Podcasts about ancient voices

Se asocia su nombre a timbres heterodoxos, a técnicas instrumentales y vocales extendidas, a formas de notación particulares y a su monumental “Black Angels”. Para él la música es “un sistema de proporciones al servicio del impulso espiritual”._____Has escuchadoBlack Angels. I. Departure (1970). Kronos Quartet. Nonesuch (1990)Madrigals. Book I (1965). Anne-Marie Mühle, mezzosoprano; Musica Varia. BIS (1985)Mecánica celeste (Makrokosmos IV). Danzas cósmicas para piano amplificado a cuatro manos. GrauSchumacher Piano Duo. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 22 de febrero de 2020. Archivo de Conciertos de la Fundación Juan MarchVox Balaenae (Voice of the Whale). Vocalise (… For the Beginning of Time): For Electric Flute, Electric Cello and Amplified Piano (1971). Hans Peter Frehner, flauta; Ensemble für Neue Musik Zürich; Jürg Henneberger, director. hat[now]ART (2006)_____Selección bibliográficaADAMENKO, Victoria, “George Crumb's Channels of Mythification”. American Music, vol. 23, n.º 3 (2005), pp. 324-354*BASS, Richard, “Sets, Scales, and Symmetries: The Pitch-Structural Basis of George Crumb's Makrokosmos I and II”. Music Theory Spectrum, vol. 13, n.º 1 (1991), pp. 1-20*BELLMAN, Jonathan D., “Musical Voyages and Their Baggage: Orientalism in Music and Critical Musicology”. The Musical Quarterly, vol. 94, n.º 3 (2011), pp. 417-438*BRUNS, Steven M., “In stile Mahleriano: Quotation and Allusion in the Music of George Crumb”. American Music Research Center Journal, vol. 3 (1993), pp. 9-39BRUNS, Steven y Ofer Ben-Amots, George Crumb: The Alchemy of Sound. The Colorado College Music Press, 2005CARBON, John, “Astrological Symbolic Order in George Crumb's Makrokosmos”. Sonus, vol. 10 (1990), pp. 65-80CHATMAN, Stephen, “George Crumb's Madrigals Book III: a linear analysis”. In Theory Only, vol. 1 (1976-1977), pp. 55-79COHEN, David, George Crumb: A Bio-Bibliography. Greenwood Publishing Group, 2002DOBAY, Thomas R. de, “The Evolution of Harmonic Style in the Lorca Works of Crumb”. Journal of Music Theory, vol. 28, n.º 1 (1984), pp. 89-111*FRANK, Andrew, “George Crumb: Songs, Drones, and Refrains of Death”. Notes, vol. 33 (1976-1977), pp. 694-696LABUSSIÈRE, Annie, “Ancient Voices of Children”. Traducido por Carles Guinovart. Quodlibet: revista de especialización musical, n.º 12 (1998), pp. 3-36*LAJOINIE, Vincent, “Makrokosmos de George Crumb: 24 pièces en quête d'auteur”. Revue Contrechamps: Musiques nord-américaines, n.º 6 (1986), pp. 88-101: [Web]LEWIS, Robert Hall, “George Crumb. Night Music I”. Perspectives in New Music, n.° 3-2 (1964-1965), pp. 143-151*PARDO, Carmen, “Voices in Nature: Vox Balaenae by George Crumb”. International Review of the Aesthetics and Sociology of Music, vol. 54, n.º 1 (2023), pp. 147-170*REBULLIDA, Víctor, “Ancient Voices of Children” de George Crumb”. Nassarre: Revista Aragonesa de Musicología, vol. 16, n.º 1 (2000), pp. 127-168*SHUFFETT, Robert V., "Interviews with George Crumb". Composer Magazine, vol. 10-11 (1980), pp. 29-42SHUPE, Abigail, War and death in the music of George Crumb: a crisis of collective memory. Routledge, 2022 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Witnesses of Christmas - Micah 5: Can you think of an experience in your life that was wildly different from your expectations? This week, we're starting a new series looking at witnesses of Christmas in scripture during the advent season. Our series begins with a look at one of the ancient voices that foretold Jesus' coming in Micah 5. Join us as we explore the expectations that were set for the coming of the messiah, how Jesus exceeded those expectations, and what it means for us today! As always, bring a friend so they can experience the hope and freedom found in Christ!

Still the same God? Follow along as Pastor Jacquie Leveron delivers part 16 of the series Ancient Voices for the Modern World,Scripture  Zechariah 4:6-7Support the show

Follow along as Pastor Jacquie Leveron continues her series on the prophets as she delivers part 15 of the series Ancient Voices for the Modern World.Scripture Haggai 1:1-8Support the show

Purify our hearts Lord. Follow along as Pastor Jacquie Leveron delivers Part 14 of the message series Ancient Voices For the Modern World.Support the show

Why Lord? Sometimes because of situations we don't understand or facing difficult challenges we ask "Why Lord." Pastor Edwin delivers part 13 of the series Ancient Voices For the Modern World.Scripture Habakkuk 1:2-4Support the show

Do we trust what God says? Part 12 of the series Ancient Voices for the Modern World Part 12 talks about our trust in God. Scripture Nahum 1:7Support the show

Follow along as Pastor Jacquie Leveron delivers Part 11 of the series Ancient Voices For the Modern World.Scripture Micah:4-5Support the show

Where can we hide from God? Follow along as Pastor Jacquie Leveron delivers Part 10 of the series "Ancient Voices for the Modern World."Scripture Jonah 2:9-3:2Support the show

Part 8 of the series "Ancient Voices For the Modern World" has Pastor Jacquie Leveron talking a call to repentance.Scripture reference Amos 5: 21-24Support the show

Pride is the topic for part 9 of the series "Ancient Voices for the Modern World."Follow Pastor Jacquie Leveron as she talks about what the bible says about pride.Scripture Obadiah 1:3Support the show

Want to know what the bible says about fear? Follow along as Pastor Jacquie Leveron delivers Part 7 of the series Ancient Voices for the Modern World.Scripture Joel 2:21Support the Show.

All you need is love. Follow along as Pastor Jacquie Leveron delivers Part 6 of the series "Ancient Voices for the Modern World."Scripture- Hosea 6:6Support the Show.

Pastor Jacquie Leveron talks with us about an Eternal God as she delivers part 5 of the series "Ancient Voices for a Modern World."Scripture- Daniel 6:26b-27Support the Show.

Part 4 of the series "Ancient Voices for the Modern World" helps us understand how we have new life by God's Power. Pastor Jacquie Leveron delivers this message from Ezekiel 37.Support the Show.

Pastor Jacquie Leveron brings us "Part 3" of the series Ancient Voices For a Modern World.Scripture Lamentations 3:19-25Support the Show.

How can we find Joy in all circumstances? Follow along as Pastor Jacquie Leveron delivers Part 2 of the series Ancient Voices for the Modern World.Scripture- Jeremiah 9:23-24Support the Show.

It has been a busy time in the studio recently for Markus Schulz, and he showcases two upcoming singles on the latest studio edition of Global DJ Broadcast. Available from next week will be his In Search of Sunrise 19 featured Reverence, produced with Daxson, and he also previews his big club track Ram Attack. The show also includes new music from Yotto & AVIRA, BT & Shingo Nakamura, Ferry Corsten, Estiva, Elysian and more. In the second hour, Markus is joined by KhoMha for the guestmix, celebrating the introductory offering of a special EP he has made for Coldharbour, with the first single being Ancient Voices.   A big doubleheader awaits Markus in the clubs this weekend, firstly on Friday, playing all night long at Joshua Brooks in Manchester, England. Then on Saturday, he will perform live at the Boogaloo Club in Zagreb, Croatia.    You are also welcome to check out a brand new edition of Markus' long-form journey mix series Destinations, with episode 26 available exclusively on Spotify from this Friday. Hope you enjoy the show.   Tracklist:   The Essentials with Markus Schulz 01. Yotto & AVIRA featuring ALSO ASTIR - Forget 02. BT & Shingo Nakamura - Lifeforce 03. Joris Voorn - Horizon [Global Selection] 04. Ferry Corsten featuring Chris Howard - Where the Mountains Grow [In Bloom] 05. Mark Norman - So it Begins 06. Mees Salome - Beyond Us [A Moment of Sunrise] 07. Milkwish - Dynamite [Deeper Shades] 08. Markus Schulz x Daxson - Reverence 09. Eelke Kleijn - Lately 10. Frankyeffe - Kill Me 11. Aalto - Resolution (Alex Sonata & TheRio Remix) 12. Tryger - Sandstorm 13. Layton Giordani - Paranoid [Down the Rabbit Hole] 14. Estiva - Fine Day 15. Elysian - Now We Are Free 16. Mr. Sam featuring Claud9 - Cygnes [Hall of Fame]   KhoMha 01. KhoMha - Ancient Voices 02. Amé - Rej (KhoMha Remix) 03. KhoMha x Khainz - ID 04. KhoMha - Spectre 05. Markus Schulz x KhoMha - Take Me 06. Beat Service - Outsider 07. KhoMha - Magnetik 08. KhoMha featuring Nezzah - Not the Same   Back with Markus Schulz 17. Markus Schulz x Arkham Knights - Vanderbilt 18. Rinaly presents Rina Mirai - Brainwash 19. Jam & Spoon - Follow Me (Thomas Schumacher Remix) 20. Markus Schulz - Forgotten Element 21. Memory Loss - When Worlds Collide 22. Roberto Capuano - When the Lights Go Down 23. Mike EFEX & ALAT - Minus One 24. Markus Schulz - Ram Attack  

Isaiah 64:1-9 and Mark 13:24-37 The prophet Isaiah says, “If only...” If only God's presence would be made known among God's people. If only they could hear, perceive and call on the LORD's holy name! Jesus says, “Stay alert!” We are called to listen in HOPE.

Guys, is it just us or did the return of Ancient Voices also bring the return of a well-edited and fun Survivor episode? This one was a blast and we're breaking it all down for you. From Jeff being absolutely unhinged to the return of our LuLu-sers, we're here to talk about all of it. There's a lot of tribe dynamics to discuss in addition to some new changes and the return of old rules. But, Survivor seems to be on an upward trajectory, wouldn't you say? Let's hope it continues next week! If you're looking for a specific segment, here's a breakdown: Intro (0:00-1:15) One Minute Thoughts (1:15-10:47) Episode Recap (10:47-59:17) Jeff Needs a Vibe Check (59:17-1:02:36) Castaway of the Week (1:02:36-1:06:28) The Fans Have Spoken (1:06:28-1:08:04) Rapid Fire (1:08:04-1:13:15) Outro (1:13:15-1:13:51) Be sure to give us a follow on Instagram ⁠⁠@EscapingRealityPod⁠⁠ and on Twitter ⁠⁠@EscRealityPod⁠⁠ --  If you enjoyed this episode, please subscribe & leave us a rating/review on Apple Podcasts and/or Spotify! Make sure to tell your friends about the pod so they can join you (and us) on our journey through reality competition shows. As always, thanks for listening & thanks for Escaping Reality with us!

Could the Egyptian Sphinx have been built many centuries earlier than conventional history would have us believe? Could the great natural disasters that propelled the evolution of life on Earth have played a dominant role as well in the rise and fall of civilizations? Could Earth have been home to civilizations far greater in number -- and far older -- than orthodox researchers have suspected?  From his geological analysis of the Sphinx,  Dr. Robert M. Schoch  draws a conclusion that he admits is controversial: that a technologically advanced civilization rose and faded in Egypt long before the time of the pyramids. Adding speculative science and drawing on myth, he asserts that other similarly advanced civilizations flourished around the world, only to be obliterated by global catastrophes brought on by a century-long rain of asteroid impacts. Similar cosmic storms strike once a millennium, he says, triggering or ending ice ages, causing floods, earthquakes and volcanic eruptions of biblical proportion, precipitating shifts in the earths axis.Robert Milton Schoch is an American associate professor of Natural Sciences at the College of General Studies, Boston University.From the Archives: This live interview was recorded on June 19 1999 on the nationally syndicated radio program, hosted by Laura Lee . See more at www.lauralee.comAlso available in Spotify for download Laura Lee, Laura Lee Show, Conversation4Exploration. Conversation 4 Exploration, ConversationforExploration, Conversation for Exploration, Cuyamungue Institute

This week I speak with Joanne Hagemeyer. When she received her own Bible at the age of nine, she read the whole book, from preface to concordance, with transcendent joy, knowing these were the very words of God. Today, Joanne continues in God's call to teach, counsel, mentor, and train in God's word and Spirit through retreats, Bible studies, and online classes. After leading and teaching a Bible class of 350–500 students from 2003 to 2013, Joanne retired in 2018 as an advisor and mentor to eight Bible classes in the Maryland area through Bible Study Fellowship. She began teaching and speaking through Ancient Voices, Sacred Stories, LLC, then founded Grace and Peace, Joanne. Joanne earned her Master of Arts in Theological Studies from Portland Seminary and serves as a member of both the pastoral team and pulpit teaching team of her church. A long-time amateur archaeologist, Joanne joined the Board of Directors for the Biblical Archaeology Forum in 2013 and has participated in two excavations, Tel Kabri and Tel Akko, Israel. We look at Joanne's life from childhood to the present and are so encouraged by the beautiful thread of Jesus working in her life!! You won't want to miss this inspiring episode! Www.graceandoeacejoanne.comhttps://youtube.com/@GraceandPeaceJoanne*Theme Music “Blessed Time by Ketsa 

Matt Oxley

Episode 46: The Great Opeongo Lake - Times Before 1893 In this and the next two episodes, I will focus on sharing as much history as I can about Algonquin's largest body of water, Lake Opeongo. Much of the content comes from a now out-of-print 1998 book by S. Bernard Shaw, called Lake Opeongo:  Untold Stories of Algonquin Park's Largest Lake. I'm also for the first time, going to try to share as much as I know about the indigenous Lake Opeongo experience.  For this, I depend upon two sources by Chief Kirby Whiteduck of the Algonquins of Pikwakanagan including a 2001 Algonquin Park TED TALK and Chapter Two in Mike Walton's 2009 Algonquin Park: The Human Impact. Other references include: Algonquin Park: A Place Like No Other by Roderick MacKay - 2018 Spirits of the Little Bonnechère by Roderick MacKay 2016 2nd edition Algonquin Story by Audrey Saunders 1946 A History of Canada in 10 Maps by Adam Shoalts 2018 Protected Places: A History of Ontario's Provincial Park System by Gerald Killan 1993 Names of Algonquin - Technical  Bulletin No,  10  Friends  of  Algonquin Park 1991 It Made the Farmhouse Warm for Winter by Rory MacKay, The Raven, Vol. 63 No.5 Dec 2021 Trading Places, by Rory MacKay, The Raven Vol. 63, No. 4 The Algonquins of Pikwkanagan First Nation https://www.algonquinsofpikwakanagan.com This musical interlude is called Ancient Voices and comes from Dan Gibson's 2013 Solitudes CD called Shimmer    

In this Halloween themed episode, we discuss the music of Krzysztof Penderecki, John Williams and George Crumb to try and explore the qualities that makes their music sound spooky! Timestamps: Penderecki's "The Awakening of Jacob" from The Shining: 3:25 The theme from Jaws by John Williams: 9:17 "Ancient Voices of Children" by George Crumb: 17:33 Get in touch with us at: thetheoryclubpodcast@gmail.com

Learn the difference between fighting and running, because we are back for our first season of new/old Wie is de Mol recaps! Over these nine weeks, two guys who are known as Clumsy & Passive respectively - Logan & Michael - are looking back on the season with the biggest twist in Mole history - Wie is de Mol: Georgia (et al.), continuing with the eighth episode this week and elimination of Simone. As a special treat this week, we're also joined by friend of the podcast and Mole encyclopedia - David Bindley! In this episode, Olcay still can't help herself, Logan knows where Ancient Voices comes from, Stine's evil twin joins a choir, Simone is terrible at charades, skipping Ed Sheeran could be unforgivable, we look back at whether Mole hosts knew who the Mole was, Jan is like Augustus Gloop, there's some praise for Art doing something Rik never would, we delve into Russian history, Michael wonders if this is the best final three of anything ever and we discuss what the Mole did for the final time this season. You can find us on Facebook, Twitter, Instagram & YouTube or you can tweet Michael, Logan & Bindles directly! We will see you next week! Please note: This season is intended on being spoiler-free, so please watch the episodes along with us. As with our Belgian Mole recaps from last year, there is also a small spoiler-filled section at the end of the podcast - this can be found from 43:56 onwards. Additional note: Knowing who the Mole is this season is an absolute delight. We can't wait to discuss what they did properly next week!

  Spiritual Blindness 19-Isaiah-15 191107AM Listen with me to the ANCIENT VOICES of God's Prophets. When we do, we HEAR GOD SPEAK about how to cultivate DESIRING & FINDING GOD DAILY: that is the essence of the BEST LIFE possible. I just spent a final hour with some of the dearest Asians committed to reaching [...] The post Beware Of Self-Induced Spiritual Blindness appeared first on Discover the Book Ministries.

On today’s date in 1935, the Kolisch Quartet gave the premiere performance of Bela Bartok’s String Quartet No. 5 in the auditorium of the Library of Congress in Washington, D.C. That performance was part of a chamber music festival sponsored by Elizabeth Sprague Coolidge, one of the 20th century’s great musical patrons. In 1925, she created a Foundation to enable the Library of Congress to present concerts and commission new works in the nation’s capital Among the major American works commissioned by the Coolidge Foundation were Aaron Copland’s “Appalachian Spring” and George Crumb’s “Ancient Voices of Children.” Coolidge herself was an accomplished musician and amateur composer. One of her chief advisors was the Dutch cellist and conductor Hans Kindler, who once contacted Sibelius with a Coolidge commission for a new cello concerto, which, sadly, never materialized. It was Kindler who suggested commissioning a string quartet from Bartok, this time with success. After its premiere, the critic for The Musical Courier wrote: “Mr. Bartok’s [new quartet] is impressionistic and well-wrought.” The critic for Musical America was less impressed: “It honestly treats folk melody with a healthy vigor . . . [but] there is … no subtle play of light and shade.”

Soprano Tony Arnold joins us to chat about hopping careers from orchestral conductor to international superstar vocalist, her varied interests in how sound is made and how to harness sound to make it into something else, and the way her interests have helped in collaborations with all sorts of instrumentalists and in teaching composers how to help performers lift music off the page . We speak about how she developed the working knowledge necessary to decipher contemporary scores, the close connection between chamber music and contemporary music, and learning how to fit into the deeply intimate and idiomatic language of a string quartet with a long history that no longer required verbal communication. She shares about how her connection to George Crumb deepened on a trip to Charleston, WV and how community- and network-building play in forming long-lasting professional connections. We discuss how the COVID-19 pandemic has exacerbated the impact of digitization on the shaping of the musical world and the importance of separating music-making from money-making as best as one can. Celebrated as a “luminary in the world of chamber music and art song” (Huffington Post), Tony Arnold is internationally acclaimed as a leading proponent of contemporary music in concert and recording, a “convincing, mesmerizing soprano” (Los Angeles Times) who “has a broader gift for conveying the poetry and nuance behind outwardly daunting contemporary scores” (Boston Globe). Her unique blend of vocal virtuosity and communicative warmth, combined with wide-ranging skills in education and leadership were recognized with the 2015 Brandeis Creative Arts Award, given in appreciation of “excellence in the arts and the lives and works of distinguished, active American artists.” Ms. Arnold's extensive chamber music repertory includes major works written for her voice by Georges Aperghis, George Crumb, Brett Dean, Jason Eckardt, Gabriela Lena Frank, Josh Levine, George Lewis, Philippe Manoury, Carlos Sanchez-Gutierrez, Christopher Theofanidis, Ricardo Zohn-Muldoon, and numerous others. She is a member of the intrepid International Contemporary Ensemble, and enjoys regular guest appearances with leading ensembles, presenters and festivals worldwide. With more than thirty discs to her credit, Ms. Arnold has recorded a broad segment of the modern vocal repertory with esteemed chamber music colleagues. Her recording of George Crumb's iconic Ancient Voices of Children (Bridge) received a 2006 Grammy nomination. She is a first-prize laureate of both the Gaudeamus International and the Louise D. McMahon competitions. A graduate of Oberlin College and Northwestern University, Ms. Arnold was twice a fellow of the Aspen Music Festival as both a conductor and singer. She was the 2015-16 Kunkemueller Artist-In-Residence at the Boston Conservatory, and currently serves on the faculty of the Peabody Conservatory and the Tanglewood Music Center. The transcript for this episode can be found here. Resources discussed in this episode: Tony Arnold sings George Crumb's Ancient Voices of Children For more information about Tony Arnold, please visit her website, www.screecher.com.

Barry Gilson is a proud Wadawurrung man, a traditional custodian of Ballarat and surrounding areas. He is a poet, a story teller and my local postie.He is also a respected singer songwriter and specialises in bringing back the ancient language of his people through his music.

In this week's podcast, Josh and Zed follow Cloud to the Temple of the Ancients, and beyond, ending with the final events of disc one. The post Final Fantasy VII, Recap Part 5 | Ancient Voices appeared first on PostShowRecaps.com.

In this week's podcast, Josh and Zed follow Cloud to the Temple of the Ancients, and beyond, ending with the final events of disc one. The post Final Fantasy VII, Recap Part 5 | Ancient Voices appeared first on PostShowRecaps.com.

Brendan is home alone and he got his hands on the best versions of Survivor's theme: Ancient Voices composed by Russ Landau. On this week's episode, ½ of the Dig Deep team discusses favourite iterations of Ancient Voices highlighting four stand-out Survivor intro songs, and gets a special birthday message. 0:00 - Introduction 0:38 - A birthday message… 2:12 - The History of Ancient Voices 4:34 - My 4 favourite Survivor theme songs (NO SPOILERS) 15:19 - Conclusion Find Russ Landau's many versions of Ancient Voices on Apple Music. Songs Featured: Ancient Voices Australia (Survivor 2) - Russ Landau Ancient Voices Kenya (Survivor 3) - Russ Landau Ancient Voices 8 Panama - Russ Landau Ancient Voices 9 Vanuatu - Russ Landau Ancient Voices 16 Micronesia - Russ Landau Ancient Voices 21 Unapproved - Russ Landau Follow us on Twitter and Instagram, @DigDeepPod.

Resources mentioned in this episode (in order of discussion) - Reading list by Evette Dionne https://www.bitchmedia.org/article/bitchreads/black-horror-books The Artisian Geek https://www.youtube.com/channel/UCamkpihJtPvMuH49D6FejEw New York Times article, James Haskins https://www.nytimes.com/2005/07/11/books/james-haskins-an-author-on-black-history-dies-at-63.html Black Lives Matter https://blacklivesmatter.com/ Contact for Ancient Voices podcast - amberhighland9@gmail.com (mailto:amberhighland9@gmail.com)

The "Ancient Voices" of classical Greece come alive in Eric's interview with historian Louis Markos; the discussion also focuses on the historical relevance of today's political climate.See omnystudio.com/listener for privacy information.

Amanda has set up camp alongside the crumbling wall of a long abandoned English abbey. Join us near the fire. What's that? Ah, the mummers have arrived and it is time for A Walk in the Dark. The Masque of the Red Death is a short story written by Edgar Allan Poe, published in 1842. The story follows Prince Prospero's attempt to avoid a dangerous Red Death plague by hiding in his abbey.

"The Hat Sells It" Where did you get that fabulous hat? In this episode, Amber shares the background and possible of origins of the witch's iconic pointy black hat.

"The Witch's Hat" A poem by David Lewis Paget Recited by Amber Highland Background music track, "Come Play with Me" by Kevin MacLeod Licensed under Creative Commons

"Music by CO.AG, sound effects by Craftcrest"

"Elsie Finds Her Familiar"  by Lora Craig-Gaddis tells the story about how a young witch and a very special kitten first found each other. Learn more about Elsie and Pooka by visiting www.pookapages.com (http://www.pookapages.com/)

Something Familiar Amber Highland kicks off October with background legend and personal perspective regarding animal Familiars and Magick.

Healing the mental blocks and noise in our minds is a big deal for many of us. Some of you may be at the point along your spiritual journey where the quieting of your mind feels imperative. 

Something in our brains emerges on the other side of spooky story - a new confidence and self-awareness that becomes part of how we deal with fear and other traumas as we move forward through life.

Story: Hands Reader: Amanda Newsom

"The Cats of Ulthar" by H.P. Lovecraft Narrated by: Amanda Newsom

"Nyarlathotep" By H. P. Lovecraft Narrated by: Amanda Newsom

Solfeggio Soul "If you want to find the secrets of the universe, think in terms of energy, frequency, and vibration." ~ Nikola Tesla

A worldwide symbolism exists within the practice of the fiber arts. www.AmberHighland.com IG: @AncientVoices FB: Ancient Voices 

Turn down the lights and enter the world of folklore that lives in the deepest and darkest places of the night. Welcome to the first episode of A Walk in the Dark by Ancient Voices, 'Tailybones'. Vocal Performance by Amanda Newsom.