Podcast appearances and mentions of arnold dreyblatt

Existen infinidad de músicas. Casi podríamos afirmar que existen tantas músicas como personas que las escuchan porque, como ya he dicho en algún episodio anterior, una misma composición suena diferente dependiendo de la persona que la escucha, de su nivel cultural, social, familiar e, incluso, dependiendo del preciso momento en que la escucha. El episodio anterior era de esos acabados en cero. Los que sois veteranos ya sabéis que eso significa que está dedicado a la música espacial. Y esa es también una música especial. No todos podemos disfrutarla de la misma manera (de hecho, algunos me habéis hecho saber que la aborrecéis) pero en mí tiene una fuerza especial; esa conexión cósmica con el Universo y todo lo que conlleva siempre ha ejercido un influjo poderoso en mí a la hora de escucharla. Hoy os traigo uno de esos discos que marcaron una época directamente ligado a esto que os acabo de contar pero, al margen de las connotaciones espaciales, existen otras músicas que, por su calidad, por su implicación personal, por su conexión con nuestras emociones, resultan ser música celestial. Susanne Sundfør, Priscilla Hernández, Saycet, Joakín Bello, Ralph Zurmühle, Kevin Braheny, Saint Malo, Byron Metcalf, Mark Seelig, Arnold Dreyblatt, Explosions in the Sky. El playlist detallado: lostfrontier.org/episodios/2024/1021.

On today's episode, I talk to composer and artist Arnold Dreyblatt. Originally from New York City, Arnold is part of the second generation of New York minimal composers, having studied with Pauline Oliveros, La Monte Young, and Alvin Lucier. His first album Nodal Excitation was released in 1982, and since then, he's recorded almost a dozen more, including 1995's Animal Magnetism, which was released on Tzadik. Based in Berlin since 1984, Arnold was Professor of Media Art at the Muthesius Academy of Art and Design in Kiel, Germany for almost a decade and a half and is currently deputy director of the visual arts section at the German Academy of Art. His most recent album Resolve was released last August on Drag City, and it is fantastic! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

Sintonía: "E Minor Piano" - Entourage Music and Theater Ensemble"Flight Path" - Arnold Dreyblatt; "Panic I Panic" - Alafsar Rahimov; "Andalusian Love Song" - Avishai Darash feat. Marmoucha Orchestra; "Ngorongoro" - Kutiman; "Oi Dai Loo" - Sähköpaimen; "Ponte de Areia/María María" - Xosé Lois Romero & Aliboria; "Aga Khan Master Musicians" - Mashq-i DutarTodas las músicas seleccionadas y presentadas por Bruno Freire LeónEscúchale todos los domingos en Radio Clásica a las 14.00 en su programa "Tapiz Sonoro"Escuchar audio

„THIS IS IT“, Sprachkunst von Arnold Dreyblatt, Federico Federici, Nauka Kirschner; Dr. Friedrich W. Block curator, Kunsttempel, Kassel, 19/10-19/11/2023. What does it mean to “read” (aloud? silently?) a (partially) asemic […]

„THIS IS IT“, Sprachkunst von Arnold Dreyblatt, Federico Federici, Nauka Kirschner; Dr. Friedrich W. Block curator, Kunsttempel, Kassel, 19/10-19/11/2023. What does it mean to “read” (aloud? silently?) a (partially) asemic […]

"Flight Path" by Arnold Dreyblatt and The Orchestra of Excited Strings from Resolve; "Something Like That" by Psychic Ills and Gilly Haynes from FRKWYS Vol 4.5: Nowhere in the Night; "It's Not Chris" by Last Ex from their self-titled album; "Sacred and Profane" by Moundabout from An Cnoc Mor; "Phantasia Telephonics" by Eluvium from (Whirring Marvels in) Consensus Reality; "New Years Unresolution" by L'Rain from the upcoming album I Killed Your Dog; "Unforgiven (Othr Remix)" by The Soft Moon featuring Alli Logout from Exister Remixed; "Blackbox Life Recorder 21f" by Aphex Twin from Blackbox from Life Recorder 21f-In a Room7-F760; "Clout Tunnel" by Tzusing from Green Hat; "Tokhmakagan Backwaters" by Andrea Ljos from Megalithic Statues of Vishapakar.

Digging in near the bridge, one old woman, acting like the Rolling Stones. The American media artist and composer discusses three important albums.Arnold's picks:Tony Conrad With Faust – Outside The Dream SyndicateSacred Guitar and Violin Music of the Modern Aztecs (Smithsonian Folkways)Robert Ashley – Automatic WritingThe new album by Arnold Dreyblatt & The Orchestra of Excited Strings, titled Resolve, is out now on Drag City. Check it out here. Here's Arnold's website and Instagram.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening

Let's get ferocious this week, with heavy tunes aplenty from all corners of the noisy spectrum. Rattling out with thrash from Pest Control, via a screamy masterpiece from Elvin Brandi and Lord Spikeheart, and the latest from Human Worth. Elsewhere, there's excellent house music from Ciel, hardcore from BBBBBBB, a 20-minute opus from Sly & the Family Drone, and much more. You can listen to the first six tracks for free. To listen to the full episode, get a huge back catalogue of music, and access to our live shows and Discord group, please join our Patreon: patreon.com/independentmusicpodcast. The podcast only survives with Patron support TracklistingPest Control – Enjoy the Show (self-release, UK)BBBBBBB – GO (Deathbomb Arc, USA)Opal X – Augmented (Brachliegen Tapes, UK)Everything Falls Apart – somn 7 (Totalism, Belgium)TORPOR – Accidie (Human Worth, UK)Ciel – Scenes From a Marriage (!K7 Records, Germany)Arnold Dreyblatt – Flight Path (Drag City Records, USA)Elvin Brandi & Lord Spikeheart – Do You Like Feeling Awakeee33 Cult 8 Again (Hakuna Kulala, Uganda)Qazt – У æ х ъ æ ц и з а р (Ored Recordings, Georgia)Sly & the Family Drone – Every Knife in this House is Mine (The state51 Conspiracy, UK) This week's episode is sponsored by the state51 Conspiracy, an independent music house. Go to state51.com to find out more about everything they do: state51 Factory sessions and events; hand-made Atelier products; a diverse roster of Label releases; Greedbag stores, pop-up and fanzine, and the Collective of distribution partner labels and artists Produced and edited by Nick McCorriston.

Episode 94 Electronic Drone Music   Playlist Yves Klein, “Monotone-Silence Symphony” written in 1947. I could not find any recorded versions of this piece, so I produced this realization of my own to capture the feel and nature of this drone work. Klein conceived this as performance art in which an orchestra would only play a single note, continuously, for 20 minutes followed by another 20 minutes of silence. I've examined the score and can see that Klein also intended that the same note could be played in different octaves. The playing would have been staged so that one group of musicians could overlap another, both for reasons of fatigue but also to allow smooth transitions for the wind instruments because players would need to take a breath. My version includes electronic instruments for multiple parts, each part playing the same note, often in different octaves. The introduction of instrumental groups was planned in stages, each overlapping the previous grouping, gradually shortening in duration as the piece goes on. La Monte Young and Marian Zazeela, “31 VII 69 10:26 - 10:49 PM” from 31 VII 69 10:26 - 10:49 PM / 23 VIII 64 2:50:45 - 3:11 AM The Volga Delta (1969 Edition X). Eponymous untitled album popularly known as "The Black Record" or "The Black Album" Mine is an original copy. The cover is black gloss print on matt black and very hard to read. Numbered edition limited to 2800 copies of which numbers 1-98 are dated and signed by the artists. This work “was recorded at the date and time indicated in the title, at Galerie Heiner Friedrich, München. The work “31 VII 69 10:26-10:49 PM” is a section of the longer work: Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery. Play this side at 33 1/3 rpm only.” Early work employing electronic drones. By the mid-sixties, Young and his partner Marian Zazeela were creating music for electronic drones as an extension of their group, The Theatre of Eternal Music. Using a Heathkit sine wave oscillator and later Moog modules as sources, they created drone pieces that employed “extended duration time signatures” and “long sustained tones, intervals, triads and chords to create the musical texture.” A reissue has now occurred on the label Super Viaduct. Tony Conrad, “Process Four of Fantastic Glissando” from Fantastic Glissando (2006 Table of The Elements). Dating from 1969, this recording contains various versions of the same sound piece, each processed slightly differently. “Process Four” accumulates the processed applied to the previous three processes. The first glissando recording was made using a sine wave oscillator processed through pump counter with a stereo-phase glissando. Recorded December 12, 1969, on a Revox reel-to-reel tape recorder set at 3¾ ips. Conrad was in LaMonte Young's circle of friends and performers and joined him on many productions of The Theatre of Eternal Music. Teresa Rampazzi , “Duodeno normale” and “Duodeno Patologico” from Musica Endoscopica (1972). Here we have two short electronic works from this remarkable women composer that emphasize the drone. The pulsing tones and textures were played manually using audio oscillators. Music produced by the N.P.S. (Nuove Proposte Sonore) group for the documentary entitled "Gastroscopia" (Gastroscopy) realized in 1972 by Prof. Domenico Oselladore, University of Padova, in collaboration with Istituto De Angeli s.p.a., Milan. This documentary was presented at the Scientific Film Festival, Policlinico Universitario di Padova, 1972. “Duodeno Normale” begins with a drone consisting of two continuous tones: a low-pitched buzz from a sawtooth wave accompanied by a pulsating higher-pitched tone. The drone is joined at the 11-second mark by a high-pitched ringing tone played on a third oscillator. This ringing tone is repeated every 5–8 seconds and sustained for two or more seconds each time. The irregular timing of the tone suggests that Rampazzi was manually playing it by turning the dial of an oscillators. The ringing tone is sustained for the duration of the piece, creating a three-part drone. The drones fade out, beginning with the lower buzzing tone. “Duodeno Patologico” uses a similar process. The Taj-Mahal Travelers, “The Taj-Mahal Travelers Between 6:20~6:46P.M.” from July 15, 1972 (1972 CBS/Sony). Released in Japan. Early album by the group founded by experimental electronic musician and violinist Takehisa Kosugi. Electronic Contrabass, Suntool, Harmonica, Performer Sheet Iron, Ryo Koike; Guitar Electronic Quiter, Percussion, Michihiro Kimura; Electronic Trumpet, Harmonica, Castanets, Seiji Nagai; Vibraphone, Santoor Suntool, Yukio Tsuchiya; Electronic Violin, Electronics, Radio Oscillators, Voice, Takehisa Kosugi; Vocals, Tokio Hasegawa. This album was recorded live at Sohgetsu Hall, Tokyo, Japan, July, 1972. Originally released using Sony's SQ quadraphonic system. Yoshi Wada, “Earth Horns with Electronic Drone”(1974) from Earth Horns with Electronic Drone (2009 EM Records). Recorded at Everson Museum of Art, Syracuse, New York, February 24, 1974. Electronics, Liz Phillips; Pipehorn Players, Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada; Electronic equipment designed by, Liz Phillips, Yoshi Wada; Pipehorns constructed by, composed by, recorded by, Yoshi Wada. Combining four of Wada's self-made "pipehorns" (constructed of plumbing materials, over three meters in length), with an electronic drone tuned to the electrical current of the performance space, this is a lost masterpiece of early drone/minimalism. The performance filled the space with complex overtones generated by the ever-shifting interplay of the breathing horns and the constant electronic drone. Lou Reed, “Metal Machine Music” (1975 RCA). All music and electronics by Lou Reed. Inspired by LaMonte Young, this is what I would call a noise drone! Reed himself points to the influence of Young in his lean liner notes. "SPECIFICATIONS: No Synthesizers, No ARP, No Instruments?” Sony 1/2 track; Uher 1/4 track; Pioneer 1/4 track; 5 piggyback Marshall Tube Amps in series; Arbitor distortor (Jimi's); Marantz Preamps; Marantz Amps; Altec Voice of America Monitor Speakers; Sennheiser Headphones; Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music; Rock orientation, melodically disguised, i.e. drag; Avoidance of any type of atonality.; Electro-Voice high filter microphones; Fender Tremolo Unit; Sunn Tremolo Unit; Ring Modulator/Octave Relay Jump; Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white. Eliane Radigue, “Triptypch” Part 2” (1978). (2009 Important Records). Electronic Instrumentation: ARP 2500 modular synthesizer and analog, multitrack tape composition. The piece uses real-time ARP programming, tape loops, and recorded acoustic sounds. This piece is characteristic of Radigue's fervent exploration of gradually changing layers of harmonically intersecting tones. It is the kind of drone work that can easily dip the listener into a pool of trance and is one of the composer's many works grounded by her dedication to Tibetan Buddhism. Note the overall slowly evolving changes formed by overlapping sustained tones presented without any clearly articulated beginnings and endings. John Cage, Gary Verkade, “Organ2/ASLSP” from The Works for Organ (2013 Mode). John Cage composed “Organ2/ASLSP” in 1987 for solo organ. This piece has been realized at a variety of lengths, from about 30 minutes, to 8 hours, and what is arguably the longest interpretation of music ever played, now 23 years into its projected run of 639-years being performed now in Halberstadt Cathedral, Germany where a special organ was created to perform the piece unattended until a chord change is called for. This work is not electronic, although the pipe organ may be thought of by some, including me, as the first synthesizer. Although I won't be playing this work except in the background of this introduction, I needed to mention it because of its significance in the canon of drone music. “This composition consists, like Cage's ASLSP, of 8 pieces. Unlike ASLSP, however, all pieces here should be played. Any of the 8 pieces may be repeated, and these repetitions may be played subsequent to any of the other pieces. The published score consists of a title page, brief instructions, and 4 leaves with music. Each page contains 2 pieces.” Phill Niblock, “Guitar, too, for four—The Massed Version” from G2,44+/x2 (2002 Moikai). 24-track mix of guitar samples from Rafael Toral, Robert Poss, Susan Stenger, David First. Guitarists adding 2 live parts each to the 24 track mix version: Kevin Drumm, Lee Ranaldo, Thurston Moore, Robert Poss, Alan Licht. Niblock's usually works with acoustic instruments, so this venture with electric guitar is somewhat unique in his body of work. He asks musicians to play parts that are first recorded and then reworked in the mixing and editing process, largely to eradicate pauses and silences so that the sounds can be blended without such interruptions. Pauline Oliveros and Reynols, "Half a Dove in New York, Half a Dove in Buenos Aires" (1999) (2022 Smalltown Supersound). Reynols is an Argentinian experimental band that began in 1993 as Burt Reynols Ensamble. Band member Alan Courtis wrote to me, saying, “First of all, thanks a lot for mentioning our Pauline Oliveros in the arms of Reynols collaboration in your book Electronic & Experimental Music. She was a great musician/composer and friend.” After which he pointed me to a “recent release of an old project we made with Pauline back in 1999.” This is it! Opening background music: Tony Conrad, Arnold Dreyblatt, Jim O'Rourke, “Side 1” from Tonic 19-01-2001 (2023 Black Truffle). Performers, Arnold Dreyblatt, Jim O'Rourke, Tony Conrad. Recorded January 19,2001 at Tonic, New York City. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

As a boy, Tyler Hubby began making films and photographs. While in high school, he was mentored by then unknown director David Fincher. Later on, Tyler went on to study film and photography at the San Francisco Art Institute with "low-fi" underground film legend George Kuchar. His subversive and irreverent short films and videos detailing fetishism, co-dependency and bodily mutations have screened internationally, and are featured in Jack Sargeant's book Cinema Contra Cinema. Tyler has documented artists such as Faust, Keiji Haino, John Fahey, Jim O'Rourke, Rhys Chatham, Arnold Dreyblatt, Zeena Parkins, Jonathan Kane and Tony Conrad. Furthermore, he has edited over 30 documentary films. Most notable among them are The Devil and Daniel Johnston, a biography of mentally ill artist/musician Daniel Johnston; The Final Member which follows the curator of the Icelandic Phallological Museum as he attempts to complete his exotic penis collection; The Great Invisible, which won the Grand Jury Prize at SXSW 2014. Tyler also served as an additional editor on the Oscar nominated Roman Polanski: Wanted and Desired. Tyler wrote and directed Tony Conrad: Completely in the Present, a feature documentary about iconoclastic multi-media artist Tony Conrad that was named as one the best films of 2017 by Artforum. 

Der amerikanische Künstler im Gespräch über das von ihm entworfene Mahnmal für München. Außerdem: ein Streifzug auf Leonhard Franks Spuren durch Würzburg, ein Porträt des Comic-Zeichners Igort und ein Blick auf Joseph Beuys.

Jake has a dream where he wins a ton of money and doesn't get it. Pies turn into sculptures and an old man takes care of the skin on the bottom of his feet. This description sounds like a weird hallucination. But it's just a dream...just a dream...Music suggestions are “Gris-Gris” by Dr John, and “Propellers in Love” by Arnold Dreyblatt.Dr. Johnhttps://itunes.apple.com/us/artist/dr-john/28962https://open.spotify.com/artist/320TrJub4arztwXRm7kqVOArnold Dreyblatthttps://itunes.apple.com/kh/artist/arnold-dreyblatt/45120636https://open.spotify.com/artist/5opbfZtkki2MAmAmuLakc5Wake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

Jake has a dream where he wins a ton of money and doesn't get it. Pies turn into sculptures and an old man takes care of the skin on the bottom of his feet. This description sounds like a weird hallucination. But it's just a dream...just a dream...Music suggestions are “Gris-Gris” by Dr John, and “Propellers in Love” by Arnold Dreyblatt.Dr. Johnhttps://itunes.apple.com/us/artist/dr-john/28962https://open.spotify.com/artist/320TrJub4arztwXRm7kqVOArnold Dreyblatthttps://itunes.apple.com/kh/artist/arnold-dreyblatt/45120636https://open.spotify.com/artist/5opbfZtkki2MAmAmuLakc5Wake & Jakehttps://artfinixstudios.com/artfinix-podcasts/https://artfinixstudios.com/education/https://www.facebook.com/ArtfinixPOD/https://www.instagram.com/artfinixpodcasts/https://www.instagram.com/wakeandjakepod/https://www.instagram.com/kennyg.g.allin/Music Composed by Jake FisherLogo by Baitul Javid

India Navigation was an American independent record label specialized in avant-garde jazz between the 1970s and 1980s. It was founded by Bob Cummins, a corporate lawyer who helped jazz musicians with legal matters. Its visionary catalogue shifted between avant-garde jazz — Arthur Blythe, Hamiet Bluiett, Chico Freeman, Cecil McBee and the Revolutionary Ensemble — and minimal music — such as Arnold Dreyblatt, Phill Niblock and Joseph Celli, or Tom Johnson. The episode features: Chico Freeman, Phill Niblock, Arnold Dreyblatt, Jay Hoggard, Yoshi Wada and Pharoah Sanders.

Shock World Service 081: Trigger Points by Sunken Foal 22/10/18 Dublin, Ireland 1. Daphne Oram - Melodic Group Shapes Simple, primitive synthesis and effects, and all the better for it. Daphne Oram had a unique method of drawing shapes on 35mm film and covering it to sound. I'm not sure if his is an example of the method though. 2. Raymond Scott - Sleepy Time Some of the tracks of this ‘Soothing sounds for Baby' album are perhaps a little harsh and piercing for today's infant but I think this one has a comporting warm tone. I love how you can hear the difference between each voice of the synth sequence. 3. Monoton - Jsca I became aware of Konrad Becker's early 80's synthetic soundscapes some years ago and I've been a huge fan since. Mono Tone / Monotonous: however you want to take it is fine by me. 4. Bernard Parmegiani - Jeux de Configurations Parmegiani is kind of a Daddy for me. By simply deviating from conventions in art you can pretty easily come up with something considered Avante-Garde. I find that sometimes the emperor is wearing no clothes. But making that work compelling, absorbing or transcending is another matter. I listened Parmegiani's ‘La Création Du Monde' in college in a pitch black room played back on a big set of Genelec mid field monitors and it spoke to me in volumes. Hope it speaks to other people just as much. 5. Arnold Dreyblatt - Luftmenschen IMinimalist composer Arnold Dreyblatt explores the psychoacoustic properties of prolonged stringed instrument techniques on his ‘Second Selction' LP. Well worth lying down for. 6. Rashad Becker - Dances V This is kind of ‘The New Music' for me. Really descriptive synth work-outs with little or no spacial affectation. Lots of dynamics and energy. The absence of regular rhythm and melody is so welcome. 7. Duane Pitre - Section IV Big lovely acoustic drones. Exploring layers of harmonics with washing movements. This is from 2012's ‘Feel Free' and is totally worth a listen. 8. Meyers - Inhaler II Another artist I kinda think of as ‘The New Music' ; ). Apparently, Meyers was struck down with a bad illness and relegated to a small computer/contact mic set up and set about making a bit of a masterpiece in his ‘Negative Space (1981–2014)' LP. 9. Roly Porter - Birth Roly Porter's ‘Life Cycle of a Massive Star' is a massive, massive album. Originally a member of Planet-Mu's Dub Step visionaries Vex'd along with Jamie Kuedo. Kinda does what is said on the tin. 10. Lasry / Baschet - Quatuor Pour Trois The opening titles to early 80's children's television show ‘Music Box' are forever inscribed on my brain. A few years ago I found out the music was by Jacques Lasry and played on the Cristal Baschet (invented by the Bashet Brothers), the creepy sounding glass & metal rodded instrument. So unique sounding and beautifully composed to get the maximum ‘odd' but memorable recordings. This track is from ‘Les Structures Sonores' album and is well worth checking out. 11. Autechre - Mirrage Taken from Ae's latest ‘NTS Session (part 4)' LP. People have been crying out for Autechre to make more legato music since their ‘Vletrmx' opus in 1995. We got a couple of hours of it this year and it's deep to say the least. This is probably my favourite track from the eight hour album put out this year (2018). 12. Kate NV - BUG Really charming, free sounding compositions from Kate NV. Beautifully illustrated postcards to go along with all the tracks from her для FOR LP. 13. Brian Eno - Innocenti Eno seemed to have really codified his ambient approach by 1992's ‘The Shutov Assembly' LP. So much patience and space and still so slick. I go back to this LP a lot. Neither happy or sad, just right ; ) Read notes on all 52 tracks at at http://www.shockworldservice.com/081/

Tim Kinsella has made at least two indelible marks on contemporary music—first as frontman of emo hingepoint Cap’n Jazz, then as ringleader of the unpredictable Joan of Arc.In this episode, he talks about formative encounters with Bauhaus, Can, and composer Arnold Dreyblatt.

Episode 360: July 9, 2017 (guest artist Amber Goers from Troller) playlist: Troller, "Storm Maker" (Graphic) 2016 Holodeck The Tear Garden, "Stars On The Sidewalk" (The Brown Acid Caveat) 2017 Metropolis Can, "I'm So Green" (The Singles) 2017 Mute Justin Walter, "It's Not What You Think" (Unseen Forces) 2017 Kranky The Orchestra Of Excited Strings, "Odd and Even" (Propellers in Love) 1994 Superior Viaduct Troller, "Tiger" (Troller) 2012 Holodeck Troller, "Winter" (Troller) 2012 Holodeck Troller, "Nothing" (Graphic) 2016 Holodeck Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Programme de C Spencer YEH pour webSYNradio : UbuWeb Organized Sound 9-13-11. Avec des sons de New Humans, Anton Bruhin, Demetrio Stratos, Mike Kelley/Paul McCarthy/Violent Onsen Geisha, Rafael Toral, Gerogerigegege, François Dufrêne, Walter DeMaria, Mick Jagger, Marie Osmond, John Wiese, Delia Derbyshire, Laurie Anderson, Ghedelia Tazartes, Jaap Blonk, Arnold Dreyblatt, Jack Goldstein, Greg Kelley, Yoshi Wada, Phil Minton & Dylan Nyoukis, Toshimaru Nakamura, Ellen Fullman, Tod Dockstader

"The sun's shining, I'm wearing my sombrero, and through my open window floats the gentle splosh and gurgle of folk falling into the river — all of which can mean only one thing: summer's here! So buckle on your flip-flops, crank the ghettoblaster up to eleven, pop open a bottle of 1994 Châteauneuf-du-Pape and kick back to the balmy sounds of the UNITY GAIN TEMPLE SUMMER SYNCRETASM!"   Unity Gain Temple is a full-time member of Communty (Massive Sonoral Carpets, Nefarious International Manoeuvres, Looting, Banditry, Ambushes, Car-Jacking, Physical Attacks and Killings). You can email him here.   Tracklisting: Kaija Saariaho – Jardin Secret I Denis Smalley – Wind Chimes Thomas Köner – Nival George Benjamin – Octet Brian Ferneyhough – Funerailles Gareth Loy – Nekyia György Ligeti – Glissandi Morton Subotnick – Silver Apples of the Moon Pierre Boulez – Sur incises Erik Bergman – Silence and Eruptions Edgard Varèse – 1st interpolation of organized sound (from Déserts) Arnold Schoenberg – Vorgefühle (from Five Pieces for Orchestra) Erik Bergman – Triumf att finnas till Iannis Xenakis – Polytope de Montreal Jonathan Harvey – Mortuos piango, vivos voco Anton Webern – Five Pieces for Orchestra, op. 10 Brian Eno – 1/1 from Ambient 1: Music For Airports Surgeon – Force & Form Remakes (Surgeon Remake 1) Antony & The Johnsons – Hope There's Someone Pierre Boulez – Pli selon pli Storm – No More Words (Part 3) Jeff Mills – Changes of Life 3MB – Jazz Is The Teacher (Magic Juan Mix) Basic Channel – Octagon Thomas Köner – Permafrost Edgard Varèse – 3rd interpolation of organized sound (from Déserts) Carl Michael von Hauswolff – A Quite Faster Spirit With Some Low Cyclic Interference Set Fire To Flames – Holy Throat Hiss Tracts To The Sedative Hypnotic Peter Warlock – The Shrouding of the Duchess of Malfi Wendy Carlos – Tron Scherzo George Crumb – Pastoral Drone Gustav Mahler – Allegro energico, ma non troppo (from Symphony no. 6 in A minor) Big Pun – Beware Dr Dre – Forgot About Dre N.W.A. – Straight Outta Compton Bernard Parmegiani – Étude Élastique Hervé Boghossian – Organe ouvert Arnold Dreyblatt – Nodal Excitation T. S. Eliot – The Wasteland Samla Mammas Manna – Kom Lite Närmare All Saints – Pure Shores Olivier Messiaen – Combat de la mort et de la vie (from Les corps glorieux) Luciano Berio – In ruhig fliessender Bewegung (from Sinfonia) Edgard Varèse – Density 21.5 Steve Reich – Music for Mallet Instruments, Voices, and Organ Johann Sebastian Bach – Allemande (from French Suite No. 6 in E major) Beaks – Crow Olivier Messiaen – Transports de joie d'un âme devant la gloire du Christ qui est la sienne (from L'Ascension) Olivier Messiaen – Les Yeux dans les roues (from Livre d'orgue) Olivier Messiaen – Sortie (le vent de l'Esprit) (from Messe de la Pentecôte) Pimsleur Language Program – Swedish Genesis – Dancing With The Moonlit Knight Hildegard Westerkamp – Delhi B John Cage – Writing for the Second Time Through Finnegans Wake Dave Phillips – emf (from IIIII) Dave Phillips – Untitled (from IIII) Jeff Wayne – Dead London Hildegard Westerkamp – Into The Labyrinth Ono Gagaku Kaï Society – Etenlaku Keiji Haino, Derek Bailey – Boka Ga NeJirekireru To Ai Salvatore Sciarrino – Studi per l’intonazione del mare Karlheinz Stockhausen – Gesang Der Jünglinge Jean-Claude Risset – Mutations Giacinto Scelsi – Ko–Tha Iannis Xenakis – GENDY3 Iannis Xenakis – À R. George Crumb – Se ha llenado de luces mi corazón de seda (from Ancient Voices of Children) Alban Berg – Rondo ritmico con introduzione (from Chamber Concerto for Piano and Violin with 13 Wind Instruments) Bernard Parmegiani – L'oscillée Harrison Birtwistle – Secret Theatre Steely Dan – Time Out Of Mind Anton Webern – Christus factus est (from Five Canons, op. 16) Borbetomagus – Concordat Jam 12 Ornette Coleman – Tomorrow is the Question Bertrand Russell – Speaking Personally Keith Hudson – Part 1-2 Dubwise Horace Andy – I Feel Good All Over Linval Thompson – Dubbing Feet Prince Far I – Cry Tuff And The Originals Chris Pattern – Alpine Field Recording Louis Andriessen – Hoketus Joni Mitchell – Hejira Monica Zetterlund – Sakta Vi Gå Genom Stan Carole King – Tapestry Donald Fagen – Maxine Toru Takemitsu – Soundtrack from Woman In The Dunes Caravan – Golf Girl Einstürzende Neubauten – Trinklied Burning Spear – Ethiopians Live It Out Albert Ayler – The Wizard Caravan – Winter Wine Luciano Berio – Sequenza XI for guitar Picchio dal Pozzo – Seppia Sleepytime Gorilla Museum – The Donkey-Headed Adversary of Humanity Opens the Discussion Track Ghost – Bee Fiddler Igor Stravinsky – Ebony Concerto Mika Vainio – Colour Of Plants Luciano Berio – Sequenza VII for oboe Ralph Vaughan Williams – Fantasia On A Theme Of Thomas Tallis Global Communication – 14:31 Angelo Badalamenti – Audrey's Dance