va/content/museivaticani/en/collezioni/musei/museo-pio-clementino/Cortile-Ottagono/laocoonte.html  Gallery of the Candelabra https://www.museivaticani.va/content/museivaticani/en/collezioni/musei/museo-pio-clementino/Galleria-dei-Candelabri/galleria-dei-candelabri.html  “School of Athens” https://en.wikipedia.org/wiki/The_School_of_Athens  Sistine Chapel “In Our Time” episode https://www.bbc.co.uk/programmes/m0015vh8  Sistine Chapel pre-reading https://www.througheternity.com/en/blog/art/michelangelo-last-judgment-sistine-chapel-vatican.html  Omio https://www.omio.com/  Jenny Nicholson on the Star Wars Hotel https://www.youtube.com/watch?v=T0CpOYZZZW4 

Liv reads Book 12 and part of Book 13 of the Fall of Troy, translated by AS Way. The Greeks get a little divine help in the form of a follow wooden horse. It does not go well for the Trojans (or Sinon, or Laocoon). Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! This is not a standard narrative story episode, it's a reading of an ancient source, audiobook style. For regular episodes look for any that don't have "Liv Reads..." in the title! For a list of Roman/Latin names and who they were in the Greek, visit: mythsbaby.com/names Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

The guys are joined by Patreon Revisitor Kevin Hartbarger to discuss “Murmur” from R.E.M.  Plenty of other discussion including being in the south but not being connected with the south, Athens GA, Lynyrd Skynyrd, Stephen Hague and Mitch Easter, the PTL Club, Laocoon and his (her) sons, mixtapes, Patient Zero, Marat, some listener picks, and the infamous reason why it's taken us so long to discuss this album. Check out R.E.M. at:  https://remhq.com/  Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

《拉奥孔》又名《拉奥孔和他的儿子们》（The Laocoon and his Sons），高约1.84米，是公元前1世纪中叶古希腊罗得岛的雕塑家，阿格桑德罗斯（agesandros）与他的儿子波利佐罗斯（polydoros）和阿典诺多罗斯（athanodoros）三人集体创作的一组大理石群雕。现收藏于梵蒂冈博物馆。

Laocoön - William Blake - Illuminated Text Audio/Visual Presentation. The Laocoon as Jehovah with Satan and Adam, c.1820 by William Blake was the last "Illuminated" work produced by him, expounding upon the thoughts and ideas in poetic esoteric form. William Blake was an English poet, painter, and printmaker. Largely unrecognized during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. William Blake worked to bring about a change both in the social order and in the minds of men. Download the audio as part of the ESOTERIC AND OCCULT WISDOM - MASTER COLLECTION at https://altrusiangrace.bandcamp.com/ Get my Laocoon shirt at https://amzn.to/3DAZobR Please consider supporting my work and download this audio as part of the ESOTERIC AND OCCULT WISDOM - MASTER COLLECTION (an ongoing collection of Gnostic, alchemical, Hermetic, and related occult/spiritual audio projects that span dozens of hours) at https://altrusiangrace.bandcamp.com/ *JOIN MY PATREON at https://www.patreon.com/altrusiangracemedia *BECOME A YOUTUBE CHANNEL MEMBER at https://www.youtube.com/channel/UCMzRTOugvDLwhSwJdoSWBZA/join *JOIN THE CULT OF STARRY WISDOM at https://altrusiangrace.bandcamp.com/starry-wisdom-cult *MY TSHIRTS AND DESIGNS ON AMAZON at https://amzn.to/3peS9j3 *MY NEW 2022 MERCH LINE "OCCULT NOUVEAU" at https://amzn.to/3OeUHZL *MY TSHIRTS AND DESIGNS ON TEEPUBLIC at https://teepublic.sjv.io/XxvPDX *LICENSE MY MUSIC FOR YOUR PROJECT at https://www.pond5.com/artist/altrusiangracemedia *MY BOOKS ON AMAZON at https://amzn.to/3oQGh6A As an Amazon Associate I earn a small amount from qualifying purchases and it helps to support my channel. Please consider LIKING the video, SUBSCRIBING to the channel, and SHARING the links! These simple actions go a long way in supporting AGM and is truly appreciated!  ~~Places to follow and support Altrusian Grace Media~~ Website ► https://altrusiangrace.blogspot.com/ Bandcamp ► https://altrusiangrace.bandcamp.com Teepublic Store ► https://teepublic.sjv.io/XxvPDX Twitter ► https://twitter.com/AltrusianGrace Rumble ► https://rumble.com/c/c-375437 YouTube ► https://www.youtube.com/AltrusianGraceMedia Odessy ► https://odysee.com/@altrusiangracemedia:1 Bitchute ► https://www.bitchute.com/channel/altrusiangracemedia/ To kindly donate directly to my channel: www.paypal.me/altrusiangrace For inquiries regarding voice-over work or licensing for my work (including music) please contact altrusiangracemedia ((at)) gmail.com AGM BACKUP CONTENT ► https://www.youtube.com/channel/UCO0nCG5aqB1CHyU3Xf0TUbg #Gnosticism #Alchemy #Hermeticism #Occult #Esoteric #Audiobook #Mysticism #Gnostic #Egyptian #Christianity #NagHammadi #Spirituality #Jung  

This is just the previously released four episodes of MC's Homeric Cycle combined into one episode for your listening convenience. In these podcasts, you'll hear the Homeric cycle in a generally linear, episodic, but decidedly non-academic and at times rather breezy version of Homer's epic saga, as if MC were a Greek rhapsode narrating it to you around a campfire outside the classroom, sort of authentic to the oral tradition, decidely low tech. Again, the Homeric Cycle is the Iliad and the Odyssey and all the sidebars, digressions and ancillary stories that orbit the two epics. But in my cycle, I have not yet gotten to the Odyssey, primarily because that story has been told and taught ad nauseam, whereas the Iliad, in my humble opinio, deserves a little more treatmentn. Episode 1 includes a brief introduction to the Cycle in toto, then lays out the prequel to the Iliad: the Golden Apple of Discord, the Judgment of Paris and its fallout, Helen of Sparta and the tricky enlistment of Achilles and Odysseus into the Greek war effort. Episode 2 moves forward through the challenges the Greeks, Agamemnon primarily, face launching the thousand ships to wage war on Troy and retrieve Helen, then, having reached Troy, the discord among the Greeks that leads to the rage of Achilles, the showdown between the offending Paris and the offended Menelaus, and an aristeia of Diomedes involving the gods, as well as an interesting sidebar that forms part of the Homeric tradition. Much of Episode 3 hews to the story line of the Iliad, meaning the focus is on the latter stages of the rage of Achilles and its tragic consequences but ultimately also its glorious aftermath. Patrokles and Hector are key elements but an outraged river also makes an appearance? The destructive nature of excess and the paramount importance of honor are the beating hearts of this episode. This last episode in the series highlights events beyond the scope of the Iliad but which are definitely within the Cycle. First and foremost, Achilles's death. The Iliad itself ends with the death of Hector, not Achilles, yet as foretold, Achilles's end must follow hard on the heels, as it were, of Hector's. This episode also answers questions you may have about various other participants: Menelaus, Agamemnon, Philoctetes, Diomedes, Helen, Paris, Laocoon, Priam, Hecuba, Cassandra, Aeneas, Criseis & Briseis. What happens to Ajax is particularly heartbreaking, IMHO. You may wonder if there is more in store for members of the cursed house of Atreus? Fo sho! The house is fodder for much of Greek tragedy. And of course, the elephant in the room, as it were, the Trojan Horse and the fall of Troy after ten years of war. It is strange and twisty, the Homeric Cycle. Hope you enjoy and thanks for listening. MC.

As Dave and Jeff plow deeper into Book 2 it is clearly getting worse for the Trojans. They didn't Sinon for this! Those wily Greeks have set the trap and now it begins to spring. First, coiled, creepy snakes come writhing out of the sea to put Laocoon and his two unlucky sons into a suplex and drag them to watery graves. The Trojans read this omen in exactly the wrong way, and think that this is the perfect time to slap some roller skates on that huge wooden equine  and surf it into the city. And, well, we all know what happens next. Greeks storm the citadel, horrors multiply. Pyrrhus murders old Priam at Minerva's altar. Aeneas is frozen in indecision—what should he do? Go down swinging? Run for it? Take Dave to task for his irrational opposition to R.E.M. and Michael Stipe?

Il a raison, Laocoon, de se méfier des prétendus cadeaux de l'ennemi. Mais on ne peut pas, d'un autre côté, toujours juger les actes, les choses, les cadeaux, les paroles, à l'aune de qui les fait, les porte, les prononce. On ne peut pas toujours superposer à la réalité objective du monde la connaissance que nous croyons avoir des intentions ou des pensées des autres. Cet article Timeo Danaos et dona ferentes est apparu en premier sur Improvisations.

What's the story behind El Greco's painting Laocoon? A Spanish Trojan War The vengeance of Laocoon's broken vow 300 years ahead of his time https://www.ladykflo.com/category/masterpieces/ Checkout her socials too:   https://www.instagram.com/ladykflo/ https://www.pinterest.com/Ladykflo https://twitter.com/ladykflo

The Venus De Milo, the Torso Belvedere, The Winged Victory, The Laocoon - some of the most famous Antique sculpture in the world. Strange that we know so little about who made them and why! So what makes them so famous? Find out the unexpected reasons here.

BECOME LIKE A CHILD  3/27/67  Neville Goddard   Easter is over and a billion Christians believe that they celebrated the resurrection of Christ. May I tell you, 99.99% haven't the slightest concept of who Christ really is, not the slightest concept.  Let me repeat, we say that this great day is over, Easter, and one billion Christians celebrated the resurrection of Christ. I say that almost all of them, almost without exception—but when you take a small number it makes no dent in a billion—they haven't the slightest concept of who Christ really is. I tell you Jesus Christ is your own wonderful human Imagination…that is Jesus Christ.  “The eternal body of man is the Imagination and that is God himself, the divine body, Jesus Christ” (Blake, Laocoon)…and we, fragmented as we are, we are his members. Now, what do I mean by this? I mean it in a simple, simple way. Let me now quote scripture. They're all arguing as to who will be the greatest in the kingdom. It happens all over the world, who is better than the other one, just who is better? And these are the words, “Unless you turn and become like children, you will never enter the kingdom of heaven” (Mat.18:3).  Unless you turn and become like children, you'll never enter the kingdom of heaven. They are all asking about who is going to be the greatest in the kingdom of heaven. What does it mean turning and becoming like children? The word “turn” is translated sometimes “conversion, repentance.” It's the Greek word metanoia, which means “a radical change of attitude.” I must become like a child? Yes.    Alternate Universe Reality Activation  get full access to new meditations, new lectures, recordings from the reality con and the 90 day AURA meditation schedulehttps://realityrevolutionlive.com/aura45338118 BUY A COPY OF MY BOOKhttps://www.amazon.com/Reality-Revolution-Mind-Blowing-Movement-Hack/dp/154450618X/ Listen my book on audible https://www.audible.com/pd/The-Reality-Revolution-Audiobook/B087LV1R5V Music By Mettaverse nocturnefield of onenessjourney through the multiversedream flow777hz deep relaxationrebirth   ➤ Listen on Soundcloud: http://bit.ly/2KjGlLI➤ Follow them on Instagram: http://bit.ly/2JW8BU2➤ Subscribe to their channel here: https://www.youtube.com/channel/UCyvjffON2NoUvX5q_TgvVkw  All My Neville Goddard Videos In One Playlist - https://www.youtube.com/playlist?list=PLKv1KCSKwOo8kBZsJpp3xvkRwhbXuhg0M For all episodes of the Reality Revolution – https://www.therealityrevolution.com Like us on Facebook https://www.facebook.com/The-Reality-Revolution-Podcast-Hosted-By-Brian-Scott-102555575116999 Join our facebook group The Reality Revolution https://www.facebook.com/groups/523814491927119  Subscribe to my Youtube channel https://www.youtube.com/channel/UCOgXHr5S3oF0qetPfqxJfSw #nevillegoddard #audiobooks #imagination #newthought #lawofattraction #totalhumanoptimization

Tonight the subject is “Eternal States.” You'll find this the most practical teaching in the world of Caesar. It may not make sense…I only ask you to accept provisionally and try it, test it. I know that if you really test it, you'll prove it. We start on the premise that “Man is all Imagination and God is Man, and exists in us and we in him. The eternal body of Man is the Imagination, and that is God Himself” (Blake, Ann. Berkley; Laocoon). Now, when we speak of eternal states, let me first define what I mean by states. A state is a body of beliefs. You sit quietly with yourself and ask yourself some very pertinent questions, “Who am I?” You may be wrong in the answer, but “Who am I? Where am I? What am I?” and all these questions you ask self, and they form a body of beliefs. You don't see them, you believe in them, but you don't see what the mystic sees when you answer these questions. Paul said, “We do not look to the outer things, we look to things unseen; for the outer things are transient, the unseen things are eternal.” If your eye is not opened, you do not see these personified beliefs of yours. They form a state and then completely control your behavior in this world. Any modification in a state will result in a modification in the circumstances of life. The slightest modification within your body of beliefs will result in a change in the out-picturing of your world. Everything is personified if you have the eyes to see it. So Blake said, “Eternity exists and all things in eternity, independent of creation which was an act of mercy” and “By this, you will see, that I do not consider either the just or the wicked to be in a supreme state, but to be every one of them states of the sleep which the soul may fall into in its deadly dreams of good and evil, when it leaves paradise following the serpent” (Vis. Last Judg., Pp. 91-92). Now, he uses the word “mercy” only as one who sees the states ever uses it. Just imagine, eternity exists and all things, not a few things but all things; you can't conceive of a situation, can't conceive of anything that does not already exist in eternity. He doesn't call that creation. “Eternity exists and all things in eternity independent of creation which was an act of mercy. Now, before we go into this practical side tonight, let us show you what he meant by mercy. Here you seem so alive all of you and you go home tonight and expect to find the same place that you left when you came here, and it all seems so real and everything here is so alive, everything is so alive. If you could come with me, I would show you that it isn't; you are the operant power and you make it alive. “Where Man is not Nature is barren”…it's dead. So when we say eternity exists and all things in eternity independent of creation, which was an act of mercy, he meant that everything that you see in this world is a part of the eternal structure of the universe. But it's dead, really dead. You come upon it, but you don't know that you're the operant power, and so you enter a state and the state becomes animated, and you're lost in your own animation, and think it is independent of your perception of it. You look upon it and you don't for one moment believe you are causing the animation that you are perceiving. Alternate Universe Reality Activation  get full access to new meditations, new lectures, recordings from the reality con and the 90 day AURA meditation schedulehttps://realityrevolutionlive.com/aura45338118 BUY A COPY OF MY BOOKhttps://www.amazon.com/Reality-Revolution-Mind-Blowing-Movement-Hack/dp/154450618X/ Listen my book on audible https://www.audible.com/pd/The-Reality-Revolution-Audiobook/B087LV1R5V Music By Mettaverseinto the omniversenocturnejourney through the mutliverse  ➤ Listen on Soundcloud: http://bit.ly/2KjGlLI➤ Follow them on Instagram: http://bit.ly/2JW8BU2➤ Subscribe to their channel here: https://www.youtube.com/channel/UCyvjffON2NoUvX5q_TgvVkw  All My Neville Goddard Videos In One Playlist - https://www.youtube.com/playlist?list=PLKv1KCSKwOo8kBZsJpp3xvkRwhbXuhg0M For all episodes of the Reality Revolution – https://www.therealityrevolution.com Like us on Facebook https://www.facebook.com/The-Reality-Revolution-Podcast-Hosted-By-Brian-Scott-102555575116999 Join our facebook group The Reality Revolution https://www.facebook.com/groups/523814491927119  Subscribe to my Youtube channel https://www.youtube.com/channel/UCOgXHr5S3oF0qetPfqxJfSw #nevillegoddard #audiobooks #imagination #newthought #lawofattraction #totalhumanoptimization

Augustus wants to leave his mark on Roman society, But he will succeed only in part.

SCINTILLATING STORIES OF DOMINANT WOMEN Take a walk on the wild side with this collection of femdom-themed erotic stories by renowned British eroticist Billierosie, author of the fetish classics Enslaving Eli and Memoirs of a Sex Slave: Confessions of a Submissive Woman. Vicariously experience the allure, the thrill and the fulfillment of BDSM for sexually submissive men as well as the dominant women whose authority they crave. This anthology includes: "Rebellious Slave", "Solomon's Secret", "Subspace" and "Laocoon". --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In 1506, Michelangelo witnessed the excavation of a long-lost Roman sculpture, showing a battle between man and monster. This sculpture has inspired writers and artists for generations, including Vergil and Goethe. Meet the Laocoon group, and hear these writers in their own words.The Laocoon Group – View this onlineIf you want to take a closer look at the object mentioned in this episode, you can view it at the link above. Visit the podcast page on the Ashmolean website: ashmolean.org/objects-out-loudHosted by Lucie Dawkins, with the voices of Jonathan Aris and Hannah Bristow.The producer is Lucie Dawkins.About Objects Out Loud: From a magician who inspired Shakespeare, and poems woven into Japanese prints, to manuscripts illuminated with the ancient love story of Layla and Majnun, this new podcast series will delve into the poetry and literature hidden in the collections at the Ashmolean Museum in Oxford.

Neville GoddardImagination Plus Faith1971 This series is really a combination of both the Law and the Promise. Tonight, naturally, will be the Law, and yet some parts of the Promise may be woven into it. The title, as you know, is “Imagination Plus Faith.” So, we will have to define the words as we use them. I firmly believe that: “Man is all imagination, and God is man and exists in us, and we in Him;” [Wm. Blake, from “Annotations to Berkeley's ‘Siris'”] “The Eternal Body of man is the imagination, and that is God Himself' [Wm. Blake, from “Laocoon . . The Angel of the Divine Promise”] . . the Divine Body that we speak of as Jesus Christ. I firmly believe that this is the Christ of Scripture that is buried in man . . buried in the only Holy Sepulcher that there ever was, and that is the skull of man. And there he dreams the Dream of Life, and one day He will awaken within your skull, and then the drama of Christ as defined for us in Scripture will unfold within you, casting you in the first-person-singular, present tense experience of the Lord Jesus Christ. Then you will know who He really is! You will actually awaken as the Lord Jesus Christ. That is the climax for everyone born of woman. But tonight let us get back to what I mean by imagination and what I mean by faith. First of all, faith is defined for us in the 11th chapter of the book of Hebrews. It is called a hymn in praise of faith. “Faith is the assurance of things hoped for, the conviction of things not seen.” (Hebrews 11:1) By faith we understand a world was created by the Word of God, so that Things seen are made out of things that do not appear.” (Hebrews 11:3) That's what we are told in the very first few verses of the 11th chapter of Hebrews. Now, if faith is the evidence of things not seen and all things are made out of things that do not appear, then we must come to the conclusion that every natural effect has a spiritual cause, and not a natural. A natural cause only seems. It is a delusion of the fading memory. Man does not remember his imaginal acts, so when they come up and the harvest is ripe, he denies his own harvest. He cannot see where on earth what he is now experiencing could have been caused by him, because he has forgotten his imaginal acts. That is when he sowed it, and all things bring forth after their kind. Let no one be deceived, for God . . which is his own imagination . . is not mocked. As a man sows, so shall he reap.” (Galatians 6:7) So, I AM forever reaping what I have planted, but because of my fading memory, I can't remember when I did it. So, then, I deny what I am seeing as my own harvest. Well, now, who is this God spoken of in this verse? He said, “By faith we understand that the world was created by the Word of God.” (Hebrews 11:3) Well, we are told in Scripture in the very first few verses of the book of John: “In the beginning was the Word, and the Word was with God, and the Word was God.” (John 1:1) Then we are told, “The Word was made flesh and dwelt within us;” (John 1:14) therefore the Word spoken of here is equated with God. If the Word was not only with God, it was God, well, then, that's God, and it now dwells in us. Music By Mettaverselove the universal constantthe language of lighta still mindlight holdersa universal languageinto the omniverse ➤ Listen on Soundcloud: http://bit.ly/2KjGlLI➤ Follow them on Instagram: http://bit.ly/2JW8BU2➤ Join them on Facebook: http://bit.ly/2G1j7G6➤ Subscribe to their channel here: https://www.youtube.com/channel/UCyvjffON2NoUvX5q_TgvVkw All My Neville Goddard Videos In One Playlist - https://www.youtube.com/playlist?list=PLKv1KCSKwOo8kBZsJpp3xvkRwhbXuhg0M For all episodes of the Reality Revolution – https://www.therealityrevolution.com Like us on Facebook https://www.facebook.com/RealityRevolutionPodcast/ Subscribe to my Youtube channel https://www.youtube.com/channel/UCOgXHr5S3oF0qetPfqxJfSw #nevillegoddard #audiobooks #imagination #newthought #lawofattraction #totalhumanoptimization

“Le Corps et l'Âme” de Donatello à Michel-Ange, Sculptures italiennes de la Renaissanceau Louvre – Hall Napoléon, Parisdu 22 octobre 2020 au 18 janvier 2021Extrait du communiqué de presse :Commissaires de l'exposition :Marc Bormand, conservateur en chef du Patrimoine, département des Sculptures, musée du Louvre.Beatrice Paolozzi Strozzi, directrice du Musée du Bargello, Florence (2001‐2014).Francesca Tasso, conservateur en chef des collections artistiques, Castello Sforzesco, Milan.Tout au long d'un parcours riche de 140 œuvres, cette exposition, co-organisée avec le musée du Castello Sforzesco de Milan, présente dans son contexte artistique la sculpture de la seconde moitié du 15e siècle et du début du 16e siècle, période considérée comme l'apogée de la Renaissance. À partir de Florence, une variété de styles s'épanouit alors de Venise jusqu'à Rome. La représentation de la figure humaine dans la diversité de ses mouvements prend alors des formes extrêmement novatrices. Ces recherches sur l'expression et les sentiments sont au cœur des démarches des plus grands sculpteurs de la période, depuis Donatello jusqu'à l'un des créateurs les plus célèbres de l'histoire, Michel-Ange. L'exposition propose également d'aller à la découverte d'artistes moins réputés, d'admirer des œuvres difficilement accessibles de par leur lieu de conservation (églises, petites communes, situation d'exposition dans les musées), afin de les remettre en lumière, mais aussi en contexte.« Le Corps et l'Âme » fait suite à l'exposition « Le Printemps de la Renaissance » présentée en 2013 au Louvre et au Palazzo Strozzi et consacrée aux prémices de l'art de la Renaissance à Florence dans la première moitié du Quattrocento.Trois parties majeures structurent l'exposition :Dans La fureur et la grâce, les compositions complexes s'attachent à traduire la force et l'exaspération des mouvements du corps, inspirées des modèles antiques, qu'on reconnait dans les œuvres d'Antonio del Pollaiolo, Francesco di Giorgio Martini ou Bertoldo, mettant en jeu autant la force et les torsions du corps masculin que l'effet expressif des plus intenses passions de l'âme. A contrario, des drapés élégants, entourant des corps majoritairement féminins, permettent aux artistes de révéler le charme de la figure humaine, qui débouche sur la représentation ultime de la grâce à travers le nu.Emouvoir et convaincre souligne une volonté affirmée de toucher violemment, dans les représentations sacrées, l'âme du spectateur. À la suite du travail de Donatello autour de 1450, l'émotion et les mouvements de l'âme prennent une place déterminante au cœur des pratiques artistiques. Un véritable théâtre des sentiments se déploie en Italie du nord entre 1450 et 1520, en particulier dans les groupes de Déposition du Christ, tels ceux de Guido Mazzoni ou de Giovanni Angelo del Maino. Cette recherche du pathos religieux s'incarne également dans les émouvantes figures de Marie-Madeleine ou de Saint Jérôme qui fleurissent en Italie à cette période.Enfin, avec De Dionysos à Apollon, la réflexion inépuisable sur l'Antiquité classique s'exprime dans les œuvres élaborées à partir des modèles classiques comme le Tireur d'épine ou le Laocoon. Parallèlement au domaine de la peinture (avec le « style doux » du Pérugin ou du jeune Raphaël), la sculpture développe la recherche d'une nouvelle harmonie qui transcende le naturalisme des gestes et des sentiments extrêmes. Particulièrement vivante dans un classicisme affirmé en Vénétie et en Lombardie, cette quête d'une beauté expressive qui aspire à l'universel s'incarne également fortement en Toscane et à Rome où la Papauté de Jules II et de Léon X joue un rôle d'irrigation et d'unification stylistique.Le stile dolce aboutira au commencement du XVIe siècle avec l'apparition du « sublime », mettant en place un nouveau classicisme sous l'impulsion de Raphaël et Michel-Ange.Dès la fin du Quattrocento, Michel-Ange opère cette synthèse formelle qui intègre à la fois la connaissance scientifique des corps, un idéal absolu de beauté et la volonté de dépasser la nature par l'art. Cette recherche l'emmène à créer Les Esclaves du Louvre pour parvenir jusqu'à l'expression de l'ineffable dans ses dernières œuvres.Repoussant alors la notion de Renaissance au-delà du territoire de la Toscane, l'exposition replace cette période dans un contexte désormais plus large et complexe qu'il ne l'était au début du Quattrocento.Elle met l'accent autant sur la production de Florence avec des figures majeures comme Donatello et Michel-Ange que sur les autres foyers régionaux qui ont adopté mais aussi réadapté ce langage artistique nouveau. Un phénomène visible notamment dans la reprise des modèles ou des thèmes qui, refondus dans une lecture locale, deviennent à leur tour source d'un nouveau langage, propre et distinct, et ce particulièrement dans les régions du Nord de l'Italie, comme à Milan (avec Solari et Bambaïa), Venise (avec Tullio Lombardo), Bologne (avec Guido Mazzoni), mais aussi Sienne (avec Francesco di Giorgio Martini) et Padoue (avec Riccio).L'exposition propose aussi d'aller à la découverte d'artistes moins réputés, d'admirer des œuvres difficilement accessibles de par leur lieu de conservation (églises, petites communes, situation d'exposition dans les musées), afin de les remettre en lumière, mais aussi en contexte. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Imagination: My SlaveBy Neville Goddard2/13/67  So here, the entire outer world is solely produced by Imagining. “All that you behold, though it appears without, it is within, in your Imagination, of which this world of mortality is but a shadow.” If it is a shadow, then let me find that which is causing the shadow…and the cause of the shadow is your imaginal activities. What are we imagining that is the cause of the shadows which we think so objectively real and so completely independent of our perception of them?   All these things seem so completely independent of our perception of them and they're all cast by our own imaginal activities. So you get into a state of wealth, alright, the state of wealth—you don't have to find out how it's going to happen—a state of health, a state of being known, a state of being wanted, a state of being contributing to the world, any state…these are all states. And while you remain in the state, they can do their best to rub out what you're casting. Let them rub out shadows by blocking this, but they can't rub out the cause of it all, and it always reproduces itself.   The whole vast world is reproducing itself based upon the state that you occupy. So they can't rub anything out that you are doing by rubbing out things that you do. Cut off the head of a chicken and you are in a state, and you could use all the chickens in the world, because no matter what they do in the outer world it's what you are doing within yourself.   So “Man is all Imagination and God is man, and exists in us and we in him. The eternal body of man is the Imagination, and that is God himself; the divine body, Jesus. And we, on the surface, are his members” (Blake, Laocoon, Annot. to Berkeley). All are the members of this one divine body…and only this one body. All are gathered into a unity in the one body which is God. Now you can call it God, call it Jehovah, if that satisfies you, call it Jesus Christ. I like that name, I'll tell you, Jesus Christ.   You say I am the Lord who sent you. You say Imagination, and you're here in a group like this that you may understand and get behind names and surfaces; but in the outer world I wouldn't use it, because they wouldn't understand. And so you would use the word Jehovah, instantly the mind goes there. Use the word Jesus, jumps out there. Not only in space, it jumps out there in time, away out there, well, unnumbered centuries ago. It jumps if you use the word Jehovah or Jesus. If you use the word I AM, it can't jump. There's no place you can go; you can't go outside of the present moment. And if you actually show people what you mean by it, that I AM is a creative power, and it creates by imagining, well then, it must be here. You just can't get outside of the present moment in time when you use these terms, but you can only use them in a group like this when they come as you come for instruction. So I tell you I am completely awake and know I have been sent to tell you what I'm telling you. For I'm not talking to another, really, I'm only talking to myself, all wonderful aspects of myself, all being withdrawn now, all coming back through infinite levels of awareness to the one being that I am.Neville. Imagining Creates Reality: 1967 Lectures  Music By Mettaverse528hz DNA repair musical mathematical matrix of creationtranquil hang drum musiclight quotient396hz root chakra417hz sacral chakraNocturne528hz solar plexus741hz throat chakra768hz throat chakra inspired creativity777hz deep relaxation852hz crown chakra➤ Listen on Soundcloud: http://bit.ly/2KjGlLI➤ Follow them on Instagram: http://bit.ly/2JW8BU2➤ Join them on Facebook: http://bit.ly/2G1j7G6➤ Subscribe to their channel here: https://www.youtube.com/channel/UCyvjffON2NoUvX5q_TgvVkwAll My Neville Goddard Videos In One Playlist - https://www.youtube.com/playlist?list=PLKv1KCSKwOo8kBZsJpp3xvkRwhbXuhg0MFor coaching – https://www.advancedsuccessinstitute.comFor all episodes of the Reality Revolution – https://www.therealityrevolution.comLike us on Facebook https://www.facebook.com/RealityRevolutionPodcast/Join our facebook group The Reality Revolution https://www.facebook.com/groups/403122083826082/Subscribe to my Youtube channel https://www.youtube.com/channel/UCOgXHr5S3oF0qetPfqxJfSwContact us at media@advancedsuccessinsitute.com#lawofattraction #nevillegoddard #totalhumanoptimization

This World is a Dream 5/7/65Neville Goddard  Now tonight, I think you'll find it very practical.   The purpose of a teacher is to encourage and to stimulate, sometimes even to belabor one to become curious to detect the principle in operation.   Our principle is that imagining creates reality.    We make the claim that “the eternal body of Man is the Imagination and that is God himself, the divine body Jesus…we are his members” (Blake, Laocoon).   Buried in everyone is Christ Jesus, and Christ Jesus is God himself. Here, we must awaken from this state, and awakening from this state is called in scripture, the resurrection.   The signs of the resurrection in the life of the believer are the indispensable internal testimony, without which Jesus might have been raised but could never have been preached as risen.   Everyone will have this experience, and they can preach from experience that he is risen because he is in them.   When he rises in them, they become a witness and they can preach from experience that Jesus Christ is risen. If they don't have the experience, he may have been raised, but they will never know with that authority that they can preach that he is risen.   As I stand before you tonight, I can speak with the authority of one who is witness to the risen Christ, for he has risen in me.   I know beyond all doubt I am he.   I know we are one. Limited, yes, in this world of the flesh, for I can't prove it to anyone's satisfaction. When they say, “Turn that into gold” or “Turn that into bread” or “Turn that into something else” or “Jump off the cliff—would he not give you some support and if so, you would not dash your foot against the stone?” No, I will not attempt in any way to prove anything to another. I am sent to tell you only of one presence: the risen Christ. So, “The eternal body of Man is the Imagination and that is God himself, the divine body, Jesus; we are his members” (Blake). So buried in all, every child born of woman, buried in us is Jesus Christ.Music By MettaverseLove: The Universal Constant ✧ 111Hz ✧ 444Hz Spiritual Rejuvenation ✧ Mystic Ambient Meditation Music ✧ 111Hz, 222Hz, 444Hz, 888Hz 528Hz: The Frequency of Love ♥ The Musical Mathematical Matrix of Creation ➤ Listen on Soundcloud: http://bit.ly/2KjGlLI➤ Follow them on Instagram: http://bit.ly/2JW8BU2➤ Join them on Facebook: http://bit.ly/2G1j7G6➤ Subscribe to their channel here: https://www.youtube.com/channel/UCyvjffON2NoUvX5q_TgvVkwAll My Neville Goddard Videos In One Playlist - https://www.youtube.com/playlist?list=PLKv1KCSKwOo8kBZsJpp3xvkRwhbXuhg0MFor coaching – https://www.advancedsuccessinstitute.comFor all episodes of the Reality Revolution – https://www.therealityrevolution.comLike us on Facebook https://www.facebook.com/RealityRevolutionPodcast/Join our facebook group The Reality Revolution https://www.facebook.com/groups/403122083826082/Subscribe to my Youtube channel https://www.youtube.com/channel/UCOgXHr5S3oF0qetPfqxJfSwContact us at media@advancedsuccessinsitute.com#lawofattraction #nevillegoddard #realitytransurfing #totalhumanoptimization

Une conférence de Cécile Vincent-Cassy, hispaniste et historienne de l’art, Université Paris 13. C’est à Tolède que Greco a choisi de s’établir à partir de 1577. Cela peut surprendre. Alors que le roi Philippe II avait installé la capitale de la Monarchie à Madrid en 1561, Tolède, qui comptait environ 60 000 habitants, amorça son déclin à la fin du XVIe siècle. Malgré tout, elle défendit son passé de capitale du royaume wisigoth, son rang de première Église d’Espagne, son statut de civitas regia. Elle put pour cela compter sur Domenikos Theotokopoulos, El Greco, interprète de sa gloire dans ses différentes Vues, dans son Laocoon. À ses côtés, un important cercle d’hommes de lettres, dont il a été le portraitiste. Certains d’entre eux étaient très proches de l’archevêque et du chapitre de la cathédrale.

Qu'est-ce donc que cette sculpture torturée et ondulée ? C'est Le Laocoon ! Très célèbre groupe sculpté dans lequel un prêtre et ses fils sont étouffés par des serpents. Dit comme ça, ça n'est pas très engageant mais l'histoire du Laocoon, c'est en fait l'histoire d'une découverte inespérée ! Retrouvez les notes de cet épisode ici : https://www.amusee.fr/episode34-laocoon.html

In this lecture, we review (a) the lost epics: "The Aethiopis" and "The Little Iliad" and move through (b) "The Sack of Ilium" and "The Returns". Specifically, we consider (a) the Trojan Horse, Sinon, and Laocoon, (b) the carnage at Troy the night it falls, and (c) the misbegotten ways home of the Achaian heroes. * Aigisthos, not Orestes, kills Agamemnon! --- Send in a voice message: https://anchor.fm/alexander-schmid9/message Support this podcast: https://anchor.fm/alexander-schmid9/support

Professor Rita Volpe, Roma Tre University On January 14 1506 the statue group of the Laocoon was discovered in a vineyard on the Esquiline Hill in Rome. It was almost intact and recognized at once as the same work of art which Pliny the Elder consid...

You could be forgiven if your first reaction to "Laocoon" is laughter. Even Dr. Chris Reitz, gallery director of the University of Louisville's Hite Art Institute, admits to laughing when he first saw the piece in Miami. Simply put, it's a 10-foot-tall inflatable Fat Albert laying face down, hooked up to an air pump so it appears to be breathing. But when you learn more about the original Laocoon, and the identity of the artist, there's more to the piece than a pop culture reference. Remember the Trojan horse? A supposed peace offering that was actually stuffed with enemies trying to get inside the gates? In "The Aenid," Laocoon was the only one who smelled a rat — and he was killed for his protests. You might say he was #woke ahead of his time. Who would be Laocoon's modern-day American counterpart? Eric Garner? Mike Brown? Any number of black bodies we've seen in news footage, lying face-down, struggling to breathe? That's what Laocoon asks its viewers to think about. Also, there's no thinking about Fat Albert now without thinking of Bill Cosby — another layer of meaning as the piece evokes fallen idols. This week we're joined by Laocoon's creator, Sanford Biggers, an award-winning interdisciplinary artist and art professor, and Dr. Reitz, who brought the exhibit to Louisville. Laocoon is on exhibit at the Cressman Center for Visual Arts through July 2. And in our Juicy Fruit segment this week, a truly hot topic: Do you stay friends with your exes? A recent study suggests your motivation might be rooted in narcissism.

Classicist Mary Beard chooses the sculpture Laocoon and His Sons. Plus archive interviews including Seamus Heaney on Virgil, Ralph Fiennes as Aeneas, and the story of the Trojan Horse. Go to Front Row’s Cultural Exchange website for full information.

Vergil Aeneid 2.199-227 Hic aliud maius miseris multoque tremendum obicitur magis atque improuida pectora turbat.               200 Laocoon, ductus Neptuno sorte sacerdos, sollemnis taurum ingentem mactabat ad aras. ecce autem gemini a Tenedo tranquilla per alta (horresco referens) immensis orbibus angues incumbunt pelago pariterque ad litora tendunt;               205 pectora quorum inter fluctus arrecta iubaeque sanguineae superant undas, pars […]