Podcast appearances and mentions of Rayka Zehtabchi

It's time to embrace something new....and learn about the nuts and bolts of making cinema....On this episode we are diving into a unique film event taking place tomorrow in our fair city.  It's time for the "Art of Documentary" film festival.The inaugural Art of Documentary Film Festival which takes place Saturday July 15, from 11am - 9pm, at Innis Town Hall Theatre.Featuring finalists' films from the One Day Doc Contest (a 24-hour challenge to make a film by current students) alongside AOD Funded films, and films from past and present students, instructors, and the wider documentary community.One of the seven selected films will be chosen as the winner, and will receive an AOD Film Distribution Deal including a film premiere on AOD Films YouTube Channel, festival submission and funding advice, promotional funding, and more. The One Day Doc Contest winner will be announced during the festival on July 15.AOD Films, a new initiative launched this year, is funded by the Academy's AOD Film Fund which helps members bring films to life through funding, producing, and licensing original films from AOD's current and past students. AOD will also be hosting Q&A sessions with award-winning filmmakers, Shasha Nakhai and Rich Williamson from Compy Films, (Scarborough, Take Light, Frame 394, Love Letters from Everest) discussing the changing landscape of documentary film, as well as with Oscar-winning short filmmaker Rayka Zehtabchi and her film, Period. End of Sentence, who will talk about the creative process behind their films. This is a vital and educational event for all levels of film lovers, and we had the unique pleasure of sitting down with co-founder of AOD Films and a filmmaker in his own right Michael del Monte.  We talked about the origins of the school which evolved into a festival and the state of the business as successful filmmakers actually make an effort to pay it forward and keep the art of documentary filmmaking going.

In this episode of the Musicbed Podcast, Rayka Zehtabchi and Sam Davis take us back to their kismet encounter in film school, why the story should always top the script, and what it's really like to win an Oscar. Talking Points: The excitement (and anxiety) of winning an Oscar Exploring the changing landscape of short film Sharpening your skills with short films Why documentary filmmaking demands discomfort Prioritizing good storytelling over a solid script Navigating narrative with a documentary approach Show Notes: University of Southern California Cinematic Arts — https://cinema.usc.edu/ Period. End of Sentence. (2018) — https://www.imdb.com/title/tt6939026/ Sundance Institute — https://www.sundance.org/ SXSW Film Festival — https://www.sxsw.com/festivals/film/ Tribeca Festival — https://tribecafilm.com/festival Cleveland International Film Festival — https://www.clevelandfilm.org/ AFI Fest — https://fest.afi.com/ Moiz Tarwadi — https://www.imdb.com/name/nm10533814/ The Pad Project — https://thepadproject.org/ Christian Bale — https://www.imdb.com/name/nm0000288/ Rami Malek — https://www.imdb.com/name/nm1785339/ Frances McDormand — https://www.imdb.com/name/nm0000531/ Are You Still There? (2021) — https://www.imdb.com/title/tt13281862/ Brought to you by Musicbed, the filmmaking industry's music licensing platform of choice. Learn more: ⁠musicbed.com⁠. About Musicbed:Musicbed is the leading sync licensing platform for authentic music from relevant artists. We're a one-stop licensing agency representing a curated roster of authentic artists, bands, and composers for film, TV, and advertising. From leading composers to tour-tested bands, and rising singer/songwriters, we believe music brings emotion and has the power to amplify your story.

HEADS UP: There are audio issues. Apologies. But hope you enjoy what we talk about. We had fun.Join us as we have a live discussion at Rodeo Cinema during Native Heritage month. We talked about the short films:My First Native American Boyfriend (Joey Clift, 2022) | 5minMarlon (Jason Asenap, 2022)  Kicking the Clouds (Sky Hopinka, 2022) | 15 minLong Line of Ladies (Shaandiin Tome & Rayka Zehtabchi, 2022) | 22minHeadhunter's Daughter (Don Josephus Raphael Eblahan) | 15 minTierra en Trance (Colectivo los ingrávidos, 2022) | 40 min Thanks for listening. Remember, don't just keep it real, keep itREEL INDIGENOUS!

Welcome to Flashback Friday! With 700+ episodes in our archive, we're excited to revisit some of our favorites with y'all!  In this flashback we are talking with directors Rayka Zehtabchi and Shaandiin Tome who's documentary short - Long Line of Ladies debuted at this year's Sundance Film Festival.  We're rolling this interview back out to you because the film is streaming now at the New York Times Op-Docs. Original episode description is below and thank you for supporting independent filmmakers.With the documentary short Long Line of Ladies, we are introduced to the Ihuk ceremony, celebrated by the Karuk tribe after a young girl receives her first period. Directors Rayka Zehtabchi and Shaandiin Tome discuss the importance of being respectful during filming, the men's role in the ceremony, and why they chose to focus on the preparation, instead of the ceremony itself.You can follow director Rayka Zehtabchi on IG & TwitterYou can follow director Shaandiin Tome on IG & TwitterYou can follow Long Line of Ladies at their website and IG --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal. Thanks for listening and for your support! We couldn't have reached 700 episodes without your help!--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions 

In unserer vierten Folge sprechen Aranka und Friederike mit Sophie Bauer über »Kritische Menstruationsforschung«. Sophie Bauer promoviert bei Prof. Dr. Thomas Lemke zu der »Verhandlung von Menstruation im Spannungsfeld von Geschlecht, Natur und Technik«. Darüber hinaus ist sie beim EVA Frauenzentrum in Frankfurt als Referentin tätig. Sie studierte Ethnologie und Politikwissenschaften an der Universität Leipzig und wechselte 2015 an die Goethe-Universität Frankfurt, um hier Soziologie zu studieren. Im Interview verrät Sophie Bauer uns unter anderem, was Menstruationsforschung kritisch macht und was sie sich in Hinblick auf den gesellschaftlichen Umgang mit Menstruation wünscht. Erfahrt mehr über uns bei Instagram oder Twitter @talksoscience und auf unserer Website Shownotes Mehr über Sophie Bauer findet ihr auf der Website und bei Twitter und Instagram Weiterführende Literatur zum Thema: Handbuch »The Palgrave Handbook of Critial Menstruation Studies« (2020) Artikel »Pinky Gloves verpasst den Gender Shift« von Lena Papasabbas und Nina Pfuderer (2012) Dokumentar-Kurzfilm »Period. End of Sentence« von Rayka Zehtabchi (2018) Ihr habt Feedback oder wollt mitmachen? Schreibt uns eine E-Mail an: talksoscience@protonmail.com

I had a great time chatting with Rayka Zehtabchi and Shaandiin Tome about their spectacular film. Follow DGSpeaks.com for my film review, coming soon. “LONG LINE OF LADIES” AT 2022 #SXSW FILM FESTIVAL Stigma-breaking documentary short by Academy Award-winning director Rayka Zehtabchi and Shaandiin Tome celebrates normalization of open conversations about menstruation Directed by: Rayka Zehtabchi & Shaandiin Tome Produced by: Garrett Schiff, Pimm Tripp-Allen, Rayka Zehtabchi, Sam Davis and Dana Kurth Synopsis: A girl and her community prepare for her Ihuk, the once-dormant coming of age ceremony of the Karuk tribe of Northern California. --- Send in a voice message: https://podcasters.spotify.com/pod/show/dgspeaks/message Support this podcast: https://podcasters.spotify.com/pod/show/dgspeaks/support

Bryan and Jason discuss takeaways from Bryan's chat with Rayka Zehtabchi and Shaandiin Tome, who co-directed the documentary short Long Line of Ladies, which premiered at Sundance and is now showing at SXSW. Bryan and Jason also talk about the situation in Ukraine and Jason talks about the music he has been writing and recording, which will be available in May. 

Rayka Zehtabchi is a Los Angeles-based filmmaker who won the Academy Award for her film Period. End of Sentence in 2019. Shaandiin Tome is an Albuquerque, New Mexico-based filmmaker whose breakout, award-winning short film Mud (Hashtł'ishnii) premiered at Sundance Film Festival in 2018. Rayka and Shaandiin co-directed the documentary short Long Line of Ladies, which premiered at 2022 Sundance Film Festival, and will be featured at SXSW next week. Long Line of Ladies follows a girl and her tribal community as they prepare for her Ihuk, the once-dormant coming of age ceremony of the Karuk tribe of Northern California. What you will learn: How Rayka and Shaandiin found the story for Long Line of Ladies and brought it to film.  What inspired them to tell the story of a tribe which resurrected a long-dormant coming of age ceremony for young girls.  How Long Line of Ladies thematically is very different from Period. End of Sentence.  Why they chose to lean into the positivity and lack of conflict they discovered in this story, as opposed to search for conflict as a story-telling device.  The challenges they faced co-directing with each other for the first time.  The choices they made before filming regarding what aspect of the story they wanted to tell, and what part of the story they chose to leave to the imagination of the audience.  The challenges they faced using 16 mm film as opposed to digital cameras.  Why they are excited to show the film at SXSW. What types of projects they hope to focus on in 2022. Resources: Rayka's website, Instagram, Facebook, and Twitter Shaandiin's website, Instagram, and Facebook Long Line of Ladies Trailer

LONG SYNOPSIS: The Karuk tribe have shared their stories on water rights and salmon, but now are letting the world know a more intimate side of their traditions. The Flower Dance is a ceremony held when a young girl first mentrates and has only recently begun to be practiced after years of dormancy. “Long Line of Ladies” documents Ahty Allen's journey through the flower dance and premiered at Sundance last month. Ahyt Allen joins us along with her mother Pimm Allen and director of the film Rayka Zehtabchi.

Welcome to our "women are badass" episode from Sundance 2022! We've compiled a group of films that highlight the strength, resilience, and power that it takes to be a woman. In Sirens, we follow the rocky rise of Slave to Sirens, the Middle East's first all female thrash metal band. Director Rita Baghdadi explains how she fell in love with the band, and how she managed to complete the film despite the difficulties of filming abroad, including how she was saved from the Beirut explosion in 2020. The documentary Midwives introduces us to Hla, a Buddhist midwife, and her apprentice Nyo Nyo, a Muslim, who together run a clinic in the very divided Rhakine State in Myanmar. Director Snow Hnin Ei Hlaing and producer Mila Aung-Thwin describe how they were able to film during an ongoing Civil War, police checkpoints, and the unexpected changes in their main character's lives. With the documentary short Long Line of Ladies, we are introduced to the Ihuk ceremony, celebrated by the Karuk tribe after a young girl receives her first period. Directors Rayka Zehtabchi and Shaandiin Tome discuss the importance of being respectful during filming, the men's role in the ceremony, and why they chose to focus on the preparation, instead of the ceremony itself.You can follow the band Slave to Sirens on IG & Twitter & FBYou can follow director Rita Baghdadi on IG & Twitter & FBYou can follow director Snow Hnin Ei Hlaing on FBYou can follow producer Mila Aung-Thwin on IG & Twitter & FBYou can follow director Rayka Zehtabchi on IG & TwitterYou can follow director Shaandiin Tome on IG & Twitter--Thanks for listening and for your support! We couldn't have reached 600 episodes without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and thank you for being vaxxed and masked!--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions 

ENCORE EPISODE (Replay of Episode 3, April 9, 2019):  Rayka Zehtabchi is an Iranian-American film director based in Los Angeles. Her directorial debut, Madaran, is an Iranian language short film that has screened worldwide at established film festivals, winning jury awards at Hollyshorts, Urbanworld, and Cleveland International. Madaran qualified for the 89th Academy Awards in 2016. Rayka's documentary short, Period. End of Sentence., is about a group of village women in Northern India who start a sanitary pad business in an effort to improve feminine hygiene and de-stigmatize menstruation. Along with the film's release, the Period team co-founded the non-profit “The Pad Project” to fight the stigma of menstruation and improve feminine hygiene worldwide. Period double-qualified for the academy awards in 2018, winning Jury and audience awards at Michael Moore's Traverse City Film Festival and Cleveland International. The film also took home Jury and audience awards from AFI Fest among many others and won the Oscar in the Documentary Short category of the 91st Academy Awards®. What you'll learn about in this episode: Where Rayka went to film school, and how she was approached to direct her short documentary “Period. End of Sentence.” right out of film school How Rayka's first film festival in high school shaped her interests in filmmaking, and how she found purpose and community in filmmaking Rayka shares the experience of losing her father while she was attending USC film school, and how she felt pulled in different directions Rayka discusses her Iranian-language short film Madaran and why filming it helped her feel connected to her father and her Iranian heritage How Rayka was approached to direct “Period. End of Sentence.” while she was in her senior year at film school, and why the subject matter was a reality check for her Why “Period. End of Sentence.” was a powerful and necessary story to shine a light on an unspoken issue, and how Rayka directed it to be organic and authentic What impact filming “Period. End of Sentence.” had on Rayka personally and emotionally, and how she was inspired by the women she filmed How Rayka and the filmmakers got involved with and launched the Pad Project, and how the film has exploded and created global awareness of this issue How Rayka and her team turned forty hours of raw film footage into a 25-minute short documentary What challenges Rayka faced in getting visibility for her film, and her thoughts on when she realized the film qualified to be submitted to the Academy Awards What it was like accepting her Oscar, and what Rayka has planned for the future going forward

Oieee! Estamos no ar com mais um episódio do nosso Artecast Fronteiras! E o tema do episódio dessa semana é: Pobreza Menstrual e os Tabus que Envolvem a Menstruação e a Sexualidade Feminina a partir do documentário indiano Absorvendo o Tabu dirigido por Rayka Zehtabchi e vencedor de melhor documentário curta-metragem no Oscar de 2018. Falamos sobre a carência que atinge não só mulheres indianas, mas mulheres no mundo inteiro, como no Brasil onde afeta 1 entre 4 estudantes brasileiras, falamos sobre os inúmeros tabus que envolvem a vagina e também como podemos contribuir para ajudar outras mulheres em situação de pobreza menstrual. Vem ouvir! :) Nos siga nas redes sociais: @artecastfronteiras @camilaolivieri @leticiacatala Até! Axé! Evoé!

Rayka Zehtabchi and Sam Davis are Los Angeles-based filmmakers. Their documentary Period. End of Sentence won an Academy Award for best documentary short in 2019. After their success at the Oscars, Rayka directed and Sam filmed and edited A Woman’s Place which is now streaming on Hulu. A Woman’s Place captures the stories of three chefs, their careers, and their shared experience as women in the culinary industry facing and overcoming institutionalized sexism.  What you will learn: How branded content has evolved over the years.  How Rayka and Sam were able to take branded content to a new level by approaching the “A Woman’s Place” assignment as they do with all of their documentaries - by focusing on the story and the characters.  Why Sam and Rayka are excited about the branded content space and the opportunities it offers filmmakers.   How the limitations on their days on location required them to exhaustively plan their shoot in advance of their arrival.  Why they chose a visually darker look cinematically for many of the scenes in A Woman’s Place.   How they were able to tell the stories of three women in the restaurant industry in less than 30 minutes of screen time through the use of dramatization, metaphors, and creative approaches to interviews of the subjects.  What projects they are working on currently, including a narrative short called Are You Still Here? Resources: Rayka’s Website, Facebook, Twitter, and Instagram Sam’s Website, Facebook, Twitter, and Instagram  

Kontynuujemy rozmowę z poprzedniego odcinka. Tym razem powołując się na przykłady, rozmawiamy o kobiecej przyjaźni, o terapeutycznym aspekcie obcowania ze sztuką, o okresie i potrzebie wielowymiarowych postaci we wciąż niedoreprezentowanej przez kobiety kulturze! Ellena Ferrante „Genialna przyjaciółka” (4-tomowa seria) i w ogóle wszystkie książki tej autorki. „Okresowa rewolucja” reż. Rayka Zehtabchi (dostępny na Netflixie), Rupi Kaur „Słońce i jej kwiaty”, „Mleko i miód” , Sztuka okresowa, polecamy prace prace takich artystek jak Judy Chicago, Jen Lewis, Andrea Nhuch, Emily Lapeyre Gui, czy Vanessa Tiegs. Wspominamy też sztukę Agaty Olek i Moniki Drożyńskiej i niestety nieodbywający się już festiwal No Women No Art

Just what the world needs. Two dudes discussing periods. Punctuation and Menstruation. We’re not sure where the usual women co-hosts are. My guess, as a man, is that they’re on their period? (Waits for laughter. Receives none.) Eldridge and Bob unite like a lame Voltron to discuss all Shorties for the month of February and to start us off we go to a small village in India where mentioning of that time of the month results in giggling and pretending you’re talking about something else other than girly bodily fluids. We tackle the Netflix short documentary “Period. End of Sentence” by Rayka Zehtabchi. You can’t just walk into small-town shops in India and find pads and tampon, so who do you call? The Pad Patrol and their Uncles think they’re making diapers or something. Men…they say the darnedest things. Ruby and Jackie be trippin’ https://documenteerspodcast.com A trailer for a short doc (find it on Netflix): https://youtu.be/KocJP8dG1OA Never knew: https://en.wikipedia.org/wiki/Menstruation Song of the week: https://youtu.be/FAkbDf7KNP4

¡Feliz Miércoles de Self Made Talks! Estamos súuuper felices de compartir otro episodio, esta vez comenzamos una mini serie de Girl Talk, donde hablaremos sobre temas que comienzan conversaciones con muchas opiniones y comentarios entre las mujeres. Quisimos empezar con el tema de la menstruación, cuál ha sido nuestra experiencia desde familias conservadoras que no hablaron lo suficiente del tema cuando éramos niñas, crecer aprendiendo del internet, experiencia y amistades. También compartimos lo que vemos de period poverty, un problema grave que ocurre en muchos países y detiene a las niñas de sus estudios cada vez que menstrúan. Sabíamos que había que dedicarle un episodio entero a todo esto que nos da curiosidad, tenemos muchas preguntas y esperamos que nuestra audiencia se relacione, no duden en darnos su opinión o tal vez agregar algo que les gustaría hubiéramos compartido. También si tienen temas de Girl Talk que les gustaría escuchar, estamos al pendiente en nuestro Instagram, @selfmadetalks. Les dejamos links de todo lo que mencionamos en el episodio: Period. End of Sentence en Netflix https://www.netflix.com/title/81074663 Entrevista a Rayka Zehtabchi en Getting Curious with Jonathan Van Ness https://open.spotify.com/episode/5HO2tcyd9xkn5ceRPJzDq1?si=UuDFzP_bSaqs7NT1RvpZIw Campaña para el día nacional de la menstruación: https://www.youtube.com/watch?v=Sf6yn4dk2AM ¡Mil gracias y nos escuchamos el siguiente miércoles!

« Douces », « bienveillantes », « fragiles », avez-vous déjà tapé sur Google le mot « femme » ? Entre les définitions purement biologiques et scientifiques, vous trouverez une tonne d’articles sur ce qu’est être une femme, ce qu’une femme doit faire pour être une femme, enfin vous l’avez compris selon ces articles, qui reflètent en grande partie la vision de la société, les femmes sont des êtres qui doivent être canalisés afin d’être bons. Si elles sont souvent associées au mal dans la mythologie et dans les religions ; elles sont tantôt Eve, qui manipule et provoque Adam, tantôt Pandore, celle qui a maudit les hommes, en bref des êtres manipulateurs et envoûteurs, rare sont les oeuvres mettant en scène des femmes qui embrassent le « mal » par envie. Quand on vous dit « film d’horreur » vous pensez forcément à ces images qui vous ont marquées, enfants ou adulte. Celles faites de sang, de regards intenses, de corps désarticulés, déchiquetés, coincés. « Sang » et « corps » sont des mots avec lesquels ont qualifie très souvent les femmes (qu'elles soient cisgenres, transgenres, gender fluide). Le sang, véritable héros des films d’horreur, est depuis toujours "féminin". Participantes: Pauline - @paulinemallet_ / Laura - @CookieTime_LE / Amandine - @DLACDI / Manon - @MnFrankenstein Création, animation, réalisation, montage et mixage son : Pauline Mallet Extrait ouverture de l'épisode : Grave - Julia Ducournau (2016) Musique de fin d'épisode : Run the world - Beyoncé (2011) Références mentionnées et/ou conseillées (par ordre chronologique de sortie) Films : Nosferatu le vampire - Friedrich Wilhelm Murnau (1922) La servante - Kim Ki-young (1960) La Belladone de la tristesse - Eiichi Yamamoto (1973) Carrie au bal du diable - Brian de Palma (1976) Nosferatu, fantôme de la nuit - Werner Herzog (1979) Shining - Stanley Kubrick (1980) Misery - Rob Reiner (1990) Dracula - Francis Ford Coppola (1992) Entretien avec un vampire - Neil Jordan (1994) La comtesse - Julie Delpy (2009) Gone Girl - David Fincher (2014) The Witch - Robert Eggers (2015) Grave - Julia Ducournau (2016) Ça - Andy Muschietti (2017) I am not a witch - Rungano Nyoni (2017) Les règles de notre liberté (Period, end of sentence) - Rayka Zehtabchi (2018) Midsommar - Ari Aster ( 2019) Séries télévisées : Buffy contre les vampires - Josh Whedon (1997-2003) Mindhunter - Joe Penhall (2017-) Killing Eve - Phoebe Waller Bridge (2018-) Livres / Articles de presses / expositions : Vampires de Dracula à Buffy à la Cinémathèque → https://www.cinematheque.fr/cycle/vampires-527.html Vous pouvez compléter cette écoute avec notre épisode centré sur les sorcières, enregistré en octobre 2018. Vous pouvez également nous écouter sur iTunes. N'hésitez pas à nous laisser un commentaire et à noter le podcast. Grâce à ce petit geste vous pouvez nous aider à mieux répertorier le podcast et on vous en remercie énormément. Merci à tou-te-s pour votre écoute et votre soutien ! Suivez toute l'actualité de Sorociné sur Facebook (Sorociné Podcast), Twitter et Instagram: @sorocinepodcast Vous pouvez nous contacter via notre adresse e-mail: sorocine-podcast@hotmail.com

Period. End of Sentence. Is a documentary about living in rural India where stigma surrounding women's periods still exists. It's a recent Oscar winner, which is how it came onto our radar, and we knew we had to talk about it. In this episode, we share our reactions and whether or not we recommend it! Period. End of Sentence. is available on Netflix worldwide. It's a short documentary directed by Rayka Zehtabchi who travelled to India to film and interview local rural women. It's an incredible story of stigma, oppression, resilience, and perseverance. Period. follows a group of women who are ashamed of their menstrual cycle, many even leaving school because they don't have adequate sanitary products. These women are introduced to a new machine that let's them produce low-cost sanitary pads. We see an incredible transformation in these women as they start their own independent business, earning their own money, and in turn respect, in their society. What else did we think about it? Tune in to the episode to find out! Find Period. End of Sentence. and learn more about The Pad ProjectOnline (https://www.thepadproject.org/) / Twitter (https://twitter.com/ThePadProject1) / Facebook (https://www.facebook.com/Period.EndofSentence.Film/) / Instagram (https://www.instagram.com/periodendofsentence/) If you’ve enjoyed this episode, please check out some of our others! Geek Girl in the News: The Oscars Happened! (https://geekherring.com/2019/03/01/episode-20-geek-girl-in-the-news-february-2019/) Geek Girl in the News: Millions of Indian Women Join Hands (https://geekherring.com/2019/02/01/episode-17-geek-girl-in-the-news-january-2019/) Geek Girl Reviews: The Mask You Live In Exploring Toxic Masculinity (https://geekherring.com/2019/04/12/episode-26-geek-girl-reviews-the-mask-you-live-in-exploring-toxic-masculinity/) Love Geek Herring, please hop over to iTunes (https://itunes.apple.com/gb/podcast/geek-herring/id1438271357?mt=2) and leave us a review! Join us on Discord (https://geekherring.com/discord)! Geek out with Geek Herring Online (https://www.geekherring.com) / Facebook (https://www.facebook.com/geekherring) / Instagram (https://www.instagram.com/geekherring) / Twitter (https://www.twitter.com/geekherring) / Patreon (https://www.patreon.com/geekherring)! Geekily yours, Amanda & Monika Image ©: Netflix

No primeiro episódio da temporada, a psicanalista Diana Corso e sua filha Julia Corso falam, sem meias palavras, sobre o tabu da menstruação. Referenciando livros e filmes, trazem questões e temas difíceis e importantes a serem debatidos. Não é novidade que “Precisamos Falar.”Referências:Absorvendo o Tabu - documentário Netflix vencedor do Oscar 2019 (Rayka Zehtabchi, 2018)Sonhos Roubados (Eliane Trindade, 2010) Se os homens menstruassem (Gloria Steinem, 1978)As virgens suicidas (Jeffrey Eugenides, 1993); filme(Sofia Coppola, 1999)Carrie, a estranha (Stephen King, 1974); filme (1976, 2002 e 2013)

No primeiro episódio da temporada, a psicanalista Diana Corso e sua filha Julia Corso falam, sem meias palavras, sobre o tabu da menstruação. Referenciando livros e filmes, trazem questões e temas difíceis e importantes a serem debatidos. Não é novidade que “Precisamos Falar.”Referências:Absorvendo o Tabu - documentário Netflix vencedor do Oscar 2019 (Rayka Zehtabchi, 2018)Sonhos Roubados (Eliane Trindade, 2010) Se os homens menstruassem (Gloria Steinem, 1978)As virgens suicidas (Jeffrey Eugenides, 1993); filme(Sofia Coppola, 1999)Carrie, a estranha (Stephen King, 1974); filme (1976, 2002 e 2013)

Et si les hommes cisgenres s’intéressaient un peu plus aux règles? Et si comprendre et respecter davantage les femmes passait aussi par là? Et si les mines de dégoût ou les blagues éculées n’étaient pas les seules réactions possibles? Bienvenue dans un monde encore imaginaire où ce sujet finirait par ne plus être tabou. Un mercredi sur deux, Mansplaining observe les masculinités à travers des œuvres culturelles et des faits d’actualité. Parce que la parole masculine est archi dominante, sauf lorsqu’il s’agit de remettre en question les privilèges des hommes. Si vous aimez Mansplaining, pensez à l’exprimer en lui donnant la note maximale sur iTunes et ailleurs, en en parlant autour de vous, et en laissant plein de commentaires bienveillants sur les réseaux sociaux. Références: SuperGrave (Greg Mottola, 2007) Carrie, la vengeance (Kimberly Peirce, 2013) Les règles de notre liberté (Rayka Zehtabchi, 2018) 28 jours(Angèle Marrey, Justine Courtot et Myriam Attia, 2018) Les Flux Clit Revolution (Elvire Duvelle-Charles et Sarah Constantin) Le grand mystère des règles, Jack Parker (2017, Flammarion) Compte Instagram SPMTamere Générique: Warm Sea, Savvier

Nesse episódio piloto queríamos começar do começo; de onde surgiu o conceito de gênero para falar das relações entre os sexos, como isso reflete em nós mulheres e em todas simbologias sociais e, claro, um pouquinho de quem somos nós. As referências do episódio estão a seguir, por ordem de citação: Memórias do Conceito Relações de Gênero - http://www.memoriaesociedade.ibict.br/memorias-do-conceito-relacoes-de-genero/ Joan Scott - Gênero: uma categoria útil de análise histórica Simone de Beauvoir - O Segundo Sexo Alice Quadros, estudante de medicina e mulher trans, que palestrou na I Jornada Feminista da Fundação de Ensino e Pesquisa em Ciências da Saúde (Fepecs) no dia 28 de outubro de 2018, em Brasília, e falou sobre a ideologia de gênero. Absorvendo o Tabu - Period. End of Sentence. documentário indiano escrito e dirigido por Rayka Zehtabchi e disponível no Netflix. Segue a gente nas redes: http://instagram.com/minaexplicando.podcast http://twitter.com/minaexplicando Contato: minaexplicando.podcast@gmail.com Edição: Rodrigo Meneses Obrigada Eduardo Pinto pela logo!!!!

Rayka Zehtabchi is an award winning Iranian-American film director, her film Period: End of Sentence won the 2019 Oscar for Documentary Short. Rayka joins Jonathan to talk about the filmmaking process, how the production of Period: End of Sentence came about, connecting with the film’s subjects, her history with directing, and more. Find out what today’s guest and former guests are up to by following us on Instagram and Twitter @CuriousWithJVN. Transcripts for each episode are available at JonathanVanNess.com. Check out Getting Curious merch at PodSwag.com. Listen to more music from Quiñ by heading over to TheQuinCat.com. Jonathan is on Instagram and Twitter @JVN and @Jonathan.Vanness on Facebook.

Rayka Zehtabchi is an Iranian-American film director based in Los Angeles. Her directorial debut, Madaran, is an Iranian language short film that has screened worldwide at established film festivals, winning jury awards at Hollyshorts, Urbanworld, and Cleveland International. Madaran qualified for the 89th Academy Awards in 2016. Rayka's short documentary, Period. End of Sentence., is about a group of village women in Northern India who start a sanitary pad business in an effort to improve feminine hygiene and de-stigmatize menstruation. Along with the film's release, the Period team co-founded the non-profit "The Pad Project" to fight the stigma of menstruation and improve feminine hygiene worldwide. Period double-qualified for the academy awards in 2018, winning Jury and audience awards at Michael Moore's Traverse City Film Festival and Cleveland International. The film also took home Jury and audience awards from AFI Fest among many others and won the Oscar in the Documentary Short category of the 91st Academy Awards®. What you’ll learn about in this episode: Where Rayka went to film school, and how she was approached to direct her short documentary "Period. End of Sentence." right out of film school How Rayka's first film festival in high school shaped her interests in filmmaking, and how she found purpose and community in filmmaking Rayka shares the experience of losing her father while she was attending USC film school, and how she felt pulled in different directions Rayka discusses her Iranian-language short film Madaran and why filming it helped her feel connected to her father and her Iranian heritage How Rayka was approached to direct "Period. End of Sentence." while she was in her senior year at film school, and why the subject matter was a reality check for her Why "Period. End of Sentence." was a powerful and necessary story to shine a light on an unspoken issue, and how Rayka directed it to be organic and authentic What impact filming "Period. End of Sentence." had on Rayka personally and emotionally, and how she was inspired by the women she filmed How Rayka and the filmmakers got involved with and launched the Pad Project, and how the film has exploded and created global awareness of this issue How Rayka and her team turned forty hours of raw film footage into a 25-minute short documentary What challenges Rayka faced in getting visibility for her film, and her thoughts on when she realized the film qualified to be submitted to the Academy Awards What it was like accepting her Oscar, and what Rayka has planned for the future going forward

Traveling alone can be a rewarding and enriching experience. Even though most popular destinations are safe, it is wise to take precautions no matter where you are. It's not all about getting your wallet nabbed. Dangers and challenges can be avoided by following a few simple tips. “I can't believe a film about menstruation just won an Oscar,” Rayka Zehtabchi exclaimed in her acceptance speech. Menstrual equity—the fight to ensure that people who get their periods have access to the products and support they need—is a hard fight. Reproductive Health specialist, Cynthia Brittany, and women's advocate Cynthia Brian tackle this touchy topic. As Rayka said: “A period should end a sentence, not a girls education.” Period!

In honor of International Woman's Day, on this episode of The Global Cable, Perry World House Deputy Director LaShawn Jefferson is joined by Claire Sliney, a University of Pennsylvania Sophomore and an Academy Award-winning producer of Period. End of Sentence, a documentary short that explores a group of women in a rural Indian village, which fights the stigma surrounding menstruation and begin manufacturing sanitary pads.  In a rural village outside Delhi, India, women lead a quiet revolution. They fight against the deeply rooted stigma of menstruation. “Period. End of Sentence.” -- a documentary short directed by Rayka Zehtabchi -- tells their story. For generations, these women didn't have access to pads, which lead to health problems and girls missing school or dropping out entirely. But when a sanitary pad machine is installed in the village, the women learn to manufacture and market their own pads, empowering the women of their community. They name their brand "FLY," because they want women "to soar." Their flight is, in part, enabled by the work of high school girls half a world away, in California, who raised the initial money for the machine and began a non-profit called "The Pad Project."  Music & Producer by Tre Hester.

The trailblazing costume designer — the first black person ever nominated for the best costume design Oscar, she now has three such noms to her name (no black woman has more across all categories) — reflects on breaking into her profession when no other black women were getting work, her 14 collaborations with Spike Lee and what it was like costuming a 2018 movie unlike any before it. But first: Melissa Berton and Rayka Zehtabchi join Scott to discuss the best documentary short Oscar nominee 'Period. End of Sentence,' a film they made about young women in India whose lives were changed by contemporaries in Los Angeles. Credits: Hosted by Scott Feinberg, recorded by Jennifer Whitehurst and produced by Matthew Whitehurst.

This week we talk to Rayka Zehtabchi, the director of the short documentary “Period. End of Sentence.” The film follows a group of women in rural India, and documents what happens when a menstrual ‘pad machine' arrives to their village. Rayka shares what it was like to witness the chipping away of centuries of period stigma that's held women back. The idea for the pad machine and the documentary came from The Pad Project (thepadproject.org), a non-profit created by a group of teenage girls at the Oakwood School in Los Angeles. “Period. End of Sentence.” is coming soon to Netflix.