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ABOUT CHARLES LEON:CHARLES' LINKEDIN PAGE: https://www.linkedin.com/in/chleon/COMPANY WEBSITE: charlesleon.uk CHARLES' BIO:Writer and Illustrator of Sketch Journals, including The Kew Sketch Journal. International Speaker and Trainer on the Creative Process and how Applied Innovation actually works. With more than 30 years experience in design, and an extensive knowledge of neuroscience and the working of the creative mind, I bring a wealth of knowledge and experience to helping Organisations and Individuals overcome Innovation Stagnation and achieve Creative Breakthrough.SHOW INTRO:Welcome to the NXTLVL Experience Design podcast.EPISODE 77… and my conversation with Charles Leon. On the podacast our dynamic dialogues based on our acronym DATA - design, architecture, technology, and the arts crosses over disciplines but maintains a common thread of people who are passionate about the world we live in and human's influence on it, the ways we craft the built environment to maximize human experience, increasing our understanding of human behavior and searching for the New Possible. he NXTLVL Experience Design podcast is presented by VMSD Magazine part of the Smartwork Media family of brands.VMSD brings us, in the brand experience world, the International Retail Design Conference. The IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing the discourse forward on what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org On this episode I connect with Charles Leon who has 30 years experience in design, and an extensive knowledge of neuroscience and the working of the creative mind.We'll get to all of that in a moment but first though, a few thoughts… * * *When I was nine years old my mom put me in a after school art program in a small little studio a few minutes walk from my school. Every Thursday afternoon, after my regular school classes were done, I would walk down the street, sit in an art studio and learn how to paint in oils. For the next 10 years this was a welcome change in my daily routine that became in some sense a safe place. A place where all the world's troubles or the typical challenges I was having as a teenager would disappear and I would spend a couple of hours focused on painting. My mom had recognized early on that I was pretty handy with a pencil and very interested in creative expression. She did her very best to make sure that I was continually engaged in creative processes whether it was doing Ukrainian Easter eggs or sketching and drawing or baking creative Christmas cookies.She was always there pushing the go button on creativity. As it turns out, she was actually a pretty good artist herself and later in her life she began doing decorative painting which she became exceptionally adept at and the house was full of wonderful pieces of her craftsmanship.My interest in art followed me through the first few years of high school and finally landing in a place where it was just time to decide where I was going to university and to which program I would go.My mom, recognized that I was firmly sitting on either side of the creative and scientific fence, 1 foot firmly in both worlds, and she suggested architecture since it seemed to combine both of my interests.While I was studying to be an architect I took every single drawing and painting course that I could possibly take, whether they were weekly freehand drawing studios or evening classes or sketching schools.These courses during my university years were a safe place there I had more confidence than in doing pretty much anything else.But it really wasn't until those years in university under the tutelage of a great art teacher Gerry Tondino that I really began to understand drawing and painting.It wasn't so much that I was learning technical aspects of drawing or painting but that I was more learning how to see rather than simply look at things.Gerry would say, ‘once you learn to see and draw what you actually se, rather than what ou think you see, the drawing takes care of itself.'I had deep respect for Gerry Tondino and I think I really finally learned how to deeply appreciate the world around me to see the color, texture and value relationships. To understand how objects exist within a context and it wasn't specifically the thing you looking at but everything around it that helped to define its edge.In college I would continue to take afterschool watercolor courses thinking that it was more convenient than painting in oils since there was a technical challenge of oil painting taking much longer to dry.There was something about the immediacy of watercolor that I liked. You had to think fast and plan. Watercolor was the process of painting in the shade and shadows leaving the white of the paper as the light and highlights. In oils, or now acrylic which I use almost exclusively, you are starting from the dark tones and building in layers to bring out the light.In watercolor there was equally some unpredictability and a learned skill of being able to get certain effects like running a clean wash of graduated blue for a sky over a background or how some pigments we opaque and others transparent, or how colors would interact with each other as water spread across the paper.I was taking workshops once and the teacher said to me “well it's clear you can draw and you've got, you know, a good hand, but I guess the question really is what do you want to say with the work that you create”That was a whole different way of thinking that I'd never really spend time with prior to that moment. I painted and drew simply because it was fun.What did I want to say?...And so I began to think pretty significantly about what message I wanted to convey or rather what stories the things that I drew or painted I might want to share with other people.It was interesting when I began to study architecture and think about design of places and things that I was drawn to the same question about what the architecture meant and what stories it would hold over the years that people would use it.I was always fascinated with traveling and standing within old buildings and wondering what the people wore when they were visiting here hundreds of years ago.What would they talk about. What was the news of the day or the politics what secrets were being not told as people visited and who came and went from within a building's walls.As I moved along my career, thinking about the stories that buildings would hold, it's perhaps not surprising that I somehow serendipitously end up in the world of brand experience place making,that the places that I would create for retailers would be imbued with a brand narrative and that somehow the buildings, stores or hotels would need to be able to demonstrate that subplot about who the intended user was, what their story was and how the place was a physical expression of both the person and the brand.Another experience while an architecture school was with a visiting professor and while I don't remember the exact project we were working on, I do remember her saying a phrase including the word “hodological”Hodological refers to the study of pathways or connections. It's used in fields of neuroscience sometimes thinking about the pathway and connections between neurons and synapses how signals move from one place to the other how information is shared across brain functional areas – In psychology it talks about things like paths in a person's life space and in the world of philosophy it might be considered to take in things like the interconnection between ideas a pathway between thought exercises and where one thought leads to another and what conclusions we might draw from that that decision making treein terms of geography it's really is about actual paths, walking paths for example, connection paths between geographic locations thing like trade route pathsThe interesting thing about the word hodological is not just that all these years later I clearly recall that word but that it also seemed to me that the idea of ‘transition' - moving from one place to the other - was very much a part of experience - that we don't stand still in buildings or public squares or on streets, we move and as we move, we naturally have a different experience at every moment.Sure, there's a gestalt experience of being in Times Square for example but every time we take a step our perspectival view of the context around us ends up changing and every moment technically speaking is also new,We're are clearly taking in some constants in sensory input but our point of view within that context ends up changing.I love this idea of walking through space and experiencing it differently with every step. Every step is a different vantage point to learn something new to see something from a different angle. In a broader sense, my fascination with the nature of change totally aligns with the idea the early -learned term – hodological.Pathways of change. Change through experience or experience through change. We may think that buildings don't change, but they do, albeit in some cases slowly. And over their lifetime they may be experienced be multitudes each one leaving and taking away a story.Transitions are important. I might suggest that all the good stuff happens in the in betweenness of moments in time, places and things. Transitions are where learning lives.Transitions become important as experience makers. So, things like stairs become fascinating places for architectural study. It's not surprising that many of the great architects also spend time designing stairways so that transitions between floors were less about a practical matter of moving your body up to a different level, but could be seen as an opportunity to experience new things along the way. An experiential moment that requires the person's commitment, to willingly give them self over to the idea of change. Cities have memories and our bodies have memories of cities. Buildings have memories and our bodies have memories of buildings.I have expressed before that I believe that there's very much a ‘give and make' of experience - that we interact and share with the built environment around us and it affects us as well. We and the environments we spend time in are deeply connected and our experience lives within us, within our bodies, not just within our heads. Our experience of building leaves within us a body memory, a narrative residue of how we felt while in one place or another.If you look at buildings overtime and understand that they've been used for years, they too have held countless numbers of stories of people that used them. Where they came from. Where they would go back to. Maybe they were transitioning through for a moment. Maybe they were lost and ended up taking a wrong turn and discovering something new.Those stories of buildings are interesting because it gives a life to architecture beyond stone, steel and glass. And this is where my guest Charles Leon comes into the story. Charles is a writer and illustrator of Sketch Journals, including The Kew Sketch Journal. He is an international speaker and trainer on the Creative Process and how Applied Innovation actually works. With more than 30 years experience in design, and an extensive knowledge of neuroscience and the working of the creative mind, Charles brings a wealth of knowledge and experience to helping organizations and individuals overcome Innovation Stagnation to achieve Creative Breakthrough.During the COVID pandemic Charles had a challenge simply staying inside while all of us were held up in our homes for months. With sketchb ook in hand, Charles saw London England as a hodological space – one to be experiences not in the scientific, objective and measurable sense of streets of a certain distance ad width, buildings of a certain height, pathways connecting purpose driven users or as seen from a 3d person sense but more in the Jean-Paul Satre sense aptly described in Satre's essay, "Sketch for a Theory of Emotions," where his city was to be experienced in a lived-existential subjective sense. One in which he would travel daily, which sketchbook in hand, not always sure about the destination but certain that the path would be one of discovery, connection, and collecting through drawing and painting the memories of the buildings he encountered along the way.The output of these wanderings yielded 5 volumes in drawings and paintings of learnings about the buildings, their architectural details as well as the stories they revealed from within their walls… * * *ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com (personal website)vmsd.com/taxonomy/term/8645 (Blog)Email: david.kepron@NXTLVLexperiencedesign.comPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore. In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. David also writes a popular blog called “Brain Food” which is published monthly on vmsd.com. The next level experience design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.
Maryka Chabluk shares the story behind the Chabluk Family's album of Ukrainian Easter hymns , released in 2019. Net proceeds of album sales go to Home of Hope in Lviv, Ukraine. Find their album on Bandcamp: https://chablukfamily.bandcamp.com/album/ukrainian-easter-hymns-christ-is-risen --- Send in a voice message: https://podcasters.spotify.com/pod/show/nashholos/message
Harry Everett Smith is an odd figure to come across in an art museum. That's because he's not known primarily as a visual artist at all. For most, Harry Smith is probably best known as the compiler of the legendary Anthology of American Folk Music, a landmark collection of early recordings published in 1952, which became a huge influence on the folk music revival and through that, on rock in the 1960s. Smith was born in 1923 and died in 1991, and his biography reads like a who's who of cultural icons. He was a big figure in the Beat Generation and a close friend of Allen Ginsberg, appeared in one of Andy Warhol's screen test films, and he was also a tireless collector of all kinds of cultural objects, from out-of-print records to Ukrainian Easter eggs. Smith was also an experimental filmmaker and artist, an early student of anthropology, and an acolyte of a variety of mystical belief systems. Now, the Whitney Museum of American Art in New York is hosting “Fragments of a Faith Forgotten: The Art of Harry Smith," an unusual, but thrilling new show, with an unusual curator, the artist Carol Bove, herself one of the most celebrated sculptors working today. Bove has had a solo show at the Museum of Modern Art and installed work on the façade of the Metropolitan Museum of Art, among many other accomplishments. Working with Elisabeth Sussman, a curator at the Whitney, Dan Byers, director of the Carpenter Center for Visual Art, and Rani Singh, director of the Harry Smith Archives, Bove has dedicated herself to helping organize this show, to tell the story of Harry Smith. In advance of “Fragments of a Faith Forgotten,” which opens October 4 at the Whitney, Carol Bove spoke to Artnet News's chief art critic Ben Davis about Harry Smith's life in art and what it is about this hard-to-categorize figure that fired her imagination and will do the same for visitors to this show. “Fragments of a Faith Forgotten: The Art of Harry Smith” is on view at the Whitney Museum of American Art from October 4, 2023–January 28, 2024.
Harry Everett Smith is an odd figure to come across in an art museum. That's because he's not known primarily as a visual artist at all. For most, Harry Smith is probably best known as the compiler of the legendary Anthology of American Folk Music, a landmark collection of early recordings published in 1952, which became a huge influence on the folk music revival and through that, on rock in the 1960s. Smith was born in 1923 and died in 1991, and his biography reads like a who's who of cultural icons. He was a big figure in the Beat Generation and a close friend of Allen Ginsberg, appeared in one of Andy Warhol's screen test films, and he was also a tireless collector of all kinds of cultural objects, from out-of-print records to Ukrainian Easter eggs. Smith was also an experimental filmmaker and artist, an early student of anthropology, and an acolyte of a variety of mystical belief systems. Now, the Whitney Museum of American Art in New York is hosting “Fragments of a Faith Forgotten: The Art of Harry Smith," an unusual, but thrilling new show, with an unusual curator, the artist Carol Bove, herself one of the most celebrated sculptors working today. Bove has had a solo show at the Museum of Modern Art and installed work on the façade of the Metropolitan Museum of Art, among many other accomplishments. Working with Elisabeth Sussman, a curator at the Whitney, Dan Byers, director of the Carpenter Center for Visual Art, and Rani Singh, director of the Harry Smith Archives, Bove has dedicated herself to helping organize this show, to tell the story of Harry Smith. In advance of “Fragments of a Faith Forgotten,” which opens October 4 at the Whitney, Carol Bove spoke to Artnet News's chief art critic Ben Davis about Harry Smith's life in art and what it is about this hard-to-categorize figure that fired her imagination and will do the same for visitors to this show. “Fragments of a Faith Forgotten: The Art of Harry Smith” is on view at the Whitney Museum of American Art from October 4, 2023–January 28, 2024.
Starting Saturday, the Ukrainian National Museum will host workshops on how to write pysanky, also known as Ukrainian Easter eggs. The centuries old practice involves using beeswax, dyes, and real eggs to create elaborate works of art with deep meaning. Host Jacoby Cochran spoke with master pysanky writer Anna Chychula last year about the history of the art form and its cultural significance. This conversation was originally published April 13, 2022. Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Interested in advertising with City Cast? Find more info HERE Learn more about your ad choices. Visit megaphone.fm/adchoices
Artist, author and entrepreneur Jane Pollak joins Editor-in-Chief Jennifer Blot for a conversation on setting aside excuses and doing what you love NOW. An artist throughout her life, Jane took a detour for a couple of decades as a coach for creative entrepreneurs. But she reclaimed her role as an artist at the start of the pandemic when everything shut down and she had just learned a new craft — Penny Rug Pillow-making. She re-created herself at warp speed (though it felt like millennia to her), accomplishing in less than three years (and getting the attention of high-end interior designers) what took decades to build the first time around when her art form was Ukrainian Easter eggs. In this episode, Jane shares the fascinating story of her entrepreneurial and creative journey, including displaying her work at the White House and drawing the attention of a high-profile tech pioneer. She also provides insight into the importance of shutting out negativity and surrounding oneself with a team of supporters. Learn more about Jane Pollak: Website Instagram Facebook Read Jane's full Art of Business story from our 2023 Spring Issue of WHERE Women Create
Journalist and editor of ‘Lviv Now' Joseph Lindsley joined Bob Sirott from Ukraine to deliver the latest news on the Ukraine-Russia crisis, including Ukrainian Easter greetings, the steel plant in Mariupol, and social media censoring. You can find more updates on Joseph's website, lvivlab.com.
Our second Ukrainian Easter program celebrates this glorious holiday according to the Julian calendar with the thundering joy of St. John Chrysostom's iconic Easter sermon along with more beautiful hymns and Easter songs • KInyzhka Corner Book Review: The Man with the Poison Gun by Serhii Plokhy tells the story of the assassin who killed Ukrainian WWII hero Stepan Bandera and the real-life events that laid the foundation for future spy thrillers and movies • Feature Interview with Andriana Gnap, popular Ukrainian-American singer and her recent single release Stand with Ukraine • Ukrainian Proverb of the Week • Other Items of Interest • Great Ukrainian Music!Ukrainian Proverb of the Week:Безправність має коротке життя. Injustice has a short life.Join Pawlina for the Vancouver edition of Nash Holos Ukrainian Roots Radio—every Saturday at 6pm PST on AM1320 CHMB and streaming at www.am1320.com.Vancouver area listeners can hear the Nanaimo edition of Nash Holos every Wednesday with host Oksana Poberezhnyk from 11am-1pm PST on CHLY 101.7fm and streaming at chly.caIn between broadcasts, please check out our website for audio archives, transcripts, and more. Check out the links there to support the show and several charities providing aid to Ukrainian civilians and defenders being brutalized by Russian military attacks. Support the show on Patreon See acast.com/privacy for privacy and opt-out information.
Katherine Alexander discusses how she turned to the art of pysanky after leaving her career in music education — and found both a creative outlet and a big following on Tik Tok. She's now using Ukrainian Easter eggs to raise money for Ukraine.
Today, we are joined by Andrea Kulish, a first-generation Ukrainian-American artist, and designer. In this episode, you'll see Ukraine through her eyes and her eggs; her pysanky eggs that is! Pysanky are Ukrainian Easter eggs decorated using the wax-resist or batik method. Covered in intricate motifs often taken from Slavic folk art, these eggs are an important art form that dates back centuries. Andrea's studio, Studio A, where you will find her pysanky and other mixed media artwork, is located in the vibrant River Arts District in downtown Asheville, which you will also gain some insight about during today's conversation. Tune in as we dive into the process of creating pysanky, from selecting a good egg to planning your color palette, and the history behind this important art form, including some of the most common symbols and their meanings. Andrea shares her mission to spread Ukrainian culture (and good wishes) through her pysanky, and we also touch on the significance of eggs in Ukraine, how artists find hope by creating it, and the work Andrea is doing to fundraise for Ukrainian relief efforts, plus so much more! Make sure not to miss today's fascinating discussion with the one and only, Andrea Kulish! Key Points From This Episode: Louise Glickman introduces today's guest, Andrea Kulish, and her pysanky eggs. Andrea shares some insight into the vibrant River Arts District and her studio there. What her role as Marketing Director for the River Arts District entails. Some of Andrea's earliest memories of art-making, influenced by her art teacher mom. Learn more about Andrea's background and family history. The process of creating pysanky, starting with selecting a ‘good egg'! Why it's important to ‘plan your sequence' by deciding on your color palette ahead of time. How to write, not paint, a pysanky using melted beeswax. Understanding the legacy and heritage behind this important artform. Decoding some of the most common pysanky symbols, colors, and their meanings. The significance of eggs in eastern Europe and how Easter is celebrated in Ukraine. The time Andrea spends on each pysanky and insight into her work as a graphic designer. How artists find hope by creating it; hear about the project, ‘Randy Shull Honors Ukraine'. Learn about the work that Andrea is doing to fundraise for Ukrainian relief efforts. Andrea shares her mission to spread Ukrainian culture with her pysanky. Find out where the funds that Andrea is raising are being allocated and where to donate. The Ukrainian community in Asheville, which Andrea describes as fourth wave immigrants. How you can contribute to Musicians for the Greater Good and Ukrainian relief efforts. Links Mentioned in Today's Episode: Andrea Kulish — https://www.ashevillestudioa.com/ (https://www.ashevillestudioa.com/) Andrea Kulish on LinkedIn — https://www.linkedin.com/in/andreakulish/ (https://www.linkedin.com/in/andreakulish/) Andrea Kulish on Instagram — https://www.instagram.com/avlstudioa/ (https://www.instagram.com/avlstudioa/) Pysanka Website — https://www.pysanky.info/ (https://www.pysanky.info/) Pink Dog Creative — https://www.pinkdog-creative.com/ (https://www.pinkdog-creative.com/) Musicians for the Greater Good — http://musiciansforthegreatergood.org/ (http://musiciansforthegreatergood.org/) Ukrainian National Women's League of America — https://unwla.org/ (https://unwla.org/) Artsville Podcast — https://artsville.captivate.fm/ (https://artsville.captivate.fm/) Scott “Sourdough” Power — https://www.notarealartist.com/ (https://www.notarealartist.com/) Louise Glickman — https://www.louiseglickman.com/ (https://www.louiseglickman.com/) Daryl Slaton — http://www.tailsofwhimsy.com/ (http://www.tailsofwhimsy.com/) Crewest Studio — https://creweststudio.com/ (https://creweststudio.com/) Sand Hill Artists Collective (SHAC) — https://sandhillartists.com/ (https://sandhillartists.com/)
This is the Ukrainian Easter Choir singing AGNUS DEI , I promise you it will bless your heart!Support the show (https://www.paypal.com/donate?hosted_button_id=2DPG83U6GJTJ8)
This week I talk about my new job, my open mic experience, and spending time with my family on easter.Follow me on twitter @PaulBorick
Sofika Zielyk has been making pysanka, Ukrainian Easter eggs, since she was a young girl, and now she's using her craft to help contain the outrage and heartbreak over the political strife in her wartorn home country. Zaynab Issa has solutions for keeping iftar, the evening meal, stress-free during Ramadan. Fifth generation chicken keeper Lisa Steele shares recipes and techniques for showcasing the versatility of eggs. Benedetta Jasmine Guetta provides a history of Jewish Italians and dishes to bring to the seder table this Passover. Finally, tangerines are at their sweetest this time of year at the farmer's market.
The Spring holidays are upon us. KYW Newsradio's Hadas Kuznits chats with Josh Small of Savvati Gourmet about the process of making his kitchen Kosher for Passover, as well as what he cooks for the 8-day holiday. She also chats with Reading Terminal Market General Manager Annie Alman about the goodies being sold for Easter and how the market is helping the people of Ukraine this month through Easter as well as Ukrainian Easter next week.
In Ukrainian culture, “pysanky” is a centuries-old form of decorating eggs. In fact, it predates Easter itself. Using eggs, beeswax, and dyes, artists "write" colorful and elaborate art works embedded with deep meaning. When celebrating a wedding, moving to a new home, or simply praying for good fortune, Ukrainians are likely to receive a few pysanky eggs from family and friends. City Cast Chicago Host Jacoby Cochran talks with Anna Chychula, a Ukrainian-American artist, about the history of pysanky and how the celebration of this cultural tradition during the Easter season brings the community together as war between Ukraine and Russia continues. Follow us on Twitter: @CityCastChicago Sign up for our newsletter: chicago.citycast.fm Call or Text Us: (773) 780-0246 Learn more about your ad choices. Visit megaphone.fm/adchoices
It is almost Easter and Heather has upped her baking game for Three Kitchens Podcast with a recipe for Paska Ukrainian Easter Bread, with a side of dried apricot jam. She did her best to bake all the love, positive thoughts and good wishes she could muster, while working with this beautiful, but time-consuming, bread recipe. The end result was certainly worth the effort. It's a slightly sweet, soft and fluffy egg bread that goes perfectly with the apricot jam and a cup of tea. Maybe you'll want to bake Paska for your Easter celebrations, and we hope you'll join us in keeping the Ukrainian people in our hearts this Easter. Episode Links~~~~~~ Cô Trâm Kitchen~ Paska Bread Recipe~ Apricot Jam Recipe~ Ukrainian Fine Foods~ Kalyna European Food Market~ Heritage Bakery & Deli~ Baba Jenny's Ukrainian Food~ The Perogy Guy~ S1.18 The Better Babka~~~~~Three Kitchens Podcast - a home cooking showCheck out our website where you can listen to all of our episodes, and find recipes on our blog (psst! there are even some extra recipes never discussed on the podcast!).www.threekitchenspodcast.com~~~~Or join us on our socials!Instagram @three_kitchens_podcastFacebook @threekitchenspodcastPinterest @threekitchenspodcastYouTube @threekitchenspodcast~~~~Drop us a comment or give us a like - we'd love to hear from you! Three Kitchens Podcast - a home cooking showCheck out our website where you can listen to all of our episodes, and find recipes on our blog (psst! there are even some extra recipes never discussed on the podcast!).www.threekitchenspodcast.comYou can support the show with a small donation at Buy Me A Coffee.Want to be a guest? We want to hear from you! Or join us on our socials!Instagram @three_kitchens_podcastFacebook @threekitchenspodcastYouTube @threekitchenspodcastDrop us a comment or give us a like - we'd love to hear from you!
Jane Pollak is the Founder of Jane Pollak Designs which produces one-of-a-kind textiles – pillows and wall pieces – for interior designers, collectors and connoisseurs.Pollak was born in Columbus, OH, and grew up in White Plains, NY from the age of 6. Her parents identified her as the artist in the family at an early age and supported her choice of Studio Art as a major at Mount Holyoke College along with her decision to earn a Masters degree in Art Education at Columbia University Teachers College. Teaching high school art, Pollak learned the craft of Ukrainian Easter egg decorating that defined her entrepreneurial journey over the next 30 years. She authored the best-selling craft book Decorating Eggs, Exquisite Designs with Wax & Dye, achieved national recognition with appearances on The Today Show and features on CBS News, The Carol Duvall Show and The New York Times.You'll find Pollak thriving in New York City where she regularly visits museums and galleries, and attends theatre as often as possible. Her grown children are all entrepreneurial, and are terrific parents to her three grandchildren.Follow Jane;Janepollak.comJanepollakdesigns.com@janepollakIf you have a story to tell;Email: bluelemonadepodcast@gmail.com to be a guest on the showhttps://www.facebook.com/Blue-Lemonade-Podcast-113752514556183https://www.instagram.com/bluelemonadepodcast/Follow #HATNOTHATEwww.hatnothate.orghttps://www.facebook.com/hatnothatehttps://www.instagram.com/hat_not_hate/
We're going through some transformations with episode 21! Well, no we're not, but we are talking about movies about transformations! We watched American Mary, and The Emperor's New Groove. We also discuss body modification, painting Ukrainian Easter eggs, and put up with Hazel singing us the song of her people! Check us out on Instagram, and Ko-fi! CW for discussion of SA in the first half.
Великдень - Easter in coming to Ukraine! One of the main Easter traditions in Ukraine is to prepare Великодній кошик - Easter basket. Learn more about it and the traditional Ukrainian Easter food in this episode of Ukrainian Lessons Podcast!Season 5 of the podcast is entirely in slow simple Ukrainian. For easier episodes with English, check out our earlier episodes (#01-#80).Конспект уроку – lesson notes for this episode include:Full transcript of the whole episode in Ukrainian;Vocabulary: translation of more difficult words on the side;10 useful sentences: table of sentences with English translation;4 bonus exercises to practice lesson’s vocabulary and structures.To receive Lesson Notes to this and other episodes of ULP, as well as flashcards and mp3 files every 10 episodes, become a premium member (find out more here).
Join us this week as we explore Ukrainian Easter Traditions, their origins and how they are practiced today.
Resiliency is the quality we need to comeback after getting knocked down. Cultural traditions that honor the great Christian Feast of Easter are blessed with this trait. Chris Godfrey is joined by his wife Daria, daughter Tess and granddaughters Gigi and Ivanka to discuss Ukrainian Easter traditions, and the making of pysanky. You can watch a short piece made by Daria and Tess on how these decorative Easter eggs are made: https://vimeo.com/212530111. They will be live at Godfrey Law Offices making and selling pysanky for your Easter baskets, Wednesday of Holy Week from 4-7 pm and Holy Saturday from 10 am – 2 pm. Godfrey Law Offices is located at 2025 Edison Rd., South Bend, across the street from the Mandarine House Chinese Restaurant, between Ironwood Rd. and the University of Notre Dame.
Today's special Easter Big Blend Radio podcast features Nicole Holcombe who explains the art and folk history behind Pysanky (Ukrainian Easter Eggs), an ancient wax-resistant technique that originated in Eastern Europe. It was recorded on site at the 40th Annual Folk Festivals Louisiana Folklife Center(NSULA) held in July 2019 in Natchitoches, Louisiana the oldest settlement in Louisiana. More: https://blendradioandtv.com/listing/pysanky-ukrainian-easter-eggsFeatured music on this episode is “Walking Wheel” from the new album “Colin Edwin, Jon Durant Inna Kovtun” that features traditional Ukrainian and Slavic folk elements alongside slices of modern electronica, prog rock, and a full range of deep atmospherics. More: https://blendradioandtv.com/listing/colin-edwin-jon-durant-inna-kovtun/
This special Easter Big Blend Radio podcast was recorded on site at the 40th Annual Natchitoches-NSU Folk Festival held in July 2019 in Natchitoches, the oldest settlement in Louisiana. The interview features Nicole Holcombe who explains the art and folk history behind Pysanky (Ukrainian Easter Eggs), an ancient wax-resistant technique that originated in Eastern Europe. The designs and colors are symbolic of wishes for wealth, health, fertility, long life, happiness and other good wishes for the person destined to receive the egg. Ukrainian legend has it that as long as pysanky are made or given, the world will continue to exist.Have fun with our Pysanky Online Jigsaw Puzzle. Featured music on this episode is “Walking Wheel” from the new album “Colin Edwin, Jon Durant, Inna Kovtun” that features traditional Ukrainian and Slavic folk elements alongside slices of modern electronica, prog rock, and a full range of deep atmospherics.
On Ukrainian Jewish Heritage, Vlada Nedak, Director of Programming for Project Kesher Ukraine shares the story of how her grandfather rebuilt the Jewish community in Krivij Rih, Ukraine (Part 1 of 2) • Pysanka Power Podcast: On Episode 6 Joan Brander of Baba's Beeswax describes the different types and variations of Ukrainian Easter eggs) • Upcoming community events and local Ukrainian Easter services • Ukrainian Proverb of the Week • Great Ukrainian Music!This hour is presented in English. Your host: Pawlina.Reminder: If you’re in the Nanaimo listening area you can hear the Vancouver edition of Nash Holos Ukrainian Roots Radio with Pawlina every Saturday at 6pm PST on AM1320 CHMB Vancouver or streaming online at www.am1320.com. The International Edition airs in over 20 countries on AM, FM, shortwave and satellite radio via PCJ Radio International. Audio archives here.In between broadcasts, please visit our Patreon site and consider supporting us. With as little as $1 a month you can get exclusive access to the weekly playlists and Proverb of The Week, and other giveaways! See acast.com/privacy for privacy and opt-out information.
Вам подобаються писанки? Do you like Ukrainian Easter eggs – “pysanky“? Learn how to paint them just in time for Easter in this advanced Ukrainian lesson! The post ULP 3-114 Майстер-клас з писанкарства – How to make pysanky + Imperative mood of the verbs in the first person plural (Let’s…) appeared first on Ukrainian Lessons.
On Ukrainian Jewish Heritage, Vlada Nedak, Director of Programming for Project Kesher Ukraine shares the story of how her grandfather rebuilt the Jewish community in Krivij Rih, Ukraine (Part 1 of 2) • Pysanka Power Podcast: On Episode 6 Joan Brander of Baba's Beeswax describes the different types and variations of Ukrainian Easter eggs)• Ukrainian Proverb of the Week • Other items of interest • Great Ukrainian Music!Join me - Pawlina - for the Vancouver edition of Nash Holos Ukrainian Roots Radio—every Saturday at 6pm PST on AM1320 CHMB Vancouver.Reminder: If you’re in the Vancouver listening area you can hear the Nanaimo edition on Wednesdays from 11am-1pm on air at 101.7FM or online at CHLY Radio Malaspina. Hour 1 is hosted by Pawlina, in English. Hour 2 is hosted by Oksana Poberezhnyk, in Ukrainian.In between broadcasts, please check out our Patreon site and consider supporting us. And do follow us there as well as on Facebook and Twitter! See acast.com/privacy for privacy and opt-out information.
On Ukrainian Jewish Heritage, a book review of Jews and Ukrainians: A Millenium of Co-Existence by Paul Robert Magoci & Johanan Petrovsky-Shtern • Pysanka Power Podcast: On Episode 5 Joan Brander of Baba's Beeswax will tell you all about the handy technique of using pencil guidelines to create beautiful pysanky (Ukrainian Easter eggs) • Ukrainian Proverb of the Week • Other items of interest • Great Ukrainian Music! Join me - Pawlina - for the Vancouver edition of Nash Holos Ukrainian Roots Radio—every Saturday at 6pm PST on AM1320 CHMB Vancouver.Reminder: If you’re in the Vancouver listening area you can hear the Nanaimo edition on Wednesdays from 11am-1pm on air at 101.7FM or online at CHLY Radio Malaspina. Hour 1 is hosted by Pawlina, in English. Hour 2 is hosted by Oksana Poberezhnyk, in Ukrainian.In between broadcasts, please check out our Patreon site and consider supporting us. And do follow us there as well as on Facebook and Twitter! See acast.com/privacy for privacy and opt-out information.
In this inaugural episode I'll go through the essentials of pysanky Ukrainian Easter eggs, what supplies you'll need to get started and why you need them.
Special Easter edition featuring uplifting Ukrainian Easter stories as well as plenty of traditional and contemporary Ukrainian Easter music. Ukrainian Proverb of the Week and other items of interest. This hour is in English. Your host: Pawlina.Христос Воскрес! Воїстино Воскрес!Nash Holos Ukrainian Roots Radio airs live in Nanaimo on Wednesdays from 11am-1pm PST on CHLY 101.7FM, broadcasting to the north and central Vancouver Island, Gulf Islands, Sunshine Coast, northwest Washington State and Greater Vancouver listening areas. In English: 11am-12pm with Pawlina. In Ukrainian 12-1pm with Oksana Poberezhnyk. Reminder: You can also hear the Vancouver edition in Nanaimo on Saturdays from 6-7pm on air at AM1320 CHMB and streaming live at the CHMB website. As well the International edition airs in over 20 countries on AM, FM, shortwave and satellite radio via PCJ Radio International. In between broadcasts, please follow @NashHolos on Twitter and Like the Nash Holos Facebook page. I love to hear from you so please me send your suggestions, dedications and requests here. Your comments are always welcome! See acast.com/privacy for privacy and opt-out information.
Special Easter edition featuring uplifting Ukrainian Easter stories as well as plenty of traditional and contemporary Ukrainian Easter music. Ukrainian Proverb of the Week and other items of interest.Христос Воскрес! Воїстино Воскрес!Join me - Pawlina - for the Vancouver edition of Nash Holos Ukrainian Roots Radio—every Saturday at 6pm PST on AM1320 CHMB Vancouver. Reminder: You can also hear the Nanaimo edition in Vancouver on Wednesdays from 11am-1pm on air at 101.7FM or online at CHLY Radio Malaspina. Hour 2 from 12-1pm is in Ukrainian, hosted by Okisana Poberezhnyk. As well the International edition airs in over 20 countries on AM, FM, shortwave and satellite radio via PCJ Radio International. In between broadcasts, please follow @NashHolos on Twitter and Like the Nash Holos Facebook page. I love to hear from you so please me send your suggestions, dedications and requests here. Your comments are always welcome! See acast.com/privacy for privacy and opt-out information.
Easter eggs have become hallmarks of spring, brought down to us from pqgan times. Today, Nasha Kasha travels to California to hunt for Ukrainian Easter eggs, which are called py-san-kas, and to reveal the meaning behind the art of making them.
Special Easter edition featuring uplifting Ukrainian Easter stories as well as plenty of traditional and contemporary Ukrainian Easter music. Ukrainian Proverb of the Week and other items of interest.Христос Воскрес! Воїстино Воскрес!Join me - Pawlina - for the Vancouver edition of Nash Holos Ukrainian Roots Radio—every Saturday at 6pm PST on AM1320 CHMB Vancouver. See acast.com/privacy for privacy and opt-out information.
Ethnologist Ihor Poshyvailo Explains Christian and Pagan Elements of Ukrainian Easter, with Oksana Smerechuk