Podcasts about stained

Stained glass artist Laura Geyen of LH Glassworks sits down with host Grant Glad to discuss how she got into stained glass, some of her anti-capitalist pieces, where she gets inspiration for her art, and what it takes to make a living as an artist.   This episode brought to you by Car Concierge, Willow Wood Insurance Agency, Petrichor Sound and Pulse Barre & Fitness

You might not realize, but there is a lot of local history and characters depicted in the Stained glass windows of the St. John's Ecclesiastical District. History that draws a lot of tourists and art historians alike.Meghan Donoghue-Stanford is one of them. (Krissy Holmes with Meghan Donahue-Stanford and Heather MacLellan)

“But when they came to Jesus, and saw that he was dead already,…one of the soldiers with a spear pierced his side, and forthwith there came out blood and water.” (John 19:33-34) As with... More...

The boys discuss how to handle a stained beige, speaking like the Spartans and do cats know their names

The Tear-Stained King by Heritage Bible Church

Common Man Hour 1 --Urine Stained Cubicles --Frontenac Stories --NFL Draft

Common Man Hour 1 --Urine Stained Cubicles --Frontenac Stories --NFL DraftSee omnystudio.com/listener for privacy information.

Common Man Hour 1 --Urine Stained Cubicles --Frontenac Stories --NFL DraftSee omnystudio.com/listener for privacy information.

Common Man Hour 1 --Urine Stained Cubicles --Frontenac Stories --NFL Draft

March Madness is in full swing, and Anna and Raven made their own game: The Struggle is Realness! Today they compare what is more of a struggle: stepping into something wet with socks on or starting your day with a stain on your shirt!

Stained Red, out of Texas, are four guys that love the Lord and want to play music in the name of Jesus and spread his word through song. They play whenever and wherever they possibly can. A relatively young band they have begun not only charting locally and regionally, but have begun to be recognized nationally. Their most recent release is a four song EP and they are currently writing new music.

Oh Canada, the tryanny of vitamins, some wisdom and lunacy from William S. Burroughs, a Tell tale, living like Liam Neeson, living like Jerry Lewis, living like Albert Brooks, the madness of calling my mom, staying true to yourself, let's count to a billion, a fun big courtroom movie, seeing John Cusack high, a dumb enjoyable new werewolf movie, Jaime King checking me out, a convoluted documentary about Charles Manson, my personal Manson moment, and a visitor from Zurich. Stuff mentioned: John Adams (2008), William S. Burroughs Junky (1953), Hanya Yanagihara "When Life Becomes a Performance" (The New York Times Magazine, December 4, 2024 https://www.nytimes.com/2024/12/04/t-magazine/actors-artists-performance.html), Runaway Jury (2003), Things to Do in Denver When You're Dead (1995), Werewolves (2024), Silent Night (2012), Chaos: The Manson Murders (2024), Tom O'Neill with Dan Piepenbring Chaos: Charles Manson, the CIA, and the Secret History of the Sixties (2019), Vincent Bugliosi with Curt Gentry Helter Skelter: The True Story of the Manson Murders (1974), Pavement "Zurich is Stained" (1992), and Pavement Slanted and Enchanted (1992).

Denise Dumars, author of Lovecraft Slept Here, talks about all the weird fiction she read as a child that warped her into the writer she is today.Visit our Tee Spring site to get our logo on anything you could want. ⁠⁠⁠⁠⁠⁠⁠⁠https://lovecraftpod.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠Questions and comments can be directed to ⁠⁠⁠⁠⁠⁠⁠⁠⁠mark@lovecraftpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠david@lovecraftpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠richard@lovecraftpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠.Hosted by Richard Wilson, David Guffy, Sam Orndorff & Mark Griffin.In association with ⁠⁠⁠⁠⁠⁠⁠⁠www.lovecraftpod.com⁠⁠⁠⁠⁠⁠⁠⁠ and the Logan County Speculative Fiction Group, with help from the Logan County Public Library.Edited by Richard Wilson.Music is Provenience by Loydicus. Listen to his other work at ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://soundcloud.com/loydicus?fbclid=IwAR2AkcRBiWImuUBTA9hjYdtY1s__SvxXfhcoFZANulBjbwIDN7PL6XdHDnQ⁠⁠⁠⁠⁠⁠⁠⁠⁠Recorded live through Zoom. You can watch the recording on the Logan County Speculative Fiction Group Facebook page. Stained glass provided by Ellsworth Strickler.

With Pastor Lorenzo DellaForesta

Give your old couch a fresh start with Brothers Cleaners (718-789-9737) - the best dry cleaning company in Clinton Hill! Go to https://g.co/kgs/222ETDu for more details. Brothers Cleaners City: New York Address: 349 Waverly Avenue Website: https://g.co/kgs/quv92kz

Up until the 1930s,  Zionists in Palestine engaged in a policy of Havlagah, Hebrew for Restraint. This essentially meant to abstain from retaliatory violence and collective punishment. Only the guilty could be held responsible for their crimes.   Notes   The Dispute in Mapai over “Self-Restraint” and “Purity of Arms” During the Arab Revolt, by Professor Meir Chazan: https://cris.tau.ac.il/en/publications/the-dispute-in-mapai-over-self-restraint-and-purity-of-arms-durin   Ziontology book accompanying this series: https://www.deepstateconsciousness.com/writing/ziontology   Buy me a coffee: https://buymeacoffee.com/dsconsciousness   Become a subscriber: https://payhip.com/b/Sq0ZB   Rain and Tears by Neutrin05   / neutrin05   Creative Commons — Attribution-ShareAlike 3.0 Unported  — CC BY-SA 3.0  Free Download / Stream: http://bit.ly/2PKvY28 Music promoted by Audio Library    • Rain and Tears – Neutrin05 (No Copyright) matt2131@hotmail.com

Want to whiten your stained teeth at home? A new guide from Valleant teaches you all about teeth whitening techniques and options. Visit https://valleant.com/how-to-whiten-stained-teeth-effective-solutions-for-a-brighter-smile/ for details. Valleant City: Austin Address: 11320 North FM 620 Website: https://valleant.com

Homes in Newburyport were stained by a sheen of hydraulic fluid from a nearby wind turbine. For more, ask Alexa to play WBZ NewsRadio on #iHeartRadio.

Tonight's Dead Letter is about a chilling overnight investigation at 30 East Drive in Pontefract, West Yorkshire – the infamous home of the Black Monk of Pontefract. A long standing Poltergeist we covered on our main show in a three part series back in late 2018. We delve into our listener's unsettling experience during a séance and Ouija board session, culminating in a terrifying solo venture into the house's most haunted bedroom. We explore the oppressive atmosphere, the sensation of being watched by lifeless dolls, and the lingering effects on the people that were there. Join us as we revisit one of Britain's most notorious haunted houses through the eye and ears of our listener, Eric. The Astonishing Dead Letter Office - Where Your Stories Die to be Told

Show Date: 1/2/25 Andy and Dan review the 2007 album "Blood Stained Love Story" by Saliva. Sports and Songs Podcast Links: https://www.facebook.com/sportsandsongs1 https://twitter.com/SportsandSongs1 https://www.instagram.com/sportsandsongs/ https://www.sportsandsongspodcast.com/

Enjoy the show today!

Get MORE Coaches Don't Play at our patreon! Thank you to our sponsors: By Erim, Lucky Chahal, Glow Room BC By Erim: Luxury Hair & Beard Oil! Black Friday Sale 25% off storewide Contact Lucky Chahal for Annieville Heights! Glow Room BC: code COACHES for 15% off services ⁠⁠⁠⁠Follow Gurk ⁠⁠⁠⁠ ⁠⁠⁠⁠Desi Dontdoze Playlist⁠⁠⁠ Producer/Audio Engineer ⁠⁠⁠Kyle Bhawan⁠⁠⁠ Song "Be Like That" by⁠ ⁠⁠REVAY ⁠⁠⁠⁠ ------------------------------------ 00:00 Petty Granny  01:45 Punching Baby Pt. 2  6:50 Chat GPT Roasts IG 13:10 Shubh UNFCCC 18:10 Update Etsy Bracelet 21:20 Shit Stained Sheets 40:05 Strip Club Review  42:42 Stank Breath  45:35 Dead Fiancé Tattoo 49:35 Not Life Changing Money  53:30 Ex Uni Hookup 

Read OnlineJesus answered, “My kingdom does not belong to this world. If my kingdom did belong to this world, my attendants would be fighting to keep me from being handed over to the Jews. But as it is, my kingdom is not here.” John 18:36Today, on the final Sunday of our Church year, we celebrate the glorious Solemnity of Jesus Christ, King of the Universe. Next Sunday begins Advent. On this day we profess the profound truth that our Lord is King! He is the King of all things. He is King of the Universe. And He is King of Heaven and all spiritual realities. However, in the Gospel passage quoted above, Jesus responds to Pilate who was questioning Him about whether or not He was the King of the Jews. Jesus is clear that He is a King, but that His Kingdom does not belong to this world. So where is His Kingdom?We can look at Jesus' statement from two points of view. First of all, if Jesus would have claimed that He were an earthly king, one with civil authority, then Pilate would have judged Him to be guilty of trying to overthrow the Roman authority. This would be unlawful and would be punishable by death. In that case, Jesus could have been found legally guilty of violating civil law.But Jesus was purely innocent. He was morally perfect in every way, and that included His obedience to all legitimate civil law. But Jesus was a King. He was The King of all Kings! Therefore, so as to exercise His Kingship, He declared that His Kingdom was not of this world. In other words, it was not a Kingdom that was in competition with the Roman authorities or any other civil authority. To that, Pilate did not know how to respond.Today and always, God desires that His glorious Kingdom reign in every way. God begins by reigning in our souls. He invites us to invite Him to enter in and take control of our lives. He desires to be the ruler of every passion, desire, thought and action that is ours. When this happens, His Kingdom is firmly established within us.It also needs to be pointed out that Jesus wants His Kingdom to grow. First, it must grow in the minds and wills of all people. But from there, He wants every person to then work to conform every part of our society to the governance of Him as King. This means that as the hearts of civil leaders are converted, they will be called to enact laws that fully support and build up God's Kingdom on earth. It means that business leaders, as they convert, are called to govern their businesses in accord with the will of God so that their businesses contribute to the establishment of God's Kingdom here and now. It means that as the leaders of our schools, sports programs, social programs and the like all invite Jesus to reign in their hearts as King, The King of the Universe will then guide them to conform all of their endeavors to His will and to the continued upbuilding of His Kingdom.The first duty of the Christian, in regard to the governance of every aspect of society, is not to impose God's law from without, as a ruthless authoritarian would. Rather, it is to convert minds and hearts so that God's governance comes forth from within. As God's Kingdom is established in the lives of His people, all objectively grave evils embedded within our earthly laws must be overturned. For example, the legalization of abortion stands out as perhaps the greatest of moral evils, since it involves the taking of a completely innocent life. This and countless other immoral earthly laws must be replaced by the laws of God as hearts and minds are converted to His Truth. Reflect, today, upon your duty to help bring forth the Kingdom of God here and now. Start by seeing your duty to allow God's Kingdom to grow within you and your family. From there, be open to the many ways that God wants to use you to help others do the same. As you do, do not be afraid to work toward the external establishment of God's Kingdom in all that you do and in all that falls within your responsibility. Jesus is King, and He desires to reign everywhere. Cooperate with Him, and His Kingdom will indeed come. My glorious King, I choose You as King of my life, and I dedicate to You all my actions and endeavors. Please use me to further Your Kingdom. I pray for wisdom, prudence and courage as I am sent forth by You to help bring forth Your merciful and just reign in the lives of all people and within the entire Universe that You created. May Your Kingdom come and Your will be done! Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: Stained glass panel in the transept of St. John's Anglican Church, Ashfield, New South Wales (NSW) by Toby Hudson, via Wikimedia Commons

In this episode, Cameron breaks down "Stained", one of the ballads from the new Linkin Park album, "From Zero". Enjoy!

Imagine a world where sin doe snot affect the things and people around you. The sin that started it all was the sin of autonomy from God. Can we really live a life away from God's rule in our life? We believe that if sin the problem than Christ is our only hope. Learn how to discover the hope of Christ in this sermon from Pastor Brad.

Christopher Steele's infamous dossier set in motion massive investigations, furious push back, quite nearly an impeachment, and massive turmoil within the intelligence and media communities. In a full-show interview, at times contentious at other times revelatory, Christopher Steele explains his methods and defends his findings. His new book is Unredacted: Russia, Trump, and the Fight for Democracy. Also on the show, Donald Trump's dong diversion. Produced by Joel Patterson and Corey Wara Email us at thegist@mikepesca.com To advertise on the show, visit: https://advertisecast.com/TheGist Subscribe to The Gist: https://subscribe.mikepesca.com/ Subscribe to The Gist Youtube Page: https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g Follow Mikes Substack at: Pesca Profundities | Mike Pesca | Substack Learn more about your ad choices. Visit podcastchoices.com/adchoices

October 20th: David Crewe Born (Crewe Murders) (1941) Some cases are doomed to remain unsolved due, in large part, to the acts of investigators. On October 20th 1941 a man was born who would find himself at the center of a murder case. His death, along with that of his wife, never solved despite a handful of suspects. https://en.wikipedia.org/wiki/Murder_of_Harvey_and_Jeannette_Crewe, https://nzhistory.govt.nz/page/arthur-allan-thomas-convicted-crewe-murders-second-time, https://www.stuff.co.nz/national/crime/118308014/arthur-allan-thomas-pardoned-for-jeanette-and-harvey-crewe-murders-faces-rape-charge, https://www.stuff.co.nz/national/stuff-circuit/109105536/crewe-cold-case-double-murder-this-case-is-solvable, https://nzhistory.govt.nz/page/crewe-murders, https://www.nzherald.co.nz/nz/crewe-cold-case-fifty-years-and-no-answers-in-infamous-pukekawa-whodunnit/WR65KZTZY4XDCUF23WOVYPA3Y4/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Blood Stained Pews | Getting Real About Dreams by Collective Church

Title by Josie Lane Something is afoot at Ramsay Bay Hospital and Investigator Douglas is determined to get to the bottom of it. But when the bodies start piling up he realises that this case could be one that has been following him his entire career. What's in the coffee? What happened in 1966? And who is the mysterious 'They'? Song List: "These Walls are Stained with Secrets Tonight", "I'm Going to Get to the Bottom of it All", "Who Are Th-th-th-th-th-they?", "I Wanna Boogie in the Surgery Room", "It's the Pills", "I'm Lovin' It (Working at McDonald's)" Cast: Jaron Why, Isabella Valette, Stephanie Beza and Tristan Davies on keys Teched by Tilly Legge Edited by Morgan Phillips

In this episode of the Pints and Polishing Podcast, hosts Marshall and Nick discuss a variety of topics ranging from their favorite beers to the emotional connections people have with their cars. They delve into the service industry, sharing positive experiences, and debate the merits of naming cars. The conversation shifts to college football, exploring the financial implications of player compensation and coaching decisions. They also touch on the evolution of vehicle design and the challenges faced in the detailing industry, before concluding with a discussion on luxury cars and the lengths wealthy individuals will go to acquire them. In this conversation, Nick and Marshall explore various aspects of luxury car ownership, detailing, and the evolving culture of car enthusiasts. They discuss the reliability of luxury vehicles, the tax benefits associated with owning them, and the importance of proper maintenance. The duo also delves into the significance of products like Fuego in car care, the challenges faced by DIY car owners, and the distinction between hobbyists and professionals in the detailing world. They emphasize the role of the internet in shaping car culture and the importance of humor in the community. Takeaways The service industry often receives negative feedback, but positive experiences should also be shared. Naming cars can create a sense of attachment, but not everyone agrees with this practice. Emotional connections to cars vary greatly among individuals, especially those in the car business. Pets often reflect their owners' personalities and lifestyles, leading to unique relationships. College football has become a business, with significant financial stakes for players and coaches alike. The design of vehicles has evolved, often prioritizing size over quality materials. Detailing cars can reveal surprising and sometimes unpleasant discoveries. Luxury brands like Range Rover have mastered the art of branding and customer satisfaction. Wealth can often bypass regulations and restrictions in the automotive market. The podcast hosts enjoy sharing personal anecdotes that relate to broader themes in society. Most luxury car owners don't drive their cars much. Tax benefits can make luxury cars more appealing. Fuego is a neutral pH product that works well for detailing. Proper maintenance is crucial for high-end vehicles. DIY car care can lead to mistakes if not done correctly. Hobbyists play a significant role in the detailing industry. The internet has transformed how car enthusiasts connect. Car detailing can be a therapeutic activity for many. Humor is essential in car culture and ownership. Not all car enthusiasts are knowledgeable about maintenance. Chapters 00:00 Introduction to the Podcast and Beer Talk 02:05 Positive Experiences in Service Industry 03:51 Naming Cars: A Goofy Debate 05:45 Emotional Attachments to Cars 09:09 Pets and Their Owners: A Unique Connection 10:54 College Football: Expectations vs. Reality 13:04 The Impact of Money in College Sports 17:12 The Evolution of Vehicle Design 20:07 Detailing Challenges in the Automotive Industry 22:02 Luxury Cars and Wealth: A Discussion 24:19 The Reliability Debate of Luxury Cars 26:58 Fuego: The Detailing Game Changer 29:31 Maintenance and Care for High-End Vehicles 33:14 The Challenges of DIY Car Care 36:31 Understanding the Hobbyist vs. Professional Detailer 39:08 The Evolution of Car Enthusiasm 42:52 Finding Joy in Car Care 46:10 The Impact of the Internet on Car Detailing 51:45 Embracing Humor in Car Culture

Blood Stained Pews | Getting Real About Mental Health by Collective Church

Podcast audio: The post Talk by Myoko Roshi “The Lotus is Not Stained By the Mud” first appeared on The Village Zendo.

Blood Stained Pews | Getting Real About Pain by Collective Church

Blood Stained Pews | Getting Real About Growth by Collective Church

Blood Stained Pews | Getting Real About Sin by Collective Church

Everybody wants to hunt in the thrift stores nowadays Headlines  Sports with Shannon Sharpe's apology for your ears, do you believe him?

Blood Stained Pews | Getting Real About Family by Collective Church

This week Steve West calls in to chat with jD about a variety of things including song # 16Transcript:Track 2:[0:00] Previously on the Pavement Top 50. There you have it. Song number 17 is Zurich is Stained from the debut long play Slanted and Enchanted. Mike, is this song in fact slanted and or enchanted? Discuss. Yes, indeed. I love this song. This song, it really is. And it's sort of an oasis. I love where it appears on the record. it's coming straight out of the chaos of uh conduit for sale and right before the chaos of chelsea's little wrists and you get this like really light breezy but fast song i mean it's not a ballad it's not like here it is it is this breezy light almost feels like it would be, at home on the Velvet Underground's third record. Hey, this is Westy from the Rock and Roll Band Pavement.Track 3:[1:03] And you're listening to The Countdown. Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using an abacus and a motorcycle and sidecar driven by an orangutan. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week, we're joined by Pavement superfan. No, wait a minute. Pavement superstar, Steve fucking West. Westy, how the fuck are you? I'm doing pretty good today. Yes. It's a good day, right? Yeah. Good day. Well, let's get right into it. Everybody else has been coming on and talking about their pavement origin story. I feel like that's sort of a strange thing because we've talked about it a little bit in the past. But I'm curious what it was like for you, I don't know, getting the call or getting the letter or whatever it was, the communication, the telephone call or whatever, that they were looking to fill Gary's role or like how that looked like. What what did that look like on your end?Track 3:[2:25] Well, it was kind of a long process of, you know, knowing Bob from high school and then being in Manhattan and Brooklyn and meeting Stephen and Bob and David. And then knowing that they were having difficulties kind of with with Gary.Track 3:[2:46] I can't say that I didn't know that it might be coming. And there was a phone call, like you said. But um i didn't really you know you know it kind of blew me away when it when it happened i think it was on a pay phone in manhattan and i was working at a um at a gallery helping to put up some artwork for leo castelli oh wow and i talked to steven and he was like i don't know man just put those drumsticks in the oven and keep them worn because i don't know what it's going to happen. So, you know, he was, he was giving me a heads up, but he wasn't promising me anything and understandable because, you know, the things were up and down with Gary. And so, and then, uh, I really, when it actually happened, I don't really remember any other phone call where it was because we, Steven and I would see each other quite a lot. And we lived in Brooklyn and, And we would hang out together when he wasn't on tour.Track 3:[3:56] And, you know, we play music together with David. When Bobby wasn't around, we were I kind of sat in as a drummer for them for the Silver Dudes and those little jam sessions we'd have in Brooklyn. So that kind of was the thing that kind of eased me into the whole playing music with with Stephen as well as with David. Wow and I had a loft in Brooklyn on 1st and 1st I think it was.Track 3:[4:31] South fifth. And it was a really crappy loft and it had, you know, we can make a lot of noise and it was right next to the Williamsburg bridge. And yep. And there was a tiny room in the back that Steven and I rehearsed, all those crooked rain songs when, you know, Gary had broken up and I guess I had joined the band and then we were like there jamming he was kind of introducing me to those songs in this room you know smaller than the bedroom that you have right there it was a small room it was like 10 by 10 not even probably, and uh i remember the guys upstairs complaining and banging on the ceiling and i was like come on this is a loft this is what you do in brooklyn this is what you're here you're an artist and you're musicians, and you make noise. You get a loft, and you make art, and you make noise. Totally. Yeah, we rehearsed those a few times, and then went in to record in Manhattan.Track 3:[5:41] Wow. That's pretty whirlwind, too, then, right? Yeah, I mean, it happened over a couple of months, but over a summer, that summer of, I guess, 93, um spring when i think gary quit i'm not hard for me to remember all the logistics of that's that's cool that's cool this isn't uh uh that kind of podcast where we you know get too into the weeds yeah yeah so what do you remember about um like a first show or when did you meet the rest of the guys like you were you were jamming with steve and you guys were coming up with crooked rain stuff and you were you know laying down drums for it in manhattan at the um, at that uh oh my gosh i forget the name of it right now but that uh pseudo studio, right while i recorded that that's right yeah that's right um yes so i think what happened was that spring before we recorded Crooked Rain um.Track 3:[6:54] There was a Drag City Invitational, and it might have been late spring, early summer. And we drove out to Chicago and played that. And that was the first time I played with the full group.Track 3:[7:13] I played with Steven and his girlfriend, Alexa, and maybe Mark. And we played at a show in New York City for a matador like in reunion or something like that show but that wasn't really pavement and we just played new songs or whatever I don't know what it was but the first pavement show was at the drag city thing drag city invitational um it was at a club that was across the street from where Dillinger was uh captured caught shot and captured um in Chicago and uh you know a lot of great bands on Drag City were there and Silver Juice played and um I guess uh Royal Trucks played as.Track 3:[8:01] Well and they recorded those stood a bit of it in the basement and um I remember playing that show and we had never practiced so it was just kind of like guessing really about everything yeah I don't think we practiced at all no we just went out there and played it and i had played you know the some some of the songs with steven but you know the crooked rain songs but the old songs we had never played all together so i just had to kind of they knew them and i had to you know make sure i kind of knew them and we got through it was a short set but it was good yeah that's pretty cool that's that's pretty cool it would be a cool.Track 3:[8:43] Ticket stub to own for the, you know, the first complete Pavement Band show, you know? Yeah.Track 3:[8:53] So you getting your hands dirty with Crooked Rain, does that tend to be the record that you would go back to if you were the type of person to listen to your own content? I don't know if you do. Like, I don't know if you, you know, listen to records that you've been on or whether you, you know, sort of avoid it. Like, I don't listen to very many of these podcasts, for example, just because, you know, they're done. They're done. They're done. Exactly. Like, I got their history. Yeah. What is that like with you with records? Is there one that you go back to that you're really proud of or anything like that?Track 3:[9:30] No, I mean, technically, I just go back to listen to practice to them. So I'm prepared for whatever's coming ahead. But, you know, each one has different memories for me. And of course, Crooked Rain was this fresh guy trying to figure out how to play with Stephen as well as with the whole band live as well as the recording. Recording um and uh wowie dowie would probably be more of a band thing where i would be like that was nostalgic was a really fun recording session in memphis and everything so but you know they're all different and they all have good and bad memories so i don't go back to them to listen that way i'm not that old yet.Track 3:[10:24] But when i go to practice to him i try to practice to like our live stuff that we did this past year right as well as um the rehearsals that we did in portland and i have all like the hard drives of the breakdown of the songs and you know the tracks and everything so, i'm probably more prepared for what could be thrown at me as you know how we play the songs live as a as a six piece and how we record them over the years in different setups so right it's two different ways of you know being prepared for all the things to be thrown at you yeah i suppose so like i mean was this was this tour like the well i call it this tour but the 2022 tour was that the most you guys had rehearsed like for uh for a series of shows before.Track 3:[11:17] I think so. I mean, the 2010, I think we practiced about five or five to eight times. But this time was a much better environment. And I think we practiced at least 10 or 12 days to prepare for that Fonda show in, I guess it was L.A. Which was great. I was on that one. That was fantastic. That was fun. and we all worked really hard to you know learn a whole lot of songs and be prepared how many did you take on the road um i think it was around 60 jeez yeah 60 songs that we could somehow pull out you know yeah and do that's a lot that's a lot of songs yeah and i mean you You guys were playing like 25, 26 songs a night. So like Toronto shows, for example, I saw it back to back and it was like, they weren't completely different set lists, but it really kept it interesting, you know, to see you guys multiple times because you had this.Track 3:[12:26] You had this log of, of songs that you could just carry around. Right. And Bobby is the master of doing that. He keeps track of everything and really works hard at making the set list different every night, as well as having the standards that you should be playing, but not having those standards be the same standard every night. Yeah yeah i'll tell you what doing this top 50 countdown what i did was i asked people to send in their top 20 lists and when i when i did all the math there was 121 different songs that were chosen so obviously i'm only counting the 50 but there's that many songs in your catalog that people fucking dig like that's you know that's got to be daunting in a certain way when you know There's B-sides and things like that that you guys might not have even played once outside of recording. Yeah, recording. Yeah.Track 2:[13:27] Okay, so what do you say we give song number 16 a spin, Steve? That sounds great to me. All right, let's do it. We'll be back on the other side. Hey, this is Bob Nestanovich from Pavement. Thanks for listening. And now on with a countdown. 16 now.Track 2:[20:31] Fillmore Jive, number 16 on the countdown.Track 3:[20:35] It's the third song from Crooked Rain, Crooked Rain, behind Stop Breathing at 28 and Cut Your Hair at 21. So this song actually beats Cut Your Hair, which is, I don't know. Is that surprising? Is that surprising to you? No, I'd rather pick Fillmore Jive over Cut Your Hair. But, I mean, Cut Your Hair is the pop song. So yeah yeah that's why i was surprised it wouldn't be in the top five or something i was you know just looking at the spotify uh the spotify plays you know cut your hair is like way up there and bill more jive is not right right so is is it do you consider it like a deep cut like when you guys went to it on the most recent tour was it um was it a deeper cut in the bag of songs that you brought? Yeah, I say a deeper cut because I don't think we did it in 2010. And we hadn't done it for years in the 90s. I think we did it in 94 and maybe they did it with Gary too before me.Track 3:[21:51] So I would say it's a deep cut live but in terms of records records you know for people to really enjoy but it's a pretty great number yeah pretty historic number and it really uh puts a nice end to that album yeah i think so yeah it leaves you wanting more for sure yes like in a good way you know not not like yeah okay i was like oh is that insulting thing um what.Track 2:[22:24] Do you say we get back to film our job sorry i'm.Track 3:[22:30] We recorded that, and I don't know if Stephen and I ever played that song except for when we recorded it in Manhattan at Walleye's Place. And then we played it a few times in 94, a handful of times, and didn't really play it again until this previous past couple of years. And it was always up. People loved it. Yeah, I was looking on Setlist FM, and it's like, Like, you guys played it 79 times in total, according to Setlist FM, but probably about 20 times this last tour, maybe something like that. Okay. And I got to tell you, I found it really interesting that you picked Billmore Jive, because it's the song that you're waiting a minute, almost a full minute before the drums come in. Yeah. Right? Right. And then it's that big cacophonous, you know, like I need to sleep with the with the cymbal crash. And yeah, the song really picks up steam at that point. Right now that.Track 3:[23:39] OK, so that song, I think, is where Stephen kind of the producer or the engineer, Bryce Goggin, who. who mixed the album. We recorded it in a different place, but he mixed the album. He was giving Carl Blanc to make it as big as he wanted. Do all the tricks. Do all the production tricks. And the only thing was that there was this previous recording of the intro, like you're talking about, and I don't know if that was recorded at Bob's apartment in Hoboken or at Gary's, you know, uh, studio, um, um.Track 3:[24:24] But they had that previous recording, which he thought was great.Track 3:[24:28] But he wanted to have, you know, a different take for the rest of the song. So that's kind of how we did it. And he kind of, I know that if you could hear the raw track, you'd probably hear him saying, okay, now, you know, we're playing along. He's like, okay, now we're going to get really loud and get crazy. West, go crazy. And now we're going to go quiet. So there's no way I knew that song that well, well because we wouldn't have practiced it it's a long song it's yeah it's almost seven minutes right right it's a feel song and um i think he just kind of like talked me through it and it was just the two of us so there wasn't all that other you know instrumentation to play off of it was more just him talking singing and playing um and trying to get a i feel and it definitely got a feel good or bad it got a good it got a feel oh it's yeah it's got a great it's got a great feel to it i just i can remember going for walks when i discovered crooked rain like you know in 2000 or whenever it was uh i was way off the beaten track and um just walking around listening to crooked rain and it would get to that song and there was just i don't know there's just something about that cymbal crash into the into the you know the main thrust of the song and then bringing it down again you know as he's talking about the punks with spikes and and things like that yeah.Track 3:[25:57] Just like he's kind of narrating uh narrating a music history for like a past couple decades up to that point and um you know making it kind of bringing out the history of it you know talking about the punks and the nightclubs and where he is you know it's not real you can't put your finger on it but you feel like you're being educated in a way about some weird world yeah i agree, yeah i mean doing this has been really fun because on this half you know we talk about the song and just getting people's impressions of what you know these songs are about out is fascinating is really fascinating because you know steve doesn't leave too many breadcrumb trails for you to figure things out it's it's just sort of um these cool phrases and cool little, you know vignettes almost and uh it's just really neat to hear what people think of them and i like like your take on, you know, going through a music history. That's, that's fabulous.Track 3:[27:08] Yeah. Yeah. It was fun. Anything else you want to say about, uh, Fillmore Jive?Track 3:[27:17] Um i love film or drive for its faults as for its um its feeling just as much, because like i said you know i don't think we did it more than once and of course you can always improve if you get a chance to take a test more than once right but you have to look at it that way i have to look at it that way and i listened to it today and i was like wow that's pretty great you know i can hear the things that i would change but um you know on my part not on okay anyone else's part but um you sometimes you just you just have to go with the flow and that's kind of what, being in pavement is and was about it's kind of going out there and and playing the songs and recording the songs and recording a lot and having a lot to throw away or to be on b-sides and um And then put the ones on the album that sound the best and live with the good and the bad, because a lot of times the mistakes are the happy mistakes. And people kind of endear themselves to that. Yeah, I think so. I think so. Happy mistakes is a good way to put it. Yeah. You got to have those happy mistakes. Yeah. Go away with a happy mistake is a great thing to feel when you hit the recorder. I didn't mean to do that, but that sounds awesome.Track 3:[28:44] Yeah, isn't that what they say? When you mess up, you just do it again, and everybody thinks you're jamming. Yeah. Yeah, but, you know, the next time it doesn't have the same feel. And, you know, when you think about the different albums, like the last album, there was a lot of time put into making that album problem as really crisp and time oriented in time, you know, cleaned up a lot of the pavement sound. Right. And I've always said that. There's a good part to that because i really enjoy that album and the production that nigel did um, but you do miss a little bit of the soul of the band too agreed and then when you step back and you go yes but over the five or whatever albums we did they're all different and that's the difference in this album and it's still a pretty great album so i'm all all for it Yeah. So what does 24 bring you guys? You're going to South America.Track 3:[29:55] Yes. When's the last time you played South America? 2010. We played South America. We played one or two shows. No, at least two shows there. And this time you're doing four or five, right? You were doing four shows, one big festival, and then three other cities and like three other countries and um it's like four shows in, six days or something so after that i don't know i think we're probably going to go into hibernation but and we'll see if we'll come out like the groundhog or not.Track 3:[30:35] Well it's been awesome talking to you about film or jive and the rest uh steve you're amazing with your time that's um it really means a lot that you would do this so thanks so much well thank you jamie it's always a pleasure when i see you in person and talk to you on the phone and all of this zoom business too that's right yeah well thanks a lot talk to you soon right wash your hands.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Prepare yourself for a heart-stopping, soul-shaking journey into the darkest corners of human experience with Nathan Reynolds, a man whose life story reads like a high-octane thriller but is grounded in the chilling reality of trauma and redemption. In this unflinchingly honest episode, Nathan Reynolds recounts his harrowing upbringing amidst a criminal empire steeped in exploitation and blackmail. From a young age, Nathan was thrust into a world of abuse and covert operations, groomed in the "arts of silent killing" and trained to navigate the treacherous landscapes of both criminal and military worlds. His life unfolded in the shadowy realms of espionage, elite military units, and dark conspiracies, culminating in a deeply personal battle against the demons of his past. Through the lens of his groundbreaking book, Snatched from the Flames: One Man's Journey to Uncover the Family's Dark Blood Stained Secrets, Nathan exposes the sinister nexus of power and exploitation that plagued his early years. He reveals shocking allegations about organizations like the Knights of Columbus and their alleged collusion with dark forces, shaping a narrative that intertwines historical manipulation with modern-day horrors. Join us as Nathan unveils his raw and riveting experiences, from covert operations with JSOC and the CIA to his disillusionment with military hierarchies and intelligence manipulations. Hear the gripping account of his battle with the military establishment, his descent into despair, and his courageous decision to break his silence, even at immense personal cost. This episode dives deep into Nathan's traumatic brain injury, the cover-ups surrounding it, and his ongoing quest for justice and truth. Discover how his encounters with shadowy figures, covert missions, and unyielding corruption led him to a profound spiritual awakening and a call for a return to moral righteousness. With intense personal revelations, powerful stories of faith, and a clarion call for spiritual and moral awakening, Nathan Reynolds's story is one of extraordinary courage and unyielding resolve. Don't miss this chance to hear a firsthand account of the battle between light and darkness, and how one man's quest for redemption challenges us all to confront our own truths and fears. Tune in for an episode that promises to be as enlightening as it is electrifying.

We have a special bonus episode for you today! In honor of Lilly Pulitzer's 65th anniversary, Who What Wear joined the Lilly team for a live podcast event. Senior editor Anna LaPlaca and editor Jasmine Fox-Suliaman host this live conversation, tracing the origins of the brand back to its unlikely beginnings as a juice stand. Lilly Pulitzer—both the free-spirited founder and the iconic heritage brand—share an enthralling history you won't want to miss. Of course, our editors also discuss how they'd style their favorite pieces from the current collection. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.