Podcasts about Midnight Moonlight

The very last time the Firm played publicly was May 28, 1986 in good ol' Seattle. Everyone in the band knew it was the end of the project, and they all play their hearts out. Paul Rodgers outdoes himself with delivery and passion. Jimmy is very upbeat and talkative. This show is really good. You know how I am at best lukewarm on the Firm, overall, but the Mean Business tour sounds streets ahead of the 1985 tour. You're going to enjoy the energy, the music, and the balls of this show. I play an incendiary Spirit of Love, a furious Midnight Moonlight, and a very heavy and dark bluesy I Just Wanna Make Love to You. Even if you're not a big Firm fan this one is the exception. Enjoy.

On November 28, 1983 Jimmy Page walked onstage in Dallas, Texas for his first American appearance in more than 7 years. He was newly free of the chains that heroin addiction had weighing him down, and he was working on getting back to fighting fettle. Paul Rodgers is joining him for this tour, as Steve Winwood was in the studio and couldn't reprise his Royal Albert Hall performances. We have the gestation of The Firm as Jimmy and Paul debut Midnight Moonlight, for the first live performance ever.

This show is all kinds of magickal, to me. First, I was there. Second, Jimmy Page was on fire this whole tour. Third, Robert Plant was in attendance so the band knocked it up a notch. This is October 29, 1988 and Jimmy Page is at the Worcester Centrum supporting his Outrider album. A performance of legend. I play a stellar Midnight Moonlight w/Black Mountainside, an even more amazing solo section of The Chase w/ bow solo, noise solo (short), and Dazed & Confused w/ some Walter's Walk. It's awesome. We finish up with a perfect, I mean perfect, instrumental performance of Stairway to Heaven that may make you weep. For real.

"Sounds of '91: Jerry Garcia Band Live and Marijuana News Unveiled"Larry Mishkin  focuses on Jerry Garcia music and breaking stories related to marijuana. He introduces a Jerry Garcia Band performance from November 15, 1991, at Madison Square Garden and delves into the details of the songs performed, particularly highlighting "How Sweet It Is To Be Loved By You" and a cover of Bob Dylan's "Simple Twist of Fate." Amidst the music commentary, Larry also addresses significant marijuana-related news, emphasizing recent studies suggesting a potential connection between marijuana use and heart issues. He, however, points out limitations in the studies and emphasizes the need for a more comprehensive examination of the subject..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast   Jerry Garcia BandNovember 15, 1991MSGNY, NYJerry Garcia Band 1991-11-15 FOB Schoeps Brotman Metchick Anon Noel t-flac1648 : Joe Noel : Free Download, Borrow, and Streaming : Internet Archive  INTRO:               How Sweet It Is To Be Loved By You                           Track No. 2                           0:00 – 1:30 How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"  Released on Nov. 4, 1964 with Forever on the B-side. Cash Box described it as "a medium-paced, rollicking chorus-backed ode about a fella who's on top of the world since he met up with Miss Right."[4]AllMusic critic Jason Ankeny described the song as a "radiant pop confection," noting that it was unusual for Gaye in being a "straightforward love song" that doesn't reflect Gaye's usual demons.[5] Ankeny commented on the soulfulness of the song, and particularly noted the piano riff. James Taylor released his version of "How Sweet It Is (To Be Loved by You)" as the lead single from his album Gorilla (1975).[11]Taylor's 1975 single has been the most successful remake of the song to date, hitting number one on the Easy Listening chart and number five on the US Billboard Hot 100 chart. Long a staple of the JGB's set lists, First played on September 18, 1975 a Sophie's in Palo AltoLast played on April 23, 1995 at the Warfield Theater in S.F.Total played 373 times, by far the JGB's most played tune (Midnight Moonlight is 2d at 344) Usually a show opener.   There are three Dead shows on Nov. 13 and six JGB shows.  Of those six, none are available on Archivd.org.  So I am dong a JGB show two days later on Nov. 15, 1991 from MSG.  The standard JGB lineup for that time: Jerry Garcia; guitar, vocals- John Kahn; bass- Melvin Seals; keyboards- David Kemper; drums- Jaclyn LaBranch; backing vocals- Gloria Jones; backing vocals Great musicians, great vocals, its 1991, but Jerry is rocking. A fun night with Blues Traveler as the opening act. This show was released as Garcia Live Vol. 16 SHOW #1:                        Simple Twist of Fate                                         Track No. 5                                         3:00 – 4:40               In 1975, Bob Dylan released his album Blood on the Tracks, which included the song “Simple Twist of Fate.” The song is a haunting ballad about a failed relationship, and many fans have speculated about who Dylan wrote it about. While Dylan has never confirmed the identity of the song's subject, many believe that he wrote it about his former girlfriend, Joan Baez. Bob Dylan's message is one of hope and change. He speaks of a world that is better than the one we currently live in and urges people to work together to make it a reality. He also advocates for peace and love, and has said that these are the only things that can truly change the world. Always a big fan of Dylan, Garcia played this song 217 times, the first on July 4, 1976 at the Great American Music Hall in S.F. and the last on April 23, 1995 at the Warfield in S.F.  If you are wondering why that April 23, 1995 dates keeps popping up, that was the last JGB show. SHOW #2:                        Lay Down Sally                                         Track No. 6                                         1:40 – 3:15 "Lay Down Sally" is a song performed by Eric Clapton, and written by Clapton, Marcy Levy, and George Terry. It appeared on his November 1977 album Slowhand, and reached No. 3 on the BillboardHot 100 chart.  It was released as a single with Cocaine on the B-side, quite the heavy hitting release.  It was the song of the summer of 1978 and always one of Slow Hand's favorite songs. "Lay Down Sally" is a country blues song performed in the style of J. J. Cale. Clapton explained, "It's as close as I can get, being English, but the band being a Tulsa band, they play like that naturally. You couldn't get them to do an English rock sound, no way. Their idea of a driving beat isn't being loud or anything. It's subtle."Billboard magazine described Clapton's vocal as "low key but earthy" and also praised Marcy Levy's backing vocals.[5]Cash Box praised Clapton's "guitar finesse."JGB covered the tune 54 timesFirst: November 20, 1990 Warfield, SFLast: March 4, 1995 Warfield, SF Gets a great crowd reaction and Jerry loves jamming on Clapton tunes. Link to picture of Garcia and Clapton from back in the day:  Jerry Garcia & Eric Clapton Pose | Grateful Dead Clapton interviewed on the Dead in 1968:Have you heard the Grateful Dead record?A:  “Yeah, it's great.” Peter Townshend said he saw the Dead at the Pop Festival, and called them “one of the original ropeys.” A:   “Ropey! That means a drag. I don't think the quality of their music is as high as a lot of other good recording bands. People are more concerned with live music, maybe, than with recording. I'm not sure of that. I'm guessing. If the Grateful Dead are one of the best, they're not doing a very good job on record.”What do you think of the guitar playing? Jerry Garcia's synthesis of blues, jazz and country and western, with a little jug band thrown in?A:   “It's very good, and very tight, but it's not really my bag.” SHOW #3:       Deal                        Track No. 9                        2:46 – 4:15 Finally, a Garcia tune!  And one of his best.One of the Grateful Dead's live staples, and many gambling songs is the Robert Hunter and Jerry Garcia collaboration, “Deal”. First performed on February 19th, 1971, the song was in regular rotation until the end, both for the Dead and the Jerry Garcia Band.“Deal” saw studio release as the opening track to Jerry Garcia's 1972 debut solo album, Garcia, which also contained several other classic Grateful Dead live songs including “Sugaree”, “Bird Song”, “Loser”, and “The Wheel”. It's also worth noting that the classic folk song, “Don't Let Your Deal Go Down”, first recorded in 1925 by Charlie Poole and the North Carolina Ramblers contains many similarities to the Grateful Dead song. Hunter was known to pull references from a wide variety of sources in his songwriting, and it is highly likely he was familiar with the tune. JGB played it 291 times in concert.  First on March 4, 1978 at the Keystone in Palo Alto, CALast time on April 23, 1995 at the Warfield Grateful Dead played it 422 timesFirst on Feb. 19, 1971 at the Capitol Theater in Port Chester, NYLast on June 18, 1995 at Giant's Stadium in East Rutherford, NJ.Longest absence from the rotation was 29 shows from Oct. 2, 1988 at Shoreline in lovely Mountain View, CA and then not again until April 11, 1989 at the Rosemont Horizon in Rosemont, IL You had to be trying really hard, or just be really unlucky to never catch this tune during those days.  I still say it is the best Garcia tune, great music, great tempo, Jerry loved to jam on this tune and his voice really made the song.  Almost always a first set closer.  SHOW #4:               Ain't No Bread In The Breadbox                                Track No. 14                                1:22 – 3:02 Written by Phillip Jackson (September 28, 1951[1] – October 30, 2009),[2] best known as Norton Buffalo, was an American singer-songwriter, countryand blues harmonica player, record producer, bandleader and recording artist who was a versatile proponent of the harmonica, including chromatic[3] and diatonic. In early 1976 Buffalo joined the "farewell" European tour of Commander Cody and His Lost Planet Airmen, and was recorded on the band's final live album We've Got a Live One Here!,[5] which included Buffalo's song "Eighteen Wheels." After the tour, Buffalo returned to California, briefly played with a number of local bands, and later in 1976 he joined the Steve Miller Band's Fly Like an Eagle Tour. He also played harmonica on the band's hit follow-up album Book of Dreams, released in May 1977. Buffalo appeared on the tracks "Winter Time" and "The Stake." By the late 1970s Buffalo had formed his own band, The Stampede, and recorded two Capitol Records albums: Lovin' in the Valley of the Moon and Desert Horizon. In 1977 his harmonica work appeared on Bonnie Raitt's Sweet Forgiveness and The Doobie Brothers' Livin' on the Fault Line albums. He was a member of the Mickey Hart band High Noon in the late 70s and early 80s with Merl Saunders, Mike Hinton, Jim McPhearson, Vicki Randle, and Bobby Vega, and played with Saunders on the Rainforest Band album It's in the Air in 1993. Ain't No Bread In The Breadbox was performed 65 times by the Jerry Garcia Band.First time on Nov. 6, 1991at the Cap Center in Landover, MD (just 9 days earlier but this was already the band's 7th performance of the tune.  Jerry really liked it. The song was played by Phil Lesh with Norton Buffalo, Boz Scaggs and others in 2004. The song was also played by Billy & The Kids in 2021.                        OUTRO:                  What A Wonderful World                                Track No. 19                                1:55 – 3:37 "What a Wonderful World" is a song written by Bob Thiele (as "George Douglas") and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single. In April 1968, it topped the pop chart in the United Kingdom,[2] but performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.After it was heard in the film Good Morning, Vietnam, it was reissued as a single in 1988, and rose to number 32 on the Billboard Hot 100.[3] Armstrong's recording was inducted to the Grammy Hall of Fame in 1999.In Graham Nash's book Off the Record: Songwriters on Songwriting, George Weiss says he wrote the song specifically for Louis Armstrong, as he was inspired by Armstrong's ability to bring together people of different races. JGB played the song 12 times in concertFirst was on Nov. 6. 1991 at the Cap Centre in Maryland (again, just 9 days before this show, this was the band's 4th performance of the tuneLast Oct. 31, 1992 at Oakland Alameda County Colisium.Just in the rotation for one year.But who can't love Jerry channeling his inner Louis Armstrong and harmonizing the Jackie and Gloria.  A great way to end a show and send everyone home with a smile and warm fuzzy feeling.A perfect night with Jerry.  Mishkin Law, LLC500 Skokie Blvd.Suite 325Northbrook, IL  60062Cell: (847) 812-1298Office Direct: (847) 504-1480lmishkin@mishkin.law

We hear Jimmy Page on a smoking night in Portland, ME 11/11/88 on his Outrider tour. Emerald Eyes, Midnight Moonlight, and The Chase/Dazed are played, and they're incredible. This is 1972-73 Jimmy making an appearance. Great show from a great tour.

We talked for an hour and a half and could have easily talked for much longer, although even in this relatively short time, it felt like our conversation was far greater than the time it occupied, almost like seeing the whole world in a grain of sand. Collaboration was the main topic we discussed, and as you will hear, collaboration for Peter Rowan comes naturally, and goes a lot deeper than just the songs themselves. Sixty years ago, he set foot on a path that would lead to one of his most noteworthy collaborations with Bill Monroe, joining the Blue Grass Boys in 1963. It was with Bill that he wrote the song “The Walls Of Time”, and in our conversation he details its genesis in a fateful sunrise experience with an enduring impact on him all those years ago. Following his years with Monroe, Peter Rowan collaborated with Jerry Garcia, Tony Rice, Flaco Jimenez, David Grisman and more recently, Molly Tuttle, to name just a few. Peter and I talk about those collaborations; about standing close to the fire of the great Bill Monroe; which roots music artists from younger generations have that fire today; we dive into a bit of music theory as well as Buddhist concepts that can also apply to music, and much more in this easy going and far reaching conversation. Peter Rowan Songs heard in this episode:“The Walls Of Time” by Peter Rowan, from Crucial Country“Doc Watson Morning” by Peter Rowan, from The Old School, excerpt“Midnight On The Stormy Deep” by Bill Monroe, excerpt“Midnight Moonlight” by Old & In The Way, from Old & In The Way, excerpt“Squeeze Box Man” by Peter Rowan, from Texican BadmanThank you for visiting, and are even more grateful whenever you share this with someone. Please follow us on your podcast platform of choice, and then it will only take a minute to give it a good rating and, where it is an option, a review. Great ratings, and reviews especially, will make Southern Songs and Stories and the artists it profiles more likely to be found by more people just like you. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng who wrote and performed our theme songs. Thanks also to our guests, and we encourage you to check out their work. This is Southern Songs and Stories: the music of the South and the artists who make it. — Joe Kendrick

Albert King "I Almost Lost My Mind"Bonnie Raitt "Livin' for the Ones"Old & In the Way "Midnight Moonlight"Doc & Merle Watson "Tennessee Stud (Live)"Doc & Merle Watson "Black Mountain Rag (Live)"Brown Bird "Danger and Dread"Eilen Jewell "Shakin' All Over"Taj Mahal "Slave Driver"Adia Victoria "Stuck in the South"Jason Isbell and the 400 Unit "Sometimes Salvation"Sister Rosetta Tharpe "Shout, Sister, Shout!"Wilson Pickett "I Found the One"Blind Willie McTell "Motherless Children Have a Hard Time"Little Richard "Rip It Up"Pee Wee King "Oh Monah"Loretta Lynn "This Old House"Waxahatchee "Under a Rock"Shovels & Rope "Hail Hail"Allen Toussaint "Just a Closer Walk with Thee"Willie Nelson "Stardust"Ruth Brown "Love Me Baby"Charles Mingus "Goodbye Pork Pie Hat"Marvin Gaye "Inner City Blues (Make Me Wanna Holler)"The Black Keys "Ten Cent Pistol"Bobby "Blue" Bland "Ain't No Love In The Heart Of The City"Sly Stone "Who Do You Love?"Charles Mingus "Wednesday Night Prayer Meeting"Craig Finn "Birthdays"Bob Dylan "The Wicked Messenger"LaVern Baker "See See Rider"Ella Fitzgerald "'Tain't What You Do"B. B. King "It's My Own Fault Darling"Albert King "She Caught The Katy And Left Me A Mule To Ride"Buddy Emmons "Four, Five Times"Carl Perkins "Honey Don't"Ted Hawkins "California Song"Little Willie John "I'm Shakin'"The Everly Brothers "Cathy's Clown"Lil Green "Why Don't You Do Right"Otis Blackwell "Daddy Rolling Stone"Bonnie Raitt "Everybody's Cryin' Mercy (Remastered Version)"Mississippi Fred McDowell "I Ain't Gonna Be Bad No Mo'"Ike & Tina Turner "Funkier Than a Mosquita's Tweeter"Otis Redding "A Fool for You"John Brim "Ice Cream Man"Johnny Cash "I Heard That Lonesome Whistle"Georgia White "Tain't Nobody's Fault But Yours"

Featured Songs: 1. 00:38 - Midnight Moonlight - 12-31-20 - The National  - Richmond, VA  2. 06:01 - Rise Sun - 02-07-20 - Vic Theatre - Chicago, IL  3. 09:43 - Wake Me Up - 02-09-20 - Varsity Theatre - Minneapolis, MN 4. 14:44 - Light and Love - 03-05-20 - Buck Owen’s Crystal Palace - Bakersfield, CA 5. 21:55 - I Think I’ll Just Stay Here And Drink - 03-08-20 - The Commonwealth Room - Salt Lake City, UT  See omnystudio.com/listener for privacy information.

DreckPaeck me vocal and banjo, Gabi Weber on gutar and Rainer Diekamp on bass

DreckPaeck me vocal and banjo, Gabi Weber on gutar and Rainer Diekamp on bass

This week Coach Chad takes you on a late night walk to share some Midnight Moonlight Reflections. So many people are struggling right now during this time of COVID and dealing with more loneliness and darkness than ever before. The struggle is heavy on our hearts and minds. You can feel like no one understands you or that you are all alone, just barely holding on, and searching for some positivity or light in these dark times. Let's go for a walk and talk and open up about what is going on and how you can find something brighter to help get you through. If any of this discussion resonates with you or stirs up some thoughts or emotions that you could use some support with, I invite you to please reach out to me. You aren't alone. I'm here to help. I am a Certified Neuro-Transformational Results Coach and I am offering individualized support and coaching. If your drive for success is destroying your happiness, DM or email me. I can help. As always, I invite you to be part of the discussion, subscribe, like, leave a comment or review and share the podcast with someone who could use these words. Head over to my FB page to continue the conversation! https://www.facebook.com/elevate.to.resonate Check out my FLOW page for all my social media links and podcast episode links. https://www.flow.page/elevate.to.resonate --- Send in a voice message: https://anchor.fm/etrpodcast/message

My guest today is a woman of the church. A congregation that was not afraid to own the blues which is where that music hails from. Gospel Music when intermeshed with blues creates soul and today we present a serenade to a soul sister who is deeply connected to the spiritual oasis of playing with Jerry Garcia. She came aboard in 1983 during a transitional time for both the band and Jerry. Relentless touring in the Spring, Summer and Fall which didn't include the keystone Gigs in Berkeley or Palo Alto or a quick jump to the Pacific NW in January. Sure Jerry loved to play but he was also feeding an addiction that my guest never subscribed to. But unlike in today's era of rigid uniform group think. My guest played in a band until the Midnight Moonlight not because she looked like everybody else, not because it was the biggest money making endeavor but because it had soul and it felt good. The Way you do the things you do, you got a smile so bright that I saw it even though I never saw the JGB play a single note. The music holds up as well if not better today than it did back than. It's rich and full throated like my guest who according to David Kemper never sang out of key. The problem is the greed that has been left in Jerry's wake. A greed so pervasive that it is unbecoming to anyone who ever collaborated with Jerry because the whole mind set is antithetical to what he stood for. My guest is one of those cats down under the stars who gives it her all on the bandstand. She knows the struggles her people face. The unfair disadvantaged playing field that is being played out in North Philly and Baltimore and any old dilapidated city near you. She knows she can't change the world, just her world by taking a Melody from a simple C to G. Feeling Brand New About It Jackie La Branch welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

Truth is, we've become really good friends with Reid over the years and are in awe of how he's able to bring musicians together, to share in the love of the jam, the songs and good times. First I was a fan of Strangefolk, Assembly of Dust and his solo work and continue to be, but he is a really solid dude, who has on several occasions taken time out in his life to offer some solid advice. So it's with great pleasure that we welcomed him in to chat about Reid Genauer and Folks - Extended Release and his upcoming tour if for no other reason than to get the pronunciation of his name correct. For more visit reidgenauer.com and please see him on the road, in fact when you do, tell him "Ira says hi".  First Song: 01:01 - Sometimes Interview Begins: 13:41 Extro Song: 42:49 - Midnight Moonlight (feat. Melvin Seals) See omnystudio.com/listener for privacy information.

This months podcast comes to us from the Spring of 1977, which we all know is fertile ground for AMAZING Grateful Dead shows.   And this show does not disappoint.  For our halftime show Bob brought in some JGB from '77...  a bunch of good stuff for your ears this month, that's for sure.   Hope y'all enjoy it! GRATEFUL DEAD   April 30,1977   Palladium  New York, NY    SET 1:   The Music Never Stopped, Bertha, All Over Now, Deal, Mama Tried > Me & My Uncle, Peggy O, Looks Like Rain, Mississippi 1/2 Step Uptown Todeloo, The Promised Land   HALF-TIME   Jerry Garcia Band  (12/4/77  New Jersey)  They Love Each Other, Midnight Moonlight   SET 2:   Scarlet Begonias > Fire on the Mountain > Good Lovin, Friend of the Devil, Estimated Prophet, St Stephen > Not Fade Away > Stella Blue > St. Stephen, One More Saturday Night   ENCORE:   Terrapin Station SOURCE:   Soundboard / Master Reel

This is the completion on Seth and Rob’s interview with Peter Rowan the first part of which is in Episode 74. We get a nice Vassar Clements-sourced story about Jimmy Martin right away and it leads to insight with regard to how Bill Monroe added power to his rhythmic approach. Peter talks about Uncle Pen’s cabin, why he left Monroe, and about how the bluegrass world reacted to the creation of a bluegrass band which contained a member of The Grateful Dead. He even offers up a story from Jerry Garcia’s “Bluegrass Pilgrimage,” relates where Old & In The Way found some of their more obscure songs and shares how Jerry responded to Peter’s own songwriting. Peter confides about how feeling he had an “obligation to the song and songwriting” can be at once liberating and limiting. He also discusses his view of and strategy behind his own career, and his resulting recent work - including his ode to significant musicians from his musical history the 2018 release, Carter Stanley’s Eyes. He also offers some insight to the lyrics of his songs, “Mississippi Moon” and “Midnight Moonlight. Part of the Osiris Podcast Network: www.Osirispod.com Mixed by Spencer Garn at Diamond Street Studios @spencergarn @diamondstreetstudios wTnS Sponsors: Polay + Clark 21st Century Accounting (Don't wait till April and get screwed, get Polayed) www.polayclark.com BandZoogle: Built by Musicians for Musicians, Bandzoogle is an all-in-one platform that makes it easy to build a beautiful website for your music. www.BandZoogle.com - use promo code "Inside Out" and get 15% off your first year of any subscription. Inside Out w/ Turner and Seth: insideoutwtns.com Twitter: @InsideoutWTNS Instagram: www.instagram.com/insideoutwtns Facebook: www.facebook.com/insideoutwTnS See acast.com/privacy for privacy and opt-out information.

2018 Scene-In-Review is a special edition of the DC Scene-In-Review podcast. 2018 was a great year to be a taper in the DMV, with a flood of incredible acts that left us with tons of highlights to relive. This expansive episode contains some of our favorite concert recordings from too many bands to list, along with interviews with Rudi Greenberg (Features Managing Editor at the Washington Post Express), Gordon Sterling (Gordon Sterling and the People, Nappy Riddem, Mary-el Band), Jeffrey Tribble Jr. (Executive Director of The MusicianShip DC), Neel Singh (Dro Electric, Staycation, Skaii) and Nina Goodman (Dc Music Review). Summer Set List: "Eyes of the World" into "Midnight Moonlight" at Keller Williams' Grateful Gospel on day 4 of LOCKN' "Climbing Up the Walls" performed by Mary Lankford, Gordon Sterling, Tula Pisano, Garret Gleason, Neel Singh, Nikhel Sus, and Dave Ray on June 2 at Staycation's Radiohead Tribute and Planned Parenthood Benefit at the Black Cat "By Your Side" by Ryan Buell (as part of a gift album of children's song in honor of Neel Singh's baby) "Holler and Hum" by the Cris Jacobs Band on June 9 at the Kingman Island Bluegrass and Folk Festival Odetta Hartman on June 9 at the Kingman Island Bluegrass and Folk Festival Gangstagrass on June 9 at the Kingman Island Bluegrass and Folk Festival "I Never Loved a Man (The Way I Love You)" and "Bound for Glory" by Tedeschi Trucks Band with Ivan Neville on the second song, on August 25 at the LOCKN' Music Festival "Hell in a Bucket" by Dead & Company on August 25 at the LOCKN' Music Festival "China Cat Sunflower" into "I Know You Rider" performed by Joe Russo's Almost Dead on August 24 at the LOCKN' Music Festival "Dreams" performed by by Steal Your Peach on September 22 at the Hometown Get Down "Set Me Free" by the 19th Street Band on September 22 at the Hometown Get Down "Love Oh Love Please Come Home" performed by the Dirty Grass Players with Cris Jacobs sitting in on September 21 at the Hometown Get Down

Episode 039 - June 2016 Set 2Arabia[1] (1991-12-08)Dark Star (1989-10-09)Cassidy-> Uncle John's Band-> Cassidy (1993-05-27)How Sweet It Is (To Be Loved by You)[1] (1973-07-11)Peggy-O (1978-04-16)Jack-A-Roe (1977-05-18)Run for the Roses (1982-04-10)It Must Have Been The Roses (1975-09-28)Rubin and Cherise (1991-04-07)Looks Like Rain (1977-06-07)Bird Song (1990-07-21)Till The Morning Comes (1970-10-31)Eyes Of The World (1974-08-06)Sugar Magnolia (1972-08-27)Brown Eyed Women (1977-05-28)Tangled Up In Blue (1990)That's What Love Will Make You Do (1980-03-01)They Love Each Other (1975-12-31)When I Paint My Masterpiece (1985-10-16)Standing On The Moon (1990-03-30)Ramble On Rose (1977-05-19)Midnight Moonlight (1978-03-28)Shining Star (1993)To Lay Me Down (1974-06-24)Brokedown Palace (1971-12-07)The Stranger (Two Souls in Communion) (1972-05-10)If I Had The World To Give (1978-08-01)Attics of My Life (1970-06-06)Scarlet Begonias-> Fire On The Mountain (1985-07-01)Not Fade Away-> St Stephen (1977-03-18)And We Bid You Goodnight (1989-10-26)[1] Dead Fantasy DebutMuch love Silas+Ava!

Episode 007 - March 2015 Set 3After Midnight->Eleanor Rigby Jam->After MidnightMidnight MoonlightCorinaThrowing StonesFoolish HeartRamble On RoseComes A TimeSing Me Back HomeMorning Dew->Good Lovin'->La Bamba->Good Lovin'

In this interview, I talk to Georgia Wells about dating apps, tipping waiters and the homophobia of Chandler Bing.This episode was recorded on February 25, 2016. For those of you keeping track: Yes, that was several months after last week's episode with David Ruiz! I waited until a couple episodes were out in the wild to start scheduling new interviews, and they've been doing well enough that now I'm starting a new round of them. Thank you so much to everyone who has subscribed and listened to the show.You can find more info about how the show works here, but TL;DR: Neither Georgia nor I knew what we were going to talk about. I drew all the questions randomly from an online database, and you can contribute to that database, right here. Seriously, do it. It's fun.You should also subscribe to Random Questions on iTunes! If you like the show, leave a review.Follow this show on Twitter at @RandoQs and on Facebook at facebook.com/RandoQs. You can follow me on Twitter at @HeyHeyESJ.Our show music is by red3yz and licensed under Creative Commons. See acast.com/privacy for privacy and opt-out information.

1. Intro-Blues Harp in C 2. The Wizard-Black Sabbath 3. Two Trains-Little Feat 4. She Came In Through The Bathroom Window-Joe Cocker 5. Rock n' Roll Stew-Traffic 6. Cosmic Dancer-T. Rex 7. Pressing On-Bob Dylan 8. California Royalty-Red White & Blue (Grass) 9. Two Highways-Alison Krauss & Union Station 10. Petticoat Junction-Flatt & Scruggs 11. Nashville West-The Byrds 12. Midnight Moonlight (live)-Old & In The Way 13. Morning Train-Peter, Paul, and Mary 14. Jack-a-Roe-Joan Baez 15. Stag O' Lee-Robert Hunter 16. Jack O' Roses-Robert Hunter 17. It Hurts Me Too-Elmore James 18. Little Beggar Man-Arlo Guthrie 19. William Bloat-The Clancy Brothers 20. Fiesta-The Pogues 21. Pretty Boy Floyd-Bob Dylan 22. A Week In County Jail-Tom T. Hall 23. Hobo's Meditation-Dolly Parton/Linda Ronstadt/Emmylou Harris 24. Me & Bobby McGee-The Grateful Dead (Live 4-29-71 Fillmore East) 25. That'll Be The Day-Buddy Holly 26. I'm Movin On-Tim Timebomb & Friends 27. Big Rock Candy Mountain-Tex Ritter 28. Man Of Peace-Dylan & The Dead 29. Call Me The Breeze-J.J. Cale

This week we have the pleasure of hearing the second set of the Jerry Band from the Greek, with Bonnie Raitt sitting in on 2 numbers, from 8/30/87...I'll Take A Melody, Think, Knockin' On Heaven's Door, And It Stoned Me, That Lucky Ol' Sun,Midnight Moonlight.Hope you enjoy it...you can listen to this week's Deadpod here:http://media.libsyn.com/media/deadshow/deadpod060509.mp3Thanks for your support, we couldn't do the Deadpod without it..

(0:00) 100 Year Flood, 10/28/99, Somerville Theatre, Boston, MA (SBD) (11:54) Joyful Sound, 3/8/01, Warfield Theatre, San Francisco, CA (SBD) (22:41) Emma's Dream, 4/28/02 Saenger Theatre, New Orleans, LA (Taper: John Hart) (32:36) Resume Man, 10/22/96, 8x10 Club, Baltimore, MD (SBD) (37:57) Midnight Moonlight, 7/29/00, Cliff Castle Amphitheatre, Camp Verde, AZ (SBD) (46:03) Up the Canyon->Chameleon, 7/4/03 Paolo Soleri Amphitheatre, Santa Fe, NM (Taper: Matt Maggiore)