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The economy was designed to serve life. At some point, it forgot. This article traces how that happened - through colonial extraction, currency manipulation, and centuries of treating the Earth as an inexhaustible resource - and more importantly, what is already being built in its place. It is also worth naming what is being built against it. Central Bank Digital Currencies (CBDC), digital identity systems, and the broader technocratic agenda advancing through institutions like the World Economic Forum represent a competing vision of the future - one where economic participation is surveilled, programmable, and ultimately controlled by the few. That is not a regenerative economy. It is the extractive economy in a new interface. The regenerative economy moves in the opposite direction: toward decentralization, sovereignty, reciprocity, and life. From Time Banks in New York to community currencies in Ecuador to worker cooperatives in Spain, it is not a future vision. It is a present reality, waiting to be joined. And while blockchain and regenerative finance are real and important parts of this picture, the regenerative economy is bigger than any single technology. It is a whole-systems redesign - cultural, spiritual, and practical - of how human beings relate to value, to each other, and to all living beings on Earth.A System Feature | Designed to ExtractA president steps up to the podium in Manila, praising the economic progress their country has fulfilled after, what many of us call “ the plandemic”. Outside the auditorium, a young mother carries her child on her hip, knocking on car windows at a red light, eyes down, asking for alms. The applause inside the hall doesn't reach her. It never does.The president says the currency has strengthened. That prices are coming down. Meanwhile, across the city, a farmer named Rodrigo is standing in the field he has worked for thirty years, calculating whether this harvest will cover the loan he took out before the last typhoon swept his crop away. It didn't. This is not an exception to the economic system. It is a feature of it. A reflection of a culture that does not care about those actually in need.Many nations measure their health through GDP - Gross Domestic Product - which essentially dictates whether or not an economy is “progressing.” It runs under one quiet assumption: that the Earth will keep giving. Indefinitely. Without asking anything in return. That before the calculations around supply, demand, and the balance of everything else, all the raw materials are already ideally supplied.The Earth is answering. Typhoons that once came once a generation now arrive like clockwork. Harvests that fed communities for centuries are failing across the Andes, the Sahel, the Mekong delta. The seasons that indigenous peoples read as living calendars have become erratic, unreliable, grieving. None of this is random. It is a response - accurate and proportional - to an economy built on the assumption that extraction has no cost.If we were truly “abundant” financially, we would not have billions of people at risk of starvation, homelessness, and other manifestations of neglect and poverty. The economy was supposed to serve all life. It has forgotten this. And in forgetting it, it has begun to abandon human life itself.The Story We InheritedMoney was supposed to be a promissory note for the gold reserves one actually held. The paper was a symbol - pointing at something real, something held in a vault somewhere, something that could be touched.Then the notes began circulating. And the longer they circulated, the more people forgot what they were pointing to. Eventually, the circulation gave rise to the idea of turning the notes into currency itself. The symbol became the standard. It became backed not by gold, but by story - a story so strong, so repeated, so programmed into every transaction of daily life, that we began to mistake it for the truth.We placed a middleman between ourselves and our needs. And somewhere along the way, we forgot we had done it. Perhaps, by design. Here is what the story never tells you: the gold itself did not arrive innocently.In 1302, Pope Boniface VIII issued Unam Sanctam, declaring papal authority supreme over all earthly power - making the Earth itself, philosophically, ownable. A century and a half later, that claim became economic policy. Dum Diversas (1452) authorized the enslavement of non-Christians across the globe. Romanus Pontifex (1455) granted Portugal the right to colonize and extract across Africa and the New World. Inter Caetera (1493) extended the same to Spain and the Americas.These were the founding economic legislation of the extractive world we live in - all cloaked in religious language.What followed was centuries of forced extraction. Economists Flynn and Giráldez have documented that colonial American silver - mined through indigenous forced labor in Potosí and across Peru and Mexico - became the standard monetary foundation of early global trade. The gold in the vault was never simply there. It was coercively taken.And then, on August 15, 1971, even that material trace was erased. President Nixon closed the gold window, ending the Bretton Woods system and severing the dollar's convertibility to gold. According to the Federal Reserve's own record, the international community was not consulted. From that moment, currency was backed by nothing but the authority of the government printing it.Knowing that we wrote ourselves into this story, we are now remembering that we can write ourselves out of it. Not only by writing new stories, but by reconnecting with stories that existed long before our current economic situation - stories that are still alive, still practiced, still remembered by the communities that never abandoned them.What Has Always WorkedBefore the conquest of certain nations to centralize power into their hands, other societies practiced more communal and regenerative ways of exchanging value. To them, considering other people and the Earth itself was not an ethical add-on. It was integral to the flourishing of their economies.Pre-colonial PhilippinesLong before the Spaniards arrived, the Philippine archipelago was a major hub in the maritime Silk Road - one of Asia's most active trade networks. Communities exchanged with Chinese, Japanese, Arab, and Indian traders at coastal ports and river settlements.The archipelagic geography made it impossible to consolidate wealth in any single place. Different tribes like the Maranao exchanged surplus agricultural produce, textiles, metalware, and forest products through robust barter systems built on kinship ties and alliances among polities. Value moved between two people who chose to relate. No middleman. Mutual trust was the economic infrastructure.Andean PeoplesThe Quechua people organized their economy around a relational foundation that lives in the language itself. Ayni - sacred reciprocity. Minka - collective community work. Randi-Randi - generalized reciprocity, the understanding that what circulates returns. All three connect to the broader principle of Sumak Kawsay: good living in right relationship with community, land, and the living world.Sumak Kawsay does not separate prosperity from the wellbeing of ecosystems. It understands them as one thing. This recognition runs so deep that Ecuador enshrined it as the central guiding principle for its national development in its 2008 constitution - the living legal inheritance of an ancient economy that knew how to stay.Haudenosaunee in North AmericaIn their 1981 formal statement to the United Nations, the Haudenosaunee Council of Chiefs articulated what their communities had practiced for centuries: that the earth was created for all to use, forever - not for the present generation to exhaust. Under their law, land is held by the women of each clan, who farm and care for it for the benefit of future generations.The Haudenosaunee saw land as a responsibility to be stewarded in trust. Anthropologist Kurt Jordan from Cornell University documented their economic practices and described them as “a reasonably sustainable, localized economy” even under intense external pressure. They had embodied communal stewardship long before theories about such things were written down.Southern Africa“I am because we are.”This is Ubuntu - the philosophy at the core of both social and economic life across Southern Africa. Communities in South Africa and Mozambique relied on mutual aid networks, intergenerational knowledge systems, and participatory rituals as practical economic infrastructure. These systems enhanced community cohesion and collective resilience precisely in the moments when extractive economies failed them. They understood, bone-deep, that no human being thrives in isolation.Diversity of Regen Economic SystemsMany communities across continents are actively rebuilding economic systems beyond the extractive model. The following are not theoretical. They are actively running. Hence, the more diversity of economic systems each person and community practices, the more abundant, unbreakable and independent we are from degenerative systems from governments and corporations that want to control it all. The Commons FoundationOne body of research forms the intellectual foundation for nearly all of them: the life's work of Elinor Ostrom, the first woman to receive the Nobel Prize in Economics. Ostrom spent decades documenting over 800 cases of communities successfully governing shared resources - in Switzerland, Kenya, Guatemala, Nepal, and beyond - without either privatization or state control.Her conclusion was simple and radical: communities do not inevitably destroy what they share. Given the right institutional design, they protect it and pass this duty to the next generation. And her eight design principles for successful commons governance - the framework that emerged from all that fieldwork - describe, as she herself acknowledged, the same governance systems that indigenous communities had been practicing for centuries.Her work is not a new idea. It is a confirmation of ancient ones.Regenerative Economics | Beyond ReFi - The Whole-Systems VisionWhen most people first encounter the term “regenerative economy,” they arrive through crypto. Through ReFi - regenerative finance - and the promise of blockchain as a tool for funding ecological restoration, decentralizing power, and making impact transparent. These are real contributions. They matter.But John Fullerton, founder of the Capital Institute and one of the most rigorous thinkers in this field, spent two decades on Wall Street before arriving at a different and more fundamental question: what if the entire framework of modern finance is running in conflict with how life actually works?Fullerton's work focuses on building an economic framework that supports the long-term health of people, communities, and the planet - not by tweaking the existing system, but by replacing its underlying logic. His core argument is that we are running our society in conflict with the patterns and principles that explain how life works.His answer is what he calls regenerative economics: eight principles drawn from living systems science that describe how healthy economies - like healthy ecosystems - actually function. Diversity. Balance. Circular flow. Robust circulation. Surplus financial capital, in his framework, needs to be recycled and regenerated into other forms of capital - natural, social, and cultural. Not hoarded nor extracted. Composted back into the living system that produced it.ReFi, in Fullerton's framing, is one tool within this larger architecture. Blockchain can decentralize power. Tokenized nature credits can make ecological value legible to markets. Community currencies can circulate value locally. But the technology is only as regenerative as the values underneath it. A crypto project built on extraction logic is still extraction, regardless of the chain it runs on.Regenerative economy is not a financial product. It is a civilizational shift - in how we measure wealth, in what we decide to protect, in whose voices count when decisions are made. ReFi is welcome in that shift. It is one current in a much larger river.Time BanksIn Jackson Heights, Queens, a retired nurse named Gloria hasn't touched the formal economy in months for the things that matter most to her. She spends three hours teaching English to a recent immigrant. Those hours become credits. She spends them on home repairs from a neighbor who knows carpentry. He spends his credits on childcare. The loop keeps moving.This is a Time Bank - a community exchange system built on one radical premise: everyone's time is worth the same. One hour of legal advice equals one hour of gardening equals one hour of emotional support. The hierarchy of market wages disappears. What remains is a web of people who need each other.Edgar Cahn, who developed Time Banking in the 1980s after surviving a near-fatal heart attack, called it “co-production” - the idea that the economy needs what the market can never price: care, community, civic participation, the work of raising children and holding elders. Time Banks make that invisible labor visible, and circulate it back into the community that produced it.Today there are over 500 Time Banks operating in more than 30 countries. Some have formalized into neighborhood institutions. Others run through apps. All of them rest on the same foundation the Quechua called Ayni - sacred reciprocity - translated into the language of modern urban life.Mondragon CorporationThe Mondragon Corporation in Spain's Basque region remains the most studied proof that democratic ownership functions at scale. Founded by six worker-owners in 1956, it now comprises 96 cooperatives employing over 70,000 people, with annual revenues exceeding €11 billion. Workers own the company collectively, vote on strategy at general assemblies, and operate under a constitutionally capped pay ratio of 6-to-1 between the highest and lowest earners.Traditional Dream FactoryIn a 25-hectare village in Alentejo, Portugal, Traditional Dream Factory is a living prototype of the self-sustaining regenerative community - blending collective ownership, ecological restoration, intentional community, and decentralized economy in one working place. They have raised over €1.25 million in total capital across 280+ token holders. Their 2026 build phase is completing co-living rooms, artist studios, a farm-to-table restaurant, a mushroom farm, and a biopool wellness space.AtreyuInvestment, as most of us have encountered it, prioritizes short-term financial returns above all else. Atreyu challenges this at the root by approaching investment through living systems principles and deep relational due diligence. They support their investees to ensure that both the enterprises and the ecosystems they steward realize their potential - together. They focus on early-stage businesses and actively encourage steward-ownership models that enshrine self-governance and purpose orientation.Muyu CoinOne of the first social coins in South America, Based in Ecuador - Muyu serves as an alternative exchange system rooted in community trust and an understanding of sacred economy. It protects the sovereignty of communities in their production, distribution, exchange, consumption, and post-consumption - keeping the loop of value inside the community rather than extracting it outward. It uses Cyclos, an enchrypted platform, a base.It first did an attempt to start in 2015, but not many people showed interest. It then came back very strong in 2020, due to the “plandemic”. People felt the need to have alternative ways to transact that was not controlled by limiting governments. Giving communities complete independence. Currently with over 150+ members who are exchanging goods and services in different nodes throughout the country. From food produce, clothing and art -to- car mechanic, dentists and school teachers serving to the community.Grassroots EconomicsFounded in Kenya, Grassroots Economics supports communities in building their own self-sustaining economies - even when national currency is scarce - through a model called Commitment Pooling.Consider Wanjiru, a vegetable seller in Mombasa's Bangla Pesa network. During a slow week when Kenyan shillings are tight, she issues a Community Asset Voucher - a commitment to provide vegetables - and deposits it into a communal pool. Her neighbor, a carpenter named Kamau, redeems it. He offers his own labor in return. The loop closes. Food reaches a family that needed it. A roof gets repaired. No national currency changes hands.This is not a workaround. It is a return to how value was always supposed to move.Since Grassroots Economics was established in 2010, they have supported 26,600 people across 290+ communities, issuing over 2,140 vouchers. Their protocol is inspired by indigenous Rotational Labor Associations similar to Kenya's mwethya and harambee traditions. It is open-source and blockchain-agnostic - meaning any community, anywhere, can deploy it.The Choice in Front of UsThese regenerative endeavors share one answer to the core assumption of the extractive economy: the economy does not need to extract in order to function. Value can circulate and regenerate rather than accumulate. Ecological health, community resilience, and the wellbeing of the next generations are not costs to minimize - they are the actual metrics that demonstrate economic success.The question is no longer whether it is possible. It is happening. The question is whether enough of us choose to participate in building it, and whether we remember our roles as stewards of the Earth that has always sustained us.We get to choose the future we want for ourselves, our children, and the seven generations that come after.Your Role in the Regenerative EconomyReading this is already a kind of remembering. The question that follows is simple: where do you begin?The regenerative economy is not waiting to be invented. It is waiting to be joined. Every one of the models described here started with a small group of people who decided to practice a different relationship with value - before it was proven, before it was popular, before it was funded.Here are real entry points, available now:Start with your immediate circle. Identify three skills or resources you have in excess - time, knowledge, food from a garden, tools sitting unused. Offer them. Ask for what you need in return. This is Ayni. It requires no platform, no signup, no permission.Relocalize your spending. Every dollar (fiat currency) that circulates inside a local economy multiplies its impact without leaving the community. Farmers markets, community-supported agriculture, local cooperatives, regenerative small businesses - these are not lifestyle choices. They are votes for a different system, cast weekly.Find or start a Time Bank in your area. hOurworld.org and TimeBanks.org maintain active directories. If nothing exists near you, starting one requires little more than a spreadsheet and a Telegram/Whatsapp group.Join a community working on this. It can be our Regenerative Leadership Community from www.regenerativeculture.life is one place. There are others - transition towns, ecovillages, commons networks - in most regions of the world. Find your people. The regenerative economy is, at its root, a relationship economy. It does not work alone.Learn the language. Permaculture design, commons governance, cooperative economics, sacred reciprocity - these are not abstract concepts. They are practical skills with deep traditions behind them. The more fluent you become, the more useful you are to the communities building this.The scale of what needs to change can feel paralyzing. It is not meant to. The models described in this article did not begin at scale. Mondragon began with six people. Grassroots Economics began in one neighborhood in Mombasa. The Quechua did not design Ayni for a movement - they designed it for a harvest.Start where you are. With what you have. With whoever is near you. That has always been enough to begin. It's not easy, but it is possible.Written by Gertie Farenas and Yoshi Pantera - 90% by us humans and 10% AI assisted.This Audio is recorded by a true voice - Yoshi PanteraThis article is part of the Regenerative Culture Chronicle - a publication exploring the ideas, practices, and communities building a world that benefits all life.Learn more at RegenerativeCulture.LifeThanks for reading Regenerative Culture Chronicle! This post is public so feel free to share it.Regenerative Culture Chronicle is a reader-supported publication. To receive new posts and support our work, consider becoming a free or paid subscriber. Thank you! Get full access to Regenerative Culture Chronicle at regenerativecultureworld.substack.com/subscribe

This Audio covers:• Libra's main theme & karmic lessons for 2026• Saturn in the 6th house & discipline-based success• Jupiter's Raj Yoga for career & recognition• Love, marriage, family & emotional shifts• Health, digestion & lifestyle guidance• Chakras to heal for emotional balance• Spiritual growth, pilgrimage & mantra• Practical do's & don'ts for Libra in 2026

Lkvod כה שבט, the 25ht of Shvat, marking 37th Yarzeit of my father A”H, *Dr. Avrohom Abba Seligson: The Rebbe's Physician*, we share a voice file which includes facts and stories about him. This Audio is comprised of 2 recorded files, originally posted in our “Zichronos of the Rebbe Group” (in 5780/2020). Listening time is about 14 min. Due to its length you may need to download it to a computer.

In this episode, we sit with jazz photographer, Lerato Pakade who journeys with us on how her jazz obsessed teenage years led to a career in image making. Pakade also reminds us of the value of collaborations and sharing oneself with other creatives, as they give of themselves to us. Pakade's work is founded on love, for music, for collaboration, for a black and white image that holds us in time and with care.Hosted by Siphokazi TauFilmed by ANDYMKOSI & Wandile NdlovuEdited by ANDYMKOSIFilmed at Lit Book Culture in Brixton at BreezeblockProduced by This Audio is Visual Episode Research by Siphokazi Tauhttps://www.instagram.com/thisaudioisvisual/https://www.instagram.com/talkingfeminist/https://www.instagram.com/leratopakade/https://www.instagram.com/umalume_uwah/https://www.instagram.com/talkingfeminist/

In the 6th episode of This Audio is Visual, we sit down with South African documentary photographer Ntikana Ramohlale at the launch of his debut photobook, O se Boloke.Hosted by @taivphotobookclub and moderated by Siphokazi Tau, with reflections from a live audience at The Forge, Ntikana shares his journey as a self-taught photographer and explores themes of youth, Blackness, spirituality, and the socio-political landscape of post-democratic South Africa.

A core part of This Audio is Visual's work is to diversify the voices we engage with in the image-making landscape. In this conversation, we speak with archivist Zandile Myeka about the practice of archiving and memory keeping as vital tools for preserving history, culture, and collective memory. Grounded in her work at the Nelson Mandela Foundation, Zandile reflects on archiving not only as a way of safeguarding our national history but also as a means of shaping what our collective memory could look like.Credits:Producer: This Audio is Visual In collaboration with Urban SkhotheniResearcher: & Host Siphokazi TauGuest Zandile MyekaCinematography: Andiswa Mkosi & Wandile HlosokuhleMixed & Mastered: Wandile HlosokuhleEditor: Andiswa MkosiConnect With Us::https://www.instagram.com/thisaudioisvisual/https://www.instagram.com/andymkosi/?hl=enhttps://www.nelsonmandela.org/https://www.instagram.com/urban_skhotheni/?hl=enhttps://www.instagram.com/talkingfeminist/?hl=en

This Audio is from a YT live episode and discusses Brian Kohberger's plea agreement. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This Audio is from a YT live and discusses the plea agreement and includes the audio from the hearing of Brian Kohberger accepting a plea of guilty on all counts. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This Audio is from a YT live episode and discusses Brian Kohberger's plea agreement. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This Audio is from a YT live and discusses the plea agreement and includes the audio from the hearing of Brian Kohberger accepting a plea of guilty on all counts. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This Audio first aired in 2023 FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

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This Audio first aired in 2023 FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

This Audio first aired in 2023 FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

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This Audio first aired in 2023 FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

In the fourth episode of This Audio is Visual, we seek insight from the wise. We are joined by Dr. Roger Ballen for a conversation set at the Inside Out Centre for the Arts, located in Johannesburg's Forest Town and founded by Ballen himself.Dr. Roger Ballen is an American artist who has lived and worked in Johannesburg and its surrounds since the 1970s. In this interview, he shares in-depth reflections on his journey through the world of photography and how he developed his distinctive visual style known as the Ballenesque."As a photographer and artist, my work goes beyond conventional photography; it seeks to explore the depths of the human psyche. Roger Ballenhttps://www.insideoutcentreforthearts.com/https://www.instagram.com/insideoutcentre/https://www.rogerballen.com/Produced by This Audio is VisualHosted by ANDYMKOSICinematography & Sound Production by Urban SkhotheniAdditional Footage by Tsandza KubukwaMusic by EMAMKAY

This Audio first aired in 2023 FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

This Audio first aired in 2023 FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

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This Audio first aired in 2023 FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

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In the third episode of This Audio is Visual we zoom all the way to Nigeria to speak with (temmy.jay) Temiloluwa Johnson, a Nigerian photojournalist and storyteller based between Lagos and Ibadan.Her work delves into themes of queer identity, community, and socio-cultural expression.Temiloluwa is a 2025 World Press Photo Contest winner, the only Nigerian recognized this year and has also been named a finalist by both the Magnum Foundation and the Ian Parry Photojournalism Grant.Johnson joins us to share how her unwavering belief in herself has helped her carve out a path in the photography industry. She credits much of her confidence, resilience, and life skills to her beloved grandmother, whom she affectionately calls G-Mama.If you're at a stage in your career where you're exploring grant writing and pitching your ideas to potential funders, this is the episode for you.TEMILOLUWA JOHNSON:https://www.instagram.com/temmy.jay/

This Audio is Visual is a podcast by photographers, for photographers, from across the continent of South Africa.In this episode, meet Obakeng Molepe, a commercial and documentary photographer based in Johannesburg. His work has graced the covers of GQ Magazine and featured in a range of commercial campaigns.Obakeng speaks poignantly about the importance of mentorship and the power of creating from a place of love rather than survival. Having found his creative balance, he shares his journey with ANDYMKOSI in the second episode of Season 3.Filmed by: BonginkosiMuchanga / Tsandza Kubukwa & Wandile Hlesokuhle / UrbanSkhotheniEdited by: ANDYMKOSI/This Audio is Visual Produced by: This Audio is VisualSocial Media Strategist: Friends Who Create/Carly Hendricks

After a hiatus, This Audio is Visual returns with Season 3! Our podcast continues to explore photography and photographers across the continent and diaspora.Kicking off the season is award-winning photographer Jodi Bieber. A South African photographer with a career spanning decades, Bieber is widely known for her striking, human-centered storytelling. In this episode, Jodi Bieber speaks with ANDYMKOSI about how her work serves as a visual ode to South Africa, capturing the soul of the country through her lens.

Lkvod כה שבט, the 36th Yarzeit of my father A”H, *Dr.Avrohom Abba Seligson: The Rebbe's Physician*, we share a voice file which includes facts and stories about him. This Audio is comprised of 2 recorded files, originally posted in our “Zichronos of the Rebbe Group” (in 5780/2020). Listening time is about 14 min. Due to its length you may need to download it to a computer.

Episode 116 of Inside Quotes! This week Jonathan picked the 2002 film “Spider-Man”. This Audio-only episode was recorded in November 2023 and intended it to be our Thanksgiving Special. However, we didn't get it posted in time for the holidays last year so we put it in the default vault until now. We hope you enjoy today's episode, and that you and your loved ones have a Happy Thanksgiving!   JOIN US ON PATREON: https://www.patreon.com/InsideQuotes   Watch Today's Episode on YouTube: Inside Quotes - YouTube Channel   On Today's Episode:   Superhero Origin Movies Camping at Disney's Fort Wilderness Spider-Man Soundtracks Green Goblins - Greatest Villain? Bath Tub Toys Uncle Ben Memes World's Greatest Extra - Jesse Heiman Weird Al - Ode to a Superhero Spider-Man and the American Flag - SCB Theory     Show Notes: Inside Quotes Merch Store Linktree: @insidequotescast Artwork by Bryce Bridgeman: @Groovybridge

This Audio is our first in Spanish!

Relaxing sounds and views of a crackling camp fire burning by a gently flowing river in the forest, accompanied by the delicate song of a Robin (Erithacus rubecula). This AUDIO of beautiful and pristine nature creates an atmosphere of peace and tranquility. It can help relax the mind and body, relieve stress and help create a positive and more balanced state of being

This Audio is sponsored and approved by BetterHelp. Visit https://betterhelp.com/doubletoasted to get 10% off your first month! Today, we review KILLERS OF THE FLOWER MOON. Learn more about your ad choices. Visit megaphone.fm/adchoices

This teaching is introduction to understanding Altars in our bloodline. Altars are for good or bad most so for those who wants to serve a living God. This Audio teaching will give you insight how to build alter of God with your heart not by hands.

Did you know that audiobooks have become one of the nation's largest bookseller's most popular format, accounting for 50% of books that hit number one? I had the pleasure of reading my debut memoir, Stash My Life In Hiding myself for audio. Apparently this is a job that usually goes to an audiobook narrator or an actor, and now I know why! (It was quite demanding!)  Scott and I wanted to share some Stash excerpts with you, but first first, a little housekeeping: This Audio excerpt is courtesy of Simon & Schuster Audio from STASH by Laura Cathcart Robbins, read by the author. Copyright © 2023 by Laura Cathcart Robbins. Used with permission of Simon & Schuster, Inc. Now, please enjoy this brief excerpt titled: Prologue To purchase your copy of the audio book: https://bit.ly/3SSfLbN Special thanks to our sponsors: AirDoctor: Head to airdoctorpro.com and use promo code ONEROOM and, depending on the model, you'll receive UP TO 39% off or UP TO $300 off! Lock this special offer by going to  Airdoctorpro.com and use promo code ONEROOM PATREON SHOUT OUTS: Thanks to Kathleen Hahn Cute Booty Lounge is made right here in the USA, by women and for women. The company is incredible, female, and minority-owned and all of their leggings make makes your booty look amazing. Go to https://cutebooty.com/ today! Embrace your body, love your booty! Join our Patreon: Become an Only One In The Room patron by joining us on Patreon! Starting at only $5.00 per month, you'll get bonus content, access to outtakes that the general public will NEVER see, extremely cool merch, and depending on what tier you get, monthly hang time with Scott and Laura. Join our Patreon today at https://www.patreon.com/theonlyonepodcast  Don't miss our new Friday series On My Nightstand. Be sure to join our Facebook Group for the most up-to-date info on guests, episodes and more. You can also DM us on Instagram @theonlyoneintheroom or email us via the website at www.theonlyonepod.com Also visit the website for the latest from our host Laura Cathcart Robbins like live events, appearances, featured articles and more. We love hearing from you in the comments on iTunes and while you're there don't forget to rate us, subscribe and share the show! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this fourth Bonus Episode of Public Square 2.0, the re-launch of The Public Theater's podcast, Public Square, we drop in on the “What Do You Know: Reflections from Indigenous Artists” event, held in connection with The Public and Woolly Mammoth's production of Where We Belong by Madeline Sayet. Part 2 of this 2 part series features playwrights' Tomas Endter (Nehithaw) and Vickie Ramirez (Tuscarora) as they share from scripts in progress and join host Garlia Cornelia Jones in conversation.  The evening concludes with a post-show conversation and a check-in with Associate Production Manager Courtney Banks. If you missed the first part of this full evening, be sure to go back to Part 1! This Audio-only episode is available wherever you find your podcasts.  Each full episode of Public Square 2.0, will continue to guide you through a behind the scenes look as we connect with artists and staff.  Welcome home, to Public Square—we're so happy to have you back!   Hosted by Garlia Cornelia Jones Visit our Podcast webpage for photos, bios and other episode related content!  Executive Producer: Garlia Cornelia Jones, Director - Innovation and New Media Creative Producer: John Sloan III, Ghostlight Productions Audio Producer: Justin K. Sloan, Ghostlight Productions Assistant Producer: Emily White - New Media Associate   Graphics by Tam Shell, Art Director - Brand Studio   Music Credits: “Latte” By Sunny Fruit, Artlist.io "Beatrix" By Notize, Artlist.io   Transcript by 3Play  

 In this third Bonus Episode of Public Square 2.0, the re-launch of The Public Theater's podcast, Public Square, we drop in on the “What Do You Know: Reflections from Indigenous Artists” event, held in connection with The Public and Woolly Mammoth's production of Where We Belong by Madeline Sayet. Part 1 of this 2 part series features playwrights Ty Defoe (Ghiizig) and Drew Woodson (Te-Moak Band of Western Shoshone) as they share from scripts in progress and join Host Garlia Cornelia Jones in conversation. This is the first of a two part episode series, so be sure to tune in for part 2! This Audio-only episode is available wherever you find your podcasts.  Each full episode of Public Square 2.0, will continue to guide you through a behind the scenes look as we connect with artists and staff.  Welcome home, to Public Square—we're so happy to have you back!   Hosted by Garlia Cornelia Jones   Executive Producer: Garlia Cornelia Jones, Director - Innovation and New Media Creative Producer: John Sloan III, Ghostlight Productions Audio Producer: Justin K. Sloan, Ghostlight Productions Assistant Producer: Emily White - New Media Associate   Graphics by Tam Shell, Art Director - Brand Studio   Music Credits: “Latte” By Sunny Fruit, Artlist.io  

Public Square 2.0 - Bonus Episode 2 “Hansberry & Baldwin in the Building”   Description: In this 2nd Bonus Episode of the Public Square 2.0, the re-launch of The Public Theater's Podcast, “Public Square.” We give you a front row seat to a conversation from one of our Fall Productions, Baldwin and Buckley at Cambridge, a co-production with Elevator Repair Service (ERS). The show was directed by ERS founder, John Collins, and conceived and performed by Greig Sargeant, along with actor and sound designer, Ben Jalosa Williams, the three of whom joined Dr. Imani Perry and Dr. Eddie S. Glaude, Jr. in conversation after the show.  Host Garlia Cornelia Jones, The Public's new and first ever Director of Innovation and New Media, introduces the Bonus Episode and drops you into the evening.   This Audio-only episode is available wherever you find your podcasts.  Each full episode of Public Square 2.0, will continue to guide you through a behind the scenes look as we connect with artists and staff.  Welcome home, to Public Square—we're so happy to have you back!    Visit our Podcast webpage for photos, bios and other episode related content!   Executive Producer: Garlia Cornelia Jones, Director - Innovation and New Media Creative Producer: John Sloan III, Ghostlight Productions Audio Producer: Justin K. Sloan, Ghostlight Productions Assistant Producer: Emily White - New Media Associate   Graphics by Tam Shell, Art Director - Brand Studio   Music Credits: “Latte” By Sunny Fruit, Artlist.io   Transcript by Ghostlight Productions  

This Audio from the YouTube Interview w/ Influencer/ Artist KillahCyn. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Heavy D Crushes Crist in FL Governor's Debate and a Preview Oz-Fetterman. This Audio will Restore Your Faith in Sanity. Meet Matt Jacobs, Congressional Candidate in California's 26th District. Meet Katie Britt, Alabama Senate Candidate Fighting for Our Kids.Follow Clay & Buck on YouTube: https://www.youtube.com/c/clayandbuckSee omnystudio.com/listener for privacy information.

This Audio is of a recent webinar around what/ who is Dogs & Deadlifts.

Real estate is a tricky business. You want to find the perfect property and make the best offer, but you don't want to overspend. So how do you know how much to offer? The answer is simple: do your research and calculate your maximum bid. Dutch Mendenhall shares his perfect formula for calculating your next offer. His strategy will give you a good idea of what the market value is for any type of rental property you're interested in. Once you have an idea of the market value, you can start to calculate your max bid. With all of this information, you'll be able to calculate a fair and reasonable offer. This Audio was taken from Dutch Mendenhalls Facebook Live 2019 The RADD Podcast: Explore Wealth is an exploration of Wealth, Finance, Business, and Entrepreneurship. Hosted by Dutch Mendenhall, founder of RAD Diversified and visionary behind the American Survivalist Project. The Topics of Discussion include Alternative Investments, Real Estate, Tax Auctions, REIT‘s and more. Episodes are posted weekly, enjoy. Follow the link to view offerings https://www.sec.gov/Archives/edgar/data/1721469/000110465921144047/tm2134023d1_partiiandiii.htm Follow Me on all my social media platforms. Dutch Mendenhall Facebook: https://www.facebook.com/TheRealDutchMendenhall Instagram: https://www.instagram.com/dutchmendenhall/ YouTube: https://www.youtube.com/channel/UCXrgBGNkiphuyYeCcwXF1kw Twitter: https://twitter.com/TaxAuctionPros RAD Diversified Website: https://raddiversified.com/ Facebook: https://www.facebook.com/raddiversified Instagram: https://www.instagram.com/raddiversified/ YouTube: https://www.youtube.com/channel/UC3YSsFzsXLksebTwZtxL97Q American Survivalist Project Website: https://americansurvivalistproject.com/ Facebook: https://www.facebook.com/AmericanSurvivalistProject Instagram: https://www.instagram.com/americansurvivalistproject/ YouTube: https://www.youtube.com/c/americansurvivalistproject