Podcasts about stained

Oh Canada, the tryanny of vitamins, some wisdom and lunacy from William S. Burroughs, a Tell tale, living like Liam Neeson, living like Jerry Lewis, living like Albert Brooks, the madness of calling my mom, staying true to yourself, let's count to a billion, a fun big courtroom movie, seeing John Cusack high, a dumb enjoyable new werewolf movie, Jaime King checking me out, a convoluted documentary about Charles Manson, my personal Manson moment, and a visitor from Zurich. Stuff mentioned: John Adams (2008), William S. Burroughs Junky (1953), Hanya Yanagihara "When Life Becomes a Performance" (The New York Times Magazine, December 4, 2024 https://www.nytimes.com/2024/12/04/t-magazine/actors-artists-performance.html), Runaway Jury (2003), Things to Do in Denver When You're Dead (1995), Werewolves (2024), Silent Night (2012), Chaos: The Manson Murders (2024), Tom O'Neill with Dan Piepenbring Chaos: Charles Manson, the CIA, and the Secret History of the Sixties (2019), Vincent Bugliosi with Curt Gentry Helter Skelter: The True Story of the Manson Murders (1974), Pavement "Zurich is Stained" (1992), and Pavement Slanted and Enchanted (1992).

Denise Dumars, author of Lovecraft Slept Here, talks about all the weird fiction she read as a child that warped her into the writer she is today.Visit our Tee Spring site to get our logo on anything you could want. ⁠⁠⁠⁠⁠⁠⁠⁠https://lovecraftpod.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠Questions and comments can be directed to ⁠⁠⁠⁠⁠⁠⁠⁠⁠mark@lovecraftpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠david@lovecraftpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠richard@lovecraftpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠.Hosted by Richard Wilson, David Guffy, Sam Orndorff & Mark Griffin.In association with ⁠⁠⁠⁠⁠⁠⁠⁠www.lovecraftpod.com⁠⁠⁠⁠⁠⁠⁠⁠ and the Logan County Speculative Fiction Group, with help from the Logan County Public Library.Edited by Richard Wilson.Music is Provenience by Loydicus. Listen to his other work at ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://soundcloud.com/loydicus?fbclid=IwAR2AkcRBiWImuUBTA9hjYdtY1s__SvxXfhcoFZANulBjbwIDN7PL6XdHDnQ⁠⁠⁠⁠⁠⁠⁠⁠⁠Recorded live through Zoom. You can watch the recording on the Logan County Speculative Fiction Group Facebook page. Stained glass provided by Ellsworth Strickler.

With Pastor Lorenzo DellaForesta

Give your old couch a fresh start with Brothers Cleaners (718-789-9737) - the best dry cleaning company in Clinton Hill! Go to https://g.co/kgs/222ETDu for more details. Brothers Cleaners City: New York Address: 349 Waverly Avenue Website: https://g.co/kgs/quv92kz

Dans cette vidéo, nous plongeons dans Blood Stained Love, un supplément pour Vampire: La Mascarade 5e édition. Ce module explore les thèmes de l'amour interdit, des passions sanglantes et des tragédies immortelles dans un cadre où la politique vampirique et les pulsions humaines s'entrelacent dangereusement. Pour rejoindre notre Patreon :   / coupcritique   ------------------------------------------------------------------------------------------- Pour suivre Coup Critique : https://linktr.ee/coupcritique  

In this episode, we talk about how different the expectations between men and women are, in particular when it comes to raising children.We also touch on the change of dynamics in your relationship pre and post kids and how important it is to communicate and try to let go of resentment.OH and Holly reveals what she wears to bed at night...ENJOY!All our love,Holly & Sophie xx

Up until the 1930s,  Zionists in Palestine engaged in a policy of Havlagah, Hebrew for Restraint. This essentially meant to abstain from retaliatory violence and collective punishment. Only the guilty could be held responsible for their crimes.   Notes   The Dispute in Mapai over “Self-Restraint” and “Purity of Arms” During the Arab Revolt, by Professor Meir Chazan: https://cris.tau.ac.il/en/publications/the-dispute-in-mapai-over-self-restraint-and-purity-of-arms-durin   Ziontology book accompanying this series: https://www.deepstateconsciousness.com/writing/ziontology   Buy me a coffee: https://buymeacoffee.com/dsconsciousness   Become a subscriber: https://payhip.com/b/Sq0ZB   Rain and Tears by Neutrin05   / neutrin05   Creative Commons — Attribution-ShareAlike 3.0 Unported  — CC BY-SA 3.0  Free Download / Stream: http://bit.ly/2PKvY28 Music promoted by Audio Library    • Rain and Tears – Neutrin05 (No Copyright) matt2131@hotmail.com

Want to whiten your stained teeth at home? A new guide from Valleant teaches you all about teeth whitening techniques and options. Visit https://valleant.com/how-to-whiten-stained-teeth-effective-solutions-for-a-brighter-smile/ for details. Valleant City: Austin Address: 11320 North FM 620 Website: https://valleant.com

Homes in Newburyport were stained by a sheen of hydraulic fluid from a nearby wind turbine. For more, ask Alexa to play WBZ NewsRadio on #iHeartRadio.

Tonight's Dead Letter is about a chilling overnight investigation at 30 East Drive in Pontefract, West Yorkshire – the infamous home of the Black Monk of Pontefract. A long standing Poltergeist we covered on our main show in a three part series back in late 2018. We delve into our listener's unsettling experience during a séance and Ouija board session, culminating in a terrifying solo venture into the house's most haunted bedroom. We explore the oppressive atmosphere, the sensation of being watched by lifeless dolls, and the lingering effects on the people that were there. Join us as we revisit one of Britain's most notorious haunted houses through the eye and ears of our listener, Eric. The Astonishing Dead Letter Office - Where Your Stories Die to be Told

Show Date: 1/2/25 Andy and Dan review the 2007 album "Blood Stained Love Story" by Saliva. Sports and Songs Podcast Links: https://www.facebook.com/sportsandsongs1 https://twitter.com/SportsandSongs1 https://www.instagram.com/sportsandsongs/ https://www.sportsandsongspodcast.com/

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Get MORE Coaches Don't Play at our patreon! Thank you to our sponsors: By Erim, Lucky Chahal, Glow Room BC By Erim: Luxury Hair & Beard Oil! Black Friday Sale 25% off storewide Contact Lucky Chahal for Annieville Heights! Glow Room BC: code COACHES for 15% off services ⁠⁠⁠⁠Follow Gurk ⁠⁠⁠⁠ ⁠⁠⁠⁠Desi Dontdoze Playlist⁠⁠⁠ Producer/Audio Engineer ⁠⁠⁠Kyle Bhawan⁠⁠⁠ Song "Be Like That" by⁠ ⁠⁠REVAY ⁠⁠⁠⁠ ------------------------------------ 00:00 Petty Granny  01:45 Punching Baby Pt. 2  6:50 Chat GPT Roasts IG 13:10 Shubh UNFCCC 18:10 Update Etsy Bracelet 21:20 Shit Stained Sheets 40:05 Strip Club Review  42:42 Stank Breath  45:35 Dead Fiancé Tattoo 49:35 Not Life Changing Money  53:30 Ex Uni Hookup 

Read OnlineJesus answered, “My kingdom does not belong to this world. If my kingdom did belong to this world, my attendants would be fighting to keep me from being handed over to the Jews. But as it is, my kingdom is not here.” John 18:36Today, on the final Sunday of our Church year, we celebrate the glorious Solemnity of Jesus Christ, King of the Universe. Next Sunday begins Advent. On this day we profess the profound truth that our Lord is King! He is the King of all things. He is King of the Universe. And He is King of Heaven and all spiritual realities. However, in the Gospel passage quoted above, Jesus responds to Pilate who was questioning Him about whether or not He was the King of the Jews. Jesus is clear that He is a King, but that His Kingdom does not belong to this world. So where is His Kingdom?We can look at Jesus' statement from two points of view. First of all, if Jesus would have claimed that He were an earthly king, one with civil authority, then Pilate would have judged Him to be guilty of trying to overthrow the Roman authority. This would be unlawful and would be punishable by death. In that case, Jesus could have been found legally guilty of violating civil law.But Jesus was purely innocent. He was morally perfect in every way, and that included His obedience to all legitimate civil law. But Jesus was a King. He was The King of all Kings! Therefore, so as to exercise His Kingship, He declared that His Kingdom was not of this world. In other words, it was not a Kingdom that was in competition with the Roman authorities or any other civil authority. To that, Pilate did not know how to respond.Today and always, God desires that His glorious Kingdom reign in every way. God begins by reigning in our souls. He invites us to invite Him to enter in and take control of our lives. He desires to be the ruler of every passion, desire, thought and action that is ours. When this happens, His Kingdom is firmly established within us.It also needs to be pointed out that Jesus wants His Kingdom to grow. First, it must grow in the minds and wills of all people. But from there, He wants every person to then work to conform every part of our society to the governance of Him as King. This means that as the hearts of civil leaders are converted, they will be called to enact laws that fully support and build up God's Kingdom on earth. It means that business leaders, as they convert, are called to govern their businesses in accord with the will of God so that their businesses contribute to the establishment of God's Kingdom here and now. It means that as the leaders of our schools, sports programs, social programs and the like all invite Jesus to reign in their hearts as King, The King of the Universe will then guide them to conform all of their endeavors to His will and to the continued upbuilding of His Kingdom.The first duty of the Christian, in regard to the governance of every aspect of society, is not to impose God's law from without, as a ruthless authoritarian would. Rather, it is to convert minds and hearts so that God's governance comes forth from within. As God's Kingdom is established in the lives of His people, all objectively grave evils embedded within our earthly laws must be overturned. For example, the legalization of abortion stands out as perhaps the greatest of moral evils, since it involves the taking of a completely innocent life. This and countless other immoral earthly laws must be replaced by the laws of God as hearts and minds are converted to His Truth. Reflect, today, upon your duty to help bring forth the Kingdom of God here and now. Start by seeing your duty to allow God's Kingdom to grow within you and your family. From there, be open to the many ways that God wants to use you to help others do the same. As you do, do not be afraid to work toward the external establishment of God's Kingdom in all that you do and in all that falls within your responsibility. Jesus is King, and He desires to reign everywhere. Cooperate with Him, and His Kingdom will indeed come. My glorious King, I choose You as King of my life, and I dedicate to You all my actions and endeavors. Please use me to further Your Kingdom. I pray for wisdom, prudence and courage as I am sent forth by You to help bring forth Your merciful and just reign in the lives of all people and within the entire Universe that You created. May Your Kingdom come and Your will be done! Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: Stained glass panel in the transept of St. John's Anglican Church, Ashfield, New South Wales (NSW) by Toby Hudson, via Wikimedia Commons

In this episode, Cameron breaks down "Stained", one of the ballads from the new Linkin Park album, "From Zero". Enjoy!

The complex combination of spices in curry gives the dish its wonderful, exotic flavor. Unfortunately, those same spices can permanently stain fabrics if a curry spill is not handled quickly. Turmeric and paprika, two of the primary spices in curry, can even be used to dye fabrics. So, unless you want to update your favorite white jeans—or your carpet—to a deep shade of gold, the curry must come out in a hurry.See omnystudio.com/listener for privacy information.

Imagine a world where sin doe snot affect the things and people around you. The sin that started it all was the sin of autonomy from God. Can we really live a life away from God's rule in our life? We believe that if sin the problem than Christ is our only hope. Learn how to discover the hope of Christ in this sermon from Pastor Brad.

Christopher Steele's infamous dossier set in motion massive investigations, furious push back, quite nearly an impeachment, and massive turmoil within the intelligence and media communities. In a full-show interview, at times contentious at other times revelatory, Christopher Steele explains his methods and defends his findings. His new book is Unredacted: Russia, Trump, and the Fight for Democracy. Also on the show, Donald Trump's dong diversion. Produced by Joel Patterson and Corey Wara Email us at thegist@mikepesca.com To advertise on the show, visit: https://advertisecast.com/TheGist Subscribe to The Gist: https://subscribe.mikepesca.com/ Subscribe to The Gist Youtube Page: https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g Follow Mikes Substack at: Pesca Profundities | Mike Pesca | Substack Learn more about your ad choices. Visit podcastchoices.com/adchoices

October 20th: David Crewe Born (Crewe Murders) (1941) Some cases are doomed to remain unsolved due, in large part, to the acts of investigators. On October 20th 1941 a man was born who would find himself at the center of a murder case. His death, along with that of his wife, never solved despite a handful of suspects. https://en.wikipedia.org/wiki/Murder_of_Harvey_and_Jeannette_Crewe, https://nzhistory.govt.nz/page/arthur-allan-thomas-convicted-crewe-murders-second-time, https://www.stuff.co.nz/national/crime/118308014/arthur-allan-thomas-pardoned-for-jeanette-and-harvey-crewe-murders-faces-rape-charge, https://www.stuff.co.nz/national/stuff-circuit/109105536/crewe-cold-case-double-murder-this-case-is-solvable, https://nzhistory.govt.nz/page/crewe-murders, https://www.nzherald.co.nz/nz/crewe-cold-case-fifty-years-and-no-answers-in-infamous-pukekawa-whodunnit/WR65KZTZY4XDCUF23WOVYPA3Y4/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Blood Stained Pews | Getting Real About Dreams by Collective Church

Ollie's rocking sockless shoes and crusty lips, while Rojan relives her childhood trauma of losing Snowy Marshmallow—her family's fluffy white dog (spoiler: the parents gave it away). We talk traffic jams, bush pit stops, and a confession about a BBQ-scented… well, you'll just have to listen. Plus, Ollie's casual approach to life (and stains) vs. Rojan's obsession with getting the podcast branding just right.

Title by Josie Lane Something is afoot at Ramsay Bay Hospital and Investigator Douglas is determined to get to the bottom of it. But when the bodies start piling up he realises that this case could be one that has been following him his entire career. What's in the coffee? What happened in 1966? And who is the mysterious 'They'? Song List: "These Walls are Stained with Secrets Tonight", "I'm Going to Get to the Bottom of it All", "Who Are Th-th-th-th-th-they?", "I Wanna Boogie in the Surgery Room", "It's the Pills", "I'm Lovin' It (Working at McDonald's)" Cast: Jaron Why, Isabella Valette, Stephanie Beza and Tristan Davies on keys Teched by Tilly Legge Edited by Morgan Phillips

The Daily Shower Thoughts podcast is produced by Klassic Studios. [Promo] Check out the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ [Promo] The Daily Facts Podcast. Get smarter in less than 10 minutes a day. Pod links here Daily Facts website. [Promo] The Daily Life Pro Tips Podcast. Improve your life in less than 10 minutes a day. Pod links here Daily Life Pro Tips website. [Promo] Check out the Get Happy Headlines podcast by my friends, Stella and Mickey. It's a podcast dedicated to bringing you family friendly uplifting stories from around the world. Give it a listen, I know you will like it. Pod links here Get Happy Headlines website. Shower thoughts are sourced from reddit.com/r/showerthoughts Shower Thought credits: spideywebby, Sulfito, VohveliMuusi, texacer, BKestRoi, pac-men, jamesnearn, sproots_, zoniss, , BlundeRuss, SinopicCynic, Bobglobslob, hearsdemons, Swimming_Pools2172, screwball2, FOB_Shyam, MrPig3, sweilem, , DadIsMadAtMe, shadow2995, pufballcat, Hot-Bus6908, SheTalksJellybeans, mallolike, Ali_cicek2 Podcast links: Spotify: https://open.spotify.com/show/3ZNciemLzVXc60uwnTRx2e Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-shower-thoughts/id1634359309 Stitcher: https://www.stitcher.com/podcast/daily-dad-jokes/daily-shower-thoughts iHeart: https://iheart.com/podcast/99340139/ Amazon Music: https://music.amazon.com/podcasts/a5a434e9-da18-46a7-a434-0437ec49e1d2/daily-shower-thoughts Website: https://cms.megaphone.fm/channel/dailyshowerthoughts Social media links Facebook: https://www.facebook.com/DailyShowerThoughtsPodcast/ Twitter: https://twitter.com/DailyShowerPod Instagram: https://www.instagram.com/DailyShowerThoughtsPodcast/ TikTok: https://www.tiktok.com/@dailyshowerthoughtspod Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Pints and Polishing Podcast, hosts Marshall and Nick discuss a variety of topics ranging from their favorite beers to the emotional connections people have with their cars. They delve into the service industry, sharing positive experiences, and debate the merits of naming cars. The conversation shifts to college football, exploring the financial implications of player compensation and coaching decisions. They also touch on the evolution of vehicle design and the challenges faced in the detailing industry, before concluding with a discussion on luxury cars and the lengths wealthy individuals will go to acquire them. In this conversation, Nick and Marshall explore various aspects of luxury car ownership, detailing, and the evolving culture of car enthusiasts. They discuss the reliability of luxury vehicles, the tax benefits associated with owning them, and the importance of proper maintenance. The duo also delves into the significance of products like Fuego in car care, the challenges faced by DIY car owners, and the distinction between hobbyists and professionals in the detailing world. They emphasize the role of the internet in shaping car culture and the importance of humor in the community. Takeaways The service industry often receives negative feedback, but positive experiences should also be shared. Naming cars can create a sense of attachment, but not everyone agrees with this practice. Emotional connections to cars vary greatly among individuals, especially those in the car business. Pets often reflect their owners' personalities and lifestyles, leading to unique relationships. College football has become a business, with significant financial stakes for players and coaches alike. The design of vehicles has evolved, often prioritizing size over quality materials. Detailing cars can reveal surprising and sometimes unpleasant discoveries. Luxury brands like Range Rover have mastered the art of branding and customer satisfaction. Wealth can often bypass regulations and restrictions in the automotive market. The podcast hosts enjoy sharing personal anecdotes that relate to broader themes in society. Most luxury car owners don't drive their cars much. Tax benefits can make luxury cars more appealing. Fuego is a neutral pH product that works well for detailing. Proper maintenance is crucial for high-end vehicles. DIY car care can lead to mistakes if not done correctly. Hobbyists play a significant role in the detailing industry. The internet has transformed how car enthusiasts connect. Car detailing can be a therapeutic activity for many. Humor is essential in car culture and ownership. Not all car enthusiasts are knowledgeable about maintenance. Chapters 00:00 Introduction to the Podcast and Beer Talk 02:05 Positive Experiences in Service Industry 03:51 Naming Cars: A Goofy Debate 05:45 Emotional Attachments to Cars 09:09 Pets and Their Owners: A Unique Connection 10:54 College Football: Expectations vs. Reality 13:04 The Impact of Money in College Sports 17:12 The Evolution of Vehicle Design 20:07 Detailing Challenges in the Automotive Industry 22:02 Luxury Cars and Wealth: A Discussion 24:19 The Reliability Debate of Luxury Cars 26:58 Fuego: The Detailing Game Changer 29:31 Maintenance and Care for High-End Vehicles 33:14 The Challenges of DIY Car Care 36:31 Understanding the Hobbyist vs. Professional Detailer 39:08 The Evolution of Car Enthusiasm 42:52 Finding Joy in Car Care 46:10 The Impact of the Internet on Car Detailing 51:45 Embracing Humor in Car Culture

Blood Stained Pews | Getting Real About Mental Health by Collective Church

Podcast audio: The post Talk by Myoko Roshi “The Lotus is Not Stained By the Mud” first appeared on The Village Zendo.

Blood Stained Pews | Getting Real About Pain by Collective Church

Blood Stained Pews | Getting Real About Growth by Collective Church

Find out more about this heavy metal music festival and experience Millennial Reign's most recent release entitled, "Wandering."The show will be at Platinum Music Complex NRH and starts at 7p!Get your tickets here: https://www.eventbrite.com/e/ntx-meta...Find out more about Millennial Reign here: https://www.eventbrite.com/e/ntx-meta...Find out more about Stained Red here: https://www.stainedred.net/Find out more about Lithoscry here: https://lithoscry.com/#powermetal #symphonicmetal #heavymetal Hosted on Acast. See acast.com/privacy for more information.

Blood Stained Pews | Getting Real About Sin by Collective Church

Everybody wants to hunt in the thrift stores nowadays Headlines  Sports with Shannon Sharpe's apology for your ears, do you believe him?

Blood Stained Pews | Getting Real About Family by Collective Church

This week Steve West calls in to chat with jD about a variety of things including song # 16Transcript:Track 2:[0:00] Previously on the Pavement Top 50. There you have it. Song number 17 is Zurich is Stained from the debut long play Slanted and Enchanted. Mike, is this song in fact slanted and or enchanted? Discuss. Yes, indeed. I love this song. This song, it really is. And it's sort of an oasis. I love where it appears on the record. it's coming straight out of the chaos of uh conduit for sale and right before the chaos of chelsea's little wrists and you get this like really light breezy but fast song i mean it's not a ballad it's not like here it is it is this breezy light almost feels like it would be, at home on the Velvet Underground's third record. Hey, this is Westy from the Rock and Roll Band Pavement.Track 3:[1:03] And you're listening to The Countdown. Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using an abacus and a motorcycle and sidecar driven by an orangutan. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week, we're joined by Pavement superfan. No, wait a minute. Pavement superstar, Steve fucking West. Westy, how the fuck are you? I'm doing pretty good today. Yes. It's a good day, right? Yeah. Good day. Well, let's get right into it. Everybody else has been coming on and talking about their pavement origin story. I feel like that's sort of a strange thing because we've talked about it a little bit in the past. But I'm curious what it was like for you, I don't know, getting the call or getting the letter or whatever it was, the communication, the telephone call or whatever, that they were looking to fill Gary's role or like how that looked like. What what did that look like on your end?Track 3:[2:25] Well, it was kind of a long process of, you know, knowing Bob from high school and then being in Manhattan and Brooklyn and meeting Stephen and Bob and David. And then knowing that they were having difficulties kind of with with Gary.Track 3:[2:46] I can't say that I didn't know that it might be coming. And there was a phone call, like you said. But um i didn't really you know you know it kind of blew me away when it when it happened i think it was on a pay phone in manhattan and i was working at a um at a gallery helping to put up some artwork for leo castelli oh wow and i talked to steven and he was like i don't know man just put those drumsticks in the oven and keep them worn because i don't know what it's going to happen. So, you know, he was, he was giving me a heads up, but he wasn't promising me anything and understandable because, you know, the things were up and down with Gary. And so, and then, uh, I really, when it actually happened, I don't really remember any other phone call where it was because we, Steven and I would see each other quite a lot. And we lived in Brooklyn and, And we would hang out together when he wasn't on tour.Track 3:[3:56] And, you know, we play music together with David. When Bobby wasn't around, we were I kind of sat in as a drummer for them for the Silver Dudes and those little jam sessions we'd have in Brooklyn. So that kind of was the thing that kind of eased me into the whole playing music with with Stephen as well as with David. Wow and I had a loft in Brooklyn on 1st and 1st I think it was.Track 3:[4:31] South fifth. And it was a really crappy loft and it had, you know, we can make a lot of noise and it was right next to the Williamsburg bridge. And yep. And there was a tiny room in the back that Steven and I rehearsed, all those crooked rain songs when, you know, Gary had broken up and I guess I had joined the band and then we were like there jamming he was kind of introducing me to those songs in this room you know smaller than the bedroom that you have right there it was a small room it was like 10 by 10 not even probably, and uh i remember the guys upstairs complaining and banging on the ceiling and i was like come on this is a loft this is what you do in brooklyn this is what you're here you're an artist and you're musicians, and you make noise. You get a loft, and you make art, and you make noise. Totally. Yeah, we rehearsed those a few times, and then went in to record in Manhattan.Track 3:[5:41] Wow. That's pretty whirlwind, too, then, right? Yeah, I mean, it happened over a couple of months, but over a summer, that summer of, I guess, 93, um spring when i think gary quit i'm not hard for me to remember all the logistics of that's that's cool that's cool this isn't uh uh that kind of podcast where we you know get too into the weeds yeah yeah so what do you remember about um like a first show or when did you meet the rest of the guys like you were you were jamming with steve and you guys were coming up with crooked rain stuff and you were you know laying down drums for it in manhattan at the um, at that uh oh my gosh i forget the name of it right now but that uh pseudo studio, right while i recorded that that's right yeah that's right um yes so i think what happened was that spring before we recorded Crooked Rain um.Track 3:[6:54] There was a Drag City Invitational, and it might have been late spring, early summer. And we drove out to Chicago and played that. And that was the first time I played with the full group.Track 3:[7:13] I played with Steven and his girlfriend, Alexa, and maybe Mark. And we played at a show in New York City for a matador like in reunion or something like that show but that wasn't really pavement and we just played new songs or whatever I don't know what it was but the first pavement show was at the drag city thing drag city invitational um it was at a club that was across the street from where Dillinger was uh captured caught shot and captured um in Chicago and uh you know a lot of great bands on Drag City were there and Silver Juice played and um I guess uh Royal Trucks played as.Track 3:[8:01] Well and they recorded those stood a bit of it in the basement and um I remember playing that show and we had never practiced so it was just kind of like guessing really about everything yeah I don't think we practiced at all no we just went out there and played it and i had played you know the some some of the songs with steven but you know the crooked rain songs but the old songs we had never played all together so i just had to kind of they knew them and i had to you know make sure i kind of knew them and we got through it was a short set but it was good yeah that's pretty cool that's that's pretty cool it would be a cool.Track 3:[8:43] Ticket stub to own for the, you know, the first complete Pavement Band show, you know? Yeah.Track 3:[8:53] So you getting your hands dirty with Crooked Rain, does that tend to be the record that you would go back to if you were the type of person to listen to your own content? I don't know if you do. Like, I don't know if you, you know, listen to records that you've been on or whether you, you know, sort of avoid it. Like, I don't listen to very many of these podcasts, for example, just because, you know, they're done. They're done. They're done. Exactly. Like, I got their history. Yeah. What is that like with you with records? Is there one that you go back to that you're really proud of or anything like that?Track 3:[9:30] No, I mean, technically, I just go back to listen to practice to them. So I'm prepared for whatever's coming ahead. But, you know, each one has different memories for me. And of course, Crooked Rain was this fresh guy trying to figure out how to play with Stephen as well as with the whole band live as well as the recording. Recording um and uh wowie dowie would probably be more of a band thing where i would be like that was nostalgic was a really fun recording session in memphis and everything so but you know they're all different and they all have good and bad memories so i don't go back to them to listen that way i'm not that old yet.Track 3:[10:24] But when i go to practice to him i try to practice to like our live stuff that we did this past year right as well as um the rehearsals that we did in portland and i have all like the hard drives of the breakdown of the songs and you know the tracks and everything so, i'm probably more prepared for what could be thrown at me as you know how we play the songs live as a as a six piece and how we record them over the years in different setups so right it's two different ways of you know being prepared for all the things to be thrown at you yeah i suppose so like i mean was this was this tour like the well i call it this tour but the 2022 tour was that the most you guys had rehearsed like for uh for a series of shows before.Track 3:[11:17] I think so. I mean, the 2010, I think we practiced about five or five to eight times. But this time was a much better environment. And I think we practiced at least 10 or 12 days to prepare for that Fonda show in, I guess it was L.A. Which was great. I was on that one. That was fantastic. That was fun. and we all worked really hard to you know learn a whole lot of songs and be prepared how many did you take on the road um i think it was around 60 jeez yeah 60 songs that we could somehow pull out you know yeah and do that's a lot that's a lot of songs yeah and i mean you You guys were playing like 25, 26 songs a night. So like Toronto shows, for example, I saw it back to back and it was like, they weren't completely different set lists, but it really kept it interesting, you know, to see you guys multiple times because you had this.Track 3:[12:26] You had this log of, of songs that you could just carry around. Right. And Bobby is the master of doing that. He keeps track of everything and really works hard at making the set list different every night, as well as having the standards that you should be playing, but not having those standards be the same standard every night. Yeah yeah i'll tell you what doing this top 50 countdown what i did was i asked people to send in their top 20 lists and when i when i did all the math there was 121 different songs that were chosen so obviously i'm only counting the 50 but there's that many songs in your catalog that people fucking dig like that's you know that's got to be daunting in a certain way when you know There's B-sides and things like that that you guys might not have even played once outside of recording. Yeah, recording. Yeah.Track 2:[13:27] Okay, so what do you say we give song number 16 a spin, Steve? That sounds great to me. All right, let's do it. We'll be back on the other side. Hey, this is Bob Nestanovich from Pavement. Thanks for listening. And now on with a countdown. 16 now.Track 2:[20:31] Fillmore Jive, number 16 on the countdown.Track 3:[20:35] It's the third song from Crooked Rain, Crooked Rain, behind Stop Breathing at 28 and Cut Your Hair at 21. So this song actually beats Cut Your Hair, which is, I don't know. Is that surprising? Is that surprising to you? No, I'd rather pick Fillmore Jive over Cut Your Hair. But, I mean, Cut Your Hair is the pop song. So yeah yeah that's why i was surprised it wouldn't be in the top five or something i was you know just looking at the spotify uh the spotify plays you know cut your hair is like way up there and bill more jive is not right right so is is it do you consider it like a deep cut like when you guys went to it on the most recent tour was it um was it a deeper cut in the bag of songs that you brought? Yeah, I say a deeper cut because I don't think we did it in 2010. And we hadn't done it for years in the 90s. I think we did it in 94 and maybe they did it with Gary too before me.Track 3:[21:51] So I would say it's a deep cut live but in terms of records records you know for people to really enjoy but it's a pretty great number yeah pretty historic number and it really uh puts a nice end to that album yeah i think so yeah it leaves you wanting more for sure yes like in a good way you know not not like yeah okay i was like oh is that insulting thing um what.Track 2:[22:24] Do you say we get back to film our job sorry i'm.Track 3:[22:30] We recorded that, and I don't know if Stephen and I ever played that song except for when we recorded it in Manhattan at Walleye's Place. And then we played it a few times in 94, a handful of times, and didn't really play it again until this previous past couple of years. And it was always up. People loved it. Yeah, I was looking on Setlist FM, and it's like, Like, you guys played it 79 times in total, according to Setlist FM, but probably about 20 times this last tour, maybe something like that. Okay. And I got to tell you, I found it really interesting that you picked Billmore Jive, because it's the song that you're waiting a minute, almost a full minute before the drums come in. Yeah. Right? Right. And then it's that big cacophonous, you know, like I need to sleep with the with the cymbal crash. And yeah, the song really picks up steam at that point. Right now that.Track 3:[23:39] OK, so that song, I think, is where Stephen kind of the producer or the engineer, Bryce Goggin, who. who mixed the album. We recorded it in a different place, but he mixed the album. He was giving Carl Blanc to make it as big as he wanted. Do all the tricks. Do all the production tricks. And the only thing was that there was this previous recording of the intro, like you're talking about, and I don't know if that was recorded at Bob's apartment in Hoboken or at Gary's, you know, uh, studio, um, um.Track 3:[24:24] But they had that previous recording, which he thought was great.Track 3:[24:28] But he wanted to have, you know, a different take for the rest of the song. So that's kind of how we did it. And he kind of, I know that if you could hear the raw track, you'd probably hear him saying, okay, now, you know, we're playing along. He's like, okay, now we're going to get really loud and get crazy. West, go crazy. And now we're going to go quiet. So there's no way I knew that song that well, well because we wouldn't have practiced it it's a long song it's yeah it's almost seven minutes right right it's a feel song and um i think he just kind of like talked me through it and it was just the two of us so there wasn't all that other you know instrumentation to play off of it was more just him talking singing and playing um and trying to get a i feel and it definitely got a feel good or bad it got a good it got a feel oh it's yeah it's got a great it's got a great feel to it i just i can remember going for walks when i discovered crooked rain like you know in 2000 or whenever it was uh i was way off the beaten track and um just walking around listening to crooked rain and it would get to that song and there was just i don't know there's just something about that cymbal crash into the into the you know the main thrust of the song and then bringing it down again you know as he's talking about the punks with spikes and and things like that yeah.Track 3:[25:57] Just like he's kind of narrating uh narrating a music history for like a past couple decades up to that point and um you know making it kind of bringing out the history of it you know talking about the punks and the nightclubs and where he is you know it's not real you can't put your finger on it but you feel like you're being educated in a way about some weird world yeah i agree, yeah i mean doing this has been really fun because on this half you know we talk about the song and just getting people's impressions of what you know these songs are about out is fascinating is really fascinating because you know steve doesn't leave too many breadcrumb trails for you to figure things out it's it's just sort of um these cool phrases and cool little, you know vignettes almost and uh it's just really neat to hear what people think of them and i like like your take on, you know, going through a music history. That's, that's fabulous.Track 3:[27:08] Yeah. Yeah. It was fun. Anything else you want to say about, uh, Fillmore Jive?Track 3:[27:17] Um i love film or drive for its faults as for its um its feeling just as much, because like i said you know i don't think we did it more than once and of course you can always improve if you get a chance to take a test more than once right but you have to look at it that way i have to look at it that way and i listened to it today and i was like wow that's pretty great you know i can hear the things that i would change but um you know on my part not on okay anyone else's part but um you sometimes you just you just have to go with the flow and that's kind of what, being in pavement is and was about it's kind of going out there and and playing the songs and recording the songs and recording a lot and having a lot to throw away or to be on b-sides and um And then put the ones on the album that sound the best and live with the good and the bad, because a lot of times the mistakes are the happy mistakes. And people kind of endear themselves to that. Yeah, I think so. I think so. Happy mistakes is a good way to put it. Yeah. You got to have those happy mistakes. Yeah. Go away with a happy mistake is a great thing to feel when you hit the recorder. I didn't mean to do that, but that sounds awesome.Track 3:[28:44] Yeah, isn't that what they say? When you mess up, you just do it again, and everybody thinks you're jamming. Yeah. Yeah, but, you know, the next time it doesn't have the same feel. And, you know, when you think about the different albums, like the last album, there was a lot of time put into making that album problem as really crisp and time oriented in time, you know, cleaned up a lot of the pavement sound. Right. And I've always said that. There's a good part to that because i really enjoy that album and the production that nigel did um, but you do miss a little bit of the soul of the band too agreed and then when you step back and you go yes but over the five or whatever albums we did they're all different and that's the difference in this album and it's still a pretty great album so i'm all all for it Yeah. So what does 24 bring you guys? You're going to South America.Track 3:[29:55] Yes. When's the last time you played South America? 2010. We played South America. We played one or two shows. No, at least two shows there. And this time you're doing four or five, right? You were doing four shows, one big festival, and then three other cities and like three other countries and um it's like four shows in, six days or something so after that i don't know i think we're probably going to go into hibernation but and we'll see if we'll come out like the groundhog or not.Track 3:[30:35] Well it's been awesome talking to you about film or jive and the rest uh steve you're amazing with your time that's um it really means a lot that you would do this so thanks so much well thank you jamie it's always a pleasure when i see you in person and talk to you on the phone and all of this zoom business too that's right yeah well thanks a lot talk to you soon right wash your hands.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

KAXE Staff Phenologist John Latimer provides his weekly assessment of nature in Northern Minnesota. This is the week of Sept. 3, 2024.

jD is joined by Mike Hogan from the 3 songs podcast w/ Bob Nastanovich. Learn about the Meeting Malkmus origin story while Mike shares his Pavement origin story and dissects song seventeen on the countdown.Transcript:Track 1:[0:00] Previously on the Pavement Top 50.Track 2:[0:02] So today we're talking all about song number 18 from the masterpiece Wowie Zowie. It's the absolutely gorgeous father to a sister of thought. Vish, what are your initial thoughts about this song? Well, you know, I was so happy that we landed on this as a song to talk about because I do love Wowie Zowie. I have a sense memory of picking it up when it came out i think the day it came out this is interesting it's a really fascinating song because in some ways it's super accessible uh musically uh it leans with the pedal steel and some of the other moves it leans towards kind of country music um i will say uh as i was pondering it i i mean i i know we are in a vacuum here of people who love pavement right and who love Stephen Malcomus, but as I was listening to this in preparation for our chat, I'm like, Malcomus is like an underrated everything.Track 1:[1:04] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown.Track 3:[1:12] Hey, it's J.D. here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to countdown the 50 essential pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and a four-slice toaster I had fashioned into a time machine. Now I pull the blinds of the time curtain. Yesterday is totally getting a do-over. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan Mike fucking Hogan. How the hell are you, Mike? I'm doing good, JD. JD uh it's nice to talk to you yeah it's nice to talk to you too I've listened to you you know uh over the years with Bob on the on the pod and uh we've been lonesome for you yeah I was uh you know in advance of this I was like god when did we start that podcast and I looked the first episode was August of 2017 um and we did 177 episodes the last one being December of of, uh, 2022. And I think that was the only one we did that year too. I don't know. I haven't, I haven't checked, but yeah, we were pretty, we were pretty active, uh, for a few years with some breaks in between. Um, but, uh, but yeah, um, it was fun.Track 3:[2:39] So will the podcast be dusted off at some point? Will we get the Pavement-esque reunion tour? That's kind of the open question. I wouldn't say no. We don't have any immediate plans. The last time I talked to Bob about it was probably about, I don't know, four or five months ago. And he said maybe after the new year. You know, I think we we really paused things because, you know, obviously Pavement was rehearsing and then touring and things were hectic. We actually had this I had this idea to do a different like tour diary podcast in every city. Yeah.Track 3:[3:21] Like, you know, of course, the podcast that we did was very synchronous where we would talk back and forth. We would play songs but i was i had this idea where he would asynchronously record like five or ten minutes about like i'm in kansas city and here's my experience with kansas city and then we he'd pick a song that was kansas city based and i'd pick you know but it never it never ended up working out it would have been fun maybe damn that would have been great yeah maybe on the next reunion tour maybe the next reunion tour but yeah i think you know i mean between that and you know he's had some life changes i've had some life changes we kind of just were like let's take a pause let's um maybe start fresh you know after 177 episodes it's like how many different bands can you talk about that you haven't talked about in the first 176 so uh um you know i think if we came back we would probably you know might keep the same format but allow ourselves the opportunity to revisit and almost treat it as a fresh start. Hmm. That's interesting. You heard it here first, folks. No promises, you know, but no promises either way, really. Right. That's cool. It's, you know, you're saying there's a chance.Track 3:[4:41] Cool. Well, let's get right into it. Let's talk about your pavement origin story. story? Boy, um, I think I first heard of pavement. Um, I wasn't early enough to get the first seven inch. Um, but I think maybe the first drag city seven inch, um, it was probably the first time I'd heard of them. I don't know if I even bought it at the time I was in that era. I was in college. I was at very active in the college radio station at Santa Clara University KSU. And I was a music director for a little while. And there, you know, obviously, Pavement was getting a bit of buzz. And I remember them just being this band that had put out a few singles. They were getting written up in zines. You know, there wasn't social media. So there wasn't any of that buzz at that time. And it was it was like unless you had someone that had a copy you you know It was almost impossible to even find in stores, So they had this just kind of air about them of like and and there were no photos of them There weren't even their names. It was just SM and spiral stairs, and it was just this like very.Track 3:[6:02] Mysterious like who the hell are these guys and then little bits would come out where it was like Like, oh, you know, one of them worked at the Whitney as a as a as a guide. And they recorded in this in the studio in Stockton. And, you know, the the the drummer is the guy that runs the studio. He's just this old crazy dude. You know, it was just like little bits of information would kind of come out. And I think I think really what kind of hooked me was probably the 10 inch perfect sound forever. And then by the time Slandered and Enchanted came out, it was like I was full on waiting for it. And I think the first time I saw them, the only time I saw them until the reunion tour a couple years ago, was in San Francisco at the Kennel Club a week before Slandered and Enchanted came out.Track 3:[6:56] Was released. And shit. Yes, because I worked at the radio station, we had an advanced copy. So I was I was like, vigorously listening to the record. And so totally prepared for the show. And it's funny, because I think it was written up in one of the papers, one of the San Francisco papers, because the buzz was already even big. Even though Matador was still a pretty small label at the time. It was like this local band, local ish band is kind of getting uh some attention and uh it was funny the show was sold out and gary was out front like shaking people's hands as they walked into the show like could not believe that everybody was there to see him you know he'd been trying for years and years to hit it big in the music industry and couldn't believe that these two weird college kids that came into his studio was like his venue for We're actually getting some level of success. So it was kind of cool.Track 3:[7:59] Oh, very cool. Yeah. How was that show? It was, it was amazing. It was a little, um, ramshackle as some of their shows back then could have been. Um, but I just remember, you know, because I was so excited for it. Um, I just remember being like, odd, like, wow, this is great. You know? And then I never got a chance to see them again until they did the reunion tour. Uh, it was probably 30, a little over 30 years between my first and second pavement show that's hey you know what when you see them before slant it drops you're doing pretty good right like i like i think that's phenomenal i think the article in the paper said it would be like their 20th show that they played or something like that so it was certainly one of you know because before then they were just a recording band and you know they didn't it was you know all of the i think the earlier records were just the two of them plus gary uh and so they they sort of had to figure out like how are we as a band when we're playing out live and uh you know it was early enough that i think that i was still seeing some of that evolution of what pavement would become oh that is so fucking cool i you You know, I didn't get on board until very late, very late. So they were already broken up. Like, yeah.Track 3:[9:23] So, yeah, I got on board very late. And it's just listening to all this kind of talk, which I've heard, you know, a lot. I've done a lot of these at this point, these interviews and listening to people's pavement origin stories. Uh, you know, there's a lot of people who came late, but the people who came early have really fantastic stories. Like, you know, the fact that, uh, there were a mystery, you know, and that's something when I interviewed spiral, he said they really, that was something that was really important to them. And in fact, he was disappointed when they sort of dropped the. Like he wished they could have kept going with the – I don't know how they would have done that. Played in lucha masks or something? I don't know. Daft Punk did it for how many years, right? Oh, that's a good point. Yeah. Yeah. Yeah. I don't know. Or the residents. I mean it had been done before. But yeah, that was certainly part of the mystique for me. And seeing them, like, wow, they're real people when I saw them live. It was like – this is the, you know, yeah, the reveal of the curtain.Track 3:[10:31] But yeah, and that was why when slanted, I mean, perfect, perfect sound forever, too. But especially when slanted dropped, it was like felt very fresh, felt familiar, but totally different at the same time. And that's why in some ways, I think my experience of pavement is just naturally different from somebody that experienced them later when they already had this full body of work. And you could see you could see that progression because there was just this question of where were they going and what would they do next and um i can imagine the ep that came after was like oh my god these four songs are just amazing incredible like like and and it was uh.Track 3:[11:19] Yeah it was interesting it was um a very exciting time and they were like a very important band for me in that, in that period of my life. I bet. So what, um, is your go-to record at this point? Do you have one or, I mean, I know that's a tough question because it probably changes week, week over week, but you know, just think about right now, what would you, if, if we get off the phone here and you want to just reminisce about some pavement, what are you going to throw? It's hard because, you know, I think as somebody who had that level of experience about like this mystique early on and the seven inches were and, you know, the early albums were really just so ingrained in my memory. Like, I almost don't need I listened to Slandered and Enchanted before our talk today. And it was probably the first time in a couple years that I'd listened to it. But it was like, I knew every one of those songs. So in intimately, I knew every note, every lyric, every, you know, Baba Baba, you know, like every little like, like, part of the songs in a way that the later albums.Track 3:[12:38] I'm not as intimately familiar with. So when I listen to a later record, it's almost like hearing it fresh. And I can't distance myself from my experience of like Perfect Sound Forever back when it came out, or Slanded went back when it came out. But that said, I think if I were to just be like, I wanna put on a record, um well i mean watery domestic is probably my favorite piece of work that they did but it's only four songs so it's wrong but it's so fast yeah it just is over so quickly and i think i only had it on cd i only recently bought the the vinyl of it and i didn't realize that the little like you know that little like transitional piece i didn't realize it was at the end of a song i thought it was the intro of a song because i always just listened to the cd ah and it just went i never paid enough attention to it because i didn't listen to it on shuffle or anything um and so it was almost revelatory when i got it on vinyl i was like this is like the way it's supposed to be like and then i flipped the side over um so that must have been brain busting It was kind of weird. I thought that was the intro to the song, but it was really the outro.Track 3:[14:04] Well, speaking of Pavement songs, should we get into the song that you're going to cover? Yeah, let's do it. All right. We'll be right back after listening to song number 17.Track 1:[14:19] Hey, this is Bob Nestanovich from Pavement. Thanks for listening. And now on with a countdown.Track 2:[14:28] 17.Track 3:[16:10] There you have it. Song number 17 is Zurich is Stained from the debut long play Slanted and Enchanted. Mike, is this song in fact slanted and or enchanted? Discuss. Yes, indeed. I love this song. This song, it really is. And it's sort of an oasis. I love where it appears on the record. it's coming straight out of the chaos of uh conduit for sale and right before the chaos of chelsea's little wrists and you get this like really light breezy but fast song i mean it's not a ballad it's not like here it is it is this breezy light almost feels like it would be.Track 3:[17:03] At home on the velvet underground's third record you know there's this mood to it that feels, in some ways different from earlier in the record and even what comes a little later where there's a lot of like fuzz and noise it's just this light little break um that's almost this perfect little slice of i don't even know how long it is but i'm guessing it's less than two minutes it's It's just, uh, yeah, it's, it's in and out. Yeah. It's in and out. And, and the whole time Malchmus, I don't think really pauses the vocals for more than a second or two. It's just beautiful little instrumentation with his vocals kind of just strung throughout it all. Yeah. I'm singing it in my head right now. It's right. It's, it's, uh.Track 3:[17:59] I mean, you know, and it's like the chorus keeps coming back and then he ends it with the, you know, like just it is a perfect little song. It's just a perfect slice of, and if I were to play somebody that had never heard Pavement, if I would play them, what is from a songwriting perspective, what is a quintessential Pavement song? You know, there are probably a few others that might come to mind, but this is like one of those like sleeper cuts. It's just such a perfect little song that doesn't get the buzz of like the Summer Babes or, you know, some of the more hit songs. I just I love it, though. yeah it's a it's a it's a really great song it's very different from the rest of the record for for sure it like maybe even it's like more at home on crooked rain crooked rain like you know like just sonically but uh but you're right where it hits in the record is is just is just right and And it's a refreshing little wafer, you know, before the next meal. Yes. Or the next course.Track 3:[19:22] Yeah. I think because of where it hits in the record, it feels mellower, you know? Feels in contrast to some of the other songs that come before and after it. What did you say is right before it? Conduit? Conduit, yeah. Okay, yeah. So it comes out of that frantic chaos into this breezy little, there's like the twang guitar, there's no fuzz, it's just this kind of light, catchy little, very short song, song, but that feels fully formed. It's not one of those songs that feels too short. You know, it just is like an idea song. Like, like there's a lot of those on Wowie, for example. Right. Yeah. Yes. Right. Or, you know, I mean, I can even think of like Emmett Rhodes lullaby. I don't know if you know that song. It's, it's, it was used. I first heard of it in, um, I think Royal Tenenbaums, one of those Wes Anderson movies, but, um, it's a beautiful little song and it's It's only a minute long, and it just feels too short. Zyrka's Dane does not like that. It just feels fully formed, even though it's only a minute in, I don't know, 50 or something. Yeah.Track 3:[20:41] What was I going to ask you? I was going to ask you if you've got a line on what it's potentially about. And if not, that's cool. I don't know. No, I mean, I miss Malcolm. This is hard. I, I kind of try not to read in too much to the lyrics because I also don't really trust the lyrics. Um, if you know what I mean, like if the lyric sheet, um, is often or not, I wouldn't say often, sometimes the lyric sheet, Like I'm looking at the lyric sheet right now that is included in the vinyl of Slanted and Enchanted. And the one that stands out is not necessarily Zerka Stain, but on Loretta's scars, you know, the, the line from now on, I can see the sun is always what I knew it to be. But the lyric sheet says from now on, I can see the slums. And so. Really? Yeah. Yeah. Yeah. And so I sort of, especially with Mouthmasters lyrics, I try not to read too much into it. It's just this like, kind of catchy thing.Track 3:[22:06] You know, like a jumble of words that make sense within the music of the song. I call it word salad. Yeah. I call it word salad. You get a tasty morsel in every forkful. You know, there's a little bit of everything. There's imagery. There's, you know, these slant rhymes sometimes. Really cool phrases. Memorable phrases. Yes. I almost feel like, you know, I can't sing it strong enough is a great line. I don't know what it's about. Right. And I don't even know if it's about, I mean, the song is Zurich is Stained. I don't even think it's about Zurich. There's no other sort of mention of it. Yeah, I mean, right. Like, it's okay. It's not your fault. Cool. cool.Track 3:[22:57] Whose fault is it? Do we even care? I don't know. I just try not to. I try not to read too much into it. And I think one of the one of the things that I noticed and what I've always kind of tried to avoid when I would talk music, you know, the songs when when Bob and I did three songs, but is I would, I would try and talk about the music and not try to analyze the lyrics so much, unless there was something that really like, like stood out and grabbed me and resonated with me. Um, but yeah, I think, I think Malchmus is especially at this phrase, you know, phase of his career. I felt like each line was its kind of own self-contained mini story and often didn't even like match or connect or follow the line that came after it um so to your question what's the song about i have no idea that's cool well i'll pivot completely then and we'll go back to three songs for a minute how the fuck you know did you and bob connect yeah this is this is kind of.Track 3:[24:09] Obviously, I was a fan for a while, for a long time. And I'm thinking back in 2013, I moved to New York City. And I started working at a horse racing company. Okay. And actually, it probably was 2014 that I moved there in 2013. Probably a year later, I got the job at the horse racing company. And as I'm sure you know, Bob has always been interested in horse racing. And what he was, I was based in New York, he was based in Iowa. But he was the local representative for the Iowa racetrack for the company that I worked for. And so when I get there and I see, you know, Bob Nastanovich, I'm like, hey, man, what's up? And we started working together for work. And then I was at some point I was like, you know, I'm familiar with your band, Bandza, you know, because I was also certainly familiar with the Silver Jews as well. So good. And so we just became friends. I worked there. I think Bob got laid off because horse racing is not really a growth industry. So Bob got laid off. And then a year or two later, I got laid off.Track 3:[25:37] But we were always friendly friends. I'd consider us friends. We became friends, even though we lived a couple thousand miles away from each other. Yeah um and after i got laid off in 2017 i was like hey i got some time now you want you want you want to do a music podcast um and he was like yeah sure and so we threw around ideas of like what it would be about and how we would approach it what we would call it all of that and he suggested three songs and we just kind of bandied back and forth uh you know hey this is this is is sort of how i want to do it i just want it to be like two friends talking music and sharing music that we like with each other kind of like the way it was back when pavement started when you just couldn't find things online there was no online you just had to hear about it because somebody you knew was into it and be like oh you got to check this out you'll love it so that was sort of the spirit of it we started i think our first episode i know our first episode i didn't have a mixer it sounds like shit you couldn't really hear bob bob couldn't hear the songs um but i just left it up anyway because they were good songs and it just it was uh a good a good chat um and then by episode two i got i bought a mixer and a mic and uh we're we're off.Track 3:[27:00] Game changed. Game changed. And we, yeah, we were friends for probably two and a half years before we did the podcast. Yeah. And then we did the podcast for probably another two and a half years before we met in person. So I knew Bob and was friends with Bob for five years before we'd ever. And you guys did an episode together in person, right? We did one episode in person. Yeah. Okay. I remember listening to that one. Yeah. I mean, I've listened to a bunch, but I specifically remember that one. Yeah. It was sort of weird because we're doing this with video. I can see you, so you can see me. I can see when you're ready to talk. We didn't do any of that. Bob didn't want to be on camera. He felt uncomfortable. He's out on his back porch. He's just running around. You'd hear the dog in the background. So I didn't know when he was done talking, and we would sometimes talk over each other. So doing the one in person when we could actually see each other's cues was a little strange, to be honest. Because we had done, I don't know, at that point, two and a half years worth, probably close to 100 episodes. That's what I was going to say. I feel like it was in the 90s, that episode. But I might be wrong. Yeah. That was probably after. Because we did the 100th episode.Track 3:[28:21] Yeah, we did the 100th episode, which was the David Berman Silver Jews focus one. Which is still our most listened to episode. That was the episode 100. And I know we recorded it a few months before we met in person. So, yeah, we probably did 110 before we'd ever met in person. And the reason we met, the way we met, was Bob came to Portland in January of 2020 because there was a tribute show to David and to Silver Juice. And so Bob, so we, you know, I think there were a number of people that played, including.Track 3:[29:02] Uh, um, the woman, Rebecca from the Spananes, um, played a set. Um, there were a few others that played, but the headliner was, uh, just a duo of Bob and Steven playing, playing silver juice stuff, which, and you can find it, you can find the recording on, um, on YouTube and famously one of it's great. It's actually worth seeking out because, you know, it was, it was cool to see. Um but someone in the comments was like this sounds like shit and then bob replied and he's like sorry man i can give you your five bucks back or whatever and and then the guy was like oh i'm really sorry i didn't mean to you know it's he's like that is spectacular yeah so it's it's almost it's worth watching for sure but it's almost worth seeking out to to find that little nugget of, of exchange, um, in, in the, in the YouTube comments section. But, um, but yeah, that was the first time we met. Did you parlay that meeting into, uh, an opportunity to meet with SM? I did. Yes. So this is, this is sort of my meeting mouth story. Although I actually met him in the nineties briefly at Satyricon when, um, the Geraldine Fibbers were playing. He.Track 3:[30:23] He lived in Portland at that point, and I think I was still down in Eugene, but I was and have been good friends with Nels Klein for years and years and years, put out some of his records back in the 90s. And then he got into the Geraldine Fibbers and was playing guitar with them. They played a show at Satyricon and I was hanging out with Nels and Stephen came to the show. And so I met him briefly then in the 90s. um but then yeah flash forward 20 plus years january 2020 so that the the day before the show.Track 3:[30:57] That they played uh with a tribute to to david is the day that bob and i hung out we recorded the podcast that day we went and had lunch we had dinner i just hung we just hung out together all day. And then, um, I was going to head home and he's like, ah, just crash, crash in Stephen's basement. There's, there's two couches there. I I'm on one, you can crash on the other. And I was like, yeah, okay, no problem. And so, um, we got back there, I don't know, around midnight, everybody was asleep. We'd go down to the basement and, you know, and then I get up around eight or so to go to leave and um the basement stairs were right at the top uh or the top of the stairs was right at the kitchen and so um i went there was a bathroom in the basement i went and used the bathroom and i was about like putting my shoes on and about to leave and steven's wife jessica comes to the top of the stairs and is like bob's bob and i'm standing there, and I just say like I didn't know what to say of course I'm like uh, Bob's friend and she's like oh Bob had a sleepover and I was like uh yeah hi I'm Mike so um.Track 3:[32:17] So then, and, and so that was sort of a strange little, and then I got, you know, got my shoes and my jacket and I'm like going up the stairs and what at the top of the stairs, it's like you see the full kitchen and, you know, Jessica and Steve's daughters were in the kitchen having breakfast. And I'm like, um, nice to meet you. Thanks for letting me crash here. Even though you didn't know I was crashing here. here um uh you know like hey i'm mike and just like really sheepishly like trying to leave and the back door is right kind of at you go to the top of the stairs and to the right is the kitchen and straight ahead is the the side door um that goes to their their driveway and i'm like trying to open the side door and jessica's like it kind of sticks a little bit do you want me to help and And I'm like, oh, I think I got it. And so I'm like fiddling with the doorknob for like 10 seconds, which felt like two minutes. And then I finally got it opened and it was like, all right, thanks. See you later.Track 3:[33:25] And then later that day, you know, Bob said, come on over. We'll hang out. And so I came over later that day and then met them in earnest. And they were very sweet. She was very sweet. You know, like, I'm really sorry. And I was here and she's like, don't worry about it. And then Steven was there. And he was like, they were just kind of.Track 3:[33:43] Prepping for the show later that evening and um he was very nice he actually gave me he just finished reading lou reed's a biography on lou reed he's like i'm looking for on it and i was like yeah sure so i've got steve's steven's copy of uh the lou reed biography up in my my bedroom.Track 3:[34:01] Somewhere that's spectacular i think that's really cool yeah yeah borrowing books from steven malcolm any other uh chances that you met him or um yeah i mean i've met him briefly a few other times you know bob um would come to town when pavement was rehearsing i think they rehearsed for about almost a month before they did their their first reunion tour in 2022 22 um yeah bob bob stayed here for probably maybe not quite a month maybe three or four weeks two or three weeks and um you know i would not every day but regularly after they were done i would you know hang out with bob a little bit and we'd get some dinner or whatever and one night there was some band playing and um steven and jessica went and we tagged along and so i've met him a number of times we're i would say we're friendly but we're not friends i don't have his number he doesn't have mine you know if if i were to run into him around town which um happens now and then i'd probably feel too shy to say hi but um if i did i think he would know who i was and be okay with it that's that's.Track 3:[35:19] Pretty neat though i would say yeah you know i mean this is one of the things about portland it's like a it's a it's kind of a small town it's a big big enough city but it's also kind of a small town yeah well i want to share something with you because it's kind of funny uh you know it's in the lore of meeting malchmus i reached out to bob when i first conceived of this podcast in the fall of uh 2018 and asked him if he wanted to co-host meeting malchmus and this is the you know this is the premise and blah blah blah and uh i didn't have it all nailed down at that point um but i gave him the i gave him the highlights and he's He's like, he responded back and he's like, sounds fun, but I'm already doing a podcast. And I was like, tell me what it's called. And that's how I found out about your podcast.Track 3:[36:11] But that's also how Bob ended up not on Needy Malcomus, if he would have done it, if he would have done it. Well, so I apologize because I feel like I'm the reason why he said no. Although I would have to check. There were times, and I think that the fall of 2018 was one of those times. There were times, and if you look back through our episodes, you'll see big gaps, and it's often.Track 3:[36:37] Associated with life events. And my, my daughter was born in July of 2018. And I think right after that, we actually did probably a six month pause. Cause I was like, I don't, I'm working. And, uh, you know, I mean, I took a little time off, you know, I'm not sleeping yet. Like, uh, as priorities go, I don't know if I'll have time to talk to you for a little bit. So you, even though Bob, I mean, and I appreciate Bob being loyal to me. It was probably during a pause, and he probably could have said, hey, I've got the time right now. I am doing a podcast, but we're not doing it right away. That's funny. Yeah. So do you have anything you want to plug other than three songs at this point? What's the episode that people should grab of three songs aside from the Berman episode? Episode like what would you say is is a standout episode that gives you a real sense of what the show is well okay so those are almost two questions because.Track 3:[37:41] The standout episode of what the show is this the premise of the show was bob would bring three songs to play to me that he thought i maybe didn't know uh and might like and i would do the same for him um and so those some of those early episodes where we were still finding our footing were a lot of the songs where it was like, Oh my God, I fucking love this song so much. Like the X is state of shock. Um, you know, like some, some of these go between songs or some of these like old blue songs that, that just like really resonated with me in a strong way. I was like, I, you know, I don't know if you know this, but like, I want to play it for you and just get your reaction. Um, so, you know, I don't know. I, don't have the list in front of me and my screen saver went to sleep. So I, you know, I'm not even going to log in to figure out what some of those early episodes were. Um, but, uh, you know, I, what I, what I also tried to do, and it was never a spoken thing between Bob and I, but I, I was inherently conscious of the fact we were two middle-aged white dudes.Track 3:[38:54] Talking music and i wanted to make sure we weren't just talking about white dudes no it is very if you haven't listened to it listen to it but there are there are like i'm just going i'm making this up but like throat singers and or did you have a throat singer uh i don't know if we went quite that wild but we would do yeah it's everywhere though it's like you guys you guys covered the spectrum yes music all kinds of genres all kinds of countries we try we tried to go all around the world you know and we tried to also be very inclusive of all genders and you know because again it's just two white dudes talking we didn't want it to be like very focused on on like western western music you know that said we didn't want to make it so obscure that people would be like, there's not anything here for me, you know, like, we would try to try to walk that line where it would still be fun and worthwhile. And, you know, I think if nothing else, it was just, I hope that people came because they liked Bob, and they liked me, and they felt like they were listening in to friends.Track 3:[40:08] And they felt like they were one of of our friends that were experiencing this music and experiencing this conversation at the same time. Um, I hope it was more that and not like, Oh, I'm going to list, listen because today they're talking about, you know, Sebado or whatever. I'm going to listen because today they're talking about some band I know, and I want to hear what they say.Track 3:[40:30] I, I, I was, I hope we built enough of an audience that liked us and trusted us. So that's it. It's the trust piece. It's like you guys were sort of a modern day equivalent of like the record shop dude, you know, that trusted guy that, you know, Gary Gal.Track 3:[40:51] It's like, hey, I saw you buying these two records. Yeah. You're probably going to totally dig this. Yes. Yes. Tastemakers. I hope, I hope the unjudgmental record shop dude that wasn't like, oh, I can't believe you bought this.Track 3:[41:06] No, I don't mean that. You know some of those types, right? Yeah. We wanted it to be, you know, I also didn't want it to be a situation where I was, you know, ripping on someone's art. Or if I didn't like it, I would just be like, oh, it's maybe not my thing. But most of the time, everything Bob played for me, I was into or found some sort of way to resonate with.Track 3:[41:32] But aside from that, I mean, I'm not doing any podcasts. I don't have anything to plug. I mean, I think those that have listened to the show know that Bob runs a small record label. And back in the 90s, I ran a small record label called Little Brother Records. Records um you know uh i've got a few of the old back stock and maybe i'll send me your address i'll send you a little package of some of the old records i put out um oh wow cool yeah um you know and it's uh so but i wouldn't say i have that to plug it's just part of my it's part of my origin story yeah absolutely well i really want to thank you for taking this time with me today it's been a blast talking to you dude yeah appreciate it thanks for thinking of me thanks for including me no you're you're near top of the list when i started thinking of like people that i solicited to like on my twitter and stuff like that uh i i asked basically anybody and everybody but then i also had like the celebrity wing you know and uh you appeared on that list so i i company you're in.Track 3:[42:42] I don't know if I would even come close to listing me as a celebrity, but I appreciate the thought. In the podcast, in the indie rock podcast world, I would see you. If you want to say our top episode, which is the Berman one, that got maybe 12,000 listens, if that makes me a celebrity. I mean, you know. If you had 12,000 people in your living room listening to you talk, that would be a pretty fucking big deal. That's true. I don't know if I'd have enough food for them.Track 3:[43:14] I had a friend tell me that early on in podcasting. They were, you know, they were like, because I was like, I don't know. I don't want to put myself out there and see the numbers. And they were like, if you have 12 people that listen, like, that's pretty cool. Well, I think more than that, but the sense that you, that I get is that you approach it the way that Bob and I approached it. And, um, you know, I had the advantage of kind of tagging along to a, a, a celebrity.Track 3:[43:43] And so Bob's name helped bring in listeners, but we, we didn't, we didn't do any promotion other than maybe, you know, little like, like Twitter promotion. We didn't, we didn't solicit any, um, sponsors or anything like that. We didn't ever want to try and find a way to monetize it because if we were doing that, it wouldn't be what I wanted. Yeah. And it wouldn't be fun. It wouldn't be, it would be like work, you know, and I wanted it to be my release for like, here's an opportunity to talk to my friend about music. Um, and maybe, you know, maybe we will find an audience you know if you're if you're authentic and you're doing something for the right reasons often the audience finds you it may take a little while um but that's i think that's also about the the way i look at a lot of the music that i like you know bands like sonic youth weren't you know or or the x is another huge band that i just have loved for their whole career they're not worried about is it going to sell or whatever and they just they find the audience eventually.Track 3:[44:52] Yeah i would say i would say authenticity is a is a reasonable place to start from, yeah that's the best i can do yeah yeah hey again thanks so much and uh wash your goddamn hands.Track 1:[45:11] Thanks for listening to Meeting Malcomus, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. 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We have a special bonus episode for you today! In honor of Lilly Pulitzer's 65th anniversary, Who What Wear joined the Lilly team for a live podcast event. Senior editor Anna LaPlaca and editor Jasmine Fox-Suliaman host this live conversation, tracing the origins of the brand back to its unlikely beginnings as a juice stand. Lilly Pulitzer—both the free-spirited founder and the iconic heritage brand—share an enthralling history you won't want to miss. Of course, our editors also discuss how they'd style their favorite pieces from the current collection. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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