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How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Thaaaats right! We're looking to never work again, and we need YOU! Make our quality content your ONLY content and get us out of our day jobs. Kyle wants to be in his happy place having a ball, Ato wants to go driving in NZ again. Jonathan wants to watch his kids play...help us make it happen. Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
We're fresh back from holiday, and we're getting the podcast car started. Let that engine warm up....but while we wait, sit back and contemplate with us about this Africa splitting, would your S/O make a free throw or you lose your life and who is on our list for the top 5 White Guys. Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
In another timeline, we would have had a McDonalds with a whites only window. Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
Everyone knows the feeling you get when you do something you're no supposed to. Whether it be coaching a kids team without having kids, Joining ICE only to screw them up or touch the soft spot on a newborn's head. Regardless, if you do then just be sure to feel the dip.Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
Title: Luke: Gospel of Love – “To Save the Unsavoury” Speaker: Pastor Yuri Hooker, with a reading of Holy Scripture and prayer by Ron Hooker Scripture Reference: Luke 5:27-39 View Text: New International VersionView Text: English Standard Version Length: 33:27 min.MP3 File Size: 22.9 MB Listen to Sermon: Download/Play Sermon MP3
Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
First off, shouts to JTG on his Bday, and happy SPOOKY day to you bootches!This ep we're calling it. We are too old to be handling yalls manual labor. There's contaminated monkeys, boomers who can't stop talking and Doordashers out here trying to ruin our peace...but thank god the console wars are over. Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
Larry Zuckerman is a local author with a new book entitled "To Save a Life." The story couldn't be more timely or relevant as Larry writes about immigrants in New York City in the early 1900s, Inspired by memories of his grandparents and a memorable visit to a Tenement Museum in NYC - the actual 'apartments' where these early residents lived and worked, this is a compelling story that has us considering, appreciating the people who contributed to the building of this country. Larry has a bookstore appearance at Third Place Books in Ravenna on Wednesday, Oct 29, 7pm. RSVPs appreciated.www.larryzuckerman.com See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
What you get back in the swing of things, working out, getting hair nice and healthy, pulling power moves on unsuspecting bathroom dwellers...you get back to what life is all about. We also ask the question...have you been called a N by people of another race?Tap inSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
We back and nerdier than ever as we kick it with Malcolm Eugene and his new project on Twitch crashcolecision | Instagram | YouTube Send us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
It's that time of the year! Another Spooky Season is upon us and we're in the spirit (Get It?)Do you think you can take a horror movie villain? Can you Fight with Freddy? Jump Jason? Squabble with Slenderman?Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/
What do Dame Dash, Disney and Dumb Trumpers have in common? They're all going broke, but not the QUEEN Cardi and her new album. Also, is Jimmy Kimmel a free speech warrior? Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/
We back like VD!! The greatest podcast in the world is back to bless your ears with everything you missed without our commentary. WE want YOU to sitcha
"The power of storytelling is to save us.... and to destroy us." Pulitzer Prize-winning author, Viet Thanh Nguyen, is deeply shaped by his identity as a refugee. Viet describes his upbringing, one without many books, one that dealt with violence and isolation, and one that made him incredibly interested in the Vietnam War. The two bond over the shared burdens that family takes on to start a new life and Viet talks about what it was like winning the most prestigious prize in literature for his debut novel, and how he was propelled from a professor to a public figure. Viet also speaks to the importance of sharing and uplifting refugee stories amidst the digital and political dangers facing today's society. Viet's latest book, “To Save and to Destroy”, an exploration of otherness and a call for political solidarity, is available now wherever you get your books. Learn more about your ad choices. Visit podcastchoices.com/adchoices
"The power of storytelling is to save us.... and to destroy us." Pulitzer Prize-winning author, Viet Thanh Nguyen, is deeply shaped by his identity as a refugee. Viet describes his upbringing, one without many books, one that dealt with violence and isolation, and one that made him incredibly interested in the Vietnam War. The two bond over the shared burdens that family takes on to start a new life and Viet talks about what it was like winning the most prestigious prize in literature for his debut novel, and how he was propelled from a professor to a public figure. Viet also speaks to the importance of sharing and uplifting refugee stories amidst the digital and political dangers facing today's society. Viet's latest book, “To Save and to Destroy”, an exploration of otherness and a call for political solidarity, is available now wherever you get your books. Learn more about your ad choices. Visit podcastchoices.com/adchoices
To Save a Herald - - FN Episode 262
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Animal Rescue Podcast: what you always wanted to know but didn’t know who to ask
Content warning for talk of suicide and suicidal thoughts. This week Jen Blough joins us again to discuss suicide in animal rescue. Recently, a well known rescuer took her life. While I do not know the specifics surrounding her situation, toxicity and harassment in the animal rescue world is all too common. Jen and I discuss risk factors for suicidality, things to look out for, how to be a support, and resources for yourself or those you know. If you or someone you know is struggling, please reach out for help. Humans were built for community, let's remember to be kind to each other and offer support when we can. Jennifer Blough is a licensed professional counselor, compassion fatigue coach, author of To Save a Starfish: A Compassion Fatigue Workbook for the Animal Welfare Warrior and the upcoming book Beyond Compassion Fatigue, and host of the Beyond Compassion Fatigue podcast ( https://beyondcompassionfatigue.podbean.com/). Listeners can find free resources, including a Suicide Prevention and Safety Plan download at www.animalwelfarewellness.com/free-resourcesSponsor:LIX - check out www.lixpetwellness.com to learn more about CBD for pets. Use code Rescuepod20 for 20% off your first order! Thanks for listening! If you liked what you heard, please rate, review, and subscribe. If you have ideas for future guests please email me at theanimalrescuepodcast@gmail.com or follow me @theanimalrescuepod on Instagram. You can also learn more about the organizations I interview and how to listen/watch at www.theanimalrescuepodcast.my.canva.site
Matthew 1:21, "She will give birth to a son, and you are to give Him the name Jesus, because He will save His people from their sins!" The essence of Christ's mission: To Save from Sin This verse is a glorious declaration of the very heart of the mission of the Lord Jesus Christ. Not salvation from suffering. Not salvation from political oppression. Not salvation from earthly poverty. But salvation from their SIN--that which separates man from God, damns the soul, and defiles every part of life. He did not come to be a moral teacher, a political reformer, or a cultural icon. He came to save from sin. Sin is not a light matter. It is the rebellion of the creature against the Creator, the transgression of God's holy Word, and the corruption of human nature. Sin stains every thought, word, and deed. Sin places every sinner under the righteous wrath of Almighty God. Therefore, the greatest need of every human soul, is not self-improvement or religious reformation, but divine salvation. Jesus did not come merely to forgive sin, but to save from sin. That means He delivers . . . from sin's guilt by His atoning death, from sin's power by His Spirit's indwelling presence, and soon from sin's presence altogether in eternal glory. He came not only to justify, but to sanctify. Any gospel that offers pardon without purification, or Heaven without holiness--is a false gospel. Jesus saves entirely--from the penalty, power, and pollution of sin. The objects of Christ's mission: His People WHO are the recipients of this glorious salvation? The text is unmistakably clear: "His people." Not all mankind indiscriminately, but those whom the Father gave to Him from eternity pas
Summertime hits the Dub, niggas out here sweating and as a PSA....wash that thang. We get into the APP celebrity McDonalds meal, plan on opening a Juke Joint and is Chinese Anime taking over the world? Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
What does it mean to be the “other”? Viet Thanh Nguyen, a South Vietnamese-born American writer links his personal story to US actions abroad and at home, discussing ICE raids, protests, and the war on Gaza, showing how these issues are deeply connected. In this episode: Viet Thanh Nguyen (@viet.thanh.nguyen.writer), Author, “To Save and to Destroy: Writing as an Other” Episode credits: This episode was produced by Chloe K. Li, Sonia Bhagat, and Haleema Shah, with Phillip Lanos, Spencer Cline, Mariana Navarrete, Sarí el-Khalili, Kisaa Zehra, Remas Alhawari, Marcos Bartolomé, and guest host Natasha Del Toro. It was edited by Noor Wazwaz. Joe Plourde mixed this episode. The Take production team is Marcos Bartolomé, Sonia Bhagat, Sarí el-Khalili, Tamara Khandaker, Phillip Lanos, Chloe K. Li, Ashish Malhotra, Haleema Shah, Khaled Soltan, Amy Walters, and Noor Wazwaz. Our editorial interns are Remas Alhawari, Mariana Navarrete, and Kisaa Zehra. Our guest host is Kevin Hirten. Our engagement producers are Adam Abou-Gad and Vienna Maglio. Aya Elmileik is lead of audience engagement. Our sound designer is Alex Roldan. Joe Plourde mixed this episode. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on Instagram, X, Facebook, Threads and YouTube
The Best Rapper Alive or did he make a Weezy F Album? Trump out in LA testing out his dictator powers.Is DreamCon losing it's soul?Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
Nothing beats free, even if it's on the backs of unknowing Hut workers. Also, is Streamer University a wild ass concept or have we crossed the threshold of oldheads? Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
What a week it's been! Narrowly avoiding getting The Hub banned and starting a new prohibition, Diddy on trial and our thoughs on Mothers Day and Sinners. Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
What's going ooooon?! The man the myth the absolute legend Kyle holds it down as the rest are out doing life stuff. Shouts to 3 Fingers and to you for tuning in. Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
We been away for a bit, but we didn't forget about you...and we brought a special guest who ain't really a guest but kinda is but is also the champ but...Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
Headlines for April 30, 2025; “Trump Is Trying to Break Us”: Trump Threats to Annex Canada Help Liberal Party Win Critical Election; DOGE Is Going Global: Elon Musk Is Inspiring Right-Wing Efforts Abroad to Gut Government Programs; Viet Thanh Nguyen on 50 Years After Vietnam War, Trump’s “Ugly American” Politics, El Salvador & More; “To Save and to Destroy”: Viet Thanh Nguyen on New Book Exploring Otherness, Refugees, Gaza & More
Headlines for April 30, 2025; “Trump Is Trying to Break Us”: Trump Threats to Annex Canada Help Liberal Party Win Critical Election; DOGE Is Going Global: Elon Musk Is Inspiring Right-Wing Efforts Abroad to Gut Government Programs; Viet Thanh Nguyen on 50 Years After Vietnam War, Trump’s “Ugly American” Politics, El Salvador & More; “To Save and to Destroy”: Viet Thanh Nguyen on New Book Exploring Otherness, Refugees, Gaza & More
Ever wonder how a BBL would fare in 0G?Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
Viet Thanh Nguyen came to the U.S. as a refugee from Vietnam when he was four years old. Growing up in San Jose, California, Nguyen remembers the moment he understood he was Asian-American. In his latest book, To Save and To Destroy: Writing as an Other, Nguyen examines the power in finding solidarity with other Others, especially in today's America.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
How would you survive in an Zombie Apocalypse?! Well if they got the BBL....
Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
Viet Thanh Nguyen came to the United States as a 4-year-old refugee after the end of the Vietnam War in 1975. His family eventually settled in San Jose. Nguyen went on to become a Pulitzer Prize-Winning novelist and memoirist whose books center the experience of Vietnamese people. As we approach the 50th anniversary of the end of the Vietnam War, we'll reflect on the war's lasting impact and what we have – and have not – learned from it. And we'll talk about his new book of essays, “To Save and to Destroy: Writing as an Other,” which explores the role of artists in political discourse. Guests: Viet Thanh Nguyen, author and professor at USC. His latest book is a collection of essays, "To Save and to Destroy: Writing as an Other." His previous books include the Pulitzer Prize-winning "The Sympathizer," "The Committed," and the memoir, “A Man of Two Faces." Bryan Vo, Forum intern Learn more about your ad choices. Visit megaphone.fm/adchoices
LANFest 39 is a wrap baybeeeeee, we stayed all 24 hours, shot the shit with the Quake players, Marveled at the Rivals battles and Crafted while in the mines..good stuff. Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/Follow us on:https://www.tiktok.com/@allpointspodcasthttps://www.facebook.com/allpointspodcasthttps://www.instagram.com/allpointspodcast/
We coming to you after a week of crazy shots fired across the landscape of hip-hop with a Kanye interview and the smack champ of 2022 Will Smith dropping anew album. We also get into a the strangest of addictions and What YOU would do if you were able to sever your work life and personal life. Tap InSend us Questions and comments:allpointsquestions@gmail.comFor exclusive All Points Content check us out on our Patreon https://www.patreon.com/AllPointsPodcast***USE PROMO CODE "AllPoints" TO SAVE 10% ON DUBBY ENERGY***https://www.dubby.gg/
Ivey Gruber, President Michigan Talk Network. To Save or Not to Save the Department of Education
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