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3 episodes with gris gris
3 episodes with gris gris
3 episodes with gris gris
3 episodes with gris gris
2 episodes with gris gris
3 episodes with gris gris
2 episodes with gris gris
2 episodes with gris gris
3 episodes with gris gris
A lone coroner reads from the diary of a dead man while a jury of weathered woodsmen listens, but as the inquest unfolds, the terrifying truth begins to emerge—something unseen, something impossible, has left its mark on the body, and it's still out there.IN THIS EPISODE: It's #ThrillerThursday (a.k.a. “Creepypasta Thursday) and this week I'm bringing you ELEVEN short horror stories of fiction!CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Disclaimer and Show Open00:02:51.594 = The Damned Thing, Chapter 01 (Ambrose Bierce)00:09:15.468 = The Damned Thing, Chapter 02 (Ambrose Bierce)00:16:14.113 = The Damned Thing, Chapter 03 (Ambrose Bierce)00:20:05.874 = The Damned Thing, Chapter 04 (Ambrose Bierce)00:27:06.144 = My Grandmother Left Behind Some Really Dark Secrets (Evelyn Bertrand)00:43:29.144 = The Blood Keeper (Christopher Maxim)01:01:01.763 = A Diner Open 24-Hours a Day (Christopher Maxim)01:23:35.119 = I Followed Her Home (Christopher Maxim)01:39:12.832 = The Monster In The Pantry (Christopher Maxim)01:54:05.378 = My Wife Has a Removable Face (r/NSLewis)02:09:06.305 = The Asylum In The Woods (r/RLRogers)02:24:36.925 = Secret Bar, Part 1 (K. Banning Kellum)02:45:03.580 = Secret Bar, Part 2 (K. Banning Kellum)02:58:33.479 = The Statement of Randolph Carter (H.P. Lovecraft)03:15:24.625 = Show Close, Verse, and Final ThoughtSOURCES AND RESOURCES FROM THE EPISODE…“The Damned Thing” by Ambrose Bierce: https://tinyurl.com/y6amz952“My Grandmother Left Behind Some Really Dark Secrets” by Evelyn Bertrand: https://tinyurl.com/yy8gx627“I Followed Her Home”, “The Blood Keepers”, “A Diner Open 24-Hours a Day”, and “The Monster in the Pantry” were all written by Christopher Maxim at https://www.reddit.com/r/ChristopherMaxim/ and at http://www.CreepyFiction.com. Christopher is extremely generous to allow me to narrate his stories for free to use in Weird Darkness. Please consider sending him a thank-you donation through PayPal if you enjoyed his stories. You can send a gift to him using PayPal or a credit/debit card by clicking this link: https://tinyurl.com/y3gvvlzg“The Statement of Randolph Carter” by H.P. Lovecraft: https://www.creepypasta.com/the-statement-of-randolph-carter/“My Wife Has a Removable Face” by Redditor N.S. Lewis: https://www.creepypasta.com/my-wife-has-a-removable-face/“The Asylum In The Woods” by Redditor R.L. Rogers: https://www.creepypasta.com/the-asylum-in-the-woods/“Secret Bar” by K. Banning Kellum: https://www.creepypasta.com/secret-bar/ (find more creepiness in K. Banning Kellum's book “Gris Gris and Ju Ju, A New Orleans Horror” https://amzn.to/2EaYeH6)=====Darkness Syndicate members get the ad-free version. https://weirddarkness.com/syndicateInfo on the next LIVE SCREAM event. https://weirddarkness.com/LiveScreamInfo on the next WEIRDO WATCH PARTY event. https://weirddarkness.com/TV=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: September 17, 2020EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/TheDamnedThing
What is "real" Louisiana cooking? There's Creole, there's Cajun, and what's the difference anyway? However you define it, for many of us, it's simply what your mama used to make that made you feel loved. On this week's show, we meet three Louisiana authors whose cookbooks help tell the authentic story of our state's distinctive cuisine. First, we hear from Eric Cook, the executive chef and owner of two distinguished New Orleans restaurants: Gris-Gris and St. John. Eric talks about the evolution of our traditional local fare – many examples of which can be found in his cookbook, Modern Creole: A Taste of New Orleans Culture and Cuisine. Eric shares his secrets to success with dishes such as crab and shrimp stew, wild duck cassoulet, and even his mama's chicken and dumplings. Next, we welcome food writer and culinary historian Marcelle Bienvenu, who has reported on Cajun and Creole cooking for half a century. She shares her expert knowledge and talks about the fifth edition of her classic cookbook, Who's Your Mama, Are You Catholic, and Can You Make a Roux? Finally, for 125 years, Vaucresson Sausage Company has produced its beloved brand in New Orleans' Seventh Ward. In her debut cookbook, Creole Made Easy, co-owner Julie Vaucresson shares recipes and stories both from her illustrious family of origin and the family she married into. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.
What is "real" Louisiana cooking? There's Creole, there's Cajun, and what's the difference anyway? However you define it, for many of us, it's simply what your mama used to make that made you feel loved. On this week's show, we meet three Louisiana authors whose cookbooks help tell the authentic story of our state's distinctive cuisine. First, we hear from Eric Cook, the executive chef and owner of two distinguished New Orleans restaurants: Gris-Gris and St. John. Eric talks about the evolution of our traditional local fare – many examples of which can be found in his cookbook, Modern Creole: A Taste of New Orleans Culture and Cuisine. Eric shares his secrets to success with dishes such as crab and shrimp stew, wild duck cassoulet, and even his mama's chicken and dumplings. Next, we welcome food writer and culinary historian Marcelle Bienvenu, who has reported on Cajun and Creole cooking for half a century. She shares her expert knowledge and talks about the fifth edition of her classic cookbook, Who's Your Mama, Are You Catholic, and Can You Make a Roux? Finally, for 125 years, Vaucresson Sausage Company has produced its beloved brand in New Orleans' Seventh Ward. In her debut cookbook, Creole Made Easy, co-owner Julie Vaucresson shares recipes and stories both from her illustrious family of origin and the family she married into. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.
Send us a textEvery step we take in life leads us somewhere. And before we know it, the path we've taken awakens different parts of our on self, to unleash new passions, talents and if we listen close enough to our intuitions, that will unlock the key to understanding what to do with them. Attention to all the little details also make our passions sparkle like a dew drop on a leaf. And when we bring all of that together, and are grateful for all of the other lessons we have learned in our life to that point, in a way, I feel it creates a manifestation situation that only the committed, dedicated, and meticulous can understand. With all of that said, I am THRILLED to welcome New Orlean's hottest chef right now for our very special Thanksgiving Special. Before he opened his exquisite restaurants, Saint John and Gris-Gris, before he cooked at Brennan's or Commander's Palace, he learned the hard life lessons to be as detailed oriented by joining the Marines. Yes! The Marines! "The only thing I could compare it to was the way a kitchen is ran. There are ranks in a kitchen just like the military. And you rise up the ranks." Now, with his brand new location of Saint John on Saint Charles Ave and his newly released cook book, Modern Creole, Chef Cook's universal love letter to home cooking and being raised in one of the greatest cities in the world is sure to inspire a whole new generation of hard working, grateful and detail oriented chefs all across our city and country. Thank you for your service, your talents and for such a great chat, Chef. Happy Thanksgiving! Thank you to our family of amazing sponsors! Ochsner Hospital for ChildrenWww.ochsner.orgRouses MarkersWww.rousesmarkets.comSandpiper VacationsWww..sandpipervacations.comZak George's Dog Revolution! The Law Firm of Forrest Cressy & James Www.forrestcressyjames.comComfort Cases Www.comfortcases.orgNew Orleans Ice Cream CompanyWww.neworleansicecream.comReal Estate with Steph & Berkshire Hathaway www.realestatewithsteph.comAudubon Institute www.auduboninstitute.orgThe Gift of Adoption FundGiftofAdoption.org
As a chef, Eric Cook is known for having lots of spice and flavor in his creations. The same can be said about his conversations. Cook – who owns Gris-Gris restaurant on Magazine Street in New Orleans' Garden District, as well as restaurant Saint John located along the streetcar line on St. Charles Avenue near Lafayette Square – has had plenty in the oven lately. That includes relocating Saint John from its original French Quarter location and putting together a book, “Modern Creole: A Taste of New Orleans Culture and Cuisine.” In an information-rich podcast, Cook talks to Louisiana Life Executive Editor Errol Laborde, along with Producer Kelly Massicot, about the joys of fishing; the challenges of the restaurant business; the wonders of oysters; why pompano is so special; and how to make “red gravy.” As for his new book, he explains his interpretation of “Modern Creole.” We know this for sure: It will have a good mix of culture and cuisine.
In this episode we welcome the esteemed David Toop to Hammersmith – on the UK's General Election day – to discuss his extraordinary new book about (and around) Dr. John's 1968 album Gris-Gris. First we revisit the short-lived but splendidly eclectic Collusion magazine our guest co-founded in 1981: we hear about its inception and mission, as manifest in groundbreaking pieces about rap, surf, salsa, exotica and "paranoid sex in '60s soul". We touch on key points along the journey of David's journalistic career before arriving at The Wire in the '90s. A 2012 Pitchfork piece about Wire icon Scott Walker leads us to David's audio interview for that article: two clips from the conversation prompt discussion of Walker's remarkable career from the Walker Brothers to his new album Bish Bosch. Finally we reach the debut album by Malcolm Rebennack, a.k.a. "Dr. John the Night Tripper", and learn of the long gestation of David's book during lockdown. David discusses the complex themes and issues explored in Two-Headed Doctor, including voodoo, racism, minstrelsy, New Orleans, unreliable mythography, and the unsung brilliance of the album's co-creator Harold Battiste. A gravelly clip from the late Charlie Gillett's 1971 audio interview with the Night Tripper himself provides a capsule backstory to the album's germination. Mark talks us out with quotes from newly-added library pieces about Stan Getz (1973), Fred Wesley (1974), Primal Scream (1997) and Robbie Williams (1999). Many thanks to special guest David Toop. Listening for Ghosts in Dr John's Gris-Gris will be published on August 20th by Strange Attractor. Pieces discussed: ¿Te Gusta La Musica Latina?, Alone in the Dark: Björk on Vespertine, Incredibly Strange and Highly Exotic, Scott Walker audio, Mystic vapour: 'Jump Sturdy' (book excerpt), Dr. John: Shadowy Singer Rises From Bayou, Dr. John In Babylon, Dr. John audio, Harold Battiste, Stan Getz, Fred Wesley, Primal Scream and Robbie Williams.
Cheese footballs galore...
Salut, alors c'est vrai que la semaine dernière en enregistrant le PPP sur l'astrologie, j'ai pensé à tous ces escrocs qui profitent de la crédulité et surtout du malheur des pauvres gens… et pas que des pauvres d'ailleurs puisque la plupart des victimes de supercheries sont des gens comme vous et moi, c'est à dire plutôt comme moi, c'est encore à dire intelligents et cultivés et pas forcément démunis d'argent.Un podcast conçu, produit et réalisé par Vincent Malone et Yaël Assayag pour le Poste Général. Musiques Universal. Extraits de vidéos, sketches et musiques YouTube D.R. et si vous voulez tous les détails ce qui me paraît normal, écrivez-nous à contact@lepostegeneral.com, ce sera avec plaisir. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Diving into songs by Jimmy that mention Voodoo or Gris Gris. YouTube: SongLinesandTanLines Email: songlinesandtanlines@gmail.com Twitter: @zombiebeach Instagram: aparrotheaddad Kofi: ko-fi.com/anthonyrenfro Patreon: patreon.com/patreonaville Books and Short Stories: Amazon US Amazon UK Barnes and Noble Apple --- Send in a voice message: https://podcasters.spotify.com/pod/show/thedeepcuts/message
It's #ThrillerThursday (a.k.a. “Creepypasta Thursday) and this week I'm bringing you ELEVEN short horror stories of fiction!SOURCES AND REFERENCES FROM THE EPISODE…“The Damned Thing” by Ambrose Bierce: https://tinyurl.com/y6amz952“My Grandmother Left Behind Some Really Dark Secrets” by Evelyn Bertrand: https://tinyurl.com/yy8gx627“I Followed Her Home”, “The Blood Keepers”, “A Diner Open 24-Hours a Day”, and “The Monster in the Pantry” were all written by Christopher Maxim at https://www.reddit.com/r/ChristopherMaxim/ and at http://www.CreepyFiction.com. Christopher is extremely generous to allow me to narrate his stories for free to use in Weird Darkness. Please consider sending him a thank-you donation through PayPal if you enjoyed his stories. You can send a gift to him using PayPal or a credit/debit card by clicking this link: https://tinyurl.com/y3gvvlzg“The Statement of Randolph Carter” by H.P. Lovecraft: https://www.creepypasta.com/the-statement-of-randolph-carter/“My Wife Has a Removable Face” by Redditor N.S. Lewis: https://www.creepypasta.com/my-wife-has-a-removable-face/“The Asylum In The Woods” by Redditor R.L. Rogers: https://www.creepypasta.com/the-asylum-in-the-woods/“Secret Bar” by K. Banning Kellum: https://www.creepypasta.com/secret-bar/ (find more creepiness in K. Banning Kellum's book “Gris Gris and Ju Ju, A New Orleans Horror” https://amzn.to/2EaYeH6)= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness theme by Alibi Music Library. Background music provided by Alibi Music Library, EpidemicSound and/or StoryBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ) Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and Nicolas Gasparini (https://tinyurl.com/lnqpfs8) is used with permission of the artists.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Originally aired: September 17, 2020CUSTOM WEBPAGE: https://weirddarkness.com/the-damned-thing-by-ambrose-bierce/
Rediffusion du 3 septembre 2022."Ils m'appellent Dr. John, le voyageur nocturne". Étant tous les deux de grands admirateurs du pianiste/chanteur louisianais, Matthis Pascaud et Hugh Coltman décident d'explorer la période sixties de ce dernier avec ce nouvel album Night Trippin', un sulfureux mélange réunissant le folklore de la Nouvelle-Orléans, l'ambiance électrique du groupe et la voix suave de Hugh. Sortie 2 septembre 2022.Dans cette Nouvelle-Orléans crasseuse et mystique, Dr. John était le Grand Zombie, venu d'un temps où les rues n'empestaient pas le béton, où l'on ne prenait pas un studio légendaire pour une laverie automatique. Matthis Pascaud et Hugh Coltman sont les dernières victimes – après Mick Jagger, les Beastie Boys, Beck et Dan Auerbach – du sorcier à la voix rauque et à la langue élastique, généralement flanqué d'une danseuse nue et d'un type qui égorgeait des poulets sur scène avant de boire leur sang ! Là, dans une cuisine, autour d'une grande pile de disques, Matthis et Hugh s'arrêtèrent sur Babylon et Gris-Gris, actes fondateurs de la légende Dr. John. Trois ans après que le toubib a remisé ses crânes et ses costumes à plumes, comment reprendre le flambeau ? La réponse est dans Night Trippin'. Plus qu'un hommage, une procession. Sans casques, dans une pièce truffée de micros, Matthis Pascaud et Hugh Coltman nous convient à leur festin sauvage. Leur groove avance lentement, tel un alligator sous les pacaniers, les tambours s'entrechoquent dans un mouvement mystique zébré par les lames de guitare. Ce ne sont pas des chansons mais des mirages. Dans son costume de voodoo-dandy, Hugh Coltman se déchaîne, scande, aboie, jubile. La Louisiane coule dans ses veines. À la Nouvelle-Orléans, entre deux bouchées d'alligator, le chanteur rock à l'accent du Wiltshire avait enregistré Who's Happy. “La première fois qu'on a jammé avec Matthis, sourit-il, c'était fou !” Night Trippin' a du chien. De loin, on dira qu'il est rock, bestial et dépouillé. Plus près, on croisera le bottleneck d'un vieux bluesman du Sud, les rêves opiacés d'un Jimi Hendrix, les flammes de PJ Harvey ou The Kills et des plans larges à la Ry Cooder. Lorsque s'évanouissent les dernières notes de “Guilded Splinters” on se dit que, là-haut, Mac a dû apprécier. Matthis Pascaud, Hugh Coltman et leur troupe ont entrouvert la porte. Laissez-les vous guider le long du bayou, faire parler la poudre et les sortilèges... Alors, vous finirez peut-être comme eux : mystifiés et totalement séduits.Britannique devenu parisien par adoption, Hugh Coltman est un authentique amateur de jazz, de rock et de blues. Ancien membre des formations The Hoax et Heez Bus, il se produit en solo à partir de l'album Stories from the Safe House (2008), remarqué pour sa saveur jazz, blues et soul. C'est dans une veine entre soul aux yeux bleus et pop anglaise que Hugh Coltman revient sur le devant de la scène avec l'album Zero Killed (2012). Il signe chez Sony Masterworks et enchaîne avec un élégant hommage de Crooner dans Shadows : Songs of Nat King Cole (2015), suivi de Who's Happy (2018) inspiré par l'ambiance big band de la Nouvelle-Orléans, deux albums qui cumulent plus de 15 millions d'écoutes sur les plateformes de streaming et plus de 20 0000 ventes physiques. La même année, il remporte la Victoire du Jazz dans la catégorie “Artiste vocal”. Matthis Pascaud est un artiste qui captive par ses compositions à la fois audacieuses, volcaniques et actuelles. Son jeu à la guitare réunit ses deux influences principales : le rock pour sa dimension sonore et le jazz pour l'improvisation. Sa musique qualifiée de "Jazz progressif" brise les frontières stylistiques. Entendu aux côtés de nombreux artistes dont Ellinoa au sein du Wanderlust Orchestra, Anne Paceo dans le projet Rewind, la saxophoniste Sophie Alour ou encore la chanteuse Ayo, le guitariste s'est aussi distingué par son travail de directeur musical, pour les projets à succès de Marion Rampal ou encore Moonlight Benjamin. On le retrouve aussi à l'étranger comme au Lincoln Center for the Performing Arts à New York, Centro Culturale Candiani en Italie, Womad Festival en Angleterre, ou encore à La Clef en France avec la chanteuse Moonlight Benjamin.Titres interprétés au Grand studio- Mama Roux (Dr John) Live RFI voir le clip - Cha Dooky Doo, extrait Dr John (Triumvirate 1973)- Cha Dooky Doo, extrait de l'album Night Trippin- Such a Night (Dr John) voir vidéo RFI- Back To Back (Coltman/Pascaud) voir vidéo RFI. Playlist de Hugh et Matthis- It'll all work out, de Blake Mills (Hugh)- Spoonful de Howlin' Wolf (Matthis)- Mellow Down Easy, de Little Walter (Hugh)- Zigzan, de Bombino (Matthis). Line-up- Matthis Pascaud, guitare acoustique- Hugh Coltman, voix, harmonica & guitare acoustique.SonBenoît Letirant & Mathias Taylor. (Rediffusion du 3 juillet 2022)
Rediffusion du 3 septembre 2022."Ils m'appellent Dr. John, le voyageur nocturne". Étant tous les deux de grands admirateurs du pianiste/chanteur louisianais, Matthis Pascaud et Hugh Coltman décident d'explorer la période sixties de ce dernier avec ce nouvel album Night Trippin', un sulfureux mélange réunissant le folklore de la Nouvelle-Orléans, l'ambiance électrique du groupe et la voix suave de Hugh. Sortie 2 septembre 2022.Dans cette Nouvelle-Orléans crasseuse et mystique, Dr. John était le Grand Zombie, venu d'un temps où les rues n'empestaient pas le béton, où l'on ne prenait pas un studio légendaire pour une laverie automatique. Matthis Pascaud et Hugh Coltman sont les dernières victimes – après Mick Jagger, les Beastie Boys, Beck et Dan Auerbach – du sorcier à la voix rauque et à la langue élastique, généralement flanqué d'une danseuse nue et d'un type qui égorgeait des poulets sur scène avant de boire leur sang ! Là, dans une cuisine, autour d'une grande pile de disques, Matthis et Hugh s'arrêtèrent sur Babylon et Gris-Gris, actes fondateurs de la légende Dr. John. Trois ans après que le toubib a remisé ses crânes et ses costumes à plumes, comment reprendre le flambeau ? La réponse est dans Night Trippin'. Plus qu'un hommage, une procession. Sans casques, dans une pièce truffée de micros, Matthis Pascaud et Hugh Coltman nous convient à leur festin sauvage. Leur groove avance lentement, tel un alligator sous les pacaniers, les tambours s'entrechoquent dans un mouvement mystique zébré par les lames de guitare. Ce ne sont pas des chansons mais des mirages. Dans son costume de voodoo-dandy, Hugh Coltman se déchaîne, scande, aboie, jubile. La Louisiane coule dans ses veines. À la Nouvelle-Orléans, entre deux bouchées d'alligator, le chanteur rock à l'accent du Wiltshire avait enregistré Who's Happy. “La première fois qu'on a jammé avec Matthis, sourit-il, c'était fou !” Night Trippin' a du chien. De loin, on dira qu'il est rock, bestial et dépouillé. Plus près, on croisera le bottleneck d'un vieux bluesman du Sud, les rêves opiacés d'un Jimi Hendrix, les flammes de PJ Harvey ou The Kills et des plans larges à la Ry Cooder. Lorsque s'évanouissent les dernières notes de “Guilded Splinters” on se dit que, là-haut, Mac a dû apprécier. Matthis Pascaud, Hugh Coltman et leur troupe ont entrouvert la porte. Laissez-les vous guider le long du bayou, faire parler la poudre et les sortilèges... Alors, vous finirez peut-être comme eux : mystifiés et totalement séduits.Britannique devenu parisien par adoption, Hugh Coltman est un authentique amateur de jazz, de rock et de blues. Ancien membre des formations The Hoax et Heez Bus, il se produit en solo à partir de l'album Stories from the Safe House (2008), remarqué pour sa saveur jazz, blues et soul. C'est dans une veine entre soul aux yeux bleus et pop anglaise que Hugh Coltman revient sur le devant de la scène avec l'album Zero Killed (2012). Il signe chez Sony Masterworks et enchaîne avec un élégant hommage de Crooner dans Shadows : Songs of Nat King Cole (2015), suivi de Who's Happy (2018) inspiré par l'ambiance big band de la Nouvelle-Orléans, deux albums qui cumulent plus de 15 millions d'écoutes sur les plateformes de streaming et plus de 20 0000 ventes physiques. La même année, il remporte la Victoire du Jazz dans la catégorie “Artiste vocal”. Matthis Pascaud est un artiste qui captive par ses compositions à la fois audacieuses, volcaniques et actuelles. Son jeu à la guitare réunit ses deux influences principales : le rock pour sa dimension sonore et le jazz pour l'improvisation. Sa musique qualifiée de "Jazz progressif" brise les frontières stylistiques. Entendu aux côtés de nombreux artistes dont Ellinoa au sein du Wanderlust Orchestra, Anne Paceo dans le projet Rewind, la saxophoniste Sophie Alour ou encore la chanteuse Ayo, le guitariste s'est aussi distingué par son travail de directeur musical, pour les projets à succès de Marion Rampal ou encore Moonlight Benjamin. On le retrouve aussi à l'étranger comme au Lincoln Center for the Performing Arts à New York, Centro Culturale Candiani en Italie, Womad Festival en Angleterre, ou encore à La Clef en France avec la chanteuse Moonlight Benjamin.Titres interprétés au Grand studio- Mama Roux (Dr John) Live RFI voir le clip - Cha Dooky Doo, extrait Dr John (Triumvirate 1973)- Cha Dooky Doo, extrait de l'album Night Trippin- Such a Night (Dr John) voir vidéo RFI- Back To Back (Coltman/Pascaud) voir vidéo RFI. Playlist de Hugh et Matthis- It'll all work out, de Blake Mills (Hugh)- Spoonful de Howlin' Wolf (Matthis)- Mellow Down Easy, de Little Walter (Hugh)- Zigzan, de Bombino (Matthis). Line-up- Matthis Pascaud, guitare acoustique- Hugh Coltman, voix, harmonica & guitare acoustique.SonBenoît Letirant & Mathias Taylor. (Rediffusion du 3 juillet 2022)
Tommy talks with Eric Cook, executive chef and owner of the award-winning restaurants Gris-Gris and Saint John
Tommy talks with Eric Cook, Executive Chef and owner of the award-winning restaurants Gris-Gris and Saint John
BEAUX GRIS GRIS & THE APOCALYPSE Beaux Gris Gris & The Apocalypse (pronounced bo gree-gree ) California-based blues rock americana soul band created by Louisiana-born-and-raised musician Greta Valenti (Well Hung Heart) and UK British Blues Hall of Fame Inductee, Robin Davey (The Hoax, DVL, Well Hung Heart). Joined by the talents of musical heavyweights: Tom Rasulo (Dave Matthews, Gerard Way) Drums/Production in the UK & USA OR Alex Thomas (Anna Calvi, Bat For Lashes, Squarepusher) (UK) on Drums; Emma Jonson (UK) & Sam Robertson (USA) or DANIEL KIRKPATRICK (USA) on Keys, plus Stephen Mildwater (UK) and Chris Cunningham (USA) on Bass in the UK/USA respectively. PLUS VARIOUS OTHER PLAYERS AND GUEST APPEARANCES AT VARIOUS SHOWS. To fully understand Beaux Gris Gris & The Apocalypse is to experience the band live, a mix of soulful songs, intense energy, and world-class award-winning musicianship. RhythmBooze summed up the show finale as “A mind-boggling, blistering finish with everything thrown in including the kitchen sink...truly memorable”. When LouderSounds preaches “Let Beaux Gris Gris & The Apocalypse twist yer melons and remind you of the wonder of life” it might be because the band vibe is easier to pin down than their unique take on the roots genres. Rockshot Magazine elaborates “This extremely entertaining collective is a New Orleans-inspired, American blues-folk-soul band, who refuse to be pigeon-holed”. Beaux Gris Gris and The Apocalypse debut album Love & Murder spurned Top 10 hits in genre charts across Europe. The albums wide-reaching appeal earned it a #13 placement in the “Top 50 Albums of the year” by Classic Rock Magazine, describing it as “A sensual, vibrant cocktail“ Guitarist Robin Davey was the youngest ever inductee into the British Blues Hall of Fame. He spent time as an artist on Atlantic and Interscope Records, and has recorded with a wide spectrum of artists from Mick Jagger to Katy Perry. Multi-award-winning vocalist and songwriter Greta Valenti is Louisiana-born-and-bred creative with generations of her family dating back before the Louisiana purchase. Her rock outfit Well Hung Heart (OCMA's Best Live Band) toured the USA opening for the likes of Fitz & The Tantrums, Twenty One Pilots, Foreigner, and Offspring. Having headlined festivals across Europe, including Upton Festival (UK), The Great British R&B Festival (UK), Moulin (Netherlands) and Blues Alive (Czech Republic), the band were nominated for Band of the Year at the European Blues Awards. THIS YEAR, THE BAND WILL BE WORKING ON THEIR THIRD ALBUM AND TOURING EXTENSIVELY ACROSS UK, EUROPE, and the US. more: getthefunkoutshow.kuci.org
A serious piece of kit...
Email us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comBuy a copy of Gris Gris through this link and help support the podcast!https://amzn.to/3kAy9tqMac Rebennack left New Orleans only to reunite with NOLA musicians in LA and create what would be his most successful persona Dr John. The boys discuss sonic textures, 9 finger piano playing, and the lures of the sacred swamp Listen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/2D2hAvxD66yDtlxlzkec9G?si=293c060e2c9d441dListen to Gris Gris here:https://open.spotify.com/album/1yBoaVrgcup2hX2DCYUajs?si=2MIEIU7OS92hV9mNChbH4AIntro music courtesy of The Beverly CrushersOutro music courtesy of MEGAFollow The Chop Unlimited's Spotify PlaylistFollow us on instagram @thechopunlimitedWe have Merch! T-Shirt #1 | T-Shirt #2Next week's album: Red Hot Chili Peppers - Blood Sugar Sex Magik
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170. Yes! It's the Aztec Werewolf™, DJ Del Villarreal back in the Motorbilly Studio on a Tuesday night for another all-new, all KILLER / no filler rockin' radio revue -it's "Go Kat, GO! The Rock-A-Billy Show!" Dig some deep rockin 50's styled roll with tracks from Carl Perkins, Art Adams, Dick Dale, Wanda Jackson, Faron Young, Hank Williams Sr., Glen Glenn, Johnny Burnette& Junior Thompson to name but a few. We also have our greasy thumb on the pulse of the modern day rockabilly scene with HOT new selections from The Hi-Fi Lowdowns, Charlie Crockett, The Jerrells, Jane Rose & The Deadends, Gris Gris, The Hi-Fly Rangers and Al Dual to name but a few! It's the best way to celebrate the past while rockin' towards the future -DJ Del's "Go Kat, GO! The Rock-A-Billy Show!" -good to the last bop!™
Ed Davis Talks About Riding Freight Cars Across the US & Canada and his book - The Last Professional. This is episode 500 of the audio podcast Teaching Learning Leading K12. Ed Davis began his writing career over forty years ago, pausing in boxcars, under street lamps, and in hobo jungles to capture the beats and rhythms of the road as he caught freight trains and vagabonded around the Pacific Northwest and Canada. As Ed illustrates in Forty Years from Boxcar to Book Launch - The Last Professional was born on the rails. His short stories have appeared in numerous literary journals. His novella, In All Things, and his collection of travel pieces, Road Stories, have both been Amazon Top Ten bestsellers. Ed's death row thriller, A Matter of Time, was written in real-time, twenty-four hours, as the last day of the hero's life unfolds. His work has appeared in Gris-Gris, New English Review, and The Penman Review among others. Ed and his wife Jan live in Northern California, not far from Jack London's Beauty Ranch. Today, we are focused on his newest book - The Last Professional…. So much to learn today… But wait... By the way, the new intro and outro music was written and performed by Brian K. Buffington. Connect with Brian at briankbuffington@gmail.com or go to his website at https://briankbuffington.com/ He is an awesome musician, comedic power , and overall creator of all that is cool. Thanks, Brian! Oh, yeah... Could you do me a favor? Please go to my website at https://www.stevenmiletto.com/reviews/ or open the podcast app that you are listening to me on and would you rate and review the podcast? That would be Awesome. Thanks! Hey, I've got another favor...could you share the podcast with one of your friends, colleagues, and family members? Hmmm? What do you think? That would so awesome! Thanks for sharing! Thanks for listening! Connect and Learn More about Ed... https://www.eddavisbooks.com/ https://www.youtube.com/watch?v=PKa_CJmMFPo https://bookshop.org/books/the-last-professional/9781951122256 https://www.eddavisbooks.com/great-american-whistle-stop-book-tour-april-2022/ https://glenellenwriters.com/ https://www.instagram.com/eddavisauthor/ https://www.youtube.com/channel/UC9hgM6OEXCU5TwrHSsuLauA https://twitter.com/EdDavisAuthor https://www.eddavisbooks.com/order-the-last-professional/ https://www.facebook.com/eddavisauthor/ Length - 38:32
"Ils m'appellent Dr. John, le voyageur nocturne". Étant tous les deux de grands admirateurs du pianiste/chanteur louisianais, Matthis Pascaud et Hugh Coltman décident d'explorer la période sixties de ce dernier avec ce nouvel album Night Trippin', un sulfureux mélange réunissant le folklore de la Nouvelle-Orléans, l'ambiance électrique du groupe et la voix suave de Hugh. Sortie 2 septembre 2022. Dans cette Nouvelle-Orléans crasseuse et mystique, Dr. John était le Grand Zombie, venu d'un temps où les rues n'empestaient pas le béton, où l'on ne prenait pas un studio légendaire pour une laverie automatique. Matthis Pascaud et Hugh Coltman sont les dernières victimes – après Mick Jagger, les Beastie Boys, Beck et Dan Auerbach – du sorcier à la voix rauque et à la langue élastique, généralement flanqué d'une danseuse nue et d'un type qui égorgeait des poulets sur scène avant de boire leur sang ! Là, dans une cuisine, autour d'une grande pile de disques, Matthis et Hugh s'arrêtèrent sur Babylon et Gris-Gris, actes fondateurs de la légende Dr. John. Trois ans après que le toubib a remisé ses crânes et ses costumes à plumes, comment reprendre le flambeau ? La réponse est dans Night Trippin'. Plus qu'un hommage, une procession. Sans casques, dans une pièce truffée de micros, Matthis Pascaud et Hugh Coltman nous convient à leur festin sauvage. Leur groove avance lentement, tel un alligator sous les pacaniers, les tambours s'entrechoquent dans un mouvement mystique zébré par les lames de guitare. Ce ne sont pas des chansons mais des mirages. Dans son costume de voodoo-dandy, Hugh Coltman se déchaîne, scande, aboie, jubile. La Louisiane coule dans ses veines. À la Nouvelle-Orléans, entre deux bouchées d'alligator, le chanteur rock à l'accent du Wiltshire avait enregistré Who's Happy. “La première fois qu'on a jammé avec Matthis, sourit-il, c'était fou !” Night Trippin' a du chien. De loin, on dira qu'il est rock, bestial et dépouillé. Plus près, on croisera le bottleneck d'un vieux bluesman du Sud, les rêves opiacés d'un Jimi Hendrix, les flammes de PJ Harvey ou The Kills et des plans larges à la Ry Cooder. Lorsque s'évanouissent les dernières notes de “Guilded Splinters” on se dit que, là-haut, Mac a dû apprécier. Matthis Pascaud, Hugh Coltman et leur troupe ont entrouvert la porte. Laissez-les vous guider le long du bayou, faire parler la poudre et les sortilèges... Alors, vous finirez peut-être comme eux : mystifiés et totalement séduits. Britannique devenu parisien par adoption, Hugh Coltman est un authentique amateur de jazz, de rock et de blues. Ancien membre des formations The Hoax et Heez Bus, il se produit en solo à partir de l'album Stories from the Safe House (2008), remarqué pour sa saveur jazz, blues et soul. C'est dans une veine entre soul aux yeux bleus et pop anglaise que Hugh Coltman revient sur le devant de la scène avec l'album Zero Killed (2012). Il signe chez Sony Masterworks et enchaîne avec un élégant hommage de Crooner dans Shadows : Songs of Nat King Cole (2015), suivi de Who's Happy (2018) inspiré par l'ambiance big band de la Nouvelle-Orléans, deux albums qui cumulent plus de 15 millions d'écoutes sur les plateformes de streaming et plus de 20 0000 ventes physiques. La même année, il remporte la Victoire du Jazz dans la catégorie “Artiste vocal”. Matthis Pascaud est un artiste qui captive par ses compositions à la fois audacieuses, volcaniques et actuelles. Son jeu à la guitare réunit ses deux influences principales : le rock pour sa dimension sonore et le jazz pour l'improvisation. Sa musique qualifiée de "Jazz progressif" brise les frontières stylistiques. Entendu aux côtés de nombreux artistes dont Ellinoa au sein du Wanderlust Orchestra, Anne Paceo dans le projet Rewind, la saxophoniste Sophie Alour ou encore la chanteuse Ayo, le guitariste s'est aussi distingué par son travail de directeur musical, pour les projets à succès de Marion Rampal ou encore Moonlight Benjamin. On le retrouve aussi à l'étranger comme au Lincoln Center for the Performing Arts à New York, Centro Culturale Candiani en Italie, Womad Festival en Angleterre, ou encore à La Clef en France avec la chanteuse Moonlight Benjamin. Titres interprétés au Grand studio - Mama Roux (Dr John) Live RFI voir le clip - Cha Dooky Doo, extrait Dr John (Triumvirate 1973) - Cha Dooky Doo, extrait de l'album Night Trippin - Such a Night (Dr John) voir vidéo RFI - Back To Back (Coltman/Pascaud) voir vidéo RFI. Playlist de Hugh et Matthis - It'll all work out, de Blake Mills (Hugh) - Spoonful de Howlin' Wolf (Matthis) - Mellow Down Easy, de Little Walter (Hugh) - Zigzan, de Bombino (Matthis). Line-up - Matthis Pascaud, guitare acoustique - Hugh Coltman, voix, harmonica & guitare acoustique. Son Benoît Letirant & Mathias Taylor. (Rediffusion du 3 juillet 2022)
August 2022 — Join Holly Eva Allen and Alex Lopez as they discuss their favorite prose pieces from Issue 3.2, including Ralph Pennel's Lightning Strike Survivor Club and Molly Giles' SPOKES. Prose Editor Devon Capizzi then joins Holly for a discussion of Anne Freier's Gris Gris. Featuring readings from Paulina Stafanowski, Muraya Ranieri, and John E. Brady. Mastered, edited, and produced by Charles Fleming.Passengers Literary Press, Inc. is a 501(c)(3) nonprofit organization. All staff donate their time and effort. If you'd like to support our mission to publish art that is necessary rather than desired, please consider donating at the link below.Support the show
154. Where are you gonna go to hear the BEST and NEWEST rockin' recordings on a regular basis? Who's got the highest quality vintage reissues and the most recent up-to-the-moment modern rockin' releases? Join the Aztec Werewolf™ DJ Del Villarreal every Tuesday eve for a big splash of really rockin' music! It's “Go Kat, GO! The Rock-A-Billy Show!” Dive deep and hear old school cool tunes from Ronnie Self, Jack Southern, Larry O'Keefe, Shirley Cadell, Dick Dale, Chuck Berry, Hayden Thompson, Link Wray, Pat Cupp and Wanda Jackson!! Soak up some seriously fun music from The Satellites (NEW retrospective LP!), Boney & The Shakers, The Hi-Views, Seatbelt, Jane Rose & The Deadends, Lobo Jones & The Rhythm Hounds, J.S. & The Lockerbillies, The Hip-Shooters, Gris Gris, Whiskey Jean & The Chasers (DEBUT album!), Satan's Pilgrims (HOT new instro single!), The Pscyho Devilles and Texan Justin Pickard & The Thunderbird Winos (SUN Studio's recordings!)! Make a request (del@motorbilly.com) or just settle in n' enjoy the refreshing 50's-styled rock n roll broadcast from the Motorbilly Studios -don't miss a single second! "Go Kat, GO!" -always ROCKIN' & always good to the last BOP!™
“THE DAMNED THING” BY AMBROSE BIERCE and TEN MORE SHORT FICTION HORROR STORIES! #WeirdDarknessClick here to find Weird Darkness in your favorite podcast app: https://linktr.ee/weirddarkness IN THIS EPISODE: It's #CreepypastaThursday and this week I'm bringing you ELEVEN short horror stories of fiction!SOURCES AND ESSENTIAL WEB LINKS…“The Damned Thing” by Ambrose Bierce: https://tinyurl.com/y6amz952 “My Grandmother Left Behind Some Really Dark Secrets” by Evelyn Bertrand: https://tinyurl.com/yy8gx627 “I Followed Her Home”, “The Blood Keepers”, “A Diner Open 24-Hours a Day”, and “The Monster in the Pantry” were all written by Christopher Maxim at https://www.reddit.com/r/ChristopherMaxim/ and at http://www.CreepyFiction.com. Christopher is extremely generous to allow me to narrate his stories for free to use in Weird Darkness. Please consider sending him a thank-you donation through PayPal if you enjoyed his stories. You can send a gift to him using PayPal or a credit/debit card by clicking this link: https://tinyurl.com/y3gvvlzg “The Statement of Randolph Carter” by H.P. Lovecraft: https://www.creepypasta.com/the-statement-of-randolph-carter/ “My Wife Has a Removable Face” by Redditor N.S. Lewis: https://www.creepypasta.com/my-wife-has-a-removable-face/ “The Asylum In The Woods” by Redditor R.L. Rogers: https://www.creepypasta.com/the-asylum-in-the-woods/ “Secret Bar” by K. Banning Kellum: https://www.creepypasta.com/secret-bar/ (find more creepiness in K. Banning Kellum's book “Gris Gris and Ju Ju, A New Orleans Horror” https://amzn.to/2EaYeH6) = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness Publishing: https://weirddarkness.com/publishingVisit the Church of the Undead: http://undead.church/ Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarkness = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness theme by Alibi Music Library. Background music provided by Alibi Music, EpidemicSound and/or AudioBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ), Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and/or Nicolas Gasparini/Myuu (https://tinyurl.com/lnqpfs8) is used with permission. = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Trademark, Weird Darkness®, 2022. Copyright Weird Darkness©, 2022.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =00:27:45.697, 01:02:01.901, 01:40:14.966, 02:11:11.851, 02:26:47.647, 02:47:38.539, 03:01:30.659,
"Ils m'appellent Dr. John, le voyageur nocturne". Étant tous les deux de grands admirateurs du pianiste/chanteur louisianais, Matthis Pascaud et Hugh Coltman décident d'explorer la période sixties de ce dernier avec ce nouvel album Night Trippin', un sulfureux mélange réunissant le folklore de la Nouvelle-Orléans, l'ambiance électrique du groupe et la voix suave de Hugh. Sortie 2 septembre 2022. Dans cette Nouvelle-Orléans crasseuse et mystique, Dr. John était le Grand Zombie, venu d'un temps où les rues n'empestaient pas le béton, où l'on ne prenait pas un studio légendaire pour une laverie automatique. Matthis Pascaud et Hugh Coltman sont les dernières victimes – après Mick Jagger, les Beastie Boys, Beck et Dan Auerbach – du sorcier à la voix rauque et à la langue élastique, généralement flanqué d'une danseuse nue et d'un type qui égorgeait des poulets sur scène avant de boire leur sang ! Là, dans une cuisine, autour d'une grande pile de disques, Matthis et Hugh s'arrêtèrent sur Babylon et Gris-Gris, actes fondateurs de la légende Dr. John. Trois ans après que le toubib a remisé ses crânes et ses costumes à plumes, comment reprendre le flambeau ? La réponse est dans Night Trippin'. Plus qu'un hommage, une procession. Sans casques, dans une pièce truffée de micros, Matthis Pascaud et Hugh Coltman nous convient à leur festin sauvage. Leur groove avance lentement, tel un alligator sous les pacaniers, les tambours s'entrechoquent dans un mouvement mystique zébré par les lames de guitare. Ce ne sont pas des chansons mais des mirages. Dans son costume de voodoo-dandy, Hugh Coltman se déchaîne, scande, aboie, jubile. La Louisiane coule dans ses veines. À la Nouvelle-Orléans, entre deux bouchées d'alligator, le chanteur rock à l'accent du Wiltshire avait enregistré Who's Happy. “La première fois qu'on a jammé avec Matthis, sourit-il, c'était fou !” Night Trippin' a du chien. De loin, on dira qu'il est rock, bestial et dépouillé. Plus près, on croisera le bottleneck d'un vieux bluesman du Sud, les rêves opiacés d'un Jimi Hendrix, les flammes de PJ Harvey ou The Kills et des plans larges à la Ry Cooder. Lorsque s'évanouissent les dernières notes de “Guilded Splinters” on se dit que, là-haut, Mac a dû apprécier. Matthis Pascaud, Hugh Coltman et leur troupe ont entrouvert la porte. Laissez-les vous guider le long du bayou, faire parler la poudre et les sortilèges... Alors, vous finirez peut-être comme eux : mystifiés et totalement séduits. Britannique devenu parisien par adoption, Hugh Coltman est un authentique amateur de jazz, de rock et de blues. Ancien membre des formations The Hoax et Heez Bus, il se produit en solo à partir de l'album Stories from the Safe House (2008), remarqué pour sa saveur jazz, blues et soul. C'est dans une veine entre soul aux yeux bleus et pop anglaise que Hugh Coltman revient sur le devant de la scène avec l'album Zero Killed (2012). Il signe chez Sony Masterworks et enchaîne avec un élégant hommage de Crooner dans Shadows: Songs of Nat King Cole (2015), suivi de Who's Happy (2018) inspiré par l'ambiance big band de la Nouvelle-Orléans, deux albums qui cumulent plus de 15 millions d'écoutes sur les plateformes de streaming et plus de 20 0000 ventes physiques. La même année, il remporte la Victoire du Jazz dans la catégorie “Artiste vocal”. Matthis Pascaud est un artiste qui captive par ses compositions à la fois audacieuses, volcaniques et actuelles. Son jeu à la guitare réunit ses deux influences principales : le rock pour sa dimension sonore et le jazz pour l'improvisation. Sa musique qualifiée de "Jazz progressif" brise les frontières stylistiques. Entendu aux côtés de nombreux artistes dont Ellinoa au sein du Wanderlust Orchestra, Anne Paceo dans le projet Rewind, la saxophoniste Sophie Alour ou encore la chanteuse Ayo, le guitariste s'est aussi distingué par son travail de directeur musical, pour les projets à succès de Marion Rampal ou encore Moonlight Benjamin. On le retrouve aussi à l'étranger comme au Lincoln Center for the Performing Arts à New York, Centro Culturale Candiani en Italie, Womad Festival en Angleterre, ou encore à La Clef en France avec la chanteuse Moonlight Benjamin. Titres interprétés au Grand studio - Mama Roux (Dr John) Live RFI voir le clip - Cha Dooky Doo, extrait Dr John (Triumvirate 1973) - Cha Dooky Doo, extrait de l'album Night Trippin - Such a Night (Dr John) voir vidéo RFI - Back To Back (Coltman/Pascaud) voir vidéo RFI. Playlist de Hugh et Matthis - It'll all work out, de Blake Mills (Hugh) - Spoonful de Howlin' Wolf (Matthis) - Mellow Down Easy, de Little Walter (Hugh) - Zigzan, de Bombino (Matthis). Line-up - Matthis Pascaud, guitare acoustique - Hugh Coltman, voix, harmonica & guitare acoustique. Son : Benoît Letirant & Mathias Taylor.
Bluesmoose 1744-12-2022 - Beaux Gris Gris and the Apocalypse live at bluesmoose radio Beaux Gris Gris and the Apocalypse – Bungalow Paradise - Live at Bluesmoose radio 16 march 2022Beaux Gris Gris and the Apocalypse – Trouble is Coming - Live at Bluesmoose radio 16 march 2022Beaux Gris Gris and the Apocalypse – Gris Gris - Live at Bluesmoose radio 16 march 2022Beaux Gris Gris and the Apocalypse – Is this the Blues - Live at Bluesmoose radio 16 march 2022Beaux Gris Gris and the Apocalypse – Alone - Live at Bluesmoose radio 16 march 2022Beaux Gris Gris and the Apocalypse – Lucid - Live at Bluesmoose radio 16 march 2022Beaux Gris Gris and the Apocalypse – Watching the Wolrd - Live at Bluesmoose radio 16 march 2022Beaux Gris Gris and the Apocalypse – Fill me up - Live at Bluesmoose radio 16 march 2022
So much...
Hello folks and welcome to another episode.As always, we appreciate all our listeners and truly hope that you are enjoying the show as much as we do making them.Now that the pleasantries are out of the way, here are the albums discussed in this episode.Round 1Dr. John - Gris GrisThe Sex Pistols - Never Mind the Bollocks, Here's the Sex PistolsRound 2Prince - 1999Green Day - American IdiotPeace, Love, and CoffeeScott, Cory, Dave, and yer MomLicense for Musichttps://www.fesliyanstudios.com/license/?id=c1030e8b-d3d8-489c-b29a-25815eec738aSupport the showCheck out our homepage website here!Follow us on Instagram!Support your favorite uncaffeinated podcasters - buy us a coffee... please???
Gris Gris was written and edited by Mike Raymond. This is just one of the stories in the anthology: The Southern Christmas Shoppe. Music produced by Ashe Hall and narration by me Dee Madison.If you like what you have heard please leave the podcast review. If you would like your story featured on this podcast, you can send in your story to parnerncrime2021@gmail.com or to the Partners N Crime instagram page at pic_dynamicduo, Facebook and twitter at Partners N Crime Podcast. I also have a true crime and paranormal podcast called.....yep you guessed it Partners N Crime Podcast. Hopefully you were listening very carefully because there was a key word for the AirPods Pro giveaway. Can't wait to see who our winner will be by the end of the month.
Mireille and Daniel discuss the first round of the AFCON 2O22 games hosted in Cameroon. At (9:25) they expand on the accusations raised by Algerian supporters saying black Africans used voodoo to prevent them from winning plus Egyptian teams blame their loss on the excessive heat in Cameroon. From (13:30) they discuss the games from each group, including the break out fight between Ghana and Gabon, Senegal struggles and underdog teams, Serria Leone, Malawi and Comoros surprising gameplay. (28:10) we give our predictions on who which teams will make the finals.The hashtag for this podcast is #afropipohourFind us on our social media:Twitter: @afropipohourInstagram:@afropipohourHave a question or topic you'd like covered on the podcast? Send us a DM or submit it at info@afropipohour.comMusic produced by Obeawords RecordsSupport this podcast at — https://redcircle.com/afropipohour/donations
On this edition of Roots to Grooves, Jay and Jesse discuss the sonic world of elusive producer/artist "Bastien Keb". We say elusive, because despite putting out 3 full length albums since 2015, he hardly gives any interviews and most press coverage is limited to reviews of his releases. Whether this is intentional on Bastien's part or not, it's certain to say that his music speaks louder than any other supplemental words or reviews could offer.His sound is jazzy, percussive, off-kilter, groovy and "like sunshine in your face" as Jay describes it on this episode.Bastien's real name is Sebastien Jones. A multi-instrumentalist, and commercial music composer by day, he calls out Tom Waits as being a major influence on him, as well as Dr. John's 1968 album "Gris Gris", which you can hear a snippet of in this episode.Join us as we explore the music of Bastien Keb!"Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg
In this episode, we discuss Bitter Spirits by Jenn Bennett. Spirit medium Aida Palmer uses her gift for summoning and speaking with the dead at the Gris-Gris speakeasy in Chinatown. She's summoned to help the infamous bootlegger Winter Magnusson, who is haunted metaphorically and actually by ghosts. They work together to uncover the identity of the hexer cursing Winter. At the same time, they help each other exorcise their own haunted pasts. Can Winter and Aida find their happily ever after before they begin their afterlife? The spirit board has said nothing so far…
There's no denying the last two years have been a major challenge for everyone. Between the pandemic and the surge of natural disasters across the nation, we've seen it all. On this week's show, we learn how people are coping from coast to coast. We begin in New Orleans with Chef Eric Cook, who battled to keep his first restaurant Gris-Gris open in 2020 while somehow finding the inspiration to open his second, Saint John this year. Eric shares the story of his viral open letter to the city published at a make-or-break moment for Gris-Gris, which articulated the impossible situation he and other restaurateurs found themselves in dealing with the pandemic in the summer of 2020. Then, Gibson Thomas, publisher and editor of Edible Marin & Wine Country Magazine, shares the latest on how vintners are adapting to an ongoing series of wildfires burning across California. Finally, we meet Peterson Harter, a Crescent City native and entrepreneur, who has become an advocate for mental health in the Bay Area while operating his popular sandwich pop up, Sandy's SF. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.
There's no denying the last two years have been a major challenge for everyone. Between the pandemic and the surge of natural disasters across the nation, we've seen it all. On this week's show, we learn how people are coping from coast to coast. We begin in New Orleans with Chef Eric Cook, who battled to keep his first restaurant Gris-Gris open in 2020 while somehow finding the inspiration to open his second, Saint John this year. Eric shares the story of his viral open letter to the city published at a make-or-break moment for Gris-Gris, which articulated the impossible situation he and other restaurateurs found themselves in dealing with the pandemic in the summer of 2020. Then, Gibson Thomas, publisher and editor of Edible Marin & Wine Country Magazine, shares the latest on how vintners are adapting to an ongoing series of wildfires burning across California. Finally, we meet Peterson Harter, a Crescent City native and entrepreneur, who has become an advocate for mental health in the Bay Area while operating his popular sandwich pop up, Sandy's SF. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.
The good kind of Gris Gris. Listen as Jack and Tony enjoy one of their favorites from Chef Eric Cook.
Educator, composer, arranger, Professor of Music at University of New Orleans Harold Battiste (1931-2015) co-produced and arranged many hits including You Send Me for Sam Cooke, I Got You Babe for Sonny & Cher, and the Gris Gris, Babylon and Gumbo albums for Mac Rebennack/Dr. John. This complete interview made for my History of Pop Arranging show for the BBC became a chapter in my book The Invisible Artist. This is an important historical archive as the legendary Battiste gives us an insider's view of the birth of popular music from the 1950s, bringing his New Orleans culture to LA. Enjoy! Subscribe! Have some jambalaya! Radio Richard Theme ©Niles Smiles Music 2021 sung by Free Play Duo. This is killer stuff and you only get this with Radio Richard. LIKE this video! SUBSCRIBE to our social media! DONATE to our PATREON! Pretty Please! YouTube: https://www.youtube.com/user/DRRICHARDNILES Facebook: https://www.facebook.com/radiorichard2021 Twitter: https://twitter.com/radiorichard3 Patreon: https://www.patreon.com/radiorichard #haroldbatiste #richardniles #radiorichard #musicinterviews #popmusic #sonny&cher #samcooke #igotyoubabe #arranger #interviews #podcasts #music #podcasting #podbean #educational
Marcher, marcher sans but en ville au milieu des piétons pressés ou à la campagne sur des chemins détrempés entre champs et forêts.Marcher à l'aventure, le regard exilé, excité par ce pays sage, banal ou extraordinaire, par ces paysages quotidiens qu'on découvre autrement jour après jour.L'hiver, le froid bien sûr; le bout des doigts qui piquent, le nez qui goûte et rien de séduisant à l'horizon.Gris sans nuance, uniforme, le plat sur la couture d'un pays entre deux couvre feux. Gris-Gris, en attente de vie.Se perdre, abandonner son gps et ses mémoires, se perdre et trouver un chemin plutôt que son chemin. Enjamber la boue. Fuir la routine du trottoir qu'on fait et refait, s'aventurer entre ces arbres nus presque mort.Avancer sans savoir, des questions plein la tête.Ecraser la terre molle dans laquelle ton pas s'enfonce, le pavé humide sur lequel il chasse, sans gain.Marcher sans mots dire, la tête vide, le regard absent et tout voir. Voir ce qu'on ne voit pas, ce qu'on ne voit plus, s'imprégner pour essayer d'imaginer ce que l'on ne sait, cet inconnu qui devient notre présent, ce conditionnel et ses impératifs.Ne pas savoir comme au premier jour. Parce que le monde est ainsi, perclus de certitudes et perçus comme un doute infini. Marcher, marcher encore, encore marcher parce que s'arrêter c'est risquer la nuit, risquer le noir qui aplanit les reliefs sans lune au-dessus de la tête, sans lune comme réverbère. Marcher, réveiller notre corps, déconfiner nos esprits… Marcher, marcher jusqu'à demain. See acast.com/privacy for privacy and opt-out information.
In which a big gay mentor dude uses his powers of perception and pizazz to shaman my manly drama-king ass and reconvince me I'm right where I belong. I discuss what being home for Xmas for the first time in 16 years means for me, and making my own festivity activities and corner of the world for myself. Also: bathtubs, laundry, whiskey, honey, spices, auditions, and some musical interludes.
* Get the commercial-free version of this episode here: https://www.patreon.com/posts/42271649 Please tell others about Weird Darkness – your friends, family, and co-workers who love the paranormal, horror stories, or true crime. Sharing the podcast with others helps me to continue creating content – and it also helps get the word out about important resources for those who struggle with depression. Thank you for sharing the podcast with others and growing our Weirdo family! IN THIS EPISODE: It’s #CreepypastaThursday, and I have three stories to share with you this week! Redditor N.S. Lewis brings us a story where just the title grabbed me: “My Wife Has a Removable Face”. Another Redditor by the name of R.L. Rogers tells us about “The Asylum in the Woods”. And we’ll learn about a “Secret Bar” as told by author K. Banning Kellum.WANT TO ADVERTISE WEIRD DARKNESS OR BE A SPONSOR?Weird Darkness has partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on the show. Email sales@advertisecast.com or start the process now at https://weirddarkness.com/advertise WEIRDO WEB LINKS… “CASCADE” audio drama series starring Darren Marlar: https://www.spreaker.com/show/cascade_1 EPISODE: “Le Loyon, The Ghost of Maules” (bloopers at end): https://weirddarkness.com/archives/7524 STORY AND MUSIC CREDITS/SOURCES…(Over time links can and may become invalid, disappear, or have different content.)“My Wife Has a Removable Face” by Redditor N.S. Lewis: https://www.creepypasta.com/my-wife-has-a-removable-face/ “The Asylum In The Woods” by Redditor R.L. Rogers: https://www.creepypasta.com/the-asylum-in-the-woods/ “Secret Bar” by K. Banning Kellum: https://www.creepypasta.com/secret-bar/ (find more creepiness in K. Banning Kellum’s book “Gris Gris and Ju Ju, A New Orleans Horror” https://amzn.to/2EaYeH6) (I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing that for a story, or if a credit is incorrect, please let me know and I’ll rectify it in the show notes as quickly as possible.)Weird Darkness theme by Alibi Music Library. Background music, varying by episode, provided by Alibi Music, EpidemicSound and/or AudioBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ), Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and/or Nicolas Gasparini/Myuu (https://tinyurl.com/lnqpfs8) is used with permission. "I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarkness WeirdDarkness™ - is a registered trademark. Copyright ©Weird Darkness 2020.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
This is a special edition of Out to Lunch: New Orleans At The Crossroads. We've been at the crossroads before. If we wanted to list every economic boom and bust cycle in New Orleans, we could go back to the very first flood. In 1719. When Bienville was still building the first settlements. We survived that one. And we've survived other attempts at devastation. Most recently, after 2005, we did way more than just bounce back from Hurricane Katrina. The restoration of the city resulted in a massive economic boom. And, for the first time in around 40 years, a net migration gain. In what could only be described as a shocking surprise to those of us living here, New Orleans went from being a place you left if you wanted any sort of a high-achieving career, to a place where young, smart, entrepreneurial people moved to, to start a business. The city changed markedly. We started discussing issues we'd never had to confront before. Gentrification. Cost of living increases. Prohibitive rents. Property tax hikes. Before we knew it, we had more restaurants than we had before the hurricane. A couple of years ago, the city came up with a more accurate way of counting how many tourists were coming here - and discovered it's way more than they had thought. The real number of tourists is around 19 million a year. Things, it seemed, couldn't have been going much better for New Orleans. Then, one day, in March 2020, all that came to a sudden stop. Apparently thanks to Mardi Gras, a month earlier, New Orleans had unknowingly become a hotspot for the novel Corona virus, Covid 19. We went into a mode called, “lockdown.” Which was kind of like voluntary house arrest. At first, it didn't seem too bad - even for businesses who had to temporarily close their doors. But, what was going to be a few weeks of semi-vacation, where those who could worked from home, and those who couldn't collected more money in unemployment insurance than they were making at work, has turned into something else. Months later, the 19 million tourists are gone. And we don't know when, or if, they will ever come back in the numbers we knew before. Entrepreneurs are struggling to survive. Many small businesses that have managed to reopen are making do with significantly less revenue, and are forced to lay off staff. Under occupational restrictions, and because of people's continued fear of catching the virus, restaurants are starving for business. Some notable restaurants are already closed for good. Unemployment is at a historic high. And our world-famous live music industry is shut down. So, what are we going to do? We can cross our fingers and hope that everything eventually bounces back, like it has every other time we've had a disaster for the past 300 years. Or, Plan B - we can use the enormous amount of talent and resources that the last dilemma delivered to us on the crest of the migration and economic wave, and proactively take action to change the direction of the city so that we can cope with, and even capitalize on, the new reality. And that, Plan B, is what Peter Ricchiuti is putting into action on this special edition of Out to Lunch. Peter has assembled a panel of New Orleans business owners and thought leaders who are all impacted by the pandemic. All the members of this panel are invested in grappling with the realities of what the city will need to do to survive this immediate crisis, and are unafraid to tackle questions about the bigger structural issues that have gotten us to this position, on the precipice of a potential and real disaster one of them describes as a coming “Hellscape.” Graison Gill is the owner of Bellegarde Bakery. Until the end of July 2020, when it was forced to close, hopefully temporarily, Bellegarde operated a local retail bakery. It also shipped flour, grits and pasta nationwide. And provided products to more than 120 restaurants. In 2020 Graison Gill was a finalist for the James Beard Award - the Academy Awards of food - for Outstanding Baker. Eric Cook is a combat veteran who served six years in the United States Marine Corps. After his military career, Eric returned to his native New Orleans and became a chef. Eric has cooked at some of New Orleans' finest restaurants, including Commander's Palace. Until July of 2020 when it was forced to close, hopefully temporarily, Eric was owner and Executive Chef at his own restaurant, Gris Gris, in the Lower Garden District. Carol Markowitz is COO and Senior Vice President of Finance at Loyola University. Carol was previously the Founding Executive Director of NOCHI, New Orleans Culinary & Hospitality Institute, she's worked in corporate finance in Los Angeles and has an MBA from Harvard Business School. Matt Wisdom is founder and CEO of New Orleans-based Turbosquid. Turbosquid is the Amazon.com of 3d models. It's the world's leading marketplace for the type of 3D models used in everything from movies and video games to commercials and teaching tools. Holly Devon is a writer, Senior Editor at Antigravity Magazine, and founding editor of The Iron Lattice, a New Orleans quarterly arts publication. Holly has written extensively about tourism and urban planning in New Orleans. Kristin Giselson Palmer is a member of the New Orleans City Council, representing District C, which includes Algiers, the French Quarter, the Marigny, Treme, St. Roch and Bywater neighborhoods. If you're looking for the usual platitudes about how things are all going to be great delivered in biz-speak by the usual suspects, this conversation is not that. This is an honest assessment of where we are, where we're going, and how we're going to get there, from the minds of people who know what they're talking about, and the lived experience of people whose lives and livelihoods depend on the decisions we make about the direction of the City of New Orleans. See photos from this show by Jill Lafleur at our website. Hear our panelists on Out to Lunch in better times: Graison Gill. Carol Markowitz. Matt Wisdom on our sister podcast Happy Hour. See omnystudio.com/listener for privacy information.
Man this is an amazing episode! How can you treat your patients, help your community and follow your passions? Dr. Cazares has the answers. Going from owner and operator of Scott Eye Care, to weekend Rocker in band: Dr. C and the Gris Gris, Running a non-profit and accomplishing so much more. This conversation really inspired me to step up my game and actually find ways to do more and accomplish more!Please enjoy this conversation with Dr. C!
On this week’s episode, Nicole and Noelle do that Voodoo that they do so well! Find out about the facts and falsehoods surrounding this exotic and esoteric religion. All the way from the Cradle of Voodoo to good old Low Country Louisiana! Grab your Gris Gris and get ready for a spooky, spiritual journey full of dark history, Voodoo royalty, zombies and a pin prick or two! Oh, and the girls also get a visitor from the Great White North... that’s right, Bob from Canada rounds out the episode with a review of the infamous Cecil Hotel. Stick around for the haunting details... if you dare, eh. SOURCEShttps://people.howstuffworks.com/voodoo1.htmhttps://www.nationalgeographic.com/news/2004/7/haiti-ancient-traditions-voodoo/#:~:text=Ancient%20Traditions&text=Some%20anthropologists%20estimate%20that%20voodoo's,million%20people%20practice%20voodoo%20worldwide.https://en.wikipedia.org/wiki/Haitian_Vodouhttps://en.wikipedia.org/wiki/West_African_Vodun#:~:text=Vodun%20(meaning%20spirit%20in%20the,well%20in%20Ghana%2C%20and%20Nigeria.https://ghostcitytours.com/new-orleans/marie-laveau/https://www.britannica.com/biography/Marie-Laveau/Rivalshttps://kitperrimanthehill.com/2019/08/30/doctor-john-bayou-voodoo-man/
Chef Eric Cook from Gris Gris regales us with tales of working with Gordon Ramsey on the episode of "Uncharted" from the bayous of Louisiana
Eric Cook of Gris Gris came back to visit, this time to talk about his show "Uncharted" with Gordon Ramsey.
Ryan Cazares is a Manager at RAC Property Management, Doctor of Rock with Dr. C & the Gris Gris and Owner and Optometrist at Scott Eye Care.
Jake has a dream where he wins a ton of money and doesn't get it. Pies turn into sculptures and an old man takes care of the skin on the bottom of his feet. This description sounds like a weird hallucination. But it's just a dream...just a dream...Music suggestions are “Gris-Gris” by Dr John, and “Propellers in Love” by Arnold Dreyblatt.Dr. Johnhttps://itunes.apple.com/us/artist/dr-john/28962https://open.spotify.com/artist/320TrJub4arztwXRm7kqVOArnold Dreyblatthttps://itunes.apple.com/kh/artist/arnold-dreyblatt/45120636https://open.spotify.com/artist/5opbfZtkki2MAmAmuLakc5Wake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid
Episode 018 of *The Upful LIFE Podcast* returns with very special guest JON PHILLIPS, founder of Silverback Music, a management company based in Southern California. Jon is the former manager of Sublime- going back to the early 90's - and currently works with George Porter Jr., Fishbone, Dumpstaphunk, The Grouch and Eligh, Slightly Stoopid, among other successful contemporary artists. Jon and I have a little bit of a personal friendship and professional relationship over the past few years, but I don't really know him well at all. As such, it was like a class in session, as Jon took me back to the beginning of his long, strange trip in the music industry. Jon tells the tale of how he has carved his own lane in the game, doing so based on super-solid relationships, an ear for what's next, his penchant for putting the artist first, and he reflects on a humble and efficient approach to managing his eclectic roster at Silverback. Episode 018 begins with a short tribute to JamBase.com on the occasion of their 20th anniversary. Just wanted to take a few minutes to reflect on the impact that JamBase had on my life, my career, the culture, and so many other fantastic individuals who were crucial to La Costa Nostra for many moons. JamBase remains a crucial part of chronicling the culture and it was an absolute joy to celebrate their two decades of covering various jam scenes. JON PHILLIPS INTERVIEW STARTS AT 17:00 We begin with a bit about the city of New Orleans, and Jazz Fest, as that was where and when this interview was taking place. In addition to his personal history going to NOLA, Jon touches on the cosmic connection between Grateful Dead culture and New Orleans, from the Neville Brothers to getting busted on Bourbon and many points between. We also spoke a bit of the evolution of Jazz Fest as an event, and a culture unto itself. This was an interesting launching off point that connected our talk to Fest culture and NOLA funk, but allowed us to branch out as the conversation rolled on. We would return to NOLA a few times throughout the convo. Jon's experience in the music business had humble and serendipitous beginnings in SoCal, as he first connected with Bradley Nowell and Sublime. Jon was a major cog in the young band's operation as they rocketed towards success. He was personally asked by Bradley to be their manager, and he made it his personal mission to get Sublime signed, after much effort they made it happen at Gasoline Alley. Phillips was somebody who helped light the fuse for Sublime's meteoric rise to stardom, a gargantuan level of success, not just unprecedented but also something that Bradley sadly didn't live to enjoy. From the magic of the early days, to the special nature of his relationship with Nowell, to the warning signs and demon fears, when KROC first played “Date Rape” to Sublime trying to refuse to play the song at the KROC Weenie Roast, Jon takes us all down an emotional memory lane. Inevitably we discuss Bradley's tragic death from an overdose in May of 1996, and Jon is brutally honest about the way it all unfolded. Jon keeps it classy and places a focus on the triumph of the music that cannot and will not ever be denied. This is a powerful segment from someone who saw it all from the front lines. He pulls no punches yet at the same time shows such reverence for his fallen friend and his musical legacy. This is some of the realest shit this show has ever spoken. Rest in Power Bradley Nowell. From there he embarks on his life's work with Silverback Music, creating the company, signing the legendary Fishbone, and then setting out to develop another young band's career, this time with Slightly Stoopid, who came out of the Sublime diaspora. What Jon has overseen with the evolution of Stoopid is remarkable, and he explains a little bit of the grassroots nature of how the band built an empire, while the rest of the music industry chased it's tail in changing times. Stoopid has stayed ahead of the curve in developing their scene, their brand, and their culture, by staying true to themselves as fads come and go. Jon pulls back the curtain a little bit on how this band has set the bar for independent music, in so many creative ways. We also discuss his NOLA clients like Dumpstaphunk, and his long-standing relationship with Ian and Ivan Neville. And of course we had to touch on George Porter Jr, who Jon has been working with for several years as well. Jon takes us through the blow-by-blow of how Foundation of Funk with Eric Krasno beckoned Phil Lesh to jam at the House of Blues in NOLA, and what Phil was like to hang with late night at Jazz Fest. Not to mention a bit about the Funk & Co LOCKN set that featured George, Zigaboo, Ivan and Cyril Neville. Finish strong with a quick reflection on his clients The Grouch & Eligh, a West Coast underground hip-hop institution. Large up to Jon Phillips of Silverback Music for the phenomenal history lesson and engaging storytelling. SAM D'ARCANGELO of CANNABIS VOTER PROJECT : 1hr 11mins From there we transition to SAM D'ARCANGELO, Director of the Cannabis Voter Project, an arm of Headcount.org. Sam is a journalist and activist, and a Masters student at University of Texas in Austin. Sam also is a Louisiana native, and spent many years of his life in and around NOLA. Sam and I discuss Austin and the Crescent City early in the convo, before transitioning to the political process, cannabis law, and of course cannabis politics. Sam breaks down Headcount's Participation Row, and his role in the Cannabis Voter Project, which is on the road with Dead & Co, and has worked with Lettuce, among others. He and I have a spirited discussion around legalization that doesn't go precisely how you'd think. Stoked to be able to offer a platform to people like Sam, and organizations like Headcount and Cannabis Voter Project. *Vibe Junkie JAM of the Week* I received the news of Dr. John's passing just before this podcast went live. Scrapped the original Vibe Junkie JAM and instead we will have a tribute to Mac Rebennack, aka the Night Tripper. Please enjoy "Gris Gris" live from the Piknic Dutch Festival in Velsen, 1970. Condolences to Dr. John's family, friends, and millions of fans around the world. His music and legacy shall live on in the hearts and minds of all who were blessed to enjoy his myriad gifts. Malcolm John Rebennack (November 20, 1941 – June 6, 2019) Upful LIFE says *THANK YOU* to the great CITY OF NEW ORLEANS! The Upful LIFE Podcast is available on iTunes! Theme Song: Mazel Tov by CALVIN VALENTINE
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