Podcasts about hunstman

Book Vs. Movie: Snow WhiteThe Grimms Fairy Tales Version Vs. the 1937 Disney ClassicIn December, we cover Disney and what better adaptation to discuss than one of the greatest feature-length animated films of all time? 1937's Snow White is considered a masterpiece of storytelling by Walt Disney, who believed in the future of animation and created a studio empire with the popularity of the film's release. The original story starts with Grimm's Fairy Tales, a collection of 1800s and earlier stories that were passed down from generation to and were often violent and today might be labeled “too scary” for kids. The Brothers Grimm (Jacob & Willhelm) Their first collection was published in 1812, and the brothers fought for decades to teach and discuss German history and folklore and unified the German language. Their active years were from 1812-1858. For context, France invaded Germany at the time, and the brothers wanted to save their culture and traditions. Later, they were seen as a building block for Germany which attempted to rule the world twice in the 20th Century. Snow White's origin story is that of a little girl with a stepmother jealous of her beauty. The stepmother is an evil Queen and sends a huntsman to kill her (she is seven years old, by the way) and bring back her lungs and liver as proof. The huntsman loses his nerve and instead sets her free in the woods. She spent the next ten years taking care of seven dwarves. When the Evil Queen discovers Snow is alive, the queen (who practices black magic) schemes to kill her through a few different methods, finally having a poisoned apple as a successful weapon. The dwarves put Snow in a glass coffin and guard her. Eventually, she meets a Prince who saves her life, and they wed. Disney first saw the story as a silent film in 1915 and was determined to bring it to the big screen. The effort took hundreds of people, dozens of $5 “gags,” millions of film cells. The movie was called “Disney's Folly” for its rumored $1.5 million budget. However, it was a smash hit from the start and is now considered one of the greatest movies of all time. So between the Fairy Tale and the 1937 film? Have a listen to find out!Kensington Books and the novel Colorado Country by Diana Palmer sponsor this episode!New York Times bestselling author Diana Palmer takes readers to Christmastime in Colorado with two of her celebrated novellas in one collection featuring solitary, silent cowboys who find their restless hearts tamed by women of uncommon grace and strength. This a gift for readers who love heartwarming contemporary romance, gorgeous rugged cowboys, and fans of Carolyn Brown, Linda Lael Miller, and Delores Fossen. Meadow Dawson is struggling to manage the enormous ranch she just inherited. Too bad she's not on speaking terms with the one man who can help her out. Cattleman Dal Blake wishes Meadow's dog would quit digging under his fence—and that his pretty neighbor wasn't just as good at getting under his skin. . . Widowed schoolteacher Katy is starting over with her young daughter, and she knows the perfect place—her grandmother's Colorado ranch. A runaway Palomino brings reclusive horse wrangler Parker to her door. Parker knows all there is to know about horses, but with Katy, he's learning about the gift of family.Diana Palmer is the author of over 100 books and was voted one of the top 10 romance writers with over 40 million books in print. She is known as the “queen of desperado quests for justice and true love” (Publisher's Weekly) You can find her at Diana Palmer.com. In this ep the Margos discuss:Grimm Brothers and antisemitism The major differences between the book and the movieWalt Disney and his first big feature hitThe 1937 cast: Adriana Caselotti (Snow White,) Lucille La Verne (Evil Queen,) Harry Stockwell (The Prince,) Pinto Colvig (Grumpy & Sleepy,) Scotty Mattraw (Bashful,) Billy Gilbert (Sneezy,) Eddie Collins (Dopey,) Moroni Olsen (The Magic Mirror) and Stuart Buchanan as the Hunstman. Clips used:Snow White meets the dwarfsSnow White and the Seven Dwarfs 1937 original trailer with DisneyEvil Queen finds out Snow White is aliveEvil Queen offers poisoned apple“Heigh-Ho”Music by Frank Churchill, Paul J. Smith, Leigh Harline, and Larry Morey.Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie: Snow WhiteThe Grimms Fairy Tales Version Vs. the 1937 Disney ClassicIn December, we cover Disney and what better adaptation to discuss than one of the greatest feature-length animated films of all time? 1937's Snow White is considered a masterpiece of storytelling by Walt Disney, who believed in the future of animation and created a studio empire with the popularity of the film's release. The original story starts with Grimm's Fairy Tales, a collection of 1800s and earlier stories that were passed down from generation to and were often violent and today might be labeled “too scary” for kids. The Brothers Grimm (Jacob & Willhelm) Their first collection was published in 1812, and the brothers fought for decades to teach and discuss German history and folklore and unified the German language. Their active years were from 1812-1858. For context, France invaded Germany at the time, and the brothers wanted to save their culture and traditions. Later, they were seen as a building block for Germany which attempted to rule the world twice in the 20th Century. Snow White's origin story is that of a little girl with a stepmother jealous of her beauty. The stepmother is an evil Queen and sends a huntsman to kill her (she is seven years old, by the way) and bring back her lungs and liver as proof. The huntsman loses his nerve and instead sets her free in the woods. She spent the next ten years taking care of seven dwarves. When the Evil Queen discovers Snow is alive, the queen (who practices black magic) schemes to kill her through a few different methods, finally having a poisoned apple as a successful weapon. The dwarves put Snow in a glass coffin and guard her. Eventually, she meets a Prince who saves her life, and they wed. Disney first saw the story as a silent film in 1915 and was determined to bring it to the big screen. The effort took hundreds of people, dozens of $5 “gags,” millions of film cells. The movie was called “Disney's Folly” for its rumored $1.5 million budget. However, it was a smash hit from the start and is now considered one of the greatest movies of all time. So between the Fairy Tale and the 1937 film? Have a listen to find out!Kensington Books and the novel Colorado Country by Diana Palmer sponsor this episode!New York Times bestselling author Diana Palmer takes readers to Christmastime in Colorado with two of her celebrated novellas in one collection featuring solitary, silent cowboys who find their restless hearts tamed by women of uncommon grace and strength. This a gift for readers who love heartwarming contemporary romance, gorgeous rugged cowboys, and fans of Carolyn Brown, Linda Lael Miller, and Delores Fossen. Meadow Dawson is struggling to manage the enormous ranch she just inherited. Too bad she's not on speaking terms with the one man who can help her out. Cattleman Dal Blake wishes Meadow's dog would quit digging under his fence—and that his pretty neighbor wasn't just as good at getting under his skin. . . Widowed schoolteacher Katy is starting over with her young daughter, and she knows the perfect place—her grandmother's Colorado ranch. A runaway Palomino brings reclusive horse wrangler Parker to her door. Parker knows all there is to know about horses, but with Katy, he's learning about the gift of family.Diana Palmer is the author of over 100 books and was voted one of the top 10 romance writers with over 40 million books in print. She is known as the “queen of desperado quests for justice and true love” (Publisher's Weekly) You can find her at Diana Palmer.com. In this ep the Margos discuss:Grimm Brothers and antisemitism The major differences between the book and the movieWalt Disney and his first big feature hitThe 1937 cast: Adriana Caselotti (Snow White,) Lucille La Verne (Evil Queen,) Harry Stockwell (The Prince,) Pinto Colvig (Grumpy & Sleepy,) Scotty Mattraw (Bashful,) Billy Gilbert (Sneezy,) Eddie Collins (Dopey,) Moroni Olsen (The Magic Mirror) and Stuart Buchanan as the Hunstman. Clips used:Snow White meets the dwarfsSnow White and the Seven Dwarfs 1937 original trailer with DisneyEvil Queen finds out Snow White is aliveEvil Queen offers poisoned apple“Heigh-Ho”Music by Frank Churchill, Paul J. Smith, Leigh Harline, and Larry Morey.Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

This week on the Construction Record podcast digital media editor Warren Frey speaks with Hunstman Building Solutions Mickel Maalouf about environmental product declarations (EPD) and how their use is influencing both current and future building construction. Maalouf explained how Huntsman's own spray foam product has its own EPD, which differs from industry EPD standards and is a Type 3 product declaration, which he explained details environmental impact for the product's entire life cycle. As technology evolves, Maalouf said, new factors such as machines coming to market that use electricity instead of diesel will mean modification of current EPDs to reflect these new factors. You can listen to The Construction Record and TCR Express on the Daily Commercial News and Journal of Commerce websites as well as on Apple Podcasts, Spotify and Amazon Music's podcast, and you can listen to the previous podcast featuring an interview with Jack Statham of Chandos Construction about lean practices here. Thanks for listening and we'll see you next week. DCN-JOC News Services

Abby's sister Liddy, who is known as the most unfiltered of the family (self-proclaimed comedian), joins Abby and Lauren to share some of the untold stories around her surprise pregnancy. And while her sudden beginning to motherhood was not totally planned, not to mention her subsequent wedding and new life as a gringa living in the Dominican Republic, Liddy is loving and learning from it all. And not surprisingly, none of it has stopped her from pursuing stand up comedy, a masters, and work in type 1 diabetes.   Produced by Dear Media

BYU basketball player Gideon George joins Mitch Harper to discuss the hot start to the season and his time at BYU. George talks about his shoe drive and the impact that will have in his home country, Nigeria. He also shares his thoughts on the BYU-Utah rivalry. See omnystudio.com/listener for privacy information.

Today I give you an inside glimpse into one of America's most well known families; the Huntsman's. Here are a couple of questions I ask Jon and Mary Kaye: 1. What's it really like to be a Huntsman? 2. The role that faith has played in their lives? 3. How they decided not to run a write in campaign for Utah Governor 2020? Hope you enjoy this inside look!

Heute wird es märchenhaft in Rant A Movie: Sven und Denny besprechen Snow White & The Huntsman mit Kristen Stewart und Chris Hemsworth. Ob Schneewittchen wohl das einizige blasse im Film ist? In der zweiten Hälfte geht es dann um Blinded By The Light, eine Liebeserklärung an die Musik von Bruce Springsteen, die auch ihre Schwächen mit sich bringt und dabei trotzdem überraschend gut funktioniert. Eure Lieblingsmoderatoren sind perplex! /// (00:00:00): Intro (00:00:34): Begrüßung (00:05:04): Snow White & The Hunstman (00:55:47): Blinded By The Light /// Ihr habt Spaß mit Rant A Movie? Dann folgt uns gerne: Instagram: @rantamovie_podcast Letterboxd Denny: Spectral_Denny Letterboxd Sven: therealsvenoh

Rejoining the conversation today is Lance T. Capel & Ryan Huntsman of Chicago Title CO -NCS. We are talking Hotels, CRE, Title & Escrow, Distressed Hotels, Lenders and more..... --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Distance learning, homeschooling, online education oh my! All of the facebook mom groups I belong to are exploding right now with questions and discussion threads with hundreds of comments from other parents panicking about their options for this fall, what to do, what their options even are and how to decide what's best for their children and their schooling this fall. Today I'm interviewing a dear friend of mine, Laura Belnap, who is the MOST qualified person I know to speak on this subject who will be able to break all of this down for us parents. Laura Collier Belnap has her bachelor's and master’s in education, is a pioneer in homeschooling and online education in the state of Utah, where she helped establish online education in 2002, working as the director of Utah Online Academies for three different school districts. She is currently the director of Utah Online Schools which serves over 10,000 students with 102 teachers and staff. She has served on several different nonprofit boards and received the Soccer Mom of the Nation Award, the “Innovation in Education Award,”  and most recently  the Jon M. Hunstman award for Innovation.  She schooled her children at home for more than 14 years which changed her life and her relationship with her children. Laura is active in legislative, community and religious causes. Laura is the proud mother of six children and 10 beautiful grandchildren and is married to her high school sweetheart Eric Belnap. On a personal note, she has been a lifelong mentor to me and each of my siblings and has had an enormous impact on each of our lives. She was elected to the Utah state board of Education in 2014 where she serves as the finance chair. www.naturalcycles.com/mintarrow for 20% off your annual subscription and a Free thermometer! Produced by Dear Media

Hunstman of Valor Joined are podcast to play a few songs. We also talked about if dance is a sport, Beta Club, and Justin Bieber. Follow us on Instagram https://www.instagram.com/aristocatspodcast/ follow Huntsman of Valor on Instagram https://www.instagram.com/huntsmen_of_valor/ --- Send in a voice message: https://anchor.fm/aristocats/message

This week, Charlize takes us to yet another wild place. First was Reno, then the strangest future we have ever seen, and now it's a fantastical land full of magic mirror men and dwarves. Snow White & the Hunstman is the topic of discussion this week, and boy does it get heated. Lots of size talk as well. Enjoy! Support us here! patreon.com/notnewmovie Follow us here! twitter.com/JeramyWainwrigh twitter.com/rossochs twitter.com/notnewmovie Executive Patreon Producers Michael Medina Patreon Producers Charlie Neuman

Mentorship, Modernizing Conservation Funding and Social Media - An interview with The Wild Hunstman Here's a recent interview on the The Wild Huntsman Podcast! Host David LaMere interviews Todd Waldron about the following: The changing nuances of the public lands debate, Why we need to modernize conservation funding, Mentoring new hunters, The highs and lows of social media, The difference between ethics and personal preferences, Advice for new outdoor podcasters, Why Todd is a Hunt To Eat Ambassador, Who in the world is Guy De la Valdene and more. Subscribe to The Wild Hunstman Podcast by clicking HERE  

Assistant Coach Tierra Huntsman enters her first season on the bench for Bluefield College Women’s Basketball.  Coach T arrives in Bluefield after one season as an assistant coach at Frostburg State University in Frostburg, Maryland.  In her lone year with the Bobcats, the Frostburg Women’s Basketball program recorded their best season since 2006 with a record of 15-11.  Prior to coaching, Huntsman had a standout career as a member of the Gardner-Webb Runnin’ Bulldogs basketball team.  In four years, Coach “T” started 92 games for head coach Rick Reeves. Gardner-Webb recorded 65 wins in Huntsman’s time on the court. As a sophomore, Huntsman was a part of an opening game win over the Tar Heels of UNC which was the beginning of a 19-12 season for the Bulldogs.  In her career, Tierra scored 1,221 points making her the 4th all-time leading scorer in program history.  During her last two seasons, she was named to the Big South All-Conference team.  She was also a member of the Big South Conference Dean’s List as a senior.  Huntsman is an Indiana native, prepping at Connersville High School. While in high school, she scored over 1,000 points and was a two-time Indiana All-state team selection.  She was also named to the Indiana Basketball Coaches Association Top 100 list.  As a senior, Tierra averaged 21.1 points per game and 3.6 assists per game.  She competed with the Indiana Flight AAU team under head coach Greg Mason.  Coach “T” is responsible for recruiting the next class of talent to Bluefield.  On the floor, she will be involved with player development working mainly with the guard position.  Huntsman graduated in 2018 with degrees in Psychology and Sociology from Gardner-Webb University.  Join us by dialing in at 323-927-3014 for this candid conversation. 

Inside Sources guest host Kirk Jowers sits down with former Utah Governor Jon Hunstman Jr. and his wife Mary Kaye. The Hunstmans recently returned back to the Beehive state after living in Russia for two year, where Jon was service as the Ambassador for the United States.  Inside Sources airs Monday through Friday on KSL News Radio 102.7 FM and 1160 AM from 12:30 PM to 3:00 PM. 

Hour 3 of A&G features Jack & Joe on impeachment, MichaelAngelo caught in an elevator, and Jack's weekend wedding experience.

Hour 3 of A&G features Jack & Joe on impeachment, MichaelAngelo caught in an elevator, and Jack's weekend wedding experience.

Are you ready to Ragnarok? This week, here comes the man in black, as we're joined by comedian and podcaster Joel Arnold (DnDnD pod) to discuss the Thunder from Down Under, Chris Hemsworth! We go deep into his decade long career from soaps, all the way to Men in Black International! We're so thorough that I promise this episode will leave you Thor.  If you have any questions/comments/suggestions for the show, follow us on twitter @TheMixedReviews, like us on Facebook, or e-mail us at reviewsmixed@gmail.com  Don't forget to subscribe to us on iTunes, Stitcher Radio, or Google Play Music.

Who was the "Senior Trump Official" that write the anonymous Op-Ed in last week's New York Times? Abby and Jim review the list of suspects, including Jon Huntsman, Jr., Larry Kudlow, Mike Pence, Kellyanne Conway, and Melania Trump. (It probably wasn't Melania Trump.)  Also, are we living in a computer simulation? Elon Musk says yes, but Abby only says maybe. 

Eric D. Hunstman explains how "hard sayings," which can undeniably be a source of struggle in our lives, can also serve to deepen and strengthen our faith.

  Episode 55 is part of the Autumn 2017/Winter 2018 issue! "The Huntsman's Sequence" is a GlitterShip original. Support GlitterShip by picking up your copy here: http://www.glittership.com/buy/     The Huntsman's Sequence by Octavia Cade   01011011101111.... m-configuration: Knife The war is blank. Not in its individual parts, but as a whole. It covers everything, smothers everything. It blows continents open with opportunity. Much of that opportunity is for death, for carcasses hung up and split open in massive consumption, a grind of bone and blood, but for some the opportunity is a tool for all that. Something to insert into the space between ribs, to lever open and dissect. Not everyone dies in war. Not everyone sinks into blank nothingness, into unmarked graves and mass burials, into fields turned red and mud that stinks of iron. Some fight with symbols instead of flesh, their weapons heady and hidden, and it is in combination and in permutation that Turing finds his battleground.   [Full transcript after the cut.]   Hello! Welcome to GlitterShip episode 55 for May 5, 2018. This is your host Keffy and I'm super excited to be sharing this story with you today. Before we get started, I want to let you know that GlitterShip is now part of the Audible afflilate program. What this means is that just by listening to GlitterShip, you are eligible to get a free audio book and 30 day trial at Audible to check out the service. If you're looking for a great book with queer characters, I recommend checking out Amatka by Karin Tidbeck. Amatka is set on a colony world in which objects can only maintain their shape if they are properly named. While visiting a colony not her own, Vanja discovers truths that alter the way she thinks about the world forever. To download a free audiobook today, go to http://www.audibletrial.com/GlitterShip and choose an excellent book to listen to, whether that's Amatka or something else entirely.   On to the episode, we have one original story and a poem for you today. The poem is "Telegram From Tomorrow's Lovelorn" by Shannon Lippert. Shannon Lippert is a reluctant New Yorker, a former professional Internet surfer, and a performing artist. She writes plays, essays, poems, short fiction, long fiction, bad fiction, and fanfiction.     Telegram From Tomorrow's Lovelorn By Shannon Lippert   oh how good it is to be alive in a time without miscommunication, we have so many tools for reconciliation, we are inclined to be happy with our upward trajectory—the next tool to be improved upon is love we have experimented with procedures and policies that calculate for irregulars and deviations in nature, and designed a program suitable for all kinds, in the future we will not worry about a thing the remarkable innovation of the essential human experience is made possible by contributions made by companies you’ve never heard of with wealth you’ve never dreamed of, for the creation of lovers to be no more the messy business of hiring a writer for your profile or interviewing for the position of life-partner you will be intuited, distilled, contained STOP in the future love will be sleeker an organic machine of orgasmic proportions conducted by an algorithm calibrated to destiny the beta version has been intriguing, and produced an object an artifact of more visceral traditions, tomorrow there will be no more incompatibility, no more irreconcilable differences, for all will be reconciled categorized, tagged, compartmentalized, converted to data this is virtually reality, with a few minor upgrades the bugs reported and removed, like the hair between one’s brows, or the men with low testosterone, the women who are too driven unnecessary inclinations will be resolved in the future, with equations installed in a binary system of zeroes and ones the problem is not one of variables, but imbalance, which drove the initiative towards simpler paradigms of passion STOP reducing the complexity has caused initial disturbances but overall the product has been well-received by focus groups, carefully selected, who long for a time when lonely is no longer something one has to be it is a wonder the species was able to replicate at all, with the mire of mundane relations and deeply confusing infatuations, and now our relief is in the last stage of development, to learn the art of loving STOP we will have models that are easy to duplicate, simple to impose on any group or subgroup, our assets determined not by unquantifiable inherent value, but by the concrete fact of what we need to be to other people, to those that assess us like the auditors of old, only for fate we can now be evaluated for attractive features more easily, leaving more time to construct our true love   Our original short story for this episode is "The Huntsman's Sequence" by Octavia Cade. Octavia Cade is a New Zealand writer with a PhD in science communication, who particularly enjoys writing stories about science history. She’s currently working on a collection of short fantasy stories set at Bletchley Park during WW2; “The Huntsman’s Sequence” is one of these. Her work has appeared in Strange Horizons, Clarkesworld, and Shimmer, amongst others. She attended Clarion West 2016. Our guest reader is Jacob Budenz. Jacob Budenz is a writer and multi-disciplinary performer whose work has been published by Assaracus, Hinchas de Poesia, Polychrome Ink, The Avenue, and more. Currently, Jacob resides in New Orleans in pursuit of an MFA in Creative Writing. Content warning for mention of suicide and dysphoria.   The Huntsman's Sequence by Octavia Cade   01011011101111....   m-configuration: Knife The war is blank. Not in its individual parts, but as a whole. It covers everything, smothers everything. It blows continents open with opportunity. Much of that opportunity is for death, for carcasses hung up and split open in massive consumption, a grind of bone and blood, but for some the opportunity is a tool for all that. Something to insert into the space between ribs, to lever open and dissect. Not everyone dies in war. Not everyone sinks into blank nothingness, into unmarked graves and mass burials, into fields turned red and mud that stinks of iron. Some fight with symbols instead of flesh, their weapons heady and hidden, and it is in combination and in permutation that Turing finds his battleground. He’s under no illusion that it keeps his hands clean. The information he extracts from the body of Enigma, the sweet little Snow White of his waking dreams, is used for murder as much as if he did the stabbing himself. He can live with that, because he has the skills and it is a necessary thing, what he has become. The war, when he holds it, is sharp and bright and clean-surfaced and he knows his role, knows what it makes him. For Turing the war is a knife that cuts him off from the old life; that sutures him into the new. He uses it to make little holes in his skin; to lace up the flesh again in new configurations, for the open theater of conflict comes with orders and betrayal. Academia was exploration, but what he does at Bletchley comes with focus, with tracking down and opening up. He cuts through code as if it was wild boar, slices out the heart of it, the liver and lungs, and offers the organs up to others. He is the Hunstman. new m-configuration: Huntsman   m-configuration: Huntsman The huntsman is 1. Turing is solid in himself, upright. Not simply in a physical way, though he is proud of his body. A runner’s body, swift and sure and when he runs of a morning, he is certain of his steps for he counts each one, catalogues the variation and speed and distance. There is little fat on him. He is smooth and straight and lean. This is the shape he admires in others. A man’s shape, like his own, and he is not ashamed of where his desires lead him. A huntsman is built for the chase. He has stamina, and strength. He has the determination to follow through mud and thorn thickets and shell holes, through bureaucracy and ill weather. He has patience, too, for there are times a huntsman has to stay downwind, to wait and wonder and make his best guess as to where the prey is hiding. The huntsman is an analyst. He is able to follow the bare pattern of footprints, covered over as they are by leaves and leavings to pick out the true trail amidst the false. There are many false trails. They’re left to confuse him, to put him off the scent. It’s hard to pick out one pattern among many when the letters are sneaking by, in such numbers that the ones he wants are camouflaged by the rest. It takes an analyst to butcher, too. The huntsman’s job isn’t over with the hunt: he must string up and dissect, pull out the organs for inspection and passing over. He must have the scent of blood. new m-configuration: Huntsman   m-configuration: Huntsman The huntsman is 0. The queen is the loveliest figure the huntsman has ever seen. He feels that he is nothing in her presence. Will you give me your allegiance? she says. She is built of abaci and cogwheels and calculation. She is built of logic and syllogism, axiom and tautology. Turing can see numbers in her hair and her dress is embroidered over with computation. He does not worship her as if she were a woman, for women he finds difficult. They are expectations he cannot fulfil. He worships the queen as if she were an ideal: mathematics come to life, and that life does not expect him to lie with her. He’d rather lie with men anyway. The queen knows and does not care. You are what you are, she says. Why deny it? She is all objectivity and questions. Am I not beautiful? she says, head cocked to one side with cool assessment. Could you make me more beautiful? It’s not as if truth needs decoration to shine. Still, Turing thinks he sees a path forward, and that path lies in mechanism, in the potential for engines and computing. He is the huntsman, and he knows the value of haste, of not letting a trail go cold. The queen chews equations slowly, with slide rules and logarithmic tables. He thinks he could make her work faster, more accurately. You are already the most beautiful, he says. But it’s not like you couldn’t stand a few improvements. His social skills have never been a strong point, but the queen is not insulted by accuracy. I will give you my allegiance, he says, as if she’d never had it already as he worked through his arithmetic exercises as a lad, as he studied logic and looked in mirrors and recognized himself for what he was. The queen is satisfied. new m-configuration: Queen   m-configuration: Queen The queen is 0. The queen is 1. She sees in black and white. A binary code, and even her mirror lacks color for color comes in degrees and all that the queen can see is certainty. The mirror shows her troop movements and casualty lists. They are in black and white for dead is “not alive” and alive is “not dead” and these are the switches she has. Injuries are the same. Her soldiers are “fixable” or “not”, where “fixable” means “able to be returned to the front”. There is an increasing proportion of “not”. The fronts too are binary things, for all they change on their many border. This town is ours, that ridge is theirs. She has no room to wish them shaded with pink or lavender or violet. Dreams are a distraction, and wishing for victory will not make it so. Better the queen looks the whole horrid situation in the face, clearly assesses her chances. Mirror mirror, she says, and it’s no surprise to hear that Enigma is prettier than she is. Younger, smoother, more efficient in her workings. No surprise there, they’re related enough for beauty to cross over, based as they both are in numbers and logic. It’s a family thing. Nothing the queen does can crack that lovely surface, and with every failure, with every not-success the casualty lists become larger, the fronts closer. She sees projections and possibilities, feels the mirror start to tremble with strain for it’s hard to show truth without color and that’s what the queen is: truth. How can she be truthful without certainty? The truth is that the war will be won or it will be lost. It is not a pleasant truth but the queen is unconcerned with pleasantry. She’s always preferred surety to manners. What are you certain of? she says to her reflection, and it’s less a question than a means of building up. A foundation for future plans. You are certain that you are pretty, she says. You are certain that Snow White is prettier. There’s a viable argument in there, one that rests on removal. new m-configuration: Queen   m-configuration: Queen The queen is blank. In another world, another story, the queen would look into a mirror and her frustrations would come out in anger, in wrinkled hatred and the end of blooming, and these things together would wash out her reason and leave her mind a mirror of continents: breaking up into little pieces in preparation for war. In this world, the world where war is no longer a thing of plans and dark dreams and potentiality, rage is self-indulgent. Victory requires reason, the cool and easy flow of numbers, and there is no room for anything but rationality and the stepped resolutions of engineers and mathematicians. (Control may be the only thing the two queens ever shared; the mirror that binds them together.) In this world, the queen must speak truth and that truth is objective and binding. “If we do not break Enigma, we will fail,” she says. Turing watches her speak her truth every morning in the mirror. It is a truth he knows in his bones and his water, in his cheekbones, in his fingertips. A queen should be that way. Regal, with nothing of the lie about her. “If we do not break Enigma, we will fail,” she says. (“If you do not kill Snow White, I will fall,” she says.) Enigma is the focus of his days. Turing pictures her sometimes, the way she’s snuck up on him with her perfect complexity, with the smooth supple shape of her code. Never has he seen such a perfect encryption. He’d like to pin her under glass, to keep her still and silent and spread out for observation, but she’s too much of a living thing to lie quietly. new m-configuration: Snow White   m-configuration: Snow White Snow White is x. She marks the spot. Enigma is information. She is dates and coordinates. She is rotors and contact points and letter routes, and she cannot be decrypted until her position is known. She is shiny keys and crossed wires and combinations that can be remade over and over. She is sleek and slinking and beautiful and she shines bright enough to hide the truth. Where is Snow White? says the queen, when the organs on her plate are shown to have come from other encryptions. Snow White is the threat, the unbreakable one. Enigma is in the castle, in the woods, in the cottage, in the coffin. Her positions are different each time the queen looks for her. Snow White romps over the countryside, cleaning up for the men who employ her, washing out submarines and rinsing out battalions, hanging them up to dry. She is sweeping airfields off the map. She is very hard to catch. Messages spill over the queen’s plate, and all of them are inedible. Tainted by combination, watered down with alphabet and permutation. The queen can’t chew fast enough to eat her way through to the marrow of them, and the truth of the messages is hidden from her. But the queen has a huntsman, and she is chewing faster and faster. new m-configuration: Queen   m-configuration: Snow White Snow White is ǝ. She is a placeholder, essentially. The point in the story tape that indicates beginnings. It’s beginnings that illustrate again for Turing the difference between knowledge and truth. Some confuse them, but he never has. Snow White is a story of beginnings: of conception and transmission, of birth and ciphers and familial betrayal, the crossing of borders and what it’s like to run and hide against an enemy too strong to fight. She’s a need for science, is Snow White, for poison antidotes and the exact number of kisses necessary to break the spell and open up glass and lungs, to start the heart beating again in the resistance. That too is a beginning, for waking comes with new rules and allied forces, with ambush and undermining and troop movements, the silencing of submarines as well as confetti and the roasted meats of feasting time. She’s pure numbers, is Snow White. They make up her spirit and her bones and the typewriter casing of her flesh, but as Turing tries to tease meaning from her blood he is certain in his own warm marrow that there are only two endings to her beginning. In one, Enigma sleeps in her coffin and never wakes, and there is blood and blackened hulls in the water, an island overcome. In the other, the Huntsman learns enough from the red evisceration of her organs to be able to satisfy the queen. Turing knows the ending will be one of these. He knows also that there is only one he is prepared to tolerate. He’ll see to it that Enigma has a happy ending. Because happy endings might not be truth but they’re a type of knowing too, and one he’s pinned his hopes on. new m-configuration: Apple   m-configuration: Snow White Snow White is blank. In this she reminds him of war and knives, though it’s a knife that brought Enigma to life, it’s an apple that ends her. There is such a range of possibilities in her, spread out and spread open. Thousands of permutations, millions of them, and they are all packed so close together that the mass becomes a single body, smooth and inviolate. The trouble is that Turing was brought in to violate, the huntsman tracking down, snatching skin and code from the airwaves and carving it up for queen and country. He can’t regret his post. Enigma is clean and lovely and he admires the way she moves, the kinetic precision of her, the way she skips and teases. He is confounded by her. Fascinated, and if a huntsman has dogs to bring to bay he too has beasts that growl and bite, and these are made of metal. Bletchley is full of machines, their colossal presence a bulwark and barking behind him, ready to gobble. Turing feeds Snow White to them in thin pieces, in tiny paper strips and she’s opened up before him, her blankness taking brief form and breaking up again. He doesn’t begrudge the girl her figure. Not even that it’s always changing. The variation keeps him interested; it’s more than any other woman’s ever been able to manage. But Snow White isn’t any other woman. She’s perfect, siren-voiced and something to come back to again and again. Though Turing knows he has to open her up, has to pin her down to pin meaning to that fascinating blankness, there’s part of him that’s glad for knives. It’s such an opportunity they’ve given him, to put Enigma in her coffin. new m-configuration: Snow White   m-configuration: Apple The apple is 0. The apple is 1. The apple is x. The apple is ǝ. The apple is any number of bloody things. If there’s one thing his work at Bletchley has given Turing, it is knowledge. More than that, it’s the knowledge that what he knows is frequently useless. It’s a discouraging realization. This is a list of what he knows: Turing knows that he has cracked Enigma. He sees her in his dreams sometimes, code come to life in a perfect construct of flesh and glass, black and red and white and delicate as snowflakes. And it’s such a satisfaction, he doesn’t deny it, and a relief to know that for all this hideous war has cut his country to ribbons he has helped to settle it, to blunt the sharp edges and turn them away from others, from himself. He knows constriction. Not just the pressure of routine and isolation and the need for silence, but that which comes from silence extended. For when the war is over and his work has been buried under official acts and promises, he knows limitation and what it is to bite his tongue until the bites never heal. And he knows, above all else, what it is to be lonely. Bletchley is full of people and there’s always the sense of them massing at his borders but he finds it difficult to reach over. This is especially so when these people begin to spill out of manor grounds, to go home and on and he is left with all the connections he never could make, quite. The connections he most wants, those that come with firm warm flesh and hardness moving over him... well. There is black bile within him, red teeth, the white of lips bitten down, and Turing comes to understand that, after all, knowledge can be poison as well as panacea. He knows what it is to be betrayed. He knows what apples taste like. new m-configuration: Apple   m-configuration: Apple The apple is blank. The apple is bright and sweet and carries the promise of nothing; of gaps and absence and the thought of these is a restful one. (Lately rest seems very appealing.) Turing knows what permutation is—knows it in his flesh, softer now than it used to be with his runner’s body ruined by estrogen, the chemical castration that has given him breasts. Snow White has breasts, no matter how much old Walt tried to cover them up. Turing would like to think a prince would come for him, wake him from this drugged state and break him out of the glass coffin of expected behavior but he is—has always been—the queen’s man and he knows he is not Snow White. Snow White was sealed away behind glass and put on display. She has always been Enigma for him: something to be manipulated and spread out, to be opened up for silent viewing. The apple did for both of them. Knowledge is half the time a poisoned fruit, and for all it can break a code into pieces it can break other things as well. His permutation is not nearly so subtle; it doesn’t have the camouflage of mathematics and he’s never been good at lies. Never seen the value in them. Poison seems to be the only possible solution. Simple enough to track down and Turing has made a career of tracking, of long-distance pursuit. He dips the apple in cyanide, a parody of the Evil Queen because truth is confused so often with knowledge and when he looks in mirrors they stand behind him, these so-close permutations and he’s the only one to tell difference between them. The apple is bright and sweet. He is the Huntsman. He is the Huntsman. new m-configuration: Huntsman   END "The Huntsman's Sequence" is a GlitterShip original and is copyright Octavia Cade, 2018. "Telegram From Tomorrow's Lovelorn" is a GlitterShip original and is copyright Shannon Lippert 2018. This recording is a Creative Commons Attribution-NonCommercial-NoDerivatives license which means you can share it with anyone you’d like, but please don’t change or sell it. Our theme is “Aurora Borealis” by Bird Creek, available through the Google Audio Library. You can support GlitterShip by checking out our Patreon at patreon.com/keffy, subscribing to our feed, or by leaving reviews on iTunes. Thanks for listening, and we’ll be back soon with a reprint of Njàbò by Claude Lalumière.

The prequel/sequel to Snow White and The Huntsman, we discuss the goods and bads, and talk about Kristen Stewart and other random things, and make funny noises as we don't take ourselves too seriously.Major Spoilers: The Huntsman: Winter's War (Extended Edition), BraveheartMinor Spoilers: Snow-White and The Hunstman, The Lord of The Rings, Scott Pilgrim vs The WorldFeaturing: Everett Mobly, Kendall Mobly, Seth Gleason

In this episode we were suppose to review The Hunstman, the sequel to Snow White And The Huntsman that came out a couple years ago. Unfortunately Shadow Scout was the only one on the show that watched it and she was not on the show this week. So we did our nerdy news and talked about trailers and TV. Enjoy.

Actor! Superhero! Australian! HUNSTMAN!! Chris Hemsworth gives the show a quick call during his Asia press tour of The Huntsman. The Huntsman: Winter’s War will be in theatres in Singapore 14th April. 

During this spring’s AstroCamp event, hosted by the Awesome Astronomy podcast team, our new presenter, Jeni Millard, gave another of her inspiring talks. We were treated to a history of the much neglected Aboriginal dark sky folklore as we got tour of some of the most interesting objects in the southern hemisphere’s sky. Then we head off into the world of professional astronomy at the Australian Astronomical Observatory as we find out how Jen helped with the science that will enable the Huntsman Eye to investigate faint structures of galaxies using arrays of off-the-shelf Canon camera lenses and sensors.

Former Utah Governor, U.S. Ambassador to China and presidential candidate Jon Huntsman addresses "America 2012 and Beyond: Challenges and Opportunities” in the 2012 Weil Lecture in American Citizenship at the University of North Carolina at Chapel Hill. The Institute for the Arts and Humanities has hosted UNC’s Weil Lecture on American Citizenship since 2000. Brothers Henry and Solomon Weil established the lecture in 1915 to widen discussion of the American scene. President William Howard Taft delivered the first Weil Lecture and other distinguished speakers have included President Jimmy Carter, Eleanor Roosevelt, U.S. Senators J. William Fulbright, Nancy Kassebaum and John Kerry, and most recently, Imam Feisal Abdul Rauf.

Spoilers ahoy!  As leader of the pack, Steven Hurst, and ace in the hole, Suzanne King, discuss their response to the second Snow White film to grace our screens this year… or do they just trash Kristen Stewart?

It’s not often that we’re wrong here at McYapandFries, and it’s even less often that we apologise for anything, but we are idiots on a regular basis, which is a roundabout way of saying that on last week’s cast we totally forgot to review the Malaysian Games and Comics Convention, which a certain Mr Gavin Yap presided over as head minion, a week prior. This week’s show kicks off with our attempt at rectifying this grievous error, before we then proceed to make a whole bunch of new ones reviewing Snow White and the Hunstman; starring Kirsten Stewart, Charlize Theron and Chris Hemsworth, reviewing super-powered “found footage” flick Chronicle, and while discussing the merits of a possible Pauly Shore comeback, Spaced (AGAIN!), Cannes, and venerable old 2000AD. We hope you like the show As usual here’s the show notes those of you reading along at home: Malaysian Games and Comics Convention The Red Carpet for Maniac at Cannes (the French guy's freakout starts about 6 minutes in) Gavin’s Toy of the week  Bonus Toy of the week (Again!) Iain’s Tee of the week Trailer for "The Miserables" Iron man set pics (CAUTION SPOILERS!)  

 This past Friday, hosts Tim Arthur and Ryan Boyles headed to the cinema to catch “Snow White and the Hunstman.” Here you will find the detailed review of the film and what we thought of it! Listen above! If you like the show, we’d love it if you would sign up for our FREE email […] The post The Second Screeners Show – Episode 3 – Snow White and the Huntman – The Review appeared first on Second Screeners - We Watch, Do You?.

The Intermission - #34 - "On Snow, White, and Hunstmen" - Let's talk about adaptations. Specifically, let's talk about Snow White and the Hunstman. (Here's Dorkman's actual-review.)

The Intermission - #34 - "On Snow, White, and Hunstmen" - Let's talk about adaptations. Specifically, let's talk about Snow White and the Hunstman. (Here's Dorkman's actual-review.)

The Intermission - #34 - "On Snow, White, and Hunstmen" - Let's talk about adaptations. Specifically, let's talk about Snow White and the Hunstman. (Here's Dorkman's actual-review.)

You can listen to this episode on our Movie Issues channel at Anchor.fm! A  Movie Issues Special Podcast brings you a spoiler-free review of Snow White and the Hunstman. Second of the Snow White movies to come out this year, this one is by far one of the better movies of 2012 so far. Join... The post Movie Issues Special: Snow White and the Huntsman first appeared on Pixelated Geek.