Podcasts about holograms

Creating artificial human retinas in zero gravity. Mining rare minerals on the moon. There seems to be no limit to what could be possible if we continue to take our more important industries to space. Join Mike Massimino and Mike Greenley on this episode of Next Giant Leap as they explore the industrialization of space. Dr. Joan Saary sheds light on the potential of designing medical treatments in microgravity and treating astronauts in orbit, and Dr. Gordon Osinski explains the exciting future of resource extraction on other planetary objects. Hosts: Mike Greenley, Mike MassiminoGuests: Dr. Joan Saary, Dr. Gordon Osinski Subscribe to the GZERO World with Ian Bremmer Podcast on Apple Podcasts, Spotify, or your preferred podcast platform, to receive new episodes as soon as they're published.

The Adventurous Eight run away from Sandusky, Ohio hoping to make it in the Big Apple. Parry - "The first dance battle is like Gem and the Holograms vs The Misfits!" Joelle - "Man, you're gonna fuck up this movie for me."

You are living in a hologram, a virtual reality, a game...  What are the rules of this game? How to master the hologram?   Yes, you have all what you need to navigate these powerful times...   I am you Magdala    www.magdalas.com

Jan von der Wendeltreppe ist da. Und das heißt: Wir reden über Resident Evil. Es geht alles literarisch Nüsse ab hier! Wir sprechen über Viren, die Flüsse austrocknen lassen und Zombie-Krähen. Es gibt Genre-Wechsel, Kapitalismuskritik, eine Suche nach dem Paradies und die Frage wird geklärt, nach welchem Supermarkt sich Jan in der Postapokalypse benennen würde. Mit viel Wohlwollen passiert die Emotion in unseren Köpfen, während wir Videospiele verfilmen. Wollt ihr ein Wasserglas vor eurem Hologram?

Hey Everyone!Fresh out the reactor this week we've got bangers from Neolyth, AL/SO & Tengu, Metanoia, Korax & more.In Demos, WIPs, and Promos, we're diving into upcoming bangers from Hologram, Magnetude, MNDSCP, and 2Whales.As always, Ollie's on hand to guide you through the sharpest selections from the scene.Check out the track list below and let's dive in!Anizo - Maaf Fulla Teefcygnusmusic.link/jp41bn7TRACKLIST AND MORE INFO: www.stonxmusic.co.uk/stonxcast-ep150

This week on AwesomeCast, we're diving into the future of visual technology with Wally Haas, the founder of Avalon Holographics. From real, light-field holographic displays to the practical applications in medicine, defense, and entertainment, this episode is a glimpse at the future of immersive 3D visualization. We also break down tech updates from the cosplay-packed halls of Tekko 2025 in Pittsburgh, explore camera app alternatives like PostPic, and check out the latest headlines in gaming with the Chachi Video Game Minute. Whether you're curious about holograms, anime conventions, or how your iPhone can become a pro-level camera, this geeky roundtable has you covered!

This week on AwesomeCast, we're diving into the future of visual technology with Wally Haas, the founder of Avalon Holographics. From real, light-field holographic displays to the practical applications in medicine, defense, and entertainment, this episode is a glimpse at the future of immersive 3D visualization. We also break down tech updates from the cosplay-packed halls of Tekko 2025 in Pittsburgh, explore camera app alternatives like PostPic, and check out the latest headlines in gaming with the Chachi Video Game Minute. Whether you're curious about holograms, anime conventions, or how your iPhone can become a pro-level camera, this geeky roundtable has you covered!

MAGE guestmix: 01. Mage - Radiant Skies [Celsius] 02. Mage - Serenity [Kill Inc Drum & Bass] 03. Mage - Feel Lonely [Kill Inc Drum & Bass] 04. Ryan Audley & Mage - Dancing [Elephant Trunk Forthcoming] 05. Mage & Ryan Audley - Midnight [Elephant Trunk Forthcoming] 06. Mage & Elkus - Трудно быть богом [КОСТЁР Forthcoming] 07. Mage - Lost [Gunsta] 08. Mage & Kate VOYT - Greedy [Elephant Trunk] 09. Mage - Motive [Manifest] 10. Mage - ID [Manifest Forthcoming] 11. Mage - Nobody to Blame [Kill Inc Drum & Bass] 12. Mage - Yolochka [Elephant Trunk] 13. Mage - Human [Kill Inc Drum & Bass Forthcoming] 14. Mage - Moonlight Drive [Gunsta] 15. Mage & Ryan Audley - Return [DeVice Forthcoming] 16. Mage - Take It Slow [DeVice] 17. YUNGBLUD - I Was Made For Lovin You (Mage Bootleg) [Exclusive] 18. Mage - Take Control (Ecstasy) [Elephant Trunk] 19. Mage - No One Left [Elephant Trunk] 20. Yohan Gerber, Poylow - I m Good (Blue)(Mage Bootleg) [Exclusive] 21. Mage - ID 22. Fatloaf feat. Subminderz, Malstrom - Fancy (Mage Remix) [High Resistance Forthcoming] 23. RNDM THNGS feat. Lexxi Saal - Dead Man Walking (Mage Bootleg) 24. Mage - ID 25. Mage - ID 26. Mage - Love Better, Kiss Faster [Elephant Trunk] GVOZD vibez: 01. Rudimental/Jess Glynne - Back To Me 02. The Death Beats x Jasmine Knight - Only The Best (Dope Ammo x RareForm Remix) 03. Vibe Chemistry - Out Alive 04. Dim Bolt/LEO on Stage - My Biggest Mistake 05. Friction - Real Life 06. Apres La Classe - Paris (Dj Ferro Remix) 07. Aktive - On My Own 08. Symplex - Colours 09. Artino - Wanna Feel It 10. Tallulah/Morty - Get Close 11. Murdock/Omar Perry - Fire Burning (TANTRON Remix) 12. Dr. Apollo - Heavyweight 13. Ozma/Grinder/Gancher & Ruin - Polin 2.0 14. Paimon - Incredible 15. L Plus - Drop It 16. Nfunk - Zero Transmission 17. Dr. Apollo - Pull Up To The Club 18. Fusion Season - Protocol 19. XOHNE/Freddy B - Calamity 20. Fade Duster - Skrejet 21. Frosta & Diopolice - Absurd DARK SOUL guestmix: 01. Dark Soul - Bring the beat 02. Dark Soul & Lady Go - Игры разума 03. Dark Soul & Lady Go - На ладонях 04. Dark Soul & Struno - Batter 05. Place 2b - Future Is Now 06. Dark Soul & Lady Go & Struno - Микромагия 07. Dark Soul & Struno - PERESVET 08. Saint Rider - Dai 09. Dark Soul, Lady Go, Struno - С ветром 10. IMMERR - Non Stop 11. Dark Soul & Struno - ID 12. Dark Soul & Lady Go & Struno - Счастье GVOZD vibez: 22. LED. - Domain Expansion 23. Akuma - Throne 24. Kasra, Enei, JoSoSick - Plan 25. NEMY - Minimal Move (Remix) 26. Disorder_AT, LONGMAN - Man Vex 27. GZY - Don't Speak 28. L0G1N - Snark 29. FoX/Zero T - Fantastic 30. Low5 - Should Do 31. Nasz - Bored 32. Flava D - Reesey Thing 33. Vibe Chemistry/Manny/Little George - All On Me 34. Hologram, Georgia Pheonix - Sweetest Sensation ft. Jim Lawson, MC AD 35. Distracted Society - Hear Dis 36. Ben Soundscape/Samie A - Illusions of Grandeur 37. L-Side/Selecta J-Man/Inja - Bad Boy 38. Broma - Satisfy 39. Zapya/samara - Let You Go 40. Kara/Kristie Killick - Saving 41. Caspian - Lethe 42. Photek - The Forge 43. Dissident - Das Kapital Krieg 44. Bad 4 Life - Shiela 45. Noppo, Sydney Bryce - Rabbit Hole

MAGE guestmix: 01. Mage - Radiant Skies [Celsius] 02. Mage - Serenity [Kill Inc Drum & Bass] 03. Mage - Feel Lonely [Kill Inc Drum & Bass] 04. Ryan Audley & Mage - Dancing [Elephant Trunk Forthcoming] 05. Mage & Ryan Audley - Midnight [Elephant Trunk Forthcoming] 06. Mage & Elkus - Трудно быть богом [КОСТЁР Forthcoming] 07. Mage - Lost [Gunsta] 08. Mage & Kate VOYT - Greedy [Elephant Trunk] 09. Mage - Motive [Manifest] 10. Mage - ID [Manifest Forthcoming] 11. Mage - Nobody to Blame [Kill Inc Drum & Bass] 12. Mage - Yolochka [Elephant Trunk] 13. Mage - Human [Kill Inc Drum & Bass Forthcoming] 14. Mage - Moonlight Drive [Gunsta] 15. Mage & Ryan Audley - Return [DeVice Forthcoming] 16. Mage - Take It Slow [DeVice] 17. YUNGBLUD - I Was Made For Lovin You (Mage Bootleg) [Exclusive] 18. Mage - Take Control (Ecstasy) [Elephant Trunk] 19. Mage - No One Left [Elephant Trunk] 20. Yohan Gerber, Poylow - I m Good (Blue)(Mage Bootleg) [Exclusive] 21. Mage - ID 22. Fatloaf feat. Subminderz, Malstrom - Fancy (Mage Remix) [High Resistance Forthcoming] 23. RNDM THNGS feat. Lexxi Saal - Dead Man Walking (Mage Bootleg) 24. Mage - ID 25. Mage - ID 26. Mage - Love Better, Kiss Faster [Elephant Trunk] GVOZD vibez: 01. Rudimental/Jess Glynne - Back To Me 02. The Death Beats x Jasmine Knight - Only The Best (Dope Ammo x RareForm Remix) 03. Vibe Chemistry - Out Alive 04. Dim Bolt/LEO on Stage - My Biggest Mistake 05. Friction - Real Life 06. Apres La Classe - Paris (Dj Ferro Remix) 07. Aktive - On My Own 08. Symplex - Colours 09. Artino - Wanna Feel It 10. Tallulah/Morty - Get Close 11. Murdock/Omar Perry - Fire Burning (TANTRON Remix) 12. Dr. Apollo - Heavyweight 13. Ozma/Grinder/Gancher & Ruin - Polin 2.0 14. Paimon - Incredible 15. L Plus - Drop It 16. Nfunk - Zero Transmission 17. Dr. Apollo - Pull Up To The Club 18. Fusion Season - Protocol 19. XOHNE/Freddy B - Calamity 20. Fade Duster - Skrejet 21. Frosta & Diopolice - Absurd DARK SOUL guestmix: 01. Dark Soul - Bring the beat 02. Dark Soul & Lady Go - Игры разума 03. Dark Soul & Lady Go - На ладонях 04. Dark Soul & Struno - Batter 05. Place 2b - Future Is Now 06. Dark Soul & Lady Go & Struno - Микромагия 07. Dark Soul & Struno - PERESVET 08. Saint Rider - Dai 09. Dark Soul, Lady Go, Struno - С ветром 10. IMMERR - Non Stop 11. Dark Soul & Struno - ID 12. Dark Soul & Lady Go & Struno - Счастье GVOZD vibez: 22. LED. - Domain Expansion 23. Akuma - Throne 24. Kasra, Enei, JoSoSick - Plan 25. NEMY - Minimal Move (Remix) 26. Disorder_AT, LONGMAN - Man Vex 27. GZY - Don't Speak 28. L0G1N - Snark 29. FoX/Zero T - Fantastic 30. Low5 - Should Do 31. Nasz - Bored 32. Flava D - Reesey Thing 33. Vibe Chemistry/Manny/Little George - All On Me 34. Hologram, Georgia Pheonix - Sweetest Sensation ft. Jim Lawson, MC AD 35. Distracted Society - Hear Dis 36. Ben Soundscape/Samie A - Illusions of Grandeur 37. L-Side/Selecta J-Man/Inja - Bad Boy 38. Broma - Satisfy 39. Zapya/samara - Let You Go 40. Kara/Kristie Killick - Saving 41. Caspian - Lethe 42. Photek - The Forge 43. Dissident - Das Kapital Krieg 44. Bad 4 Life - Shiela 45. Noppo, Sydney Bryce - Rabbit Hole

David Nussbaum from Proto tells us how his technology can bring health experts into your home.

Episode 123 Hologram Hugs with Steven PugaWe get into some stories including performing at the legendary Laugh Factory, laying pipe, producing comedy shows and more wild stories. If you like our dope stuff, please tune in and share with your fellow friends! We talk about all the madness that does on in our lives. Make sure to share, like, comment and repost!Tell your Tias to listen in. Don't be shy and listen to this everywhere! Thanks to Downtown Drew and Miles P. for the work. Come for a drink, stay for the laughs! Thanks for tuning in to the ruckus. Share with your Sanch@s! Make sure you rate our show to get more exposure We are on YouTube so make sure y'all like and subscribe! Follow us on instagram @bro.monroe.showhttps://linktr.ee/three1media

John Pollock and Wai Ting review AEW All In: Texas headlined by Jon Moxley vs. “Hangman” Page in a Texas Death Match for the AEW World Championship.They also discuss the announcement of Adam Cole's injury and his emotional speech to the live audience.—----------Watch: https://youtube.com/live/mTQVhq3AQ6c?feature=share—----------Ad-free version available for patrons at POSTwrestlingCafe.comAEW All In: TexasJuly 12, 2025Globe Life FieldArlington, TXTexas Death Match for AEW World Championship: Jon Moxley © vs. Adam PageAEW Women's World Championship: Toni Storm © vs. Mercedes MonéAEW Unified Championship: Kenny Omega vs. Kazuchika OkadaSwerve Strickland & Will Ospreay vs. The Young BucksAEW World Tag Team Championship: The Hurt Syndicate © vs. Jet Speed vs. The PatriarchyAEW World Trios Championship: The Opps © vs. Claudio Castagnoli, Wheeler Yuta & Gabe KiddVacant TNT Championship: Kyle Fletcher vs. Dustin Rhodes vs. Sammy Guevara vs. Daniel GarciaMen's Casino Gauntlet MatchWomen's Casino Gauntlet Match[ZERO HOUR] FTR vs. The Outrunners[ZERO HOUR] Big Boom AJ, Hologram, Kyle O'Reilly & Tomohiro Ishii vs. Hechicero, Lance Archer, Rocky Romero & Trent Beretta[ZERO HOUR] Sons of Texas w/ Kevin Von Erich vs. Shane Taylor Promotions Photo Courtesy: AEWBluesky: https://bsky.app/profile/postwrestling.comX: http://www.twitter.com/POSTwrestlingInstagram: http://www.instagram.com/POSTwrestlingFacebook: http://www.facebook.com/POSTwrestlingYouTube: http://www.youtube.com/POSTwrestlingSubscribe: https://postwrestling.com/subscribePatreon: http://postwrestlingcafe.comForum: https://forum.postwrestling.comDiscord: https://postwrestling.com/discordMerch: http://Chopped-Tees.com/POSTwrestlingOur Sponsors:* Check out Progressive: https://www.progressive.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

So many dolls, so little time! This week, we're covering everything from the 30th anniversary Clueless collabs

Rick (@RickUcchino)and Cresta (@CrestaTHEEStarr) bring you tonight's AEW Collision post show for July 5, 2025 including:-Kyle Fletcher vs. Daniel Garcia-“FTR” Dax Harwood and Cash Wheeler vs. “The Outrunners” Turbo Floyd and Truth Magnum-Thunder Rosa, Queen Aminata, Anna Jay, and Tay Melo vs. ROH Women's Champion Athena, Thekla, Megan Bayne, and Julia Hart in an “all-star eight-woman tag”-Mistico, Hologram, and Mark Briscoe vs. Hechicero, Rocky Romero, and Trent Beretta-Shelton Benjamin vs. Kevin Knight vs. Nick Wayne in a three-wayIf you want to bet on Wrestling, or any other sport, check out our new partner where we get ALL of our odds! https://mybookie.website/joinwithFIGHTFUL and use the promo code FIGHTFUL. Deposit $100, get $50. Go in with $200, and they'll make it $100!Our Sponsors:* Check out Hims: https://hims.com/FIGHTFULSupport this podcast at — https://redcircle.com/fightful-pro-wrestling-and-mma-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dave and Milt crank the amp to 11 and count down the greatest fake bands of all time. That's right—no chart-toppers, no world tours, no actual existence. Just the fictional bands that somehow managed to rock harder than most real ones. We open with a little School of Rock, because if Jack Black doesn't make your fake band list, you're doing life wrong. From there, it's a nostalgic jam session through cinematic and small-screen legends like The Commitments, The Blues Brothers, The Wonders, and—of course—the loudest band in England that's not actually from England: Spinal Tap. Along the way, we unpack listener mail (someone really had feelings about Dr. Teeth), share stories of interns who may or may not be trapped in a basement recording kazoo solos, and ask the big questions—like how many blues brothers is too many? And is Stillwater the best band that never opened for The Allman Brothers? You'll hear music clips, trivia drops, obscure references (you're welcome, Christopher Guest fans), and—brace yourselves—a tease for the new Spinal Tap movie. Yes, it's happening. No, we don't fully understand it either. So if you've ever air-guitared to That Thing You Do, quoted A Mighty Wind unprompted, or shouted "Shama-lama-ding-dong" in polite company… this one's for you. Timestamps (for those who prefer structure in their musical mayhem): 00:00 – Welcome to Past Tens: We're faking it today 01:25 – Listener mail: Love, hate, and one impassioned defense of Jem and the Holograms 03:38 – The countdown begins (cue dramatic VH1 voiceover) 10:25 – #10: School of Rock – Let's rock, let's rock… today 18:42 – #9: The Folksmen – Three-part harmony, one-part folk satire 25:06 – #8: Stillwater – It's all happening (and surprisingly soulful) 33:11 – #7: Dr. Teeth & the Electric Mayhem – Muppets who shred 38:26 – #6: Otis Day & the Knights – Oh yes, we do mind if you dance with our dates 45:19 – #5: The Commitments – Soul power straight outta Dublin 48:19 – Intern tales & unlicensed musical ambition 49:08 – The Commitments, part deux – We really liked this one 52:15 – Flight of the Conchords – New Zealand's 4th most popular parody folk duo 58:20 – The Wonders – That thing they did? Still slaps 01:06:59 – The Blues Brothers – Suited up and still cool 01:11:50 – Honorable mentions: yes, Jesse & the Rippers made the cut 01:26:13 – Spinal Tap – Stonehenge, baby. Always Stonehenge 01:35:13 – Closing thoughts and shameless plugs

Welcome to Spitting Nonsense—where two self-proclaimed amateurs, Jasmine and Zach, chat about all things nerdy (and plenty that's not). None of this is fact, but it's definitely our brand of nonsense! We're still recording regularly—no promises on hitting exact days anymore—but you can always count on us for plenty of off-the-wall commentary. And now, you can leave comments on Spotify! Tell us what's on your mind; we see every comment and might even respond on the show. Thanks for listening, and enjoy the nonsense!

Remembering Valve's almost-launched Steam subscription service, NES classics reimagined in 3D, Mario Kart 64 running on Linux, Dying Light gets a makeover, and Fedora gives 32-bit a stay of execution.

Millions of tourists flock to London each year, eager to snap a selfie in front of Buckingham Palace or Big Ben. But beyond the crowds lies a darker – and distinctly stranger – side to the city: a gothic metropolis haunted by tales of demons, poltergeists and murders most foul. Jon Bauckham talks to author and historian Clive Bloom about some of the capital's spookiest stories, and why he believes that the eeriest encounters tend to unfold in the most mundane of places. (Ad) Clive Bloom is the author of London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury, 2025). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Flondon-uncanny%2Fclive-bloom%2F9781350424036. From the terror of being strangled by violent thieves to tales that the sewers were infested with a squealing band of pigs, 19th-century Londoners spent much of their time living in fear. Here, Emma Butcher and Tim Blythe reveal what seven such scare-mongering stories can tell us about the psyche of the capital: https://www.historyextra.com/membership/victorian-london-dangers-what-was-life-like/. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome back to 4 Sides Of The Ring, your go-to professional wrestling podcast for everything WWE, AEW, and NXT! In this episode, we dive deep into the latest pro wrestling headlines and rumors. From Liv Morgan's injury and how it affects WWE storylines, to the shocking return of Goldberg, and the long-awaited comeback of Asuka, we cover it all!We break down Bayley vs Becky Lynch and why it's not happening at Evolution 2, debate who advances in the King of the Ring semi-finals (Jey Uso, Cody Rhodes, Randy Orton, Sami Zayn), and spotlight NXT's women's division—the best in American wrestling?Will Jacy Jayne face Jaidia Parker, Lash Legend, Izzi Dame, or Jordynne Grace at Evolution 2?Plus:

The Dadley Boyz review last night's episode of AEW Dynamite and discuss...MJF nearly causes a riot!Mercedes Moné wins the CMLL Women's Title!Kazuchika Okada vs. Mark Briscoe!Hologram is still undefeated!Hangman Page speaks Spanish?!ENJOY!Follow us on Twitter:@AdamWilbourn@MichaelHamflett@MSidgwick@WhatCultureWWEFor more awesome content, check out: whatculture.com/wwe Hosted on Acast. See acast.com/privacy for more information.

AEW Grand Slam Mexico Match CardCMLL World Women's Champion Zeuxis defends against Mercedes MoneMJF vs. MisticoDeath Riders (Jon Moxley, Claudio Castagnoli & Wheeler Yuta) and Young Bucks (Matthew Jackson & Nicholas Jackson) vs. Swerve Strickland, Will Ospreay and The Opps (Samoa Joe, Powerhouse Hobbs & Katsuyori Shibata)Adam Cole, Daniel Garcia, Brody King, Templario, Bandido & Atlantis Jr. vs. Dax Harwood, Cash Wheeler, Konosuke Takeshita, Kyle Fletcher, Josh Alexander & HechiceroMark Briscoe vs Kazuchika OkadaRicochet vs. Hologram vs. Lio Rush vs. Mascara DoradaSubscribe to Hubbard Wrestling Weekly⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@HubbWWeekly⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HWW Site- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.hwweekly.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WE HAVE SOME GREAT MERCH ON TEE PUBLIC

Only one man could lead us into another year of B-ACTION badassery and only one movie studio could usher us into a new era of wall to wall B-ACTION goodness. Joe Lara takes us into the not so distant future in 1995's Hologram Man from PM Entertainment! Not to be confused with Demolition Man! Because basically it's the same plot. But that doesn't matter though thanks to constant explosions, badass chase scenes, roid rage, and excellent practical effects! Does it make a whole lot of sense? Hell no. Do bullets blow up cars? Hell yes. Will Charlie need a clean pair of underwear? You'll have to listen to find out! Don't just watch Action, B-Action!

We're not just a tech podcast; we're a tech & culture podcast. So today, we’re revisiting the charming and prescient 1999 Disney Channel Original movie Smart House. Directed by the multi-talented Levar Burton, it explores the role of smart home technology on a suburban family from a time when that technology was pure science fiction. It's not only a fun movie, but underneath its G-rated Disney veneer is a movie that has a lot to say about gender, relationships, labor, and the human experience. A major part of the movie is the kids' grappling with the loss of their mother, which hits home for Bridget at this time in her own life. Bridget recaps the film with Producer Mike to explore what it gets right, what it gets wrong, and what it’s trying to say about technology and the people who use it. Do you like film recap episodes like this? Should we do more of them? Should we never do another? Please let us know what you think, and send movie suggestions! If you’re listening on Spotify, you can leave a comment there or email hello@tangoti.com Follow Bridget and TANGOTI! instagram.com/bridgetmarieindc/ tiktok.com/@bridgetmarieindc youtube.com/@ThereAreNoGirlsOnTheInternet See omnystudio.com/listener for privacy information.

Talking Trash is a show to discuss movies that some people deem to be garbage, mediocre or just one that people never knew existed, we talk through the plot in spoiler fashion while asking "is this a bad movie?" And if not "what is the worst movie ever made?"It's June, and we've decided to explore the bad sub genre of cartoons turned into Live Action films. This week we give the live action "Jem and the Holograms" movie a watch, against Jo's wishes. Will it anger a nostalgic Misfit further or be truly outrageous? And yes, I wrote that and yes, I am pleased with myself for it. Now let's find out how this one is. Music by Karl Casey @whitebataudio on Instagram and YouTube.You can find us on Instagram @justanothermovienight and @thecraftymisfitNew episode every Tuesday.Thanks for listening! We appreciate you.

Eric Yuan turned a simple belief into Zoom, the platform that kept the world moving through a once-in-a-century shutdown and redefined modern work. On this episode of Grit, the Zoom CEO shares why velocity beats size, how a family-first ethos powered his leadership during COVID, and why the coming wave of AI dwarfs the original internet boom. He details how he's refreshing Zoom's culture for 7,500 people, opting for virtual deal calls over in person meetings, settling into life as an empty-nester, and keeping Zoom nimble enough to outpace Big Tech and the next wave of AI startups.Guest: Eric S. Yuan, Founder & CEO of ZoomChapters: 00:00 Trailer00:44 Introduction01:47 Walking with swagger03:48 Extremely exciting moment10:05 Classic innovators' dilemma12:59 Laser-focused bandwidth17:56 Family first: lead by example22:09 Everybody was doing their road shows25:34 The entire world was dependent28:04 Community care31:57 Valuation and a co-founder35:17 A lot of unhappy days39:25 Building Zoom for consumers46:57 Holograms?52:01 Home53:23 Huge competition, high velocity1:00:33 Where companies get wrong1:04:52 Giving back1:13:12 Who Zoom is hiring1:13:24 What “grit” means to Eric1:14:24 OutroMentioned in this episode: Webex by Cisco, Glean, Apple, HP, Netscape, Yahoo, Brian Armstrong, Emilie Choi, Coinbase, New Limit, Elon Musk, Windy Hill, Magic Leap, Rony Abovitz, Jony Ive, OpenAI ChatGPT, Bill McDermott, ServiceNow, Carl EschenbachLinks:Connect with EricXLinkedInConnect with JoubinXLinkedInEmail: grit@kleinerperkins.comLearn more about Kleiner Perkins

In this Freestyle Friday episode, Stacy and Pete tell a story about something that happened that morning, a Muppets ride follow-up, The Prom Queen on Netflix, And Just Like That, some exciting Jem and the Holograms news, more Survivor binging, Stacy shares about a recent nostalgic purchase, and author, Travis Kennedy, comes to the front of the We Don't Wanna Grow Up classroom for Show & Tell, and he tells us about his book, The Whyte Python World Tour! Support the show on Patreon Our Instagram Our Website Our Facebook Our TikTok  

"Time Bombs in the Constitution, and other Back-Door Paths to Tyranny" Mark mentioned several books today, including: "Hologram of Liberty: " by Kenneth W. Royce "Constitution: Fact or Fiction" by Dr. Eugene Schroeder "The Creature From Jekyll Island," by G. Edward Griffin "No Treason: The Constitution of No Authority," by Lysander Spooner

Swanner and Judd talk about: Andor; Sarah Silverman: Post Mortem; Matteo Lane; Murderbot; Mobland; Sakamoto Days; Long Way Home; Stereolab: Instant Holograms on Metal Film; Prom Queen; and more! Left Click To Listen, Right Click Here To Download

Rebellions are built on two seasons of a prequel series. Your Star Wars pals Dan, Kat, and Tony return to revisit 2016’s Rogue One: A Star Wars Story or, as we call, it Andor: The TV Movie. We discuss Krennic’s very bad week, why Cassian’s arc gets a little tricky, and the inevitable Saw Gerrera supercut. Dan Moren, Tony Sindelar and Kat Benesh.

Пиратская Станция раздает горячий drumandbass вайб из студии радио Рекорд! В гостях TOPER, впервые INJECTOR DRUMS и САША LOONA (Stim Axel) с невероятной энергетикой, качем и красотой и, конечно, любовью к нашей музыке! Ощутите этот поток... TOPER guestmix: 01. Reflekt feat. Delline Bass - Need To Feel Loved (Matrix Remix) 02. Metanoia - Roadrunner 03. A.M.C - Liftoff 04. Blkout - Crush 05. Mob Tactics - The Feeling 06. Jon Void & Wolf Pax - Like A Puppet 07. Drawn Moon & Qube - Control 08. Phibes - Better Than You Thought 09. Streetflicker - Dance With Me 10. A.M.C - There In 10 >>> DJ Hazard & D Minds - Mr. Happy 11. Circadian & Mozey - Louder 12. Rumour - From The Flames 13. A.M.C - Pressure 14. Dub Elements - Ballin' 15. Apokain - See Through You 16. Terrence & Phillip - Crank Dat 17. Tantrum Desire - Override 18. T & Sugah x Ctrl Alt Del - The Formula 19. Pirapus - Werk 20. Aktive - One More Time 21. Xylym - Compound 22. Kanine - Feel The Vibration 23. Yasuki & Icons - Higher 24. Eskei83 - Good Time 25. S.I.O.N - Set Me Free 26. Killer Hertz - Rock That Body 27. Grafix feat. Madishu - We're On Fire 28. Marshmello, Lil Jon & TRICKSTAR - Bad Boys (Dr. Apollo Remix) 29. Dead Wax - The Ride 30. Lateral - Lost In Space 31. TRCD - The System (Stonx Remix) 32. Feed The Fire & Ohkay - Heart Of Gold 33. NLW - Air Max 34. Freaks & Geeks feat. Kelli-Leigh - Ignite STIM AXEL выступление: Toper & 007 & Stim Axel - Небоскребы Toper & 007 & Stim Axel - В мире Toper & 007 & Stim Axel - We love DNB Stim Axel - Улетай Stim Axel - Петербург Stim Axel - Рестарт INJECTOR DRUMS guestmix: 1. Stranger Things - Main Title Theme 2. AKOV & Venjent - Venom 3. Yatuza - Toxic Positivity 4. Terrence & Phillip, Creatures - No Cure 5. Dimemories - Acid 6. Bongy - Robothug 7. Degs, Hologram, Ragga Twins - Hang Up The Mic 8. Bongy, Rend - ID 9. Kleu - ID 10. Conrad Subs - Liquid State 11. Rags The Goat - Sapnin Girl (ID's Remix) 12. T & Sugah - Throw It Back 13. Toper & Injector Drums - Rock Me 14. Pirapus - Werk 15. NLW & Primate - Air Max 16. Arc Nade, DJYOUTH - Bounce 17. Mode13 - Earth Station Zero 18. Walk-r - Breathe 19. Boston Switch - Techno On My Mind 20. Focusfire - Step Up 21. InsideInfo ft. Arev Durvesh - Num Num 22. Bongy - Polite 23. Injector Drums - Lion's Lair 24. Degs, HOAX - Smokescreen Sprayout 25. Bongy - ID 26. Chaka Khan - Ain't Nobody (ID's Bootleg) 27. Bongy - Food 28. Timbaland, Nelly Furtado, Justin Timberlake - Give It To Me (Injector Drums & Bass Buddy Bootleg) 29. Break - Overstayed 30. Bongy - Bali VIP GVOZD vibez: 1.Camo & Krooked, Tiga & Zyntherius - Sunglasses At Night 2.Maysev, Eluun - Veiled 3.Mandidextrous, GEA - The Beat 4.Maze - Just Let Me Go 5.POP OFF & JAH CONDAH - CANCEL 6.Pirapus- BACK2LIFE 7.Julian Cross - Save Me Now 8.Oliverse/Bertie Scott - Avalanche 9.Jon Void & Eviya - Old Times 10.Jane Doe - POP 12.FauxRealz, It's Tricky - Saltburn 13.Fascad - Jokes 14.Magnetude - The Star 15.ZedBerg - NEUTRONYX 16.Acaled & NERV3- Smart Devices 17.Yellock - Infinite Scroll (Azumai Remix) 18.YUSSI & Coppa Komanche - The Chase 19.Pendulum - Save The Cat 20.Vigilante - One Man Army 21.Jane Doe - Stood Up 22.Contam - EMP 23.Osprey - Feel Like 24.Lmnop - Birds Aren't Real

Hologram Tech with Synthetic Thought? Image of the BEAST?

Instant Holograms on Metal Film. Some of the gorgeous new music, after 15 years, from the epic band STEREOLAB.

In the landmark, hologram-covered 500th episode of Off Panel, my pal Brandon Burpee returns to the show to hand out some awards and to answer questions from friends of the podcast. We discuss favorites and surprises from the first 500 episodes, the comics that aged the best and worst from the past decade, comic book crushes, advice for our previous and future selves, comics that made us cry, comic character influencers, what we would change in comics, the comic we think everyone should read, our favorite X-Men comic ever, my approach to interviews, detail in art, our Star Wars connections, comics that get better with rereads, who won the past decade, favorite birthdays and Halloween costumes, our favorite writer, artist, and comic from the past decade, comic and music pairings, and more.

This episode is part of a feed swap with our friend podcast There Are No Girls On The Internet, hosted by Bridget Todd. She is an expert on tech culture, and on her show she has fun, thought provoking conversations about the ways technology shapes our lives. If you enjoy this episode, you can listen to There Are No Girls On The Internet wherever you get your podcasts. A hologram of the late Whitney Houston is doing a residency in Las Vegas. Host Bridget Todd talks with spirituality writer Brooke Obie asks what this means about celebrity, grief, and technology.Read Brooke's piece The Zombification of Whitney Houston: https://www.refinery29.com/en-us/2021/11/10725817/whitney-houston-hologram-tourRead The Face's Deepfakes, dead relatives and digital resurrection: https://theface.com/society/deepfakes-dead-relatives-deep-nostalgia-ai-digital-resurrection-kim-kardashian-rob-kardashian-grief-privacySee Al Sharpton's boycott flyer: https://preview.redd.it/a8fqafdn1yw31.jpg?auto=webp&s=372160136dda8598d3d621dbee936e5b3d31602cDrop Bridget and team a line at hello@tangoti.comWant to help shape TED's shows going forward? Fill out our survey! Hosted on Acast. See acast.com/privacy for more information.

Note: The first part of this episode has some clicks because of a connection issue. We tried to clean the sound up as best as we could. Bare with it because we really think it's worth listening to! This one's a long one, but one of our most amazing conversations. Drew and I spoke with Julie Cho and Erin Segal about their collaborative publishing project Thick Press. The two friends who met when they were 15 have been working together as graphic designer and social worker, asking hard questions about the value of work, juggling life and professions and sticking with relationships. We recorded this episode on November 8, 2024, two days after the US Presidential election. Despite the disappointment of the time, Julie and Erin showed up for our conversation in a way that can only be described as generous and present. Drew and I always joke that the podcast is “our therapy” and this episode couldn't be more validating of our motivations. We got to share about how we've struggled to keep Graphic Support Group going, the evolution of our friendship and admit to each other that we're still here and making the project happen. Julie and Erin took such care to hear us and opened up their stories for us to learn and reflect together. We are so appreciative of their time and words.Thick Press officially published “An Encyclopedia of Radical Healing” shortly after we recorded. They share the details about the massive project in the episode, so please check out their Instagram for more information and support their work with an order. They've also been super busy since we spoke! Here is a listing of some of their upcoming activities and recent publications:* Thick Press will be at the LA Printed Matter Art Book Fair at the Art Center College of Design in Pasadena on May 15-18.* They have published Change the World: A Research Book for Children and Adults by Sibylle Peters, is based on 20 years of performance-based research at the Fundus Theatre in Hamburg.* The second, may we dream and design felt futures: where our creative being and practice can feel the sensations of care, intimacy, and liberation, by Denise Shanté Brown, is both a memoir and a guide to creative social practices.* The third, It's Too Late. Do It Anyway! A Book about Being a Cultural Worker in the Apocalypse + a Hologram Starter Kit edited by Cassie Thornton and Magdalena Jadwiga Härtelova, is about a mutual aid protocol called The Hologram.Growth and collaboration! Get full access to Graphic Support Group Podcast at graphicsupportgroup.substack.com/subscribe

Holograms suck AI sucks Fan questions !

We're celebrating Voyager's 30th anniversary all year long, and this week marks a special moment: Kate Mulgrew's 70th birthday! We're looking back at some of Captain Janeway's BEST moments from both Star Trek Voyager and Star Trek Prodigy, along with our friend, Amy Imhoff!From classic Voyager episodes like "Resolutions" and "Night" to defining moments as both a Hologram in "Supernova, Pt.2" and an Admiral in "The Devourer of All Things." Plus, YOUR favorite Janeway moments and episodes, the Strange New Loop, and more on episode 233 of Strange New Pod.Follow Amy:Blue Sky | InstagramFollow the IMAP Space Mission:Instagram | WebSend us a textSupport the show

What if a laser could help a child speak for the first time—or reverse an “incurable” brain condition? In this episode of The Human Upgrade, Dave Asprey talks with Dr. Brandon Crawford, a leading neurotherapist and founder of 528 Innovations, about the emerging science of laser therapy for the brain and body. You'll learn how light—when precisely pulsed and targeted—can rewire brainwaves, heal trauma, and even influence states of consciousness. Dr. Crawford explains how specific laser frequencies are being used to modulate brain states, activate the vagus nerve, improve mood, restore gut-brain communication, and support recovery from conditions like autism and ALS. From EEG shifts to structured water and mitochondrial signaling, this conversation dives deep into biohacking's most advanced light-based tech. What You'll Learn in This Episode: • How laser therapy rewires brainwaves for mood, focus, and clarity • The exact brain regions linked to embodiment, intuition, and flow • Why pulsing patterns matter more than power in laser tech • How light influences trauma recovery and vagus nerve activation • The role of structured water and infrared light in cellular repair • How patients with ALS and autism responded to 528 protocols ** Get 30% off GA Virtual Tickets for the Biohacking Conference this May with code ‘528i30' at checkout! ** THANK YOU TO OUR SPONSORS! -Timeline | Head to https://www.timeline.com/dave to get 10% off your first order. -LMNT | Free LMNT Sample Pack with any drink mix purchase by going to https://drinklmnt.com/DAVE. Resources: • Dave Asprey's New Book - Heavily Meditated: https://daveasprey.com/heavily-meditated/ • 528 Innovations Website and used code ‘UPGRADE10' at checkout – https://528innovations.com/dave • 528 Innovations Instagram - https://www.instagram.com/528innovations/ • 2025 Biohacking Conference: https://biohackingconference.com/2025 • Danger Coffee: https://dangercoffee.com • Dave Asprey's Website: https://daveasprey.com • Dave Asprey's Linktree: https://linktr.ee/daveasprey • Upgrade Collective – Join The Human Upgrade Podcast Live: https://www.ourupgradecollective.com • Own an Upgrade Labs: https://ownanupgradelabs.com • Upgrade Labs: https://upgradelabs.com • 40 Years of Zen – Neurofeedback Training for Advanced Cognitive Enhancement: https://40yearsofzen.com Timestamps: • 00:00 – Trailer • 02:00 – Intro • 02:26 – New breakthroughs in laser therapy • 03:07 – Why laser tech needed reinvention • 04:21 – How laser light influences the brain • 08:03 – Holograms, light, and reality • 09:02 – Telepathy and autism connections • 12:03 – Rewiring the brain with light • 20:01 – Quantum signaling between cells • 22:33 – Biohacking and yogic practices • 22:54 – Testosterone and natural living • 23:37 – Boosting testosterone with lasers • 25:21 – Mitochondria and higher awareness • 27:35 – Laser benefits across the body • 30:29 – Advanced brain stimulation tech • 36:19 – ALS recovery and healing cases • 40:48 – Closing thoughts and next steps See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Scientists develop first-ever touchable 3D holograms - which means we'll be able to bang a hologram soon. Cosm's "shared reality" venues are releasing a new version of 1999's "The Matrix" this June. A Catholic school teacher was fired after parents of her students found her OnlyFans page. Who do you believe: A pregnant woman in Sydney, Australia claims a Japanese restaurant served her salad with a dead rat. Why are scientists cloning extinct animals? I am the master of the grill - at least in my household.

In this episode of TV Tortured Together, hosts Jacob and Laura dive into the nostalgic world of 'Jem and the Holograms.' They explore their personal connections to the show, discuss the plot and character dynamics, and analyze the love triangles and identity themes. The conversation flows into the ski resort challenge faced by Jem and her friends, culminating in a climactic rescue. They wrap up with their thoughts on the theme song and the overall impact of the show on their childhoods.Checkout the new Hopecast website:https://thehopecastnetwork.com/Buy Merch here:https://www.bonfire.com/store/the-hopecast-network-swag/This show is brought to you by The Hopecast Networkhttps://www.instagram.com/hopecastnetwork/

Hey everyone,Fresh out the reactor this week we've got bangers from Blinded Theory, Screamarts X Enta, 2Whales, Aye Rights & more.In Demos, WIPs, and Promos, we're checking out heaters from the likes of XAETIS, Receptor x Skrimor, Hologram, and Hackwaves & Pezutek.No end mix from our host Ollie this week as he's heading down to London for the Blender 2 Year Anniversary, playing a B2B with XAETIS — big love, see you next week!Blinded Theory - Pass / Vyugacygnusmusic.link/knalmayDon't forget you can catch us LIVE recording Stonxcast on Twitch every Friday at 7pm (UK)TRACKLIST AND MORE INFO: www.stonxmusic.co.uk/stonxcast-ep137

Guest: Dr. Bruce Y LeeSenior Contributor @Forbes | Professor | CEO | Writer/Journalist | Entrepreneur | Digital & Computational Health | #AI | bruceylee.substack.com | bruceylee.com Bruce Y. Lee, MD, MBA is a writer, journalist, systems modeler, AI, computational and digital health expert, professor, physician, entrepreneur, and avocado-eater, not always in that order.Executive Director of PHICOR (Public Health Informatics, Computational, and Operations Research) [@PHICORteam]On LinkedIn | https://www.linkedin.com/in/bruce-y-lee-68a6834/Website | https://www.bruceylee.com/_____________________________Host: Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society PodcastVisit Marco's website

BOSSes Anne Ganguza and Andy Roth delve into the nuances of voice acting from the perspective of a seasoned casting director. They explore strategies for success in auditions, emphasizing the importance of authenticity and making genuine choices. Listeners will gain insights into the casting process, understanding the client's vision, and the significance of following instructions. The episode addresses the impact of AI on the industry while reinforcing the irreplaceable value of human connection and unique interpretation. Anne and Andy also discuss practical advice for creating compelling auditions, handling limited information, and cultivating a resilient mindset in the face of industry challenges.   00:04 - Anne (Host) Hey, what's up bosses? Join our VI peeps today and gain access to over 350 hours of pre-recorded workshops designed to enhance your voiceover skills. From industry insights to practical techniques, our workshops cover a wide range of topics. As a VI peeps member, you'll also receive a 15% discount on current workshops and free monthly workshops to keep your skills sharp. Don't miss out on this opportunity. Sign up for VI Peeps membership now at vopeeps.com    00:39 - Speaker 2 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO boss. Now let's welcome your host, Anne Ganguza.    00:58 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguza, and today I am so excited to have a very special guest Andy Roth with me here today. Andy has a career that has spAnned three decades and he is an award-winning casting director, voice director, producer and writer and is known for you Would Do it Too, too Hot to Handle Valeria, the Animal People, the Forest, my gosh this list Andy is going on and the Peculiar Adventures of Willoughby Starr. He's also served as casting director on over a thousand commercials. That is a lot of commercials. So welcome to the podcast, Andy. It's so wonderful to have you.    01:40 - Andy (Host) Thanks, I'm excited to be here. Thank you.    01:43 - Anne (Host) Gosh, I met you not so long ago and I'm not quite sure why it took so long for me to meet you, but I thank Jessica Blue for introducing us because I feel like I've known you forever and you're just amazing and I want the bosses to know how amazing you are as well. And so let's talk about you and your long, spanning career of gosh over a thousand commercials and all these productions. It's amazing. How did you get started?    02:11 - Andy (Host) Honestly and yes, I think I have worked on more commercials than any human being should probably ever really be exposed to. I got started in this business actually back in 1994. A friend of a friend heard about an opening for an assistant at a talent agency which was called CED at the time. Now it's called CESD and it was in the voiceover department and so I became an assistant there, did that for several years, then became their in-house casting director and did that till 2007 and then left on my own and I actually I didn't even know when I started that voiceover was its own thing.    02:49 - Anne (Host) I was going to ask you, did you get the experience on the job as you were casting?    02:53 - Andy (Host) Yeah, like I mean, of course I always knew about commercial voiceover and animation and things like that, but I didn't know how vast it was until I was really in the heart of it and I just I fell in love with it.    03:05 - Anne (Host) I can't imagine. I mean and so how has the industry changed and evolved over the years?    03:10 - Andy (Host) for you, Well, it's gotten bigger. So many changes I mean, it's been 30 years since I went through a couple of strikes. It was the explosion of the non-union entity, which has become a whole other thing, of the non-union entity, which has become a whole other thing. Yeah, it's become its own area of the business. I've discovered that voiceover is anytime there's something new. Voiceover is the first thing there. Oh, how interesting. Anytime there's a new piece of technology, somebody wants to put a voice on it. Siri's a voiceover. Yeah, Alexa is a voiceover. Holograms have voiceovers. Augmented reality, virtual reality. When I started in this business, it was basically 13 chAnnels and people really mostly only cared about four of them. Yes, yes.    03:58 - Anne (Host) I hear you on that.    04:00 - Andy (Host) And then cable became a thing and you had this box with three numbers on it so you could have 999 chAnnels. And now with streaming, it's just icons. I mean it's unlimited. It goes on forever. And people have discovered content from other countries that's exploded and become a thing and voices are everywhere. We are the first area of the business to adapt and change and we're sticky Once we're in a place voiceover is just going to be there.    04:32 - Anne (Host) I love that. I love that, and especially because you've been in the industry for so long and we talked about, you know, the explosion, like the technology explosion too, I mean, with first it was all union, then non-union kind of came aboard, because of the pay to place, I'm sure, and the online casting, and now we're under the threat of AI. But I guess I'd love to hear your thoughts on that, because here you are with all these wonderful, hopeful things that you're saying about voiceover, which I love and I like to tell my bosses out there as well. I mean, I think there's always a place for human voiceover.    05:00 - Andy (Host) What are your?    05:00 - Anne (Host) thoughts on that.    05:02 - Andy (Host) I think there are certain areas of the business that may be a little safer from AI, especially animation. People love to go to cons to meet the voice of their character. You can't really replace that with AI. Is it 100% safe? Maybe not, but there are people dealing with it, fortunately, and AI does a lot of good things for the world too. I mean, I've seen programs where people who have no ability to speak can speak because AI helps them. It helps search engines. I mean there is definitely a place for AI. But as far as the possibility of replacing humans in this business, there are people out there that are concerned about it, that are helping, and fortunately they've been on it since it really became apparent it could be a thing. I'm optimistic. I'm realistic in that there will be some areas where AI is going to be there. It already is, but I'm very, very optimistic about protections.    06:02 - Anne (Host) Me too, me too.    06:03 I really am. There's a lot of people fighting and, with the strike going on, which you know, fingers crossed, people are listening. I mean, I think what it is is we have voices and hopefully they're being heard, because a lot of people out there, like back in the beginning, when I got into voiceover, like what is that? Even, and even when you said you started, like what is that? Even. I think bringing awareness to the global community about voiceover and what we do as creatives and how important the creative process is, I think is really impactful in helping get us protections as we move forward. And I am a tech girl and I believe there is a lot of space for AI in the world, but I also believe there's a lot of space for human and human engagement and human creativity and I think that people crave that, no matter how good. And let's talk about this because an AI voice is perfect, and so you and I also with my students, we talk a lot about like I don't want a perfect voice when I'm directing my students.    07:02 I mean I want to hear that imperfection because that makes it real and that makes me engage and connect with it. Let's talk a little bit about that, about really, what should voice actors be doing now to really separate themselves from the crowd and also from AI?    07:19 - Andy (Host) Well, honestly, being a presence having a discussion, you don't connect to AI the way you connect to another human when it reaches its pinnacle and it's really ready to go, which it's not totally now. But the good thing about AI is it's going to do whatever you ask it to do whenever you ask it to do it. The bad thing about AI is it's going to do whatever you ask it to do whenever you ask it to do it. There are some moments that have come out of projects I've worked on. I mean, I've voice directed I think like 22 shows now that are on the air. The great thing is you give a direction and the human being interprets it their way, and sometimes you're right on the money and you're really simpatico and it's exactly what I asked for. Thank you. Sometimes we figure things out together. Sometimes they come up with something they thought was what I asked for but was actually a lot better.    08:13 When you get two independent minds with human experience, with a life, with a history of interacting with other human beings, there's a thought process there that, at least at the moment and honestly, in my opinion, for the foreseeable future, can't really be duplicated. I mean, ai is intelligence, but it is artificial and we cast based on human interaction. We connect with roles we direct. This whole industry is built on human interaction. So, to a certain point, yes, ai can get things going and smooth out maybe some of the bumps, but it's not really going to be the base on which this industry is built for human beings to connect to other human beings. That being said, not everybody sees it this way, so be vigilant and be aware of it. But as far as how people can stand out honestly, the best way for people to stand out is to be themselves. There are a lot of people I know that send me auditions that I can hear they're trying to be what they think the right thing is. Yes, absolutely.    09:19 And if I've asked you to audition, you're already the right thing. I don't know if you'll get the job, but I know that you can do the job. And I've had auditions that people didn't book lead to other jobs that they didn't even audition for. That actually just happened on a show I am on right now. I cast somebody and he was like did I audition for this? I'm like well, sort of you auditioned, like two shows ago.    09:43 - Anne (Host) I love that. Yeah, I think that's very encouraging for those actors out there who it's such a personal thing, right.    09:50 When you submit an audition, it's so hard not to get personally attached to it or feel like, oh gosh, like I really, really want this, and but then you don't hear anything or you may never get feedback and then ultimately that is, I think, when people are first starting out in this industry. It's something very hard for them to kind of let go of because it is such maybe a personal connection. But I love that you're talking about bringing yourself and the human element to the audition, because that's really what makes you unique. I'll even tell my students, because I do a lot of work in the long format narration like corporate and e-learning, and most people feel like that shouldn't have like a point of view or a feeling, but most absolutely it does, because I tell people to think about like okay, if you're going to do an e-learning module like what was it when you were going to school that made someone your favorite teacher?    10:37 Like did you have a subject that maybe you hated, but then all of a sudden, the teacher was amazing and then that's what made it interesting. And that's the type of voice that I want to come out. And there's always a point of view in that, believe it or not, it's a point of view that says I care about you as a student, that I care that you learn, and so that comes through in the voice and if you're just reading the words, or even if you're just reading the words in the sound in which you hear them all the time, which typically is very robotic for a lot of e-learning, I go on and on about why that happened for so many years. Because nobody chucked us on it and nobody was an actual teacher.    11:09 And I say that because I was a teacher in front of the classroom for 20, some odd years. But still, even if you think in what you hear, I have so many students that say, but I hear it on the commercial, it sounds like this and I'm like, yeah, but that might not have been what got them cast. It might be at the moment that someone directed them to be. And even you, if I ask, if you're directing someone, do you not only sometimes have to like talk to the client to see?    11:33 if that's what the client is thinking is good, and even what you might be like, this is great. This actor's got it nailed. The client might want something different.    11:41 - Andy (Host) Well, I work with the actor for the client. The actor is sort of the most profound connection artistically. That's the relationship that ultimately creates a thing. But I do work for the client and ultimately what they want.    11:57 I kind of think of it like this: this is a hive mind and there's a queen bee somewhere in an office with a checkbook and the rest of us are workers trying to make sure the hive is ready before it rains. So I very, very much listen to the client, want to do what the client says. I'm very much back and forth with the client. If it's a dubbed show that I'm directing, I am constantly because I could get a read that I'm like that's brilliant, that's amazing, I love it. And then I'm like that's brilliant, that's amazing, I love it. And then I'm like let's compare it to the original, because if it doesn't match or do the same thing, I'm like I love it, but we have to shelve it and we have to do what the client wants.    12:34 - Speaker 2 (Announcement) But at the end of the day.    12:35 - Andy (Host) The client has built a container that they want filmed with humAnness and it is my job to fill it up, and that happens just through us connecting. Part of what I listen for on an audition is do I get you? And I don't mean like, are you a Pisces? Or something like that. I mean Long walks on the beach, right exactly Pina coladas getting caught in the rain, not that I have a problem with pina coladas or getting caught in theaters, or long walks on the beach.    13:05 - Anne (Host) Long walks on the beach.    13:06 - Andy (Host) Let's be fair, but I do feel like I want to feel like there's a human there, because that makes me feel like I know what's going to happen in the studio, and I don't want any of us to do more work than we absolutely have to do. I want us to connect, do something, play with it, do it again, move on, and it needs to be within the container that the client has given me to fill. Does that make sense?    13:29 - Anne (Host) Yeah, absolutely so. Then if there are casting specs, and someone is paying attention to the casting specs, which a lot of times. Casting specs sometimes seem fairly generic and sometimes not. How much should they be paying attention to that and trying to like create that versus bringing their most human self to that read?    13:49 - Andy (Host) Well, I will say this about casting specs and yeah, sometimes they kind of suck and I'm sorry about that, but they are designed to help you. They are coming from somebody's mind to kind of get you to the place where you can be you in the relevant context. Sometimes they're just not actable, sometimes they are a little generic, sometimes they're not understandable, but more often I think they are. And even if we don't realize every nuance, just reading them often will get us to an emotional place where we can be ourselves, because happy you is very different than sarcastic you or sad you or angry you. I say, always pay attention to them, always read them. But If you can't make a choice based on them, then maybe sort through or throw them away, but they are always there to help you.    14:42 I mean, I do know some people that are like, oh, I never read the specs. I don't think that's the best way to go. Sure, yeah, always. But I mean again, you don't have to be beyond completely throwing them away. They're garbage or they're just completely not you, but they weren't paying attention to. Also, sometimes we put things in there like naming conventions, if I say I want the file named role underscore full name.    15:12 And I get something that's named a different way Well before I've even listened to it. You've told me you don't really care what I have to say. So yeah, I would say, always pay attention to them.    15:21 - Anne (Host) I like how you turned that into the message right.    15:24 So a lot of people I'll be like I don't understand why I will have my students name files a particular way, because they submit their homework via Dropbox and they have to name it a certain way. And if they don't, I spend half of their session looking for their file and what happens is they seem to think I'm insane for asking them to name it a certain way. And I'm like, in reality, there's a method to my madness here. I mean because if you audition, you're going to have to name that file specifically the way they're asking, otherwise it's going to get tossed to the side. I like how you mentioned that. Yeah, you've already shown that you have respect for the process by naming the file correctly, and it shouldn't be a task to do that. And if it is a task, then I think maybe you should get some computer training that can help you to do that task and to pay attention, because that's part of our job when we're submitting.    16:14 - Andy (Host) I mean, you're going to name it something.    16:16 - Anne (Host) Yeah, exactly, why not name it what we're asked?    16:19 - Andy (Host) You're not just going to send me a file with nothingmp3. Also, I find that some of these rules, although they may not be the creative process, they may not be the most fun thing, they actually do help their creative process. I was talking to somebody who is an on-camera person. They're working on their own project and it's great. And I said have you ever interned or worked at a studio? You know, it's California, there's no shortage of them. If you can't intern, well, I think that that would get in the way of my creativity and I don't want to. And it's like okay, I understand that, because you'll be in their world with their creativity, but nobody writes a screenplay and says I can't wait to gaff this.    17:08 I'm so excited to hire security and craft services. Working at a place where all of these things are just laid out, where, okay, I have to get security, I have to get craft services, I have to go file permits, I have to do all this. Working at a place that's going to make the part you don't really want to do easy, is going to free you up to focus on the creative and it's actually going to make you creatively freer because, whether it's a horror movie or a romance or a comedy, getting a permit is getting a permit. It's the same and getting used to saying, okay, I know how they want to do this. It's the reason I have people name certain things is because often I want all characters grouped together.    17:44 - Anne (Host) Yeah, absolutely yeah. There's a good reason for that, yeah.    17:47 - Andy (Host) Right, and if yeah, like you said, if I have to go searching through it, you made my job harder finding you than it was for you. To just name it what I asked you.    17:55 - Anne (Host) Don't give you homework, like I shouldn't be giving you homework.    17:58 - Andy (Host) If I'm submitting an audition, it should not be homework for you to find it and to listen to it, and yeah, absolutely, and I just may not do it.    18:06 - Anne (Host) Yeah, exactly Because you know you're that student that sits in the back of the class. I mean, I already know this about you, having met you briefly, but those are the most fun students.    18:18 Those are the creative ones that usually you know they're geniuses in the back because they're causing all kinds of trouble, but you don't want to give your talent agent or your casting director or whoever it is you're submitting your audition to. You don't want to give them homework. So what other things would you recommend are strategies for maybe creating a great audition or getting to the humAnness and the point of view that you're looking for in terms of this is the actor I want to cast.    18:45 - Andy (Host) Don't try to get it right. Don't deliberately get it wrong, like if the role obviously needs you laughing. Don't cry uncontrollably to stand out, because you will stand out.    18:55 - Anne (Host) It's got to make sense.    18:56 - Andy (Host) Yeah, you will stand out, just not necessarily in the way that you want to, but being free. So many people hang so much on every audition it's like, oh, this is the job, and if I don't get this job I failed. And that's not true. Every audition can get you more auditions. An audition is really a way to establish or reaffirm a relationship, and you'll get opportunities and jobs in this business. For one reason Somebody wants you to have that opportunity, or that job.    19:30 It's not who you know in this business, it's who knows you. Ah, I like that in an audition. I mean there's nothing anybody can teach you that's going to guarantee you're going to book everything. But being yourself making simple choices, Okay, the first line is oh my God, I'm so happy, I'm going to make a simple choice, I'm going to smile, I'm going to be happy, I'm going to listen back to it, see if it needs more or less, maybe something else, but trying to be like what did they mean by? You know, let me stand out, let me get? You don't know enough at the audition point to stand out. You haven't heard the other auditions. You don't know about the conversations the casting director's having with the client. You don't know who else is cast. You don't know. You don't know any of the parameters. Sometimes somebody wants somebody who's done a million jobs because of a time frame or there's a relationship.    20:22 Sometimes we specifically don't want that person because that person has been heard on eight other projects. You don't know any of that. What you can know is that if we've reached out to you with an audition, it's because there's already something there that lets us at least believe we know who you are. I don't need some weird ethereal happy, I just need your happy. It's also not about not needing to be directed. It's about us getting you so we can ask can you be?    20:52 - Anne (Host) happier. Can you be less happy?    20:53 - Andy (Host) Yeah, keep it simple, there's a thing.    20:57 I call the four disagreements yeah, if you want to serve the script, don't worry about serving the script. If you want to get it right, don't worry about getting it right. If you want to play the moments, don't worry about playing the moments. And if you want to make the casting director happy, don't worry about making the casting director happy. Make the choice or choices that you feel are right for the script, for the context and any other information you may have.    21:23 Was somebody that I felt was really, really right for a role. I thought they were great, they were perfect for it. I read them, I gave my little write-up about why I thought they were terrific, sent it off. The director really, really liked them and it came down to that person and one other and the other person ultimately got it. That's what the director was feeling and it was a great person. I mean, the person who got it was terrific and I liked them and I worked with them all the time. But I was like, not the way I would have gone, but fine. So season two.    22:08 I ended up directing season two and I called this actor and I said do you mind if I submit you? And they said sure, what do you want me to read? I said I don't. I want to resubmit your audition from last season. And they said but it didn't get me the job. I said no, but there's different brains involved now and we'll see. And the person who booked it last time can't do it again because they did it last time and it's a different role. And I resubmitted it with the same write-up and they ended up getting a lead role. So we hang so much on everything that we micromanage, we microanalyze. Don't look for information you don't have and not going to have. Say this is what I feel is right. I'm not an idiot. I know the business, I know my choices are right. I sometimes book. I get asked to audition again. Do them, and I'm not going to say forget about it, because that's not always how brains work.    23:03 - Anne (Host) Try to forget about it. Yeah, exactly, don't let it mentally hassle with your yeah yeah, don't schedule an extra therapy session for it or anything. Yeah, exactly.    23:12 - Andy (Host) Yeah, I mean it'll be in your head and it's fine, but know that your audition is out there working for you. Just be you. Make simple choices, things you know you can do, things you feel are right and do them.    23:24 - Anne (Host) Now here's a question which I know is on a lot of people that are just getting into the industry, or students that are just getting into the industry. It's about the lack of. They're like the words are on the page and they don't make sense to the student, because they're talking about some visual that's probably already been done or it's in the process, or the person that wrote the copy knew what visuals were going to be along with it. But yet here's the copy, but yet no storyboard. There's no other information except for maybe like casting specs about oh, we want female age, blah, blah, blah, blah. And so then they're like well, how do I interpret this? How do I even because I'll okay, who are you? Who are you talking to? You know, create that scene. And when I'm just like well, look, as long as you're committed right, you're committed to those words and they make sense, you can make up whatever scene you want that allows you to be authentic and genuine with it.    24:15 And sometimes I'm very surprised at stuff that I've done. When I look at what comes out afterwards, I'm like whoa, okay, I didn't expect that. So why is that? Are we a step in the process where we don't get fed more information, like is there a reason why there's not more storyboards or there's not more you know what I mean information given at the time of the audition, or just curious?    24:36 - Andy (Host) I never asked anybody this and I will say this. It sometimes is as frustrating for me. I would love for the actor to have everything the actor needs, but sometimes you can't. Sometimes projects are secretive. Sometimes there actually is a storyboard. I'm just not allowed to tell you. Sometimes there's information about what show it is or what the product is. I remember when Apple first started advertising the iPhones and we were casting in person because it was a long time ago and we weren't even allowed to put iPhone on the door. We weren't even allowed. It would be secret product, you know, and people would be like oh, a phone that does stuff.    25:17 - Anne (Host) But we weren't allowed to say it.    25:19 - Andy (Host) So there'd be like on the door it would say like jet plane or freezer burn or just some random word, so you would know where you should go. I worked on a show recently where there were these athletes going to this really important game and one of them is looking out the window and it's starting to rain and he's nervous and he's like, wow, it's raining out there. And the coach looks at him and goes, yeah, but it's raining for the other team too. Whatever information you don't have, neither does anybody else.    25:54 Whatever problems you have, everybody else it's raining for the other team too Sure.    25:59 - Anne (Host) Sure, I love that. It's so nice for you to validate that you know, what.    26:03 - Speaker 2 (Announcement) I mean.    26:03 - Anne (Host) Because I think a lot of times people are like but why, how? Come I don't know anymore. Why can't?    26:07 - Speaker 2 (Announcement) I.    26:08 - Anne (Host) I said it's very rare in any of my jobs in all these years that I've ever gotten a storyboard. I mean after. I get it maybe I'll get a storyboard. There'll be times I'll get storyboards with a commercial audition, but I think it's gotten less over the years. Yeah.    26:23 - Andy (Host) You get what people feel you need, and they're not always right.    26:26 - Anne (Host) And a lot of times they change again. Yeah.    26:30 - Andy (Host) And it's very much. You get what you get. You don't get upset, but you will always have everything you need to do your job. You may not feel it, it may not be as much as you want, but it is enough to get you to a place where you can come up with specifics. Even if you make them up, you can come up with a.    26:50 - Anne (Host) I'm happy, I'm sad. I'm a wise ass.    26:53 - Andy (Host) This business. We do everything we can to give you everything you need to do your job and only be as specific as you can. Don't go to a place where you're making up a whole scenario so you can feel more complete as a performer that I'm not going to get. Does that make sense?    27:12 - Anne (Host) Yeah.    27:13 - Andy (Host) Know that when we send this out, we are ready to fill in these blanks in the job Right.    27:19 - Anne (Host) And usually, if I'm not mistaken, the voiceover is probably one of the tail end of the things to be filling in, or no Is? That not a correct Like. Usually the media is finished, the things have been written. Usually there's visuals somewhere along the line that have been made and then the last thing to be cast is a voice, but maybe not when we're talking on camera. I mean, that could be. That's a different part of the process.    27:40 - Andy (Host) Yeah, well, I mean, I would say probably, I mean anytime there's an actor involved. A lot of work has been done before. Yeah, before we even start talking to actors, and a lot of work's going to be done after the actors are gone. So, yeah, on camera, yeah, of course you're on set for a little bit longer probably than voiceover, but, yeah, often things are in place and we do our best to ask is that what you're saying? Yeah, yeah, absolutely yeah, yeah, but there's a lot that happens before anybody asked me to do anything.    28:12 - Anne (Host) There's a lot that happens before the mixer's involved or anything yeah, yeah, I think it's good to know that we're only one tiny piece of like an entire project and sometimes, I think, in our own little worlds. We tend to forget that in our booths right. We're like oh the voiceover is like front and center and in reality there's so many other components to probably creating this project or commercial or movie or whatever it is.    28:38 There's so many other parts and we get so wrapped up in just our part of it that I think we have to realize that we're just a cog in the wheel so to speak, it's an important cog I mean, the machine won't work without it. Exactly.    28:50 - Andy (Host) But we do mesh. It's a great analogy, metaphor simile, simile, it's a great simile. Yeah, right, I thought I was an English teacher. There you go, simile, there you go. Oh, I love it. I love it, it's a great, yeah, simile.    29:10 Yeah, because, like I said, we're all worker bees yes, yeah, I know that we have a lot of the same issues too. There's stuff I can't know, there are things I'm not allowed to be a part of, and there's a lot of processes. So, yeah, just do your job. Don't worry about what we want or what somebody else is looking for or somebody else is hiding. We're not, we're not hiding anything. We just need you to be you, to know what that cog is.    29:26 And again, I have anxiety attacks when I get a job, sometimes because there's just so much stuff I haven't gotten to sit down with it yet. I haven't seen a script, I don't have a cast. Sometimes I don't have all the episodes of a show or all the spots in the commercial campaign. There's a lot I don't know either. And I understand it can be isolating. It could feel lonely, you know, when you're alone in your booth it could feel like everybody's working more than you, everybody's auditioning more than you, everybody in the industry does have that. It's been a few weeks. Am I ever going to work again?    30:02 - Anne (Host) Do I belong in this industry? It just becomes very dramatic sometimes.    30:06 - Andy (Host) I state something. I offered a potato chip. Did that offend somebody? And we spiral out. Every single person involved does it. Oh, nice to know, I'm not alone, right, I mean, because even after all these, years.    30:20 - Anne (Host) Sometimes it's so hard not to get those thoughts in the way. I swear that, like everything that we do, sometimes it's so hard not to get those thoughts in the way I swear that, like everything that we do, is sometimes it's not a God given talent.    30:28 Well it is, but it's the most important thing, is our mental state about it all, because it can affect so much I mean the fact is is that we can just like let those feelings and ideas spin around in our head and be like oh my God, did I do something to offend? Am I good enough? Am I? You know all that talk in your head is the stuff that I think is probably some of the most dangerous talk and things that you could have as a voice actor.    30:52 - Andy (Host) Yeah, it's. It's like Schrodinger's audition the audition is simultaneously good, bad and not submitted. There you go.    31:02 - Anne (Host) I love it. Oh my goodness. So then I would say, with the thousands of commercials that you have directed or produced, what? Would you say, is the cast that you've cast? What's the best thing a talent can do? In hopes of maybe getting cast. And what's the worst thing that you've seen a talent do that wouldn't get them cast?    31:22 - Andy (Host) Yeah, I don't know that I'm going to say the worst thing.    31:24 - Anne (Host) Or yeah, maybe not a smart thing. So yeah, that kind of tends to be pretty specific to a person.    31:30 - Andy (Host) And if it's the worst thing I've seen, it means probably only one person did it and so I'm not going to tell, I would say, the most probably impractical thing that.    31:39 I've seen people do is be like, okay, I'm going to be the person who is going to get the job. I'm going to try to fool you into thinking that I'm the person you're really going to hire, and so I'll get a read and somebody's clearly doing this and it's like well, I know it's a car commercial, but I didn't ask for that and that person is available and they work for what you work for.    32:04 If I reached out to you, I don't want an impression of that person or people that change their voice into a better version of you know, it's like if I called somebody because they have a certain depth to their voice.    32:19 - Anne (Host) This is my voiceover voice, right, yeah?    32:21 - Andy (Host) And if I haven't asked you to do that and I might I mean there are things but if I haven't asked you to do that, don't do that. It may even turn into that at the end of the day.    32:32 - Anne (Host) Isn't that the truth, right? It may turn into that at the end. That's what. I end up getting is people be like. But I listened to the commercial and it sounds just like this and I'm like but that doesn't mean that that performance got you the job.    32:43 - Andy (Host) Yeah, I've had people come up to me. Andy, I heard that spot, I could have done that. Why didn't you ask me to do that? And I'm like is it your first day in the business, have you never? It's like nobody did that. The person who booked it didn't do that and the client liked the director is directing and they call the client and the client's like can we hit this word a little bit more? And I feel like we're not pushing.    33:07 - Anne (Host) Yeah, and I always say that the person who's actually making decisions like it depends on, like what they hear in their head, right. And maybe they're a 65 year old person that's been listening to announcery commercials all their lives and that's what they hear in their head. And that's what ends up getting directed, or whatever it is. I think our voices become a product of the years and years that we've had and your musical, I know this right Of hearing things right.    33:31 And so that's why when we go in and we say this is what we think you want to hear, because we're mimicking over a period of years that's why in our head there's a certain melody Also. I think there's a certain melody also. I think there's a scientific and tell me and if you think I'm right, I think there's a scientific like reason why people, when they read words, they read them in a melody. That's very expected, because I can tell you exactly like.    33:52 Here's a paragraph, I can mimic exactly what you're going to do. If you're not thinking about like acting and you're just thinking about reading along a melody, I know that melody already and it's funny because I'm right like 99.9% of the time with that melody. And what is that? That's a scientific study that you read words in a certain melody.    34:11 - Andy (Host) Well, I'm not a neuroscientist, Damn it Andy, why? Not, you're everything else. That was my fallback, that was plan B, just in case yeah, I mean you've got that medical background. But the brain doesn't think in words, the brain doesn't think in images. The brain thinks in little synaptic flashes, billions and billions and billions of them. You're sounding like a scientist, thank you.    34:36 Thank you very much For anybody who's like questioned me on that, which, fine, by all means question. My answer is what's the word that keeps you balanced? What's the word that keeps your heart beating? What's the? Your brain doesn't need words. Your brain just does little flashy things like a microchip. Your brain's basically a macrochip, holds, I think, about 10 terabytes of information and it processes it certain ways. So when you look at a word, it doesn't actually see a word, it sees an image that sparks a whole sequence of synaptic flashes. The people that organized those words in the form of a script or a book or whatever learned the language. The way you learned the language. They learned it by hearing it. And even if it's your second language, yeah, okay, maybe there's some schooling, but at the end of the day, you're really learning it conversationally, by hearing people do it. So your brain doesn't just process. Okay, this is this sequence of words with a dot or a line at the end of it, or a squiggle or something.    35:36 It actually processes the whole thing as a rhythm. The rhythm that was born into it will probably be the rhythm that comes out. And yeah, is it 100%? No, sometimes there's typos, sometimes things are weird, but it's also why, like, there's this thing online where there's a whole paragraph and every word has first, last and middle letter in the right place, but the rest of the words are just jumbled.    36:03 - Anne (Host) Oh yeah, and we know what that.    36:04 - Andy (Host) yeah, I've seen those and you can still read them, you can still get the rhythm, you can still do all that. So acting is a physics term is one of the things I say in my class. Acting is doing something that has an effect on a receiver. You say something, it affects somebody else. It hits a series of triggers. A script is the same thing. A script is a series of things that will trigger you in most cases, which?    36:30 is why somebody leaves a word out of a line. You often may not even notice that word's not there. Your brain's just going to put it in. So, yeah, exactly like you said, you're going to be right most of the time, because it is how your brain now thinks. And sometimes you won't be. But those are flukes. Those are rare. They do happen. They're. Certainly those will be the ones that we look at and focus on, because they're messed up and we'll use them to define ourselves. Oh, I'm terrible. How could I have made that mistake? But the truth is, usually things go right, and so trust yourself. It's why one of the four disagreements if you want to get it right, don't worry about getting it right.    37:11 Yeah, don't worry about getting it right, absolutely yeah, read it listen to it and, to be honest, if it's terrible, throw it away. Nobody's going to hear it.    37:18 - Anne (Host) Right, it's so funny. I remember when I was teaching in front of the class and I would get so excited. Sometimes, like my brain, I'd be like, oh, and I want to tell them about this, and then what would come out of my mouth sometimes didn't follow, because I was so excited, but the funny thing is is that I never once had a classroom that didn't forgive me for that, do you?    37:35 - Speaker 2 (Announcement) know what I mean?    37:36 - Anne (Host) Yeah, yeah, because I was so intent on sharing, and excited and passionate that they forgave the mistakes I made, and I truly believe that that's how you need to approach your copy, because it's more about how you're making me feel really. And, like you said, it's a series of synapses or reactions or the words are there to trigger something and so the acting is reacting, kind of thing.    37:59 And so that really needs to be built into all of your auditions, all of your performances in some form or fashion. And yeah, worrying about making it perfect is spending too much time worrying about making it perfect and not enough time worrying about how are you going to make someone feel or how are you going to engage with them and tell that story.    38:17 - Andy (Host) Yeah, it's not your job to not have a problem. It's your job to have a problem in a way that nobody else thinks it's going to become their problem. It's your ability to deal with it. Yeah, exactly, we worry about so much One of the things that I tell you have to do a do you can't, do a don't. I'm going to be happy. That's a do you can do that, I'm going to talk fast.    38:39 That's a do. I'm going to talk slow. I'm going to talk with an accent. I'm going to be really big or I'm going to be really small, I'm going to whisper Any of these things. These are things you can do. You can't do a don't. I don't want to be wrong is not a choice. I don't want to mess it up is not a choice. I'm trying to not be too fast, or I'm trying to not.    38:59 Those are not choices, those are don'ts. I would rather have you be too fast and ask you to slow down which is an inevitability of our relationship as director and actor anyway than have somebody who's delivering at the perfect pace but the copy is sounding like this and there's no humAnness to it. Cool, we learn more from our successes than our mistakes. HumAnness to it. Cool, we learn more from our successes than our mistakes. Everything you're good at, you've gotten good at by doing it right over, over, over, over over and sometimes messing it up, but being able to fix it because your brain knows what the right is. So whoever's listening to it or interacting with you in an audition is going okay. When they stumble, it's not going to be a big deal.    39:44 - Anne (Host) Yeah, exactly, we'll move on yeah.    39:45 - Andy (Host) Yeah, nobody cares.    39:46 - Anne (Host) I want the intent.    39:47 - Andy (Host) Yeah, nobody cares if you screw up, I mean, and the reality of it is is.    39:50 - Anne (Host) I mean unless you're being live directed right. I mean we're all human. Everybody understands that. If you're not and you're doing it later on, I mean good Lord, we can just edit it.    40:01 - Speaker 2 (Announcement) I mean, so if you stumble on a word.    40:03 - Anne (Host) I mean, we all do it. I'd love to speak perfectly 100% of the time, but I certainly don't. And so, yeah, we all make mistakes and so it's just you fix it. And so when I'm having somebody read for me live, I don't care if they stumble, I want their acting, I want to hear their acting. And if they stumble, it's okay because inevitably they're going to get it right. If I'm paying them $10,000 for the job, I mean they're going to go do it until they get it right.    40:25 And so if you're going to stumble in front of me, that's fine. I just want to feel you and hear you.    40:30 - Andy (Host) Yeah, just don't have a meltdown in front of me about it, don't beat yourself up, don't apologize. I want to be a director. I don't want to be a therapist.    40:39 - Anne (Host) You probably are for most of the time.    40:41 - Andy (Host) I don't want to. I don't want to do that. Yeah, I mean like people can go bleh, you know, and do a pickup. I don't mind a blip, that's huge. But I've seen people really like beat themselves up and feel like they're less than or feel like they're stupid I mess up words that I'm making up.    41:00 - Anne (Host) I mess up words when I talk in everyday conversation.    41:03 - Andy (Host) Yeah, yeah, and I don't even have a script, I'm just making that up. Yeah, exactly.    41:07 - Anne (Host) That's brain to mouth.    41:09 - Andy (Host) Oh, I screwed that up, yeah there's a lot that happens between synapse and noise and there can be a problem at any step of that process, so worry less about that, bosses. Yeah, worry less. There's a phrase that I hate practice makes perfect.    41:26 - Anne (Host) I mean, I don't know, if you say it, I'm sorry if you do, I probably. No, I don't okay. Good, I mean because it's never happened.    41:30 - Andy (Host) I mean, how long does something have to not happen before we stop acting like it's going to? The purpose of practice isn't to become some theoretical idea. The purpose of practice is to make you comfortable with the inevitability of your imperfection.    41:48 - Anne (Host) Yeah, I like that.    41:49 - Andy (Host) Yeah, you'll be reading a sarcastic role, or a happy role or an angry role. You'll be selling hamburgers or beer or a car. Scripts will change, attitudes will change, voices may change, but messing up a word and dealing with it doesn't. Yeah, yeah, you know that's the same. A typo, that doesn't change you. Getting mush mouth or dry mouth, that doesn't change. So the purpose of practice to get you comfortable with the fairly limited number of ways you're going to have a problem yeah, yeah, yeah yeah so that it's not a big deal.    42:23 I like that.    42:24 - Anne (Host) I'm always saying if there's a mistake in the script, and especially well, for me it makes sense because typically long-format narration scripts go through rounds and rounds of approvals, through like corporate hands and even like your stuff, I'm quite sure, goes through many hands of approval and so like, if you're going to be that actor that's going to point out a mistake in a script, no, don't be that actor.    42:44 Be the actor that reads it exactly the way it is but makes it sound like there's no mistake you know what I mean, that's your job is to make it sound beautiful, like, even if a word's missing or I mean if it's really really obvious then you just graciously. Hey, here's an alternate take, just. But don't ever like point out the mistake. Goodness gracious, no, nobody wants to be that person.    43:03 - Andy (Host) And if you have an opportunity to ask say is there a missing word? Sure, by all means, but sometimes you just don't have that opportunity. Sometimes you don't have an answer it's raining for the other team too.    43:14 - Anne (Host) Yeah, I love that. It's like that's such a great takeaway. That's such a great takeaway, that and just not worrying right and not worrying about being perfect, and I think that that has just been a wonderful takeaway and I feel like we need to have part one, two and three of this interview.    43:30 I would love that it's so wonderful. Thank you so much for chatting with me today and imparting those words of wisdom. Are you available, Like if people want to find out more about you? I mean, do you have a website? I mean, is it one of those things that people can reach out to you?    43:47 - Andy (Host) I do have a website. I have Andyrothcasting.com.    43:51 - Anne (Host) Okay.    43:52 - Andy (Host) Yeah, that is my website. I can't really always talk about things I'm working on, Of course. I mean almost everything is NDA, but things I've done are there. If I do have a class coming up or something, it's listed there.    44:03 - Anne (Host) And speaking of though, we do have a class coming up. I'm going to have you for my VO Peeps guest director guys. So boss is coming up.    44:11 Make sure you sign up, and I will say that when I met you at Mavo, you were doing a couple of classes and people were just raving about you and so, and they were really like taking a lot away from your classes. So I can't wait, I can't wait for you to be and you're going to be in. What did we decide? It was, oh my gosh, it's like May, may, march.    44:34 - Andy (Host) April, april or April or May, I don't know.    44:36 - Anne (Host) Peeps check the calendar because he's going to be here and Andy Roth, make sure you sign up, and I'm so excited for that.    44:44 - Andy (Host) Me too, me too. I'm really excited, and every opportunity to hang out and talk with you. Yay, I will take every one of those opportunities, awesome.    44:52 - Anne (Host) Well, hey, I can't wait to do this again. Thank you so much, thank you For being with me today, and a big shout out to my sponsor, ipdtl. You too, can connect and network like bosses. Find out more at IPDTLcom. Bosses, you have an amazing week. I just sounded Jersey. I think it's because I'm talking to you, Andy. I said bosses, have an amazing week and we'll see you next week. Bye, guys.    45:16 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast-to-coast connectivity via IPDTL. 

On this week's episode of The Debrief Weekly Report, Kenna and Steph, along with their feline producer, Beemo the Cat, run far far far far away from the "psycho salmon" that seem to be appearing due to pharmaceutical pollution in waterways. Next they play with some 3D holograms that have becoming interactive, and taste the latest research into 'digital flavour." Every Tuesday, join hosts Stephanie Gerk, Kenna Hughes-Castleberry, and MJ Banias as they round up the latest science and tech stories from the pages of The Debrief. From far-future technology to space travel to strange physics that alters our perception of the universe, The Debrief Weekly Report is meant for the dreamers who love the science and technology of the future. Follow the Debrief on X: https://twitter.com/Debriefmedia Follow Stephanie Gerk on X: https://twitter.com/stephgerk Follow Kenna Hughes-Castleberry on X: https://twitter.com/kennaculture Have something to tell us? Email the show at weeklyreport@thedebrief.org

The world's smallest flying robot, holograms that we can manipulate with our hands, and on This Day in History, Apple 1 person computer is introduced to the world. The World's Smallest Flying Robot Is Here. It Weighs Less Than a Raindrop and It's Powered by Invisible Forces | ZME Science Scientists Built Holograms You Can Manipulate with Your Hands. This Is How the Future Feels | Popular Mechanics You can now manipulate 3D holograms thanks to display breakthrough | Live Science Researchers Develop a Hologram You Can Manipulate With Your Hands | Gizmodo April 11, 1976: The Day Apple Changed the World with Its First Computer | YourStory April 11, 1976: Apple I Computer Is Released | Vintage News Daily Apple I - Mac History Contact the show - coolstuffcommute@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We have music from Dean Wareham & Britta Phillips. Tom chats with them Dean's new album, Galaxie 500 and Britta's vocals in Gem & The Holograms! Plus, filmmaker Alex Braverman talks about his new Andy Kaufman documentary, Thank You Very Much! Mike has "Mr. Etiquette" cards! Plus, friend of the show Jeff Feuerzeig stops by! SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES! https://www.patreon.com/TheBestShow WATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCH https://www.twitch.tv/bestshow4life FOLLOW THE BEST SHOW: https://twitter.com/bestshow4life https://instagram.com/bestshow4life https://tiktok.com/@bestshow4life https://www.youtube.com/bestshow4life THE BEST SHOW IS A FOREVER DOG PODCAST https://thebestshow.net https://foreverdogpodcasts.com/podcasts/the-best-show HEARD IT ON THE BEST SHOW PLAYLIST https://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267 Learn more about your ad choices. Visit megaphone.fm/adchoices

When the cadets are on lockdown as the Infinity is being sent to its fiery blue death, programming holo doubles is their only plan for saving the timeline. But when their copies are good enough to cause an identity crisis, the Rok-Tahks work together to figure out who gets to escape on the Infinity. What's gaining traction in state legislatures? Who is rolling around in her grave? Which movie franchise is not for making sense? It's the episode that's uncomfortable with most of the adults on Voyager A. Support the production of Greatest TrekGet a thing at podshop.biz!Sign up for our mailing list!Greatest Trek is produced by Wynde PriddySocial media is managed by Rob Adler and Bill TilleyMusic by Adam RaguseaFriends of DeSoto for: Labor | Democracy | JusticeDiscuss the show using the hashtag #GreatestTrek and find us on social media:YouTube | Facebook | X | Instagram | TikTok | Mastodon | Bluesky | ThreadsAnd check out these online communities run by FODs: Reddit | USS Hood Discord | Facebook group | Wikia | FriendsOfDeSoto.social

Our AEW Dynamite review as Simon Miller recaps - The Fallout from AEW Revolution, MVP wants to help MJF, Toni Storm has a new challenger, Brian Cage & Dralistico vs. Hologram & “Powerhouse” Will Hobbs, AEW International Championship #1 Contender's Dynasty Eliminator kicks off, and much more...ENJOY!Follow us on Twitter:@SimonMiller316@WhatCultureWWEFor more awesome content, check out: whatculture.com/wwe Hosted on Acast. See acast.com/privacy for more information.

Ray and Lucie talk about hologram doctors, a dystopian infrastructure project, measles making a comeback, Southwest checked bag policy,, and much morehttps://www.patreon.com/RayKump for an extra episode every week!Follow Kump on Twitch https://www.twitch.tv/raykumpKump Hand Merch https://bonfire.com/store/kump/Follow Ray on Sound Cloud https://on.soundcloud.com/QbP8