Podcasts about liveness

Psssst...! Möchten Sie mehr über eine künstlerische Praxis erfahren, die sich an der Schnittstelle von Performance und Installation, von Liveness und „performenden Technologien“ bewegt? Darüber, was es bedeutet, sich als Künstler*in zwischen dem Theater- und dem Ausstellungskontext zu bewegen? Dann schalten Sie in diese Podcast-Folge, in der Künstler*in Alice Slyngstad mit der künstlerischen Leiterin des Kunstraums, Frederike Sperling, spricht. In ihrem Gespräch geht es nicht nur um Slyngstads Praxis selbst, sondern auch um "Flare demure", deren neueste transmediale Installation, die vom Kunstraum in Auftrag gegeben wurde. Credits: Gast: Alice Slyngstad Moderation: Frederike Sperling Schnitt, Opener und Mastering: Alexander Wieser | Sonobelle Recordings Foto: © eSeL.at Wenn Sie mehr über das Programm des Kunstraum Niederoesterreich erfahren möchten, folgen Sie uns! https://www.instagram.com/kunstraum_niederoesterreich/ https://www.facebook.com/KunstraumNiederoesterreich/ www.kunstraum.net

The invitation of “safety as relation” (Mariame Kaba) is a huge one in a world that has taught us safety is the opposite of relation. A world that tries to convince us, with all it's tools, that safety is domination, exploitation, segregation, etc. We are being called to be creative in a context where control and certainty are not introduced as triggering, but surrendering to each other's gaze and no longer being strangers is taught to be the most triggering act we can imagine. Can we see how the core trauma of these systems of oppression is making us terrified of each other? THAT'S its animating, organizing framework. Being so terrified of the other that we can't see the paralyzing fear of ourselves. What happens when we turn this creative bind into a creative prompt? Download the ⁠Creative Offer Questionnaire to Oneself⁠ Subscribe to ⁠Seeda School Substack⁠ for weekly essay and podcast releases straight into your inbox Paul Robeson, poem by Gwendolyn Brooks “Refusing Colonial Categorization and Claiming Fractal Possibility: Toni Morrison was in my dream yesterday...” (Nov 13, 2023) by Ayana Zaire Cotton Follow Ayana on Instagram: ⁠@ayzaco⁠ Follow Seeda School on Instagram: ⁠@seedaschool Cover Art: Torkwase Dyson, Liveness and Distance, 2022, acrylic and wood on canvas, 90-1/2" × 72-1/2" × 2-3/4" (229.9 cm × 184.2 cm × 7 cm) Source: A Liquid Belonging

Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness

This week, John Brackett, author of the newly released book "Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness" curates the setlist as 5x returning champ Steve faces off against Kevin, BJ, and Jim. You can order "Live Dead" via Duke Press and Amazon. Thank you John for also providing a copy as this week's prize pack. To be a contestant, sponsor the show, provide a prize pack, or ask questions/make comments, please email: info@guesstheyear.net   Links Guess the Year's Instagram Poster artist 30k ft's Instagram John Brackett's Instagram Steve's Podcast "Trying to Be Better with Joel and Steve" Jim's vintage Star Wars collectibles Instagram and his Soundcloud

Solana just had one of the craziest weeks in its history. Jito's airdrop has created a wealth (and attention) effect that has captured all of crypto. What a week. In this episode, we cover Jito's token launch, Solana's airdrop season, finding value in the bull market, the integrated chain advantage, the nuances of client diversity and more! - - Join us at DAS (Digital Asset Summit) in London this March! DAS is the #1 institutional conference in crypto, hosted by Blockworks. Use the link below to learn more, and use LIGHTSPEED20 to get 20% off your ticket! Sign up now because the price goes up every month. See you there! Learn more + get your ticket here: https://blockworks.co/event/digital-asset-summit-2024-london/home - - Timestamps (00:00) Introduction (00:48) Jito and Solana's Airdrop Season (13:44) Finding Signal in the Bull Market Noise (22:56) DAS London Plug (23:54) The Advantage of Integrated Chains (29:29) Liveness and Client Diversity (42:53) Solana Apps to Explore - - Follow Mert: https://twitter.com/0xMert_ Follow Garrett: https://twitter.com/GarrettHarper_ Follow Lightspeed: https://twitter.com/Lightspeedpodhq Subscribe on YouTube: https://bit.ly/43o3Syk Subscribe on Apple: https://apple.co/3OhiXgV Subscribe on Spotify: https://spoti.fi/3OkF7PD Get top market insights and the latest in crypto news. Subscribe to Blockworks Daily Newsletter: https://blockworks.co/newsletter/ - - Resources Jon Charb's latest research https://dba.xyz/l1s-vs-l2s-rollups-vs-integrated-general-purpose-vs-app-specific/ Jupiter episode https://spoti.fi/3TheHkn BetDEX https://www.betdex.com/ https://twitter.com/BetDEXLabs - -  Disclaimers: Lightspeed was kickstarted by a grant from the Solana Foundation. Nothing said on Lightspeed is a recommendation to buy or sell securities or tokens. This podcast is for informational purposes only, and any views expressed by anyone on the show are solely our opinions, not financial advice. Mert, Garrett and our guests may hold positions in the companies, funds, or projects discussed.

The Daily Gwei Refuel gives you a recap every week day on everything that happened in the Ethereum and crypto ecosystems over the previous 24 hours - hosted by Anthony Sassano. Timestamps and links to topics discussed: https://daily-gwei-links.vercel.app/recent 00:00 Introductory song 00:09 Client diversity & cross client verification idea https://twitter.com/peter_szilagyi/status/1725029695127748789 05:08 Smoothly solo staking rewards smoothing & Slide for decentralisation https://twitter.com/ksale001/status/1725053043748516340 08:17 Nocturne privacy live on mainnet https://twitter.com/nocturne_xyz/status/1724806199777042623 16:46 EVM gateway to bring ENS to L2  https://twitter.com/ensdomains/status/1724851193703542817 26:41 L2Beat's new “Liveness” dashboard for L2s https://twitter.com/l2beat/status/1724764535997800821 29:06 Lattice launching “Redstone” on OP Stack https://twitter.com/latticexyz/status/1724744074089943051 30:54 Envisioning the future of L2s https://twitter.com/stonecoldpat0/status/1725013044667744608 This episode is also available on YouTube: https://youtu.be/Ksv99VRfwbk Subscribe to the newsletter: https://thedailygwei.substack.com/ Subscribe on YouTube: https://www.youtube.com/channel/UCvCp6vKY5jDr87htKH6hgDA/ Follow Anthony on Twitter: https://twitter.com/sassal0x Follow The Daily Gwei on Twitter: https://twitter.com/thedailygwei Join the Discord Channel: https://discord.gg/4pfUJsENcg DISCLAIMER: All information presented across all of The Daily Gwei's communication channels is strictly for educational purposes and should not be taken as investment advice.

The Grateful Dead were one of the most successful live acts of the rock era. Performing over 2300 shows between 1965 and 1995, the Grateful Dead's reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group's long and colorful career.  In Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness (Duke UP, 2023), musicologist John Brackett examines how live recordings—from the group's official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick's Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for over fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound. John Brackett is Instructor of Music at Vance-Granville Community College, the author of John Zorn: Tradition and Transgression and a coeditor of The Routledge Companion to Popular Music Analysis: Expanding Approaches. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Grateful Dead were one of the most successful live acts of the rock era. Performing over 2300 shows between 1965 and 1995, the Grateful Dead's reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group's long and colorful career.  In Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness (Duke UP, 2023), musicologist John Brackett examines how live recordings—from the group's official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick's Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for over fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound. John Brackett is Instructor of Music at Vance-Granville Community College, the author of John Zorn: Tradition and Transgression and a coeditor of The Routledge Companion to Popular Music Analysis: Expanding Approaches. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Grateful Dead were one of the most successful live acts of the rock era. Performing over 2300 shows between 1965 and 1995, the Grateful Dead's reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group's long and colorful career.  In Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness (Duke UP, 2023), musicologist John Brackett examines how live recordings—from the group's official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick's Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for over fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound. John Brackett is Instructor of Music at Vance-Granville Community College, the author of John Zorn: Tradition and Transgression and a coeditor of The Routledge Companion to Popular Music Analysis: Expanding Approaches. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The Grateful Dead were one of the most successful live acts of the rock era. Performing over 2300 shows between 1965 and 1995, the Grateful Dead's reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group's long and colorful career.  In Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness (Duke UP, 2023), musicologist John Brackett examines how live recordings—from the group's official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick's Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for over fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound. John Brackett is Instructor of Music at Vance-Granville Community College, the author of John Zorn: Tradition and Transgression and a coeditor of The Routledge Companion to Popular Music Analysis: Expanding Approaches. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The Grateful Dead were one of the most successful live acts of the rock era. Performing over 2300 shows between 1965 and 1995, the Grateful Dead's reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group's long and colorful career.  In Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness (Duke UP, 2023), musicologist John Brackett examines how live recordings—from the group's official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick's Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for over fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound. John Brackett is Instructor of Music at Vance-Granville Community College, the author of John Zorn: Tradition and Transgression and a coeditor of The Routledge Companion to Popular Music Analysis: Expanding Approaches. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Grateful Dead were one of the most successful live acts of the rock era. Performing over 2300 shows between 1965 and 1995, the Grateful Dead's reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group's long and colorful career.  In Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness (Duke UP, 2023), musicologist John Brackett examines how live recordings—from the group's official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick's Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for over fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound. John Brackett is Instructor of Music at Vance-Granville Community College, the author of John Zorn: Tradition and Transgression and a coeditor of The Routledge Companion to Popular Music Analysis: Expanding Approaches. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

*This is an episode from the first three seasons of Studies in Taylor Swift, which ran from 2021-22. Although the entire podcast is no longer available, selected episodes will be regularly reissued.*Clio compares the short film of "All Too Well" to Citizen Kane, talks about the symbolism of hands, and makes some predictions about the year 2023. Studies in Taylor Swift is produced and edited by Clio Doyle. Cover art is by Finley Doyle. Music is by Audionautix. You can send questions or comments to studiesintaylorswift@gmail.com.

Hello les amis Aujourd'hui nous allons voir comment assurer la résilience de votre application pour une meilleure expérience utilisateur dans un contexte Kubernetes.

Rob O'Farrell, CTO, ID-PalDespite frequent incidents of data breaches, many of us are still unaware of or ambivalent about what organisations hold our data. A self-sovereign identity profile could allow individuals to take back control of their data. How would this work in practice? Robin Amlôt of IBS Intelligence speaks to Rob O'Farrell, Chief Technology Officer of identity verification provider ID-Pal. 

About This Episode In this episode of Stories Found, we're chatting about art, life, and family with the award-winning writer of screen and stage, Sophia Valera Heinecke and then listening to her read her beautiful story, The Summer We Built a Pool. About the Storyteller Sophia Valera Heinecke Sophia Valera Heinecke (she/her) is an award-winning writer for the screen and stage as well as a dramaturg, archivist, and producer from Gordonsvillle, Virginia. She is also the Arts and Wellness Manager at The Creative Center for people with cancer and other chronic illnesses. She is drawn to work in the theater because it involves a deep consideration of human bodies and their emotional/intellectual output as the central material for live performance. This has been fortified as she has further developed expertise in the field of arts and medicine. Liveness has unprecedented value in an era where human connection is increasingly diluted and absent. Learn more about Sophia on her website: SophiaValeraHeinecke.com You can also read more of Sophia's work on Medium: https://sophiavaleraheinecke.medium.com/ Instagram Medium     Featured Organization: The Creative Center at University Settlement The Creative Center at University Settlement, a nonprofit organization dedicated to bringing the creative arts to people with cancer, chronic illnesses, and through all stages of life. The Creative Center is proud to have hospital artist-in-residence programs in more than 30 healthcare sites around the New York metropolitan area, free-of-charge art workshops every day of the week, and an online gallery representing professional artists living with illness. Visit them at thecreativecenter.org to learn more about their programs and to see how you can help support their mission.   Featured Sponsor: Alicia Verdier Photography Alicia Verdier Photography – specializing in natural light photography. Contact Alicia to arrange a shoot for your family photos, portraits, weddings, births, engagements, senior photos, graduations and other special events. Outdoor or studio sessions available.

Clio compares the short film of "All Too Well (10 Minute Version)" to Citizen Kane and discusses three versions of the song : the short film, the "Sad Girl Autumn Version," and Taylor's Saturday Night Live performance. Clio discusses liveness and mediation with reference to Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction and Philip Auslander's Liveness: Performance in a Mediatized Culture. Get in touch with comments, questions, or just to say hi at studiesintaylorswift@gmail.com and check out the podcast website at https://cliodoyle.wixsite.com/studiesintaylorswift.  Music: "Happy Strummin" by Audionautix. Cover art by Finley Doyle. See more of Finley's work at https://tangelofin.wordpress.com/. 

Mark Williams (he/him) is a Projections and Media Graduate Student attending the University of Maryland. An associate for VidCo: Virtual Design Collective, he designed set dressings and camera solutions for Geffen Playhouse's hit live Zoom production, Someone Else's House, described as “A frightening digital coup-de-theatre.” by The New York Times. -The New York TimesAs a Props and Puppetry Freelancer from the Philadelphia region, he has worked in theatres such as Delaware Theatre Company, The Idiopathic Ridiculopathy Consortium, Philadelphia Theatre Company, Hangar Theatre, The Walnut, Opera Delaware, and Theatre Horizon. Learn more athttps://www.Markwdesign.com On Geffen Playhouse's Someone Else's House: Obie Award-winning multimedia artist Jared Mezzocchi has a harrowing story to tell: his family's frightening, true-life haunting inside a 200-year-old New England house. Flip the switch, light your candles, and prepare yourself (as best you can) for this first-hand story of terror with the latest interactive production from the Geffen Stayhouse.On Mark: “My own work begins with the primary goal of theatre, which Charles Mee described as “a practice for life." In its most basic sense this means what we witness in the performance space should develop us as persons, and better prepare us for the contradictions abound in life. Bitter sweetness and emotional ambivalence are representative of the human condition and should be represented by the characters we seek on stage. I seek contradiction, irony, hypocrisy, and to unravel how people make decisions. I'm interested in developing performance ideas that heighten the reactivity between performer, audience, and design. To reduce the static nature of projection and media brings it more in line with the liveness of theatre and dance.”

Tashi Wada joins Nikita Gale and Alexander Provan to speak about technologies that claim to capture the souls of performers. Wada presents a composition for a “high-resolution player piano” and asks how we discern between human expression and technical perfection, how we listen to virtuosos and machines. He speaks about the pandemic-era vogue for liveness at home, the displacement of pianists by piano rolls (or proprietary software), and the differences between people and marionettes. And, with Gale and Provan, he listens to Conlon Nancarrow, Glenn Gould, Perry Como, advertisements for hi-fi systems, the ghost of Art Tatum, and the stars of Hologram USA Theater.Tashi Wada is a Los Angeles-based composer and performer who founded and runs the label Saltern. His most recent album, Nue, was released by RVNG Intl. in 2018.The composition presented on this episode, Table of Visions, was commissioned by Triple Canopy as part of a residency at the Hammer Museum in Los Angeles, and written for the Steinway Spirio, a player piano designed to record and replay live performances. (Triple Canopy recently published an essay about the composition with recordings of two sketches, excerpts of which are played on this episode.) With Gale and Provan, Wada speaks about the history and future of “high-resolution” technologies, which aim to approximate (or supplant) liveness—and, increasingly, are aided by precise records of all that we say, do, and play. They discuss the age-old dream of perfect fidelity as manifest in musical automata, cutting-edge stereos, and holograms of Tupac and Michael Jackson. And they ask how the pursuit of performances that exceed human capabilities change us as listeners as well as laborers.In this episode, Gale, Provan, and Wada speak about Philip Auslander's Liveness: Performance in a Mediatized Culture (Routledge, 1999); Heinrich von Kleist's “On the Marionette Theatre,” 1810; and the work of Patrick Feaster, a specialist in the history, culture, and preservation of early sound media. In order of appearance, the music and other recordings played on this episode are: Steinway & Sons, “The Features of the Steinway & Sons SPIRIO | r,” 2019; Glenn Gould playing Bach's “Contrapunctus IV,” “Glenn Gould on Bach,” Sunday Concert, Canadian Broadcasting Corporation, 1962; Perry Como, “Goodbye, Sue,” (Victor, 1943); Conlon Nancarrow, “Study For Player Piano No. 13” Studies for Piano Player (Other Minds, 1977); “Study For Player Piano No. 42,” Conlon Nancarrow: Studies for Player Piano, Vol. V (Wergo, 2018); a film by RCA that introduces the company's high-fidelity stereo system, 1957; “Variations on Glenn Gould,” Telescope, Canadian Broadcasting Corporation, 1969.Medium Rotation is produced by Alexander Provan with Andrew Leland, and edited by Provan with Matt Frassica. Tashi Wada composed the theme music. Matt Mehlan acted as audio engineer and contributed additional music.Medium Rotation is made possible through generous contributions from the Andy Warhol Foundation for the Visual Arts and Nicholas Harteau. This season of Medium Rotation is part of Triple Canopy's twenty-sixth issue, Two Ears and One Mouth, which receives support from the Stolbun Collection, the Shelley & Donald Rubin Foundation, Agnes Gund, the National Endowment for the Arts, the New York State Council on the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council.

You can say hi or send me a feed back by writing to me at "kubernetes at sent dot com" Support Link: www.buymeacoffee.com/chintu

The podcast is now available to watch live.. and well my streaming software was like hey lets use your terrible webcam microphone sorry about the sound quality.

Jillian speaks with Daniel Brooks, one of Canada’s foremost directors and inaugural Siminovitch Prize laureate, about his expansive and unyielding devotion to process and his ethos (with longtime collaborator Daniel MacIvor) of maximum preparedness, maximum spontaneity. Also: trusting the intuition of your body as a director.

Aidan Lang tells the Good Charity Bad Charity team that running a world beating opera company is a challenge at the best of times, but surviving the effects of Covid-19 has made him re-assess what the audience wants.

patreon.com/FantasyInterventionFacebook.com/FantasyInterventionLive episode for Fantasy Football Discussion along with my All-Underrated Team for June! Guys you should go get before someone else does!https://www.stitcher.com/s?fid=466498&refid=stprhttps://podcasts.apple.com/us/podcast/fantasy-football-intervention/id1473753279https://play.google.com/music/m/Ivu2a763wrcacoozrlx66elu5da?t=Fantasy_Football_Intervention--- Support this podcast: https://anchor.fm/fantasyintervention/support

patreon.com/FantasyIntervention Facebook.com/FantasyIntervention Live episode for Fantasy Football Discussion along with my All-Underrated Team for June! Guys you should go get before someone else does! https://www.stitcher.com/s?fid=466498&refid=stpr https://podcasts.apple.com/us/podcast/fantasy-football-intervention/id1473753279 https://play.google.com/music/m/Ivu2a763wrcacoozrlx66elu5da?t=Fantasy_Football_Intervention --- Support this podcast: https://anchor.fm/fantasyintervention/support

patreon.com/FantasyIntervention Facebook.com/FantasyIntervention Live episode for Fantasy Football Discussion along with my All-Underrated Team for June! Guys you should go get before someone else does! https://www.stitcher.com/s?fid=466498&refid=stpr https://podcasts.apple.com/us/podcast/fantasy-football-intervention/id1473753279 https://play.google.com/music/m/Ivu2a763wrcacoozrlx66elu5da?t=Fantasy_Football_Intervention

SIG Network is completely rethinking the way you define groupings of applications (Service) and get traffic sent to them (Ingress) by building the Service APIs, a new set of primitives which are better suited to how different groups of users interact with them. Bowei Du is a Tech Lead on GKE and a member of SIG Network who is leading the design and implementation of these new APIs, as well as working on getting Ingress to GA in Kubernetes 1.19. Do you have something cool to share? Some questions? Let us know: web: kubernetespodcast.com mail: kubernetespodcast@google.com twitter: @kubernetespod Chatter of the week Christmas trees Magic Puzzles News of the week Google Cloud Next On Air Sign up now Harbor 2.0 Azure introduces 10c/hr uptime SLA and Kubernetes 1.18 in preview Red Hat announces Amazon Red Hat OpenShift Linode Kubernetes Engine is Generally Available VMware to acquire Octarine Venafi to acquire Jetstack cert-manager 0.15 and beyond Episode 75, with James Munnelly Maesh 1.2 Grafana 7.0 AWS CDK for Kubernetes Call to participate in CNCF survey Load balancing algorithms in Envoy by Tony Allen Links from the interview Bowei’s PhD: CAP theorem TIER project: Technologies and Infrastructure for Emerging Regions Delay-tolerant networking (DTN) Service EndpointSlices Coming to Istio and Knative Health checks: Liveness and readiness at pod level Pod Ready++ Ingress cert-manager ingress-nginx TLS is only on port 443 2018 Ingress survey Conformance profile Episode 41, with Tim Hockin Ingress moving to GA in 1.19 Service APIs Evolving the Kubernetes Ingress API to GA and beyond by Bowei and Christopher Luciano from IBM A sketch of the API GatewayClass and StorageClass KEP for adding L4 Multi-Cluster Services API proposal Bowei Du on Twitter

Katie Hawthorne is a music journalist and a PhD student, researching how digital tools shape liveness in performance. Xandra talks with her about the hierarchical live-stream economy, what makes theatre magical, and how to support musicians and theatre makers.SHOW NOTES:Katie is on Twitter @katiehawthorneKatie's piece for The Stage on live-streaming theatreKatie's piece for The Guardian on live-streaming musicSHOW DETAILS:Read more at http://theartlife.showSend letters to: The Art Life, c/o Grace Gordon, P.O. Box #4292, Valley Village, CA 91607Email: theartlife@heroinetraining.comXandra Robinson-Burns is on Instagram and Patreon: @heroinetrainingGrace Gordon is on Instagram and Patreon: @gracegordonofficial Our music is ‘The Stream' by Rorie: http://roriemusic.comA Heroine Training Podcast

FindBiometrics and Mobile ID World are concluding the 17th annual year in review industry event. The Year in Review has a reputation for setting the bar for the biometrics industry discourse of the subsequent twelve months, and this year we have been looking back on the major milestones of the past decade in biometrics with industry leaders. That's why on this latest episode of ID Talk we are pleased to welcome Javier Mira, CEO of FacePhi. FacePhi is a biometric software solutions company, specializing in face-based authentication, that in recent years expanded into multimodal biometrics. The company saw great success in 2019, and that's where this episode's conversation starts. After discussing FacePhi's record-breaking year with ID Talk host Peter Counter, Mira spoke about the Latin American market, where the company has seen massive success, before turning to analyzing the Year in Review survey results around modalities, liveness detection and privacy. The discussion concludes with a preview of what's next for FacePhi. Learn more about the topics discussed in this episode by visiting https://www.facephi.com/

FindBiometrics and Mobile ID World are in the midst of unpacking the results of our 17th annual Year in Review survey. To celebrate this momentous event, ID Talk is featuring interviews with biometrics and identity industry leaders focusing on the major milestones from 2019 and the previous decade as a whole. That's why we are pleased to bring you this conversation between FindBiometrics Editor in Chief Peter Counter and Dean Nicolls, Vice President of Global Marketing for Jumio. The discussion begins on a major topic of the past decade: the historic data breaches of the 2010s and how they empowered fraudsters. Counter and Nicolls jump from that to the important role AI and biometrics technologies play in keeping competitive with modern sophisticated fraudsters, before discussing how public perception of biometrics has changed in the age of regulation and mobility. Wrapping things up, they end with an update on Jumio GO, and look ahead with a preview of what to expect from the company in the near future. Learn more about the topics discussed in this episode by visiting http://jumio.com

Greg Meredith is joined by Isaac DeFrain and Christian Williams to discuss the final stages before Mainnet launch.

Greg Meredith is joined by Isaac DeFrain and Christian Williams to discuss the final stages before Mainnet launch.

Greg Meredith continues the discussion on liveness with Isaac DeFrain and Christian Williams.

Greg Meredith continues the discussion on liveness with Isaac DeFrain and Christian Williams.

Greg Meredith is joined by Isaac DeFrain and Christian Williams to discuss RChain research on Casper.

Greg Meredith is joined by Isaac DeFrain and Christian Williams to discuss RChain research on Casper. To view the slides and read the transcript, visit blog.rchain.coop.

Your mindset is crucial for your success in both your personal and professional life.

Your circle of friends will determine your success or your failures.

Priming your mind in the morning is a total game changer.

Greetings folks. Yes, we talk Hairspray Live's Liveness (if that's a word). Then I tell you the story of SCTV's "Maudlin of the Night", the greatest parody I've ever seen based on the late Alan Thicke's, "Thicke of the Night" show in 1984. And, the theme song. Oh the theme song. You will NOT want to miss this. Then James Bond and Golden Globes. It's a jam packed fun show this week. See acast.com/privacy for privacy and opt-out information.

In de aflevering over Liveness en Realtime kwamen we er al achter dat het internet steeds meer gekanaliseerd wordt. Hoe wordt er geld aan ons gedrag verdiend en zijn er mogelijkheden om hier onderuit te komen? Hier gaan we dieper op in met Frederik Zuiderveen Borgesius, juridisch onderzoeker aan het instituut van informatierecht aan de UvA en Geert Lovink, onderzoeker aan het institute for network cultures aan de HvA. De aflevering over Liveness: https://soundcloud.com/swammerdam/uitzending-over-live-mediawetenschappers-praten-over-de-veranderingen-in-live-door-het-internet De podcast waar in het begin naar verwezen werd is te vinden op www.digitalisme.nl

Live! We kennen het sinds de radio, zien het nog vaak op televisie maar tegenwoordig ook op social media. Met Periscope, de app van twitter kan je eenvoudig livestreamen vanaf je smartphone. Wat zegt de mediawetenschap over liveness en hoe verhoudt dit zich tot de ontwikkeling van het internet in het algemeen en social media in het bijzonder? Te gast zijn Karin van Es (UU), zij promoveerde vorig jaar op de paradox van liveness en Anne Helmond (UvA) die in haar proefschrift het internet als een platform beschouwt.

How audiences respond to the body on stage and on screen. This presentation will seek to explore how audiences respond to the body on stage and on screen. We will explore the concept of ‘liveness’ and question how the physical presence of an actor alters our expectation of a cinematic/ theatrical event. We will touch on spectator theory, in both theatre and film, briefly explaining the key theories and concepts in relation to this. Finally, we will apply this to a practical example, using the play The Singular Life of Albert Nobbs and the corresponding film to explore what all this theory means in practice. We will conclude by offering up for discussion the question of to what extent we apply ‘theatrical’ or ‘cinematic’ modes of interpretation when we look at bodies in real life.

How audiences respond to the body on stage and on screen. This presentation will seek to explore how audiences respond to the body on stage and on screen. We will explore the concept of ‘liveness’ and question how the physical presence of an actor alters our expectation of a cinematic/ theatrical event. We will touch on spectator theory, in both theatre and film, briefly explaining the key theories and concepts in relation to this. Finally, we will apply this to a practical example, using the play The Singular Life of Albert Nobbs and the corresponding film to explore what all this theory means in practice. We will conclude by offering up for discussion the question of to what extent we apply ‘theatrical’ or ‘cinematic’ modes of interpretation when we look at bodies in real life.

What is liveness and how can we understand it? How can performance challenge how we think about time and space? What do we understand by performativity in contemporary society? Part of BMW Tate Live at Tate Modern, audio recording.