Podcasts about Der Rosenkavalier

Recorded March 11th, 2025. A lecture by Fergus Sheil (Founding Artistic Director of Irish National Opera) for the Music Composition Centre Talks. Fergus is the founding artistic director of Irish National Opera. He has conducted a wide-ranging repertoire of over 50 different operas in performance, recordings and on film. Highlights include Strauss' Salome, Der Rosenkavalier and Elektra, Rossini's William Tell and La Cenerentola, Brian Irvine and Netia Jones's Least Like The Other, Verdi's Aida, La traviata and Rigoletto as well as Wagner's Tristan und Isolde. Before founding Irish National Opera in 2018, Fergus was Artistic Director of Wide Open Opera, which he founded in 2012 and Opera Theatre Company. He has produced opera in over 30 venues throughout Ireland as well as bringing productions to the UK (Edinburgh International Festival, Royal Opera House and The Barbican), USA, Holland, Luxembourg and Italy. As conductor, Fergus has worked with major orchestras and opera companies in Ireland as well as fulfilling engagements in the USA, Canada, South Africa, Australia, UK, France, Netherlands, Denmark, Sweden, Malta and Estonia. Fergus Sheil studied music at Trinity College, graduating in 1992. While at TCD he founded the Trinity Orchestra. He currently delivers a module in career development at TCD's Music Department and in 2023 he was awarded an honorary Doctor in Letters from TCD. Learn more at www.tcd.ie/trinitylongroomhub

Gepresenteerd door: Leonard Evers Radio Filharmonisch Orkest Stanislav Kochanovsky, dirigent Simone Lamsma, viool Maurice Ravel - La valse Erich Wolfgang Korngold - Vioolconcert op.35 in D Nicolaj Tsjerepnin - La princesse Iointaine op.4 Richard Strauss - Suite uit Der Rosenkavalier

Dominik wandelte im Garten des Nikolaus

ATENÇÃO: A entrevista foi feita em francês. Para acessar o vídeo com legenda, recomendamos acesse o nosso canal no YouTube ( https://youtu.be/f8rr2Ny_UNE ) Nesse vídeo, Christopher Forey, fala sobre como sua carreira de iluminador, atuando em diversos países europeus, construiu uma perspectiva sobre diferentes núcleos de trabalho dentro da iluminação na Europa. Christophe Forey criou as luzes para inúmeras apresentações de teatro, ópera e dança. ‌ Ele trabalha regularmente com os diretores Moshe Leiser e Patrice Caurier: Carmen, Fidelio, Leonore, Traviata, Mazeppa no WNO; Hamlet, Der Rosenkavalier, Pelléas et Mélisande, O Anel de Nibelungo, Don Carlo no Grande Teatro de Genebra; La Cenerentola, Turco na Itália, Maria Stuarda na Royal Opera House em Londres; Clari de Halevy, Gesualdo de M-A Dalbavie, Mosè, Comte Ory, Otello de Rossini na Ópera de Zurique; Giulio Cesare de Handel, Norma de Bellini, Iphigénie en Tauride de Gluck, O italiano em Argel de Rossini no Festival de Salzburgo, Giovanna d'Arco de Verdi no Scala de Milão; Don Giovanni e Nozze di Figaro de Mozart, A Coroação de Poppea de Monteverdi para Angers-Nantes-Opéra, Teseo de Händel no Teatro de Viena, etc. ‌ Ele também trabalhou com Günther Krämer, Lucinda Childs (Orfeo, Canções de Antes, Œdipus-Rex, O Mandarim Maravilhoso de Bartok), Silviu Purcarete (Parsifal de Wagner), Robert Gironès (Argélia 54-62 de Jean Magnan), Bruno Boëglin (Roberto Zucco de BM Koltès), Jean-Marc Bourg (Uma frase para minha mãe de Christian Prigent), Benjamin Dupé, Jean-Claude Berutti, Sarath Amarasingam, Cédric Dorier (incluindo Danse Delhi de Ivan Viripaev), Vincent Huguet (Os Contos de Hoffmann em Bilbau).

[@ 3 min] It's an ‘Inside the Huddle' double play! First, we welcome Roger Pines, one of Operaland's most accomplished dramaturgs… [@ 21 min] ...and then we speak with baritone Zachary Nelson, currently stealing scenes as Faninal in the Santa Fe Opera production of "Der Rosenkavalier"... [@ 29 min] Plus, in the ‘Two Minute Drill'… Break out the glowsticks: opera meets rave in England... operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Donald Macleod explores key figures in Richard Strauss's lifeThis week, Donald Macleod explores key figures in the life of Richard Strauss, including his librettist, Hugo von Hofmannsthal, his “domineering and difficult, yet devoted” wife, the soprano Pauline de Ahna, his “frenemy” Gustav Mahler as well as Strauss's uncomfortably close relationship with the High Command of the Third Reich. Donald also examines the larger-than-life characters that populated the world of the composer's imagination. Music Featured: Der Rosenkavalier, Op 59 (Act 1, Introduction) Le bourgeois gentilhomme, suite for orchestra, Op 60 (1. Overture) Elektra, Op 58 (Scene 6, ‘Was willst du, fremder Mensch?') Arabella, Op 79 (Act 2, love duet “Sie sehn nicht aus wie jemand, den das alles da interessiert.”) Der Rosenkavalier, Op 59 (Act 3, Finale) Guntram, Op 25 (Act 2, Overture) Morgen (Tomorrow), Op 27 No 4 Ein Heldenleben, Op 40 (No 3, Das Helden Gefährtin) Intermezzo, Op 72 (Act I, Sc 1 “Anna, Anna! Wo bleibt denn nur die dumme Gans?”) Symphonia Domestica, Op 53 (2b, Wiegenlied; 3, Adagio) Four Last Songs, Op posth (No 4, Im Abendrot) Salome, Op 54 (“Wie schön ist die Prinzessin Salome heute nacht!”) Symphony No 2 in F minor, Op 12 (2nd mvt, Scherzo) Also sprach Zarathustra, Op 30 (8, The Dance Song; 9. Song of the Night Wanderer) An Alpine Symphony, Op 64 (13, On the Summit; 14, Vision; 15, Mists Rise) Salome, Op 54 (Sc 4, “Ah! Du wolltest mich deinen Mund nicht küssen lassen, Jochanaan!”) Das Bächlein (The Little Brook), Op 88 No 1 Die schweigsame Frau (The Silent Woman), Op 80 (Act 1, “Ha!” “Was ist?” “Mir fällt etwas ein!”) Friedenstag (Peace Day), Op 81 (extract) Metamorphosen, study for 23 solo strings, TrV 290 Le bourgeois gentilhomme, Op 60 (3. The Fencing Master) Ariadne auf Naxos, Op 60 – Prologue (conclusion) Don Juan, Op 20 Daphne, Op 82 (Transformation scene, ‘Ich komme, ich komme') Till Eulenspiegels lustige Streiche, Op 28Presented by Donald Macleod Produced by Chris Barstow for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Richard Strauss (1864-1949) https://www.bbc.co.uk/programmes/m0020hsy And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

La Voz Humana en la Música - Der Rosenkavalier by Radiotelevisión de Veracruz

Hofmannsthal i Strauss van mirar enrere sense ira, allunyats de la viol

Hofmannsthal i Strauss van mirar enrere sense ira, allunyats de la viol

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts monthly music segment called VIVA! Opera for SBS Japanese. - 忙しかったり、ゆっくりしたりと、それぞれが迎える年の瀬。2023年の最後の数日間を彩り、また来年への期待を込めて、コーナーホストの大武彩子さんが選んだ曲を紹介します。

[@ 3 min] It's a double-header on Oktavian when we go ‘Inside the Huddle' with Samantha Hankey, star of the Met's recent production of “Der Rosenkavalier”… and then we're joined by the Oktavian of her generation… Susan Graham! Plus you'll get color commentary from Matt Cummings about why it's one of the best mezzo roles in Operaland… [@ 1 h 1 min] In the ‘Two Minute Drill'… it's the Opera Legal Roundup! David Daniels takes a plea deal, and the Met is getting sued. The plaintiff will shock you… (or not…) SHOW NOTES https://www.nytimes.com/2023/08/04/arts/opera-star-david-daniels-guilty-plea-sexual-assault.html https://www.bbc.com/news/world-europe-66413874 GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

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Avui hem sentit: "Der Rosenkavalier", op. 59 (extractes); "Ariadne auf Naxos", op. 60 (extractes). Amb l'entrada del segle XX i despr

Sopranos Celine Byrne and Claudia Boyle will perform Der Rosenkavalier with mezzo-soprano Paula Murrihy at the Bord Gáis Energy Theatre this March. Further information at bordgaisenergytheatre.ie/

Synopsis In 1933, Aaron Copland introduced Roy Harris to Serge Koussevitzky, the famous conductor of the Boston Symphony in those days. Now, Koussevitzky was one of the great patrons of American music and was always looking for new American music and new American composers. Roy Harris had been described to him as an "American Mussorgsky," which probably intrigued the Russian-born conductor. When Koussevitzky learned that Harris had been born in a log cabin in Lincoln County, Oklahoma, on Abraham Lincoln's birthday, no less – well, perhaps he hoped the 41-year old Harris might produce music equally all-American in origin. "Write me a big symphony from the West," asked Koussevitzky, and Harris responded with a three-movement orchestral work titled: "Symphony, 1933," which had its premiere performance on today's date in 1934 with the Boston Symphony under Koussevitzky's direction. Koussevitzky loved it. "I think that nobody has captured in music the essence of American life -- its vitality, its greatness, its strength -- so well as Roy Harris," enthused the famous conductor, who recorded the piece at Carnegie Hall in New York just one week after its premiere. And it was Koussevitzky's Boston Symphony that would subsequently premiere Harris's Second, Third, Fifth and Sixth Symphonies as well. Music Played in Today's Program Roy Harris (1898 – 1979) Symphony 1933 (No. 1) Louisville Orchestra; Jorge Mester, conductor Albany 012 On This Day Births 1924 - American composer Warren Benson, in Detroit, Michigan; Deaths 1795 - German composer Johann Christioph Friedrich Bach, age 62, in Bückeburg 1993 - American composer and teacher Kenneth Gaburo, age 66, in Iowa City; Premieres 1732 - Handel: opera "Ezio" (Julian date: Jan.15); 1790 - Mozart: opera, "Così fan tutte," in Vienna at the Burgtheater; 1873 - Tchaikovsky: Symphony No. 2, in Moscow (Gregorian date: Feb. 7); 1882 - Borodin: String Quartet No. 2 in D, in St. Petersburg (Gregorian date: Feb. 7); 1905 - Schoenberg: symphonic poem "Pelleas und Melisande," in Vienna, with the composer conducting; 1908 - Rachmaninoff: Symphony No. 2 in St. Petersburg (Gregorian date: Feb. 8); 1911 - Richard Strauss: opera, “Der Rosenkavalier,” in Dresden at the Hofoper, conducted by Ernst von Schuch, with vocal soloists Margarethe Siems (Marschallin), Eva von der Osten (Octavian), Minnie Nast (Sophie), Karl Perron (Baron Ochs), and Karl Scheidemantel (Faninal); 1920 - Prokofiev: "Overture on Hebrew Themes," in New York by the Zimro Ensemble, with the composer at the piano; 1922 - Vaughan Williams: Symphony No. 3 "Pastoral," by the Royal Philharmonic, London, Sir Adrian Boult conducting; 1934 - Roy Harris: Symphony No. 1, by the Boston Symphony, Serge Koussevitzky conducting; 1952 - Ernst von Dohnányi: Violin Concerto No. 2, in San Antonio, Texas; 1957 - Bernstein: "Candide" Overture (concert version), by New York Philharmonic conducted by the composer; The musical "Candide" had opened at the Martin Beck Theater in New York City on December 1, 1956; 1957 - Poulenc: opera, "Les dialogues des carmélites" (The Dialogues of the Carmelites) in Milan at the Teatro alla Scala, Nino Sanzogno conducting; 1962 - Diamond: Symphony No. 7, by the Philadelphia Orchestra, Eugene Ormandy conducting; 1966 - Dominick Argento: Variations for Orchestra and Soprano (The Masque of Night"), at the St. Paul Campus Student Center of the University of Minnesota, by the Minneapolis Civic Orchestra, Thomas Nee conducting, with soprano Carolyn Bailey; A second performance took place on Jan. 27th at Coffmann Memorial Union on the Minneapolis campus of the University of Minnesota; 1967 - Frank Martin: Cello Concerto, in Basel, Switzerland; 1994 - Elisabetta Brusa: “La Triade” for large orchestra, by the Tirana (Albania) Radio and Television Orchestra, Gilberto Serembe conducting; 1994 - Christopher Rouse: Cello Concerto, by the Los Angeles Philharmonic conducted by David Zinman, with Yo-Yo Ma the soloist; 1995 - Joan Tower: "Duets for Orchestra," by the Los Angeles Chamber Orchestra, Christoph Perick conducting. Links and Resources On Roy Harris

Synopsis On today's date in 1909, Richard Strauss's opera Elektra had its premiere in Dresden. The libretto, a free adaptation of the grim, ancient Greek tragedy by Sophocles, was by the Austrian poet and playwright Hugo von Hofmannsthal. In ancient Greek tragedies, violence occurred off-stage, and for his libretto, Hofmannsthal honored that tradition. But the music of Strauss evoking the tragedy's violence unleashed a huge orchestra with a ferocity that stunned early listeners. After its American premiere, one New York critic wrote of “a total delineation of shrieks and groans, of tortures physical in the clear definition and audible in their gross realism . . .Snarling of stopped trumpets, barking of trombones, moaning of bassoons and squealing of violins.” Even Strauss himself later admitted Elektra (quote) “penetrated to the uttermost limits of … the receptivity of human ears,” and what he called his “green horror” opera might cause him to be type-cast as a purveyor of creepy-crawly music. And so, Strauss prudently suggested to Hofmansthal “Next time, we'll write a MOZART opera.” Almost two years later to the day, on January 26, 1911, their “Mozart” opera, Der Rosenkavalier, or the The Rose Bearer premiered. It's set in 18th century Vienna, and for this opera Strauss included anachronistic, but eminently hummable waltz tunes. Music Played in Today's Program Richard Strauss (1864 –1949) Elektra Alessandra Marc, sop.;Vienna Philharmonic; Giuseppe Sinopoli, conductor. DG 453 429 Richard Strauss Der Rosenkavalier Waltz Suite Philadelphia Orchestra; Eugene Ormandy, conductor. Sony 60989 On This Day Births 1851 - Flemish composer Jan Blockx, in Antwerp; 1886 - German composer and conductor Wilhelm Furtwängler, in Berlin; 1911 - American composer and pianist Julia Smith, in Denton, Texas; 1913 - Polish composer Witold Lutoslawski, in Warsaw; 1921 - American composer and conductor Alfred Reed, in New York City; Premieres 1817 - Rossini: opera, "La Cenerentola" (Cinderella), in Rome at the Teatro Valle; 1902 - Franz Schmidt: Symphony No. 1, in Vienna; 1909 - R. Strauss: opera "Elektra," in Dresden at the Hofoper, conducted by Ernst von Schuch, with soprano Annie Krull in the title role; 1946 - R. Strauss: "Metamorphosen," in Zürich; 1957 - Walton: Cello Concerto, by the Boston Symphony conducted by Charles Munch, with Gregor Piatigorsky the soloist; 1963 - Karl Amadeus Hartmann: Symphony No. 8, by the West German Radio Symphony, Rafael Kubelik conducting; 1987 - Paul Schoenfield: "Café Music" for piano trio at a St. Paul Chamber Orchestra concert. Links and Resources On Richard Strauss More on Richard Strauss

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On the newest Hear the Dance episode, host Jared Angle leads us through the five fasntasy-filled movements of Balanchine's crowd- and dancer-pleasing Vienna Waltzes. He and Repertory Director Rebecca Krohn share recollections of learning the principal roles in the first Tales from the Vienna Woods and fourth Merry Widow movements from former principal dancer Karin von Aroldingen, describing the strikingly different moods of these two sections and the challenges of their romantic ballgowns. Then, Jared is joined by Principal Dancer Sterling Hyltin, who describes rehearsing the second Voices of Spring and third Explosions Polka movements with former principal dancer Sara “Sally” Leland, and how she has begun to learn the principal role in the final movement following a dreamed premonition, and just in time for her retirement. (58:45) Written by Jared Angle Music:  Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Music Tales from the Vienna Woods, Op. 325 (1868), Voices of Spring, Op. 410 (1885) and Explosions Polka, Op. 43 (1848) by Johann Strauss II Gold and Silver Waltz (1905) by Franz Lehar First sequence of waltzes from Der Rosenkavalier (arranged 1944) by Richard Strauss All music performed by the New York City Ballet Orchestra

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts biweekly music segment called VIVA! Opera for SBS Japanese. - 終幕の三重唱を取り上げます。三人の感情のうねりが、極上の音楽のうねりとなって溶け合うように表現されています。

Fuchs, Jörn Florianwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Synopsis By the time of his death in 1949, the German composer Richard Strauss was famous worldwide as the composer of operas like “Der Rosenkavalier” and tone-poems like Don Juan and “Till Eulenspiegel's Merry Pranks.”  These operas and tone-poems are so famous, we tend to forget that Strauss also composed symphonies – two of them, both written when the young composer was just starting out. Strauss's Symphony No. 1 was premiered in his hometown of Munich on today's date in 1881, when the composer was just 16. That performance was given by an amateur orchestra but was conducted by one of the leading German conductors of that day, Hermann Levi, who would lead the premiere of Wagner's “Parsifal” the following year. Another eminent Wagnerian conductor, Hans von Bulow, subsequently took up the teenager's symphony, and also commissioned him to write a Suite for Winds.  The American conductor Theodore Thomas was an old friend of Richard Strauss's father, Franz Strauss, and while in Europe during the summer of 1884, Thomas looked over the score for the younger Strauss's Second Symphony, and immediately arranged for its premiere in New York City the following winter. Music Played in Today's Program Richard Strauss (1864 - 1949) — Symphony in d (Bavarian Radio Symphony; Karl Anton Rickenbacker, cond.) Koch/Schwann 365 322 On This Day Births 1935 - American composer Gordon Muma, in Framingham, Mass.; Deaths 1764 - Italian composer Pietro Locatelli, age 68, in Amsterdam; Premieres 1725 - Bach: "St. John Passion" (S. 245, second version) performed at Vespers on Good Friday as part of Bach's second annual Sacred Cantata cycle in Leipzig (1724/25); The first version had premiered on Good Friday in 1724 (April 7); 1881 - R. Strauss: Symphony in d, in Munich, with Hermann Levi; This was Strauss' first major orchestral work; 1951 - Piston: Symphony No. 4, by the Minneapolis Symphony, Antal Dorati conducting; 2000 - Corigliano: "Phantasmagoria" (Suite from the opera "The Ghosts of Versailles"), in Minneapolis, by the Minnesota Orchestra, Giancarlo Guerrero conducting. Links and Resources On Richard Strauss

Eine Hommage an das Wien zur Zeit Kaiserin Maria-Theresias hat am 26. Januar 1911 in Dresden Premiere. Richard Strauss vertonte eine federleichte Rokoko-Liebesgeschichte aus der Feder von Hugo von Hofmannsthal: "Der Rosenkavalier".

Richard Strauss - Der Rosenkavalier Suite Buffalo Philharmonic Orchestra JoAnn Falletta, conductor More info about today's track: Naxos 8.572041 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

KEZAKOPER-À-VOUS avec pour invitée Sophie Koch, mezzo-sopranoentretien mené par Audrey Marchalsoprano, coach vocal et en prise de parole, voix offwww.audreymarchal.comExtraits choisis par Sophie Koch :• Extrait n°1: Une barque sur l'océan, Miroirs, Maurice Ravel / Samson François• Extrait n°2: Trio final : « Marie Therese… Ist ein Traum », Der Rosenkavalier, Richard Strauss /Sophie Koch (Octavian), Renée Fleming (Marschallin), Diana Damrau (Sophie) / ChristianThielemann, Münchner Philharmoniker• Extrait n°3: Isoldes Liebestod : « Mild und leise wie er lächelt », Tristan und Isolde, Wagner /Christa Ludwig / Otto Klemperer, Philharmonie Orchestra• Générique début émission: Offenbach. Les Contes d'Hoffmann. Acte 1. Prélude. OrchestreNational de France. Seiji Ozawa + accord orchestre.• Générique fin émission: « Bacchanale » - Camille Saint-Saens. Samson et Dalila. Acte 3.Orchestre de Paris. Barenboim.Technique et réalisation: Tiphaine Le MennRemerciements: Jacques Lavergne, Jean-Luc Palévody, Pierre-Emmanuel Triffault

All things must come to an end, but few approach endings with such grace as Marschallin Marie-Therese, the iconic character of Der Rosenkavalier.  At once epic and intimate in scope, Strauss's masterwork resists characterization, at various points telling the story of the end of a romance, the end of adolescence, and the end of an empire.  Published on the eve of the First World War, this opera masterfully intertwines traditional and modern subjects to produce an epic story of nobility, violence, and the achievement of wisdom. Working together, Strauss and playwright-librettist Hugo von Hofmannsthal created one of the finest stories ever told. Hosted by Pat and Grant

DescriptionEver heard of the “pants role” aka “trouser roles” or “breeches parts” in opera? Well, this goes back centuries, with quite the backstory. Join me, as we take a minute to get the scoop!Fun FactWhy did Baroque audiences buy into women playing masculine heroic parts in opera? The most conceivable theory is that Baroque opera was not concerned with realism. Further, these parts were designed to showcase vocal virtuosity, as opposed to lending credence to the plot or character. About StevenSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show (https://www.buymeacoffee.com/TCMM)

Auf dem Programm steht dieses Mal "Der Rosenkavalier, op. 59" von Richard Strauss . Christine Lemke-Matwey, Andreas Göbel und Kai Luehrs-Kaiser hören Aufnahmen, ohne zu wissen, wen sie hören. Das müssen die drei selbst herausfinden. Moderiert von Christian Detig.

This sure ain't Surfin' USA! Pet Sounds is definitely one of those landmark albums that fans would admonish us for because we didn't listen sooner. On this installment Joe pays tribute to some of his favorite composers, and Dan falls down the research rabbit hole. We also try to identify a bunch of weird instruments. There's a lot to tackle here, so take the trip with us. Check out the links below for a bunch of fun videos featuring Joe's favorite composers and other goodies. Summa for Strings by Arvo Part https://youtu.be/PzSlmWQuHFw The Mission Main Theme by Ennio Morricone https://youtu.be/oag1Dfa1e_E Chi il bel sogno Doretta by Giacomo Puccini https://youtu.be/cwjmKOv_Cs0 Final scene of Der Rosenkavalier by Richard Strauss https://youtu.be/WmU3bHY3p4I Libera Me from Giuseppe Verdi's Requiem https://youtu.be/9Vm_uIKVHQo Clara Rockmore plays the Theremin https://youtu.be/pSzTPGlNa5U Merch Store! https://brothers-in-song.creator-spring.com/

Today we are so excited to get to interview Spencer Britten!   Chinese Canadian triple threat Spencer Britten is a multi-talented performer with the resume and sparkling personality to match. Spencer is currently a member of the International Opera Studio at Staatsoper Unter den Linden and has previously performed with Opéra de Montréal and in the Glimmerglass Festival. This year he will join Staatsoper Berlin as a Studio artist and be performing in Ariadne auf Naxos, Tannhäuser, Rigoletto, Die Zauberflöte, Der Rosenkavalier, La bohème, La Traviata, Salome, and La fanciulla del west.    We got to ask him all about being a content creator, moving to and performing in Germany with his fiancé, his thoughts about the ongoing conversation surrounding racism and exoticism in the opera industry, and what advice he would've given himself as a young artist.   Follow Spencer: Instagram Website Follow Us: Instagram Twitter Facebook Hosts: Jessie Michelle

Rafal Olbinski's poster for Der Rosenkavalier: https://rueroyalefinearts.com/shop/contemporary-lithos/rafal-olbinski/der-rosenkavalier-rafal-olbinski-digital-print/

1911 vollzieht der Komponist eine überraschende Kehrtwende. Nach avantgardistischen Einaktern über tragische Sujets wie "Elektra" komponiert er nun eine "Komödie in Musik" und feiert die Vergangenheit. Strauss und sein Textdichter Hugo von Hofmannsthal liefern einen unwiderstehlichen Abgesang auf die Belle Epoque im Sound opulenter Spätromantik. (Autor: Christoph Vratz)

The Australian tenor, Gregory Dempsey, was born in Melbourne in1931. He originally trained as a baritone but made his debut as Don Ottavio in Don Giovanni in 1954 with National Opera of Victoria, also appearing as Turiddu in Cavalleria Rusticana and Pedro in d’Albert’s Tiefland. In 1955 he won the £1,000 Lever Award (a commercial radio award) and in 1956 was a grand finalist in the Mobil Quest.When the Elizabethan Trust Opera was formed in 1956 he took part in its season of four operas. The following season, he appeared in their productions of Tosca, La bohème and The Tales of Hoffmann, and in the 1958 season sang principal roles in Carmen, The Barber of Seville and Fidelio. He became a permanent member of the chorus for the Channel 9 television singers. 1960 found him singing Monostatos in The Magic Flute, the First Jew in Salome, Goro in Madama Butterfly and Rinuccio in Gianni Schicchi. During this season, Gregory Dempsey sang a matinee of Goro in Madama Butterfly, followed by Luigi in Il tabarro (replacing another tenor) followed by Rinuccio in Gianni Schicchi. Three roles, quite different roles, in one day!In Perth, he sang in both opera in a double-bill as Mundit – an aborigine – in the 1962 premiere of the Australian opera, Dalgerie and followed with Beppe in Pagliacci after interval. Gregory Dempsey joined Sadler’s Wells Opera in London in 1962 and this was his main UK base for the next fifteen years. His roles there and the Coliseum included Tom Rakewell, Peter Grimes, Jimmy Mahoney, Albert Gregor, Skuratov, Don José, Erik, David, Mime (Das Rhinegold and Siegfried) and the Shepherd in King Roger. He created the role of Boconnion in Richard Rodney Bennet’s The Mines of Sulphur after which one critic wrote “an heroic-villainous part of formidable challenge.” Dempsey appeared as Dionysus in the British premiere of Henze’s The Bassarids and the title role in the first British staging of The Adventures of Mr Brouček. Gregory Dempsey worked frequently with Scottish Opera, in roles including Britten’s Albert Herring, Quint and Lysander, as well as Florestan, Aeneas in The Trojans, David and Števa. Later, with Scottish Opera, he created the role of Bothwell in Musgrave’s Mary, Queen of Scots in 1977. He made his Covent Garden debut in 1972 as Števa, returning as the Drum Major in Wozzeck. In the USA he appeared in San Francisco from 1966, as Albert Gregor and Tom Rakewell.He returned to Sydney to become a member of Opera Australia singing David in Die Meistersinger von Nürnberg, Herman in Queen of Spades, Dimitri in Boris Godunov, Jimmy in The Rise and Fall of the City of Mahagonny, Mime in both Das Rheingold and Siegfried, Trin in La fanciulla del West, Valzacchi in Der Rosenkavalier and Bob Boles in Peter Grimes. With Victoria State Opera he sang Nero in L’incoronazione di Poppea, Il ritorno d’Ulisse in patria, The Magician in The Consul, Monostatos in The Magic Flute, Benoît and Alcindoro in La bohème, Incredible in Andrea Chenier, Prince Populescu in Countess Maritza, Ajax l in La belle Hélène, Jamie in My Fair Lady and Borsa in Rigoletto. With the Adelaide Festival, he was seen as Nero in L’incoronazione di Poppea, Mark in The Midsummer Marriage, Gregor in The Makropulos Case, Zinoviy Borisovich Izmailov in Lady Macbeth of Mtsensk and The Adventures of Mr. Brouček. His clear, perfectly tuned tenor voice was suited to a plethora of different repertoire and styles. From Monteverdi to the most difficult contemporary compositions, Gregory Dempsey made them relevant to every audience. His charm and ever-ready humour made him loved by every colleague.(Text: Brian Castles-Onion)The STAGES podcast is available from Apple podcast, Whooshkaa, Spotify and where you find your favourite podcasts. www.stagespodcast.com.au

Sacrifice. Deception. Too Many Cousins.Vocal excerpt provided by Alaina Galt (@alainagalt)Sponsor: Humble Grounds Cafe- https://humblegrounds.cafe

Episode 5: Tim welcomes world-renowned Tenor and National Treasure Vinson Cole for an unforgettable conversation. They discuss meeting and collaborating at Aspen, how they each came to careers in opera (Vinson began singing at 9!), and what it's like being a successful boy soprano. Vinson tells us all about auditioning for (and winning) the Metropolitan Opera National Council, and how he met Herbert von Karajan with a premiere at the Salzburg Festival. They discuss Vinson's experience of identity during the time of the Martin Luther King, Jr. assassination riots, his experience of explicit racism, and the vital importance of parental guidance and support in the face of inequity. In answering questions from the audience, Vinson dishes on his favorite places to sing, the difference between a good colleague and a great colleague, and his time working with Sir Georg Solti.Link to Di rigori armato il seno, The Italian Tenor's Aria from Der Rosenkavalier, featuring Vinson Cole and Herbert von Karajan at the 1984 Salzburg Festival:www.youtube.com/watch?v=Qpuk2cKECw8 You can find Tim's Website here: timothylongmusic.com Special Thanks to Martha Redbone for her permission to use her song "Medicine Man" for the opening credits. More of her work can be found here and you can subscribe to her Youtube channel here. More information on Foundry Arts, the producer of Unequal Temperament, is available at www.thefoundryarts.com Foundry Arts is a lab for opera using collaboration and partnership to invest in artist development, dialogue, and expression, to sustain a rich, diverse, equitable, inclusive, and sustainable cultural landscape.

Episode 1, 2021: Strauss’s Der Rosenkavalier Thursday 25 March 2021 In 1911 Richard Strauss’s Der Rosenkavalier (The Cavalier of the Rose) premiered in Dresden, Germany when the aftermath of World War I caused the cultures of Vienna to fade. A bittersweet romantic comedy set in the 1740s in old Vienna, a half-real and half-imagined Utopia, one that Strauss and Der Rosenkavalier’s librettist Hugo von Hofmannsthal are nostalgic of. In this new episode of ANAM Radio, Phil Lambert (ANAM Music Librarian) talks to renowned oboist Nigel Shore and former ANAM Artistic Director Nick Deutsch about Nigel’s wind arrangement of Der Rosenkavalier. Nigel discusses how the oboe, clarinet and horn are the protagonists in operas, just as much as the singers. Nick also shares his most memorable performances of this masterpiece throughout his career. Nigel Shore’s wind arrangement of Der Rosenkavalier will premiere on 1 April 2021 at The Good Shepherd Chapel, Abbotsford, Victoria. To purchase tickets, visit https://anam.com.au/whats-on/events/rosenkavalier.

Auch diesmal ohne Publikum an der Münchner Staatsoper: Die Premiere der Neuinszenierung von Richard Strauss „Der Rosenkavalier“ in der Neuinszenierung von Barrie Kosky, unter der musikalischen Leitung von Vladimir Jurowski und mit mehreren Rollendebuts konnte erneut nur im Stream und im TV-Programm von Arte am vergangenen Sonntag stattfinden.

Barrie Kosky inszeniert „Der Rosenkavalier“ an der Bayerischen Staatsoper. Der Regisseur schreckt vor Denkmälern bekanntlich nicht zurück. Jetzt präsentiert die Bayerische Staatsoper eine Neuproduktion unter der musikalischen Leitung des designierten Generalmusikdirektors Vladimir Jurowski. SWR2 Opernredakteur Bernd Künzig hat die Produktion gesehen, die auch als Video-on-Demand zu erleben ist.

(00:00:32) Opernfreunde lieben den «Rosenkavalier» für seinen üppigen Richard-Strauss-Sound mit grosser Orchesterbesetzung. Die Bayerische Staatsoper bringt jetzt eine eigens fürs Streaming bearbeitete Inszenierung. Schlank im Ton, aber mit opulenten Dekors. Am Wochenende war Premiere. Weitere Themen: (00:05:35) Er schuf Träume aus Taft und Seide: Der Schweizer Kostümbildner René Hubert. (00:10:10) Hörspiel-Solo für einen renommierten Theatermacher: Boris Nikitin und sein «Versuch über das Sterben». (00:14:19) Digitaler Schub für die Kultur: Pro Helvetia lanciert das neue Unterstützungsprogramm «Bridges to the Future». (00:18:46) Debatte um einen öffentlichen Kunstraum: Die Berner Stadtgalerie könnte Sparmassnahmen zum Opfer fallen.

Autor: Fuchs, Jörn Florian Sendung: Fazit Hören bis: 19.01.2038 04:14

Hole dir dein KOSTENLOSES Deutsch Survival-Paket: http://languagehackswithmax.com/gratis-deutsch-paket/ Ich habe ein PDF für dich erstellt mit vielen Bonus und Extras und das Beste ist, komplett GRATIS! In diesem 28 seitigen PDF erhältst du 89 wichtige Deutsche Sätze für deinen Alltag, zum Beispiel für das Einkaufen, für das Restaurant, oder beim Flirten. Ja, du hast richtig gehört. FLIRTEN auf Deutsch! Deshalb nichts wie los und lade dir dein kostenloses PDF unter diesem Link herunter. Das PDF ist komplett kostenlos und hilft dir dabei, in Deutschland zu überleben und wichtige Sätze zu beherrschen. Viel Spaß dabei! Der Rosenkavalier: Deutsch lernen mit lustigen Geschichten. Episodio 29. Deutsch lernen mit Geschichten. Alemán para Hispanohablantes DAS TRANSCRIPT FINDEST DU UNTER http://languagehackswithmax.com/ Tauche ein mit dieser lustigen Kurzgeschichte und simuliere einen Dialog! Viel Spaß, bleib dran und ich helfe dir vom A2-B-Level dich auf ein C-Level zu bringen! Hol dir jetzt dein Deutsch Prüfungstraining zum B2*: https://amzn.to/2Cl8eAc oder sichere dir jetzt das Lesen und Lernen B2 Buch*: https://amzn.to/3jlX3b0 MUSIC 1) Sneaky Snitch by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4384-sneaky-snitch 2) Zigzag by Kevin MacLeod https://incompetech.filmmusic.io/song/5020-zigzag 3) Almost Bliss by Kevin MacLeod https://incompetech.filmmusic.io/song/5032-almost-bliss 4) Verano Sensual by Kevin MacLeod https://incompetech.filmmusic.io/song/5049-verano-sensual 5) Celebration by Kevin MacLeod https://incompetech.filmmusic.io/song/5051-celebration Licenses for all 5 songs: License: https://filmmusic.io/standard-license ----------------------------------------- Alle mit dem * gekennzeichnete Links sind Affiliate Links bzw. Links zu meinen eigenen digitalen Produkten. • FÜR GESCHÄFTLICHE ANFRAGEN • http://languagehackswithmax.com/ maximilian@maximilianwittmann.de

Heute geht es um eine bedrohte Spezies in Zeiten der Gender-Korrektheit: den Kavalier, genauer gesagt seine Untergattung: den Rosenkavalier. Am 21. März hat eine Neuinszenierung von Richard Strauss' gleichnamiger Oper am Münchner Nationaltheater Premiere - und da hat sich Franziska Stürz ihre ganz persönlichen Gedanken über Werk und Handlung gemacht.

Über 40 Jahre lang wurde Richard Strauss‘ "Der Rosenkavalier" an der Bayerischen Staatsoper dargeboten. Jetzt präsentiert die Bayerische Staatsoper eine Neuproduktion unter der Regie von Barrie Kosky. Am 21. März ist Premiere - coronabedingt als Videostream. Maximilian Maier hat mit dem Regisseur über seine Inszenierung gesprochen.

Während Corona gibt's keine Kultur, keine Oper? Von wegen! Hinter den dicken Mauern der Bayerischen Staatsoper sieht es ganz anders aus: Wir proben fleißig an der Neuproduktion von DER ROSENKAVALIER. Theater- und Opernfan Gino Thanner hat einfach mal den Hörer in die Hand genommen und sich für ein paar Insiderinfos durch die Oper durchgeklingelt. Dieses Mal hat er die Mezzosopranistin Samantha Hankey in der Leitung, die im ROSENKAVALIER auf der Bühne kickboxt. Außerdem geht's in der neuen Folge von "Anruf in der Oper" darum, wie man Statist an der Oper wird.

Worum geht's? Wie klingt's? Berühmt oder berüchtigt? Unser „Opernsteckbrief“ mit dem Dramaturgen Nikolaus Stenitzer verrät Ihnen in aller Kürze Wissenswertes, Spannendes und Lustiges zu Richard Strauss' DER ROSENKAVALIER– Ein Podcast der Bayerischen Staatsoper.

Richard Strauss's comic opera Der Rosenkavalier is about to open at the Royal Opera House in London. Singers Renée Fleming and Alice Coote discuss the challenges of tackling Strauss's masterpiece. Quarry, a new TV crime drama, centres on the story of a Vietnam vet who struggles to return to normality after his experiences of war and finds himself lured into a life as a professional assassin. The series is directed by Greg Yaitanes (Lost, House, Heroes) and stars Logan Marshall-Green, Jodi Balfour, and Scottish actor Peter Mullan. Critic Stephen Armstrong reviews.The world of Tove Jansson and her famous creation Family Moomintroll is brought to life in the first major UK exhibition of the writer and artist's work. Her niece, Sophia Jansson, and Paul Denton, producer of Adventures In Moominland, discuss the artist's creations and how they reflected the world she inhabited.Presenter: Kirsty Lang Producer: Angie Nehring.

Rev Richard Coles and Suzy Klein with the chairman of The National Trust, Sir Simon Jenkins, talking about the National Trust and his new book 'England's 100 Best Views', Francesco Da Mosto sharing his views of Venice and elsewhere, Tony Bennett, the 'VisitBritain' and 'Countryside is Great' Take a View Landscape Photographer of the year 2013 on the perfect landscape photograph, Ang Zangbhu, a supporter of the Himalayan Trust UK and a former sherpa in the foothills of Everest who now flies jets out of Gatwick, describing the view of his birthplace from the air, Ron Price, at 95, the oldest National Trust volunteer, on the joys of volunteering and a life involved with Buckland Abbey in Devon, Judy Worham and Carol Blacher, retired friends, who are exploring London's underground stations, The Inheritance Tracks of Dame Kiri te Kanawa who chooses O Mio Babbino Caro by Giacomo Puccini and Marschallin's Monologue from Der Rosenkavalier by Richard Strauss, and JP Devlin visits the Irish town of Gort, population around 3,000 and with a significant Brazilian community. Produced by Chris Wilson.

Today's episode is in response to a request from the Facebook page, specifically for young coaches! Conductor Erik Nielsen, and singers Simon Neal, John Packard and Nadja Mchantaf talk about what they are looking for from a rehearsal pianist or a vocal coach and I share my experiences as a coach, including a few of my tricks and advice on practicing for auditions. The audition repertoire for coaches that I mentioned: Mozart--Le nozze di Figaro 2nd Act Finale; Così fan tutte 1st Act Finale French--Carmen Smugglers Quintet Strauss--Elektra opening through the Magd Scene; Der Rosenkavalier opening (including Wie du warst); Salome Jews Quintet Chorus Scenes--La Bohème 2nd Act; Otello opening; Falstaff Fugue If anyone has other repertoire that they have found useful, please feel free to post them in the comments section! One thing I didn't mention in the episode is Wolf Trap Opera's Aria Frequency List--they list the arias that were performed with the number of times they heard them. So if you're looking to prepare yourself to accompany audition season in New York City, start learning those arias :-) I'm moving in a few days and not sure when my new DSL will be hooked up, but I'll be working on new episodes in the meantime so that once it's installed we can get back on track! Please feel free to contact me with requests, comments or suggestions here, at the Facebook page, on Twitter or directly at ellen@ellenrissinger.com

Kirsty Young's castaway this week is Britain's most successful contemporary composer, Karl Jenkins. He is most famous for developing a style that fuses his classical background with his interest in jazz and world music and his albums top the charts around the world. He was brought up in a small Welsh village and, after his mother died, lived with his father, grandmother and widowed aunt. His father taught him the piano when he was a child and in his teens he gravitated towards the oboe and went on to study at the Royal Academy of Music.His first musical career was as a jazz musician - he won first prize at the Montreux Jazz Festival and played venues as diverse as Carnegie Hall and Ronnie Scott's. In the 1980s, he gave up life on the road and started writing advertising music and jingles. More awards followed, but he felt cramped by the nature of the work and wanted to write music that was more expansive. A track which he'd written for a minute long commercial went on to become the corner-stone of his most well-known work, The Adiemus Project. He's said that it was only then that he realised his niche lay in composing work that was grounded in his classical upbringing but also benefited from his interest in jazz and world music. And, while critics have on occasion sneered at his work, he has collected countless gold and platinum discs and a worldwide audience.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: The Final trio from the third Act of Der Rosenkavalier by Richard Strauss Book: The Michelin Guide to France by Michelin Luxury: A piano