Podcasts about song king

Gzuz im Oktagon bei dem weltweit größten MMA-Event aller Zeiten! Sein neuer Song "King of GerMMAny" war die Einlaufmusik für seinen Kumpel Christian Eckerlin, der im Kampf gegen Christian Jungwirth angetreten ist. Von den Fans gibt es für die neue musikalische Richtung ordentlich Kritik, trotzdem konnte Gzuz einen ordentlichen Streaming-Start hinlegen. Alle Hintergründe gibt es in der neuen Folge! Jetzt neu: 9 MILE Vodka Ready-to-Drink-Mischgetränke in 2 verschiedenen Geschmacksrichtungen! PINK RUSH mit erfrischendem Grapefruit-Geschmack und PORNSTAR MARTINI mit leckerem Maracuja-Vanille-Geschmack! Für alle, die beide Drinks probieren möchten, gibt es sogar das 9 MILE Vodka Premix Bundle mit jeweils 6 Dosen! Jetzt [hier online bestellen](https://mbg-amberroom.com/collections/9-mile-vodka) oder im Späti/ Supermarkt eures Vertrauens abchecken

His music has been performed in every wrestling company from WWE, AEW, NJPE, he has performed EVERYWHERE.        His new song, a collaboration with Twista, has just been released.     He is the co-host of the Swerve City Podcast   We are very honored to have Monteasy on the Matthew Mania Podcast.      Check out our other Podcasts: www.matthewmania.com/podcasts    Shop Matthew Mania:   www.prowrestlingtees.com/matthewmania     Save the Dates for our next shows:   May 19, 2024 School's Out in Mizner Park   Fall Dates will be announced after the show.    January 30th, 2025 Cruisn' for a Bruisin' 3 at the Pullman Hotel Blue Lagoon at the Miami Airport.    March 9, 2025 back in Mizner Park   More information at:  www.BocaRatonWrestling.com

#friedensnoten 57 – „Stell dir vor, es ist Krieg, und keiner geht hin“ - Der Musikproduzent, Musiklehrer und Sänger, Yann Song King macht sich in seiner Folge der Friedensnoten Gedanken über die Männer der Ukraine und den Sinn von männlicher Kriegstauglichkeit. Sprecher: Karsten Troyke Nachzulesen auf Manova unter dem Titel: Meinen Vater geb ich nicht: https://www.manova.news/artikel/meinen-vater-geb-ich-nicht

Wenn man die Corona-Jahre mit Humor betrachten will – bitte schön: Es gibt eine Hitparade mit den lustigsten Umdichtungen von Schlagern, mit denen uns Yann Song King durch die Pandemie begleitet hat: „Jenseits von Schweden“, „We Will Lock You“, „Ein bisschen Frieren“, „Sag mir, wo die Grippe ist“, usw. „Pandemie-Charts“ nennt sich der Spaß, den man sich auf Youtube anschauen kann. Damit hat der singende Sachse nicht nur für gute Laune gesorgt, sondern auch eine Chronologie der Ereignisse festgehalten, um einer „Geschichtsfälschung“ entgegenzuwirken; um zu verhindern, „dass sich Linien bilden, wo ein Zickzack war.“ Er fragt sich: „Wie kann man eine Krankheit so politisieren, noch dazu – das kommt jetzt raus – wenn genau die Leute, die sich als Feuerlöscher hervorgetan haben, am Ende die Brandstifter waren?“ Es wird schnell deutlich, dass bei Yann Song King eine tiefe Ernsthaftigkeit hinter den Possen steckt. Man merkt es auch an seinen Liedern über die Bedrohung durch den Krieg.

SCRIPTURE: Esther 1:10-22 SHOW NOTES: This story is set in a vast empire under the rule of a pagan king. Described as one who ruled the entire known world, the king spent half a year engaged in strategic meetings with his government officials and military leaders. Now, King Ahasuerus hosts a lavish seven day banquet for these leaders while Queen Vashti hosts a feast in the palace for the women. In Esther, chapter one we read, “On the seventh day, when the heart of the king was merry with wine, he commanded Mehuman, Biztha, Harbona, Bigtha and Abagtha, Zethar and Carkas, the seven eunuchs who served in the presence of King Ahasuerus, to bring Queen Vashti before the king with her royal crown, in order to show the peoples and the princes her beauty, for she was lovely to look at.” However, the queen refused to appear before the king and all of these men who were “merry with wine” after seven days of feasting. Her decision to defy the command of King Ahasuerus stirred great anger in his heart. The counsel of seven advised that Vashti would never again come before King Ahasuerus and her royal position should be given to another woman. What has happened here? This is a king who ruled with an iron fist and demanded complete obedience. We read in 1 Peter 2:16, “Live as people who are free, not using your freedom as a cover-up for evil, but living as servants of God. Honor everyone. Love the brotherhood. Fear God. Honor the emperor.” SONG: "King of Kings" - https://www.youtube.com/watch?v=Of5IcFWiEpg

Season Four is here, friends! We are so excited to share these beautiful, vulnerable, and inspiring conversations with you. This season is tapping into something really special in our hearts, challenging us to grow profoundly. Here's a teaser to get you hyped about what's in store! We hope you love this season as much as we do.Thanks for coming along with us! Song: "King's Castle" by Kazi JayKazi: @kazi.jayFollow us on Instagram: @fathoms.enneagramFollow Abram: @integratedenneagramFollow Creek: @_creekmoreFollow Drew: @typetrailheadFollow Lindsey: @lindseyfaithdm

Creator, provider, mentor, protector, teacher, and nurturer are only a few of the countless words used to describe the roles of a mother. Our friend Allyson dives into the unknown waters of motherhood, compares her very different pregnancy and birthing experiences, and offers insight into the difficult task of making hard decisions in the best interests of your family, especially when those choices go against the grain. This episode is so full of knowledge and experience we had to slice it into two hefty pieces! Check out the show notes in part two for more resources on this topic! Song: King of My Heart - Bethel Music & Stephany Gretzinger

This week Diz and Al discuss intersectional feminism and what it means to punk culture, our personal lives, and how it applies to everyday life regardless of gender or lack thereof. Song: “King” by Lilith Czar New audio episodes drop on most streaming platforms on Saturdays at 3:00 pm HST. Listen to our playlist on Spotify News Bernice Pauahi's will and federal status of Kamehameha Schools and their admission policy Kamehameha Schools wants to build a culturally sensitive boutique resort on the Big Island Report cited the mistreatment of students at Native Hawaiian boarding schools Junked vehicles on Big Island Pololu Valley Baby Formula Shortage Intersectional Feminism article, hegemonic feminism, and Women's March in 2017 (not 2016, sorry!) Why feminism? The patriarchy, types of abuse, cognitive load, and sacrifice in relationships Mia Zapata Murder Bands War on Women- Wonderful Hell Streetlight Manifesto- Everything Went Numb Shout Outs bell hooks- Cultural Criticism and Transformation (transcript) The Gits website and Wikipedia Audre Lorde- The Uses of the Erotic Let's fucking have the conversations! Email us at outonanislandpodcast@gmail.com or follow us on Instagram. --- Send in a voice message: https://anchor.fm/outonanislandpodcast/message

Today guest is 100k Track, who is most notable for being the manager of King Von at the time of his passing and also YNW Melly. He speaks on his come up and linking with Kodak Black and Sniper gang. He speaks about his experience being a rapper to then transitioning to manager. He talks about meeting with YNW Melly while he was in Jail and then having a crazy run with him once he got out of jail 8 months later. He talks about how he met King Von and how he got Lil Durk approval to manage him. He gives a story of how they told Kanye West 'NO' to him askin to getting on a song. He describes the process of working with Kanye and even the early stages of being in the studio with Kanye while he was cooking up Donda in Calabasas. He talks about how he saved Jackboy in a situation where cops would have arrested him. --- Support this podcast: https://podcasters.spotify.com/pod/show/offtherecord-djakademiks/support

We are back with week 2 of our Sing Me A Song series looking at different worship songs that are popular right now or that we sing at Mosaic often. This week we look at the song King of Kings getting some amazing wisdom again from our worship leaders: Lauren Payne, Sarah Watkins, Jacob Cole, Emily Pardy, and Alyssa Watkins. Enjoy!

We hope everyone had a good Christmas! In this episode, Yiming Ha will give an introduction to the forty-four year war between the Mongol-Yuan and the Southern Song. This was one of the longest wars the Mongols had to fight against an adversary and the Southern Song was among the states that put up the longest resistance against the Mongols. This topic is covered very extensively in Chinese language scholarship, but has not received too much detailed attention in English language scholarship. Yiming will talk about the general course of the war, some of the major engagements, the kind of weapons that were used, and some of the implications that this war had on other Mongol conquests and campaigns in Eurasia. Note: There is a mistake at 12:09 - when Yiming said November, it should actually be December. Contributors Yiming Ha Yiming Ha is a Ph.D. candidate in the Department of History at the University of California, Los Angeles. His current research is on military mobilization and state-building in China between the thirteenth and seventeenth centuries, focusing on how military institutions changed over time, how the state responded to these changes, the disconnect between the center and localities, and the broader implications that the military had on the state. His project highlights in particular the role of the Mongol Yuan in introducing an alternative form of military mobilization that radically transformed the Chinese state. He is also interested in military history, nomadic history, comparative Eurasian state-building, and the history of maritime interactions in early modern East Asia. He received his BA from UCLA and his MPhil from the Hong Kong University of Science and Technology. Greg Sattler Gregory Sattler is a Ph.D. student in the Department of History at the University of California, Los Angeles. His research focuses on sea merchants in East Asia from the ninth to thirteenth centuries, with a particular consideration of their place in society, their trade networks, and their relationships with government officials. Gregory has recently published an article titled “The Ideological Underpinnings of Private Trade in East Asia, ca. 800–1127” (Journal of Asian Humanities at Kyushu University 6) and he is currently working on two additional manuscripts. He has received degrees in Taiwan and Japan, and is a proficient speaker of both Chinese and Japanese. Credits Episode No. 5 Release date: December 26, 2021 Recording location: Los Angeles, CA Transcript Bibliography courtesy of Yiming Ha Images Cover Image: Song Wong Tai 宋王臺, or Terrace of the Song King, was a memorial carved on a large rock in Hong Kong after the Yuan conquest to honor the child Song emperors who died. This picture was taken before it was demolished by Japanese forces occupying Hong Kong for an extension of Kai Tak airport. (Image Source) Map of the Mongol invasions of the Southern Song, 1234-1279 (Image Source) Mongol siege fortifications during the Siege of Xiangyang, 1268-1273 (Image Source: Li, Song Yuan zhan shi) Song attempts at reinforcing Xiangyang in 1271 (Image Source: Li, Song Yuan zhan shi) Battle of Ezhou, 1274 (Image Source: Li, Song Yuan zhan shi) Select Bibliography Davis, Richard L. “The Reigns of Tu-Tsung (1264-274) and His Successors to 1279.” In The Cambridge History of China, Vol. 5, Part 1: The Sung and Its Precursors, 907-1279, edited by Denis Twitchett and Paul Jakov Smith, 913-962. Cambridge: Cambridge University Press, 2009. Li Tianming 李天鳴. Song Yuan zhan shi 宋元戰史 [History of the Song-Yuan War]. Taipei: Shihuo chubanshe, 1988. Li Zhi'an 李治安. Hubilie zhuan 忽必烈傳 [Biography of Khubilai Khan]. Beijing: Renmin chubanshe, 2004. Lorge, Peter. War, Politics and Society in Early Modern China, 900-1795. London: Routledge, 2005. Needham, Joseph and Robin D.S. Yates. Science and Civilisation in China: Volume 5, Chemistry and Chemical Technology; Part 6, Military Technology: Missiles and Sieges. Cambridge: Cambridge University Press, 1995. Sugiyama Masaaki 杉山正明. Kubirai no chōsen: Mongoru ni yoru seikaishi no daitenkai クビライの挑戦 モンゴルによる世界史の大転回 [Khubilai's Challenge: The Mongols and World Revolution]. Tokyo: Kodansha, 2010. Wu Guoqing 武國卿. Zhongguo zhanzheng shi, diliu juan: Yuanchao shiqi, Mingchao shiqi 中國戰爭史，第六卷：元朝時期，明朝時期 [History of Warfare in China, Vol. 6: Yuan Dynasty Period and Ming Dynasty Period]. Beijing: Renmin chubanshe, 2016. Yamauchi Shinji 山内晋次. Nissō bōeki to “iō no michi” 日宋貿易と『硫黄の道』 [The Japan-Song Trade and “The Sulfur Route”]. Tokyo: Yamakawa shuppansha, 2009.

Today we're leaning a bit toward the philosophical with the question of what faith really is. Is it a list of teachings or practices? A way to be a better person or a better-than-other-people person? We'll get into some metaphors of what faith is and is not, and I hope these resources are helpful as you figure out faith for yourself. 1. My Brother's Keeper: the faithful organization I mention in today's episode 2. Song: King of My Heart, by Amanda Lindsey Cook 3. Walking with Jesus: A Way Forward for the Church, by Pope Francis 4. Lyric Video, great for meditation: The Voyage, by Amanda Lindsey Cook 5. Journal prompts: Where in my life has my faith served as anchor, sail, home, road, or lens? What does it mean to me to be in relationship with God? 6. Song: The Detour, by FAITHFUL 7. Song: Bridge, by Ellie Holcomb 8. A Biblical discussion of what faith is from the Book of Hebrews

Thanks for tuning in! May this episode be a reminder to us all! Song: “King of the world” - Natalie Grant --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

What do you do when your mind is racing with anxiety? Whether it's small moments of worry, or fears about the state of the world these days, it's easy to get pulled under by a fearful and anxious mind. In this week's episode, I'm sharing three simple practices that can help you move through moments of anxiety by focusing on Jesus instead of your fear.This Week's Practice: What To Do When You're AnxiousTake some deep breaths.Say a prayer of release and surrender. "God, I give everyone and everything to you." from Get Your Life Back by John Eldredge.Fill your mind with words of hope instead of fear. Song: King of Kings by HillsongMore Resources:For more resources to help you discover steady and sustainable growth through simple spiritual practices, visit lindsaysterchi.com/free.Spread the Word:If you enjoyed this episode, would you help us spread the word by sharing it on social media? Tag me (@lindsaysterchi) on Facebook or Instagram so I can connect with you there. Be sure to rate, review, and subscribe so you don’t miss an episode!Connect with us on social:@newhopechurchccwww.newhopechurch.cc/listenConnect with Lindsay:Instagram: @lindsaysterchiFacebooklindsaysterchi.comSubscribe to the other podcasts in the New Hope Podcast Network:The New Hope Podcast (weekend messages)New Hope Underground (a behind-the-scenes look at all things NH)GL Talk (a podcast for group life leaders)YouthCast (a podcast for the Jr. High and High School youth of NH) See acast.com/privacy for privacy and opt-out information.

Theme Song - King (Literally just the song) --- Support this podcast: https://anchor.fm/exgarage-podcast/support

In this episode we discuss the song King Park by the American Post-Hardcore band La Dispute. The song uses story telling forms and active imagination techniques to bring the listener to an acute emotional experience. We discuss why these experiences are important, how they are used for breakthroughs, how they fit into a larger perspective of the human condition and what it means to be open to the emotional sphere. We differentiate ‘transcendent breakthroughs’ and ‘emotional breakthroughs’ and we further discuss related components and techniques of the break through.    Find more episodes of the Andrew Lake Podcast here: Podbean: https://andrewlakepodcast.podbean.com/ iTunes: https://itunes.apple.com/au/podcast/andrew-lake-podcast/id1439388762?mt=2 Spotify: https://open.spotify.com/show/36T6M5UiOt9E35U6faNQUi Youtube: https://www.youtube.com/user/JonoLakeside      

This episode the fellas caught up wit long time friend Trillion (SW LEGEND) Hit several topics,high school days, sniper list,fights,relationships an much more enjoy!!!!!! Song: King von- Crazy story 

Podcast #3 - Breakdown of New Song "King of Kings" & Sharing the Lead Role During Worship by Saylorville Church

Music video uploaded with King Josiah and Aeileon only. Search YouTube for Aeileon- Harpazo ft. King Josiah posted on familiadeconfianza@gmail.com YouTube channel. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/aei-leon/support

King Princess describes how  listening to "Cosmic Dancer" by T. Rex as a kid made her feel seen, helped her understand her gender and  showed her how music could transport the listener to another place and time.

King Princess describes how  listening to "Cosmic Dancer" by T. Rex as a kid made her feel seen, helped her understand her gender and  showed her how music could transport the listener to another place and time.

Don't miss this amazing international episode with the Korean actor Song King-ho who is fresh off a new Bong Joon-ho comedy thriller called "Parasite". The film opens Friday 10/11 in NYC & LA, the wide next week. Also, the Scottish legendary director Bill Forsyth ("Comfort & Joy', "Local Hero") who is here to show a new print of "Gregory's Girl".

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii Press 2018), Dartmouth College Assistant Professor Levi S. Gibbs seeks to answer these and other questions through an examination of the life and music of Wang Xiangrong, the Folksong King of Western China. As a folksong king, Wang is both folk and elite, and in this capacity he simultaneously is tasked with representing the local, the regional, and the national both in performances within China, and—in the case of one chapter looking at his performance at the Dow Chemical Plant in Midlands Michigan—around the world. Born and raised in a rural area of Northern Shaanxi Province, Wang grew up listening to shamanic songs and bawdy songs, but grew into other contexts in which he now represents his region and his nation in ways that require him to modulate his repertoire to bring together audiences, performers in the performance event. At the end of the book, Gibbs considers how the concept of song kings and queens might find application to and help understand about folksingers around the world, in doing so, Song King provides new and innovative ways of considering issues of folksong traditions and their performers in contemporary China and beyond. All recordings mentioned in the volume are also available on amazon. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii... Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii... Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii Press 2018), Dartmouth College Assistant Professor Levi S. Gibbs seeks to answer these and other questions through an examination of the life and music of Wang Xiangrong, the Folksong King of Western China. As a folksong king, Wang is both folk and elite, and in this capacity he simultaneously is tasked with representing the local, the regional, and the national both in performances within China, and—in the case of one chapter looking at his performance at the Dow Chemical Plant in Midlands Michigan—around the world. Born and raised in a rural area of Northern Shaanxi Province, Wang grew up listening to shamanic songs and bawdy songs, but grew into other contexts in which he now represents his region and his nation in ways that require him to modulate his repertoire to bring together audiences, performers in the performance event. At the end of the book, Gibbs considers how the concept of song kings and queens might find application to and help understand about folksingers around the world, in doing so, Song King provides new and innovative ways of considering issues of folksong traditions and their performers in contemporary China and beyond. All recordings mentioned in the volume are also available on amazon. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii Press 2018), Dartmouth College Assistant Professor Levi S. Gibbs seeks to answer these and other questions through an examination of the life and music of Wang Xiangrong, the Folksong King of Western China. As a folksong king, Wang is both folk and elite, and in this capacity he simultaneously is tasked with representing the local, the regional, and the national both in performances within China, and—in the case of one chapter looking at his performance at the Dow Chemical Plant in Midlands Michigan—around the world. Born and raised in a rural area of Northern Shaanxi Province, Wang grew up listening to shamanic songs and bawdy songs, but grew into other contexts in which he now represents his region and his nation in ways that require him to modulate his repertoire to bring together audiences, performers in the performance event. At the end of the book, Gibbs considers how the concept of song kings and queens might find application to and help understand about folksingers around the world, in doing so, Song King provides new and innovative ways of considering issues of folksong traditions and their performers in contemporary China and beyond. All recordings mentioned in the volume are also available on amazon. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii Press 2018), Dartmouth College Assistant Professor Levi S. Gibbs seeks to answer these and other questions through an examination of the life and music of Wang Xiangrong, the Folksong King of Western China. As a folksong king, Wang is both folk and elite, and in this capacity he simultaneously is tasked with representing the local, the regional, and the national both in performances within China, and—in the case of one chapter looking at his performance at the Dow Chemical Plant in Midlands Michigan—around the world. Born and raised in a rural area of Northern Shaanxi Province, Wang grew up listening to shamanic songs and bawdy songs, but grew into other contexts in which he now represents his region and his nation in ways that require him to modulate his repertoire to bring together audiences, performers in the performance event. At the end of the book, Gibbs considers how the concept of song kings and queens might find application to and help understand about folksingers around the world, in doing so, Song King provides new and innovative ways of considering issues of folksong traditions and their performers in contemporary China and beyond. All recordings mentioned in the volume are also available on amazon. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii Press 2018), Dartmouth College Assistant Professor Levi S. Gibbs seeks to answer these and other questions through an examination of the life and music of Wang Xiangrong, the Folksong King of Western China. As a folksong king, Wang is both folk and elite, and in this capacity he simultaneously is tasked with representing the local, the regional, and the national both in performances within China, and—in the case of one chapter looking at his performance at the Dow Chemical Plant in Midlands Michigan—around the world. Born and raised in a rural area of Northern Shaanxi Province, Wang grew up listening to shamanic songs and bawdy songs, but grew into other contexts in which he now represents his region and his nation in ways that require him to modulate his repertoire to bring together audiences, performers in the performance event. At the end of the book, Gibbs considers how the concept of song kings and queens might find application to and help understand about folksingers around the world, in doing so, Song King provides new and innovative ways of considering issues of folksong traditions and their performers in contemporary China and beyond. All recordings mentioned in the volume are also available on amazon. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii Press 2018), Dartmouth College Assistant Professor Levi S. Gibbs seeks to answer these and other questions through an examination of the life and music of Wang Xiangrong, the Folksong King of Western China. As a folksong king, Wang is both folk and elite, and in this capacity he simultaneously is tasked with representing the local, the regional, and the national both in performances within China, and—in the case of one chapter looking at his performance at the Dow Chemical Plant in Midlands Michigan—around the world. Born and raised in a rural area of Northern Shaanxi Province, Wang grew up listening to shamanic songs and bawdy songs, but grew into other contexts in which he now represents his region and his nation in ways that require him to modulate his repertoire to bring together audiences, performers in the performance event. At the end of the book, Gibbs considers how the concept of song kings and queens might find application to and help understand about folksingers around the world, in doing so, Song King provides new and innovative ways of considering issues of folksong traditions and their performers in contemporary China and beyond. All recordings mentioned in the volume are also available on amazon. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wednesday, June 20th 2018 Welcome to the show! Today, Phil is sad about the passing of Wrestling legend Vader. He was 63 years old. It's #WrestlingWednesday so Mayra and Kevin get into about John Cena having a vasectomy and not telling Nikki Bella. We are joined by The Wrestling Theme Song King: Antoine Monteasy Moore. This guy is incredible, he has made over 20 theme songs for current wrestlers including John Cena and Roman Reigns.

Intro music from Isaac Turley https://soundcloud.com/isaac-turley-1 Passport Through Darkness: A True Story of Danger and Second Chances by Kimberly SmithStories Foundation http://storiescafe.org/ Freedom Truck http://storiescafe.org/freedom-truck Noonday http://stephaniepage.noondaycollection.com/ Song “King of My Heart”Fair Trade Companies mentioned: Noonday, Trades of Hope, Vineworks, Root Collective, Star Fish Project, 31 Bits

John 5:22-29 22 For the Father judgeth no man, but hath committed all judgment unto the Son: 23 That all men should honour the Son, even as they honour the Father. He that honoureth not the Son honoureth not the Father which hath sent him. 24 Verily, verily, I say unto you, He that heareth my word, and believeth on him that sent me, hath everlasting life, and shall not come into condemnation; but is passed from death unto life. 25 Verily, verily, I say unto you, The hour is coming, and now is, when the dead shall hear the voice of the Son of God: and they that hear shall live. 26 For as the Father hath life in himself; so hath he given to the Son to have life in himself; 27 And hath given him authority to execute judgment also, because he is the Son of man. 28 Marvel not at this: for the hour is coming, in the which all that are in the graves shall hear his voice, 29 And shall come forth; they that have done good, unto the resurrection of life; and they that have done evil, unto the resurrection of damnation.