Podcasts about Lafawndah

In this episode of INSIGHTS, I have the utter pleasure of sitting down with one of the most extraordinary and well-respected percussionists and composers of our era. Valentina Magaletti's singular hypnotic rhythms are the driving force behind a staggering amount of musical projects, including Vanishing Twin, Moin, Holy Tongue, Tomaga and, most recently, V/Z and CZN. She has also worked with the likes of Lafawndah, upsammy, Mica Levi, Sampha, Kamasi Washington, and Nicolas Jaar, as well as stalwarts of the experimental underground scene like Gnod's Marlene Ribeiro and  Wire's Graham Lewis, even participating in The Can Project at London's Barbican Centre in 2017.Over the course of this interview, Valentina discusses using the drums as a vehicle for self-expression, the importance of channeling varied conversations via different musical projects, her musical influences ranging from Velvet Underground and Art Blakey to J Dilla and Sonia Pottinger, writing and performing with Vanishing Twin, Moin, Holy Tongue, V/Z, CZN and what the future has in store for each project. To finish, Valentina discuss her and her partner's new label and micro-publisher Permanent Draft and their forthcoming book documenting over two thousand female, trans and non-binary artists in experimental music, pursuing a career as a full time musician and some current favourite Bandcamp picks!Clips of 'Habadash' by V/Z featuring Cathy Lucas and 'Born To Snap' by CZN are used at the beginning and end of this podcast.SUPPORT VALENTINA MAGALETTI:Buy Music Club: https://www.buymusic.club/list/awakeallhours-insights-024-valentina-magaletti-Instagram: https://www.instagram.com/valentina_magaletti/

Lafawndah's The Dawn Of Everything is a song that she says was born between unlearning the past and watching the future unfold and is dedicated to the people of Iran and their bravery in rising up after the murder of Masha Amini. Paul talks with the pan-global, pan-genre artist, herself with Iranian roots, about why it's important for music to offer solidarity and protest, as she puts it “We have music for when we're born, we have music for when we die and we have music for when we say no!”The Dawn Of Everything is available only via Bandcamp for now and all proceeds from sales will be donated to the organisation Human Rights In Iran - persian.iranhumanrights.orgThis episode is sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.O

Track17 ist mit einem neuen großen Genre-Turnier zurück! RnB wird in den 2010er-Jahren nicht nur zu einem der größten Genres der Welt, sondern auch zu einem der innovativsten. Einflüsse aus Bass, House, IDM und Avantgarde-Musik halten Einzug und lassen so eine Vielzahl beeindruckender und andersartiger RnB-Alben entstehen, welche nicht selten futuristisch anmuten und eine neue Ära des Genres versprechen.Gemeinsam mit Kulturjournalistin Annett Scheffel wählen Christopher und Albert die ihrer Meinung nach 16 besten Platten aus und lassen diese wieder im großen K.O.-Turnier gegeneinander antreten. Zweieinhalb Stunden. Viele Tränen. Überraschende Ergebnisse. Alle Themen, Duelle und Infos in den Shownotes. Songs zu jeder Platte natürlich auf unserer Spotify-Playlist. Schreibt uns eure Favoriten an @trackpodcast auf IG/Twitter oder info@track17podcast.de Setlist [00:00:00] Intro + unsere Gästin Annett Scheffel [00:06:02] Einführung: Was ist RnB für uns und warum sind die 10er so besonders für das Genre? [00:23:57] **Achtelfinale 1: James Blake vs. Frank Ocean** [00:37:43] **Achtelfinale 2: FKA Twigs vs. Tirzah** [00:44:08] **Achtelfinale 3: The Weeknd vs. Jessy Lanza** [00:51:55] **Achtelfinale 4: ABRA vs. Inc.** [00:59:12] **Achtelfinale 5: Kelela vs. Bon Iver** [01:05:50] **Achtelfinale 6: Solange vs. Jessie Ware** [01:14:56] **Achtelfinale 7: A/T/O/S vs. Sevdaliza** [01:23:02] **Achtelfinale 8: Lafawndah vs. Blood Orange** [01:33:14] Diskussion: Welche Rolle spielte RnB im Mainstream der 10er? + Annetts Honorable Mentions [01:45:04] **Viertelfinale 1** [01:51:21] **Viertelfinale 2** [01:53:43] **Viertelfinale 3** [02:01:38] **Viertelfinale 4** [02:05:45] Alberts Honorable Mentions [02:08:52] **Halbfinale 1** [02:10:31] **Halbfinale 2** [02:14:37] Christophers Honorable Mentions [02:18:11] **FINALE** [02:26:27] Fazit + wie geht's in den 20ern mit dem Genre weiter? **Die Alben für das K.O-Turnier:** ABRA - Rose (2015) A/T/O/S – A Taste Of Struggle (2014) James Blake - s/t (2011) Bon Iver - 22, A Million (2016) Blood Orange - Cupid Deluxe (2013) FKA Twigs - LP1 (2014) inc. - no world (2013) Kelela – Take Me Apart (2017) Lafawndah – Ancestor Boy (2019) Jessy Lanza – Pull My Hair Back (2013) Frank Ocean – Blonde (2016) Sevdaliza - Ison (2017) Solange – When I Get Home (2019) Tirzah – Devotion (2018) Jessie Ware – Devotion (2012) The Weeknd - House of Balloons (2011)

A repeat episode from 2020. Lafawndah's second album, The Fifth Season, on French label Latency, is a journey through science fiction, friendship and cinematic storytelling. It saw the Paris-born artist expand the myths of NK Jemisin's Broken Earth trilogy and cover the likes of Beverly Glenn Copeland and Lili Boulanger. The record continues a four-year run of avant pop jewels, kicked off by her a debut EP for Warp and a collaboration with minimalist composer Midori Takada in 2018, before her first full-length statement, 2019's Ancestor Boy. Here, she speaks with Martha Pazienti Caidan about the making of The Fifth Season, an LP that's elemental, emotional and uncannily fitting for the present moment.

Merrill Nisker (born 11 November 1966), better known by her stage name Peaches, is a Canadian electroclash musician and producer who burst into transcontinental favor with her very particular brand of cocksure rapping and groovebox beats. Peaches was an unlikely success story, making her musical mark after the age of 30 in a genre not commonly known for recognizing its female or its aging participants. Her unique rapping style and stage show brought her great popularity first in Europe and then in North America. Some of her lyrics and performances have been rejected due to them being potentially offensive, and a lot of her songs are themed on gender identity. Her work propagates sexual freedom and reversal of gender roles. In this episode Peaches selecting some of her favourite music for her Wise Women BBC Radio 6 Music takeover on December 2015. Lineup: A Taste Of Honey, Björk, David Bowie, Missy Elliott, PJ Harvey, L7, L'Trimm, Krisma, Suicide, Light Asylum, Laurie Anderson, Kate Bush, Planningtorock, Roberta Flack, M.I.A., Nire, Maluca, Nani Castle, Lafawndah, Kim Carnes, Savages, Lizzy Mercier Descloux, Sinéad O'Connor, Yma Sumac, Diamanda Galás, The Regrettes, TT The Artist, Althea And Donna

Hey what's your zodiac sign? In part two of Pop Music For Smart People's zodiac music pairing we cover the second set of 6 signs that we didn't discuss last week. I am taking each one of the zodiac signs and picking 3 words or concepts to describe each of those signs and from that i am matching up musical artists to each one based on the mood and vibe of their music and the lyrical content in their tracks. The 6 zodiac signs we are gonna talk about today are Aries, Gemini, Leo, Libra, Sagittarius and Aquarius. The artists being matched up to each of these signs are (in no particular order) Salt Cathedral, RAAVE TAPES, Anna Shoemaker, Verite, Lafawndah and Little Monarch. So come listen and see if your zodiac's musical pairing feels like its a match or if I was way off (which I 100% was not lol). Guys if you like the content I create and would like to support a little indie podcaster like myself you can do so at www.buymeacoffee.com/PMFSP Please visit our website www.popmusicforsmartpeople.com and while you are there go check out our merch store --- Send in a voice message: https://anchor.fm/pmfsp/message

Artist and composer ADR (Aaron David Ross) stops by NM on the occasion of his new album, Filter Failure and launch of his label with Gatekeeper partner Matthew Arkell, Legendarium. Reflecting on his past decade of cultural production—see: Safdie Brothers' Uncut Gems, Grant Singer's iconic 2012 cult short, IRL; collaborations with Dis, Kelela, Lafawndah, Mykki Blanco, Ryan Trecartin, Telfar, Korakrit Arunanondchai—ADR discusses how he sees the industry and our sensibilities co-evolving. For more: @aarondavidross @gatekeeper-online https://www.a-d-r.net/ https://legendarium.nyc/ New Models GREENROOM, is a series of short interviews featuring creators in the NM sphere discussing their new and forthcoming work.

  Featuring:  The Fifth Season (Versions) by Lafawndah as the Play It Out album for the week  ~ 'Be Gentle With Yourself' by Haven in response to "feeling satisfied" and "Oh lol um something reassuring, comforting" and "feeling lightly sweaty after a long walk on the mahurangi peninsula taking in all the crisp nature" and "quietyly joyful" and for the Emotional Request of the week

Die passende Playlist gibt es bei Apple Music hier: https://tinyurl.com/yxgpbg6qund bei Spotify hier: https://tinyurl.com/yxbtgqc6

LAFAWNDAH ce jeudi à 17h au micro d'Antoine Dabrowski à l'occasion de la sortie de son nouvel album, The Fifth Season. Avec aussi Patrice Bardot de Tsugi, Rag & Lubna de Barbi(e)turix (https://www.facebook.com/barbieturixweb/?__cft__%5B0%5D=AZXbQ7HoX0v3pR3yvsaD55pSMFHv5lZVS0OlfjcNqxmueIwepBMiybU74gfSG2b4fG2DA-wr41T6e-z574PIRWUooEVGXS8BvHmQWogoIh6REc3ymUPrfk9MDh2cT8mfDH0UuLr6WQZp455TErUkPH8OmNCnXsLtu9oFWduZsc7SqQEE_PbSTP6oJ1_UDtuuic6ytdz-ixQYYzSUnr6IuK9m&__tn__=kK-R) et Macha Binot du Mouvement UP (https://www.facebook.com/mouvementup/?__cft__%5B0%5D=AZXbQ7HoX0v3pR3yvsaD55pSMFHv5lZVS0OlfjcNqxmueIwepBMiybU74gfSG2b4fG2DA-wr41T6e-z574PIRWUooEVGXS8BvHmQWogoIh6REc3ymUPrfk9MDh2cT8mfDH0UuLr6WQZp455TErUkPH8OmNCnXsLtu9oFWduZsc7SqQEE_PbSTP6oJ1_UDtuuic6ytdz-ixQYYzSUnr6IuK9m&__tn__=kK-R).

Avec son second album, The Fifth Season, la musicienne poursuit ses explorations sonores et laisse libre cours à son imagination fertile. Il en va de même aux platines...

Avec son second album, The Fifth Season, la musicienne poursuit ses explorations sonores et laisse libre cours à son imagination fertile. Il en va de même aux platines...

Featuring Shirley Finney, Lafawndah, Mariah Carey, Ana Roxanne & more.

Celle que l’on compare déjà à Björk, grâce à son goût pour l’expérimentation et son style riche et contrasté, revient avec The Fifth Season. Le nom de Lafawndah circule depuis déjà un certain temps dans le monde de la musique, surtout après un premier album encensé par la critique.

Et trois Morricone parce que c'est vendredi See acast.com/privacy for privacy and opt-out information.

Exploring science fiction, friendship and cinematic storytelling.

Exploring science fiction, friendship and cinematic storytelling. For more, visit Resident Advisor: residentadvisor.net/podcast-episode.aspx?exchange=525 @lafawndah

Exploring science fiction, friendship and cinematic storytelling.

La productrice d'origine égypto-iranienne nous livre le secret de l'alchémille, une plante aux pouvoirs magique... See acast.com/privacy for privacy and opt-out information.

Franco-Iranian-Egyptian artist Lafawndah released her first EP four years ago on prestigious electro label Warp. She's since been perfecting her gorgeous mix of traditional and electronic music and is back this week with her second album "The Fifth Season". She tells about some of the influences that contributed to the making of this new offering and the nine-minute short feature film that was used to accompany it.

Featuring tracks from Dennis Bovell, Cakes Da Killa, Lafawndah, Mariangela & more.

Los artistas que aparecen en Future Beats son hacedores de mundos sonoros propios e irrepetibles. Te invitamos a explorar algunos planetas musicales de exóticas leyes y costumbres. "Tocad como si hubiérais sido criados por una manada de lobos", por ejemplo, fue la única indicación que Martín Buscaglia necesitó darle a los músicos que han participado en su nuevo trabajo, uno de los más inspirados álbumes de su carrera; descubriremos el tropicalismo disco de Cidreira y el post punk exótico del efímero septeto femenino Pulsallama, surgido de una realidad paralela en la que el Nueva York de 1983 fue engullido por la jungla; el jazz deconstructivista del productor y saxofonista Sam Gendel; el ancestral soul de terciopelo de la nómada parisina de origen iraní Lafawndah; los sampling-puzzles avant-garde de Chassol; el punto intermedio entre soul y folk de Holy Hive y la polirritmia electro vudú de los hatianos Chouk Bwa y los productores belgas The Ångströmers.

L'artiste contemporaine Laure Prouvost et la commissaire d'exposition Martha Kirszenbaum, duo à l'origine du pavillon français de la Biennale de Venise 2019 sont les invitées du premier épisode du cycle L'art & La Poudre en partenariat avec l'association Aware. Avec Lauren Bastide, elles ont parlé d'art, de femmes et de poulpe.L'édito de Lauren :L'art n'a pas de nation. L'art n'a pas de temps. L'art n'a pas de sexe. Ou si ? En mai, après l'ouverture de la Biennale, à Venise, l'eau s'est mise à monter. Je suis allée sur le toit du pavillon français. J'ai embarqué dans un bateau, avec deux femmes. C'était Laure Prouvost, l'artiste, et Martha Kirszenbaum, la commissaire. Grandes, lumineuses, musclées, invincibles, belles… On a vogué des jours. On a vogué des nuits. On a atteint une île et on a accosté. Sur le sol, au bord de l'eau, des micros. On s'est assises, et on a parlé. Résumé de l'épisode :Quelle place pour les femmes dans l'art contemporain ? Comment les artistes françaises entrent-elles dans les musées, les foires et prix internationaux, les institutions ? Laure Prouvost, née en 1978 à Croix, est l'une des artistes contemporaines les plus reconnues de sa génération. Avec Martha Kirszenbaum, jeune commissaire d'exposition née en 1983 à Vitry-sur-Seine, elle a réalisé le pavillon français à la Biennale de Venise 2019. L'œuvre qui en a résulté, Deep Sea Blue Surrounding You (Vois ce bleu profond te fondre) est un voyage sensoriel et initiatique, l'épopée mystique et transfrontalière d'une douzaine de personnages, de la banlieue parisienne à la lagune vénitienne. Toutes deux passées par un parcours international (05:15), elles revendiquent la liberté que leur a apporté ce changement de paradigme (09:30) et le questionnement sur les identités et les frontières qu'il entraîne. Un questionnement qui fait partie intégrante de leur proposition à la Biennale (10:06). Elles ont pourtant grandi en France : Laure Prouvost dans le Nord (18:32), une enfance campagnarde et réfractaire à l'autoritarisme du système scolaire, et Martha Kirszenbaum en région parisienne (22:46), entre classicisme versaillais et parents moins conventionnels.C'est l'Angleterre qui accueille Laure Prouvost dès ses débuts et lui remet le prix Turner. Elle devient ainsi la première française à recevoir cette prestigieuse récompense pour une œuvre qui, déjà, questionnait les frontières et les moyens de les contourner (31:39). Pour Martha, ce sont les États-Unis qui lui offrent la possibilité de diriger un centre d'exposition, alors qu'elle manquait de modèles de femmes commissaires d'exposition dans son pays d'origine (26:00).Au-delà de ces problématiques géographiques, Laure Prouvost évoque au micro de Lauren Bastide sa propre féminité (39:24) mais aussi sa mise en scène du corps féminin dans ses œuvres (43:00). Sensibles à la place des femmes et à leur représentation dans l'art, elles sont d'ailleurs toutes les deux signataires de l'appel « Not suprised » qui dénonce les violences sexuelles dans le monde de l'art (55:57). Un monde où les femmes peinent encore à trouver leur place et un équilibre entre vie privée et vocation (1:01:25).Bonne écoute, et continuez de faire parler La Poudre ! Les extraits sonores et les morceaux de Lafawndah et Flavien Berger que vous entendez dans l'épisode sont extraits de l'œuvre Deep Sea Blue Surrounding You (Vois ce bleu profond te fondre). Merci à Laure Prouvost pour son autorisation.La Poudre est une émission produite par Nouvelles ÉcoutesRéalisation et générique : Aurore Meyer-MahieuProgrammation et coordination : Gaïa MartyMixage : Clotilde Fauchille

Queer sounds gets all ladylike this month with a host of new and classic female (ish) artists, fresh sounds and weird and wonderful stuff from the queer world. Open your heart and mind to some Girl Talk with tracks from Miya Follick, Lafawndah, Christeene, Hand Habits, Blood Orange and many more.

Sur une idée originale de Paloma ColombeRéalisé par Paloma Colombe & Pierre Antoine-PiezanowskiMerci à toutes celles qui ont envoyé leur témoignage, dont celles qui s'expriment dans cet épisode : Lyna, Cerise, Nirina, Marie-Ange, Alexia, Sarah, Monika, Wendy, Adèle, Bonnie, Eugenia, Alix, Barbara, Djamila, Souha, Yasmine, Anna, Eléonore, Pina.Pour vos façons bien à vous d'inventer vos féminités.Merci à BBYMUTHA, M.I.A, Sabrina Bellaouel, Tirzah, Mercedes Sosa, Princess Nokia, OKLOU pour les titres de cet épisode.Vous pouvez retrouver la playlist de cet épisode et de tous les autres sur notre chaîne Soundsgood.Générique de début réalisé avec la voix d'Audre Lorde et générique de fin réalisé avec le titre Joseph de Lafawndah.Avec le soutien de l'A.M.I (Friche belle de Mai, Marseille).Illustrations : Neila Czermak (instagram @alienhabibti) Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

There are times when I like to take the Take 5 on the road; heading to places where creative people gather, and the conversations around art and music are part and parcel of daily life. Dark Mofo in Hobart is one of those places. A festival set in the middle of winter, in the southernmost city in Australia. When the wind blows, it's coming from Antarctica. The streets light up with red crosses each night to signal some sort of curiosity you should explore within, there are open fires and pagan feasts, and there is music; curated in such a beautiful way it feels like a movement, like a moment. This is the place I met Kelsey Lu. Lu grew up in North Carolina, and was raised as a Jehovah's Witness. Early on, she found the cello, and connected deeply with the strings. She followed her heart, left home, and broke bonds with her family as she headed to New York City to follow her musical dreams. Through her 20's Kelsey Lu found her voice, she collaborated with Solange, and Sampha, she experienced heartache and pain, and she headed west to heal, and begin again. Across five beautiful choices, Lu shared her songs of hope. All women, all powerful, and all tied to the human and artist she has become. Settle in for a beautiful conversation, with Kelsey Lu. Alice Coltrane – 'Journey in Satchidananda' Billie Holiday – 'Ain't Nobody's Business If I Do' Des'ree – 'You Gotta Be' Lafawndah – 'Substancia' Chaka Khan – 'I'm Every Woman'

There are times when I like to take the Take 5 on the road; heading to places where creative people gather, and the conversations around art and music are part and parcel of daily life. Dark Mofo in Hobart is one of those places. A festival set in the middle of winter, in the southernmost city in Australia. When the wind blows, it’s coming from Antarctica. The streets light up with red crosses each night to signal some sort of curiosity you should explore within, there are open fires and pagan feasts, and there is music; curated in such a beautiful way it feels like a movement, like a moment. This is the place I met Kelsey Lu. Lu grew up in North Carolina, and was raised as a Jehovah’s Witness. Early on, she found the cello, and connected deeply with the strings. She followed her heart, left home, and broke bonds with her family as she headed to New York City to follow her musical dreams. Through her 20’s Kelsey Lu found her voice, she collaborated with Solange, and Sampha, she experienced heartache and pain, and she headed west to heal, and begin again. Across five beautiful choices, Lu shared her songs of hope. All women, all powerful, and all tied to the human and artist she has become. Settle in for a beautiful conversation, with Kelsey Lu. Alice Coltrane – 'Journey in Satchidananda' Billie Holiday – 'Ain’t Nobody’s Business If I Do' Des’ree – 'You Gotta Be' Lafawndah – 'Substancia' Chaka Khan – 'I’m Every Woman'

There are times when I like to take the Take 5 on the road; heading to places where creative people gather, and the conversations around art and music are part and parcel of daily life. Dark Mofo in Hobart is one of those places. A festival set in the middle of winter, in the southernmost city in Australia. When the wind blows, it’s coming from Antarctica. The streets light up with red crosses each night to signal some sort of curiosity you should explore within, there are open fires and pagan feasts, and there is music; curated in such a beautiful way it feels like a movement, like a moment. This is the place I met Kelsey Lu. Lu grew up in North Carolina, and was raised as a Jehovah’s Witness. Early on, she found the cello, and connected deeply with the strings. She followed her heart, left home, and broke bonds with her family as she headed to New York City to follow her musical dreams. Through her 20’s Kelsey Lu found her voice, she collaborated with Solange, and Sampha, she experienced heartache and pain, and she headed west to heal, and begin again. Across five beautiful choices, Lu shared her songs of hope. All women, all powerful, and all tied to the human and artist she has become. Settle in for a beautiful conversation, with Kelsey Lu. Alice Coltrane – 'Journey in Satchidananda' Billie Holiday – 'Ain’t Nobody’s Business If I Do' Des’ree – 'You Gotta Be' Lafawndah – 'Substancia' Chaka Khan – 'I’m Every Woman'

Pop prodigy Billie Eilish's long awaited debut LP is out, and who better to give it a first listen than a group of 11-13 year old young women? Plus we have new music from Flume, Lafawndah, SOAK and Mdou Moctar.

Pop prodigy Billie Eilish's long awaited debut LP is out, and who better to give it a first listen than a group of 11-13 year old young women? Plus we have new music from Flume, Lafawndah, SOAK and Mdou Moctar.

CASA BERTALLOT - giovedì 28 marzoLou Asril - Divine GoldmineNubiyan Twist - Tell It to Me Slowly (feat. Nick Richards)Connie Constance - Give And TakePuma Blue - Bruise CruiseBiig Piig - Casio Celeste - summer Wilma Vritra, Wilma Archer & Vritra - The Hill Moses Boyd - Waiting on the Night Bus (feat.Terri Walker & Louis VI)Potatohead People - Do My Thing (feat. Kapok & Illa J) Apparat - caronte Lafawndah - DaddyElliott Power - Infirmary Kingsley Ibeneche - To The Citadel Kassa Overall - Mark Sampson [feat Carlos Overall] Ronald Bruner Jr. - Take The Time (feat. Thundercat)

It's a packed release week with a whole bunch of notable albums to highlight, including the rock guitar heroics on Ex Hex's It's Real, the wistful wisdom of Jenny Lewis, Andrew Bird's "finest work yet," mind-blowing sonics from the genre-bending composers Emily Wells and Lafawndah, the German electronic artist Apparat and much more. Hosts Robin Hilton and Stephen Thompson share their top picks for the best albums out on March 22 on this episode of New Music Friday. FEATURED ALBUMS: Ex Hex: It's Real; Jenny Lewis: On The Line; American Football: American Football; Lafawndah: Ancestor Boy; Andrew Bird: My Finest Work Yet; Emily Wells: This World Is Too ______ For You; Apparat: LP5; Lambchop: This (Is What I Wanted To Tell You). OTHER NOTABLE ALBUMS OUT MARCH 22: Bill McKay: Fountain Fire; Dean Lewis: A Place We Knew; Ibibio Sound Machine: Doko Mien; Lucy Rose: No Words Left; Nilufer Yanya: Miss Universe; Rich The Kid: The World Is Yours 2; Strand Of Oaks: Eraserland; Wallows: Nothings Happens

Latest episode with Bari-born, London-based Valentina Magaletti is a drummer and percussionist who strategically tries to enrich the folkloristic and conventional palette of the place where she is born, experimenting with new places and sounds. She worked, performed and co-wrote with Econoline, Bat for Lashes, Gruff Rhys (Super Furry Animals), Fanfarlo, Oscillation, Lafawndah, Raime, Helm and many more. In her current project, Vanishing Twin (“Choose Your Own Adventure” out on Soundways), she has a more conventional jazz approach that finds its escape in the drone/field recordings of the percussive approach in her other project Tomaga. We can't wait to hear more from this drummer.

A conversation with Midori Takada and Lafawndah also features in this month's podcast.

A conversation with Midori Takada and Lafawndah also features in this month's podcast.

A conversation with Midori Takada and Lafawndah also features in this month's podcast. For more, visit Resident Advisor: https://www.residentadvisor.net/podcast-episode.aspx?exchange=442

En la primera edición de WIDE Recomienda de 2019, tenemos una selección de seis tracks. Arrancando con la balada de R&B bastante poderosa de Amaal, siguiendo con la artista pop avant-garde LAFAWNDAH y el chico de la voz ronca del indie King Krule con “Logos”, además de un track que nos recuerda a ser raver en 2006 con el punk-electro-bailable de “WET” by COBRAH. Para cerrar nos contagiamos del cool Indie R&B que resuena “Mr. Call You Back” de Deaton Chris Anthony y “Dámelo” del chileno Ceaese y su trap sensual poliamoroso. Tracklist: 1. Amaal - Not What I Thought 2. LAFAWNDAH - DADDY 3. King Krule - Logos 4. COBRAH - WET 5. Deaton Chris Anthony - Mr. Call You Back (feat. Triathalon) 6. Ceaese - Dámelo (feat. Drefquila) Escúchala on-demand en:

Ashish Jose, better known by his alias Tarqeeb, represents the Motherland with an energetic mix that showcases some of the best dance music India has to offer right now. Tarqeeb began his journey in electronic music in 2012 after stints in metal and psy-trance. The producer focuses largely on DnB and other offshoots of bass music, though he prefers not to confine his sound by labels. Jose also extends his creativity to the art space on Instagram. His sets can vary from deep, sub bass room-shakers to frantic, vigorous DnB – adapted to the crowd and atmosphere. The last couple of years have seen him play in a number of festivals and venues across the world including Dimensions Festival in Croatia, NH7 Weekender, VH1 Supersonic and BASS CAMP festival, as well as opening for the likes of LAFAWNDAH, AMIT and more. Jose does us proud on mix #113 by putting homegrown talent forward with an all-star cast of producers in the alternative dance/electronic spaces. The mix begins on a more mellow, ambient tune with Mumbai producer Echofloat before swiftly gaining speed with Singapore based Indian origin Iyer, who’s been on our radar for his impressive skills in the footwork department. Momentum’s stays steady with RBMA selectee Oceantied, the very talented SickFlip, new kid on the block Spryk as well as some familiar names like Su Real, _RHL, B.R.E.E.D. and more. The mix also features some unreleased music, as well a new outfit called Dasta, which Jose describes as "a secret supergroup which you'll hear more about pretty soon". It ends with Func’s new banger ‘Beast’. Mix #113 is a great indicator of how the scene here has grown in the last couple of years. For a tracklist and further info, head over here: http://www.thewildcity.com/EN/music.xhtml/article/10460-wild-city-113-tarqeeb

Nearly every time I call my wife and ex-codriver "The Evil Overlord," someone accuses me of being an exaggerator. Well, this post ought to plug everyone's pieholes. Listen on to find out "What Makes The Evil Overlord… Evil?" In the feedback section we talk about the likelihood of a new driver getting a truck with an automatic transmission and we discuss if their is any way to get around the DOT's rules about driving with a disability. Links mentioned in the show: TD99: 4 Ways to Be an Awesome Trucker Trucking Santas Check out some pictures of The Evil Overlord, the cooler lid that "accidentally" fell on my head, our incest cat Hammy, and a text message that proves The Evil Overlord is in fact, evil. Videos and info for the movie Napoleon Dynamite and one of the characters named Lafawndah. Insane Clown Posse T-shirt In case you don't get the reference of "Say hello to my leeeetle friend!" TD33: Automatic or Manual Truck Transmission? And the 3 songs I referenced are: All Out of Love by Air Supply Tragedy by Bee Gees Joanna by Kool & the Gang The listeners I mention in the feedback section are: Eric @darkstaff Chris @DriverChrisMc Shannon @holden657 Alan @alanqbristol Here is the article about trucking with disabilities and the Job Accommodation Network (JAN), who might be able to help disabled drivers work with the DOT on getting a driving job. Got a second to Rate and/or Review the podcast? Download the intro/outro songs for free! courtesy of Walking On Einstein Mystery Feedback Song - Only a cheater would click this before listening to the podcast! You aren't a cheater, are you?