Podcasts about Wozzeck

durée : 00:55:36 - Les Nuits de France Culture - par : Albane Penaranda - Le peintre Bernard Dufour parle de son rapport intime, esthétique et affectif avec deux opéras d'Alban Berg, "Wozzeck" et "Lulu" et explique en quoi les personnages féminins de ces opéras font partie de son univers. - réalisation : Antoine Larcher - invités : Bernard Dufour Peintre et plasticien français

Berlin, 1925. Vor 100 Jahren geht „Wozzeck“ zum ersten Mal über die Bühne und der Jubel ist groß. Aber wenn etwas so viel Beifall bekommt, kann es nicht gut sein, findet der Komponist Alban Berg und verlässt enttäuscht die Premiere seiner Oper … Von Ben Süverkrüp.

Vor 100 Jahren uraufgeführt, und nach wie vor die ideale Einstiegsdroge für die immer noch so genannte „Neue Musik". Mit Musikbeispielen aus der Aufnahme unter Pierre Boulez mit dem idealen Wozzeck-Interpreten Walter Berry.

Se cumplen cien años del estreno de esta ópera magistral de Alban Berg. Este programa de Ars canendi completa y amplía la emisión de la obra en la tarde del sábado 29, una interpretación de la Orquesta Nacional dirigida por David Afkham. Nosotros empleamos la versión discográfica dirigida por Claudio Abbado. Comentamos y escuchamos diversas escenas: I y IV del primer acto; I y V del segundo acto; II, IV y V del tercer acto.Escuchar audio

This past September 19th, we observed the anniversary of the death in 1992 of the great Welsh bass-baritone Geraint Evans at the age of 70. A vivid actor and a skilled singer, he both began and ended his career at the Royal Opera House Covent Garden, but was a treasured guest at opera houses all over the globe. In 1966, London/Decca records released a recording designed to give full display to his musical, stylistic, and dramatic versatility. In its US issue it was entitled, appropriately enough, Three Centuries of Baritone Art, and in it many of his greatest roles are highlighted, as well as a number of parts, unusual or uncharacteristic for him, which he never performed onstage.  Needless to say, his Mozart roles are in the forefront, as is his exceptional characterization of Verdi's Falstaff, to which he brought a light buffo touch while still retaining a full vocal palette bolstered by a vivid characterization. On this episode, I supplement this album with a delightful recording of Evans singing from Mahler's Knaben Wunderhorn, a wrenching one of his legendary Wozzeck, and a monumental one of Elegy for a Prince, a work for voice and orchestra by William Mathias, written for and dedicated to Evans, who sang the premiere in 1972 and subsequently recorded it in 1977. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

A Life in Song: Carole Farley on Longevity, Courage & Curiosity Host Hrund Ósk sits down with internationally celebrated soprano Carole Farley, whose legendary career spans the world's greatest stages — from her iconic Lulu at the Metropolitan Opera to acclaimed performances in Die Frau ohne Schatten, Wozzeck, and La Voix Humaine. They explore: • The making of a lifelong artist — from Idaho to the Met • Why bullet-proof vocal technique sustains a 45-year career • Creating your own opportunities (beyond YAPs) • Motherhood on tour & time management at the highest level • Curiosity, discipline, and staying true to your why "The single most important thing for a singer is a good technique… My voice works perfectly to this day — because of my technique." — Carole Farley Episode highlights 00:02 Falling in love with singing • 00:06 First teacher & early technique 00:10 Fulbright, Munich & first contracts • 00:17 The stage as the greatest teacher 00:23 Drive, discipline & time management • 00:33 Meeting conductor José Serebrier 00:38 Performing through motherhood • 00:45 Politics, contracts & self-advocacy 00:52 Opening doors for young singers • 00:59 Curiosity & sustaining a long career 01:15 Ego vs. purpose — remembering your why About Carole Farley American soprano Carole Farley debuted at the Metropolitan Opera in the title role of Lulu, a role she performed over 100 times in four languages. She has sung leading roles with Lyric Opera of Chicago, Paris, Zurich, Lyon, Teatro Colón, and more, and appeared with orchestras including the New York Philharmonic, Boston Symphony, Royal Philharmonic, and Concertgebouw. Her award-winning discography spans Strauss, Weill, Prokofiev, Poulenc, Britten, and Rorem. Website: https://carolefarley.com/index.html Selected recordings • Strauss: Four Last Songs — RCA/BMG • Kurt Weill: Der Neue Orpheus — ASV (world-premiere recording) • La Voix Humaine — Chandos • Ned Rorem Songs — Naxos (with the composer at the piano) Learn more Explore The Thriving Singer Academy — founded by Hrund Ósk — for a clear, empowering framework to understand your instrument, practice with purpose, and perform with confidence. Enroll / info: https://www.hrundosk.com/course-registration Enjoyed the episode? Follow/subscribe on Spotify and Apple Podcasts, and leave a quick review — it really helps other singers find the show!

durée : 00:19:44 - Disques de légende du mardi 28 octobre 2025 - Inspiré de la pièce de Georg Büchner, "Wozzeck" est un opéra créé en 1925 qui connut un franc succès, notamment à Vienne et à New York lors de ses débuts. Le voici dans une version de Claudio Abbado accompagnée de l'Orchestre philharmonique de Vienne et du baryton Franz Grundheber. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:19:44 - Disques de légende du mardi 28 octobre 2025 - Inspiré de la pièce de Georg Büchner, "Wozzeck" est un opéra créé en 1925 qui connut un franc succès, notamment à Vienne et à New York lors de ses débuts. Le voici dans une version de Claudio Abbado accompagnée de l'Orchestre philharmonique de Vienne et du baryton Franz Grundheber. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

[@ 4 min] Alright, this week…Annie Burridge goes Inside the Huddle. General Director of Austin Opera, Annie Burridge is marking her 10th anniversary with the company that is also kicking off its 40th birthday season with a Spectacular Birthday Concert. 40 is the new 30…so that makes Oliver…what, 60? [@ 36 min] Plus, in the Two Minute Drill...Performances of Wozzeck have been cancelled at La Fenice. Okay, NOW it's getting personal. GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

durée : 00:11:25 - La nomination de Beatrice Venezi à la Fenice de Venise - par : Bruno Duvic - Beatrice Venezi prendra ses fonctions de directrice musicale en octobre 2026. Déjà, des voix s'élèvent pour dénoncer ses accointances avec l'extrême droite italienne et les syndicats ont déposé un préavis de grève pour la première de Wozzeck dans quelques jours. Reportage de Bruno Duvic. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

[18+] Derek and Frank have begun to ramp up their night. But bittersweetness sets in as reality slowly creeps back in…Today's story is the second and final part of “Last Night at the Whip and Boot” by Herr Wozzeck, who is a composer, violist, Thereminist, and writer based in Boston. They are the author of the novel Lost Inside the Blue Line, as well as the poetry collection The Enigma Letters. They are also the author of the novel Whip and Boot, which this story is a stand-alone follow-up to. You can see them perform with Trio Menagerie, and you can find more of their stories on their FurAffinity account.Last time, Derek and Frank had a rather intense flogging session in the middle of the club, and are ready to take on the rest of the night.Read by Ta'kom Ironhoof, the Equine Charmer.thevoice.dog | Apple podcasts | Spotify | Google PodcastsIf you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us.https://thevoice.dog/episode/18-last-night-at-the-whip-and-boot-by-herr-wozzeck-part-2-of-2

[18+] Frank and Derek return to the Whip and Boot for a night of debauchery and merriment in the place their relationship began.Today's story is the first of two parts of “Last Night at the Whip and Boot” by Herr Wozzeck, who is a composer, violist, Thereminist, and writer based in Boston. They are the author of the novel Lost Inside the Blue Line, as well as the poetry collection The Enigma Letters. They are also the author of the novel Whip and Boot, which this story is a stand-alone follow-up to. You can see them perform with Trio Menagerie, and you can find more of their stories on their FurAffinity account.Read by Ta'kom Ironhoof, the Equine Charmer.thevoice.dog | Apple podcasts | Spotify | Google PodcastsIf you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us.https://thevoice.dog/episode/18-last-night-at-the-whip-and-boot-by-herr-wozzeck-part-1-of-2

Wie wird ein Mensch zum Mörder? Inwiefern trifft ihn Schuld? Es ist die zentrale Frage in Alban Bergs Oper. Yaltah Worlitzsch bringt Ihnen den Dreiakter mit einer kurzen und kompakten Werkeinführung to Go näher. Schon gewusst? Zahlreiche Konzerte der NDR Ensembles finden Sie auf YouTube im Channel "ARD Klassik" oder in der ARD Mediathek. https://www.youtube.com/@ARDKlassik https://www.ardmediathek.de/kultur_klassik Abonnieren Sie "Klassik to Go" und finden Sie weitere spannende Angebote des NDR in der ARD Audiothek! https://www.ardaudiothek.de/sendung/klassik-to-go/10778959/

Zu Gast in dieser Folge sind Sopranistin Anne-Fleur Werner, Bassbariton Oliver Zwarg und Karsten Wiegand, Intendant des Staatstheaters Darmstadt, der Alban Bergs „Wozzeck“ neu inszeniert hat (Premiere: 17. Mai 2025). Der Komponist hat Georg Büchners Dramenfragment mit packender, hochexpressiver Musik als Oper komponiert. Sie wurde vor hundert Jahren uraufgeführt, doch der Stoff ist so aktuell wie damals. Wir sehen Szenen eines Menschenversuchs und einen Femizid. Aber hätte es auch anders kommen können? Das ist die zentrale Frage, die Karsten Wiegand in seiner Inszenierung stellt. Wie bringt man so ein Werk heute auf die Bühne? Wie schwer ist Alban Bergs Oper zu singen? Und warum musste Wozzeck-Darsteller Oliver Zwarg fast nackt in einen Darmstädter Teich steigen? Das möchte Podcast-Host Mariela Milkowa von ihren Gästen wissen. Infos & Tickets zu Wozzeck Hosted on Acast. See acast.com/privacy for more information.

Ambur Braid is a Canadian soprano who's taken on some of the most coveted roles in opera. But it wasn't until she saw Alban Berg's “Wozzeck” as an undergraduate student that she knew opera would be her life. Now, Ambur is playing Marie in a new production of “Wozzeck” coming soon to the Canadian Opera Company. She sits down with Tom Power to talk about this full circle moment and her passion for classical music. Looking for more conversations about opera? Check out Tom's interview with composer John Adams on the role of opera in tackling contemporary issues.

Neste vídeo Gonzalo Córdoba fala sobre as perspectivas técnicas, estéticas e educacionais da iluminação na Argentina. Gonzalo Córdoba é iluminador, cenógrafo, diretor, artista visual, professor e pesquisador. Em produções de ópera, criou a iluminação para Ariadne auf Naxos, Così fan tutte, Candide, Tri Sestri, O Cônsul para Ruben Szuchmacher, O Estupro de Lucrécia, Wozzeck, A Flauta Mágica, O Morcego, Madama Butterfly para Horacio Pigozzi, O Traviata, Italiana em Argel, Serse para Pablo Maritano, cenografia e luzes para Leonor Manso em Lucia de Lammermoor e Tosca, para María Jaunarena em A Flauta Mágica, Outra Volta do Parafuso, Medea, Conde Ory e para Ana D'Anna em El barbero de Sevilla, Bohéme, Rigoletto, Hoffman's Tales, Turandot. Com André Heller Lopez iluminou Don Pasquale, Lucia de Lammermoor, Manon Lescaut, Merry Widow, Faust, Cosi fan tutte e As Bodas de Fígaro.Como diretor: "Proyecto Appia" para Enclaves no CETC, "El Límite de Schiller", iluminação da Puente de la Boca, Linha Azul do metrô de Buenos Aires. Mude a encenação de Emma Bovary e Maní con chocolate 2 com Ana Bovo, bem como "los Persas" de Ésquilo e "La Inhumana" com Alejandra Radano. Dirigiu Marta Roca em "Palabras Cuerdas". Escreveu dois ensaios sobre iluminação cênica "La Trampa de Goethe" e "La Iluminación Escénica", editados por El Rojas.Foi comtemplado com o Prémio Teatros do Mundo por "El Experimento Damanthal" e ACE 2005 por "Las Troyanas" e "Enrique IV"; Meu Deus". Ganhou os prêmios Teatros del Mundo em 2013 e o Maria Guerrero 2014 por Querido Ibsen, Soy Nora, Love Love e Cabaña Suiza, o Prêmio Trinidad Guevara 2015 por "La nueva autoridad" e em 2016 o Prêmio Trinidad Guevara por "Desonrado". Prêmio "Hugo" por Love Musik, 2017 Florencio Sánchez por "Todas as coisas do mundo" e Prêmio KONEX 2011.Atualmente trabalha como Professor na Universidade Nacional das Artes na disciplina de Projeto II, em História da Iluminação Cênica na carreira de design de iluminação de espetáculos, e em Teatro Musical. É membro da Associação ADEA de Designers Cênicos da Argentina.@‌gonzaloemicordova | SITE: gonzalocordova.com.ar

  About Kate: Kate Caliendo enjoys a diverse musical career of symphonic playing, chamber music, recording, soloing and teaching. She is currently Second Horn of the Jacksonville Symphony and has also held Fourth Horn positions with the Houston Symphony and San Antonio Symphony. She is a frequent guest musician with groups including the Kansas City Symphony, Atlanta Symphony, Charleston Symphony, Houston Grand Opera, North Carolina Symphony, Louisiana Philharmonic and the Coastal Symphony of Georgia. As a recorded artist, she is featured on projects with the Kansas City Symphony, Rice University Horn Studio and the Houston Symphony, including their 2018 Grammy Award winning live concert performance of Wozzeck. During the summers, Kate performs with the Bellingham Festival of Music in Washington state, and has also been a musician at Festival Mozaic in California and the Tanglewood Music Center. An avid solo musician, she performed as guest soloist with the Charleston Symphony, and in 2011 commissioned and premiered “Vanishing Points, Six Aural Paintings for Low Horn and Piano” by Rice Doctorate composer Stephen Bachicha. A native of New Jersey, Kate began her musical studies with her father, who was her band director. She was a student of Michelle Baker at the Manhattan School of Music and received her Bachelors and Masters degrees in French Horn Performance from Rice University as a student of William VerMeulen. Her other notable teachers  include Dale Clevenger, Julie Landsman, Douglas Lundeen, and Jeff Nelsen.

[18+] After Archie's mid-performance flashback, he finds himself lost. The band, of course, has him covered, even if he doesn't know it yet…Today's story is the second and final part of “Cozy Beginnings” by Herr Wozzeck, who is a composer, violist, Thereminist, and writer based in Boston. They are the author of the novels Whip and Boot and Lost Inside the Blue Line, as well as the poetry collection The Enigma Letters. You can also see them perform with Trio Menagerie, and you can find more of their stories on their FurAffinity account.Last time, Archie suffered a traumatic flashback mid-performance in his first not-safe-for-work show with Dark Tryst that left him rattled, and uncertain of what to do next.Read by Solomon Harries, Cuddly Badger Dad.CW: Sexual Content, Trauma Flashback, Mention of Sexual Assaultthevoice.dog | Apple podcasts | Spotify | Google PodcastsIf you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us.https://thevoice.dog/episode/18-cozy-beginnings-by-herr-wozzeck-part-2-of-2

[18+] Archie joins metal band Dark Tryst on their latest tour. Little does he know all that he's signed up for.Today's story is the first of two parts of “Cozy Beginnings” by Herr Wozzeck, who is a composer, violist, Thereminist, and writer based in Boston. They are the author of the novels Whip and Boot and Lost Inside the Blue Line, as well as the poetry collection The Enigma Letters. You can also see them perform with Trio Menagerie, and you can find more of their stories on their FurAffinity account.Read by Solomon Harries, Cuddly Badger Dad.CW: Sexual Content, Trauma Flashback, Mention of Sexual Assaultthevoice.dog | Apple podcasts | Spotify | Google PodcastsIf you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us.https://thevoice.dog/episode/18-cozy-beginnings-by-herr-wozzeck-part-1-of-2

durée : 00:17:20 - Disques de légende du lundi 13 janvier 2025 - En 1963, Pierre Boulez a 38 ans. Il est déjà bien connu comme compositeur et comme animateur du milieu musical. Mais il commence à peine à faire ses preuves comme chef de grand répertoire...

durée : 00:17:20 - Disques de légende du lundi 13 janvier 2025 - En 1963, Pierre Boulez a 38 ans. Il est déjà bien connu comme compositeur et comme animateur du milieu musical. Mais il commence à peine à faire ses preuves comme chef de grand répertoire...

durée : 01:28:46 - Relax ! du lundi 06 janvier 2025 - par : Lionel Esparza - Quelques millésimes de l'année 1925 : "L'enfant et les sortilèges" de Ravel, la Symphonie n°2 de Prokofiev, le quatuor de Fauré, "Wozzeck" de Berg et le Concerto en fa de Gershwin...

durée : 01:28:46 - Relax ! du lundi 06 janvier 2025 - par : Lionel Esparza - Quelques millésimes de l'année 1925 : "L'enfant et les sortilèges" de Ravel, la Symphonie n°2 de Prokofiev, le quatuor de Fauré, "Wozzeck" de Berg et le Concerto en fa de Gershwin...

durée : 00:03:59 - Le Zoom de France Inter - Wozzeck d'Alban Berg ouvre la saison à l'Opéra de Lyon. Le compositeur s'inspira d'une pièce de Georg Büchner, elle-même tirée d'un fait divers : un homme condamné pour le meurtre de sa maitresse qui, pour la première fois, fait l'objet d'une expertise médicale.

Welcome to the third episode of season 6 of the TFTuesday Podcast! In this episode, Herr joins us to take us on a magnificent journey into the world of opera (and ballet), specifically as it pertains to TF! The crew is greeted with the stunning vistas of Russian, French, and German opera, all while learning just how deep of a rabbit hole transformation goes in the musical arts. Remember to dress up for this one, it's showtime! - - - A podcast for all your TF-ey needs! Featuring in-depth discussions amongst longtime TF artists. The TFTuesday podcast focuses on transformation, mainly in the niche of the furry community. Content warning: This podcast occasionally touches on NSFW topics. Support us on Patreon! https://www.patreon.com/tftuesdaypod Twitter: https://twitter.com/TFTuesdayPod Spotify: https://open.spotify.com/show/1cYhqNGb4033ucISNdxaIk Apple Podcasts: https://podcasts.apple.com/us/podcast/tftuesday-podcast/id1599438910 - - - Featuring Herr Wozzeck: Twitter - https://twitter.com/HerrWozzeck BlueSky - https://bsky.app/profile/herrwozzeck.bsky.social Furaffinity - https://www.furaffinity.net/user/herr-wozzeck/ Hosted by Zil: Twitter - https://twitter.com/Zilepo_Opeliz BlueSky - https://bsky.app/profile/zilepo.bsky.social Furaffinity - https://www.furaffinity.net/user/zilepo Co-hosted by K-Libra: Twitter - https://twitter.com/The_K_Libra BlueSky - https://bsky.app/profile/k-libra.bsky.social Mastodon - https://transfur.social/@k_libra Art by HoneyBear, K-Libra, and SpelunkerSal: https://bsky.app/profile/honey-bear.bsky.social & https://bsky.app/profile/k-libra.bsky.social - - - The music used for the intro and outro is [Ambient soundscape with drums by Erokia]; Sounds provided by Erokia/Jordan Powell from Freesound.org

Jules Armstrong's attachment to Charlie grows stronger as they continue moving about the town. Will one thing lead to another…?Today's story is the second and final part of “It Only Takes A Moment” by Herr Wozzeck, who is a composer, violist, Thereminist, and writer based in Boston. They are the author of the novels Whip and Boot and Lost Inside the Blue Line, as well as the poetry collection The Enigma Letters. You can also see them perform with Trio Menagerie, and you can find more of their stories on their FurAffinity account.Read by the Author themselves.thevoice.dog | Apple podcasts | Spotify | Google PodcastsIf you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us.https://thevoice.dog/episode/it-only-takes-a-moment-by-herr-wozzeck-part-2-of-2

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts monthly music segment called VIVA! Opera for SBS Japanese. - ４月25日アンザックデーの放送。大武さんが選んだのは、第一次世界大戦の時期に生まれたオペラ作品「ヴォツェック」から、夫をなくした母親が歌う異色の子守唄「おいで、坊や！」です。３分ちょっとのベルクの強烈な世界、聞いたことはありますか。

Today we present a poem by Herr Wozzeck, who is a composer, violist, Thereminist, and writer based in Boston. This poem is from their recently-released poetry collection The Enigma Letters, currently out in paperback and ebook formats on Amazon. They are also the author of the novels Whip and Boot and Lost Inside the Blue Line. You can also see them perform with Trio Menagerie, and you can find more of their stories on their FurAffinity account.Read by Ta'kom Ironhoof, the Equine Charmerthevoice.dog | Apple podcasts | Spotify | Google PodcastsIf you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us.https://thevoice.dog/episode/murky-waters-by-herr-wozzeck

In unserer Reihe über Opernfiguren, die Sie kennen sollten, beleuchten wir heute Alban Bergs "Wozzeck". Franz Wozzeck durchsteht und durchzittert sein Leben in Bergs Oper als riesigen, verschlingenden Alptraum, mit teilweise psychedelischer Musik.

JAZZ FEED lundi, mercredi et vendredi à 17h30. Serge Mariani présente régulièrement un choix d'albums sortis récemment ou sur le point de l'être, des extraits de leur musique, des informations, des commentaires, des impressions, des émotions, c'est la nouvelle émission de Serge Mariani sur Art District Radio: JAZZFEED ! Au programme de cet épisode 2: l'album JEU de Louise Jallu / Oizel de Marion Rampal et Modular de Srdjan Ivanovic En ce début 2024, Srdjan Ivanovic nous propose de découvrir avec l'album Modular d'autres facettes de sa créativitéetdesoninspiration.Silestraditionsdes Balkans, de la Bosnie, de la Grèce, ne sont jamais très éloignées dans l'esprit et le coeur du compositeur commede l'instrumentiste, l'ouverture sur les autres cultures et une vision personnelle riche du jazz des plus récentes décennies,participentàconféreràl'albumModulartoute sa saveur. Pour Srdjan Ivanovic, la modulation est au coeur de toute vie et spécialement de l'univers infini des sonsdont la musique nous permet d'entrevoir la puissance créatrice. Le plus remarquable dans l'art de Marion Rampal, c'est certainement cette maîtrise d'une alchimie qui fait de savoix l'instrument le plus délicat et transforme son grain, chaque syllabe, chaque phonème, presque chaque lettre,en perles de musique. De chaque mesure de ses chansons, émane aussi un parfum unique, intime, organique. Ça sent lebayouetMarseille,LaNouvelle-Orléansetlescalanques. Le travail réalisé en studio avec le guitariste Matthis Pascaud depuis 2020 a trouvé au fil des compositions de Oizel une matière propice à ce qu'il n'est pas exagéré d'appeler son génie des climats. Et Marion Rampal nous ensorcelle à nouveau au cours d'un genre de descente tranquille d'un fleuve sûr de sa puissance, un fleuve nommé Oizel, dont les larges méandres nous laissent le temps de savourer sa musicalité naturelle et nous invite à nous baigner dans l'eau limpide de sa poésie. Il en fallait de la force pour se libérer de l'attraction d'un astre aussi puissant que la musique, et la stature, d'Astor Piazzolla. C'est pourtant ce qu'a réussi Louise Jallu avec son nouvel album, JEU. Le Schumann et Wozzeck de l'ouverture, un adagio de Bach transfiguré un peu plus loin, et surtout une exceptionnelle version bandoneonienne jallumée et cubiste du Bolero de Ravel, affirment une volonté de mettre sereinement le cap sur quelques-uns des horizons les plus lumineux de la musique universelle. Mathias Lévy, Karsten Hochapfel, Grégoire Letouvet, Alexandre Perrot et Ariel Tessier sont de son équipage, sans oublier Bernard Cavana, que l'on retrouve avec plaisir au poste éminent de directeur artistique et d'arrangeur éclairé. AvantqueLouiseetsonéquipagenereviennentaccoster au port de Gennevilliers après leurs aventures extraordinaires sur les océans de la musique, on aura entendu Georges Brassens dire que « les gens qui écrivent, écriventpourça,pourcréerautrechosequecequi existe ». Et bien je crois que l'on peut en dire autant de la musiquedeLouiseJalludansJEU:ellefaitchanterson bandoneonetl'orchestrequil'accompagnepourcréer autre chose que ce qui existe et cette « autre chose » est magnifique. Programmationmusicale  1- Kapetan Mihalis / Srdjan Ivanovic AlbumModular(sortiele2février2024) Label Rue des Balkans

My friend and fellow opera podcaster Howard Hart introduces the first of this week's Listeners' Favorites episodes, my 2021 tribute to the superb zwischenfach singer Christa Ludwig, who died nearly three years ago. Ludwig was a singer whose repertoire centered around the great German composers but who also sang Verdi and French repertoire with stunning results; a mezzo-soprano who was unparalleled in Wagner, Mahler, and Brahms, but who also sang the great soprano heroines of Richard Strauss; a Lieder singer of great perception and textual acuity whose supple technique nonetheless was centered on legato singing: the greatness of this artist simply cannot be overestimated. I focus on the key composers (Richard Strauss, Gustav Mahler, and Richard Wagner) and conductors (Karl Böhm, Herbert von Karajan, and Leonard Bernstein) with whom she was most closely associated, while also examining some roles that might surprise you: Cenerentola, Amneris and Marie in Wozzeck. Vocal guest stars include Gloria Davy, Victoria de los Ángeles, Reri Grist, Gundula Janowitz, Gwyneth Jones, and Ludwig's one-time husband Walter Berry. Thank you, Howard, for lending your enthusiasm and passion to my podcast in your introduction of one of your (and my) favorite singers. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Boult had led the UK premiere of Berg's excoriating setting of Georg Büchner's play about a war-scarred veteran driven to madness and murder in 1934, although only Act II of that performance survives. This complete 1949 recording with the BBC Symphony Orchestra and Heinrich Nillius's Wozzeck and Suzanne Danco's Marie – only the second UK performance – adds to Boult's and the opera's stature on disc. Recorded live in London's Royal Albert Hall, it is a remarkable document of an exhilarating performance.Boult's pioneering championing of ‘new' music is also heard in his recording of Stravinsky's Capriccio, with the BBC SO and the prodigiously gifted Australian Noel Mewton-Wood taking the piano line.TracksCD1Alban Berg (1885-1935)Wozzeck, Op. 7, Act I Scene 1: The Captain's Room (8:25) Scene 2: An Open Field Outside the Town (6:33) Scene 3: Marie's Room (7:54) Scene 4: The Doctor's Study (7:20) Scene 5: Street Before Marie's Door (3:12) Act II Scene 1: Marie's Room (5:05) Scene 2: Street in Town (8:35) Scene 3: Street Before Marie's Door (3:14) Scene 4: Tavern Garden (10:16) Scene 5: Guardroom in the Barracks (4:48) CD2Act III Scene 1: Marie's Room (4:56) Scene 2: Forest Path by the Pool (4:26) Scene 3: A Low Tavern (2:42) Scene 4: Forest Path by a Pool (4:42) Orchestral Interlude – Adagio (3:22) Scene 5: Street Before Marie's Door (1:41) Sir Adrian Boult recalls his years with the BBC Symphony Orchestra, in conversation with Bernard Keeffe (9:17) Igor StravinskyCapriccio (16:54) I. Presto (6:32) II. Andante rapsodico (5:22) III. Allegro capriccioso ma tempo giusto (5:00) Ralph Vaughan WilliamsSymphony No. 4 in F Minor (32:52) I. Allegro (8:11) II. Andante moderato (10:07) III. Scherzo: Allegro molto (5:34) IV. Finale con epilogo fugato: Allegro molto (9:00) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Mit "Wozzeck" landete Alban Berg 1925 einen Opern-Welthit wider Willen und lieferte die Vorlage zur Duschszene in Hitchcocks "Psycho". Berg verarbeitete in dem packenden Außenseiterdrama über einen Soldaten, der zum Mörder seiner Freundin wird, nicht zuletzt eigene Kriegserfahrungen. Von Ben Süverkrüp.

®Il suo film più celebre è “L'esorcista”, ma la carriera cinematografica di William Friedkin, classe 1939, vanta una lunga serie di titoli, fra cui “Il braccio violento della legge”, che gli valse nel 1971 il Premio Oscar per la miglior regia; “Vivere e morire a Los Angeles” (1985) e i recenti “Bug” (2006) e “Killer Joe”, presentato all'ultima mostra del cinema di Venezia. Nel 2009 al Festival del Film di Locarno è stato insignito del Pardo d'onore alla carriera. Quello che non tutti sanno è che dal 1998 Friedkin è anche attivo come regista teatrale. Il suo “Wozzeck” al Teatro del Maggio Musicale Fiorentino con Zubin Mehta sul podio riscosse subito un immediato e clamoroso successo. Da allora ha sempre alternato l'attività teatrale a quella cinematografica: una sontuosa “Aida” a Torino, “Tannhäuser” e Puccini a Los Angeles, “Salome” a Monaco di Baviera, recentemente “L'affare Makropoulos” a Firenze. E non è forse un caso che i suoi ultimi film siano tratti da drammi del Premio Pulitzer Tracy Letts. Come nasce l'improvviso amore di Friedkin per il teatro? Che cosa hanno in comune i suoi film, spesso di un crudo realismo e legati all'ambiente della malavita urbana, con i temi, i personaggi, le atmosfere del melodramma? In che rapporti è con il teatro di prosa? Reduce dal soggiorno italiano, rientrato nella "sua" Hollywood, William Friedkin si racconta. Laser ripropone l'intervista al regista americano realizzata da Sabrina Faller nel 2011.Prima emissione: 16 novembre 2011

durée : 00:55:41 - Les Nuits de France Culture - par : Albane Penaranda - Le peintre Bernard Dufour parle de son rapport intime, esthétique et affectif avec deux opéras d'Alban Berg, "Wozzeck" et "Lulu" et explique en quoi les personnages féminins de ces opéras font partie de son univers. En 1998, Sophie Barrouyer invitait dans son émission "Musiques à voir" le peintre Bernard Dufour pour parler de Wozzeck et Lulu, les opéras du compositeur autrichien Alban Berg. Il raconte en quoi il voit une très forte "collusion" entre sa vie et l'ouvre Wozzeck alors que sa première femme s'est suicidée par arme à feu et qu'il a vu son corps ensanglanté. Opéra et peinture, la même quête Peintre des femmes, de l'amour et du désir, Bernard Dufour parle avec passion de la fascination qu'exercent sur lui les personnages de Lulu et celui de Marie dans Wozzeck, en expliquant comment les deux opéras de Berg ont rencontré en lui ce qui est l'objet de sa propre quête à travers la peinture. C'est aussi l'occasion pour Dufour de dire combien il ne croit pas "à ce mythe de la femme", "à cette idéalisation de la femme". Les femmes qu'il a peintes sont les femmes qu'il a aimées mais ne représentent pas l'image iconique de la femme. Et il en profite aussi pour révéler la "place monstrueuse de la jalousie" dans son rapport aux femmes, jalousie qui "permet de théâtraliser la vie" selon lui. Retrouvez l'ensemble du programme d'archives Bernard Dufour, la poursuite du réel, proposé par Albane Penaranda. Par Sophie Barrouyer Musiques à voir - Bernard Dufour, autour de "Wozzeck" et "Lulu" d'Alban Berg (1ère diffusion : 23/04/1998) Avec Bernard Dufour, peintre Avec des extraits de "Wozzeck" et "Lulu" d'Alban Berg Réalisation Jean-Charles Diéval Édition web : Documentation de Radio France

[18+] Today we present a poem by Herr Wozzeck, who is a writer, composer, and musician. He is the Leo Award-winning author of Whip and Boot and Lost Inside the Blue Line. He is also the violist of Trio Menagerie, and is their resident composer and arranger. You can find more of his stories on either FurAffinity or SoFurry. You can also find his stories early, as well as his musical pursuits, on his Patreon.Read by Dralen, the dapper Dragonfox.thevoice.dog | Apple podcasts | Spotify | Google PodcastsIf you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us on Twitter.

durée : 01:28:30 - Simon McBurney, dramaturge et metteur en scène - par : Priscille Lafitte - Homme de théâtre à la tête d'une troupe basée à Londres, Simon McBurney investit le champ de l'opéra, mettant en scène Wozzeck de Berg au festival d'Aix. Aix-en-Provence où « Musique émoi » a posé ses micros pour marquer le 75e anniversaire du festival international d'art lyrique ! - réalisé par : Claire Lagarde

Pietro is now scared out of his mind. What is Lee going to do about it?Today's story is the second and final part of an abridged version of “Le Premiere Jour D'amour” by Herr Wozzeck, who is a writer and musician based in Boston. They are the author of “Whip and Boot” and “Lost Inside the Blue Line”, and the violist of Trio Menagerie. They have decided to raid their old Furry Basketball Association trove for today's Pride month offering. You can find more of their stories on their FurAffinity page, and their SoFurry page.Read for you by Rob MacWolf — werewolf hitchhiker.thevoice.dog | Apple podcasts | Spotify | Google PodcastsIf you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us on Twitter.

Pietro heads to Eureka Springs to play cello for the opera. Little does he know, a charming gentleman is about to change his life forever…Today's story is the first of two parts of an abridged version of “Le Premiere Jour D'amour” by Herr Wozzeck, who is a writer and musician based in Boston. They are the author of “Whip and Boot” and “Lost Inside the Blue Line”, and the violist of Trio Menagerie. You can find more of their stories on their FurAffinity page, and their SoFurry page.Read for you by Rob MacWolf — werewolf hitchhiker.thevoice.dog | Apple podcasts | Spotify | Google PodcastsIf you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us on Twitter.

Tom Services talks to German baritone Christian Gerhaher during rehearsals for Alban Berg's Wozzeck at the Royal Opera House. Having recently recorded all the songs of Robert Schumann as well as Mahler, Brahms and Schubert, Christian reveals how he sees the differing role of the singer when performing lieder and opera, and why he believes celebrating the complexity of classical music will secure its future. Tom also meets singer, multi-instrumentalist and composer Rhiannon Giddens whose opera 'Omar' has just been awarded the Pulitzer Prize in Music. The opera tells the story of Omar Ibn Said, a scholar who was one of tens of thousands of enslaved Muslims who were taken to the United States in the 19th century. Rhiannon discusses the power of collaboration, the future of opera and her ongoing mission to reclaim the history of the banjo as an instrument created by black communities. For Mental Health Awareness Week, we explore the world of gong baths to find out how sound therapy can be used to help reduce levels of anxiety and stress. Tom goes for a gong bath with sound therapist and musician Simone Salvatici and talks to British Academy of Sound Therapy Director Lyz Cooper. Plus, Chris West, author of 'Eurovision! A History of Modern Europe Through the World's Greatest Song Contest', explores how the songs of Eurovision have reflected the traditional music and cultural identity of the countries taking part, as well as telling stories of peace, conflict and resolution since it was established in 1956.

The Rogues (Mercer, Wozzeck, and new recruit Michelle Amar / Murmur) steal a temporal scanner from Corbin Taft Industries. Barry realizes that they're trying to build a Cosmic Treadmill, but will need a vibration engine, and assembles Hartley, Mark, Jaco Birch, and Goldface to steal it before the Rogues can. They decide to do the mission without him until Barry agrees to trust and compensate them. He does so, but Mark betrays the group and reveals his allegiance to the Rogues in exchange for Frost's resurrection. The Rogues intercept Barry's group while the speedster temporarily disables his speed and escapes with the engine and the Rogues. Meanwhile, Khione tries to convince Allegra to stop avoiding Chester. Iris worries that the speedster is the new avatar for the Negative Speed Force. Hartley, Jaco, and Goldface agree to continue assisting Team Flash. Chester informs Team Flash that the Rogues' equipment are advanced Wayne Enterprises designs and Luke Fox mentioned that Ryan Wilder / Batwoman has gone missing. The speedster reveals herself to the Rogues as someone that resembles Ryan.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Avery navigates both his group dynamics and his own demons on the set of Scavenger Hunters in this excerpt from Lost Inside the Blue Line.Today's story is an excerpt from “Lost Inside the Blue Line” by Harry A. Wozzeck, otherwise known to the Voice of Dog as Herr Wozzeck. He has self-published today's excerpted novel: you can find it on Amazon, either in paperback or Kindle formats. You can find other works of his either on his Patreon or his FurAffinity pages.Read for you by Rob MacWolf — werewolf hitchhiker.thevoice.dog | Apple podcasts | Spotify | Google PodcastsIf you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us on Twitter.

durée : 00:55:41 - Les Nuits de France Culture - par : Albane Penaranda - Le peintre Bernard Dufour parle de son rapport intime, esthétique et affectif avec deux opéras d'Alban Berg, "Wozzeck" et "Lulu" et explique en quoi les personnages féminins de ces opéras font partie de son univers. - invités : Bernard Dufour artiste, peintre, photographe, écrivain

Amb "Wozzeck", Alban Berg va posar damunt de l'escenari les contradiccions de l'

Amb "Wozzeck", Alban Berg va posar damunt de l'escenari les contradiccions de l'

durée : 01:28:37 - Jean-François Sivadier, comédien, auteur et metteur en scène - par : Priscille Lafitte - Metteur en scène d'opéra, de Don Giovanni à Wozzeck, Jean-François Sivadier s'intéresse aux pianistes dans son spectacle « Sentinelles ». Pour Musique Emoi, il explique son rapport à la voix et au travail théâtral, lui qui aime tant casser le 4ème mur qui sépare le public de la scène. - réalisé par : Marie Grout

Fuchs, Jörn Florianwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Roderick Cranston's sister has come to visit him with an offer that would change his life. Today's story is the second and final part of “https://www.furaffinity.net/view/38652042/ (Precious Cargo)” by https://twitter.com/HerrWozzeck (Herr Wozzeck), who is a writer and musician, author of https://boundtales.storenvy.com/products/30326551-whip-boot (Whip and Boot) and a member of Trio Menagerie. You can find more of his stories on https://www.furaffinity.net/user/herr-wozzeck/ (Furaffinity) and https://herr-wozzeck.sofurry.com/ (SoFurry). You can find even more on his https://www.patreon.com/herrwozzeck (Patreon), where he also produces music. Last time, Roderick went about his normal day at the bakery and at the gym, when he was interrupted by his estranged sister Greta, who came to him desperately hoping to talk to him. Read for you by Rob MacWolf — werewolf hitchhiker. thevoice.dog | https://www.thevoice.dog/apple (Apple podcasts) | https://www.thevoice.dog/spotify (Spotify) | https://www.thevoice.dog/google (Google Podcasts) If you have a story you think would be a good fit, you can https://www.sofurry.com/view/1669084 (check out the requirements), fill out the https://drive.google.com/drive/folders/1z81u5O2i8PWSfEpzaVhHeTjrp1kKP7TX?usp=sharing (submission template) and get in touch with us on https://twitter.com/voiceofdogpod (Twitter).

It's just another day for Roderick Cranston, but little does he know his sister is about to change his life drastically. Today's story is the first of two parts of “https://www.furaffinity.net/view/38652042/ (Precious Cargo)” by https://twitter.com/HerrWozzeck (Herr Wozzeck), who is a writer and musician, author of https://boundtales.storenvy.com/products/30326551-whip-boot (Whip and Boot) and a member of Trio Menagerie. You can find more of his stories on https://www.furaffinity.net/user/herr-wozzeck/ (Furaffinity) and https://herr-wozzeck.sofurry.com/ (SoFurry). You can find even more on his https://www.patreon.com/herrwozzeck (Patreon), where he also produces music. Read for you by Rob MacWolf — werewolf hitchhiker. thevoice.dog | https://www.thevoice.dog/apple (Apple podcasts) | https://www.thevoice.dog/spotify (Spotify) | https://www.thevoice.dog/google (Google Podcasts) If you have a story you think would be a good fit, you can https://www.sofurry.com/view/1669084 (check out the requirements), fill out the https://drive.google.com/drive/folders/1z81u5O2i8PWSfEpzaVhHeTjrp1kKP7TX?usp=sharing (submission template) and get in touch with us on https://twitter.com/voiceofdogpod (Twitter).

An ordinary soldier is driven to madness and murder by an intolerable cocktail of humiliation, jealousy, and the indignities of daily life—his suffering made visceral by one of opera's most powerful scores. Learn more about Berg's Wozzeck with our In Focus podcast, hosted by author, Met radio commentator, and staff writer William Berger.