Podcasts about Palm Beach Opera

La saison actuelle, tout comme celles à venir, sera caractérisée par des jalons importants pour la mezzo tuniso-canadienne Rihab Chaieb, ce qui comprend notamment son rôle-titre dans Carmen au Festival de Glyndebourne, son rôle de Claire dans Melancholia avec le Kungliga Operan, son rôle de Dorabella dans Così fan tutte tutte à la Seiji Ozawa Music Academy, en plus de ses apparitions auprès du Los Angeles Philharmonic, de la Compagnie nationale d'opéra du Canada et de l'Orchestre symphonique de Québec, ainsi que son retour au Metropolitan Opera et à la Bayerische Staatsoper.Rihab Chaieb a fait ses débuts à la Bayerische Staatsoper lors de la saison de 2022-2023, où elle a ébloui l'audience dans son rôle de Fenena dans Nabucco, sous la direction de Daniele Rustioni, puis au Los Angeles Opera dans le rôle de Cherubino dans Le nozze di Figaro de James Gray, sous la direction de James Conlon. Elle a ensuite repris son interprétation exceptionnelle de Carmen à la Compagnie nationale d'opéra du Canada et au Calgary Opera, avant de retourner au Grand Théâtre de Genève où elle a été mise en vedette dans son rôle de La mère Meryem lors la première mondiale du Voyage vers l'espoir de Jost.Sur les scènes de concert, elle est apparue aux côtés du Philharmonia Baroque Orchestra dans une prestation de Messiah de Handel, elle a également partagé la scène du Vancouver Symphony Orchestra pour présenter Les nuits d'été de Berlioz sous la direction d'Otto Tausk, puis elle a fait son premier spectacle auprès du Manitoba Chamber Orchestra dans le rôle de Ruggiero dans Alcina de Handel.Rihab Chaieb a marqué la saison 2021-2022 en faisant son entrée au Washington National Opera dans le rôle de Dorabella dans Così fan tutte, puis au Palm Beach Opera dans le rôle titre de Carmen. Elle a joué pour la première fois le rôle de Penelope dans Il ritorno d'Ulisse in patria en tournée et pour un enregistrement avec l'Ensemble I Gemelli, avant de retourner à l'Opéra National de Montpellier pour jouer Maddalena dans Rigoletto, puis au Metropolitan Opera pour incarner Nefertiti dans la production d'Akhnaten de Philip Glass mis en scène par Phelim McDermott et sous la direction Karen Kamensek.Elle a récemment connu de nombreux succès, notamment en faisant ses débuts au Houston Grand Opera lors de la première mondiale de The Phoenix de Tarik O'Regan, puis au Cincinnati Opera dans le rôle de Rosina dans Il barbiere di Siviglia, ainsi qu'à l'Opéra de Montpellier dans Fantasio d'Offenbach, au Teatro Santiago de Chile en incarnant Dorabella, à l'Opera Ballet Vlaanderen Kasturbai dans Satyagraha de Philip Glass, et enfin à l'Oper Köln dans le rôle de Carmen dans une production de Lydia Steier.Elle a joué le rôle de Charlotte dans Werther pour la première fois à l'Opera Vlaanderen sous la direction de Giedrė Šlekytė et elle a ouvert la saison au Muziektheater dans le rôle de Lola dans Cavalleria Rusticana de Robert Carsen sous la direction de Lorenzo Viotti. Sur les scènes de concert, Rihab Chaieb s'est produite avec l'Orchestre symphonique de Montréal dans un programme de Rossini sous la direction de Kent Nagano, ainsi que dans Lieder eines fahrenden Gesellen de Mahle sous la direction de Johannes Debus. Elle a également interprété Messiah de Handel sous la direction de Gustavo Gimeno avec le Toronto Symphony Orchestra. Elle a aussi chanté Three-Cornered Hat de Manuel de Falla avec le Vancouver Symphony Orchestra et le Bournemouth Symphony Orchestra sous la direction de Carlos Miguel Prieto.Instagram :https://www.instagram.com/laprescriptiondrfred/?hl=frFacebook :https://www.facebook.com/people/La-prescription-avec-Dr-Fred-Lambert/100078674880976/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

John Daniel's ears must have been ringing throughout the month of September as several guests, including Del Lyren, Bobby Medina, Vinnie Ciesielski and others mentioned him on the podcast in this last month.So I decided it was time to reach out and see if we could schedule a podcast!John was game, and we ended up having a terrific discussion on Gestalt theory as it pertains to trumpet (a first on the podcast), the unique qualities of the cornet vs. the trumpet, recollections of the early days of the amazing Brass Band of Battle Creek and much more.Enjoy the interview, and be sure to check out John's book Special Studies for Trumpet!What you'll hear in this episode:-John's beginning struggles on trumpet as a kid...03:00-What is "gestalt" theory as it pertains to trumpet?...05:45-About John's upcoming album featuring Bb and soprano cornet...08:30-Unique characteristics of playing Bb vs. soprano cornet vs. trumpet...12:00-Memories playing alongside the great Peter Roberts!...15:40-There's no "right way" to play and teach a brass instrument...20:00-A rare discussion on pedagogy here on the podcast lol...25:00-Memories of the early days of the Brass Band of Battle Creek...33:20-Cultural differences in cornet v. trumpet and how the BBBC has helped popularize the genre...38:45-Moving on from a top-flight academia gig and preparing for the new album release!...41:10-A profoundly different experience playing trumpet v. cornet...49:00-Plus whatever your discerning ears deem worthy of your time and interest...Resources mentioned:John's website and "Special Studies for Trumpet" bookTrumpet Dynamics Facebook groupAbout the Guest:John Daniel is the Professor of Trumpet at Lawrence University. He received the Specialist in Music degree from the University of Michigan, Master of Arts in Music from the University of Iowa, and Bachelor of Music from Ball State University. His primary teachers were David Greenhoe, Richard Giangiulio, and Armando Ghitalla. Mr. Daniel previously held tenured positions at Penn State University and Abilene Christian University. While attending the University of Michigan on full scholarship, he won the graduate concerto award and was principal trumpet of orchestras in Ann Arbor and Saginaw, Michigan.Mr. Daniel served as principal trumpet with the San Angelo Symphony Orchestra and Abilene Philharmonic Orchestra for nine years and has performed with the San Antonio Symphony, Pennsylvania Ballet Orchestra, Palm Beach Opera, New Jersey Symphony Orchestra, and Music at Penn's Woods Orchestra, as well as on Broadway for revivals of Annie Get Your Gun and Gypsy. He has played recitals in Carnegie Hall, the Kennedy Center, throughout South Korea, the Eastman School of music, the Julliard School, and throughout the United States.As a jazz musician he has appeared with Lionel Hampton, Bill Watrous, Wycliff Gordon, Marvin Stamm, Vinnie DiMartino, Phil Woods, Ernie Watts, the Nelson Riddle Orchestra and many others. Mr. Daniel released A Calling in 2004, a jazz CD featuring his compositions and is featured on a 2006 Mark Masters release, Karel Husa Trumpet Concertos. The Husa CD was on the entry list to be nominated for a Grammy Award in the category “Best solo with orchestra” and “Best classical recording”. He has been a member of North America's finest brass band, the Brass Band of Battle Creek, since 1993. He plays Schilke trumpets, flugelhorn and cornets exclusively.Thank you for joining us on "Trumpet Dynamics" – telling

Great conversation with a wonderful friend and educator, Mara Greer!Mara Greer is a performer, teacher, and director/choreographer. She performed on Broadway in A Christmas Story, The Musical as well as the 1st National Tour of Shrek the Musical. As a director/choreographer, she has worked at Paper Mill Playhouse, Seattle 5th Ave, the Fulton Theatre, North Shore Music Theatre, Gateway Playhouse, Music Theatre Wichita, Broadway at Music Circus, The Cape Rep, Front Porch Theatricals, Palm Beach Opera, Chautauqua Opera, Tuacahn, and Pittsburgh CLO. She has taught for studios across the country as well as Beyond the Stars Dance Convention, Company Dance, and Thrive Dance Experience. Mara received her BFA in Musical Theatre from the University of Michigan.Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com

Please welcome our guests for this week the cast of Palm Beach Opera's production of "L'elisir d'amore". Join us as we have brief conversations with chief conductor Maestro David Stern, Musa Ngqungwana (Dulcamara), Mario Chang (Nemorino), Andriana Chuchman (Adina) and Alexey Lavrov (Belcore).

Welcome our guest: soprano Amanda Woodbury. A native of Crestwood, Kentucky, soprano Amanda Woodbury has been praised by the San Francisco Chronicle as having a voice that is “bright, beautifully colored, and full of strength and passion.” The 2021 – 2022 season sees Ms. Woodbury's debut with the Glyndebourne Festival to sing Countess in the Michael Grandage production of Le nozze di Figaro. Ms. Woodbury also returns to the Metropolitan Opera to sing Une voix d'en haut in a new production of the original five act French version of Don Carlos, and cover the title role in Rodelinda. She also made her house debut as Micaëla in Carmen with Palm Beach Opera. Orchestral engagements include Handel's Messiah with the United States Naval Academy.

Ian Rucker is a baritone from Oshkosh, WI, under the tutelage of Carol Vaness. Ian graduated with his Masters Degree in Vocal Performance from Indiana University's Jacobs School of Music last spring. He is coming to Palm Beach Opera after a summer as a Renée Fleming Artist at the Aspen Summer Music Festival. He lived in Aspen, Colorado for two months and was featured in weekly masterclasses, concerts, and recitals. It was there that he was able to work with many well-renowned performers, coaches, and conductors in the opera, classical music, and musical theatre community. Ian was an avid performer at the Jacobs School of Music, being featured as Count Almaviva in The Marriage of Figaro in 2019, Figaro in The Barber of Seville in 2020, and most recently Papageno in The Magic Flute in September of 2021. It was at his undergrad at the University of Wisconsin - Eau Claire, under the instruction of Kenneth Pereira, that he found his love for the spotlight. He performed roles in both Opera and Musical Theatre productions: The title roles in both Don Giovanni and Sweeney Todd, Officer Lockstock in Urinetown, and Ernst Ludwig in Cabaret. Within the past year, Ian has had some success in vocal competitions. He was awarded an Encouragement Award in the Metropolitan Opera National Council Audition - WI District, and took 1st place in the James Toland Vocal Arts Competition. He is glad to be back on stage performing for an audience. After such a hard year, it is such a breath of fresh air to see the arts alive and well! You can check out Ian's website by clicking here! Episode Music; Don Giovanni, K527 - Ouvertura-1248; Gunther Hasselmann --- Support this podcast: https://podcasters.spotify.com/pod/show/musicast-podcast/support

Dean Michael Horswell engages In Conversation with Lee Soroko, Assistant Professor of Movement at FAU's Theater and Dance Department. He is a fight director and instructor who insures the safety of actors during fight scenes on stage. In 2022, Professor Soroko will be choreographing the violence scenes for "Carmen" at the Palm Beach Opera. 

This week's INTERPLAY is a Conversation In Music with the remarkable conductor and American in Paris, David Stern. At home in creating operatic gems in Europe with his Opera Fuoco and in the US at the Palm Beach Opera, Maestro David Stern, the scion of a legendary family, brings to his performances a unique perspective, passionate and organic. A lively and informative discussion! www.michaelshapiro.com

Join us as we head to Palm Beach, Florida, to talk with David Walker, General Director of Palm Beach Opera, about how he and his team envisioned a way to produce live opera performances safely with an audience during a pandemic. All of us who love live theater, whether performing or watching, are forever grateful for his vision and his passion for finding a way to make this a reality. https://pbopera.org

Keturah begins this episode chatting with General Director of Palm Beach Opera and former countertenor, David Walker (https://pbopera.org/about-us-2/general-director/). They discuss the aria Voi Che Udite (Here’s a link of David singing this aria on a set by John Conklin: https://youtu.be/cEQy5sfbs68 ) from Handel and Calzabigi’s Agrippina. They also talk about the pangs of leaving performing, and briefly touch on Akhnaten, Partenope, and The Elephant Man.Keturah’s second interview is with librettist and dramaturge, Kelley Rourke (https://www.kelleyrourke.com/about-1). Kelley is the author of numerous song cycles, operas, and translations, and is also the resident dramaturge at Washington National Opera (https://www.kennedy-center.org/wno/home/) and The Glimmerglass Festival (https://glimmerglass.org/). They discuss how John Conklin (https://en.m.wikipedia.org/wiki/John_Conklin) helped her find her way in the business, what it’s like working as a collaborator, and where the inspiration for her writing comes from.Here’s a link to works by Kelley Rourke: https://www.kelleyrourke.com/projects-1

Stentorian Bass, Harold Wilson discusses high notes and low notes, bass repertoire, and common mistakes of young bass singers. Harold has performed with companies such as the Metropolitan Opera, Santa Fe Opera, Palm Beach Opera, Deutsche Oper Berlin, and Staatsoper Berlin, in roles such as Basilio, Sparafucile, Ramfis, Sarastro, and Baron Ochs.

In our first episode we talk to coach, conductor, and founder of Bel Canto Boot Camp, Rachelle Jonck. We touch on a wide variety of topics including practice mindset, how to be a more empowered singer, and the importance of community right now. We'll also learn more about her new Bel Canto Boot Camp program which she aptly calls "barre class for singers." Rachelle is a coach/conductor at Teatro Nuovo, is on the faculty at Westminster Choir College, coaches at the Palm Beach Opera young artist program, and is music director of Baltimore Concert Opera. Her full bio can be found here Learn more about Bel Canto Boot Camp and sign up here! Be sure to follow us on Instagram @youngartistpodcast to get in on the conversation! Special Thanks to Rachel Abrams for our logo design and to Nick Gish for composing our theme music! He did an amazing job bringing my crazy idea to full musical life! Please check out Nick's other work on his SoundCloud --- Send in a voice message: https://anchor.fm/youngartistpodcast/message

We dove into the dark & haunted world of ~Opera Singer Facebook~ and surfaced w some more marxist analysis! First, we check back in with some opera companies and see if they’ve said or done anything remotely anti-racist! Palm Beach Opera, still can’t tell if ur ok?? (Tune in next week for our full-episode pt. 2 of our BLM response breakdown) --- Send in a voice message: https://anchor.fm/thrilledtoannounce/message Support this podcast: https://anchor.fm/thrilledtoannounce/support

Javier Orman is a violinist, composer, producer and teacher originally from Uruguay and based in Chicago. He received his Master’s degree in Music from the University of Michigan and Bachelor’s in Music and Mathematics from the College of Charleston with full academic scholarships. Over the last 6 years, he has been writing, recording and performing with his violin-and-guitar duo KOZM, described as “the most rock ’n’ roll pair of classically trained musicians working today” by 21st Century Musician. He enjoys collaborating with great artists from all genres, including hip-hop singer/producer Skylar Grey, Grammy-winning singer/songwriter Duncan Sheik and Classical crossover pianist Christopher O’Riley (NPR’s From the Top). Javier also produces electronic music as solo artist MLTFTR, inspired by literary and visual aesthetics of urban dystopias and retrowave musicians such as Com Truise, Tokimonsta and Home. Javier has been teaching violin for 12 years in a variety of traditions including Classical, Rock and American Fiddle. He has guest-lectured and offered master-classes at the University of Wisconsin, College of William & Mary, Sphinx Performance Academy, Montecito Music Festival and others. In 2009, he founded Kidzymphony, a children’s orchestra program in Charleston, South Carolina, modeled after Venezuela’s El Sistema. When Javier’s not performing or teaching, he enjoys arranging and recording strings for artists and producers such as Blänk, Essen Hiort and Cubeatz, as well as composing for video-games. A former winner in 2012 of Placido Domingo’s prestigious Operalia competition and of the Metropolitan Opera National Council Auditions, American soprano, Janai Brugger, begins the 2015-16 season as Michaela Carmen at Washington National Opera, and sings the role again later in the season at Lyric Opera of Kansas. Identified by Opera News as one of their top 25 “brilliant young artists” (October 2015 issue), Janai joins the Metropolitan Opera for their Rising Stars concert series and makes several US concert appearances during the season, along with various recital performances. She makes her debut as Norina Don Pasquale at Palm Beach Opera, and returns to Los Angeles Opera to revive the role of Musetta La Boheme which she sings under the baton of Gustavo Dudamel. Radio One Chicago airs live every Thursday night on WLUW-FM from 6p to 8p cst.

If you’ve seen theatre or opera in Tampa Bay, you’ve probably seen a production Keith Arsenault helped bring to life. A skilled lighting designer, set designer, theatre tech consultant and arts administrator, Keith is the resident lighting designer of the St Pete Opera, runs HCC Ybor’s beautiful Performing Arts Center, has worked as a voiceover artist, theatrical producer and circus ringmaster, and served on the staff of The Joffrey Ballet, the Opera Company of Boston, Palm Beach Opera and Nacional Ballet de Colombia. His theatrical work has taken him to 45 states and across Canada and Latin America, and he’s the winner of Creative Loafing Best of the Bay Awards for both Lighting and Scenic Design. Keith talks with Barbara St. Clair about growing up in a family rooted in theatre and dance. He shares the imaginative work of lighting design and the fascinating details of Tampa’s participation in the Federal Theatre Project in the 1930s, the one city in the U.S. that had both an English and a Spanish language company. Find out more about Keith Arsenault at - https://www.jobsitetheater.org/portfolio-item/arsenault-keith/ Explore Keith’s Video Portfolio Check out upcoming shows at the St Pete Opera - stpeteopera.org/home-page and Dance performances at the HCC Performing Arts Center - facebook.com/hcc.dance Explore the vibrant history of the Federal Theatre Project - livingnewdeal.org/glossary/federal-theatre-project-ftp-1935-1939/ ipfs.io/ipfs/QmXoypizjW3WknFiJnKLwHCnL72vedxjQkDDP1mXWo6uco/wiki/Federal_Theatre_Project.html Theatrical posters and photographs from the Library of Congress - loc.gov/exhibits/federal-theatre-project/slideshow/

This time on ByrdmansPalmBeach.com, there a so any shows and events that are appealing. In Sunrise Phil Collins is back on the concert trail, in 15 weeks the celebration of SupercarWeek.com's 9 days of supercar eventsand the grand finale on the waterfront of West Palm Beach 1/5-1/13/2019, Delray's Morikami has art exhibits, Ann Norton Gardens plans for an auto exhibit of pre and post-war automobiles in November, West Palm gets ready for an Antiques Festival in October, Palm Beach Opera is out and about, a place to water ski in Deerfield Beach that is quite exciting, in Boca Raton the Lynn Philharmonia prepares for it's season debut, and so much more, just remember to sogn up for ByrdmansPalmBeach.com to get you weekly top entertainment choices in 3 minutes. See acast.com/privacy for privacy and opt-out information.

On this edition of ByrdmansPalmBeach.com there are lots of shows, events and culture. In West Palm beach an Antiques Festival is coming, Palm Beach Opera is out and about with a musical sampling live, details on our podcast, in Boca Raton Lynn Philharmonia's season debut is coming up, the Norton Museum presents Family Art Pop-Up, details inside, Phil Collins plays Sunrise, just 15 weeks until SupercarWeek.com's 9 days of Supercar events, go to Supercarweek.com for more, in Delray the Morikami presents Japanese art plus other events go inside and liste for details and be sure to listen, like, subscribe, share and we will be back next week with more! --- Send in a voice message: https://anchor.fm/byrdmans-palm-beach/message

Today we had the pleasure of talking to David Adam Moore. Cindy worked with David at Portland Opera where David was the Video Designer for "Faust". Though the first time she met him, he was doing a slightly different role. He was rehearsing the part of The Count for the "Marriage of Figaro" at Palm Beach Opera. David grew up in South East Texas and is a 6th generation musician. His father was a back up singer and bass player for County singer Tracy Byrd and David still considers his father a superior musician. David has come a long way from performing in his church easter service. You can see him perform on the Metropolitan Opera stage or catch his amazing production and video design through his company, GLMMR with is partner Vita Tzykun. www.glmmr.orgwww.davidadammoore.com Attribution:   ----more---- Logo:Theater Masks by Nikita Kozin / Licence: CC BY 3.0thenounproject.com/term/theater-masks/516808/ Ritzy Remix font by Nick Curtis - www.nicksfonts.com/index.html Music and Soundcello_tuning by flcellogrl / Licence: CC BY 3.0freesound.org/people/flcellogrl/sounds/195138/ Flute Play C - 08 by cms4f / Licence: CC0 1.0freesound.org/people/cms4f/sounds/159123/ "Danse Macabre - Violin Hook" Kevin MacLeod (incompetech.com) / Licence: CC BY 3.0 LicensesCC BY 3.0 - creativecommons.org/licenses/by/3.0/CC0 1.0 - creativecommons.org/publicdomain/zero/1.0/  

This week's offerings are excellent quality, and it is not even "season" yet. In West Palm Beach a great Reggae band Spred the Dub play Clematis by Night, David Byrne visits Miami, Palm Beach Opera does a small scale appearance in West Palm Beach, Boca Raton's Philharmonia gearing up for a late September appearance, Jerry Seinfeld braces himself for Miami, Phic Collins is rocking' stages again October 5th he will be in Sunrise, in Delray some fine Memphis style blues is coming to the Arts Garage, and Charlie Puth will be doing his act at Coral Sky Amphitheatre. It's going to be a busy week! See acast.com/privacy for privacy and opt-out information.

This week's offerings are excellent quality, and it is not even "season" yet. In West Palm Beach a great Reggae band Spred the Dub play Clematis by Night, David Byrne visits Miami, Palm Beach Opera does a small scale appearance in West Palm Beach, Boca Raton's Philharmonia gearing up for a late September appearance, Jerry Seinfeld braces himself for Miami, Phic Collins is rocking' stages again October 5th he will be in Sunrise, in Delray offers some fine Memphis style blues at the Arts Garage, and Charlie Puth will be doing his act at Coral Sky Amphitheatre. It's going to be a busy week! Keep Flyin' High with me! --- Send in a voice message: https://anchor.fm/byrdmans-palm-beach/message

This week we welcome Rebecca Seelig to talk ArtiGras Fine Arts Festival and then we welcome the team from Palm Beach Opera to talk about the upcoming Opera on the Waterfront! Cheers!

Guest: World Famous Opera Star Fernando Del Valle and Rapper/Writer Arell. Born in New Orleans of Hungarian-Spanish origin, tenor Fernando del Valle has sung extensively in the United States, Europe, South America and Canada. He went on to win the ‘Bel Canto Competition of Chicago' which enabled him to move to Europe and study with legendary Tenor, Carlo Bergonzi. In 1997 his performances included Don José at the Gran Teatro La Fenice in Venice and Teatro Carlo Felice di Genoa, Pinkerton in MADAMA BUTTERFLY for Palm Beach Opera and FAUST in Colmar near Strasbourg. Arell (pronounced RL) is a producer/songwriter/singer and Rapper who has been writing and producing R&B and hip hop tracks since the mid 90's. Vocal arrangement is a strong suit for the producer, but he knows how to make tracks and write songs that are relevant to everyday life. Currently, the Cincinnati born and raised producer is working on his second solo project that displays not only his music production and engineering skills, but songwriting skills as well. His production company, Lion King Productions is about making music that is innovative. Although Arell can sing and rap he is always looking for anyone who has talent to help create product that is new, exciting, relevant and profitable in today's industry.  

Magdalena Wór is a First Place Winner of the Marcella Sembrich and Heinz Rehfuss Vocal Competitions, a Finalist and Prize Winner of the Moniuszko International Voice Competition, a Metropolitan Opera Competition National Finalist, as well as an alumna of the San Francisco Opera’s Merola Summer Opera Program, Chautauqua Music Institution’s Marlena Malas Voice Program, St. Louis Opera Theatre’s Gerdine Young Artist Program, and the Washington National Opera’s Domingo-Cafritz Young Artist Program. This past season Ms. Wór’s performaces included Cherubino in Mozart’s Le Nozze di Figaro with the Ashlawn Opera Festival, Haydn’s Lord Nelson Mass with the National Philharmonic, Handel’s Messiah with the Atlanta Symphony Orchestra, title role in Bizet’s Carmen with the Palm Beach Opera and a concert in London celebrating Chopin’s 200th Birth Anniversary. Magdalena is originally from Poland and has lived in the United States since 1991. She received her Bachelor and Masters degrees in vocal performance from Georgia State University and studies with Magdalena Moulson-Falewicz.