Podcasts about solo flute

Fredrich Kuhlau (1786–1832) was a Danish composer of the late Classical and early Romantic periods who wrote prodigiously for the flute.  The final movement of his Fantasie for Solo Flute in D major, "Arietta and Variations" is charming,  virtuosic, and fun! The aria "Bati, Bati"  from Mozart's opera Don Giovanni is the theme. The operatic spirit shines in this 4 minute long gem.Georg Philip Telemann, Fantaisie No. 12, performed by Karen Kevra, flute Georg Friedrich Händel, Suite No. 5 in E Major, HWV 430:  IV. Air con Variazioni "The Harmonious Blacksmith" performed by Murray Perahia, piano Franz Schubert's Theme, from the Introduction, Theme, and Variations on "Trockne Blumen", D. 802 performed by Karen Kevra, flute and Jeffrey Chappell, pianoWolfgang Amadeus Mozart, Overture from Don Giovanni, K. 527, Hans Vonk, Staatskapelle DresdenWolfgang Amadeus Mozart, Aria: "Batti, batti, o bel Masetto", Cecelia Bartoli, soprano, Wiener Kammerorchester  Friedrich Kuhlau, Fantasie for Solo Flute in D major (Op. 38, No. 1),  movement 3, "Arietta and Variations", performed by Karen Kevra, fluteSupport the show

Kara Talve and Anže Rozman are composers with Bleeding Fingers Music and together wrote with Hans Zimmer the acclaimed score to the incredible tv series Prehistoric Planet. I was so impressed by this series, and the first part of this episode digs into the unique instruments that were created for this powerful score, and the other part of this episode is a  personal and in-depth conversation with Kara and Anže about their lives. They shared their individual stories about challenges, mentors, and have great advice for younger composers.  In the show notes and linked to the podcast are 2 bonus tracks which are concert pieces by both Anže and Kara; these pieces are excerpted in the main episode as well. I've included detailed timestamps and you can listen to this on your favourite podcast player, watch the YouTube video, read the transcript and see the gallery of images related to this episode,all linked on my website: https://www.leahroseman.com/episodes/ane-rozman-and-kara-talve Timestamps: (00:00) Intro (05:10) creating the music for Prehistoric Planet with custom instruments  (19:23) help support this series through my Ko-fi page (19:39) Euphone audio sample, more about unique instruments used in Prehistoric Planet (22:46) Mark Deutsch Banzantar (24:48) Bleeding Fingers Music, working with Hans Zimmer and Russell Emanuel (31:08) Anže's early years composing, challenges, networking (34:08) excerpt from Flight/Death from Phoenix for Solo Flute and Orchestra by Anže Rozman (34:49) finding opportunities to write for different instruments (37:08) emigration: dealing with homesickness (38:42) working with orchestras (41:09) Berklee in Spain, networking skills, connecting with Hans Zimmer (46:21) advice for people who want to move to LA (49:13) Kara Talve experience of moving to LA (51:57) composing for The Simpsons (52:49) how Tara's grandmother was saved from the Nazis by her piano teacher Andrée Levallois (57:34) excerpt from “Winter Rhapsody” by Kara Talve (58:45) mentors at Berklee Ruth Mendelson and Steven Hunt, Kara's dad (01:02:01) Anže reflecting on negative attitudes, advice about following your interests, Jani Golob (01:08:07) Tara's bad experiences with piano lessons --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

This bonus track is connected to my in-depth conversation with composer Anže Rozman and his partner and colleague at Bleeding Fingers Music, Kara Talve. An excerpt of this piece was included in the main episode, and here is the complete 3rd movement of  Phoenix for Solo Flute and orchestra by Anze Rozman, entitled Last Flight/Death. The solo flutist is Eva-Nina Kozmus, the conductor is George Pehlivanian and the orchestra is the Slovenian Philharmonic Orchestra. Show notes, video, transcript, image gallery, main episode, all linked: https://www.leahroseman.com/episodes/ane-rozman-and-kara-talve Anže Rozman's Website: https://www.archestralmusic.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

The iconic "Syrinx" by Claude Debussy is a piece for solo flute that has captivated audiences and flute players alike since its composition in 1913. It is one of the most iconic and frequently performed works in the flute repertoire, known for its hauntingly beautiful melodies, rich harmonies, and innovative use of the flute as a solo instrument. But what is the narrative behind this piece? What story does it tell? In this podcast, which includes a performance by flute player Barry Griffiths, I'll attempt to delve into the narrative of "Syrinx" and explore its musical and cultural significance. At its core, "Syrinx" is a musical representation of the mythological story of Syrinx from ancient Greek mythology. In the myth, Syrinx was a nymph who caught the attention of the Greek god Pan, the god of nature, shepherds, and rustic music. As Pan pursued her, Syrinx sought refuge from him by transforming herself into a reed. Pan, unable to capture her, instead fashioned the reeds into a musical instrument - the Pan flute, also known as the Syrinx. Debussy's "Syrinx" captures the essence of this myth through its music. In this podcast Jean-Paul adds a modern day narrative to this music as to why this piece remains important today! We may have been making this weekly podcast for six years (276 pods!) however and always need our listeners to rate and like Talking Flutes on whatever provider they are listening to this on. If you could do this then we would be extremely happy! 'Talking Flutes', 'Talking Flutes Extra' and 'Bitesize' are podcast productions by the TJ flute company.  For more information visit www.tjflutes.com         

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Chris and Sridhar discuss the latter's upcoming audition, their dislike of the classical saxophone, and things about which they have changed their minds (including Aaron Copland, Wynton Marsalis, Yo-Yo Ma, and Beethoven's even symphonies). Join the discussion: Tweet us @shreggz and @chris_arkin Episode clips on Instagram @impolite2listen Useful links: Kate Clark - an introduction to the Baroque flute Telemann - Fantasia for Solo Flute in E Minor Jed Wentz - Blavet Flute Sonatas Saxophone quartet plays Bach's Italian Concerto Stan Getz - Misty Copland: Rodeo - Zubin Mehta conducting the LA Philharmonic Copland conducts Hoedown from Rodeo Marsalis - Swing Symphony Marsalis - Haydn Trumpet Concerto Yo-Yo Ma plays the Bach Cello Suites live at the BBC Proms Yo-Yo Ma - NPR Tiny Desk Concert Yo-Yo Ma, Stuart Duncant, Edgar Meyer, Chris Thile - Attaboy from Goat Rodeo Sessions Goat Rodeo Sessians NPR Tiny Desk Concerts Yo-Yo Ma on re-recording the Bach Cello Suites Yo-Yo Ma, Leonidas Kavakos, Emanuel Ax - The Making of Beethoven for Three Beethoven Symphony No. 6 - Yo-Yo Ma, Beethoven for Three 2001: A Space Odyssey opening 2001: A Space Odyssey docking scene Schindler's List - black tie Nazi party Jordi Savall - Beethoven Symphony No. 6 Beethoven Late Quartets - Quator Mosaïques

LEAVE US A 5 STAR REVIEW over on Spotify or Apple Podcasts or where ever you listen to podcasts! It helps so SO much! Be sure to leave your questions on our voicemail service over on https://Anchor.fm/flute we love hearing from you. We might answer them LIVE! ALSO, BOTH THE BEGINNER AND INTERMEDIATE BOOKS ARE OUT!! Find the course at https://musogy.com Join the Newsletter as well over at Musogy for more updates on products and news! Come to our Patreon page and be a Patreon! It's only 2$ a month! https://www.patreon.com/join/theflutechannel ALSO if you're looking for a new flute or piccolo consider using FCNY, use the code TFC to get special perks like: 1. Free shipping 2. 10-day trial 3. 18-month warranty (new flutes) 4. Try 3 instruments per trial Be sure to contact https://flutecenter.com for all the info. Using the code helps us make even more great content and help all our community! Be sure to like and comment if you want us to review other flutes or piccolos! The Flute Channel Online: ✩ MERCH - https://store.theflutechannel.com ✩ Twitter - https://twitter.com/theflutechannel ✩ Instagram - https://instagram.com/theflutechannel ✩ Blog/Website - https://www.theflutechannel.com ✩ Facebook - https://facebook.com/flutechannel/ --- Send in a voice message: https://anchor.fm/flute/message

Jerod Impichchaachaaha' Tate, is a classical composer, citizen of the Chickasaw Nation in Oklahoma and is dedicated to the development of American Indian classical composition. His Washington Post review states that “Tate is rare as an American Indian composer of classical music. Rarer still is his ability to effectively infuse classical music with American Indian nationalism.” Tate is Guest Composer/Conductor/Pianist for San Francisco Symphony Currents program Thunder Song: American Indian Musical Cultures and was recently Guest Composer for Metropolitan Museum of Art's Balcony Bar program Home with ETHEL and Friends, featuring his commissioned work Pisachi (Reveal) for String Quartet. Recent commissions include Shell Shaker: A Chickasaw Opera for Mount Holyoke Symphony Orchestra, Ghost of the White Deer, Concerto for Bassoon and Orchestra for Dallas Symphony Orchestra, Hózhó (Navajo Strong) and Ithánali (I Know) for White Snake Opera Company. His music was recently featured on the HBO series Westworld. His commissioned works have been performed by the National Symphony Orchestra, San Francisco Symphony and Chorus, Dallas Symphony Orchestra, Detroit Symphony Orchestra, Minnesota Orchestra, Buffalo Philharmonic Orchestra, Oklahoma City Philharmonic, Winnipeg Symphony Orchestra, South Dakota Symphony Orchestra, Colorado Ballet, Canterbury Voices, Dale Warland Singers, Santa Fe Desert Chorale and Santa Fe Chamber Music Festival. Tate has held Composer-in-Residence positions for Music Alive, a national residency program of the League of American Orchestras and New Music USA, the Joyce Foundation/American Composers Forum, Oklahoma City's NewView Summer Academy, Oklahoma Medical Research Foundation and Grand Canyon Music Festival Native American Composer Apprentice Project. Tate was the founding composition instructor for the Chickasaw Summer Arts Academy and has taught composition to American Indian high school students in Minneapolis, the Hopi, Navajo and Lummi reservations and Native students in Toronto. Mr. Tate is a three-time commissioned recipient from the American Composers Forum, a Chamber Music America's Classical Commissioning Program recipient, a Cleveland Institute of Music Alumni Achievement Award recipient, a governor-appointed Creativity Ambassador for the State of Oklahoma and an Emmy Award winner for his work on the Oklahoma Educational Television Authority documentary, The Science of Composing. In addition to his work based upon his Chickasaw culture, Tate has worked with the music and language of multiple tribes, such as: Choctaw, Navajo, Cherokee, Ojibway, Creek, Pechanga, Comanche, Lakota, Hopi, Tlingit, Lenape, Tongva, Shawnee, Caddo, Ute, Aleut, Shoshone, Cree, Paiute and Salish/Kootenai. Among available recorded works are Iholba‘ (The Vision) for Solo Flute, Orchestra and Chorus and Tracing Mississippi, Concerto for Flute and Orchestra, recorded by the San Francisco Symphony Orchestra and Chorus, on the Grammy Award winning label Azica Records. Tate earned his Bachelor of Music in Piano Performance from Northwestern University, where he studied with Dr. Donald Isaak, and his Master of Music in Piano Performance and Composition from The Cleveland Institute of Music, where he studied with Elizabeth Pastor and Dr. Donald Erb. He has performed as First Keyboard on the Broadway national tours of Les Misérables and Miss Saigon and been a guest pianist and accompanist for the Colorado Ballet, Hartford Ballet and numerous ballet and dance companies. Mr. Tate's middle name, Impichchaachaaha', means “his high corncrib” and is his inherited traditional Chickasaw house name. A corncrib is a small hut used for the storage of corn and other vegetables. In traditional Chickasaw culture, the corncrib was built high off the ground on stilts to keep its contents safe from foraging animals.

Erik washes away the stress of election week with C.P.E. Bach's Sonata for Solo Flute in A Minor, Wq. 132, H 562, arranged by Sunil Gadgil. Check him out at sunilgadgil.com! Get in touch at lttcapshow@gmail.com or eriksteighner.com

Flute 360 | Episode 107: “An Interview with Annaleena Jämsä” (39:26) In today’s episode, Heidi talks with Annaleena Jämsä who is the principal flutist of the Tampere Philharmonic Orchestra and flutist of the ensemble, Oslo Kammerakademi. She is a masterclass clinician and the Competition Coordinator of the Tampere Flute Festival held on April 25-26, 2020. Episode 107 – Main Points: 0:25– Gold Sponsor: Carolyn Nussbaum Music Company 1:37 – Welcome & Introduction 3:50 – Building a snowman! 4:03 – Arizona & New Mexico, USA 4:27 – Heidi: Please share, with the listeners, who you are and your musical background! 4:35 – Annaleena’s Answer 6:34 – Question: You are the flutist for the ensemble, Oslo Kammerakademi (OKA). Can you please tell us about the group? 6:40 – Annaleena’s Answer 8:53 – Böhm’s Flute 10:30 – Question: You are on OKA’s album, “Leipzig.” What lessons did you learn along the way? 10:41 – Annaleena’s Answer 11:00 – Articulation from one instrument to the next can be different. 13:35 – Question: Considering the unique size of your ensemble, how did the sound engineer record the group? 13:50 – Annaleena’s Answer 14:32 – French Horn & Recording 15:12 – Question: Do you have any other advice for recording a chamber ensemble? 15:30 – Annaleena’s Answer 16:36 – Question: For OKA’s new album, what repertoire will be included? 16:40 – Annaleena’s Answer 17:38 – TBA: CD Updates! 18:03 – Question: OKA’s arranger recently put together an arrangement of Ravel’s “Mother Goose Suite” for the ensemble. Can you tell us what the dynamic is like between arranger and members of the ensemble? 18:25 – Annaleena’s Answer 20:38 – Question: How much input does each ensemble member contribute to the process? 20:50 – Annaleena’s Answer 21:57 – Question: For the Tampere Flute Fest, what are the duties that are required from a competition coordinator? 22:24 – Annaleena’s Answer 22:47 – Texas Flute Society & National Flute Association 22:57 – Question: As competition coordinator, what lessons have you learned along the way? 23:01 – Annaleena’s Answer 24:24 – Question: What are the repertoire requirements for the competition? 24:32 – Annaleena’s Answer 24:45 – Bach’s Partita in A minor & Böhm’s Grand Polonaise 25:11 – Telemann’s 12 Fantasias for Flute without Bass 25:21 – Honegger’s Danse de la Chèvre for Solo Flute 26:05 – Question: How was the repertoire for the competition chosen? 26:12 – Alexis Roman (E101) & Beatriz Macías (106) 29:02 – Seiya Ueno, flutist (E103) 29:10 – Martin Godoy, flutist (E70) 30:04 – Alexis Roman, flutist (E101) 30:41 – Question: What is your main goal within the short timeframe that you have with masterclass students? 30:57 – Annaleena’s Answer 33:47 – PICKS! 38:12 – Bronze Sponsor: J&K Productions PICKS! Annaleena: Swimming! Finland’s Sauna Heidi: Movies: Movie: Hush (2016) Movie: Don’t Breathe (2016) Movie: A Quiet Place (2018) Episode 107 – Resources Mentioned: Heidi Kay Begay’s Website Tampere Flute Festival’s Website Tampere Flute Festival’s Guest Artists Flute 360’s E106 Flute 360’s E103 Flute 360’s E101 Flute 360’s E70 Episode 107 – Sponsors: Gold Level: Carolyn Nussbaum Music Company Silver & Bronze Level: J&K Productions

Flute 360 | Episode 103: “An Interview with Seiya Ueno” (31:15) In today’s episode, Heidi talks with Seiya Ueno who is an international flutist and teacher. His performances have been heard in Japan, Germany, France, among other countries. Seiya Ueno and Alexis Roman recently published an album that features W.F. Bach’s Six Duets for Two Flutes. He offers advice on recording an album, maintaining an international career, and more! Finally, Seiya is one of the five guest artists at the Tampere Flute Fest on April 25-26, 2020 in Finland! Check out their website for details and deadlines. Episode 103 – Main Points: 0:45– Gold Sponsor: Carolyn Nussbaum Music Company 2:01 – Welcome & Introduction! 2:35 – Sapporo, Japan 2:57 – Chaminade, composer 3:04 – Ravel, composer 3:21 – Debussy, composer 3:29 – Poulenc, composer 3:34 – Bizet, composer 3:57 – Question: What is your arrangement process like? 4:56 – Heidi: Please share with the listeners who you are and your musical background! 5:02 – Tokyo, Japan 6:20 – Question: Who were your flute teachers? 6:22 – Seiya’s Answer 7:38 – Boulez, composer 7:46 – Munich, Germany 8:00 – Question: What were the similarities and, or differences among the educational systems found within Japan, Germany, and France? 8:13 – Seiya’s Answer 8:59 – Flute articulation and the German language. 9:18 – Flute resonance and the French language. 11:00 – Telemann’s 12 Fantasias for Solo Flute 11:37 – Heidi: What lessons did you learn while recording and publishing each of your flute albums? 11:48 – Seiya’s Answer 11:52 – Album: Kaleidoscope 12:46 – Album: Digital Bird 12:56 – Yuko Uebayashi, composer 13:06 – Album: Into Love 13:24 – Album: W.F. Bach’s Six Duets for Two Flutes with Alexis Roman 13:37 – Alexis Roman, flutist (E101) 14:05 – Sancan’s Sonatine for Flute and Piano 14:34 – Question: For those who’d like to pursue an international music career, what advice do you have for these flutists? 14:44 – Seiya’s Answer 14:51 – Travel! Note: Check out Series 21, Episodes 98, 99, and 100: “Building Your C.V. Through International Experiences!” 18:48 – Sushi & Chinese Mahjong 19:21 – Tampere Flute Fest, April 25-26, 2020 – Seiya Ueno, guest artist 19:49 – Question: When you are a guest artist at a flute festival, how do you switch between each of the roles (adjudicator, performer, clinician) within a short or long timeframe? 20:06 – Seiya’s Answer 22:26 – Question: What advice do you have for students who will be competing and,or performing at an upcoming flute festival? 22:38 – Seiya’s Answer 23:52 – Try Finnish food! 24:25 – Question: Do you have any last sentiments that you’d like to share? 24:30 – Seiya’s Answer 26:11 – Question: What are you plans for today? 26:20 – Seiya’s Answer 28:44 – Question: What repertoire do you like to listen to on a rainy day? 28:50 – Seiya’s Answer 29:36 – Conclusion 30:02 – Bronze Sponsor: J&K Productions PICKS! Seiya: Listening to music during a rainstorm: Gabriel Fauré’s Piano Quartet & Quintet Ravel’s Concerto for Piano, Mvt. 2 Soup Curry – Japanese Heidi: Netflix TV Show: Criminal Minds Navajo Fry Bread Episode 103 – Resources Mentioned: Heidi Kay Begay’s Website Powell Artist’s Bio: Seiya Ueno Follow Seiya via Facebook! Follow Seiya via Twitter! Tampere Flute Festival’s Website Tampere Flute Festival’s Guest Artists Tampere Flute Festival’s Masterclass Application – Due 03/01/2020 Tampere Flute Festival’s Young Artist Competition – Due 03/15/2020 Episode 103 – Sponsors: Gold Level: Carolyn Nussbaum Music Company Silver & Bronze Level: J&K Productions

A belated welcome to the new year from the CoffeeHouse Classical! We're kicking off 2020 with a virtuosic solo for the flute written by a musical master who didn't even play the flute! Subscribe, and share with a friend! Music Music: https://imslp.org/wiki/3_Fantaisies_for_Solo_Flute%2C_Op.38_(Kuhlau%2C_Friedrich) https://creativecommons.org/licenses/by/3.0/legalcode

Flute 360 | Episode 94: “Understanding the Flow State with Chris Neal, Part 1” (36:09) In today’s episode, Heidi talks with Chris Neal (LPC) about how we as musicians can experience the flow state within our performances! Chris dives into his research and shares his findings with us. Episode 94’s discussion continues into Episode 95, which will air Saturday, December 28, 2019! Please subscribe to the Flute 360 Podcast, so you do not miss a Saturday episode! Thank you! Episode 94 – Main Points: 0:28 – Gold Sponsor: The Resilient Self Podcast with Chris Neal, MA & LPC 1:19 – Welcome & Introduction! 2:03 – Take Vitamin C to keep your immune system strong! 2:23 – Reference to E92 and E93 – check it out! 2:52 – Today’s Topic: The Flow State 3:18 – Chris talks about the flow state and how we can achieve this. 4:09 – Question: What is the state of flow? 4:16 – Chris’ Answer 5:30 – Flute 360’s post-production process. 6:00 – Chris continues with his research-based answer. 7:04 – Question: Once we’ve learned a musical piece, how can we as musicians enter into the state of flow during an artistic, musical performance? 7:22 – Chris’ Answer 8:08 – Russell Westbrook, basketball player 9:40 – Chris shares one of his clarinet experiences from his senior recital. 12:45 – Repertoire: Sonatina for Flute and Piano by Burton 14:49 – Topic: Pre-Frontal Cortex 23:30 – Topic: Theta Brain Waves 24:28 – Reference to Professor Elliott Antokoletz, musicology 25:55 – Repertoire: Bach’s Partita in A minor for Solo Flute 28:38 – Topic: Self-Compassion & Holding Space for Yourself 33:58 – Book: “The Compassionate Mind” by Gilbert 34:20 – Book: “Buddha’s Brain” by Rick Hanson and Richard Mendius 34:40 – Conclusion 34:55 – Bronze Sponsor: J&K Productions Episode 94 – Resources Mentioned: Russell Westbrook, basketball player Professor Elliott Antokoletz, musicology “10 Fruits That Have More Vitamin C Than An Orange” by Audrey Bruno Sonatina for Flute and Piano by Burton Bach’s Partita in A minor for Solo Flute Brahms’ Sonata in F minor, Op. 120, No. 1 for Clarinet and Piano Flute 360 Podcast’s Episode 92 Flute 360 Podcast’s Episode 93 Flute 360 Podcast’s Episode 02 “The Compassionate Mind” by Gilbert “Buddha’s Brain” by Rick Hanson and Richard Mendius Spotify – Flute 360 Podcast Episode 94 – Sponsors: Gold Level: The Resilient Self Podcast with Chris Neal, MA & LPC Bronze Level: J&K Productions

Flute 360 | Episode 82: “The Evolution of the Flute with Robert Dick – Video” (1:15:43)  In today’s episode, Heidi talks with Robert Dick about the evolution of the flute. They discuss Robert’s Glissando Headjoint and 20th and 21st-century compositions. Check out the other episodes that are apart of Series 17, which include E79, E80, and E81! Episode 82 – Main Points: 0:25 – Gold Sponsor: J&K Productions 1:20 – Welcome! 1:27 – Series 17 includes Episodes 79-82. 1:38 – Today’s Topic: The Evolution of the Flute 1:54 – Glissando Headjoint 5:34 – Question: How did the conception of your headjoint come about? 5:43 – Robert’s Answer 10:04 – Electric Guitar – Whammy Bar 11:51 – Question: From conception to production what is the timeframe for the Glissando Headjoint? 12:00 – Robert’s Answer 12:24 – Robert advises future inventors – Listen Here! 13:56 – Quantz’s Book: On Playing The Flute 15:22 – “There are lessons all around us in life!” – Robert 15:27 – Topic: Bending Notes 15:59 – Moe Koffman – The Swingin’ Shepard Blues 16:45 – TV: The Hustler 17:16 – Flute 360’s Interview with Mark Dooly (E40) 28:13 – Flute 360’s Interview with Dr. Ruth Maurer & Kelley Latshaw (E72) 30:32 – Heidi asks a question. 30:58 – Robert’s Answer 32:45 – Topic: Circular Breathing 34:54 – Afterlight for Solo Flute by Robert Dick 39:23 – Robert discusses his compositional process. 42:57 – Lookout for Solo Flute by Robert Dick (NFA Commission) 51:22 – Question: When a flutist is learning one of your compositions, what advice would you give him or her? 51:46 – Robert’s Answer 52:00 – “Your first dialogue has to be between you and the music directly. Not triangulated through the interpretation of flutist X, Y, or Z. Even if they are good.” – Robert 55:26 – Question: Any advice that you have for flutists out there? 55:53 – “Never compartmentalize music.” – Robert 57:23 – “One of my main goals as a teacher is to awaken curiosity. Once curiosity is awakened, it’s unstoppable!” – Robert 1:02:51 – “The only constant in life is change.” – Robert 1:01:33 – Social Media Question from Dr. Denissa Rivas de Munguía & Robert’s Answer 1:07:57 – Picks! 1:13:40 – Conclusion 1:14:32 – Bronze Sponsor: J&K Productions Episode 82 – Resources Mentioned: Flute 360 – Dr. Heidi Kay Begay’s Website Financially Support Flute 360! Robert Dick’s Website The Glissando Headjoint Book: Tone Development Through Extended Techniques by Robert Dick Book: The Other Flute by Robert Dick Follow Robert Dick via Facebook! Robert Dick’s Contemporary Flute Week Picks: Heidi Packing Supplies: Stretch Wrap Audible: Success is a Choice by Rick Pitino Audible: “The Brave New Athlete...” By Dr. Simon Marshall and Lesley Paterson Audible: The Fairy Tales of Oscar Wilde Skype – ECamm Call Recorder ($40.00) Robert Book – Exhalation: Stories by Ted Chiang David Mitchell’s Books: “Cloud Atlas: A Novel” “Number 9 Dream” “Ghostwritten” “Black Swan Green” Serena Williams, Tennis Player Episode 82 – Sponsors: Gold/Bronze: J&K Productions’ Website Silver: Contact Heidi for details!

Flute 360 | Episode 81: “The Benefits of Extended Techniques with Robert Dick – Video” (1:23:45) In today’s episode, Heidi talks with Robert Dick about the benefits of using extended techniques while practicing the flute! Robert demonstrates a wide variety of extended techniques utilizing the standard flute repertoire. Check out today’s episode to hear all the details! As a friendly reminder, please listen to Series 17 in its entirety (E79-E82). Enjoy! Episode 81 – Main Points: 0:26 – Gold Sponsor: J&K Productions 1:20 – Welcome and thank you for your support! 1:49 – Today’s Topic: The Benefits of Extended Techniques 3:06 – Make your next practice session fun by experimenting with new methods! 10:15 – Singing & Playing within the French School 14:28 – Singing the syllable “OO.” 19:06 – “Never strain the voice. Of course, we are human and will make mistakes. If you do strain the voice, stop and rest. When you feel your voice getting tired from the very beginning of the tiredness...stop! You are done for the day. At first, it’s going to happen really fast, but that’s okay because that is normal!” – Robert 19:37 – Robert plays Taffanel & Gaubert No. 1 with singing and playing. 21:38 – “You have to hear YOUR voice. Since we are humans, when you hear your voice, your body changes. When you hear someone else’s voice, it’s wonderful, but nothing is changing.” – Robert 27:15 – Exercise in A minor – Listen Here! 30:00 – Robert advises to get yourself a keyboard to help with your singing abilities. 31:58 – Heidi: Up to this point, in our discussion, could you please give a summary for the listeners? 32:43 – Robert’s Answer 40:06 – Topic: Pursue Learning! 42:42 – Topic: Vocal Chords 43:18 – Repertoire: Concertino for Flute and Piano, Op. 107 by Chaminade 44:24 – Robert Dick’s YouTube Videos on Throat Tuning (Parts 1-3) 45:00 – Repertoire: Sonata Appassionata for Solo Flute, Op. 140 by Karg-Elert 53:55 – For clarification of sound, try this extended technique! 54:16 – Repertoire: Partita in A minor for Solo Flute by J.S. Bach 56:11 – Robert plays the passage slowly. 57:05 – Robert integrates natural harmonics into his practicing the Allemande. 1:02:47 – Topic: Natural Harmonics 1:11:21 – Heidi’s Summary 1:11:46 – Robert Comments 1:18:42 – 1970’s Music: Beatles, Jimi Hendrix 1:22:07 – Conclusion 1:22:34 – Bronze Sponsor: J&K Productions Episode 81 – Resources Mentioned: Flute 360 – Dr. Heidi Kay Begay’s Website Financially Support Flute 360! Robert Dick’s Website The Glissando Headjoint Book: Tone Development Through Extended Techniques by Robert Dick Book: The Other Flute by Robert Dick Follow Robert Dick via Facebook! Robert Dick’s Contemporary Flute Week Purchase a keyboard here! Episode 81 – Sponsors: Gold/Bronze: J&K Productions’ Website Silver: Contact Heidi for details!

Flute 360 | Episode 79: “The Fundamentals of Extended Techniques with Robert Dick, Part I – Audio Portion” (1:04:04) In today’s episode, Heidi talks with Robert Dick on the fundamentals of extended techniques. Mr. Dick goes through the following extended techniques in great detail, including throat tuning and harmonics. Also, make sure to check out Episode 79’s video portion where you will be able to view Mr. Dick demonstrating these techniques on the flute! Series 19 includes Episodes 79-82 with Robert Dick! Episode 79 – Main Points: 0:25 – Gold Sponsor: J&K Productions 1:20 – Welcome and thank you for your support! 1:32 – Today’s Topic Introduced 2:32 – Farmer’s Market, Manhattan, NY 3:30 – “I am at home most of the time, so my schedule is flexible and independent, which is good news. There is only so much practicing you can do...and only so much business you can do. At some point, it’s time to relax and make a good meal.” – Robert 4:58 – Questions: Please share with the audience who you are and your musical background. Also, what was the inspiration behind your avant-garde approach to creating different flute timbres? 5:11 – Robert’s Answer 21:07 – “Tone Development Through Extended Techniques” by Robert Dick 21:13 – "Etudes: Flying Lessons" by Robert Dick 21:23 – Lookout for Solo Flute by Robert Dick 21:41 – Fish Are Jumping for Solo Flute by Robert Dick 23:13 – “Whether we like it or not the world has fundamentally changed.” – Robert 27:46 – Heidi shares her decisions in why she decided to move to Europe, temporarily. 33:01 – Heidi quotes a sentence from Robert Dick’s “The Other Flute” Book. 33:50 – Robert Dick comments. 42:60 – Throat Tuning (Listen to Parts 1-3 on YouTube) 51:12 – “As best as you can, try to pre-hear the pitch you are going to play!” – Robert 57:17 – Flute syllables to start off with are “OH” and “AH”! 1:00:53 – Sir James Galway, flutist 1:01:05 – Julius Baker, flutist 1:01:16 – Practice natural harmonics for lip strength. 1:02:18 – Please visit Episode 79’s video portion on YouTube! This video is the second half of today’s conversation. 1:02:50 – Bronze Sponsor: J&K Productions  Episode 79 – Resources Mentioned: Flute 360 – Dr. Heidi Kay Begay’s Website Financially Support Flute 360! Robert Dick’s Website The Glissando Headjoint Book: Tone Development Through Extended Techniques by Robert Dick Book: The Other Flute by Robert Dick Follow Robert Dick via Facebook! Robert Dick’s Contemporary Flute Week Episode 79 – Sponsors: Gold/Bronze: J&K Productions’ Website Silver: Contact Heidi for details!

Flute 360 | Episode 78: “The Parallels Between Podcasting and Music-Making” (9:47) In today’s episode, Heidi talks about the parallels between podcasting and music-making. These two mediums have more in common than what meets the eye! Heidi discusses how the lessons learned, as a podcaster, have strengthened her music-making skills. Today’s topic is based on lessons from the post-production side of podcasting. Follow Heidi on Instagram, Twitter, Facebook, LinkedIn, and Tumblr for current Flute 360 updates! Episode 78 – Main Points: 0:25 – Gold Sponsor: J&K Productions 1:19 – Welcome! 1:35 – Please listen to Series 16: Episodes 75, 76, & 77 1:47 – Follow Flute 360! 2:03 – Today’s Topic: Post-Production Lessons 2:28 – Lesson #1: Writing Show Notes 3:05 – Proposals for Flute Conventions 3:21 – Chicago Flute Club - Call for Proposals 4:10 – Lesson #2: The Editing Process 4:34 – Interview with Teresa Payne (E55) 4:52 – Adobe Digital Editions 5:14 – Recording Artist 5:21 – Bach, Partita in A minor for Solo Flute 5:37 – Lesson #3: The Editing Process 7:27 – Post-production lesson paralleled to flute playing. 7:56 – Final Thoughts 8:00 – Hobbies: Sewing, Knitting, Gardening, Basketball 8:05 – “Find another world that you can dive into that you can get your hands messy with. Find the lessons that that medium wants to teach you, and apply those lessons to your music-making skills.” – Heidi 8:33 – Bronze Sponsor: J&K Productions Episode 78 – Resources Mentioned: Flute 360 – Dr. Heidi Kay Begay’s Website Financially Support Flute 360! Adobe Digital Editions Follow Flute 360! Episode 78 – Sponsors: Gold/Bronze: J&K Productions’ Website Silver: Contact Heidi for details!

Flute 360 | Episode 70: “Lessons from Romania” (54:21) In today’s episode, Heidi talks with Martin Godoy and Dr. Aileen Razey on their insights, strategies, and lessons learned through the Cluj International Music Competition (2019) in Romania. Topics vary from awareness, meditation, health, musicianship, and much more! Listen to today’s episode to hear all the details! Episode 70 – Main Points: 0:24 – Gold Sponsor: J&K Productions 1:20 – Welcome! 1:26 – Rate, Review & Subscribe in iTunes, please! 3:21 – Martin talks about the second round requirements for flute. 4:20 – Bozza’s Image for Solo Flute 5:05 – Aileen talks about repertoire and “living” with a piece. 6:36 – Karg-Elert’s Sonata Appassionata for Solo Flute, Op. 140 7:29 – Hindemith’s Act Stücke for Solo Flute (1927) 9:17 – Clarinet’s second round competition requirements. 9:49 – Aileen’s strategy. 10:50 – Be ready for last-minute changes! 11:39 – Martin comments on the jury’s changes with Telemann’s Fantasias. 13:20 – Aileen comments. 13:53 – Amy Porter, Episode 45 14:34 – Emotional aspect of performances. 16:05 – Aileen talks about what she does on performance day. 17:0 – Go for a run! 17:23 – Martin’s performance day strategy. 17:50 – belVita Biscuits 21:52 – Be aware of your physical body on performance day. 22:23 – Five-minute stretch via YouTube. 22:30 – The Headspace App: Meditation 23:17 – Aileen asks a question to the panel! 23:43 – Martin’s answer: Fake it till you make it, stand-up tall, notice the space, take a long bow, breathe, and be aware of time. 27:53 – Meditation apps can help you to stay present. 28:53 – Aileen talks about the moments before walking out onto the stage. 29:57 – Visualization Techniques 30:17 – Anxiety and how it affects the breath. 32:06 – Getting feedback from the judges. 33:11 – Judges from different nationalities. 34:22 – Aileen’s experience with the clarinet masterclasses. 35:38 – Martin’s experience with the flute masterclasses. 25:50 – Seiya Ueno, flutist 37:12 – Mozart’s Rondo in D Major, K. Anh. 184 39:14 – Aileen comments on requirements for the clarinet’s competition. 42:09 – Final Thoughts 42:21 – Martin shares his thoughts on growth and being courageous. 45:03 – Aileen: “The jury members want you to succeed and they are invested in you.” 48:29 – Martin: “Life isn’t peaches and cream.” 50:08 – Aileen: Remind yourself “why” you are playing and competing. 51:08 – Martin: Please be humble after your performance. 53:06 – Bronze Sponsor: J&K Productions Episode 70 – Resources Mentioned: Martin Godoy Dr. Aileen Razey "How to Visualize Success & Achieve Your Goals: An A-to-Z Guide" by Matthew Murphy Bozza’s Image for Solo Flute Karg-Elert’s Sonata Appassionata for Solo Flute, Op. 140 Hindemith’s Act Stücke for Solo Flute (1927) Amy Porter, Episode 45 Go for a run! belVita Biscuits Five-minute stretch via YouTube. The Headspace App: Meditation Visualization Techniques Seiya Ueno, flutist Mozart’s Rondo in D Major, K. Anh. 184 Flute 360 – Dr. Heidi Kay Begay’s Website Episode 70 – Sponsors: Gold/Bronze: J&K Productions’ Website Silver: Contact Heidi for details!

Flute 360 | Episode 61: “The Competition Process: Organization” (21:48) In today’s episode, Heidi talks about how to organize yourself while preparing for a competition. She offers suggestions, such as finding out the “why” you’d compete, what resources to use, organizational tips, and how to be strategic through the competition process. Check out today’s episode for all the details!  Episode 61 – Main Points: 0:24 – Gold Sponsor: J&K Productions 1:19 – Welcome to Series 12! 1:31 – Thank you for being a subscriber and for your kind feedback! 1:42 – Topic ideas? Contact Heidi! 2:07 – Series 12 2:40 – Create opportunities for yourself. 2:49 – What life season are you in? 3:43 – Julee Kim Walker, Shauna Kay Thompson, Terri Sanchez– flutists 4:02 – Take-off the rose-colored glasses and have a look at your résumé. See where there can be opportunities for growth. 5:18 – Competition requirements. 5:35 – Reasons “why” you would want to compete? 7:09 – NFA Flute Competitions 7:20 – Make good use of your time. 7:34 – Cluj International Flute Competition 8:01 – Today’s Topic: Organization 8:12 – #1: Where to find competition announcements? 8:27 – National Flute Association’s Website 8:34 – Musical Chairs’ Website 8:44 – Check your local flute organization. 8:55 – Mid-Atlantic Flute Convention’s Competitions 9:00 – Chicago Flute Club’s Competitions 9:12 – #2: What is the “right” competition for me? 9:50 – International flute competitions may require proof of your 10:19 – What are the competition requirements? 10:30 – #3: Be strategic! 10:40 – Resources: time, money & energy 11:29 – Check the repertoire requirements! 11:58 – Bach’s Partita in A minor for Solo Flute 14:06 – An opportunity to learn new flute repertoire! 15:18 – Be proud of your work! 15:40 – Summary: Find out the “why.” Resources. Organization. Strategy. 16:21 – Need help to prepare for your next competition? Contact me! 16:30 – Picks! 20:24 – Please go to iTunes to Subscribe, Rate & Review! 20:34 – Bronze Sponsor: J&K Productions Picks: Add more fruits to your diet and reduce refined sugars! Raspberries with local, raw honey and/or agave nectar Public Speaking!  Episode 61 – Resources Mentioned: Flute 360 – Dr. Heidi Kay Begay’s Website Flute 360 – iTunes Link Flute 360 – Stitcher Radio’s Link Flute 360 – Radio Public’s Link Flute 360 – Podbean’s Link Flute 360 – YouTube’s Channel Flute 360 – Spotify’s Link Episode 61 – Sponsors: Gold/Bronze: J&K Productions’ Website Silver: Contact Heidi for details!

Flute 360 | Episode 59: “Flute Studio Highlights with Dr. Cobus du Toit” (53:01) In today’s episode, Heidi talks with Cobus du Toit who is the flute professor at UMass, Amherst, Massachusetts. He shares past, current, and future projects that are in the works: UMass Flute Day, Castérède Recording Project, #webringflowers, and Vocabulary of Emotion. Check out today’s episode to hear topics around the creative process, collaboration, and recruitment. Episode 59 – Main Points: 0:24 – Gold Sponsor: Interactive Flute Retreat, South Haven, MI 1:10 – Welcome! 1:15 – Today’s topics include: Flute Studio Highlights at UMass (Amherst), Castérède Recording Project, UMass’ Flute Day, and #webringflowers! 1:40 – Cobus’ Biography 2:28 – Cobus’ Texas Residency – March 2019 2:42 – Tarleton State University & The University of North Texas 2:58 – Wm.S. Haynes Company 3:12 – #HaynesGivesBack 3:56 – Dr. Lisa Garner Santa, flutist & teacher 5:23 – Robert Aitken, Icicle for Solo Flute 5:56 – Debussy, Syrinx for Solo Flute 6:00 – Clarke, Zoom Tube for Solo Flute 6:27 – Question: Can you please talk about doubling your flute studio size? 6:45 – Cobus’ Answer 11:55 – “I believe that’s why we do music is to build community and friendship around music.” – Cobus 13:21 – Cobus talks about the logistics of organizing a flute festival. 13:38 – Jonathan Keeble, flutist & teacher 14:29 – Summary of UMass Flute Day. 19:00 – Referring back to the recruitment question. 19:42 – Silver Sponsor: J&K Productions 20:43 – Topic: Inclusion 21:49 – Heidi: Please tell the audience about your Castérède Recording Project. 21:52 – Cobus’ Answer 27:04 – Topic: Changing Hats 28:46 – “The only difference between a student and a seasoned professional is experience.” – Cobus 29:45 – Heidi: Let’s talk about #webringflowers. 29:57 – Cobus’ Answer 36:38 – Question: Any special student projects that you would like to mention? 36:44 – “That is the goal. That through your example you can inspire something even greater than what you are doing!” – Cobus 37:53 – Topic: Ripple Effect 38:18 – “I am a firm believer in measuring success in a different way. Maybe fulfillment is a better word. I think we tend to think of success as very tangible things.” – Cobus 38:38 – Are you musically fed? By doing this you will find your musical home. 39:11 – If you are passionate about the projects you do, you will attract the same type of people. Good things will come because of that. 40:34 – Teaching at the collegiate level. 41:12 – Grant Writing 42:41 – Final Thoughts 42:46 – Cobus’ next project is titled: “Vocabulary of Emotion.” 46:44 – Use other people as soundboards. 51:32 – NFA’s Flute Festival – Salt Lake City, UT 40:02 – Bronze Sponsor: J&K Productions Episode 59 – Resources Mentioned: Flute 360 – Dr. Heidi Kay Begay’s Website Dr. Cobus du Toit, flutist Wm.S. Haynes’ Artists UMass at Amherst, Flute Studio Episode 59 – Sponsors: Gold: Interactive Flute Retreat, South Haven, MI Silver & Bronze: J&K Productions’ Website

In Ep. 26 - The Lives of Some Other Bachs, pt. 3 "Carl Philipp Emanuel and All the King's Men" we will meet the Great Bach's second son, Carl Phillip Emanuel. Despite having much the same upbringing, Emanuel managed to make a success of himself while Friedemann did not. Independent, friendly, and worldly wise, Emanuel left his father's home ready to take on the world, and found himself in the service of one of the most eccentric rulers of the age. Our App!  https://apps.apple.com/us/app/the-great-composers-the-gcp/id1465809545?fbclid=IwAR0tQTElluT8I3jn6SYFcQst70IY0Ym52LjEz1Z3DR11oq5ZGDLV_URNyHk&ls=1 Music heard during this episode: (By CPE Bach unless otherwise noted) Symphony in C major, complete, H. 659 Sonata for Solo Flute in A minor, mvt. 1 H. 562 – Marcos Granados 12 Variations on “The Follies of Spain” H. 263 – Stefano Ligoratti The King's subject from the Musical Offering (JS Bach) Flute Concerto in G Major, mvt. 1, H. 445 ---------------- For all things GCP Please rate, review, and subscribe on iTunes! The App!  https://apps.apple.com/us/app/the-great-composers-the-gcp/id1465809545?fbclid=IwAR0tQTElluT8I3jn6SYFcQst70IY0Ym52LjEz1Z3DR11oq5ZGDLV_URNyHk&ls=1 Like our Facebook page! https://www.facebook.com/thegreatcomposerspodcast/ A complete bibliography for all episodes can be found on my website: www.kevinnordstrom.com

Mahler's legacy, vision and philosophy, and his influence on subsequent composers.Concert: Mahler arr. Klaus Simon, Symphony No.4 - Bedächtig, nicht eilen and Ruhevoll; Mark Anthony Turnage, Grazioso! for Piccolo, Bass Clarinet, Piano, Viola and Cello; Henryk Górecki, Valentines Piece for Solo Flute and Bell; Dai Fujikura, Eternal Escape for Solo Cello.