Podcast appearances and mentions of marianne mccune

Over the past decade, politicians from both parties have courted American voters with an enticing economic prospect – the dream of bringing manufacturing and manufacturing jobs back to America. They've pushed for that dream with tariffs and tax breaks and subsidies. But what happens when one multinational company actually responds to those incentives, and tries to set up shop in Small Town, USA?Today on the show – how a battery factory ignited a political firestorm over what kind of factories we actually want in our backyard. And what happens when the global economy meets town hall democracy. This episode of Planet Money was produced by Emma Peaslee and Sylvie Douglis. It was edited by Marianne McCune and fact checked by Sierra Juarez. It was engineered by Robert Rodriguez. Alex Goldmark is our executive producer.Read Viola Zhou's reporting on the Gotion battery factory.Find more Planet Money: Facebook / Instagram / TikTok / Our weekly Newsletter.Listen free at these links: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Help support Planet Money and hear our bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.Music: NPR Source Audio - "Collectible Kicks," "Arturo's Revenge," and "Liquid Courage"Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Lately we've noticed that something we think about all the time here at Planet Money is having a viral moment: recession indicators!From the more practical (like sales for lipstick going up and men's underwear going down) to the absurd and nonsensical (like babysitter buns coming back into style?) — people are posting to social media every little sign they see that a recession is coming. And we LOVE it. Because between the trade war and the tariffs and the stock market, there has been a lot of economic uncertainty over the last few months and we want to talk about it, too.Today on the show — we dig into the slightly wonkier indicators that economists look at when they're trying to answer the question behind the viral internet trend: Is a recession coming?This episode of Planet Money was produced by James Sneed. It was edited by Marianne McCune, fact-checked by Sarah McClure, and engineered by Cena Loffredo. Alex Goldmark is our executive producer.Find more Planet Money: Facebook / Instagram / TikTok / Our weekly Newsletter.Help support Planet Money and hear our bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.Music: Source Audio - "The Shirt Still Fits," "Chameleon Panther Style," and "Nighthawk."Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

For decades, dollars have been the world's common financial language. Central banks everywhere hold dollars as a way to safely store their wealth. Countries, businesses, and people use it to trade; around 90% of all foreign exchange transactions involve dollars. It's the world's money, the world's "reserve currency."But what if that is changing? What if the world stops seeing the dollar as safe? Today on the show, what is a "reserve currency"? Why is it the dollar? And if the dollar falls from favor, what will replace it?This episode of Planet Money was produced by Emma Peaslee with help from James Sneed. It was edited by Marianne McCune with fact checking help from Sierra Juarez. It was engineered by Kwesi Lee. Alex Goldmark is our executive producer. The Dollar Trap by Eswar PrasadExorbitant Privilege by Barry EichengreenOur Dollar. Your Problem by Ken RogoffFind more Planet Money: Facebook / Instagram / TikTok / Our weekly Newsletter.Listen free at these links: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Help support Planet Money and hear our bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.Music: NPR Source Audio - "Virtual Machine," "Fake Blood" and "Successful Secrets"Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Why is it so hard to find a bathroom when you need one? In the U.S., we used to have lots of publicly accessible toilets. But many had locks on the doors and you had to put in a coin to use them. Pay toilets created a system of haves and have nots when it came to bathroom access. So in the 60s, movements sprung up to ban pay toilets.Problem is: when the pay toilets went away, so too did many free public toilets. Today on the show, how toilets exist in a legal and economic netherworld; they're not quite a public good, not quite a problem the free market can solve.Why we're stuck, needing to go, with nowhere to go.This episode was produced by Willa Rubin with help from James Sneed. It was edited by Marianne McCune and engineered by Cena Loffredo. It was fact-checked by Sierra Juarez. Alex Goldmark is our executive producer.Find more Planet Money: Facebook / Instagram / TikTok / Our weekly Newsletter.Listen free at these links: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Help support Planet Money and hear our bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.Music: Audio Network - "Smoke Rings," "Can't Walk Away" and "Bright Crystals."Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On today's show: we're ... venting.We at Planet Money are an ensemble show – each with different curiosities and styles. But we recently realized many of us have something in common: We're annoyed consumers.So we're going to get ranty ... but then try to understand the people annoying us. Like stingy coffee shops, manufacturers that don't design things for repair ... and stores that send way to many emails every day.Along the way, we learn a very sad thing about satisfaction and the future of skilled labor in the U.S.(Also, we should all just stop using umbrellas. They have negative consumption externalities. Come on people.)This episode was produced by James Sneed. It was edited by Marianne McCune, fact-checked by Sierra Juarez, and engineered by James Willetts. Alex Goldmark is our executive producer.Find more Planet Money: Facebook / Instagram / TikTok / Our weekly Newsletter.Listen free at these links: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Help support Planet Money and hear our bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Recently, one of our NPR colleagues wrote a message to all of NPR saying he had extra eggs to sell for cheap, but needed a fair way to distribute them during a shortage. What is Planet Money here for if not to get OVERLY involved in this kind of situation?Our colleague didn't want to charge more than $5, so we couldn't just auction the eggs off. A lottery? Too boring, he said. Okay! A very Planet Money puzzle to solve.Today on the show, we go in search of novel systems to help our colleague decide who gets his scarce resource: cheap, farm-fresh eggs. We steal from the world of new product development to try and secretly test for egg love, and we discover a pricing method used in development economics that may be America's next great gameshow.This episode of Planet Money was produced by Emma Peaslee and it was edited by Marianne McCune. It was fact checked by Sierra Juarez and engineered by Jimmy Keeley. Alex Goldmark is our executive producer.Find more Planet Money: Facebook / Instagram / TikTok / Our weekly Newsletter.Listen free at these links: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Help support Planet Money and hear our bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.Music: NPR Source Audio - "Punchy Punchline," "Game Face," "Feeling the Funk," and "The Host Most Wanted"Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

At the heart of President Trump's tariffs is this idea that we should not be buying more from other countries than they are buying from us. Basically, he wants to get rid of the trade deficit. And in the wake of the tariff announcement we got a LOT of questions from listeners about what that means. Do trade deficits matter? Is it bad to have a trade deficit? Are we getting ripped off? Today on the show – we tackle those questions. This episode of Planet Money was produced by Emma Peaslee and edited by Marianne McCune and Kenny Malone. It was fact checked by Sarah McClure and engineered by Kwesi Lee. Alex Goldmark is our executive producer. Find more Planet Money: Facebook / Instagram / TikTok / Our weekly Newsletter.Listen free at these links: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Help support Planet Money and hear our bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.Music: NPR Source Audio - "The Westerners," "Liquid Courage," and "Blazed and Emboldened" Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Ever wondered why you can buy fresh Peruvian blueberries in the dead of winter? The answer, surprisingly, is tied to cocaine. Today on the show, we look at how the war on drugs led to an American trade policy and a foreign aid initiative that won us blueberries all year round. And for more on trade and tariffs check out Planet Money's homepage. We've got articles looking at how much the new tariffs will raise prices and shows on everything from diamonds to potatoes to why you bought your couch. This episode was produced by Sylvie Douglis with help from Willa Rubin. It was edited by Marianne McCune and engineered by Jimmy Keeley. It was fact-checked by Sierra Juarez. Alex Goldmark is our executive producer.Find more Planet Money: Facebook / Instagram / TikTok / Our weekly newsletter.Listen free at these links: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Help support Planet Money and hear our bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.Music: Source Audio: "Martini Shaker," "You the Man," and "Leisure Girls."Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

So. Should YOU do psychedelic therapy? In the last episode of Power Trip, we get a lot of different answers to this question. Plus, we catch up with some of the people we met throughout this season who fight like hell to get people and institutions to acknowledge what happened to them. And make it less likely to happen to YOU. Credits Cover Story is a production of New York magazine. Power Trip is co-created, produced, and reported by David Nickles and Lily Kay Ross. Our senior producers are Marianne McCune and Whitney Jones. Also produced by Tarkor Zehn, Liza Yeager, Noor Bouzidi, and iO Tillett Wright. Our executive producer and editor is Hanna Rosin. Additional editing help by Nichole Hill. Sound design and scoring by Brandon McFarland. Additional sound design by Sharif Youssef, who also mixed the show. Cover Story's Theme music is by Santigold. Additional music by Lynx DeMuth and John Ellis. Fact-checking by Britina Cheng and Ted Hart. Crystal Finn is the voice of Susan, and Maaike Laanstra-Corn is the voice of Ashley. Special thanks to legal minds Elissa Cohen, Jillian Robbins, and Samantha Mason. Also to Gaby Grossman, and to Sara Ahmed for her writings on complaints. Power Trip is also produced with Psymposia, a non-profit watchdog group. For a deeper dive into some of these issues visit psymposia.com/powertrip. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Since the publication of Michael Pollan's bestseller, How to Change Your Mind, more people than ever have gotten comfortable trying psychedelics. And a few of them have died. We look into two cases and ask, who's responsible for warning people about the dangers? And we explore one important motivation for keeping quiet about them: money. CREDITS Cover Story is a production of New York magazine. Power trip is co-created, produced, and reported by David Nickles and Lily Kay Ross. Our senior producers are Marianne McCune and Whitney Jones. Also produced by Tarkor Zehn, Liza Yeager, Noor Bouzidi, and iO Tillett Wright. Our executive producer and editor is Hanna Rosin. With additional editing help by Nichole Hill. Sound design and scoring by Brandon McFarland. Additional sound design by Sharif Youssef, who also mixed the show. Cover Story's Theme music by Santigold. Additional music by Lynx DeMuth and John Ellis. Fact-checking by Britina Cheng and Ted Hart. Special thanks to legal minds Elissa Cohen, Jillian Robbins, and Samantha Mason. And also to Gaby Grossman. Power Trip is also produced with Psymposia, a non-profit watchdog group. For a deeper dive into some of these issues visit psymposia.com/powertrip. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Meaghan gets a hold of the clinical trial data and she and Dave and Lily pull it apart. Why are the studies so small? What actually happens in the black box of therapy? Why can't the trial participants find their actual experience reflected anywhere in the published data? We look to MAPS for answers. CREDITS Cover Story is a production of New York magazine. Power trip is co-created, produced and reported by David Nickles and Lily Kay Ross. Our senior producers are Marianne McCune and Whitney Jones. Also produced by Tarkor Zehn, Liza Yeager, Noor Bouzidi, and iO Tillett Wright. Our executive producer and editor is Hanna Rosin. With additional editing help by Nichole Hill. Sound design and scoring by Brandon McFarland. Additional sound design by Sharif Youssef, who also mixed the show. Cover Story's Theme music by Santigold. Additional music by Lynx DeMuth and John Ellis. Fact-checking by Britina Cheng and Ted Hart. Special thanks to legal minds Elissa Cohen, Jillian Robbins, and Samantha Mason. And also to Gaby Grossman and Nese Devenot. Power Trip is also produced with Psymposia, a non-profit watchdog group. For a deeper dive into some of these issues visit psymposia.com/powertrip. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We talk to participants in the most advanced clinical trials on MDMA as a treatment for trauma. On paper, they are success stories. In reality they are a mess. And one of them was put in a terrible bind by her trial therapists. CREDITS: Cover Story is a production of New York magazine. Power trip is co-created, produced and reported by David Nickles and Lily Kay Ross. Our senior producers are Marianne McCune and Whitney Jones. Also produced by Tarkor Zehn, Liza Yeager, Noor Bouzidi, and iO Tillett Wright. Our executive producer and editor is Hanna Rosin. With additional editing help by Nichole Hill. Sound design and scoring by Brandon McFarland. Additional sound design by Sharif Youssef, who also mixed the show. Cover Story's theme music by Santigold. Additional music by Lynx DeMuth and John Ellis. Fact-checking by Britina Cheng and Ted Hart. Special thanks to legal minds Elissa Cohen, Jillian Robbins, and Samantha Mason. And also to Russell Hausfeld. Power Trip is also produced with Psymposia, a non-profit watchdog group. For a deeper dive into some of these issues visit psymposia.com/powertrip. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Stories of transgressions multiply. Psychedelic therapists are meddling in marriages, dating their clients, and worse. Francoise Bourzat herself tells us what she thinks is going on, and how her psychedelic community has handled complaints in the past. Credits Cover Story is a production of New York magazine. Power Trip is co-created, produced and reported by David Nickles and Lily Kay Ross. Hosted and produced by iO Tillett Wright. Senior producers are Marianne McCune and Whitney Jones. Also produced by Tarkor Zehn and Liza Yeager. Executive producer and editor is Hanna Rosin. Sound design and scoring by Mike Cruz, Brandon McFarland, and Sharif Youssef, who also engineered the show. Cover Story's Theme music by Santigold. More Music by Lynx DeMuth and John Ellis. Fact-checking by Britina Cheng and Ted Hart. Crystal Finn is the voice of Susan, Harmony Stempel is the voice of Connie, and Karen Racanelli is the voice of Catherine. Special thanks to legal minds Elissa Cohen and Samantha Mason. Also to Gaby Grossman, and to the band Night Lunch for use of their song “House Full of Shit”. Power Trip is also produced with Psymposia, a non-profit watchdog group. For a deeper dive into some of these issues visit psymposia.com/powertrip. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We go to the source - a Mexican psychotherapist named Salvador Roquet, who is known as a “master of bad trips.” It starts to dawn on “Susan” that the problem is not her one rogue mentor. What if boundary crossing is baked into the psychedelic guide training, and implicates Francoise Bourzat and her husband Aharon Grossbard? Credits Cover Story is a production of New York magazine. Power Trip is co-created, produced and reported by David Nickles and Lily Kay Ross. Hosted and produced by iO Tillett Wright. Senior producers are Marianne McCune and Whitney Jones. Also produced by Tarkor Zehn and Liza Yeager. Executive producer and editor is Hanna Rosin. Sound design and scoring by Mike Cruz, Brandon McFarland, and Sharif Youssef, who also engineered the show. Cover Story's Theme music by Santigold. More Music by Lynx DeMuth and John Ellis. Fact-checking by Britina Cheng and Ted Hart. Crystal Finn is the voice of Susan. Special thanks to legal minds Elissa Cohen and Samantha Mason. Also to Gaby Grossman. Power Trip is also produced with Psymposia, a non-profit watchdog group. For a deeper dive into some of these issues visit psymposia.com/powertrip. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We cross through the portal to the underground where “Susan” goes through the training to become a psychedelic therapist. Her mentor Eyal crosses way too many boundaries. (Is he the wolf?). And we finally meet Francoise Bourzat, honey-voiced trainer of trainers. In an earlier version of episode 3, we misidentified Eyal Goren as a “licensed therapist.” He became a licensed therapist in the State of California in November of 2019. When "Susan" became his client, he was still registered as an Associate Marriage & Family Therapist. We've updated the episode to correct the mistake. Credits Cover Story is a production of New York magazine. Power Trip is co-created, produced and reported by David Nickles and Lily Kay Ross. Hosted and produced by iO Tillett Wright. Senior producers are Marianne McCune and Whitney Jones. Also produced by Tarkor Zehn and Liza Yeager. Executive producer and editor is Hanna Rosin. Music by Lynx DeMuth and John Ellis. Cover Story's Theme music by Santigold. Sound design and engineering by Mike Cruz and Sharif Youssef. Fact-checking by Britina Cheng and Ted Hart. Crystal Finn is the voice of Susan. Special thanks to legal minds Elissa Cohen and Samantha Mason. And also to Isabel Dahn and James Kent. Power Trip is also produced with Psymposia, a non-profit watchdog group. For a deeper dive into some of these issues visit psymposia.com/powertrip. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lily visits the Ecuadorian Amazon to work on a project when something terrible happens to her. She barely escapes and makes it home alive. But it's what happens next that really sets the course of her life. Meanwhile, the psychedelic renaissance is really starting to take off. Credits Cover Story is a production of New York magazine. Power Trip is co-created, produced and reported by David Nickles and Lily Kay Ross. Hosted and produced by iO Tillett Wright. Senior producers are Marianne McCune and Whitney Jones. Also produced by Tarkor Zehn and Liza Yeager. Executive producer and editor is Hanna Rosin. Music by Lynx DeMuth and John Ellis. Cover Story's Theme music by Santigold. Sound design and engineering by Mike Cruz and technical production by Sharif Youssef. Fact-checking by Britina Cheng and Ted Hart. Special thanks to legal minds Elissa Cohen and Samantha Mason. And also to Isabel Dahn, Rachel Monroe, and Genevieve Smith. Power Trip is also produced with Psymposia, a non-profit watchdog group. For a deeper dive into some of these issues visit psymposia.com/powertrip. Learn more about your ad choices. Visit podcastchoices.com/adchoices

After years of experimenting with drugs, Lily discovers the psychedelic underground. It's a world of shamans and guides - people illegally practicing psychedelic therapy to treat trauma. Their secret mission is make this treatment more widely available in order to “promote the evolution of humankind.” But what will they overlook to get there? Credits Cover Story is a production of New York magazine. Power Trip is co-created, produced, and reported by David Nickles and Lily Kay Ross. Hosted and produced by iO Tillett Wright. Senior producers are Marianne McCune and Whitney Jones. Also produced by Tarkor Zehn and Liza Yeager. Executive producer and editor is Hanna Rosin. Music by Lynx DeMuth and John Ellis. Cover Story's Theme music by Santigold. Sound design and engineering by Mike Cruz and technical production by Sharif Youssef. Fact-checking by Britina Cheng and Ted Hart. Special thanks to legal minds Elissa Cohen and Samantha Mason. And also to Isabel Dahn, Paul Schneider, Crystal Finn, Harmony Stempel, and Karen Racanelli. Power Trip is also produced with Psymposia, a non-profit watchdog group. For a deeper dive into some of these issues visit psymposia.com/powertrip. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Original aired: 11/23/2020 “Reverse racism” has haunted the fight for job equity for generations. How'd this bizarre idea become such a bugbear? One Supreme Court case, 50 years ago helps explain.  This week, our reporter Marianne McCune tells the story of that case — and its aftermath — to help explain why the American workplace is still so segregated. It's the story of an affirmative action program at an aluminum plant on the banks of the Mississippi River. Marianne introduces us to a Black family that finally found economic opportunity through the plant's affirmative action program — and to a white man who argued that the program violated the 1964 Civil Rights Act, and took his case all the way to the Supreme Court. The outcome will surprise you.  Companion listening from our archives: Two Schools In Marin County (02/06/2020) and A Secret Meeting in South Bend (02/27/2020) “The United States of Anxiety” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on WNYC.org/anxiety or tell your smart speakers to play WNYC.

By many accounts, American schools are as segregated today as they were in the nineteen-sixties, in the years after Brown v. Board of Education. WNYC’s podcast “The United States of Anxiety” chronicled the efforts of one small school district, Sausalito Marin City Schools, in California, to desegregate. Fifty years after parents and educators there first attempted integration, the state’s attorney general found that the district “knowingly and intentionally” maintained a segregated system, violating the equal-protection clause of the Constitution. The district’s older public school, which served mostly Black and Latino students, suffered neglect; meanwhile, a new charter school, though racially diverse, enrolled virtually all the white children in the district. The reporter Marianne McCune explored how one community overcame decades of distrust to finally integrate. This episode was edited from “The United States of Anxiety” ’s “Two Schools in Marin County” and “Desegregation by Any Means Necessary.”

By many accounts, American schools are as segregated today as they were in the nineteen-sixties, in the years after Brown v. Board of Education. WNYC’s podcast “The United States of Anxiety” chronicled the efforts of one small school district, Sausalito Marin City Schools, in California, to desegregate. Fifty years after parents and educators there first attempted integration, the state’s attorney general found that the district “knowingly and intentionally” maintained a segregated system, violating the equal-protection clause of the Constitution. The district’s older public school, which served mostly Black and Latino students, was underfunded and suffered neglect; a well-appointed new charter school, meanwhile, enrolled virtually all the white children in the district. The reporter Marianne McCune explored how one community overcame decades of distrust to finally integrate.

A gun-toting Black Power advocate was made principal of a Marin County, California school during efforts to desegregate 50 years ago. As they try again, we recount his radical legacy. As the Sausalito Marin City School District continues to grapple with school desegregation, Reporter Marianne McCune brings us the sequel -- and the prequel -- to “Two Schools in Marin County”. She takes us back in time to witness how one of the first communities in the country to voluntarily desegregate took an unapologetically Black approach to better educate all students and the lessons that resonate as they push for change today. Special thanks to David Duncan, a PhD student in history at UC Santa Cruz looking at school desegregation in the Bay Area, and to many other Sausalito and Marin City residents, past and present, who shared their memories for this story. Companion listening for this episode: “Two Schools in Marin County” (2/6/2020) In the classrooms and town meetings of Marin, California we witness a community grappling with what desegregation and reparations might look like in the 21st century. “Actor Daniel Kaluuya’s Road to Revolutionary” (3/4/21) Kai talks to the “Judas and the Black Messiah” star about his award-winning portrayal of Fred Hampton and the legacy of the Black Panther Party. “The United States of Anxiety” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on WNYC.org/anxiety or tell your smart speakers to play WNYC.  We want to hear from you! Connect with us on Twitter @WNYC using the hashtag #USofAnxiety or email us at anxiety@wnyc.org.

“Reverse racism” has haunted the fight for job equity for generations. How’d this bizarre idea become such a bugbear? One Supreme Court case, 50 years ago helps explain.  This week, our reporter Marianne McCune tells the story of that case — and its aftermath — to help explain why the American workplace is still so segregated. It’s the story of an affirmative action program at an aluminum plant on the banks of the Mississippi River. Marianne introduces us to a Black family that finally found economic opportunity through the plant’s affirmative action program — and to a white man who argued that the program violated the 1964 Civil Rights Act, and took his case all the way to the Supreme Court. The outcome will surprise you.  Companion listening from our archives: Two Schools In Marin County (02/06/2020) and A Secret Meeting in South Bend (02/27/2020) “The United States of Anxiety” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on WNYC.org/anxiety or tell your smart speakers to play WNYC.

Starting this spring, many states began releasing some inmates from prisons and jails to try to reduce the spread of COVID-19. But a huge number of incarcerated people are mentally ill or addicted to drugs, or sometimes both. When those people are released, they may lose their only consistent access to treatment. Marianne McCune, a reporter for WNYC, spent weeks following a psychiatrist and a social worker as they tried to locate and then help some recently released patients at a time of uncertainty and chaos.  This is a collaboration between The New Yorker Radio Hour and WNYC’s “The United States of Anxiety.”

Starting this spring, many states began releasing some inmates from prisons and jails to try to reduce the spread of COVID-19. But a huge number of incarcerated people are mentally ill or addicted to drugs, or sometimes both. When those people are released, they may lose their only consistent access to treatment. Marianne McCune, a reporter for WNYC, spent weeks following a psychiatrist and a social worker as they tried to locate and then help some recently released patients at a time of uncertainty and chaos.  This is a collaboration between The New Yorker Radio Hour and WNYC’s “The United States of Anxiety.”

We’ve got two dispatches from communities where "social-distancing" is not an option. And where decisions we made long ago about homelessness and immigration policy are getting in the way of our ability to protect against Covid 19. WNYC Investigative Reporter Matt Katz brings us calls from inside immigration detention centers. And our reporter Marianne McCune checks in with a homeless advocate, Sam Dennison, who lives and works inside San Francisco's Tenderloin neighborhood, with the highest number of people sleeping in tents in the city. The United States of Anxiety’s health coverage is supported in part by the Robert Wood Johnson Foundation. Working to build a Culture of Health that ensures everyone in America has a fair and just opportunity for health and well-being. More at RWJF.org.

Last year, the California Attorney General held a tense press conference at a tiny elementary school in the one working class, black neighborhood of the mostly wealthy and white Marin County. His office had concluded that the local district "knowingly and intentionally" maintained a segregated school, violating the 14th amendment. He ordered them to fix it, but for local officials and families, the path forward remains unclear, as is the question: what does "equal protection" mean? - Eric Foner is author of The Second Founding Hosted by Kai Wright. Reported by Marianne McCune.

In May 1960, the Mossad captured Adolf Eichmann in Buenos Aires, and brought him to stand trial in Jerusalem. It's one of Israel's most glorified chapters, right up there with Entebbe, the bombing of the Iraqi Nuclear Reactor and Operation Solomon. So why did the doctor who sedated the Nazi mastermind minimize his role in the saga? And what can that tell us about the legacy of World War II, eighty years after its start? Last month, the world marked the eightieth anniversary of Hitler's invasion of Poland and the start of WWII. In Israel, too, this was a big milestone: Kids discussed it at school, academics held conferences at the various universities, newspapers ran articles and editorials. But this wasn't, of course, always the case in Israel. For years, the war - and the Holocaust - were taboo topics. European Jews, many Israelis felt, had gone to the camps like sheep to the slaughter, without resisting, without putting up much of a fight. That perception began to change, almost overnight, as a result of one major event - the capture and trial of Adolf Eichmann. This episode is a collaboration with "Rough Translation," an NPR podcast that tells stories from around the world that offer new perspectives on familiar conversations. Gregory Warner and Daniel Estrin bring us the complicated story of Dr. Yonah Elian, the anesthesiologist who sedated one of the world's most notorious Nazis. Marianne McCune edited the piece, and scored it together with Mike Cruz. Joel Shupack arranged the rest of the episode with music from Blue Dot Sessions. It was produced by Jess Jiang, Neal Carruth, Will Dobson, Anya Grundman, Sarah Knight, Andy Huether, John Ellis, Matt Orton, Autumn Barnes, Zev Levi, Yoshi Fields, Niva Ashkenazi, James Feder and Yochai Maital. Sela Waisblum mixed the episode. The end song, "Perurim Shel Or" ("Sparks of Light") is the first single from the new album of Israel Story's band leader, Dotan Moshonov. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.

Marc is joined by Temitayo Fagbenle, an award-winning Rookie Reporter, and Kaari Pitkin, Senior Producer for WNYC. Radio Rookies is the product of veteran radio producers, Marianne McCune and Kaari Pitkin, who have shepherded hundreds of youth in NYC schools through their first experiences as young reporters and storytellers. Youth-led stories have garnered numerous prestigious journalism awards and accolades. Young reporters like Temi cover big and sometimes thorny topics--drugs, race, sexual abuse, immigration--that emerge from the center of their own lives. Learn about the impacts of this experience from Temi firsthand, and peak under the hood of this unique production-centered learning experience to understand how stories get made. If you like this episode, subscribe to No Such Thing on iTunes, Stitcher, and Google Play. If it's not available on your favorite player, let me know through our shownotes site, nosuchthingpodcast[dot]wordpress[dot]org. Already a subscriber? Please rate and review us, and tweet the showpage to your network with #nosuchthingpodcast to enter to win a brand new 1st Gen Google Pixel phone. See acast.com/privacy for privacy and opt-out information.

How to listen, talk to composers, score and sound design. With Emily Botein, a Vice President for On-Demand Content at WNYC Studios, and Marianne McCune, editor of Rough Translation.  Werk It: The Podcast is a selection of talks and discussions from the Werk It Festival for women in audio. Both the festival and the podcast are produced by WNYC Studios and are made possible by a grant from the Corporation for Public Broadcasting with additional support from the Annenberg Foundation.  Event sponsors include Cole Haan, M.A.C. Cosmetics, and ThirdLove.com You can find more information at www.wnyc.org/shows/werkit.  

Guess what? You can tell great stories on the news, too. In a good story, something happens. You care about the person it happens to. There are stakes, an arc. Hopefully some suspense. You know, like the stories you hear on the programs you love. But it's also possible to make news stories... great. Maybe you can't use mood music or fancy sound design. But you can report like you're making a documentary, even if it you have to do it in one day. In this session, Marianne McCune tells you how. Recorded at the 2014 Third Coast Conference. See acast.com/privacy for privacy and opt-out information.

Marijuana regulation has changed radically over the last few years. Voters in Washington State and Colorado legalized marijuana in the 2012 election, and, with a prescription, almost any Californian can walk into a dispensary and buy the substance. With changing policies come new challenges regarding the economics and culture of marijuana.  First, a regulatory angle. Six months ago, Washington and Colorado became the first states to legalize the recreational use of marijuana. While legalization itself was a struggle for its proponents, the work for implementing the laws is perhaps more complicated. Washington State Representative Roger Goodman pointed out in a recent meeting that there are no clear answers for how to regulate the recreational use of marijuana. Creating a safe and legal market for pot, while navigating federal law, which expressly forbids the use of marijuana, is a daunting task, and something that's never been done before. Austin Jenkins, statehouse reporter for our partner KUOW, in Olympia Washington, explains the implementation of Washington state's legalization law. And then we look at the economic angle. Dealers who once made their money on the wrong side of the law are finding their way in a quickly-changing industry. Marianne McCune, reporter for Takeaway co-producer WNYC, caught up with one California dealer who decided to move east, to sell marijuana where it's still illegal, and therefore more expensive, in New York City. Finally, dealers like the on McCune interviews have found ready customers in New York City high schools. Two of Takeaway co-producer's WNYC's Radio Rookies, Temityao Fagbenle and Gemma Weiner, look at pot culture in two different high schools in the city: one public and one private. They compare the way teenagers buy and use marijuana, and the major differences in how schools deal with students who are caught with the substance.

Men have boxed in the Olympic games since the ancient Greeks adopted the sport more than two thousand years ago.  Women, never. That changes this year. In February, 24 fighters will compete to make the very first US Olympic women’s boxing team. Three will succeed. The Women Box podcast takes you inside the lives and minds of the contenders as they fight to make history: who they are, why they box, and how they got this far. We'll also follow their progress at the Olympic trials. These fighters challenge the prevailing wisdom that girls don't play rough. Women Box tells their story. Listen above for a preview. Hosted by WNYC Reporter Marianne McCune, the Women Box podcast runs the week of the women's Olympic trials: from Monday, February 13th through the end of the week-long competition. Women Box is produced by Sue Jaye Johnson and Marianne McCune.

This morning's Early Word: Senate GOP blocks Don't Ask Don't Tell repeal & 9/11 health bill; Marianne McCune on young immigrants awaiting a stalled immigration bill; Ilya Marritz on the final days of a NYC OTB parlor; a museum...for your nose.

This morning's Early Word: Tom Delay convicted of money laundering; the Macy's Thanksgiving Day Parade kicks off; New Yorkers sound off on Black Friday shopping; Marianne McCune visits a modern-day rent party.

This morning's Early Word: Veterans Day celebrated around the world; 8-month political standoff in Iraq tentatively resolved; NJ Transit gets huge bill for scrapped Hudson tunnel; Marianne McCune on New Yorkers using text messaging to assist election in Guinea.