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5 episodes with five pieces
5 episodes with five pieces
2 episodes with five pieces
2 episodes with five pieces
2 episodes with five pieces
2 episodes with five pieces
In the first episode of In The Making, we speak to Anselmo Ramos, Co-Founder of GUT. The agency made history at Cannes Lions this year, when it won Independent Network of the Year, Independent Agency of the Year AND Agency of the Year. In 2023, GUT took home an impressive haul of 35 Lions, including three Grands Prix. We talk meltdowns, manifestation and mindset or, more specifically, how to develop a winning mindset for Lions and for life. We also find out why Anselmo decided to sell a majority stake of GUT to global tech and digital consultancy Globant. Each episode, we ask our guests to select five pieces of work that define their career. Anselmo's Five Pieces of Work: The work that made you want to be a creative: all work from the Brazilian ad men such as Washington Olivetto, Fabio Fernandes and Marcello Serpa. Also Telecel "Sheperd", Young & Rubicam Lisbon, 1995 The work you wished you'd made: Tango “Orange Man”, HHCL, 1992 The work that almost didn't get made: Dove “Real Beauty Sketches”, Ogilvy Brazil, 2013 Your best work: Stella Artois “Artois Probability”, GUT, 2023 The work that's 'in the making': Anselmo wants to write a book, or two, about advertising, sharing what he knows about the industry. Links: Check out what's happening at Cannes Lions here: www.canneslions.com For more information about Anselmo go to www.gut.agency
REFERENCE RECORDINGS® proudly presents Tchaikovsky's Symphony No. 5, in a significant new interpretation from conductor Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with Erwin Schulhoff's Five Pieces, newly arranged for large orchestra by Manfred Honeck and Tomáš Ille. This album was recorded live in 2022 in the beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra, in superb audiophile sound.Track ListingPyotr Ilyich TchaikovskySymphony No. 5 I. Andante – Allegro con anima (14:09) II. Andante cantabile, con alcuna licenza (13:22) III. Allegro moderato (5:38) IV. Finale: Andante maestoso – Allegro vivace (12:11) Erwin SchulhoffFive Pieces for String Quartet (arr. Honeck/Ille) I. Alla Valse Viennese: Allegro (2:01) II. Alla Serenata: Allegro con moto (3:57) III. Alla Czeca: Molto allegro (1:38) IV. Alla Tango Milonga: Andante (4:43) V. Alla Tarantella: Prestissimo con fuoco (2:45) @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.
Hey, it's Amy Newmark with your Chicken Soup for the Soul, and today I'm going to share several stories from Chicken Soup for the Soul: The Advice that Changed My Life. You know I've been talking about this book for the last couple of months as I'm really excited about the great advice it contains. I've already implemented some of that advice myself, and today I want to share five pieces of life changing advice that are sure to resonate with you, taken from five stories in the collection. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Five pieces of orange by Sherlock Holmes narrated by Rani Ratta.
We marvel at the tallest trees in an old-growth forest, but we don't tend to put old and growth in the same sentence when we talk about humans. But you can – and should – be both aging and growing at the same time. This conversation with Chip Conley explores the concept of a modern elder — someone who is as curious as they are wise. If you want to learn from Chip Conley on how to age and grow at the same time, check out his Commune program Thriving Through Midlife & Beyond. Just go to onecommune.com/thriving to start this course for free. In this episode we cover:0:04:02 – Definition of a Modern Elder0:07:02 – Wisdom0:09:32 – Five Pieces of Wisdom0:15:32 – Wisdom vs Knowledge0:18:32 – Aging and Growing0:20:32 – Turning Fear into Curiosity0:27:32 – Mentorship0:30:32 – Curiosity0:39:02 – Midlife Chrysalis0:47:32 – Tools to Revitalize Midlife0:54:02 – Collective Effervescence0:56:02 – Wellness0:59:32 – Advice for People Entering MidlifeThis podcast is supported by:Parsley HealthIt's time to get better and feel better. Go to parsleyhealth.com/commune to schedule a free membership consultation and learn more about how Parsley can help you heal.Thrive MarketThis podcast is supported by Thrive Market - Join Thrive Market today and get a FREE $80 in free groceries when you go to thrivemarket.com/communeBetterHelpBetterHelp offers convenient online therapy on your schedule. It's the same professional service you'd get from an in-person therapist, but with the option to communicate when and how you want – by chat, phone, or video call. Start on your own journey of self-discovery, with BetterHelp. Visit BetterHelp.com/commune to get 20% off your first month of online therapy.Timeline NutritionTimeline Nutrition is pioneering a new approach to longevity, one that stands on a decade of scientific discovery to unlock the power within your cells. Your body is an energy generating machine, Timeline makes it more powerful. Use code commune to get 10% off at timelinenutrition.com/communeInsideTrackerThis podcast is supported by InsideTracker: Live healthier longer. InsideTracker is your personalized dashboard. For a limited time, you can get 20% off by visiting https://insidetracker.com/drg
After winning the Roseville Vault Tour with her deck Becky "Axel" Jintroflow, June comes on the show to talk with me about her journey learning how to play this deck the best she can - and after winning Roseville, she's heading to the World Championship in October.See "Exodia Becky" in action during the stream by our friends at Tabletop Royale (and sub to their YouTube channel if you haven't already).Thank you to our Frequency Fanatic Patreon supporters, like Zirpu!Join the KPR Patreon to vote on content, join the discord, and more. Find this episode on the website.Visit the websiteShop the MerchFollow on Twitter, Instagram, Facebook, and TikTok.KeyForge Public Radio is produced by Rooster High Productions, where Zach creates podcast-powered content marketing for professional service businesses. If you or someone you know is interested in leveraging a single recording sessions per month to generate high-trust, on-brand, and multi-platform social media content that markets your business every day, email Zach at zach@roosterhigh.com.(00:00) - Cold Open (01:59) - Introduction (03:55) - Let's Meet Becky "Axel" Jintroflow (07:36) - What Makes Becky Unique (13:31) - Becky's Game Plans and Win Conditions (22:12) - Inspiration from Slay The Spire (29:23) - Five Pieces of Exodia (31:58) - Slay the Spire and KeyForge (34:32) - How to Win a Vault Tour (38:12) - The Secret About Secret Weapons (40:39) - Reaching Maximum Potential (46:19) - Goodbye and Outro ★ Support this podcast on Patreon ★
DescriptionFive Pieces for Orchestra, Op. 16, were composed by Arnold Schoenberg in 1909 much to the dismay of British audiences of the time. Take a minute to get the scoop!Fun FactEven Arnold Schoenberg admitted in his letters to Richard Strauss: “The greatest difficulty in performing these pieces is that...it is really impossible to read the score. It would be almost imperative to perform them through blind faith. I can promise you something really colossal, especially in sound and mood. For that is what they are all about – completely unsymphonic, devoid of architecture or construction, just an uninterrupted changing of colours, rhythms, and moods.”__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
Hey, it's Amy Newmark with your Chicken Soup for the Soul, and today I'm going to share several stories from Chicken Soup for the Soul: The Advice that Changed My Life. You know I've been talking about this book for the last couple of months as I'm really excited about the great advice it contains. I've already implemented some of that advice myself, and today I want to share five pieces of life changing advice that are sure to resonate with you, taken from five stories in the collection. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Amazon KDP finally has some competition by way of IngramSpark with their latest updates. Spotify is stepping up BIG time by offering an unheard of royalty for audiobooks that is double the royalty ACX (Audible) offer. Also, find out how ACX made other news, Kindlepreneur rolls out updates to tracking pirated books, and so much more. Sources: Miblart Cover Design Giveaway - https://DaleLinks.com/Giveaway GetCovers eBook Cover Design Giveaway - https://DaleLinks.com/GetCoversGiveaway Miblart - https://DaleLinks.com/Miblart (affiliate link) Use coupon code DALE10 to get 10% off at checkout. Promote your ebooks your way - https://authoremail.com/email/campaigns/rw660nd2a5e2c/web-version/lg0604x35fb97 Five Pieces of Book Blurb Advice You Should Avoid - https://www.writtenwordmedia.com/five-pieces-of-book-blurb-advice-you-should-avoid/ The Quiet Ebooks Revolution - https://giak.medium.com/the-quiet-ebooks-revolution-3fff2c6940f9 Fleischmann Media - https://www.fleischmannmedia.com/ Amazon Announces Anti-Counterfeiting Exchange to Help Eliminate Counterfeits Across the Retail Industry - https://press.aboutamazon.com/2023/4/amazon-announces-anti-counterfeiting-exchange-to-help-eliminate-counterfeits-across-the-retail-industry ACX - https://www.acx.com/ IngramSpark Celebrates 10 Years - https://help.ingramspark.com/hc/en-us/articles/15276524164749-IngramSpark-Celebrates-10-Years- The Alliance of Independent Authors - https://DaleLinks.com/ALLi (affiliate link) ReaderScout - https://chrome.google.com/webstore/detail/readerscout/ankgmhneialghlebgnocmjjemngllcgd The Top 7 Book Aggregators Compared - https://publishdrive.com/top-book-aggregators.html Spotify Helps Authors Earn More with Findaway Voices - https://blog.findawayvoices.com/spotify-helps-authors-earn-more-with-findaway-voices/ The Self-Publishing Hub - https://theselfpublishinghub.com/ Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts
In today's episode, I want to share what I've learned from the best in our industry and how they build successful portfolios. This is taken from a presentation that I delivered at the HMO Awards last year but we could only fit so many people in that room. And I know a lot of our listeners haven't had the chance to listen to this yet so I'm going to share the five most important lessons or learnings that I've taken from all of the great conversations that I've had with other successful investors in our industry.-Was this episode helpful? Please leave us a quick review on Apple Podcasts or Spotify! Follow The HMO Podcast to get notified of new episodes every Wednesday.Got any questions? Ask us in The HMO Community Facebook Group or follow me on Instagram @andygraham.hmo for daily HMO tips and advice! If you want to join my 1-2-1 mentoring program, you can enquire here. New to HMOs? Join our exclusive community of HMO property investors at thehmoroadmap.co.uk for online training, group coaching, and resources to help you start, scale, and systemise your HMO business.
Jared and Jason discuss five pieces of bad advice wedding filmmakers often.
Anja and Ashley talk through FIVE pieces of archeological evidence that support the Bible! Sources for Research: * Hittites: https://www.worldhistory.org/hittite/ * Pool of Siloam: https://www.latimes.com/archives/la-xpm-2005-aug-09-sci-siloam9-story.html#:~:text=Workers%20repairing%20a%20sewage%20pipe,to%20the%20Gospel%20of%20John * Moabite Stone and Tel Dan Inscription: https://www.crossway.org/articles/10-crucial-archaeological-discoveries-related-to-the-bible/ * Dead Sea Scrolls: https://www.deadseascrolls.org.il/home
In this episode, Chris Rivers and Brad Walbridge, along with Player Chappell, explore five pieces of advice every man needs. Adapted from a student ministry teaching Player shared with graduating seniors, these insights are applicable to men in all stages of life and offer practical takeaways for pursuing Christ and growing as believers. Share, listen, and then discuss the application, key ideas, and Scripture references in a one-on-one conversation or with a group of men by visiting: resources.gracechurchsc.org/podcasts/men-at-grace APPLICATION: In what areas of your life are you relying on your own thinking rather than allowing the Lord to guide you? Do you have people in your life who hold you accountable? Is it difficult for you to adopt a posture of humility and learn from others? Why or why not? What influences in your life are grabbing your heart and your attention? What disciplines do you need to put in place to ensure these influences line up with God's Word? Are you serving in the local church? What have you learned through your experiences of serving and sacrifice? Where do you need to take a step of obedience in the area of serving? If you know a man who would benefit from hearing this episode, share it with him. Having intentional conversations around these principles is a great way to disciple and help others move towards Christ. Have questions or want us to discuss a topic? Email us at: menatgrace@gracechurchsc.org.
The Pittsburgh Symphony Orchestra just concluded their first concert of this 2022 European Tour. The concert included Helene Grimaud playing the Ravel Piano Concerto, along with Mahler's Symphony No. 1 and Schulhoff's "Five Pieces," with Manfred Honeck conducting. Jim Cunningham managed to catch up with Second./Utility Trombone James Nova in the hotel after the concert to get his thoughts on the concert, the concert hall, and the reaction of the audience.
Emily's work as a coach also combines her passion for style and colour. She works with her clients not only to help them define and achieve their goals, but to do so with confidence and she talks about what we wear and the impact this can have. For more information about Emily and her work contact hello@emilybal.co.uk or visit the Careering into Motherhood website . You can also learn more about Smartworks, the charity Emily mentioned, here.
Rebecca Amin - career coach and host of her own podcast Career Happy Mums - talks to Jane about her top five pieces of career advice. Without giving too much away, this week there is a big emphasis on not losing yourself and having the right to speak up when/if things aren't working for you. Something that may sound easy, but is much harder to do in practice! But, Rebecca shares some practical reasons why it really is vitally important. You can find out more about Rebecca and coaching with her here.
Pianiste Atzko Kohashi en bassist Tony Overwater speelden onlangs duetten, eigen interpretaties van composities van onder meer John Coltrane. Ze waren te zien in de Vrije Geluiden Sessies, en nu is hun CD de Doorgeef-CD-van-de-Week in Vrije Geluiden op Radio 4! 23.04 CD Crescent (Jazz in Motion Records JiM 74725) Charlie Haden: Nightfall Atzko Kohashi [piano]; Tony Overwater [bas] 4'01” 23.11 eigen opname John Coltrane: Wise One Tony Overwater [bas]; Atzko Kohashi [piano] 5'02” eigen opname John Coltrane: Crescent Tony Overwater [bas]; Atzko Kohashi [piano] 4'42” 23.22 CD Passion & resurrection - Music inspired by Holy Week (Harmonia Mundi HMU 807555) Thomas Crecquillon: Congratulamini mihi Stile Antico olv John McCabe 7'55” 23.32 CD Gubaidulina - Silenzio (BIS-810 CD) Sofia Gubaidulina: Silenzio, Five Pieces for bayan, violin and cello (1991) - V Gidon Kremer; Friedrich Lips; Vladimir Tonkha 8'40” 23.44 https://soundcloud.com/lekkerkerker/inside-outside eigen opname Jacob Lekkerkerker: Inside Outside Jacob Lekkerkerker, BJ Nilsen, Nick Powells 5'10” CD mother of thousand (OINK 012102) Rolf Delfos, Bart Wirtz, Mete Erker, Peter Broekhuizen: We're gonna believe artvark 3'13” 23.54 CD The Unfolding (Real World LPRW241X) Hannah Peel: Passage Hannah Peel & Paraochestra 5'23”
Show notes here.
Show notes here.
395. Jukuraadio köögilaud sõidab viikingipaadiga rohkem kui 1000 aastat tagasi. Paati on kogunenud muinaspõhja keele tõlkija Askur Alas, kelle näppude alt ilmus just legendaarse viikingipealiku Ragnari tegemisi käsitlev teos. Viikingid on viimaste aastate kuum kaup, selle teemaga flirditakse nii muusikas, kirjanduses kui ka teleseriaalides. Kui paluda nimetada mõni kuulus viikingikuningas, tulebki tihti vastuseks populaarse telesarja “Viikingid” peakangelane Ragnarr. Näiteks vallutas Ragnarr Pariisi 845. aasta 29. märtsil, ühel tähtsamal kristlikul pühal ‒ ülestõusmispühal, mis peaaegu kindlasti oli sihilikult valitud aeg, kui kristlased olid kirikutes. Karl II nõustus Ragnarile maksma lahkumise eest 7000 naela hõbedat (ca 3,2 tonni). Saates pajatame viikingisõdadest, suulisest pärimusest ning reaalsest ajaloost. Ingliskeelses maailmas algas Ragnari-hullus pärast seda, kui Thomas Percy avaldas 1758. aastal „Five Pieces of Runic Poetry“, millest üks oli Krákumál ehk Ragnari surmalaul. Järgnes „põhjamaise“ ja „gooti“ atmosfääri esilekerkimine luules ja muusikas ning kangelasliku surma igatsuse idealiseerimine. Kujutasid ju ka inglise kirjamehed end sageli viikingite järeltulijatena, viidates põlvnemisele anglidest, saksidest ja normannidest. Legend Ragnarist lõi nii tugevalt õitsema, et genealoogid ajasid kuninganna Victoria suguvõsaliini Ragnarini välja.
The Dave Clark Five, Rock & Roll Hall of Fame inductees, were a huge part of the British Invasion of the sixties. Here are seven tracks of extended & alternate versions, isolated vocals, and bits and pieces of pieces of bits:1. Because - Extended version C (by "suzannesstud" from YouTube)2. Bits & Pieces - Alternate version, stereo3. Over and Over - Alternate version4. Last Train To Clarksville5. Try Too Hard - Extended version (by "mosogotam" from YouTube)6. Dave Clark Five Medley Mix (by "steve01274" from YouTube)7. Because - Isolated vocals
There is no structure to this episode. It's a formless blob of words. A cuttlefish removed from it's natural habitat. We have outdone ourselves here and we can assure you that we will continue to lower the bar.
In this weeks episode of The Playful Psychologist, I share my top five pieces of advice for new psychologists. Graduating can truly feel like you're being thrown in the 'deep end' and I wanted to share advice that I wish someone had told me when i first graduated!If you would like more information, you can grab a copy of my Student and Graduate Guide here: https://www.theplayfulpsychologist.com/product-page/the-student-graduate-guide
Welcome and this is the final episode of the Shostakovich five pieces series. I hope you enjoy this last movement!
Welcome to the second to last episode! Today I will have a brief discussion of the Waltz.
A brief discussion of the elegy from Shostakovich five pieces for two violins and piano.
Welcome to the second perfect score episode! I am excited to bring you today's movement, the Gavotte! This is one of my favourite movements with lots of details, like the legato and staccato section, but don't worry, I won't spoil it. I hope you like it as much as me!
Welcome to the first ever episode on Perfect Score! This is a classical music podcast and it is for everyone, if you are a conductor, musician, or you're new to classical music this podcast is for you. I will be doing a cycle of the Shostakovich five pieces. I hope you enjoy the first episode on the prelude!
Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletterThis is an episode I have been hoping to present since this podcast began. I've been requesting interviews with Braxton for years, but never gotten the okay until this month. And you know what? In retrospect, I'm glad it took as long as it did. You know the saying “When the student is ready, the master appears”? Bill Dixon said that to me when I interviewed him for The Wire, and I feel like it's absolutely true in the case of the conversation you're about to listen to. I was not ready to interview Anthony Braxton when I first started asking. As it is, we probably could have talked for at least another hour, and maybe longer; we got along very, very well. Which was frankly not guaranteed going in. This interview didn't just take years to set up, it also fell through the first time we tried to do it, and I'm not 100 percent sure why but I have some suspicions. I do know that when I was working on re-scheduling it, I sent over my list of proposed questions in advance, which Braxton mentions right at the beginning, when he starts talking about the late Bob Koester from Delmark Records. I first started listening to Braxton's music about 20 years ago, and I feel like I've had a few major breakthroughs with it in that time, where it kind of made a little more sense to me afterward than it had before. Because it really is a learning process. You hear other things differently after you've grappled with his work for a while.The first big breakthrough for me was the album Quintet (Basel) 1977, which wasn't released until 2000; it's a live album that features George Lewis on trombone and Muhal Richard Abrams on piano. It was maybe the second or third thing I'd ever heard by him, so I mostly knew him by reputation still, as someone who made extremely advanced "weird" jazz that didn't really swing, but it wasn't free, either. Well, what I heard was not any of those things. It was a nonstop flow of energy, extremely creative but also swinging hard as hell, and the compositions were absolutely recognizable as such. It made perfect sense to me as jazz. The second breakthrough was when Mosaic Records put out a box set of his Arista albums, which I reviewed for Jazziz. Some of that music was difficult and alienating to my ear, but a lot of it was even more immediately accessible than I had expected it to be. If you've never listened to Braxton at all, you could do a whole lot worse than to start with New York, Fall 1974 or Five Pieces 1975, which were two of his first Arista releases and really do seem like his attempts to make music that would catch people's ear right away. The third and final breakthrough moment wasn't an album, it was a book – Forces In Motion, by Graham Lock. Lock went on tour with Braxton's quartet in England in the mid-80s, watching all the gigs, and interviewing all the group members repeatedly, and he gives you a 360 degree portrait of all of them as musicians and as human beings. It's one of the best books about music and musicians I've ever read, I recommend it unequivocally.When I was writing this intro, I looked on the hard drive where I keep most of my music, and I was surprised to find that I only actually own about 40 Anthony Braxton releases, including the individual albums that are contained in the Mosaic box and another box of his Black Saint albums from the 1980s. I honestly thought I had more. But among the others are a 3CD set of large ensemble pieces, a 12CD set of pieces for an a cappella ensemble, a 4CD set of improvisations for quartet, and a 4CD opera, all of which feature one long track per CD. I also have a 7CD set of the music of Lennie Tristano, Warne Marsh and other related musicians, an 11CD set of Charlie Parker tunes, a 13CD set of live recordings of standards, and an audio Blu-Ray containing 12 pieces ranging in length from 40 to 70 minutes. All told, I probably have around 80 hours' worth of Anthony Braxton's music in my house. If I wanted to, I could spend a long weekend listening to nothing but his work. And that's probably about ten percent of his total recorded output, maybe less. The man's catalog could fill a room.He's put out two mega releases just this month. The first is that audio Blu-Ray, which is called 12 Comp (ZIM) 2017 and features several different ensembles of between six and nine musicians including harp, cello, accordion, and horns, playing as I said long single pieces composed and then improvised upon using a highly specific and codified musical language of Braxton's own devising.The second is Quartet (Standards) 2020, the 13CD collection of live recordings from January 2020, when he played nine concerts in three cities: Warsaw, Poland, London, England, and Wels Austria, with a conventionally structured quartet: saxophone, piano, bass, drums. As its title suggests, they played standards. There are 67 songs on the box, with no repeats. There are tunes by Thelonious Monk, by Sonny Rollins, by Wayne Shorter, by Andrew Hill, but there are also several songs by Paul Simon, including the really excellent version of “Bridge Over Troubled Water” that you hear at the beginning of this episode, which if I'm being honest reminds me of Aretha Franklin's version.In this interview, we talk about both of those releases, as well as the larger issues they reflect. We talk about his compositional languages, the demands he places on the musicians he works with, his relationship to the jazz tradition, Wadada Leo Smith, Bill Dixon, Max Roach, Louis Armstrong, Duke Ellington, Cecil Taylor, and much, much more. It's one of my favorite interviews I've ever done, and I'm thrilled to share it with you.If you enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Anthony Braxton, “Bridge Over Troubled Water” (Quartet (Standards) 2020)Anthony Braxton, “Opus 23B” (New York, Fall 1974)
Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletterThis is an episode I have been hoping to present since this podcast began. I've been requesting interviews with Braxton for years, but never gotten the okay until this month. And you know what? In retrospect, I'm glad it took as long as it did. You know the saying “When the student is ready, the master appears”? Bill Dixon said that to me when I interviewed him for The Wire, and I feel like it's absolutely true in the case of the conversation you're about to listen to. I was not ready to interview Anthony Braxton when I first started asking. As it is, we probably could have talked for at least another hour, and maybe longer; we got along very, very well. Which was frankly not guaranteed going in. This interview didn't just take years to set up, it also fell through the first time we tried to do it, and I'm not 100 percent sure why but I have some suspicions. I do know that when I was working on re-scheduling it, I sent over my list of proposed questions in advance, which Braxton mentions right at the beginning, when he starts talking about the late Bob Koester from Delmark Records. I first started listening to Braxton's music about 20 years ago, and I feel like I've had a few major breakthroughs with it in that time, where it kind of made a little more sense to me afterward than it had before. Because it really is a learning process. You hear other things differently after you've grappled with his work for a while.The first big breakthrough for me was the album Quintet (Basel) 1977, which wasn't released until 2000; it's a live album that features George Lewis on trombone and Muhal Richard Abrams on piano. It was maybe the second or third thing I'd ever heard by him, so I mostly knew him by reputation still, as someone who made extremely advanced "weird" jazz that didn't really swing, but it wasn't free, either. Well, what I heard was not any of those things. It was a nonstop flow of energy, extremely creative but also swinging hard as hell, and the compositions were absolutely recognizable as such. It made perfect sense to me as jazz. The second breakthrough was when Mosaic Records put out a box set of his Arista albums, which I reviewed for Jazziz. Some of that music was difficult and alienating to my ear, but a lot of it was even more immediately accessible than I had expected it to be. If you've never listened to Braxton at all, you could do a whole lot worse than to start with New York, Fall 1974 or Five Pieces 1975, which were two of his first Arista releases and really do seem like his attempts to make music that would catch people's ear right away. The third and final breakthrough moment wasn't an album, it was a book – Forces In Motion, by Graham Lock. Lock went on tour with Braxton's quartet in England in the mid-80s, watching all the gigs, and interviewing all the group members repeatedly, and he gives you a 360 degree portrait of all of them as musicians and as human beings. It's one of the best books about music and musicians I've ever read, I recommend it unequivocally.When I was writing this intro, I looked on the hard drive where I keep most of my music, and I was surprised to find that I only actually own about 40 Anthony Braxton releases, including the individual albums that are contained in the Mosaic box and another box of his Black Saint albums from the 1980s. I honestly thought I had more. But among the others are a 3CD set of large ensemble pieces, a 12CD set of pieces for an a cappella ensemble, a 4CD set of improvisations for quartet, and a 4CD opera, all of which feature one long track per CD. I also have a 7CD set of the music of Lennie Tristano, Warne Marsh and other related musicians, an 11CD set of Charlie Parker tunes, a 13CD set of live recordings of standards, and an audio Blu-Ray containing 12 pieces ranging in length from 40 to 70 minutes. All told, I probably have around 80 hours' worth of Anthony Braxton's music in my house. If I wanted to, I could spend a long weekend listening to nothing but his work. And that's probably about ten percent of his total recorded output, maybe less. The man's catalog could fill a room.He's put out two mega releases just this month. The first is that audio Blu-Ray, which is called 12 Comp (ZIM) 2017 and features several different ensembles of between six and nine musicians including harp, cello, accordion, and horns, playing as I said long single pieces composed and then improvised upon using a highly specific and codified musical language of Braxton's own devising.The second is Quartet (Standards) 2020, the 13CD collection of live recordings from January 2020, when he played nine concerts in three cities: Warsaw, Poland, London, England, and Wels Austria, with a conventionally structured quartet: saxophone, piano, bass, drums. As its title suggests, they played standards. There are 67 songs on the box, with no repeats. There are tunes by Thelonious Monk, by Sonny Rollins, by Wayne Shorter, by Andrew Hill, but there are also several songs by Paul Simon, including the really excellent version of “Bridge Over Troubled Water” that you hear at the beginning of this episode, which if I'm being honest reminds me of Aretha Franklin's version.In this interview, we talk about both of those releases, as well as the larger issues they reflect. We talk about his compositional languages, the demands he places on the musicians he works with, his relationship to the jazz tradition, Wadada Leo Smith, Bill Dixon, Max Roach, Louis Armstrong, Duke Ellington, Cecil Taylor, and much, much more. It's one of my favorite interviews I've ever done, and I'm thrilled to share it with you.If you enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Anthony Braxton, “Bridge Over Troubled Water” (Quartet (Standards) 2020)Anthony Braxton, “Opus 23B” (New York, Fall 1974)
With the exception of talent, connections, and a large following, there are only five pieces to create a great podcast. And everyone has total control of all five.
With the exception of talent, connections, and a large following, there are only five pieces to create a great podcast. And everyone has total control of all five.
Prominent psychologist Dr Michael Carr-Gregg has issued five pieces of advice for anybody going through the end of a relationship. See omnystudio.com/listener for privacy information.
Hey Everyone! We hope you all are enjoying the holidays. In today's episode, we talk about some advice for online learning.
Join us for Week Five of Pieces. This six-week series serves as a snapshot of the book of Job, providing comfort and encouragement to anyone experiencing a difficult circumstance. Have you ever felt broken? Have you ever wondered why? Many of us have thoughts such as these? Job's story is often our story. Yet, even in the midst of pain and suffering, we can trust in the power of our creator. #Pieces #TheSalvationArmy #HotSprings
An introduction to opera! In which Hannah and guest expert Greg Freed discuss music as math homework, the excitement of "wrong" singing, Lawrence Tibbett's forehead, and the proper way to insult one's seatmates at the Met. See everyrecordeverrecorded.com for more opera notes! PLAYED ON THE SHOW: PLAYED ON THE SHOW: - Christine Goerke, "Allein, Weh, ganz allein" from Elektra, Dresden, 2014 (Richard Strauss) - The Consort of Musicke, "Fantasia a 6 (no. 2)" (William Byrd) - Ton Koopman, "Fuga in G (BWV 578)" (Johann Sebastian Bach) - The Academy of Ancient Music, Symphony no. 40 in G minor, first movement (Wolfgang Amadeus Mozart) - Boston Symphony Orchestra, Symphony no. 5 in C minor, first movement (Ludwig von Beethoven) - Chicago Symphony Orchestra, Symphony no. 9 in D minor, first movement (Ludwig von Beethoven) - BBC Symphony Orchestra, "IV. Peripetie, Sehr rasch" from Five Pieces for Orchestra (Arnold Schönberg) - London Philharmonic Orchestra, "Mortal cosa son io" from Il Ritorno di Ulisse in Patria (Claudio Monteverdi) - Concerto Vocale, "Mortal cosa son io" from Il Ritorno di Ulisse in Patria (Claudio Monteverdi) - Jessye Norman, "Mild und leise wie er lächelt" from Tristan und Isolde (Richard Wagner) - Franco Faggioli, "Vo solcando un mar crudele" from Artaserse (Leonardo Vinci) (nope, different guy) - Budapest Philharmonic, "Dance of the Blessed Spirits" from Orfeo ed Euridice (Christoph Willibald Gluck) - Lawrence Brownlee, "Un'aura amorosa" from Cosi Fan Tutte (Wolfgang Amadeus Mozart) - Lucia Popp, "Der Hölle Rache" from The Magic Flute (Wolfgang Amadeus Mozart) - Rockwell Blake, "D'ogni più sacro impegno" from L'Occasione Fa Il Ladro (Gioacchino Rossini) - Leyla Gencer and Shirley Verrett, "Figlia impura di Bolena" from Maria Stuarda (Gaetano Donizetti) - Franco Corelli from Poliuto (Gaetano Donizetti) - Kiri te Kanawa, "Aria from Salammbo" (Bernard Herrmann) - Elmer Fudd, "Kill the Wabbit" from What's Opera, Doc? (Chuck Jones, Michael Maltese and Richard Wagner) - Lawrence Tibbett, "Leb wohl, du kühnes herrliches Kind" from Die Walküre (Richard Wagner) - Leonie Rysanek, "Entweihte Götter!" from Lohengrin (Richard Wagner) - Lilli Lehmann, "Non mi dir" from Don Giovanni (Wolfgang Amadeus Mozart) - Slovak Philharmonic Orchestra, "Humming Chorus" from Madama Butterfly (Giacomo Puccini) - Sorasit D Guzheng, "Mo Li Hua" - Celine Dion and Song Zuying, "Mo Li Hua," live in China, 2013 - Choeurs, "Là, Sui Monte Dell' Est" from Turandot, Avignon, France, 2012 (Giacomo Puccini) - Maria Callas, first entrance in "Tosca," Metropolitan Opera House, New York, 1965 (Giacomo Puccini) - Maria Callas, finale of Act 2 of "Aida," Mexico, 1950 (Giuseppe Verdi) - Ghena Dimitrova, "Gloria, gloria, o vincitore!" from Turandot, (Giacomo Puccini) - Inge Borkh, "Barak, ich hab' es nicht getan!," from Die Frau Ohne Schatten (Richard Strauss) - Wiener Philharmoniker, "Mondscheinmusik" from Capriccio (Richard Strauss) - Edo de Waart and the Orchestra of St Luke, "It Seems So Strange" from Nixon in China (John Adams) - Trudy Ellen Craney, "I Am the Wife of Mao Tse-Tung" - Wiener Philharmoniker, "Act 2 Interlude" from Pelleas et Melisande (Claude Debussy) - Lorraine Hunt Lieberson, "As with rosy steps the morn" from Theodora (George Frideric Handel)
A Book and A Dream: An author’s adventure in writing, reading, and being an epic fangirl
What's worse than too many cooks in the kitchen? Too much advice for the author. Here are a few of Megan's favorite (contradictory) pieces of advice she's heard again and again.Be sure to check out the Girl of Glass audiogram by visiting the following link: https://youtu.be/SRj8L1vYcDs
Originally recorded in December 2006, featuring:1. October 6th, 2006 - Edmund Welles: the bass clarinet quartet - from Opium and Absinthe by Cornelius Boots: Inertia - Cornelius Boots, Aaron Novik, Jonathan Russell, Jeffrey Anderle, bass clarinets2. May 26th, 2006 - The Laurel Ensemble - String Trio in B flat, D. 581 by Franz Schubert - Christina Mok, violin; Jenny Douglass, viola; Krisanthy Desby, cello3. May 16th, 2006 - Gila Goldstein, piano - Five Pieces, Op. 34 by Paul Ben-Haim
February Theme: Love & Relationships | In this episode, you can discover 5 pieces of a wrong yet popular dating advice. For more resources, please visit my website dominikastoppa.com20% off any Coaching Workbook, visit dominikastoppa.com/ebooks and enter promo code: podcast20FREE E-Book - "7 Steps to a Mindful Life" - DownloadIf you haven't Subscribe yet, make sure that you do and please leave a Review.I love seeing your posts on Instagram and Facebook, and I love seeing what you're taking away.Thank you for listening!
How does a group of people hold onto an icon when… well, when that icon can no longer be held? In 2003, New Hampshire's state emblem, the Old Man of the Mountain, a massive granite face on a mountainside, crumbled 198 years after he had been discovered. This is his story in five pieces.
11 10 2019 - Prelude, From Five Pieces For Two Violins And Piano by Snowmass Chapel
I was at a social event on the weekend where a beautiful woman came up to me and shared that her daughter had been listening to SELF as she goes to school each day. Her daughter is 15.And I had a moment of immense gratitude for this girl, at 15 years old…. Not the easiest time in life. A period that is full of navigating blindly though the dark, yet she chooses to search for her light. And I just thought - how AMAZING that is. At 15, that she is dedicated to her consciousness…..So this episode is really in celebration of her and every other under 18 listener that tunes in and finds comfort, and love, and direction in this space.I wanted to touch base with YOU specifically today, and perhaps offer some advice that I wish I had received when I was your age.
I was at a social event on the weekend where a beautiful woman came up to me and shared that her daughter had been listening to SELF as she goes to school each day. Her daughter is 15.And I had a moment of immense gratitude for this girl, at 15 years old…. Not the easiest time in life. A period that is full of navigating blindly though the dark, yet she chooses to search for her light. And I just thought - how AMAZING that is. At 15, that she is dedicated to her consciousness…..So this episode is really in celebration of her and every other under 18 listener that tunes in and finds comfort, and love, and direction in this space.I wanted to touch base with YOU specifically today, and perhaps offer some advice that I wish I had received when I was your age.
Five Pieces of the Life Puzzle re-examined from my notes
In this episode of Balls Deep! Magaz and Elliot discuss the top five pieces of kit a new player should invest in If you have a topic suggestion or question you can reach us on all of your favourite social media's at @BDeepPod or by email at BDeepPod@Gmail.com (But we'll more than likely forget to check that, so the social media is probably your best bet... Maybe...) If you like the show and want to support us and see it grow, head over to www.patreon.com/cbmpc and become one of our patrons. Like James and Maseau say "If you want to support us, just donate the amount you wouldn't notice if it fell out of your pocket" Video versions of select episodes of the podcast are over at www.youtube.com/magaz Don't forget to leave us a five star review on Itunes, for shits and giggles! Thanks for getting Balls Deep! with us :)
In this film, Nigel Woodhouse introduces the mandolin. The mandolin has been used by many composers across the centuries to give special colour to the orchestra, often evoking folk music. TABLE OF CONTENTS: 00:00 Orchestral Extract: Mozart, Don Giovanni, Deh, vieni, alla finestra 00:46 Composers who wrote for the mandolin 01:08 The Neopolitan mandolin 02:00 The origins of the mandolin 03:05 Mandolin vs Violin – Similarities and Differences 04:33 Playing the mandolin – The Frets 05:19 Playing the mandolin – Chords 05:55 Playing the mandolin – The Plectrum 06:18 Playing the mandolin – Sustaining the Sound 06:46 Orchestral extract: Antonio Vivaldi, Mandolin Concerto in C major 07:53 Development of string materials, from gut to metal 08:48 Tremolo Technique 09:56 Orchestral extract: Gustav Mahler, Symphony No. 7 10:44 The Duo Style 11:47 Development of the mandolin – Extending the range 12:04 Orchestral extract: Sergei Prokofiev, Romeo and Juliet, Aubade 12:39 Orchestral extract: Stravinsky, Agon, Galliarde 13:28 Orchestral extract: Webern, Five Pieces for Orchestra, Op. 10 14:11 Orchestral extract: Ottorino Respighi, Roman Festivals 15:13 The American Mandolin 16:57 Musical example: Kesh Jig – trad. Irish 18:07 Bluegrass style 18:51 How the mandolin got its name 19:12 Harmonics 19:56 String tension and finger maintenance 20:24 How Nigel started playing the mandolin 20:55 Tips for getting started on the mandolin Learn all about the instruments of the orchestra in our Instruments playlist: https://www.youtube.com/playlist?list=PLqR22EoucCyccs5J639SCefaM7mD9dMSz
Breaking Free - the minds that changed music. In The Essay this week, personal reflections on the revolutionary music and ideas of the Second Viennese School as they searched for an antidote to all the certainties and expectations of the past, and cast music on a new path of dissonance and discovery, shocking audiences then and now.Musician and broadcaster Tom McKinney recalls his "first contact" with the music of Webern - his Five Pieces for Orchestra, Op.5, and then taking part in a transformative performance of the same work as a professional musician.
I had to build everything that I have built now now from the ground up on my own. I often get asked what advice I would give my 20 year old self, so I thought I would put it in a podcast. There are definitely some things I wish I had a better grasp on when I was younger, things that I think would’ve upped my game earlier in life. Truly, there are more than five things I would tell my younger self, but these five are definitely a good start. I’m so excited to be coming up on episode 100! This has been an awesome journey the past couple of year to be on. Remember, at episode 100 we are switching the name of the show to Nion Radio to go along with my new brand that I’ve been developing. Nion is all about living your life in color and creating your moments, and I think you’ll love it. Wherever you’re at it’s about giving and the energy that surrounds that. Some things we learn in this podcast: How far technology has come since I was 20 [2:30] Why studying graphic design launched me into photography [4:00] How to master your mental game [4:30] Why you have to be grateful [6:40] The importance of interning [8:10] Why you need to lose the entitlement [9:40] The value of giving more [11:15] Links mentioned: Sign up for my newsletter on the pink bar of my homepage and receive my new ebook 7 Celebrity Success Secrets Check out my other podcast episodes Music Credit: Mirages by MitiS
Your Faith Journey - Finding God Through Words, Song and Praise
This was a special performance of Five Pieces No. 3 by Gerald Finzi by Clarinetist Michael Fox at Faith Lutheran Church in Okemos, Michigan
Youth deal with many stressors nowadays. Social media pressures and over scheduling in academics, sports, and activities are just some of them. The following podcast consists Five Pieces of Advice that Every Family Should Apply.
Join Bernardo Miethe and Andrew Owen as they unpack information about the world of classical music. Designed for musicians and non-musicians alike, this podcast means to expand the knowledge of classical music to our listeners. On this episode we discuss the life of Arnold Schoenberg and his Five Pieces for Orchestra.
Pieces of Media I Wish I Could Go Back and Experience for the First Time / Pieces of Media I Wish I Could Go Back and Experience for the First Time
5 Pieces of Media I Wish I Could Go Back and Experience for the First Time Top Five is a show where the hosts categorize, rank, compare, and stratify everything… from cars to gadgets to people and movies. From stuff that is hot, and things that are not nearly as interesting - it's Top Five. Bruce returns for another installment of Top Five Express. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure The Top Five Podcast continues far into the future! Contact us at podcast@majorspoilers.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site.
5 Pieces of Media I Wish I Could Go Back and Experience for the First Time Top Five is a show where the hosts categorize, rank, compare, and stratify everything… from cars to gadgets to people and movies. From stuff that is hot, and things that are not nearly as interesting - it's Top Five. Bruce returns for another installment of Top Five Express. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure The Top Five Podcast continues far into the future! Contact us at podcast@majorspoilers.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site.
A conversation with composer George Crumb on his American Songbooks cycle with a longtime friend, Bridge Records producer David Starobin. Speaker Biography: George Crumb is an American composer of contemporary classical music. He is noted as an explorer of unusual timbres, alternative forms of notation, and extended instrumental and vocal techniques. Examples include seagull effect for the cello (ex. Vox Balaenae), metallic vibrato for the piano (ex. Five Pieces for Piano), and using a mallet to play the strings of a contrabass (ex. Madrigals, Book I), among numerous others. Speaker Biography: David Starobin is an American classical guitarist, record producer, and film director. For captions, transcript, and more information visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=5440.
Mahler was a huge inspiration for Schoenberg and an early champion of his music. We will explore the influence Mahler had on Schoenberg and the Second Viennese School, and the arrangements of Mahler for the Private Music Society, at the cutting edge of music from 1918-21.Concert: Mahler, Kindertontenlieder: Webern, Concerto for Nine Instruments, Op.24; Berg, Piano Sonata Op.1; Schoenberg, Five Pieces for Orchestra, Op.16.
In this new year, we're starting off with good news! Listen to this week's tip to learn about good news in the green economy.
"The sun's shining, I'm wearing my sombrero, and through my open window floats the gentle splosh and gurgle of folk falling into the river — all of which can mean only one thing: summer's here! So buckle on your flip-flops, crank the ghettoblaster up to eleven, pop open a bottle of 1994 Châteauneuf-du-Pape and kick back to the balmy sounds of the UNITY GAIN TEMPLE SUMMER SYNCRETASM!" Unity Gain Temple is a full-time member of Communty (Massive Sonoral Carpets, Nefarious International Manoeuvres, Looting, Banditry, Ambushes, Car-Jacking, Physical Attacks and Killings). You can email him here. Tracklisting: Kaija Saariaho – Jardin Secret I Denis Smalley – Wind Chimes Thomas Köner – Nival George Benjamin – Octet Brian Ferneyhough – Funerailles Gareth Loy – Nekyia György Ligeti – Glissandi Morton Subotnick – Silver Apples of the Moon Pierre Boulez – Sur incises Erik Bergman – Silence and Eruptions Edgard Varèse – 1st interpolation of organized sound (from Déserts) Arnold Schoenberg – Vorgefühle (from Five Pieces for Orchestra) Erik Bergman – Triumf att finnas till Iannis Xenakis – Polytope de Montreal Jonathan Harvey – Mortuos piango, vivos voco Anton Webern – Five Pieces for Orchestra, op. 10 Brian Eno – 1/1 from Ambient 1: Music For Airports Surgeon – Force & Form Remakes (Surgeon Remake 1) Antony & The Johnsons – Hope There's Someone Pierre Boulez – Pli selon pli Storm – No More Words (Part 3) Jeff Mills – Changes of Life 3MB – Jazz Is The Teacher (Magic Juan Mix) Basic Channel – Octagon Thomas Köner – Permafrost Edgard Varèse – 3rd interpolation of organized sound (from Déserts) Carl Michael von Hauswolff – A Quite Faster Spirit With Some Low Cyclic Interference Set Fire To Flames – Holy Throat Hiss Tracts To The Sedative Hypnotic Peter Warlock – The Shrouding of the Duchess of Malfi Wendy Carlos – Tron Scherzo George Crumb – Pastoral Drone Gustav Mahler – Allegro energico, ma non troppo (from Symphony no. 6 in A minor) Big Pun – Beware Dr Dre – Forgot About Dre N.W.A. – Straight Outta Compton Bernard Parmegiani – Étude Élastique Hervé Boghossian – Organe ouvert Arnold Dreyblatt – Nodal Excitation T. S. Eliot – The Wasteland Samla Mammas Manna – Kom Lite Närmare All Saints – Pure Shores Olivier Messiaen – Combat de la mort et de la vie (from Les corps glorieux) Luciano Berio – In ruhig fliessender Bewegung (from Sinfonia) Edgard Varèse – Density 21.5 Steve Reich – Music for Mallet Instruments, Voices, and Organ Johann Sebastian Bach – Allemande (from French Suite No. 6 in E major) Beaks – Crow Olivier Messiaen – Transports de joie d'un âme devant la gloire du Christ qui est la sienne (from L'Ascension) Olivier Messiaen – Les Yeux dans les roues (from Livre d'orgue) Olivier Messiaen – Sortie (le vent de l'Esprit) (from Messe de la Pentecôte) Pimsleur Language Program – Swedish Genesis – Dancing With The Moonlit Knight Hildegard Westerkamp – Delhi B John Cage – Writing for the Second Time Through Finnegans Wake Dave Phillips – emf (from IIIII) Dave Phillips – Untitled (from IIII) Jeff Wayne – Dead London Hildegard Westerkamp – Into The Labyrinth Ono Gagaku Kaï Society – Etenlaku Keiji Haino, Derek Bailey – Boka Ga NeJirekireru To Ai Salvatore Sciarrino – Studi per l’intonazione del mare Karlheinz Stockhausen – Gesang Der Jünglinge Jean-Claude Risset – Mutations Giacinto Scelsi – Ko–Tha Iannis Xenakis – GENDY3 Iannis Xenakis – À R. George Crumb – Se ha llenado de luces mi corazón de seda (from Ancient Voices of Children) Alban Berg – Rondo ritmico con introduzione (from Chamber Concerto for Piano and Violin with 13 Wind Instruments) Bernard Parmegiani – L'oscillée Harrison Birtwistle – Secret Theatre Steely Dan – Time Out Of Mind Anton Webern – Christus factus est (from Five Canons, op. 16) Borbetomagus – Concordat Jam 12 Ornette Coleman – Tomorrow is the Question Bertrand Russell – Speaking Personally Keith Hudson – Part 1-2 Dubwise Horace Andy – I Feel Good All Over Linval Thompson – Dubbing Feet Prince Far I – Cry Tuff And The Originals Chris Pattern – Alpine Field Recording Louis Andriessen – Hoketus Joni Mitchell – Hejira Monica Zetterlund – Sakta Vi Gå Genom Stan Carole King – Tapestry Donald Fagen – Maxine Toru Takemitsu – Soundtrack from Woman In The Dunes Caravan – Golf Girl Einstürzende Neubauten – Trinklied Burning Spear – Ethiopians Live It Out Albert Ayler – The Wizard Caravan – Winter Wine Luciano Berio – Sequenza XI for guitar Picchio dal Pozzo – Seppia Sleepytime Gorilla Museum – The Donkey-Headed Adversary of Humanity Opens the Discussion Track Ghost – Bee Fiddler Igor Stravinsky – Ebony Concerto Mika Vainio – Colour Of Plants Luciano Berio – Sequenza VII for oboe Ralph Vaughan Williams – Fantasia On A Theme Of Thomas Tallis Global Communication – 14:31 Angelo Badalamenti – Audrey's Dance
Roy Plomley's castaway is actress Irene Worth. Favourite track: Five Pieces for Orchestra No.1 by Arnold Schoenberg Book: Textbook on anthropology Luxury: The Beatles new colour television show
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