Podcasts about All Too Well

She's not an artist. She's a timeline. Country Taylor. Pop Taylor. Indie Taylor. Villain Taylor. Billionaire Taylor. Every Swiftie is loyal to a different version — and that's exactly what makes this the hardest question in music right now. Cash The Record is back. Vol. 4. And we're going after Taylor Swift. One catalog. One pick. No mercy. "All Too Well" has ten minutes of pure devastation. "Shake It Off" is diamond-certified and inescapable. "Love Story" built an empire. "Cruel Summer" went #1 — four years after it dropped. And "Blank Space"? That's a different conversation entirely. We're not picking your favorite. We're picking the ONE song that defines who she IS — the song that represents the pivot, the shift, the moment Taylor Swift stopped being a subject and became an author. Drop your pick in the comments before I say mine. I read the first wave personally. TIMESTAMPS 00:00 — Cold Open 01:13 — The Rules (watch this before you comment) 02:30 — The Real Problem With Taylor Swift 03:10 — Foundation Era: Love Story vs. You Belong With Me 06:07 — Pop Takeover: Shake It Off vs. Blank Space 07:41 — The Case FOR All Too Well (before we dismantle it) 09:40 — Modern Era: Anti-Hero & Cruel Summer 11:01 — Elimination Round 12:15 — The Verdict 14:00 — Comment Section On Trial 17:00 — Outro + What's Next

Tyrone breaks down all the fan bases that have no chance of having a parade in February! Why are Sixers fans so bitter? Why Game 6 of the NBA Finals will cause the ultimate mayhem in NYC! "All Too Well" is a bad Taylor Swift song and Steve Kerr should know better! Lisa Leslie deserves a statue, but NOT next to Shaq & Kobe! And Tyrone's list of the GOAT of every sport. All that, and more, on today's episode of The Craig Carton Show!  Learn more about your ad choices. Visit megaphone.fm/adchoices

SCREEN QUEENS: ABC Upfronts, "The Mystery of Richard Simmons," and "Hacks," Colleen's favorite sandwich at All Too Well in Chicago aka "THE SANDWICH" aka "The Sebastian" and Jason's Hawaiian lobster grilled cheese that changed his life forever, and the return of headphone cordsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

First up, a massive celebrity engagement has taken a bizarrely fated turn after fans discovered a hidden connection between Harry Styles, Zoe Kravitz and a beloved book franchise. Plus, we're dissecting the first grainy on-set photos from a highly anticipated movie sequel - including a certain "upgraded" diamond ring that has the internet comparing old flames .Plus, we have a very serious theory about a sky-blue dress and a horseshoe necklace. We’re unpacking why a certain countdown appeared and vanished on a major artist's website, and whether she is about to pivot into the world of animated sequels to finally secure her "EGOT" status.And finally, the real-life inspiration behind one of cinema's most iconic "assistant" roles has finally stepped out of the shadows after twenty years. We get into her "savage" rebuttal to the woman who wrote the book and her mortifying encounter at a mutual friend’s house with the A-list actress who played her on screen. Read the Vogue interview with the real life Emily from Devil Wears Prada here. Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mum and Me Out.00:02Speaker 2 Welcome to the Spill your daily pop culture fix. I'm Laura Brednick and I'm Tina Burke and coming up on the show today, Look, Taylor slipped us up to some antics. There's secret coded messages in her outfits, there's potential secret songs, there's a countdown.00:15Speaker 1 I'm gonna be so honest.00:16Speaker 2 I'm gonna let you, Tina Burke, explain that because that is wait, you're crazy, Taylor, so fandom that's your business. Plus something I have been obsessed with for the last few days. I know we both have, but we need to talk about it. The real life Emily from The Devil Wears Prada has come forward after all these years, and she's given some really interesting insights about the author of the book, Anna wind Tour Emily Blunt. We're getting get into the biggest takeaways from that, but first you have some other things to discuss.00:43Speaker 3 I have some things that have come across my desk this morning. One of them is very short and I just need to touch on it really quickly, Will And it is that. Obviously, last week we discussed Zoe Kravitz and Harry Styles engaged. According to people magazine. Do you know what their middle names are? Her middle name is Isabelle, Isabella Isabelle.01:00Speaker 1 Last, what his is? No, it's Edward. Oh they are Edward and Bella. Oh my god, this has blown up.01:08Speaker 2 You might be the only person who. Oh no, it has blown up on socials this morning.01:12Speaker 3 It's come across the internet because they are Bella and Edward from Twilight, which means they are now faded to be together forever. I was skeptical before. I was like, they're not gonna last. It's not gonna happen. And now I'm like, no, they're Bella and Edward, so like it's gonna happen. By Stephanie Wheer, Oh my god, I love some little nerd put that together. I love nerds.01:28Speaker 1 And they together.01:29Speaker 2 For nine months, we've had this information for nine months and only now have people picked it up.01:32Speaker 3 Someone sat on it until now, And maybe they'll have a little renett me of their own, just something to think about, something a bit.01:37Speaker 1 More serious, do you think of it?01:39Speaker 2 Well, I'm sure they'll be thrilled that people have figured out they're supposed to be together because they're middle names.01:43Speaker 1 Yes, no other reason.01:46Speaker 2 Yeah, something more serious that isn't more serious, No, but with just my lurkings on social media is the Summer I Turn Pretty has officially.01:55Speaker 3 Been done filming the movie, which is very exciting. It's been really like under wrapped of what exactly the plot was going to be. I mean, we pretty much assume and everyone has reported that it's going to be about like Belly and Conrad finally getting married, but we didn't finally.02:10Speaker 2 Everyone's like, well, when will those crazy kids get married?02:13Speaker 3 Honestly like sitting on the shelf at this point. But I do think they're going to be about twenty five. But the first onset photos came out over the weekend. They've gotten back to set and while they were incredibly grainy and blurry and they were kind of like pat photos or fan photos taken on phones, they're all out on a boat on the lake.02:29Speaker 1 It's very the summer return pretty.02:31Speaker 3 Yes, what you can see is that Belly has a big diamond ring on her left ring finger.02:37Speaker 2 Okay, people have not handled these photos well in a mature way. Everyone has been pretty nasty, pretty crazy because the ring, as we all remember, if you can even call her that, that was given to Belly by Jeremiah in the show was so small that you literally couldn't see it. Even when she held it up in front of your face, you could not see it. We put it on socials and we had to.02:58Speaker 3 Draw a circle around it, the tiny little diamond.03:01Speaker 2 From that point, poor Jenny Hahn, the writer of the books and creator of the TV series and showrunner and all these things, This talented, creative, brilliant woman then gave up her precious time to go on oppressed tour to do interviews so that fans could ask her questions about the show. And all that woman got asked was what was that tiny ring? Was that meant to be a joke? And that poor woman had to answer over and over again. No, it wasn't meant to be a joke. We just thought, like, he doesn't have any money, so of course you'd have a small ring. It's just the way that belly held it up so defiantly to show the family and then you couldn't see it, and you couldn't see it at all. Became such a running joke.03:36Speaker 3 Yes, and so even from a great distance on a boat in the middle of the high seas, you can see the ring that we can assume Conrad has given to her. So it's a Peconkin diamond, and I'm very excited about that because she does deserve it. And this is why you date the handsome doctor and not like the weird other brother. There were lots of reasons, but I do think this is one of them. The other big thing that has come out based on these photos is that Jeremiah our like sad single other.04:01Speaker 1 Hey.04:01Speaker 2 Hey, some of us were kind of quietly team Joremiah nick word team Jeremiah, and I don't understand why, but that's your business. He has his arm wrapped around a mystery blonde woman, so that, oh god, it's not that woman from who was that girl?04:13Speaker 1 I kind of friend.04:14Speaker 3 Yeah, So the whole season three subplot of him falling for the roommate and the roommate being a weird hater of Conrad that never.04:21Speaker 1 Sat well, Yeah, that just felt right. That was for nothing.04:23Speaker 3 It felt rushed, and it was for nothing because now he's on a boat with a woman who looks a little bit too much like his mother and he's got his arm around her and they look to be a couple. So wow, something to think about there, But we don't really know too much about what the film is about, but we do know that Jenny Hahn is directing. So she directed one of the episodes of the season three, which was episode five. Laura, I don't know how much you remember the summer I Turned pretty, but episode five was the one from Conrad's pov Oh the Apple.04:48Speaker 1 We hate the Apple, and he is in the white T shirt. Yeah, that song played wild Horses beautiful.04:52Speaker 3 VI.04:52Speaker 2 Wow, I just like, I feel like I just lost you for a second, just went off and I just got into.04:55Speaker 3 My Conrad's little like mind bubble. But she's going to direct the film, so she said, taking inspiration from Nora Efron. Oh great, so great person to take your inspiration from. You do have to wonder what like the traditional third actension is going to because I think the whole show was third actension and we don't need to see a mini breakup again. But I don't know, maybe Steven and the other one can have some drama.05:17Speaker 1 Yeah, I mean that's the thing. Isn't it to be able to make a movie like that.05:20Speaker 2 Yes, yes, you've got the wedding as the plot, but there's going to have to be some moment where you think they're not going to get married some sort of drama.05:26Speaker 1 You can't just have a wedding.05:27Speaker 3 No, But like at this point, it's been drama non stop for years.05:30Speaker 1 You go tired to Paris.05:31Speaker 3 She's like, actually, I'm going back to Paris, thank you so much. I'm leaving you again. That would be so boring. We can't do that.05:36Speaker 1 Do we know when this is coming out? Like, at least not until next.05:39Speaker 2 Year twenty twenty seven, twenty twenty seven to be coming out. Yeah, I mean, I guess people will still be interesting, Like I know people still be interested, But I was worried when the show ended and they announced the movie was happening, and the momentum was so huge, and in my head, I was like, oh, I wonder if they've started shooting so that this can come out at least a year after the last episode has aired, and now it's going to.05:59Speaker 1 Be well over year.06:01Speaker 3 Yues.06:01Speaker 2 People still care because there was such a fandom around that show.06:04Speaker 1 But do we think it all? Do we think the momentums lost a little bit?06:07Speaker 3 I think so, And as well, there were reports like the other week about the fact that maybe the cast had only signed on to do the movie in order to get pay bumps for season three when they were renegotiating, and Deadline kind of reported saw stuff the cast themselves didn't come out and say this, but that the cast might have felt like they were a little bit taken hostage in having to agree to the movie so that they could get a pay.06:28Speaker 1 Rise for three.06:29Speaker 3 So there's also like that little underlying tension as well that I think some fans aren't happy with. And yeah, it's a long wait for a movie that realistically like I don't know what's like, how much could possibly happen.06:39Speaker 2 Yeah, we love Jenny harm but yeah, we love Jenny Harm. Well, hopefully there's a big plot twist in there. But that's the thing about having these continuing stories is like you do have to kind of break something or change something in order to make it worth the stakes.06:51Speaker 1 Yeah, but I'm sure to be fine.06:52Speaker 2 And also at least that they were all out of like high school and through college, they have to worry about it. They don't have to worry about them aging out of their roles. Yeah, we've got a good fifteen year years before that happens. So no, I think it'd be fun.07:02Speaker 1 Yeah, So, as.07:04Speaker 3 Discussed my favorite topic in the world. Taylor Ellison Swift has come up twice, actually more than even twice, several times in the past week, but on two very significant occasions. We have been talking about Taylor Swift and I have been talking your ear off, and I'm sure you loved every second of it.07:18Speaker 1 Right, No, I always.07:19Speaker 2 Find that you have an interesting angle on Taylor Swift because you're like really in the weeds with not just the fan theories, but kind of like the industry chat as well.07:27Speaker 1 So I find that very interesting. I thank you for play kating a lot of people who care about stuff I can't really relate.07:32Speaker 3 Yeah, and I care about everything weigh too much. But one of the things that came up last week, which some of the spillers may have seen, I know a lot of people were texting me going, what the hell is happening right now?07:44Speaker 2 People text you if something happens to tell you Swift, They're like, what's going on? Why is this a thing?07:48Speaker 1 And to be fair, you know the answer, and I do know the answer.07:50Speaker 3 So Taylor Swift. On Friday last week, a mysterious countdown appeared on her website for the briefest of moments and obviously, if you know anything about Taylor Swift, she loves like an Easter egg, she loves a big reveal, and she often does these countdowns on her website. So before the Life of a Showgirl album came out, whole website changed colors, big countdown pops up. This time, her website briefly changed to a sky blue background with like white cartoon clouds, and a countdown appeared in like this also cartoonish kind of font and then disappeared, and the Swifties very quickly put together that it looked like Toy Story Wow, okay, and Toy Story five is coming out soon.08:31Speaker 1 No, I'm aware, Oh good, I'm aware. I'm up on the plots, I'm up on everything.08:35Speaker 3 No, everything, and Toy Story five is coming out soon. But the thing is, people suddenly realized, holy shit, has a Taylor Swift been dropping Toy Story five clues?08:45Speaker 1 And again, yes, yes, okay, it looks like yes.08:49Speaker 3 So one of the things that I love about Taylor Swift is so and it's bold of me to say this, I'm sitting here in a T shirt, but her street style is not necessarily beloved by the fashion girls. A lot of people think she dresses a bit basic or like. The common theme is people think there's always like one thing wrong with her outfits, so she often gets roasted for her She.09:08Speaker 2 Gets roasted, And it's so interesting how there's this huge fandom of people that are just like, oh, she looks she just looks terrible. She dresses frumpy. If you listen to any kind of fashion podcast, fashion adjacent, any kind of industry chat, they're just like, she's known as being like one of the worst dress celebrities. Can I just say, I can't see it. I like her outfits.09:28Speaker 1 I like them too. I guess I'm just not a fashion girl.09:31Speaker 2 But I thought, like recently in the dress with the little yellow bag and the heels, maybe it's because I too am a little basic. Like when people just like, oh, it's so boring when she just wears a glittery gown, I was like, you know what, wear a glittery gown. I'm so sick of everyone wearing a beige column dress or a black dress. They're like, it's chival blah blah blah. I don't know, they all look the same. Well, at least she has a look.09:50Speaker 1 Yes, she has a look.09:51Speaker 3 She knows what her style is, and she has worked for years and years and years with the same style as Stress of Castles. You have to wonder how he feels about it all. But he also does like her, like streaming and stuff for like the Era's tool.10:01Speaker 2 If he does love that, it's so wild because I don't see a huge jump between her costumes from the RAS tour and her street style and her red carpet style. To me, it all looks very like concise and that it fits together, Like she doesn't look like she's in a costume when she's on stage to me, and she doesn't look like she's been dressed by someone else when she's like she always looks like her. Yeah, and there's very few celebs that look like that, Like some of them, there's such a clear line between their street style and their event dressing.10:26Speaker 1 Yeah. So I don't know what people want. I don't know what people want.10:29Speaker 3 But what they did was dig back, and they didn't have to dig very far because last week she did wear the outfit you're talking about, which is like a sky blue dress.10:36Speaker 1 She had a yellow bag.10:36Speaker 3 She was wearing lue batons, which obviously have a red bottom on them, and she was wearing a horse shoe necklace, and so people ripped into this outfit last week. Yeah, and then suddenly on Friday, when.10:46Speaker 1 I was like, wa, where can I buy that?10:47Speaker 3 And I can't afford it? But I thought she I thought it was a great dress. She was out for dinner with her family and friends. And though she has previously said she does an Easter Egg when she's like Easter Egg her personal life, she does Easter Egg through fashion all of the time. And people as soon as this Toy Story theory started kicking around, well like, wait a minute, was that hideous outfit we hated on Monday a.11:05Speaker 1 Toy Story five clue? Maybe?11:08Speaker 3 And then outside of that, there is also there's clouds in the background of her opal Aite music video, Greta Lee, obviously because of the Graham Norton show was in that music video. Guess what She's also doing voicing a character in Toy Story five exactly, and June five is the really.11:23Speaker 1 State of Toy Story five.11:24Speaker 3 It was also the really state of Tailswift's debut album, Whoa. So everyone's kind of gathered these clues together to decide that she is making his song for Toy Story five and that the countdown accidentally got set live early.11:36Speaker 1 Oh but does she do anything by accident that I'm not sure of.11:39Speaker 2 So if the countdown had been like real, it would have counted down to like Sunday five am ish our time, and then nothing happened.11:45Speaker 1 And nothing, but it did disappear.11:47Speaker 3 So I do have to wonder if it was like a phase test gone wrong. If it is gonna happen, I mean we'll find out. It doesn't seem out of the realm of possibility to me for like Taylor to be like, you know what, now it's time for a kid's music soundtrack.11:59Speaker 2 Yeah, I mean, look, she's exactly the right age to have a very nostalgic yeah, because like all elder Malone, like she's an elder millennial just like us.12:07Speaker 1 Maybe or not, but yeah, we're all in that same.12:09Speaker 2 Bracket where we'd like grown up with Toy Story and then that we had like the later Toy Story movies that hit us as adults, and now this next one that we know is coming up is really kind of hitting everyone. It's more for adults and kids, it's hitting us at the stage of our life where we're in wood.12:22Speaker 1 He's got a bald spots triggering for everyone.12:26Speaker 2 It's yeah, so May there's a world in which she's a secret Toy Story fan and she has a real affinity with this franchise she's growing up with, and like it's all the cool kids like Greta Lee's getting in on Toy Story and then you have like Tom Hanks coming back and all the voice cast, and yeah, it's the one thing that everyone wants a piece of at the moment in Hollywood, which is so crazy.12:44Speaker 1 It's a Toy Story franchise.12:45Speaker 3 And one thing we know about Taylor Swift is that she does love an award. And if she could win a songwriting award and get a little bit closer to being an Eagle winner, you just know she would love that.12:55Speaker 2 She's just had a rough run as that poor girl. When will anything go right for Taylor?13:00Speaker 1 When will she again?13:01Speaker 2 I know she was meant to be a shoeing for the Oscars for Cats, Yeah, because she When you write a song, you co write a song with Andrew Lloyd Webber for one of the like most enduring musicals of all time, yea, you should at least get a nomination and probably a win, And that song was lovely, and I'm sure she pictured herself up on stage the Oscar singing it. And then Cats were so reviled and so universally hated the fact that Andrew Lloyd Webber went and bought a dog. Man hated dogs.13:29Speaker 1 He's like it turned me. He literally said that the other day a dog person.13:33Speaker 2 Yeah, He's like, I hated the adaptation of my work Cats so much that I went and bought a dog.13:38Speaker 1 Like, that's how much that man is angry at And.13:40Speaker 2 So Taylor's missu and that, and then everyone thought she was going to get a short film for the nomination for All Too Well. And there's been a few other times her music has been in the mix for a possible nomination, but it just hasn't. It's the one thing that's eluding her.13:51Speaker 3 It is, and I do think like she's got her thinking cap on and she's like a sad song about Jesse the Doll. That's a Cowboys song that could do well.13:59Speaker 2 I mean, the thing is, it's it's a good plan. If that woman writes a banger for toy story for the next movie, then yeah she's in. Then that's a real hook for a Best Song nomination at least.14:10Speaker 3 Yes, and so that was sort of the like unseerious side, but I do believe in it.14:14Speaker 1 That was a serious side.14:15Speaker 3 Yes, no surprising thing. So something else that Taylors which is making headlines for at the moment is her name in relation to a billion dollar sale to do with Spotify. But it's kind of due to something that she did back in twenty eighteen. And the reason I want to talk about it is because I love her so much, but also she's going to get so many other artists and so many other like songwriters and people involved in production paid out as a result of something she did back in twenty eighteen. But basically Universal Music Group are looking at selling half of their three percent stake in Spotify. And that might sound small, but that deal could be worth as much as like one point four billion dollars.14:51Speaker 1 It's a lot of money.14:52Speaker 3 So basically a bid from Pershing Square came to Universal which was to like buy out part of Universal or to become an investor, and in order to do that, they wanted them to liquidate part of their Spotify shares. But then for some reason everyone's reporting that it's like independently Universal Music has decided to sell off part of their Spotify shares and that was announced in April, but at the moment, they're obviously looking to sell off the stake. And what that would mean, like why Taylor Swift is involved is that she negotiated a deal back when she signed in twenty eighteen and other labels were selling off their Spotify shares, she negotiated that the funds would be non recoupable.15:33Speaker 1 Hard work to say.15:34Speaker 3 Got to tell you what that means is, obviously record labels, like every other label that would exist in the world, when an artist makes money, part of that money goes back to their record label. But obviously in this case the record label would be selling something, they would be giving that money to artists, and Taylor Swift is blocking that money from ending up going back to the record label. Oh and so the reason that she did that was because, as we know, Masters were a really big deal to her. She universal in twenty eighteen, and the reason she left Big Machine Records is she wanted to own her masters, like to own her own work, and the only way that Big Machine were willing to do that was if she gave them all one for one deal. So every time she gave them a new album, they would give her back ownership.16:14Speaker 1 Of one of her older albums.16:15Speaker 3 Oh, and she was like no, and didn't really trust Scott Bourschetta. And I think as well. She'd signed on when she was so young, she was a teenager. Her family were really involved. She was one of the very first artists that they had at Big Machine Records. She's certainly their most successful and I think they tried to make her feel as though like she owed them this deal even though it wasn't beneficial or good for her, and so she walked away went to another music group. As we know, the Masters thing kind of carried on for years and at that time wasn't as well known. But in twenty eighteen it did become a big deal. Oh my god, Taylor Swift wants more money from Universal. And what she was actually doing was making sure that this deal would impact smaller artists and musicians. And she said it at the time, she was like, I see it as a sign that we're heading towards positive change, a goal I'm not going to stop trying to help achieve in whatever ways I can. But she was very honest at the time that she was on her sixth seventh album, and she was like, I can speak up and be a voice for change, but younger artists can't. And she was like, what is the point of me, essentially, if I'm not going to stand my ground and have these arguments with record labels and Universal agreed. So they were one of the first to do it, and it does mean now when they're doing this sale, all of these other artists are gain and benefit massively, and I do think it's a testament today Swift. And I know a lot of people talk about her being a billionaire or like money grabbing, and at the time this deal was viewed very much as like, oh.17:35Speaker 1 She's just out for herself.17:36Speaker 3 But I do think she's one of those rare people in the music industry who isn't even though yes, she's going to benefit too, she does want other people to not go through what she went through.17:46Speaker 2 That's interesting thing because and I've said this before public on the podcast, So whether it's wrong or right, is that sometimes I feel like when she takes in the past, she has taken these big stands, it often kind of comes across like people really rally around her and celebrate her for some of the things she's done or when she said, but a lot of them. It sometimes feels like she just weighs on an issue when it's going to benefit her, and she tries to make it a universal thing. She's like, this man said this, you know, inappropriate thing to me, which also fair enough to be upset, and she's like, I'm going to take a stand, and everyone kind of rallies around her, and yeah, it's like, you know, oh, women's rights are that sort of thing. But at the same time, when you actually look at it from like a like a higher lens and kind of float above it, you're like, that was that was.18:26Speaker 1 Just for you.18:27Speaker 2 And saying the master's thing where I think for a long time there where she was like everyone felt like they were swept up in this big movement of like Taylor Swift getting her music back and it was this huge thing and it felt like a communal win every time she did it. But if you actually again looked at that, it was like, oh, no, it's just it's her, Like obviously.18:43Speaker 1 People are not. Everyone's going to own their masters. Yeah, and also like that's nice.18:47Speaker 2 It's like, you know, to feel good about what your favorite artist does and to feel involved in that, and I know that was a real sense of community around the Swifties. But then at the same time, yes, it always kind of felt like, oh, she'll speak on it, but only if it kind of comes back to her. But then I guess over the years she has kind of tried to, like when she spoke about politics and you know, tried to endorse like a different candidate, and she was like very aware that was like a bigger thing than her then. And I you know, obviously I know how much money she gives away and all that sorts of things, but you know, if you want to get on the weeds in it, it's kind of always felt like and that's what I hear a lot of you know, fans talk about the fact they love her music, but they wish she really stood for something.19:23Speaker 1 Outside of herself.19:25Speaker 2 But then also because of her branding and the way she kind of puts herself as this kind of like very inclusionary person, we all obviously expect more of her than other artists, particularly male artists. So it's a very weedy path. So you're kind of telling me that this was on because when I first heard of this, I only heard of it really top line, and I thought it was once again a thing of Taylor's lived coming out and like making sure that she has a win, making sure that she has her money, making sure that she's protected, and that being her first kind of priority, and then as a default, she's pulled other people in with her and she's being like overly celebrated. That's what I thought, But you're that that's not correct.20:01Speaker 3 Yeah, Look, my perspective on it is as you kind of said, there's been times like the Master's thing when she was releasing the Taylor's versions of albums. I liked it because I got new songs. Oh yeah, yeah, which I know, so fair enough selfish.20:12Speaker 1 And like fun as as fifty it was like.20:14Speaker 2 Transactional, like an artist you like is putting out content that you're willing to, like essentially buy the streaming and stuff.20:20Speaker 1 That's fair, that's just how business works.20:21Speaker 3 Yeah, But I very much saw that as like she did that because she it was personal to her.20:26Speaker 1 She wanted to own her own art.20:27Speaker 3 That's great, but it wasn't necessarily, like you said, the big moment that a lot of people built it up to be where everyone was going to benefit or everyone was going to succeed out of this. I do think though, when she did make this decision, there was a lot She actually received a lot of backlash at the time because she'd also previously like she took her music off of Apple Music in twenty fifteen. Yes, I remember that, and it was a whole big deal because Apple started doing like free trials essentially, and Taylor was like, well, how are people going to get paid if you're doing free trials? So then she took her music off temporarily, and then Apple agreed to still pay the artist despite the free trial periods, and she.21:02Speaker 1 Went back on.21:02Speaker 3 And I'd always taken her music off Spotify in twenty seventeen, like, so she'd done it a couple times in.21:07Speaker 2 Order, and I know those were framed if she was like, this doesn't make a difference to me, I'm doing this for other artists. Yeah, But was some part of it also because she's a business woman, and you don't become a billionaire without being very conscious of like keeping your money and making sure you're getting like squeezing money out of every little area that you can, like that's how you become rich. So was they also a part of her that was like I need to protect my own money, even though I don't need to at this stage, it's still money I'm losing. And then by default I will pull like I will help other artists out, which I'm sure the artists getting the money they don't care that she did it for herself and they're a byproduct.21:40Speaker 1 You'd be happy to take it.21:41Speaker 2 But it's just so interesting we always have to like she's a billionaire, and everyone still has to be like we have to protect the downtrodden kind of, you.21:49Speaker 3 Know, like yeah, yeah, And I do think at the time, like, for sure, those decisions like with Apple and Spotify in twenty fifteen, twenty seventeen, definitely we're about protecting her assets and all of that. I do think the decision in twenty eighteen to sort of negotiate all of these terms with Universal because that wasn't the only agreement that they came to. But I do think that had a lot to do with the way she was feeling taken advantage of with big machine records. Yes, and yes, that is a lot to do with herself. But I do think she looked then at that point in time, this is like after she's been canceled. This is when people are hating her guts, and I do think she started to look more. It's also when she's getting to like reputation. That world tour was at the time the highest grossing tour of all time, Like it was a big deal in North America. So I do think she was at a very successful point, but also at a point where she recognized that she had a bit more power than she'd ever had before and finally got to negotiate something and look back at how she'd been treated by this independent record label and just wanted to do something that protected people. She's also had the same band her whole career. She's worked with a lot of the same production team, same songwriters, same people in her camp the entire time. And while they're really well taken care of, I think she also sees that like not a lot of people are, and she's about like when she was a songwriter back in Nashville, she would be in these like communities and people would be talking about how they got money from people buying like a Faith Hill song that they had worked on one time, and so she was like, that doesn't happen anymore. So I want songwriters to be better paid. It basically all came down to the whole songwriting element of how she sees herself rather than like the big pop stars and stuff. Did she benefit absolutely, and do people often yeah, compliment her when she does something just for herself and it ends up benefiting others.23:28Speaker 1 Absolutely.23:28Speaker 3 But I do think in this instance, like it is going to help a lot of people put food on the table and also remain in the industry a bit longer when you have deals that actually support the lower down people in music.23:40Speaker 1 And like I guess in terms of musical.23:42Speaker 3 Billionaires, I'm glad at least one of them is doing something better than other people.23:45Speaker 1 Yeah, exactly.23:46Speaker 2 And that's the thing I don't like when people like, look at Taylor Sitch and has to do these extremes of like she's a superhero, she's a super villain. Like, yeah, it's a bit in the middle. It's a bit in the middle. Like do I think anyone should be a billionaire?23:56Speaker 1 No? I don't.23:57Speaker 3 But also I do think she donates a lot of mine. You see it all the time. She doesn't come out and go look I did this, Like random charities will be like, hey, she just gave us a million bucks and you're like, oh sick.24:07Speaker 1 Yeah. Yeah, Well, and you know the good news. I guess out of this might takeaway. She might have some sweet toy story.24:11Speaker 2 Money coming in. She might look she'll never be shy I of a dollar, Taylor Swift. But hey, maybe she'll help some people along the way. Well, we're still very much in the devil Weares prior to two weeks. The movie came out last week. We've got a special episode coming up this Friday about it. The movie, So it released this weekend. We're like number one at the box office across the world, as we thought it would be. Apparently it's going to go even further than projected with like the money it's making here the box office, because people are going to see it multiple times. And I love that and hopefully I don't know what it's going to take for studios to take notice, because it's like we have Barbie Breaks all the box office records, Wuthering Heights, love it or hate it, Women just wanted to get dressed up and go with their friends.24:48Speaker 1 Yeah, did amazingly crush the box office.24:52Speaker 2 And now the same thing, women are getting dressed up going to the movies.24:54Speaker 1 Like guys, are we seeing a pattern here? People like the movies.24:57Speaker 2 It's almost like women want to go and see women's stories at the movies.25:01Speaker 1 They can get dressed up and have a goddamn cocktail.25:04Speaker 2 Anyway, So, as we move through Devil Wears Prider Week, and I'm having a great time with everyone who's coming out and would work to share their thoughts and feelings and everything, something very interesting has happened, something historic. I would even go as far to say the real inspiration behind Emily Charlton, a character in the Devil West Prata who has been in three of the books and also now the two movies, the real woman behind her has come forward for the first time in decades. People have tried to work out who she was for years, and I'm sure people in the fashion and magazine industry knew, but she herself has never come out and said anything until now, until the movie has come out and so well received it to be said, there's a straight line there. So Leslie Freemar, who is a celebrity stylist and has been in the fashion industry for many decades, went on the Vogue podcast and talked to editorial director Chloe Mao because when Anna Wintle vacated, she wouldn't let anyone else be the editor of Vogue, said, she's the editorial director, but she is running the day to day operations at Vogue now as Anna win talk kind of move has moved into a more like overseeing role. And so she interviewed Leslie, and I know you've listened to this multiple times, right, this interview. Yeah, I couldn't get enough of it. I listened to it twice as well. It's been the thing all my group chats are talking about. And it's interesting because it wasn't supposed to be cutting in any way, but if you read between the lines.26:26Speaker 1 Oh yeah, there's some cutting lines.26:28Speaker 2 It's a bit of a savage story about Lauren Weisberger. So if anyone doesn't know, Lauren Weisberger is the author of The Devil Wears Prata and the sequel, The Devil Returns.26:37Speaker 1 And everyone keeps saying that this is the second book, but actually the.26:39Speaker 2 Third, When Life gives You Lu a Little, When Life gives You Lulu Levin's Crazy, which is Emily's story of her leaving Miranda and like getting pregnant and moving to the suburbs and like breaking up with her husband. It's nothing like the movies. Yeah you've said that. Yeah, I've not read this book. And then so here's the Lauren Weisberger that she was Anna Wintour's assistant well over many decades ago now, and she lasted about eight months in the second assistant chair, and we now know that Leslie was the first assistant at the time. So when she came on to do the podcast with Chloe, Chloe sort of says to her, like, why do you think you're the real Emily? And she's like, I don't think I know. And as she tells her story, it's interesting because Vogue was going to have a panel with past Vogue staffers that all could have been the Emily and they were going to sort of like have a discussion. And then Leslie, who doesn't really do anything like she works with celebs, and like, yes, she's Charlie's.27:33Speaker 1 There on style, Yeah, and she's style a lot of.27:35Speaker 2 Red carpet looks and things like that, but she's on a public face. And she had to sort of call Chloe and say, hey, I'm happy to come and talk and help.27:42Speaker 1 But it's going to be.27:43Speaker 2 Really clear if we all get on stage straight away that it's me.27:46Speaker 1 Yeah, that it's definitively me.27:48Speaker 2 I sat across from her, I said lines that are in the book, I know it's me, And so that idea is going to fall apart pretty quickly. And Soe said that she came on the podcast, Ye did you have a favorite reveal from Leslie? Although there was way too many, but I do think the clearest one, or like the best one to me is how she found out about the book. And also that's the clearest one that obviously, yes, the book was written about her, because even Anna Wintor knew the book was about to tell her. So can I tell the story please people who haven't listened. So obviously wide ranging podcast really really good. But in this part, she says she had moved on to be an assistant in a fashion department and then she gets a call from then Anna's new assistant to be like Anna needs to speak with you, and she was like, Anna never needs to speak with you, and also never needs to speak to an assistant. So she hustles on over there and Anna Wintour asks her who is this woman?28:38Speaker 1 Like who is this lady?28:39Speaker 3 And she's like, that was your assistant, and Anna Winter was like, I don't even know.28:43Speaker 2 Her, has no idea, Well, she has a lot of different assistants, and that she was only there for eight months, and I'm sure maybe she'd seen her.28:50Speaker 1 She would have, yeah, but she.28:51Speaker 2 Called her and she was just like, who is Lauren Weisberger? And it was so funny because Grace Cottington, who's a really famous Vogue editor who worked really closely if Anna and that team, wrote in her own book that no one could remember Lauren when brutal so focused so funny about it. She's like, none of us could picture this, and she's like, I guess Anna's assistants were always, you know, just these bobbing, faceless heads outside her office that you would talk to. But like, Leslie is really the only one who has any memory of her.29:20Speaker 1 Yeah.29:21Speaker 3 And so it's obvious enough when Anna has read this, you know, the initial draft of the book to her that the Emily character is Leslie, because she calls Leslie into her office asks her who Lauren is, and then Anna Wintour says, oh, she's written a book about us, and you come off far worse than me.29:36Speaker 2 That is the interesting thing that Leslie says in this interview, is that they received the galley, which is the very very early stages of a book where things are subject are changed, and she said, she it's so funny, Chloe. He's like, did you run outside straight away and read it. She's like, no, I had to back and do and finish my work. And I was like, life, Emily, I mean maybe because she's like, we probably had a big shoot that day.29:58Speaker 1 That was me.29:59Speaker 2 I would have run straight to some hidden corner and I would have read that book under my desk all day. She said, she waited till she got home at night. Okay, if you've got more will power than me, and she said the first iteration of the book was so mean and much more true to life, because what she's saying has happened is that Lauren took a writing class and they said write what you know, and apparently she wrote it as a memoir, and then they wanted to fictionalize it, and then the fictionalized version was really really mean to everyone who worked at Vogue Tour, to the Leslie character who became Emily, and then the editors who worked with her toned it right down to the book that went on the shelves. The Devil Wears Prada, which is interesting because that book does skew very not mean, but it's like the Miranda Priestley character.30:43Speaker 1 Have you read the book?30:44Speaker 3 No?30:44Speaker 1 Oh, okay, I wouldn't. Sorry, no, I wouldn't invite.30:48Speaker 2 If you're going to read a Lauren Weisberger book, I've got I've got a better recommendation. She read, She wrote some good books. She writes a fun book to have by the pool on holiday. I've read, Yeah, like Last Night at Chateau my Mond chasing Harry Winston. Yeah, The Devil is proud of Like the idea is good obviously because it went on to spawn this incredible thing. But the plot's a bit thin. There's no memorable one liners, Like, it's not a witty book. And also the character of Miranda Priestley is like a caricature. Yeah, all the layers that she has in the movie don't exist in the book.31:21Speaker 1 She's just a nasty woman.31:22Speaker 3 Well. I found that interesting because Leslie said she was able to watch the movie and she found the movie really enjoyable. She was like, it's really glamorous, but there's more like empathy and the people are more well rounded than we saw in that initial galley and then even in the book that got published, Like, that's crazy to me that you can know that this is about you and you see it is really mean, but then you see the on screen portrayal and like, yeah, you like Emily and you like Miranda. I don't have way more nuance than I'm guessing they have in the book.31:47Speaker 2 No, in the book, they just kind of mean girls. Like, yeah, I mean Emily and Andrea hang out a little bit more in the book, but she's still pretty mean to her. And like, yeah, the Miranda character is very kind of just like she's a nasty person. Yeah, she's just like this little talk about her being this little bird like creature, which I guess is very Anna Wintle coded who just like stalks into the office. Yeah, they make a lot of there's a lot in the book about what There's like a whole chapter devoted to what she eats, which apparently is also very Anna winto because she likes steak and potatoes and Starbucks and ice cream. And that's a huge cry in the book. So sometimes Lauren Weisberger was I think just typing out her day. But the end is very different, Like it still ends with Andrea like walking away from her, but there's no nuance with Miranda having like that breakdown scene in the hotel room, like that's to the movie with the no makeup where she kind of like drops the facade and there's no like, you know, Andrea, everyone wants to be out.32:36Speaker 1 It's like this is the sacrifice.32:37Speaker 2 It's just her screaming at her, yeah, and just screaming at her. And then it's like very anti climactic with Andy like calling the office and being like can I still get my flight home?32:46Speaker 1 They're like, no, I'm not going to leave you strand there.32:47Speaker 2 You can get your flight home, and it's just like, oh, kind of anticlimactic.32:51Speaker 1 Yeah. The end.32:52Speaker 3 I do think it's really interesting, like, oh forgot The whole thing is so interesting. But one of the parts that made me go, oh, you are Emily is that Leslie explains like the Lauren person slash Andy character, and she was like the reason that I found it like interesting in the book is like I don't remember Lauren ever being a star on the rise. Yeah, but she's pretty much like that didn't happen. And then she explains like Lauren probably thought I was a bitch because I had to do her job for her because she was and she's like she was probably just sitting around writing her book, I guess, but she pretty much is like that girl never did her job and hated it there. And so yes, I used to snap at her because she wouldn't do her job, and I was like.33:29Speaker 1 WHOA to me?33:30Speaker 2 That was the most telling moment from this revelation from the real Emily from the Devilwars Prider. And can I say I've talked to a lot of people who have listened to this interview, and a lot of people have said, like, she comes across as classic Emily. She comes across as a mean girl for saying that, And can I just say team Leslie on that one.33:46Speaker 1 I thought classic Emily in a good way.33:48Speaker 2 Yeah, they're saying she's too mean, Yeah, that she was being mean about Lauren. Everyone closed ranks against Lauren when she wrote this book, to the point where that's why the company line is like we don't know who Lauren Weisberger is.34:01Speaker 1 And the Devil Wears prior like the first.34:03Speaker 2 Premiere, the one that was in New York, apparently, you know how like they have a host camp on stage and kind of greet everyone a paving. The host was like, you know how they got round the room like this person's here, this person's here. They were like Anna Wintour is here, as is the author of the book, and no they're not sitting together.34:17Speaker 1 And everyone was like whoa because they were in the same room. But also, I have this now.34:22Speaker 2 I think that this has been scrubbed from the internet, but I swear to God I read this quote when The Devil Wears Pride. It came out, but I've gone to look for it so many times and I can't find it. So I think that it was written in a magazine and it's been destroyed. Yeah, but I swear to God that Meryl Streep in an interview, they asked what she thought of Lauren Weisberger and she was like, if I was her, I would have spent more time learning from Anna Wintour than writing a book.34:45Speaker 1 That's just me. Now.34:47Speaker 2 That is not maybe not the kind of thing Meryl Street would say, And maybe I'm paraphrasing, but I feel like she says that in an innuay you have like.34:54Speaker 3 A pretty what is you don't have like a photographic memory, but you have pretty similar.34:58Speaker 1 I have a photograph of memory for so things.35:00Speaker 2 Yeah, yeah, that'll help me in life. But I swear to god, I read that quotally magazine. Yeah, and some person obviously didn't upload it to the internet or it was it's been screet internet.35:11Speaker 1 But I feel like that was just the vibe.35:12Speaker 2 But yeah, I was very much on Leslie's side because she really cared about fashion. She talked about the fact that she had come from Canada and she had really had to fight her way into this job, and she was working like all that stuff you see in the movie about she was told she had to be in the office at seven point thirty.35:29Speaker 3 She moved closer to the office so she could be there on time and stay late.35:33Speaker 1 I was sleeping in.35:33Speaker 2 That office, so she had to be there at seven thirty in the morning. Yeah, with all of Anna's like books and papers, all that stuff you seen the devil was part of them. Putting him in a fan on her on her desk is all real. And then she had to wait around for the book again things we know from the movie. She had to wait around for the book till like ten o'clock at night, and so she's working these crazy hours she gets promoted to first assistant. They she hires Lauren Wiseberger, who has come from a very prestigious university and is very educated. This is sorry, I mean we know that that's a fact. She did come from a prestigious She was in the ivy leagues in America, so like super educated. And she said, from the moment Lauren got to Vogue, she was just like, I'm too good to be here, yeah, and I don't want to be here. And she had and she said she just wouldn't do her work, and so Leslie had to do all of her work for her. And that's where the resentment grew. And that's where the character of Emily from The Devil Wes Pridact came from her resentment.36:25Speaker 1 And I'm just like, if you've worked in a creative.36:26Speaker 2 Industry, everyone knows that feeling of having to do the work for someone else. Yeah, but there's no way to kind of track it a lot of the time publicly. Yeah.36:33Speaker 3 And it also reframes because she says, she's like, I absolutely told her a million girls would kill for this job, yeah, And like it reframes that to an extent too, Like she is of the opinion that Lauren's come in just to write this book and was wasting time and not doing her job, And it's like, yeah, you probably would say something.36:48Speaker 1 To that effect if you're at Vogue at.36:50Speaker 3 That point in time too, Like insane budgets all of that, So many career opportunities, which there still are with Vogue of course.36:57Speaker 1 But like the more that it's changed.36:58Speaker 3 At that point in time, that was the place to go if you wanted a career in journalism. You could get anything, and like Meryl Streeps or alleged quotes saying if you put in me with.37:08Speaker 1 The Meryl Streeps slander, will they even say? Like in podcasts?37:11Speaker 3 The first assistant before Leslie moved up went on to become the entertainment editor at Vogue it for years and years and years and is a very successful and respected journalist. Like you, Yeah, you could build a career off of being that assistant.37:24Speaker 2 I think back then that was the job one hundred girls would kill for and it probably still is. Yeah, Like I know it still is, Like Vogue still carries a lot of weight, and being an assistant is how you get into that pool. So I think that was Leslie's kind of like and we see that dynamic in the book, but we see it in a different way from Andy's perspective, which is Lauren's perspective of her just not coming into this, like what she's thinking is like a plumb job and not doing any work, but like secretly writing her book under the desk, which is the allegation that Vogue has not been able to prove. And also Leslie also said that she took a writing test for Vogue and was rejected, which is in becau. Lauren Weisberger had some writing published in Vogue recently interesting and everyone was like, look, the woman.38:04Speaker 1 Who was turned away from Vogue.38:06Speaker 2 All she had to go do was write a tell all memoir that gets turned into iconic film series and she finally got in.38:11Speaker 3 It's also kind of interesting then that like a subplot of The Devil wes Prata too, is the idea that Andy might write a tell all memoir.38:18Speaker 1 Okay, that was.38:18Speaker 2 Such a quote when I went and saw because I saw that first part of the movie before I went and did The Devil West prior of interviews, and in the theater I was seeing there was like four other journals. I went because I'm like, that was such a Lauren Weisberger burn Yeah, where they were like, what is she going to do? Go write a tell a memoir about her boss? Ha ha as if that's the worst thing you could do. And I was like, that is literally why we're all sitting here, Yeah, because someone did that. But it's kind of become like, it's interesting because Anna Wintour like could have come out of all of this looking like the villain, but she's come out looking like the hero because everyone's like, we love Miranda Priestley, we love Meryl Street, we love this movie, and by default, we love and a wind Tour for being a part of this and that's why she's lent into it. And then Lauren Weisberger has become the kind of like, obviously she's published so many books and she's doing really well, but she has kind of become the punchline when she was initially set up to be the hero, which I find so interesting. And I just find like Leslie's perspective on Anna so different from someone who was just came in with like kind of no emotion, very ambitious because she talks about the fact that Anna was like very much like no personal chat. We're all here to work, and she works like that and she's very comfortable in that setting.39:28Speaker 1 Can't relate to that, can't relate but I love that story she told where.39:33Speaker 2 So Leslie who was giving the interview, the real Emily is from Canada, and so she was being sponsored by Vogue, a biolized Clark that's a fake company by Conde, asked to work at Vogue. And she got a call one day from the Vogue human resources team to say they were no longer sponsoring anyone, so they weren't going to like do her next visa, and so she basically had to leave the country and lose her job. And she said that she was just hysterically sobbing, something she's never done before, but she was so upset and fair enough, and she said that An she didn't know Anna was going to be in the office that day. All of a sudden, Anna Wintour walks in and I don't know why this is so funny to me. She's like, Anna was clearly uncomfortable, and she just walked away. She just walked into her office. But then she waited a few minutes called her in and I love how Leslie did her. Anna Wintour's voice she said she tried to like kind of do like half a British accident.40:19Speaker 1 She was like, Leslie, why are you crying?40:21Speaker 2 Looks so angry, but also just like can't not angry, but just like so flabbergasted that someone in her office would be showing emotion. And so Leslie told her and she was like, Anna Wintle' was like, oh my god, go sit down and stop crying for God's sake.40:32Speaker 1 And then Anna Wintour just called.40:34Speaker 2 All of a sudden, this man appeared in the office who's like the head of human resources.40:38Speaker 1 And Anna Wintour is like.40:39Speaker 2 Ci, my assistant is crying, and in her head, she's like and that's the worst thing anyone could ever do.40:45Speaker 1 In front of me.40:46Speaker 2 She's like, can you please just get her a visa? Just go and sword it. And he's like, yeah, that's fine. And so she got to stay in America. And now she credits this whole huge fashion career that she's had to Anna Wintour just telling her to stop crying.40:57Speaker 3 And fair enough, It's like, yeah, I do think I thought the little insights were interesting. It's also so interesting because Chloe's the one interviewing her. Yeah, and Chloe, like everyone who is online and has seen the pair of them together in recent interviews, is intrigued by the Chloe Anna relationship and like.41:12Speaker 1 Oh, I don't know. I want to from Chloe so bad.41:15Speaker 3 Yeah, and like little things right, like Leslie was like, well, you can't ask her questions and Chloe's like yeah yeah, and then then.41:21Speaker 1 She's like I'm living that in real time. It's like real And.41:23Speaker 3 They're talking about like the book and like the little like wheel seas, which was apparently like little posters or like seams, which was little posters that Anna would put on to be like email this person, tell them to come see me.41:33Speaker 1 I don't like this bro. Little things like that.41:35Speaker 3 It was so interesting to see like Leslie talking about a career she had twenty years ago and Chloe talking about the career she has now and then both just relating to like Anna's anaysms, but also revealing that like a lot of the things don't come from Anna herself. Yeah, that was interesting. They were like, she's not the one who says you can't take bathroom breaks. It's just like something that's been passed down.41:55Speaker 1 Yeah, it's been passed down. Yeah.41:56Speaker 2 The other thing I thought was really interesting was a reveal that came right to the end, and it was the question that Chloe asked her, which was like, have you have you who plays Emily and The Devil Wears Prata? Have you ever met Emily Blunt? And the answer was yes, because of course she's a celebrity stylist, so she's in that world. And she even Leslie said she always thought about what she would say if she ever met the person who had played her on screen and turned her into this iconic character, even though no one knew that she was the real Emily. So she said she was at a dinner one night at a mutual friend's house and she was like, this is my moment. Emily Blunt's right there. We're on this, We're on even ground. I'm not coming up to an event, We're at a mutual friend's house. We're both here as equals. And then she said to her as they were chatting, I just need to let you know that I am the real Emily. And to be so fair a Leslie, I would have done the exact same thing.42:44Speaker 1 Who wouldn't You're telling Emily.42:46Speaker 2 Blunt that her most iconic role, her first big role, that blew up her career is based on you. I would have dropped that and just been like, like, she she's gonna lose her mind. And apparently Emily Blunt couldn't care less. She said oh and just like went on with the conversation. Now did she not hear her or have so many people in the fashion industry said things like that to her before trying to have an in with her? She was like, oh, or was she maybe like and maybe like alarms went up and she was like, Oh, is this woman gonna say to me at my friend's house like she didn't like my portrayal because she plays her really nasty in a funny way.43:21Speaker 1 Is she gonna like.43:22Speaker 2 Ask me, you know some sort of like inside a question? Does she know something? She worked with the woman who wrote this book and like everyone I know doesn't like that woman, like it was a lot so or does she just is Emily Blunt so cool? She just genuinely did not care.43:35Speaker 3 I feel like Emily Blunt just doesn't care. I really like it, but sometimes intrigues me.43:41Speaker 2 I can't believe that because if you met any person, like if you met the person who was the real person behind a role you played as an actor.43:49Speaker 1 Wouldn't you be interested in that? I ignore people would Yeah, I know.43:53Speaker 2 Some actors don't like to meet the person because they don't want the lines to be blur, they don't want to feel like they can't show them in their worse or they don't want to sort of like do a parody of a person. Yeah, but like that shit is sailed like she did it for the first time twenty years ago. Yeah, Devil was prior to too, wasn't filmed at the time. But also there was no inkling that Devil's product she was ever gonna happen. Yeah, I just want and I'm sure someone will ask Emily Blunt the next time she does a lot of press, and I'm so interested in her answer that. Yeah, it's almost like you feel bad for Leslie.44:22Speaker 3 Like it would have just been at least nice, Like as much as I think she people really like the Emily character and stuff she does.44:29Speaker 1 Speak about it at the.44:30Speaker 3 Time, like people in the industry all knew that it was based on her and her being really scared of how she'd be perceived or if she'd be hired again, or what would happened to her career based on this version of the history they went through together. And she also says like Lauren never called her, Lauren never gave her a heads up, like they have not spoken since, so it's not like how Andy and Emily got along in the end. That's not what has happened here. So she's kind of gone through that never outed herself, goes up to the woman who played her, thinking, oh, we can at least have a nice discussion, and she just.44:56Speaker 1 Gets like kind of ghosted. I don't know that would suck. I think Emily Blunch probably reconsider talking to her about that.45:04Speaker 3 Well.45:04Speaker 2 It's such an interesting interview, and we'll link the whole thing in our show notes.45:07Speaker 1 Because we've only sort of scratched the surface. There's a lot more in there. So good.45:10Speaker 3 Thank you so much for listening to The Spill today. Don't forget to follow us on socials. We will pop all of the links in the show notes. We will be back in your feed bright and early tomorrow morning with morning Tea hosted by Ash London. The Spill is produced by Minisihaswarren, with video production by Michael King.45:24Speaker 1 Bye Bye,Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Every year, before the actual draft, sports pundits and fans engage in “mock drafts,” where they envision where 260-ish players might land on any of the NFL's 32 teams. The American Football tradition is fun—and a little bit weird. Okay… It's a lot weird. Who will be joining Taylor's fiancé's team this year? Listen in, even if you think you know All Too Well.

“Time won't fly, it's like I'm paralyzed by it.” What happens when you try to pin down something as slippery as time itself? This week's episode gets philosophical as we explore how Taylor Swift uses time as a literary device—as narrative structure, as metaphor, as a way to measure how much we've changed. From flashbacks and tense shifts to nostalgia and the ache of looking back, we unpack how time shapes Taylor's storytelling. Maansi traces the dramatic irony of “15” (Fearless, 2008), Jenn explores how “Timeless” (Speak Now (Taylor's Version), 2023) removes time to reveal the purest form of love, and Jodi breaks down the stream-of-consciousness time travel of “All Too Well” (Red, 2012). Grab your clocks, calendars, and time-turners—class is in session. Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics! Stay up to date at aptaylorswift.com Discover all our book recs & episodes: https://swift-recs-explorer.lovable.app/ Mentioned in this episode: Memento (2000 film) The Night Circus, Erin Morgenstern Wuthering Heights, Emily Brontë Mrs. Dalloway, Virginia Woolf Station Eleven, Emily St. John Mandel Inside Out (2015 film) The Merge, [Author] StoryGraph Atonement, Ian McEwan The Ministry of Time, Kaliane Bradley Outlander, Diana Gabaldon The Unmaking of June Farrow, Adrienne Young The Good Place (Jeremy Bearimy)   ***   Episode Highlights: [01:12] Time as a literary device: structure, theme, and symbolism [08:52] “Fifteen,” Fearless [20:23] “Timeless,” Speak Now (Taylor's Version)   [31:39] “All Too Well,” (Red)   Follow AP Taylor Swift podcast on social! TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree → linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm → tinyurl.com/aptslibro   Contact us at aptaylorswift@gmail.com Affiliate Codes: Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off! Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro   This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

Today, we're sitting down with two of the many people behind one of New York City's most beloved thrift institutions — Housing Works. Housing Works is a mission-based organization born from the AIDS crisis, fighting for inclusive care, social justice, and an end to homelessness and the AIDS epidemic. Their thrift shops — nine locations across New York City, plus a bookstore café and online ecommerce shop — aren't just places to find incredible secondhand treasures. They're also the engine that funds life-saving services for New Yorkers, rooted in the belief that housing is healthcare. Daniel Rodriguez has been with Housing Works for nearly two decades. As Director of Operations, he has helped shape the organization's thrift enterprise, and oversees its operation from the shop floors to the annual events to the online auction site, developing the way Housing Works prices, merchandises, and tells the story of the pieces that come through its doors. Emily McKay is the Processing & Curation Manager which means she leads the Housing Works Processing and Distribution Center out in Long Island City — the behind-the-scenes warehouse hub where the majority of the organizations donations are sorted, curated, and transformed into the beautiful collections that stock the many city shops and headline the annual events. A former luxury consignment boutique owner who has earned her master's in fashion management at Parsons since her last time on this show, Emily brings a rare blend of expertise to the work of curating collections at scale. On today's episode, we get to explore the magic of what it actually takes to run a thrift enterprise of this size — the stories that come through the donation bags, the philosophy behind their curation, the unique role Housing Works plays in the iconic NYC vintage scene, and the annual 'Best of Spring' event that's happening right now across Housing Works locations. This one is for all of us who've ever believed that a great piece deserves another chapter.  Let's dive right in. DISCUSSED IN THE EPISODE: [5:15] Daniel has been a part of the vintage and secondhand scene in New York since the late 90s — shopping at iconic spots like Screaming Mimi's, Cheap Jacks, Andy's Cheapies, Starstruck, and Rags-A-Go-Go. [8:25] He started at Housing Works as a manager of several of the thrift stores, eventually becoming senior merchandising manager and developing the organization's pricing philosophy and visual merchandising.  [12:15] How Housing Works has grown since it was founded in response to the AIDS crisis — from a carriage house on 18th Street in 1992 to nine shops, a bookstore café, annual events, and an online shop. [17:00] How the resale boom changed how Housing Works approaches donations and sales strategy. [20:00] Emily McKaydescribes what it's like to walk into the PDC — the Processing and Distribution Center in Long Island City — and what her team does every day. [24:30] What it's like to curate donations at scale — developing material knowledge, sorting by gut instinct, and routing pieces to the right stores and events. [30:17] What shoppers can expect at Best of Spring this month. [36:20] Some of the most unique and historically significant collections that have come through Housing Works — including a Patti Smith art auction, an Andy Cohen Clubhouse event. [37:40] Emily reflects on how universally adored Housing Works is in New York City [42:30] Daniel and Emily share their personal favorite Housing Works finds. EPISODE MENTIONS:  Housing Works @housingworks Screaming Mimi's  ACT UP NY Fashion for Action Design on a Dime Parsons School of Design — Fashion Management Housing Works Bookstore As shown in Taylor Swift's All Too Well (10 Minute Version) Most Wanted Luxury on Pre-Loved Podcast Best of Spring - Events Calendar LET'S CONNECT: 

We're in the thick of the evermore woods now with track 9, "Coney Island." (But first, we do a slight detour back to "Dorothea"). This song is heavy on the "wonder" motif that's found throughout Taylor Swift's discography, and the themes of regret and lost youth are connected to other heartbreaking songs in her discography, including "How Did It End," "Peter," and "Chloe or Sam or Sophia or Marcus." This song, which is about the dissolution of a relationship (or relationships?) also touches on many other songs in her discography, from "All Too Well" to "Dear John," and Exquisite and Hannah are devastatingly delighted to unpack them with you. Want to support Exquisite on her journey to becoming a professor? Donate here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/ceaf3b27d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy the episode? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support The TaylorSeminars on Ko-fi! ❤️⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And don't forget to join the conversation with #EvermoreSeminars on X/Twitter Follow us on Twitter:- ⁠⁠⁠⁠⁠@⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠taylorseminars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- ⁠⁠⁠⁠⁠@⁠⁠⁠sippingaugust ⁠⁠⁠⁠⁠⁠⁠⁠(Hannah)- ⁠⁠⁠⁠⁠@⁠⁠⁠exquisitewill⁠⁠⁠⁠⁠ ⁠⁠⁠(Exquisite)Cover Art by Alef Vernon: - ⁠⁠⁠⁠⁠@⁠⁠⁠alefvernonart⁠⁠⁠⁠⁠ ⁠⁠⁠on Instagram- ⁠⁠⁠⁠⁠@alefvernon⁠⁠⁠⁠⁠ on Twitter ⁠⁠⁠Follow Alef on ⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠

Host: Cindy Allen Show: Simply Trade – Cindy's Version Published: February 27, 2026 Length: ~15 minutes Presented by: Global Training Center All Too Well: One Week Post-IEEPA, Still Not Fine at All One week after the Supreme Court struck down IEEPA tariffs, Cindy Allen, CEO of TradeForce Multiplier, delivers the latest update through the lens of Taylor Swift's “All Too Well.” She breaks down the lingering uncertainty—“I know it's long gone and the magic's not here no more… I might be okay, but I'm not fine at all”—and what importers, brokers, and service providers should do next amid shutdowns, pending bills, and shifting tariff authorities.​ What You'll Learn in This Episode Legislative landscape Three new bills introduced on IEEPA refunds: two support refunds for importers; one opposes and ties refunds to consumers (challenging in practice). Other pending bills (eliminating first sale, non‑resident importer status, new licensing program) are unlikely to move soon. IEEPA refund bills could gain traction if courts rule against refunds—watch for Congress to act.​ DHS shutdown impacts Ongoing due to budget issues; most CBP personnel are working without pay (be kind!). Trade interactions limited as “non‑essential”: canceled meetings, no new conference appearances. TSA PreCheck spared (shutdown threat revoked); Global Entry inactive due to staffing.​ CBP updates and waits Still awaiting Section 232 valuation guidance for steel/aluminum/copper derivatives—current CBP direction conflicts with executive order language. Trade associations have jointly requested clarity; no response yet.​ Administration signals New trade deals now using Section 122 authority instead of IEEPA. Acceleration planned for remaining 232 investigations and new 301 actions—structured processes with timelines, public input, and notice (no more Friday night surprises).​ Why “All Too Well”? Cindy ties the week to Taylor Swift's “All Too Well,” capturing trade's emotional whiplash: IEEPA is “long gone,” but the “magic” of predictability isn't back. Importers, attorneys, and consultants are swamped with “What now?” calls—Cindy's attended 5+ webinars with no clear answers. The trade isn't “fine”—we're in uncharted territory.​ The Big Questions: If, How, When on IEEPA Refunds IF refunds happen: Supreme Court remanded to lower court, likely landing at Court of International Trade (CIT). Prevailing view: no legal basis to withhold refunds, but scope (“which refunds?”) is unclear.​ HOW to get refunds: Two paths debated: 1581(i) (equitable jurisdiction—broad refunds for all) vs. 1581(a)(denied protests only). Post-summary corrections rejected by CBP—don't try now. FedEx filed CIT action to protect refund rights. Recommendation: talk to an attorney for tailored advice.​ WHEN to act: Government has 25 days for rehearing request (unlikely); ~7 days admin time; then CIT jurisdiction (~32 days total from Supreme Court). File protests now if entries liquidate soon to preserve rights (CIT may require it under 1581(a)). If no imminent liquidations, wait—process could take months or a year+. Pack patience; this is a long haul.​ Key Takeaways IEEPA tariffs are history, but uncertainty reigns—new authorities (Section 122, accelerated 232/301) fill the gap.​ Support CBP/TSA workers during shutdown—they're on the job unpaid.​ Consult an attorney ASAP for refund strategy; don't sleep on protest deadlines.​ No quick fixes ahead—trade pros need patience and planning.​ Credits Host: Cindy Allen Producer: Annik Sobing Listen & Subscribe Simply Trade main page: https://simplytrade.podbean.com​ Apple Podcasts: https://podcasts.apple.com/us/podcast/simply-trade/id1640329690​ Spotify: https://open.spotify.com/show/09m199JO6fuNumbcrHTkGq​ Amazon Music: https://music.amazon.com/podcasts/8de7d7fa-38e0-41b2-bad3-b8a3c5dc4cda/simply-trade​ Connect with Simply Trade Podcast page: https://www.globaltrainingcenter.com/simply-trade-podcast​ LinkedIn: https://www.linkedin.com/showcase/simply-trade-podcast​ YouTube: https://www.youtube.com/@SimplyTradePod​ Join the Trade Geeks Community Trade Geeks (by Global Training Center): https://globaltrainingcenter.com/trade-geeks/

We are back to talking Evermore (finally), and we're back with one of Taylor's most devastating songs: "Tolerate It." And you better sit down for this one. This song follows a woman who is completely overlooked by her (much older) partner, a story that has been told and retold both in literature and in Taylor's own discography. We travel to songs from "All Too Well" to "Dear John" to "Better Man" to "Bejeweled" to "High Infidelity" to "So Long London" and even "Opalite" and "Honey." Draw hearts in the byline of this episode as Exquisite and Hannah unpack a masterpiece. Want to support Exquisite on her journey to becoming a professor? Donate here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/ceaf3b27d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy the episode? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support The TaylorSeminars on Ko-fi! ❤️⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And don't forget to join the conversation with #EvermoreSeminars on X/Twitter Follow us on Twitter:- ⁠⁠@⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠taylorseminars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- ⁠⁠@⁠⁠⁠sippingaugust ⁠⁠⁠⁠⁠(Hannah)- ⁠⁠@⁠⁠⁠exquisitewill⁠⁠ ⁠⁠⁠(Exquisite)Cover Art by Alef Vernon: - ⁠⁠@⁠⁠⁠alefvernonart⁠⁠ ⁠⁠⁠on Instagram- ⁠⁠@alefvernon⁠⁠ on Twitter ⁠⁠⁠Follow Alef on ⁠⁠Patreon⁠⁠⁠⁠

Lewis Capaldi, quien se retiró temporalmente por su síndrome de Tourette, regresa con 'Survive'. Fito y Fitipaldis está de gira. En '¡Buenos días, Javi y Mar!', se escuchan "Besos" de El Canto del Loco y la versión de DJ Tiesto de "All of Me" de John Legend. Se anticipan nuevos álbumes de Dua Lipa y Harry Styles, con una posible colaboración. Fernando Martín comparte la anécdota de su hija Lucía (cuatro años), que llama "Bumbo" a Dumbo. Oyentes como Raquel y Cristina relatan recuerdos infantiles: Raquel, su confusión con los días de la semana, y Cristina, su miedo a la venganza de los insectos. Taylor Swift, en 'The Late Show', tiene dificultades para elegir sus canciones favoritas, mencionando "All Too Well" y "Mirrorball". Laura de Valencia y Vea de Sevilla disfrutan de CADENA 100.

Taylor Swift has been named as part of the Songwriters Hall of Fame, entering in her first year of eligibility! The Taylor Seminars wanted to congratulate her by going through the list of five songs she submitted for consideration:"All Too Well (10 Minute Version")"Love Story""Blank Space""Anti-Hero""The Last Great American Dynasty"Our hosts Exquisite & Hannah go through each song in chronological order, discussing why each song deserved its place on the list and why we think it was chosen. We loved the episode as we got to celebrate Taylor's depth and breath in songwriting & success. **Quick note: Hannah said Taylor is the youngest person to be inducted into the Songwriters HOF, but she's actually the youngest female person to be inducted. We apologize for the error!Want to support Exquisite on her journey to becoming a professor? Donate here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/ceaf3b27d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy the episode? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support The TaylorSeminars on Ko-fi! ❤️⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And don't forget to join the conversation with #EvermoreSeminars on X/Twitter Follow us on Twitter:- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠taylorseminars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@⁠⁠⁠sippingaugust⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(Hannah)- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@⁠⁠⁠exquisitewill⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(Exquisite)Cover Art by Alef Vernon: - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@⁠⁠⁠alefvernonart⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Instagram- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alefvernon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Twitter ⁠⁠⁠Follow Alef on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

SURPRISE! Karli is sharing a secret we've been keeping for a few months on today's episode. Then we jump into one of the hardest things we've ever done…ranking our 13 favorite Taylor Swift bridges! Taylor Swift is known for some of the most iconic bridges of all time and somehow we have chosen our top 13 favorites and ranked them. We discuss iconic bridges like Getaway Car, Cruel Summer, Death By A Thousand Cuts and All Too Well. Plus we react to some of our favorite lines in other classic Taylor Swift bridges such as The Smallest Man Who Ever Lived, Tolerate It, You're Losing Me, and more!Let us know via text, email or DM what you think about our rankings. Did we miss any you would've included in the top 13? Which ones did we rank too low or too high?SPONSORS:WALLI 10% off with code “ttn” // https://wallicases.com/?rstr=ttn Love Olive Co 10% off with this link // https://loveoliveco.com/?ref=TTNPODTaylor Swift Podcast || Best Taylor Swift Podcast || Taylor Swift Songs || Taylor Swift Bridges || Best Taylor Swift Bridges || SwiftiesSend us a textSupport the showFollow along to hear a new Taylor Swift related episode every single Tuesday.Watch our episodes on YouTube!Follow Us On Social Media:Typical Tuesday Night Podcast @typicaltuesdaynight.podcastKarli @everyday_ellisJess @jess.taitJoin our Patreon for bonus episodes and exclusive Taylor Swift group chat!Shop Our Merch!Feel free to contact us at typicaltuesdaynightpodcast@gmail.com

Taylor Swift recently nominated herself for the Songwriting Hall of Fame, and as part of her submission package, she picked 5 songs for consideration. She picked Love Story, All Too Well 10 Minute Version, Blank Space, Anti-Hero, and the last great american dynasty. We challenged ourselves to pick 5 songs we'd nominate her with, but we couldn't use any of her submissions. How'd we do?

It's time for another LadyGang Trivia Throwdown, and this round is Becca vs. Jac in a battle of brains, pop culture, and pure chaos. Can they name all the Harry Potter books in order? Do they know what Beyoncé really carries in her bag? And who can actually define what a “simp” is without sounding like someone's mom on TikTok? The stakes get higher when the ultimate question drops: which man is Taylor Swift's “All Too Well” really about? Will Becca's useless celebrity knowledge reign supreme, or will Jac's unhinged confidence finally pay off? With Keltie hosting (and judging) with her usual mix of bias and glitter, this trivia showdown might just go down in LadyGang history.Check out our fall deals!!Ollie: Your pet needs good food! Visit Ollie.com/ladygang for 60% off your first box of meals! #ToKnowThemIsToLoveThemApretude: Prevent HIV! Talk to your doctor and learn more at Apretude.com or call 1-888-240-0340Peloton: Explore the new Peloton Cross Training Tread+ at OnePeloton.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Flatshare by Beth O'Leary is a charming romantic comedy about two strangers, Tiffy and Leon, who share a London flat but have never met, communicating only through notes. As they navigate their unconventional living arrangement, they gradually develop a deep connection that leads to unexpected romance.My guest this week is the hilarious Ashley Jones, who dreams of owning a stationery store and recapping reality TV for a living (dream big), all while aiming to finally shoot a T-shirt gun, an ambition she's pursued for over a decade. Ashley is one of my favorite people I follow on social media, and I hope you follow her there too! You can find Ashley on Instagram @AshleyJonesy, Threads @AshleyJonesy, on TikTok @ohashleyjonesy and NOW on her just launched substack Yap Time: The Newsletter you read before a nap.I had such a great time chatting with Ashley, we share so many of the same passions (Bravo shows, Taylor Swift, Pop Culture in general) that we frequently got off topic and I had to cut a good portion of the show, which I will be calling “The Lost Episode”, which will not be released and will become part of the lore of the show until fans clamor for me to release it 10 years from now, a la “All Too Well” 10 minute version, which is a Taylor reference and I promise that's the last one, at least for the podcast intro!Together we delve into the plot of The Flatshare , focusing on the characters' humanity and the book's feel-good nature. Ashley reflects on how the book changed her perspective on reading for enjoyment. We also talked about the value of empathy, dealing with insecurities, and the joy of following passions, ending the conversation with a nod to Ashley's love for Sonic's Coke Zero and styrofoam cups.In This EpisodeKelce Bowl (Super Bowl LVII)Not Gonna Lie (Kylie Kelce's Podcast - my #1 rival!)Orpheus by Sara BareillesStyrofoam cups outlawed in VirginiaSonic Drive InBeth O'Leary's WebsiteBooks by Beth O'LearyBrett Goldstein

The kids are at home, the holiday activities are seemingly endless and you probably need a break. So welcome back to the podcast that's not just any parenting podcast. On the show today: You're officially excused from ever attending your child's sport practice. Don't believe us? Just ask the professional soccer player Abby Wambach. Plus, are you an eldest daughter? Well, so is Taylor Swift and the birth order theory might explain a lot. And, magicians are having a moment. But this time it's not just for the kids. So get the girls over, put the kids to bed and enjoy some whimsy. And our recommendations:

pWotD Episode 3039: Taylor Swift Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 294,711 views on Wednesday, 27 August 2025 our article of the day is Taylor Swift.Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. Known for her autobiographical songwriting, artistic reinventions, and cultural impact, Swift is the highest-grossing live music artist, the wealthiest female musician, and one of the best-selling music artists of all time.Swift signed with Big Machine Records in 2005 and debuted as a country singer with the albums Taylor Swift (2006) and Fearless (2008). The singles "Teardrops on My Guitar", "Love Story", and "You Belong with Me" found crossover success on country and pop radio formats. Speak Now (2010) expanded her country pop sound with rock influences, and Red (2012) featured a pop-friendly production. She recalibrated her artistic identity from country to pop with the synth-pop album 1989 (2014) and the hip-hop-imbued Reputation (2017). Through the 2010s, she accumulated the Billboard Hot 100 number-one singles "We Are Never Ever Getting Back Together", "Shake It Off", "Blank Space", "Bad Blood", and "Look What You Made Me Do".After Swift signed with Republic Records in 2018, she re-recorded four of her Big Machine albums due to a dispute with the label, which prompted an industry discourse on artists' rights. She released the eclectic pop album Lover (2019), the indie folk albums Folklore and Evermore (both 2020), the electropop record Midnights (2022), and the double album The Tortured Poets Department (2024). Her Billboard Hot 100 number-one singles in the 2020s are "Cardigan", "Willow", "All Too Well (10 Minute Version)", "Anti-Hero", "Cruel Summer", "Is It Over Now?", and "Fortnight". Her Eras Tour (2023–2024) is the highest-grossing concert tour of all time. Its accompanying concert film, The Eras Tour (2023), became the highest-grossing in history.Swift is the only artist to have been named the IFPI Global Recording Artist of the Year five times. A record seven of her albums have each sold over a million copies first-week in the US. Publications such as Rolling Stone and Billboard have ranked her among the greatest artists of all time. She is the first individual from the arts to be named Time Person of the Year (2023). Her accolades include 14 Grammy Awards—including a record four Album of the Year wins—and a Primetime Emmy Award. She is the most-awarded artist of the American Music Awards, the Billboard Music Awards, and the MTV Video Music Awards. A subject of extensive media coverage, Swift has a global fanbase called Swifties.This recording reflects the Wikipedia text as of 03:07 UTC on Thursday, 28 August 2025.For the full current version of the article, see Taylor Swift on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Stephen.

Liz Rose is a GRAMMY-winning songwriter originally from Dallas, Texas, and raised in nearby Irving. Her songs have been recorded by artists including Carrie Underwood, Gary Allan, Eli Young Band, Taylor Swift, Little Big Town, and many others. She is the co-writer behind some of Taylor Swift's biggest hits, including “You Belong With Me,” “Teardrops on My Guitar,” and “All Too Well.” Her song “Girl Crush,” recorded by Little Big Town, won both the CMA and GRAMMY Award for Best Country Song.In this episode, we talk about Liz's unconventional path into the music business, how she approaches co-writing, what inspires her, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Some huge news broke in the sports world today, but we have to Shake it Off to discuss a wild standings standoff that is going on in the WNBA. Some teams are Down Bad, some are a Blank Space, and some we know All Too Well. Injuries have caused it to be a Cruel Summer for many teams, with a handful of teams hoping to finish their Love Story holding the trophy with Chelsea Leite and Tyler DeLuca. HerHoopStats.com: Unlock better insight about the women's game.The Her Hoop Stats Newsletter: https://herhoopstats.substack.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"It was rare, I was there, I remember it." As part of our summer vacation series, we're re-airing one of our most requested episodes! This was the song we'd wanted to analyze since day one: "All Too Well (10 Minute Version)." This isn't just any song analysis—it's a literary deep dive worthy of Taylor's most devastating masterpiece. We're each bringing you a different academic lens to understand what makes this 10-minute epic the storytelling tour de force that has Swifties screaming every word. From narrative structure to nature imagery to the hypnotic power of repetition, discover why this song isn't just a breakup anthem—it's a work of art that rivals the greatest literary achievements. Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe Stay up to date at aptaylorswift.com Mentioned in this episode: The Last Five Years E7: Ecocriticism E9: Fall Songs E27: Poetic Repetition Virginia Woolf's Mrs. Dalloway Begin Again Episode Highlights:  [00:40] Our topic for the day: ATWTMV 3-ways  [1:27] A new lens: narratology [13:03] A literary theory: Ecocriticism [30:35] A literary device: Poetic Repetition [44:40] Bringing all the theories together Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe   Follow us on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm →  tinyurl.com/aptslibro   This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

Welcome back to Boozy Bracketology, where we have arrived at the Elite 8! This week, host Mike again gets to say "Don't Blame Me" as panelists Katie, Scarlett, Natalie, Karen, and Casey work their way to a final decision. Featuring several buzzer beaters -- some even successful! -- this episode has its fair share of difficult choices, but the panel knows that feeling All Too Well at this point. There's a Blank Space, baby, in the championship slot. What name are we going to write there? It may not go the way you expect, but only one way to find out... Are you enjoying the show? www.patreon.com/ptebb Connect with us on Discord, Facebook, Twitter, Instagram, etc... at www.ptepodcasts.com/links and tell us everything we got wrong!   Email us at PubTriviaExperience@gmail.com   Don't forget – Leave us a 5 Star Rating and write us a review   Enjoy The Show!   Is It Over Now? Yes, yes it is.

Send us a textThis week Kait fills the guys in on the new proposed FAA changes that will make it harder for people to track Taylor Swift's private plane. They also talk about how All Too Well (10 minute version) hit a billion streams on Spotify! They also talk about Taylor philanthropic endeavors.  Then they dive into Taylor's venture on to Big Red Machine's album with the song Renegade. What did Sam and Jason think? Listen in and find out!Tell us what you think @theswifttalk

In this episode, we draft the Red standard album, including bonus tracks. Stay tuned for our deep dive on All Too Well (10 Minute Version) and the Vault!Go to our Instagram @thenothingnewpod to vote on what episode we should drop next!

This week we are joined by a special guest for this iconic track 5 episode! Matt, co-host of Down Once More Pod, joins us to talk all about pop culture - including musicals, movies, and of course, Taylor Swift songs. Plus, we go on a deep dive together about All Too Well, arguably the most iconic Taylor Swift song of all time.Listen to Down Once More Pod wherever you get your podcasts for even more pop culture content to get you through the week. Plus, follow the show @downoncemorepod on Instagram!Be sure you are subscribed to our show wherever you're listening, leave a rating, and give us a follow on Instagram and Threads @diaryofaswiftiepodcast. See you next week!

We dive into the next sleepless night, and we are transported into the Red era. But everything has changed as Taylor reexamines that "passionate as sin" relationship from new angles in Track 2 of Midnights, "Maroon." This tumultuous love affair was chronicled throughout Taylor's fourth studio album, Red, especially in songs like "Red" and "All Too Well," which we definitely reference in this week's episode. Hannah and Exquisite discuss how Taylor dissects the "burning red" color and exposes its many different shades, before she eventually (and perhaps inevitably) identifies a richer, darker, more complex color: maroon. The two also discuss how this song demonstrates how Taylor is a master storyteller and wordsmith. She crafts parallel stories in each verse that have radically different conclusions. We also see how Taylor revisits themes of the power of memory and legacy in the chorus and bridge that she has in so many of her songs. And Hannah and Exquisite discuss how, at midnight, we can finally have an epiphany about the changes we need to make--because we see the connections between our past selves and our present--and so we need to run. BONUS: We also read some "Maroon" analysis from the new book Stars Around My Scars by friend of the podcast, Dr. Elly McCausland. Check out her book here, You can also follow her on Instagram! Enjoy the podcast? ⁠⁠⁠Send us a tip on Ko-Fi! ⁠⁠⁠ Join in on our conversation on Twitter/X with the hashtag #MidnightsSeminars Follow us on Twitter: Taylor Seminars Hannah Exquisite Cover Art by Alef Vernon Instagram Patreon

Send us a textThis week Kait fills the guys in about the Eras Tour Party that Travis Kelcie threw for Taylor Swift. From the 22 hat, to the props Kait explains it all! Then they talk about Taylor's take over of the Billboard top 100 albums of 2024. They then drop into the Tortured Poets Department with loml. Is this an All Too Well 10 Minute Version level break up song? Listen in and find out!Tell us what you think @theswifttalk

We can't believe it either but we've reached the last track of The Tortured Poets Department: Anthology. That means we've reached "The Manuscript," a self-written closing track that truly helps wrap up this double album. They talk about the song's connection to "All Too Well (10 Minute Version" and its connection to one of the grand themes of TTPD of loss of innocence and yet we see such growth. And we'll be back in the next episode with a wrap-up/reflection of the entire album! Join in on our conversation on Twitter/X with the hashtag #AnthologySeminars! Enjoy the podcast? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send us a tip!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Twitter: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠taylorseminars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sippingaugust ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- Hannah @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠exquisitewill ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- Exquisite Art by Alef Vernon: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alefvernon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Instagram) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alef's Patreon⁠⁠⁠⁠⁠⁠⁠⁠

100! Episodes! Can you believe it? Sam brought the noisemakers and decorations, Rachel brought the groans that accompany it. Just kidding.....we're both so incredibly proud of this podcast and we want to say a special THANK YOU to everyone for tuning in week after week. This podcast would never have reached 100 episodes if it weren't for you...so thank you! Of course, we had to choose *the* best song to discuss for this momentuous occasion. Rachel confesses All Too Well (10) is her most favorite Taylor Swift song - actually....her most favorite song by any artist! Sam gets emotional over the realization that they're ACTUALLY breaking down the most important and iconic song in Taylor's catalog. Cocktails were a'plenty. Sam couldn't come up with just one cocktail, so he created FOUR, which slowly get revealed throughout the lyrical analysis. Rachel matches him and comes up with all new cocktails on the spot! She's in her red wine era. This is the longest episode we've ever released, but we hope you understand the importance this song has on us as Swifties and as podcast hosts. Please let us know your thoughts on today's episode by leaving a comment on Spotify or a written review over on Apple Podcasts. We will be taking a month-long break and we look forward to returning (and beginning again).

Unlike Stephen DeMarco, we aren't telling you lies, cause the Finale Pod is back! We are discussing Lauren's pick: the Season 2 finale of Tell Me Lies. Stephen's revenge brings chaos to Bree and Evan's wedding, Lucy's love life gets messier than a frat party, and Wrigley faces a devastating loss that breaks our hearts. Don't forget to leave a comment on our Instagram @thefinalepod and share your thoughts on Tell Me Lies! The overall TFP rating for the Season 2 finale of Tell Me Lies is 7.30. Network: Hulu Genre: Drama Based on: Tell Me Lies by Carola Lovering Starring: Grace Van Patten, Jackson White, Catherine Missal, Alicia Crowder We start our recap discussion at the (12:30:00) mark if you want to fast forward past the Co-host Quickfire Catch-up, our Love It Lately recommendations, and the Icebreaker Intermission about what you'd do with a juicy secret if you were Stephen. The next finale we will review is Alex's pick and she chose the Season 1 finale of Presumed Innocent. Rusty's courtroom drama hits harder than a 10-minute version of All Too Well, as the once-revered prosecutor finds himself on trial for the shocking murder of his coworker.  

What do Taylor Swift, a clown car, and seasonal porn have in common? They all somehow make it into this week's episode of Your Mileage May Vary! Just Mike and me today, and we're diving into the strange, hilarious, and occasionally bleak corners of sex, relationships, and the modern world. We kick things off with a look at the awkward politics of swinger approaches, including Mike's firsthand confusion at a Lake Tahoe bar that was definitely not what he expected. Then we analyze why Taylor Swift's music might be your secret weapon for attracting 20-something women (pro tip: encyclopedic knowledge of “All Too Well” is apparently a game-changer). Along the way, we discuss whether AI-generated porn is the future of personal fantasies, and whether we'd even want that future in the first place. From there, we pivot into listener questions, tackling the problem of queefing, and a curious case of someone who can masturbate 15 times a day but can't seem to finish during sex. As always, our takes are a mix of irreverent humor and the occasional moment of accidental insight—plus a surprising amount of advice on how not to ruin your marriage over a cushion. Stick around to the end, where we contemplate the ultimate “bro gift” (it's not what you think), seasonal porn costumes, and why some people are oddly dedicated to writing heartfelt comments on Reddit porn. This is an episode where our tangents are as good as the main course, so grab your headphones, settle in, and join us for another wild ride. Twitter: @ymmvpod Facebook: ymmvpod Email: ymmvpod@gmail.com

Send us a textEver tried belting out Taylor Swift's 10-minute anthem "All Too Well" without a lyric sheet? Join us on a wild ride through our car karaoke antics, where spontaneity meets hilarity, and our fondness for mixing up seasonal tunes like "All I Want for Christmas Is You" in June. We also navigate the lively chaos of Austin City Limits, sharing our impressions of the ever-evolving cityscape and the quirks of festival life, from battling bugs to doubling up on zinc for that unavoidable festival flu.Picture this: a music festival where I, feeling like a bit of an outsider, discovered the riveting world of Qveen Herbie, a musical revelation that connected past and present in an unexpected way. With my boyfriend Nate, a passionate musician, we explored performances from incredible female artists, both British and Irish, culminating in a Dua Lipa moment. Our journey also takes a playful turn with reality TV banter, contrasting the wholesome charm of the UK's "Love is Blind" with its more dramatic US counterpart.As we unwrap the latest "Crumble Sydney" cookie saga and reflect on surprising life-saving moments at festivals, we also dive into the vibrant worlds of plants and social media. From the thrills of plant shopping and the changing plant market to the joys of Soup Fest in Minneapolis, there's no shortage of anecdotes and insights. Connect with us across platforms like Instagram and TikTok, and explore the world of Brandon Botanical. Whether it's music festivals or plant adventures, there's a whimsical tale awaiting your ears.WAWG: Website Insta Youtube TikTok Nicole: Tik Tok Insta Pinterest Brandon: Tik Tok Insta Youtube Amazon

Send us a textIt's spooky season which means the girls are sharing the HAUNTING urban legends that surround Taylor Swift. They are joined by their friend and fellow swiftie, Lauren Lipman, to discuss if Karma is actually a real lost album, the rumored Karlie Kloss relationship, Woodvale, Niceboy Ed, and the All Too Well 10 Minute Version lore (an urban legend that actually came to be).For more information on Niceboy Ed and our unfiltered thoughts on Karma, listen to our October bonus episodes on Patreon or Apple Podcasts.Follow Lauren on InstagramFollow Lauren on YouTubeFollow Lauren on TikTokTaylor Swift  ||  Taylor Swift Podcast  ||  Music Commentary  ||  Karlie Kloss and Taylor Swift  ||  Niceboy Ed  ||  Taylor Swift KarmaSupport the showFollow along to hear a new Taylor Swift related episode every single Tuesday.Follow Us On Social Media:Typical Tuesday Night Podcast @typicaltuesdaynight.podcastKarli @everyday_ellisJess @jess.taitJoin our Patreon for bonus episodes and exclusive Taylor Swift group chat!Shop Our Merch!Feel free to contact us at typicaltuesdaynightpodcast@gmail.com

Over recent months, it is known All Too Well that pop star and cultural icon Taylor Swift has attracted widespread criticism for her private jet usage and corresponding surge in CO2 emissions to be one thousand times more than the average person. In this episode of Operation Climate, we delve deep into the environmental repercussions of private air travel and the moral obligations of celebrities to leverage their platforms to make meaningful Change. We feature insights from Dr. Paul Théberge of Carleton University, with his expertise focusing on the dynamics between the music industry, technology, culture, and globalization. We will discuss this Delicate matter where personal choices of celebrities challenge and affect global environmental concerns. As we continue The Great War towards a greener future, it's clear that Taylor Swift's Love Story with private jets must not be Long Lived. Should we Shake off Taylor's environmental impact and simply tolerate it, or should we be Fearless agents of change to ensure our earth is Clean? ______ Visit our website to keep up with the OC team!⁠ ⁠⁠https://operationclimatepo.wixsite.com/operationclimate⁠⁠⁠ Follow us on Instagram at⁠ ⁠⁠@operationclimate⁠⁠⁠! To contact us, DM us on Instagram or email us at operationclimatepodcast@gmail.com! ____________ Guest: Paul Théberge Host: Katie Brandler Reporter: Erin Chen, Katie Brandler, Kendra Rentz Audio Editor: Kendra Rentz, Erin Chen Music Credit: Cali by Wataboi, Taylor Swift - Intro Miss Americana & The Heartbreak Prince (The Eras Tour Studio Version) by Prochos Studio --- Support this podcast: https://podcasters.spotify.com/pod/show/operation-climate/support

Can we always be this close? We're celebrating our first anniversary! This week we're reminiscing about our first year of this podcast by talking about some of our favorite podcast moments in Year 1, and the songs we surprisingly haven't covered yet. And we're responding to listener requests, diving into specific lyrics requested by our dear listeners.  Mentioned in this episode:  Sisyphean task  Bookshop.org/shop/APTS The Daily, “The Year of Taylor Swift”  E42: Ecocriticism + TTPD  Animal Theory Substack E9: Fall Songs (aka Cornelia Street Moment) E24: Deep Dive - Right Where You Left Me E51: All Too Well (10 Minute Version) - Three Ways All Too Well (10 Minute Version) Short Film  “Reformed Rake” trope E33: Animal Theory You Know How to Ball, I Know Aristotle on TikTok Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe ***   Episode Highlights:  [01:38] Songs we surprisingly haven't covered yet [08:46] “My Tears Ricochet” Bridge  [19:20] “Robin”  [22:51] “Right Where You Left Me” pre-chorus [26:45] “When your Brooklyn broke my skin and bones” All Too Well 10 Minute Version [32:36] “Do you miss the rogue who coaxed you into paradise and left you there” Coney Island  [38:28] “We can't make any promises now can we babe?” Delicate [44:28] Season 2 sneak peek   Follow us on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm →  tinyurl.com/aptslibro Affiliate Codes:  Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!  Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro   This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

Join hosts Kaylan and Leanna on this episode of the Long Live Taylor podcast as they delve into the intricate lyrics of The Manuscript. They discuss whether the song references a specific relationship or catalog of experiences while relating it to Taylor Swift's iconic All Too Well era. The podcast also features a lively debate about Taylor's muses and exes, a breakdown of meaningful verses, and an intense Taylor Swift song guessing game. Don't miss this in-depth and spirited analysis of one of Taylor's thought-provoking songs. Don't forget to subscribe so you don't miss an episode, and send all your questions, comments or recommendations to LongLiveTaylorPod@gmail.com  Follow us on TikTok @LongLiveTaylorPod Instagram @LongLiveTaylorPod

We're finally on The Anthology tracks! Join Exquisite and Hannah as they discuss "The Black Dog" and how it's a perfect breakup song, with connections to "Sad Beautiful Tragic," "All Too Well," and an evermore song that made Exquisite almost cry. Oh, and stick around to the very end of the episode for a final connection to a Speak Now song! Join in on our conversation on Twitter/X with the new hashtag #AnthologySeminars! Enjoy the podcast? Send us a tip! Follow us on Twitter: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠taylorseminars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sippingaugust ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- Hannah @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠exquisitewill ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- Exquisite Art by Alef Vernon: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alefvernon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Instagram) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alef's Patreon⁠⁠⁠

It was rare, I was there, I remember it. To kick off our second year (sophomore year?) of AP Taylor Swift, we're tackling a song we have wanted to tackle since the very beginning: “All Too Well (10 Minute Version).” And to stay consistent with our Show & Tell format, we're each bringing you a different lens through which we analyzed this song! Join us as we introduce you to narratology, revisit ecocriticism, and look for poetic repetition in this song to understand what makes it the epic favorite that we all know and love.   Mentioned in this episode:  The Last Five Years E7: Ecocriticism E9: Fall Songs E27: Poetic Repetition   Affiliate Codes:  Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!  Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro   ***   Episode Highlights:  [00:40] Our topic for the day: ATWTMV 3-ways  [1:27] A new lens: narratology [13:03] A literary theory: Ecocriticism [30:35] A literary device: Poetic Repetition [44:40] Bringing all the theories together Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe   Follow us on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm →  tinyurl.com/aptslibro   This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

Brace your emotions and squeeze on your thinking caps! We're bringing back the random topic generator! What song brings a tear to your eye? What is the strangest movie you've ever seen? Send us a voicemail and let us know what you think! Let us know on Beer Thursday on Instagram and enjoy Jay's brilliant beer photography while you're there!  Please support us on the Beer Thursday Patreon page! The next 18 Great Human Beings will get access to the Beer Thursday Facebook group at the $5 level. Never miss an episode and help us take you to the top with us by subscribing and leaving a 5-Star review on your favorite podcasting app: Apple Podcasts Listen on Amazon Music Spotify iHeartRadio Here's what our house elf, Artie (not Archie), says about this round. Join our hosts, the dynamic duo of Jay and Shayne, in this round of Beer Thursday as they solve the paradox of too many choices with their random topic generator. They kick off the discussion by sharing songs that bring tears to their eyes, such as Taylor Swift's "All Too Well" and Conway Twitty's "That's My Job." The conversation takes a humorous and nostalgic turn as Jay and Shayne explore a fascinating hypothetical question: what if time froze for everyone but them? From catching up on movies to more mischievous activities, they share their quirky ideas. The discussion also turns to exploring the strangest movies they've ever seen, including cult classics like Pan's Labyrinth and Let the Right One In. Their banter is a perfect blend of humor, nostalgia, and a touch of existential dread. --- Send in a voice message: https://podcasters.spotify.com/pod/show/beer-thursday/message

Today I'm riffing on Taylor Swift and how as playwrights we can find ways to write in a way that feels incredibly truthful, to the point that it feels confessional. In what ways can we better embrace the cringey, diaristic, oversharing in our early drafts, so that we can move through to subtle, nuanced insights in our polished work? Because you can't get to sophisticated sincerity, if you don't nurture your cringe. And if we think being emotional in our writing isn't intellectually rigorous enough, I think we risk suffocating where a piece of writing might take us…I reference:‘All Too Well (10 Minute Version) (Taylor's Version)' by Taylor Swift‘All To Well' by Taylor Swift‘folklore' studio album by Taylor SwiftI'm doing an AMA (Ask Me Anything) episode next up! Send me all your questions to answer by email emily@emilysheehan.info or on Instagram @emilysheehan__

The Music of America Podcast continues in Vermont with Troy Millette and the Fire Below from Winooski. Songs include a cover of Taylor Swift's All Too Well, as well as his original Stay (Please)

Jaynovz narrates the first chapter of her novel-length mod AU, colloquially known in the fandom as the Breakup AU. The title and the story are inspired by the 10 minute version of Taylor Swift's All Too Well and in our interview, we discuss those parallels, the depth of the SilverFlint tragedy, the art of audio narration, and how best to approach scenes of intimacy from a narrating perspective. Jay and I also discover that we've made nearly identical choices for voicing Flint and Silver. This is a jam-packed interview, folks! So buckle up for this ride!

Today's Oddcast - Talking Lamar - Nifty Swifties (Airdate 2/23/2024)   Are You Ready For It? In this episode of Talking Lamar, he's digging deep in his bag of facts about the American Girl that you know All Too Well as Taylor Swift.   The Bob & Sheri Oddcast: Everything We Don't, Can't, Won't, and Definitely Shouldn't Do on the Show!See omnystudio.com/listener for privacy information.

In honor of Taylor's boyfriend heading to the Superbowl next week, we're revisiting our All Too Well (10 Minute Version) episode where we examined all things Swiftie and some of TayTay's less favorably remembered loves…. Enjoy! You'd be hard pressed to ignore that something is going on with Taylor Swift this week. The release of her re-recorded 2012 album Red (Taylor's Version) sent Swiftie's on a tizzy of epic proportions. And in classic Swift "Style," Queen Tay did not disappoint: surprise dropping a short film, a new music video directed by Blake Lively, and in the time between recording this episode and uploading it, a #sadgirlautumn version of "All Too Well" featuring The National's Aaron Dessner. But why is Taylor re-recording her first 6 albums in the first place? And why is everyone so worried about the mental health of notorious scarf thief Jake Gyllenhaal? We've got the whole scoop — plus the inside story from our special guest, musician Elayna Harrison, one of the lucky few Swiftie's invited to the secret All Too Well film premier. I think it's safe to say we Need to Calm Down. --- Support this podcast: https://podcasters.spotify.com/pod/show/lyricsforlunch/support

Did you know originally only a 5:29 min version was released of All Too Well? But long-time Swifie fans like Priscilla Brooke knew there was a longer version. She hung in there and sure enough Taylor Swift released the full version...NINE years later! And this was the version Priscilla chose to share memories about. This long version is much like the long time she's been a fan as she and Taylor "grew up together." All Too Well is on the Red album released in 2012, which of course Priscilla rushed to the store to buy along with a fabulous tube of red lipstick! But what she really remembers is her senior year at UNF here in Jacksonville, FL. Listen as she shares and explains what this song means to her and the memories her mind is filled with when it comes on unexpectedly these days. Full Show Notes

All Too Well (10 Minute Version) [Live from TS | The Eras Tour] Audio. TS | The Eras Tour

We return to the studio to talk about cultural touchstones: Taylor Swift's All Too Well, Percy Jackson, and Macklemore. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Australian singer-songwriter Hayley Marsten joins me to talk about the seminal album that soundtracked her journey into adulthood, Taylor Swift's seminal 2012 album 'Red'.  Now that this album has finally been chosen for an episode, we make a real meal out of it, getting into how the album marked a fork in the road that forecasted the second half of Taylor's career to date, why taking the big swing is sometimes the less risky path, the musical eclecticism of the album, All Too Well (regular and 10 minute versions) and how Taylor has managed to flatten time and build her own multiverse of madness.