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TVC 709.6: Part 2 of a conversation that began last week with Emmy Award-winning actress, producer, and author Mariette Hartley (The Incredible Hulk, Goodnight, Beantown, Breaking the Silence, Law and Order: SVU). In this segment, Mariette talks to Ed about “Cotter's Girl,” the classic episode of Gunsmoke from 1963 whose storyline is reminiscent of Pygmalion; her frequent appearances on shows produced by Quinn Martin; and her association with Rod Serling, which began when Mariette asked Serling to speak at her school after she had watched Requiem for a Heavyweight on television, and which culminated about ten years later, when Mariette appeared in “The Long Morrow,” one of the final episodes of The Twilight Zone. Mariette Hartley co-stars, co-wrote, and co-produced, along with her husband Jerry Sroka, in Our (Almost Completely True) Love Story, a charming romantic comedy that is available now for streaming on demand on Amazon Prime and other major platforms; it is also available on DVD and Blu-ray.
In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.
“The enemy of success”; “the thief of time”; “the grave in which opportunity is buried”. Those are just three ways in which procrastination has been described in the past. And according to IE University, “several studies have linked procrastination to depression, anxiety, low self-esteem, and overall poor mental health.” You may remember a while back we ran an episode on how to beat procrastination. But what about going to the complete other end of the scale? You complete all your tasks immediately to beat your to-do list. Well that's known as precrastination, and it's actually not the good idea it might seem at first. Is procrastinating better than precrastinating? Why is it not good to get things done right away? Does procrastination exist for non-physical tasks then? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here: What are the best ways of beating procrastination? Does music really make us more productive? What is the Pygmalion effect? A podcast written and realised by Joseph Chance. First Broadcast: 6/11/2024 Learn more about your ad choices. Visit megaphone.fm/adchoices
What if the difference between staying stuck and stepping into your breakthrough is simply what you expect?In this episode of The Vibrant Flow Podcast, Jo unpacks the life-changing power of expectation, both scientifically and spiritually. You'll discover how psychological research like the Pygmalion Effect and the self-fulfilling prophecy reveal that high expectations create higher performance, while low expectations quietly sabotage your results.But this isn't just theory. Scripture reminds us that faith is confident expectation of God's goodness:“I would have despaired unless I had believed that I would see the goodness of the Lord in the land of the living.” (Psalm 27:13)“Now faith is the assurance of things hoped for, the conviction of things not seen.” (Hebrews 11:1)Jo shares stories, studies, and practical steps to help you:✨ Raise your expectations without pressure.✨ Fuel your self-leadership with hope and optimism.✨ See how expectancy unlocks motivation, resilience, and daily joy.✨ Cultivate a mindset that says, “I expect to see God's goodness today.”This episode is a pep talk for the woman who's tired of shrinking back, shielding herself from disappointment, or settling for less than she's called to. It's time to expect more!
Invité régulier des quelques-unes des plus grandes institutions internationales, Raphaël Pichon n'avait encore jamais dirigé à l'Opéra national de Paris. Il y fait ses débuts ces jours-ci, à la tête de son ensemble Pygmalion, dans la reprise de cette production d'Ariodante de Haendel, mise en scène par Robert Carsen et créée il y a deux ans Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Enjoy a classic story in English and learn 8 uses of ‘round' - in 5 minutes. FIND BBC LEARNING ENGLISH HERE: Visit our website ✔️ https://www.bbc.co.uk/learningenglish Follow us ✔️ https://www.bbc.co.uk/learningenglish/followusLIKE PODCASTS? Try some of our other popular podcasts including: ✔️ 6 Minute English ✔️ Learning English from the News ✔️ Learning English Conversations They're all available by searching in your podcast app.
Miguel Ángel González Suárez te presenta el Informativo de Primera Hora en 'El Remate', el programa matinal de La Diez Capital Radio que arranca tu día con: Las noticias más relevantes de Canarias, España y el mundo, analizadas con rigor y claridad. Hoy hace 4 años en 2021.- Entra en erupción el volcán de Cumbre Vieja, en la isla canaria de La Palma. Hoy se cumplen 1.317 días del cruel ataque e invasión de Rusia a Ucrania. 3 años y 207 días. Hoy es viernes 19 de septiembre de 2025. Día Mundial del Aperitivo. La palabra aperitivo proviene del latín tardío aperitivus, cuyo significado es "que tiende a abrir". Consiste en una comida ligera que se sirve para abrir o provocar el apetito, antes del almuerzo o la cena. 1580.- Liberación de Miguel de Cervantes de su cautiverio de Argel. 1771.- Creación de la Orden de Carlos III, la más alta de las condecoraciones civiles españolas. 1893.- Nueva Zelanda se convierte en el primer país en reconocer el derecho al voto femenino. 1923: El rey Alfonso XIII (1886-1941) emite un real decreto que prohíbe que los territorios invadidos por España se independicen. 1928: Walt Disney estrena la primera película sonora de animación. 1939: Francia y el Reino Unido rechazan la propuesta de paz de Hitler, quien exige el reconocimiento de las conquistas territoriales alemanas. 1972: En Londres se utiliza por primera vez una carta bomba. El objetivo es la embajada israelí. Fallece un diplomático de ese país. 1998: Julio Anguita se despide como secretario general del Partido Comunista de España (PCE). 2012.- El semanario satírico francés "Charlie Hebdo" publica caricaturas de Mahoma y Francia cierra embajadas por precaución. Alonso, Jenaro, Acucio, Arnulfo, Carlos, Ciríaco, Eustoquio, Goerico, Lantberto y Mariano. La ofensiva israelí en Gaza deja más de 65.000 muertos y medio millón de desplazados. La Reserva Federal de EE.UU. recorta 0,25 puntos los tipos de interés por primera vez en nueve meses. La Fiscalía española autoriza una investigación sobre los "crímenes" de Israel en Gaza. El Gobierno asegura que "mantiene un diálogo fluido" con los grupos políticos para "recabar apoyos" para sus presupuestos. Clavijo prevé que Canarias reciba a unos 7.000 migrantes más en lo que queda de año El presidente regional advierte, que si se cumplen las previsiones, volverá a generarse "tensión" en los servicios de acogida y salvamento. Canarias impulsa en Bruselas una cumbre para abordar la gestión de los menores migrantes El Gobierno propuso este encuentro para poner sobre la mesa un “enfoque adaptado a las necesidades locales” para abordar el reto migratorio. 36 kilómetros de tendido a 1.145 metros de profundidad y dos islas conectadas: así es el cable submarino entre Tenerife y La Gomera. La instalación se ha efectuado mediante dos travesías desde San Sebastián de La Gomera hasta Punta Blanca, en Tenerife. Aena invertirá 800 millones en los dos aeropuertos de Tenerife y mejorará los de El Hierro y Lanzarote. En el conjunto del país, serán un total 13.000 millones destinados a estas infraestructuras hasta 2031, la “mayor inversión” de las últimas décadas en esta red, según ha expuesto el presidente del Gobierno, Pedro Sánchez. El Grupo Hotusa compra el hotel Silken de Santa Cruz de Tenerife. El establecimiento chicharrero forma parte de una cartera de nueve hoteles que eran propiedad de los fondos Pygmalion y que han sido vendidos por 250 millones de euros. Un día como hoy pero en 1981: En el Parque Central de Nueva York, el dúo Simon and Garfunkel se reúne para un recital gratuito.
In our professional lives, just as in our personal ones, we all wear many hats. But how does juggling all those roles make us feel? For some, it can be a fulfilling challenge, while for others, it can lead to burnout and a loss of identity. This is especially true for managers, who often find themselves in the toughest spot. Think about your coworker who's always balancing the demands of their team and their boss, acting as the go-between for frustrated employees and anxious higher-ups. In today's business climate, it's no wonder that middle managers — those caught in the middle — are at high risk of burnout. What are they up against? How can you spot a ‘sandwich employee' in your company? Why is it called a ‘sandwich employee'? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here: What is the Pygmalion effect? What is coffee badging in the workplace? Could job enrichment make your work more rewarding? A podcast written and realised by Amber Minogue. First Broadcast: 14/11/2024 Learn more about your ad choices. Visit megaphone.fm/adchoices
The Pygmalion Festival is back in Urbana. We spoke with artist Ryan Brewer, AKA Tuskola, about his origins in Tuscola, Illinois. The 21st Show is Illinois' statewide weekday public radio talk show, connecting Illinois and bringing you the news, culture, and stories that matter to the 21st state. Have thoughts on the show or one of our episodes, or want to share an idea for something we should talk about? Send us an email: talk@21stshow.org. If you'd like to have your say as we're planning conversations, join our texting group! Just send the word "TALK" to (217) 803-0730. Subscribe to our podcast and hear our latest conversations. Apple Podcasts: https://podcasts.apple.com/us/podcast Spotify: https://open.spotify.com/show/6PT6pb0 Find past segments, links to our social media and more at our website: 21stshow.org.
durée : 00:06:52 - Le Bach du matin du mardi 16 septembre 2025 - La soprano colorature française Sabine Devieilhe et l'orchestre de l'ensemble Pygmalion, dirigé par Raphaël Pichon, interprètent la cantate BWV 51 "Jauchzet Gott in allen Landen", composée par J.S. Bach en 1730. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:06:52 - Le Bach du matin du mardi 16 septembre 2025 - La soprano colorature française Sabine Devieilhe et l'orchestre de l'ensemble Pygmalion, dirigé par Raphaël Pichon, interprètent la cantate BWV 51 "Jauchzet Gott in allen Landen", composée par J.S. Bach en 1730. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:49 - Relax ! du lundi 15 septembre 2025 - par : Lionel Esparza - À la direction de son ensemble Pygmalion dans "Ariodante" de Haendel à l'Opéra de Paris à partir de demain, Raphaël Pichon présente déjà une carrière accomplie à 40 ans, au concert comme au disque. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:49 - Relax ! du lundi 15 septembre 2025 - par : Lionel Esparza - À la direction de son ensemble Pygmalion dans "Ariodante" de Haendel à l'Opéra de Paris à partir de demain, Raphaël Pichon présente déjà une carrière accomplie à 40 ans, au concert comme au disque. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Are your teens labeling themselves—“I'm just bad at math,” “I'll never get this”? What if one small language shift could help them persist, problem-solve, and bounce back? In this conversation, we unpack Growth Mindset through the lens of real classrooms and real homes. We explore why praising “smart” backfires, how to swap outcome praise for process praise (effort, strategies, persistence), and how to make “not yet” part of your family vocabulary. We dig into the Pygmalion effect (kids rise to expectations), the line between Growth Mindset and toxic positivity, and why frustration is often the signal that learning is happening. You'll leave with concrete scripts, dinner-table routines that normalize mistakes, and simple ways to turn goals into daily practice steps your teen can control. Guest bio: Annie Brock is a former high-school English teacher and library director turned learning-experience designer. A long-time advocate of Growth Mindset, she co-authored The Growth Mindset Coach (over 200k copies sold) and continues to write and speak on practical ways educators and parents can cultivate perseverance and love of learning. Annie lives in Kansas with her husband, Jared, and their two kids. Three takeaways: Praise the process, not the person: Swap “You're so smart” for “I can see the strategies you used and how hard you worked.” Make “not yet” a house word: Reframe “I can't do this” to “I can't do this yet,” then choose one next step. Normalize mistakes: Share your own flubs and fixes; make home the safest place to struggle, analyze what didn't work, and try differently. Find out more at: anniemaebrock.com Follow Annie on Linkedin at https://www.linkedin.com/in/annie-brock-690889132/ Learn more about your ad choices. Visit megaphone.fm/adchoices
This is a fan fav episode. In this episode, Jay Samit reveals his latest book, Future Proofing You, and the experiment he ran with a young kid from the UK. He mentored this kid once a week and watched him go from nearly homeless to millionaire in his experiment to show this is possible for anyone regardless of your resources. In this interview, Jay uncovers his belief that you don't need degrees, capital and major connections to become a successful millionaire. Starting your business by looking for the void to fill in a very specific area that allows you to be the best in the world with no competition is a possibility that is accessible to you right now. This episode provides a tactical look at what you can do to start crafting the right situation and the right deal structure you need to succeed. Order the new book from Jay Samit: https://www.amazon.com/Future-Proofing-You-Opportunity-Controlling/dp/1119772060/ref Original air date: 3-30-21 SHOW NOTES: The Experiment | Jay mentors a disadvantaged person from homeless to millionaire [2:28] 2 Things for Success | Jay shares the two things he believes you'll need for success [6:11] Competition | Jay explains how to be the best in the world with no competition [10:03] Fill a Void | Jay shares how Vin created a case study and niched a void [10:57] Pygmalion effect | How Jay's case study started with a lie to prove a point [13:38] Insight | Why your insight to solve a problem leads to joy [17:26] Appearance | Jay on why you need to look like your customer [21:20] 1st Customer | Jay shares tip for getting your first customer [24:32] Breaking Plateaus | Jay talks about the hardships and difficulties to push through [31:20] Deal Structure | Jay explains why a solid foundation can rebuild business [35:38] CHECK OUT OUR SPONSORS Allio Capital: Macro investing for people who want to understand the big picture. Download their app in the App Store or at Google Play, or text my name “TOM” to 511511. ButcherBox: Ready to level up your meals? Go to https://butcherbox.com/impact to get $20 off your first box and FREE bacon for life with the Bilyeu Box! Linkedin: Post your job free at https://linkedin.com/impacttheory Shopify: Sign up for your one-dollar-per-month trial period at https://shopify.com/impact Hims: Start your free online visit today at https://hims.com/IMPACT. SleepMe: Visit https://sleep.me/impact to get your Chilipad and save 20% with code IMPACT. Try it risk-free with their 30-night sleep trial and free shipping. Vital Proteins: Get 20% off by going to https://www.vitalproteins.com and entering promo code IMPACT at check out What's up, everybody? It's Tom Bilyeu here: If you want my help... STARTING a business: join me here at ZERO TO FOUNDER: https://tombilyeu.com/zero-to-founder?utm_campaign=Podcast%20Offer&utm_source=podca[%E2%80%A6]d%20end%20of%20show&utm_content=podcast%20ad%20end%20of%20show SCALING a business: see if you qualify here.: https://tombilyeu.com/call Get my battle-tested strategies and insights delivered weekly to your inbox: sign up here.: https://tombilyeu.com/ ********************************************************************** If you're serious about leveling up your life, I urge you to check out my new podcast, Tom Bilyeu's Mindset Playbook —a goldmine of my most impactful episodes on mindset, business, and health. Trust me, your future self will thank you. ********************************************************************** FOLLOW TOM: Instagram: https://www.instagram.com/tombilyeu/ Tik Tok: https://www.tiktok.com/@tombilyeu?lang=en Twitter: https://twitter.com/tombilyeu YouTube: https://www.youtube.com/@TomBilyeu Learn more about your ad choices. Visit megaphone.fm/adchoices
The rain in Spain falls mainly on the plains
Selbsterfüllende Prophezeiungen treffen Vorhersagen, die ihre Erfüllung selbst bewirken. So auch der sogenannte Pygmalion-Effekt: ein psychologisches Phänomen, bei dem eine vorweggenommene Einschätzung eines Schülers sich derart auf seine Leistungen auswirkt, dass sie sich bestätigt.
In this bonus episode, Dr. Christian Körner takes us into the world of Iron Age Cyprus and its city-kingdoms, exploring the foundation myths that shaped their identities. With legendary figures like Pygmalion, who fashioned a statue that came to life; Myrrha, the tragic mother of Adonis; and Teucer, the exiled half-brother of Ajax who is said to have founded Salamis. Other examples include Acamas, son of Theseus, who was linked to the founding of Soli; Agapenor, the Arcadian king who settled in Paphos after the Trojan War; and Kinyras, the mythical king of Cyprus associated with Aphrodite's cult and with musical and priestly traditions that echo Greek heroic ideals. Körner explains how these myths should be seen as intentional histories, crafted to serve political, cultural, or even propagandistic purposes at the time they were written down. While many stories link Cypriot origins to Athenian or Homeric heroes, others, like those of Amathus and Paphos, emphasize local roots. He also highlights how these myths often aimed to explain place names, assert legitimacy, or reinforce alliances—effectively serving as ancient “branding campaigns” for the cities, reinforcing cultural ties while also asserting the island's unique local identity.
Warm summer nights often bring unwelcome guests into our homes in the form of mosquitoes. For now we fortunately don't have any mosquito-borne diseases being transmitted to humans in the UK, but with the warmer temperatures brought on by climate change, it may only be a matter of time until that changes. You may have noticed that some of us seem to attract more mosquito bites than others, even within the same household or having been at the same gathering. A popular belief is that mosquitoes have a preference for certain types of skin, because they find them sweeter. Is skin ‘sweetness' really the most important factor? What does CO2 have to do with it? Does my choice of clothing make any difference? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here : What is the Pygmalion effect? What are the alternatives to air conditioning? What is misogynoir? A podcast written and realised by Joseph Chance. First Broadcast: 19/8/2023 Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Lian shares the ancient and evocative myth of Pygmalion, a story of longing, creation, and the mystery of what brings something… or someone… to life. Each month, Lian tells a mythical tale… as spell, as memory, as invitation... not to be analysed or consumed, but to be felt, stirred, remembered as a magical doorway into your own soul. She first shared this live with our beloved community in UNIO, our Academy of the Soul, in which we continue to journey more deeply together with it in a month-long quest. To join us for the next mythical quest, you can join UNIO here: bemythical.com/unio In this telling, Lian explores the mythic figure of Pygmalion… a sculptor who turns away from the women of his world and instead pours his longing into the creation of his own ideal. Together, we walk with her through the temple of Venus, through stone and flesh, through the spaces where our own unspoken dreams might come to life. This is more than a tale of a man and a statue… it is a meditation on what we create when we shape from love, and how the act of creating shapes us in return. It reminds us of the timeless dance between the human and the divine… how longing leads us to the altar, how offerings made in faith and beauty may yet be answered. Listeners are invited to reflect on their own sacred longings, and how these desires might be the soul's way of sculpting something real into existence. We'd love to know what YOU think about this week's show. Let's carry on the conversation… please leave a comment wherever you are listening or in any of our other spaces to engage. What you'll receive from this episode: The longing beneath creation: Pygmalion's yearning reminds us that what we create from devotion holds the power to awaken not just the object of our love, but something within us too. The mystery of transformation: As in myth, so in life… what seems lifeless may stir to breath beneath our touch, when desire meets ritual and prayer. The sacred act of shaping: Whether in art, relationships, or the soul's unfolding, we are always creating… and in turn being created. Resources and stuff Lian spoke about: Join UNIO, the Academy of the Soul: This is for the old souls in this new world… Discover your kin & unite with your soul's calling to truly live your myth. Be Mythical Join our mailing list for soul stirring goodness: https://www.bemythical.com/moonly Discover your kin & unite with your soul's calling to truly live your myth: https://www.bemythical.com/unio Go Deeper: https://www.bemythical.com/godeeper Follow us: Facebook Instagram TikTok YouTube Thank you for listening! There's a fresh episode released each week here and on most podcast platforms - and video too on YouTube. If you subscribe then you'll get each new episode delivered to your device every week automagically. (that way you'll never miss a show).
Tara, Caroline & Allison dive into current trends and the intriguing Pygmalion theory, which examines the influence of authority on outcomes. They relate these psychological insights to their work in fashion and home design, discussing the importance of authority and persuasion in helping clients feel confident in their choices. The episode also features light-hearted discussions about the hosts' personal lives, including reminiscing about 21st birthdays, the quirks of social media algorithms, and dating app experiences. Intern Jack makes an appearance, adding to the lively and engaging conversation. Topics 00:29 Meet the Intern: Jack's 21st Birthday Plans 01:34 The Pygmalion Theory: Power of Persuasion 02:29 Influence of Social Media and Personal Anecdotes 04:38 Parenting Challenges and Independence 06:04 The Role of Experts in Fashion and Interior Design 06:34 Client Stories: Decision Making in Style 10:58 Wrapping Up: Jack's Summer Plans
Have you ever wondered how our expectations can impact the way we perceive and interact with others? Well, it's actually been demonstrated that beliefs and attitudes can lead to outcomes that align with those beliefs, due to what's known as the Pygmalion effect. 20th century American psychologist Robert Rosenthal coined the term in 1968. He had teamed up with San Francisco elementary school principal Lenore Jacobson to conduct a groundbreaking experiment. It showed that teacher behaviour and attitude could actually influence their students' achievements. Where does the name come from? What did Rosenthal and Jacobson's experiment consist of? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here : What are the alternatives to air conditioning? What is misogynoir? Can I reuse sunscreen from one year to the next? A podcast written and realised by Joseph Chance. First Broadcast: 2/11/2024 Learn more about your ad choices. Visit megaphone.fm/adchoices
durée : 00:06:40 - Le Bach du matin du mardi 24 juin 2025 - Notre Bach du matin est un Bach soprano ! Le compositeur allemand n'a écrit que 4 cantates pour sopranos. Parmi elles, celle ci, pleine de joie. C'est Sabine Devieilhe qui en interprète la fin avec Pygmalion dirigé par Raphaël Pichon. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:05:06 - Épisode 43 : Postlude - Le mot de la fin de Raphaël Pichon à l'issue de cette tournée en Thuringe avec Pygmalion et son rendez-vous en 2026 pour l'anniversaire des 20 ans de son ensemble Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:05:12 - Épisode 42 : Voyage retour à Paris - Douze jours après le départ de Paris et plus de 120 km à pieds et à vélo sur les Chemins de Bach, c'est l'heure des derniers échanges pendant le voyage en train du retour de Pygmalion en France…
durée : 00:05:11 - Épisode 41 : Arnstadt : le quatrième concert « Missae Breves » - Le vendredi 17 mai 2024 à 18 heures, Raphaël Pichon et Pygmalion interprètent dans l'Eglise de Bach à Arnstadt deux Motets et deux Messes Brèves, le répertoire avec lequel ils avaient débuté il y a 18 ans…
durée : 01:28:48 - invité : Raphaël Pichon - par : Lionel Esparza - Bientôt 20 ans que Raphaël Pichon a fondé son ensemble Pygmalion, et bientôt 20 ans qu'il bouleverse non seulement l'interprétation des œuvres mais l'idée même de spectacle. Invité cette journée à France Musique, il est de passage dans Relax.
Travis means “to cross.” And Travis always does. But is it chaos… or prophecy?In this episode, we unpack what science says about the power of names—and what culture has already decided about anyone named Travis. From subtle psychological biases to outright stereotypes, we explore how your name can quietly write your story before you even begin it.Someone's gotta go first.Might as well be him.Sources & References:Nuttin, J. M. (1985). “The Name Letter Effect.”Pelham, B. W., Mirenberg, M. C., & Jones, J. T. (2002). “Why Susie Sells Seashells by the Seashore: Implicit Egotism and Major Life Decisions.” Journal of Personality and Social Psychology.Bertrand, M., & Mullainathan, S. (2004). “Are Emily and Greg More Employable Than Lakisha and Jamal?” American Economic Review.Rosenthal, R., & Jacobson, L. (1968). “Pygmalion in the Classroom.”Mehrabian, A. (2001). “Characteristics Attributed to Names.”Pelham, B. W., & Carvallo, M. (2015). “The Surprising Role of Implicit Self-Esteem in Motivation.”
durée : 00:04:58 - Épisode 37 : Retour à Arnstadt - la Bachkirche - La journée du vendredi 17 mai 2024 marque l'étape ultime de la tournée de Pygmalion en Thuringe. Retour à Arnstadt et visite guidée de l'Eglise de Bach…
Une interview passionnante avec Luc Teyssier d'Orfeuil où nous échangeons autour du pragmatisme, une notion si importante pour Emile Coué ! Alors, si vous avez envie de remporter des challenges, de renforcer votre confiance en vous, de mieux parler en public, de réussir un examen ou tout simplement pour aller de mieux en mieux, lisez son livre "De mieux en mieux avec la méthode Coué » aux éditions Pygmalion.com**********Retrouvez le texte de l'épisode sur notre blog.En vous abonnant sur Itunes pour recevoir les notifications et en nous laissant un avis, vous nous envoyez des bulles de bonheur !En suivant notre actu sur FB @2minutesdebonheur et sur insta @2minutesdebonheur, vous profiterez gratuitement de pleins de trucs, d'astuces et de mises en pratique liés au podcast de la semaine.Inscrivez-vous à la newsletter, vous serez ainsi notifié de nos nouveaux épisodes et vous recevrez un bon de réduction de 5% sur notre site.Et surtout, partagez nos épisodes à tous ceux qui veulent prendre le temps d'être heureux !Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
durée : 00:05:23 - Épisode 36 : Concert de musique de chambre au Château Hue de Grais - Pour célébrer l'histoire des hôtes Manfred et Uta Werthern qui reçoivent la troupe, mais aussi l'histoire de leur demeure, 4 musiciens et 1 musicienne de Pygmalion donnent un concert de musique de chambre dont le programme est conçu comme un dialogue franco-allemand…
durée : 01:29:21 - En pistes ! du vendredi 02 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - La pianiste Claire Désert présente un nouveau disque qui tend à faire éprouver le temps suspendu et angoissé du pressentiment. On découvrira aussi deux « Pygmalion » dans un seul disque, celui de l'ensemble Il Caravaggio de Camille Delaforge.
durée : 01:29:21 - En pistes ! du vendredi 02 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - La pianiste Claire Désert présente un nouveau disque qui tend à faire éprouver le temps suspendu et angoissé du pressentiment. On découvrira aussi deux « Pygmalion » dans un seul disque, celui de l'ensemble Il Caravaggio de Camille Delaforge.
The panel reads the final act of Shaw's Pygmalion, and then excerpts from the epilogue, with particular attention to Shaw's preference for realism over romanticism, the utilitarian mindset of Higgins towards other people, and the role of equal treatment.Continue reading
The panel reads the fourth act in full, with a discussion of Prof. Higgins' narcissism and its collision with his deepening feelings, an examination of the contemporary social strata in British society, and a review of Shaw's later additions to the act.Continue reading
The panel discusses the third act, in which the antisocial Higgins and the gallant Pickering are exposed as juveniles by the savvy Mrs. Higgins, and Liza's speech proves insufficiently convincing when it is not backed up by the right idioms and content.Continue reading
We're wrapping up our discussion of the 11th Academy Awards or the films of 1938. There were 10 nominees this year and we added two more for a 12-movie mini-tournament. We'll be talking about the winners this episode.The nominees were: The Adventures of Robin Hood, Alexander's Ragtime Band, Boys Town, The Citadel, Four Daughters, Grand Illusion, Jezebel, Pygmalion, Test Pilot, You Can't Take it With You.The films we added were: Bringing Up Baby and Angels with Dirty FacesNotes: SPOILERS - we talk through the full plots of all the movies we cover.Timestamps are approximate:3:50 - Angels with Dirty Faces18:00 - The Citadel36:00 - Pygmalion46:15 - Test Pilot1:01:25 - You Can't Take it With You1:27:05 - Grand Illusion1:51:35 - Conclusions1:53:40 - Did the Oscars Get it Wrong?1:53:50 - Top 5 Films1:54:35 - Jake Gyllenhaal Corner1:58:35 - Patterns2:03:50 - Best Best Picture Ranking2:05:20 - Next Time--------------------------Want to know what episode we're currently prepping and suggest non-nominees that we should watch? Check us out on instagram at oscarswrongpod.Enjoying the podcast? Please leave us a rating or review on your podcast app of choice
The panel discusses Shaw's work on Wagner and a brief overview of the classical inspiration for his Pygmalion, before reading the second act with attention to the characters of Professor Higgins and Mr. Doolittle, and to contemporary social conventions.Continue reading
durée : 00:05:43 - Épisode 32 : Weissensee, le troisième concert "Licht" - Moments de grâce et de jubilation, partagés avec un public nombreux pour le troisième concert de Pygmalion, des ténèbres à la lumière, donné le mercredi 15 mai 2024 dans la magnifique église Saint Pierre et Paul de Weissensee.
The panel reads the first act of George Bernard Shaw's play Pygmalion, with an introduction to the author, and a consideration how the play reflects Shaw's interest in social welfare, especially in the context of the works of Dickens and Trollope.Continue reading
“First, he's a geek, and then you start going out with him. Then he's a geek again. Honey, I don't know what a geek is." We watched the geek-to-chic classic "Can't Buy Me Love" with our friend Ben Cheeves, and there's a $1,000 telescope at the mall with all of our names on it. This modern-day Pygmalion in high school may be well-worn territory today, but way back in 1987, this concept was fresh as a daisy. Nerdy Ronald Miller (Patrick Dempsey) uses his saved-up lawn-mowing cash to bail head cheerleader Cindy Mancini (Amanda Peterson) out of some fiduciary troubles, and young Ronald goes from "totally geek to totally chic." Patrick Dempsey is adorable in this movie, and much like Audrey Hepburn and Rachel Leigh Cook after him, it just takes a bit of hair product and chucking those glasses for the audience to realize he wasn't the horrid slob the movie characters all think he is. Dr. McDreamy may be years away, but we still see the spark of the handsome man everyone's mom loves - that effortless mop of curls is the envy of women everywhere, and that smile can just knock your socks off! Amanda Peterson is really doing some good work as well - Cindy never comes off mean-spirited or above Ronald - we leave that to the truly rotted group of popular kids. We do get some "Saved by the Bell" vibes from the movie, and sometimes the script is heavy-handed, but this movie is a 1987 time capsule if there ever was one. Every house in suburbia had that daybed, and if you owned or coveted a white convertible Volkswagen Cabriolet, you're gay now. We don't make the rules. Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram Peterlasagna
We're back in the 30's covering the 11th Academy Awards or the films of 1938. There were 10 nominees this year and we added two more for a 12-movie mini-tournament. We'll be talking about the losers this episode.The nominees were: The Adventures of Robin Hood, Alexander's Ragtime Band, Boys Town, The Citadel, Four Daughters, Grand Illusion, Jezebel, Pygmalion, Test Pilot, You Can't Take it With You.The films we added were: Bringing Up Baby and Angels with Dirty FacesNotes: SPOILERS - we talk through the full plots of all the movies we cover.Timestamps are approximate:6:05 - Round 1 Match-Ups and Deciding Winners and LosersLosers Discussion15:00 - The Adventures of Robin Hood22:30 - Alexander's Ragtime Band34:25 - Four Daughters46:25 - Boys Town57:10 - Bringing Up Baby1:07:15 - Jezebel1:19:55 - Best of the Worst & Worst of the Worst1:20:35 - Next Time
durée : 00:05:18 - Épisode 30 : Arrivée à Weissensee - Petite visite à pied à la découverte des trésors médiévaux et baroques de Weissensee tandis que Pygmalion répète à l'église Saints Pierre et Paul…
Today, we're shaking up what it really means to be successful. Let's rethink the myth of “perfect planning” and recognize where true momentum comes from. I'll show you why taking bold, imperfect action is your ticket to progress instead of waiting for flawless conditions. Plus, discover the power of surrounding yourself with a vibrant network of ambitious doers to accelerate your journey. This is your chance to escape analysis paralysis, find your groove, embrace those adrenaline-pumping moments and keep pushing forward on your terms in ways that truly count. Tune in, and let's savor the exhilaration of the climb together! Show Highlights: Where do you think perfect success comes from? [01:30] How analysis paralysis occurs. [06:24] Newton's law of motion and igniting momentum. [08:07] The power of collective insight. [11:39] Let go of the pride of going it alone. [14:47] Understand the Pygmalion effect. [15:26] Embracing rapid experimentation. [17:07] Are you an overplanner? [17:28] Ready, fire, steer to win at iteration. [20:26] Brilliant Balance support community. [22:19] "Use code "CHERYLANNE" for 10% off your stay at any Canyon Ranch property! Subscribe to the Brilliant Balance Weekly: www.brilliant-balance.com/weekly Follow Cherylanne on Instagram: www.instagram.com/cskolnicki Join the Brilliant Balance Facebook Group: www.facebook.com/groups/281949848958057 To check out the Prosperity Playbook, visit: https://www.theprosperityplaybook.com/brilliantbalance
durée : 01:59:59 - Les Matins du samedi - par : Nicolas Herbeaux - Cette semaine dans les Matins du samedi, nous nous intéressons à la décision du tribunal administratif concernant l'annulation du projet de l'A69 ; nous faisons le point sur la situation Israël/Gaza après un mois de trêve ; et nous recevons Jeanne Balibar pour son nouveau film "Le système Victoria". - réalisation : Jean-Christophe Francis - invités : Dorian Guinard Enseignant-chercheur et maître de conférence en droit public à Sciences Po Grenoble ; Sylvaine Bulle Sociologue française spécialiste de la conflictualité, chercheuse au Laboratoire d'anthropologie du politique (CNRS-EHESS); Sarah Daoud Docteure en sciences politiques associée au CERI de Sciences-Po et au CEDEJ du Caire.; Jeanne Balibar Comédienne, chanteuse
Send us a textThis week, we take a dive into Irish playwright, outspoken thinker, and vegetarian George Bernard Shaw! Shaw's works revolutionized modern drama and sparked classics beloved by generations of theatre people. Known for Pygmalion, Major Barbara, Mrs. Warren's Profession, Shaw's explorations of human characters and political plots have stood the tests of time! He's also one of only two people to win a Nobel Prize for Literature and an Academy Award! Join us - it'll be loverly!
Ken Goldberg (Why Don't We Have Better Robots Yet?) is an award-winning artist, roboticist, and engineering professor. Ken joins the Armchair Expert to discuss being born in Nigeria, growing up in rough and tumble City of Brotherly Love, and on how that taught him how to not take things lying down. Ken and Dax address the elephant panties in the room, how a course he took in 1981 began his trajectory in robotics and AI, and the tragic archetype of Pygmalion and the hubris of falling in love with your creation. Ken explains the Czechoslovakian etymology of the word “robot,” why don't we have better robots yet, and how he stays optimistic doing a job predicated on failure.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
It's the holiday season, which means holiday romance! This year, we're talking about Princes of Christmas falling for heirs to Halloween, Hannukah treats, retellings ofThe Holiday, sexy cabins in the woods, second chances, Harlequin Presents, and yes, an online site called OnlySantas. It's truly something for everyone!We are taking next week off, but we'll be back with some special guests for our annual New Years Eve episode, which promises to be a banger. In the meantime, we hope you get everything you want from whomever you believe in. After New Years, our first read along of 2025 is Judith Ivory's The Proposition, a terrific Pygmalion retelling and one of Sarah's favorites. Find it at your local independent bookseller, Barnes & Noble, Kobo, Apple Books or Amazon. If you want more Fated Mates in your life, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.The BooksThe Nightmare Before Kissmas by Sarah RaaschPregnant Enemy, Christmas Bride by Maisey YatesKingpin's Nanny by Evie RoseFrom Meltdown to Mistletoe by Jessica TerryMerry Little Mishap by Vivian MaeSnowed In by Catherine WalshYou're a Mean One, Matthew Prince by Timothy JanovskyI'll Be Gone for Christmas by Georgia K. BooneThe Holiday Honeymoon Switch by Julia McKayGrounded for Christmas by Savannah J. FriersonReturn to Love by Tara PammiDeadlines, Donuts, and Dreidels by Jennifer WilckFortune's Holiday Surprise by Jennifer WilckThe NotesIt's the most wonderful time of the year. We've had lots of previous episodes around the winter holidays, as well. Rare book dealer Rebecca Romney was on the podcast back in season 4, talking about how to collect books. You an read the catalogue for her collection,
We're so excited to be talking about some of the bright new voices in romance this week -- every book we talk about in this episode is a debut romance from 2024. We're introducing you to eighteen new authors, all of whom you'll be able to meet years from now and say, "I've been reading you from the beginning!" From chefs to film directors, baseball players to librarians, spies to playwrights, there's a little something here for everyone. You're going to love it. Guess what? There's a debut romance in the Fated Mates Best of 2024 Book Pack from our friends at Pocket Books Shop in Lancaster, PA! There's still time to order...and get a box of our favorite books of the year and support booksellers at a fantastic indie bookstore all at the same time! If you want to talk romance more ofte, maybe you want to join our Patreon? You get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord! Support us and learn more at fatedmates.net/patreon. Our next read along is Judith Ivory's The Proposition, a terrific Pygmalion retelling and one of Sarah's favorites. Find it at your local independent bookseller, Barnes & Noble, Kobo, Apple Books or Amazon. The BooksThe Prospects by K.T. HoffmanUnsteady by Peyton CorinneThe Next Best Fling by Gabriella GamezThe Kiss Countdown by Etta EastonSunshine and Spice by Aurora PalitBut How Are You, Really? By Ella DawsonWhen I Think of You by Myah Ariel Showmance by Chad BeguelinThe Lovers by Rebecca FaubionSay You'll be Mine by Naina KumarThe Slowest Burn by Sarah ChamberlainThe Spy and I by Tiana SmithRules for Ghosting by Shelly Jay ShoreHow to End a Love Story by Yulin KuangPick-Up by Nora DahliaTemple of Persephone by Isabella Kamal
Let's talk about the over 40s and how they deserve love, too! This week, we're diving into what the industry calls "seasoned" romance, though we're not wild about this phrasing and prefer "Women over forty can get it!" We're talking about romances where, yes, the heroines are older, but they still get to go on adventures, in and out of the bedroom...and with rock stars and incubi, even!Guess what? There's a romance with a heroine over 40 in the Fated Mates Best of 2024 Book Pack from our friends at Pocket Books Shop in Lancaster, PA! You can get a box of our favorite books of the year and support booksellers at a fantastic indie bookstore all at the same time! If you were shouting book names at your car stereo during this episode and want to shout them at other people, maybe you want to join our Patreon? You get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord! Support us and learn more at fatedmates.net/patreon. Our next read along is Judith Ivory's The Proposition, a terrific Pygmalion retelling and one of Sarah's favorites. Find it at your local independent bookseller, Barnes & Noble, Kobo, Apple Books or Amazon.The Books Mr. Loverman by Bernardine EvaristoBecoming Crone by Lydia M. HawkePick-Up by Nora DahliaGray Hair Don't Care by Karen BoothRemember When by Mary BaloghCome As You Are by Jess K. HardyReaper's Stand by Joanna WyldeThe Art Collector by Katelyn BrehmLosing Sight by Tati RichardsonRole Playing by Cathy YardleyThe Undermining of Twyla and Frank by Megan BannenCandidly Yours by Reese RyanDirty Little Midlife Mistake by Lilian MonroeBeautifully Unexpected by Lily MortonChieftain by Annie LucasTalk me Down by Victoria Dahl
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