Podcast appearances and mentions of Chrissie Hynde

Adam talks with British comedian Harry Enfield about cringey behaviour as adolescents, coincidental similarities between their Dads, why Chrissie Hynde called Harry 'sperm of the devil', whether satire actually makes any difference, King Charles' reaction to TV comedy show The Windsors in which Harry played Charles and why Paul McCartney has seen Harry's genitals.There's also a brief taste of Adam's new comedy series SUCCESSPOD - 2026 (Audible)Conversation recorded face-to-face in London on 6 April, 2026SUBMIT QUESTIONS FOR Q&A EPISODE: Adambuxtonpodcast@gmail.comThanks to Diggory Waite and Claire Broughton at Hattrick and Séamus Murphy Mitchell for production support.Podcast illustration by Helen GreenUPCOMING SHOWSADAM BUXTON BAND @ Hoxton Hall, London, 23 & 24 June, 2026 (Eventim)BUG BOWIE SPECIAL @ The Lightroom, London, 17 June, 2-4 July, 2026 (Lightroom)LATITUDE 2026 Line Up and day splits (Adam Buxton Band on Friday 24 July, 2026)ADAM BUXTON PODCAST LIVE WITH MAWAAN RIZWAAN @ Roundhouse, London, 5 April, 2026 (Roundhouse)RELATED LINKSHARRY ENFIELD & NO CHUMS TOUR 2026DESERT ISLAND DISCS with Harry Enfield - 1997 (BBC)HARRY ENFIELD AND NO CHUMS Review of Harry's 2026 live show - 2026 (Guardian)REVISIONIST HISTORY - THE SATIRE PARADOX - 2016 (Pushkin website)SINKING GIGGLING INTO THE SEA Jonathan Coe on satire - 2013 (London Review of Books)THE LOVE BOX IN YOUR LIVING ROOM Harry and Paul's Adam Curtis spoof/story of Britain's evolution over the last century through the life of the BBC - 2022 (BBC i-Player)HARRY AND PAUL'S STORY OF THE TWOS - 2014 (YouTube)WHERE'S THE BLOKE Harry and Paul with Catherine Shepherd - 2011 (YouTube)THE WRITER AND THE LANDLADY (Complete) Harry and Paul (YouTube)SAW YOU COMING Ruddy Hell! It's Harry And Paul - 2008 (YouTube)THE SURGEONS Harry and Paul Compilation (YouTube)RICKY GERVAIS Harry and Paul (YouTube)THE SELF RIGHTEOUS BROTHERS Harry Enfield and Chums - 1994 (YouTube)ANGRY COUPLE IN CAR Harry Enfield And Chums - 1994 (YouTube)THE PALACE OF RIGHTEOUS JUSTICE Harry Enfield's Television Programme - 1990 (YouTube)HARRY ENFIELD'S NORBERT SMITH - A LIFE - 1989 (YouTube)FRIDAY NIGHT LIVE Channel 4, including Stavros and Loadsamoney - 1988 (YouTube) Hosted on Acast. See acast.com/privacy for more information.

Even the bears know Edina's got fancy garbage, Chrissie Hynde is sick of phones at concerts and it's JUST ANOTHER DAY IN THE D! See omnystudio.com/listener for privacy information.

- La tracklist de l'album officiel de la Coupe du Monde 2026 est dévoilée - Chrissie Hynde, chanteuse de The Pretenders, dénonce "la compulsion bizarre" des spectateurs à filmer les concerts avec leurs téléphones - Taylor Swift fait publiquement l'éloge de "The Boys of Dungeon Lane", le nouvel album de Paul McCartneyHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Les classiques du jour : - Bruce Springsteen "I'm On Fire" - Toto "Hold The Line" - The Virgins "Rich Girls" Les nouveautés du jour : - Violet Grohl "Bug In The Cake" - Yoa "Yao" Le journal de la musique : - La tracklist de l'album officiel de la Coupe du Monde 2026 est dévoilée - Chrissie Hynde, chanteuse de The Pretenders, dénonce "la compulsion bizarre" des spectateurs à filmer les concerts avec leurs téléphones - Taylor Swift fait publiquement l'éloge de "The Boys of Dungeon Lane", le nouvel album de Paul McCartney Rock Trip : Direction la République tchèque avec Margaux Lassalle Le live du jour : Pink Floyd "Wish You Were Here" (Live at Knebworth, 1990) Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ce lundi, Margaux Lassalle met à l'honneur la légende britannique Sir Paul McCartney et son nouvel album intitulé "The Boys of Dungeon Lane". À quatre-vingt-trois ans, l'ancien membre des Beatles nous livre un disque profondément personnel, articulé autour de ses souvenirs d'enfance à Liverpool. Le titre du projet fait d'ailleurs directement référence à une rue de son ancien quartier. Co-produit par l'illustre Andrew Watt, cet album nous plonge avec nostalgie dans les jeunes années du musicien et ses premières amitiés marquantes avec George Harrison et John Lennon. Ce journal intime musical brille par sa richesse et sa variété, alternant entre douces balades et instants beaucoup plus nerveux. L'album s'ouvre sur "As You Lie There", un morceau aux changements de dynamique typiques de Paul McCartney, qui évolue d'un récit parlé vers un rock puissant. La patte moderne du producteur Andrew Watt se fait particulièrement ressentir sur le très radiophonique "Ripples in a Pond". L'émotion est également au rendez-vous avec "Down South", une touchante balade folk dans laquelle l'artiste se remémore ses trajets avec George Harrison à refaire le monde autour des guitares et du rock'n'roll. Le projet réserve aussi de très belles surprises, à l'image de l'événement "Home To Us". Sur ce titre qui évoque leurs humbles débuts dans un Liverpool ouvrier, Paul McCartney retrouve son ancien acolyte Ringo Starr, le tout sublimé par les voix de Chrissie Hynde des Pretenders et Sharleen Spiteri du groupe Texas dans les chœurs. L'album s'achève tout en grâce avec la magnifique pièce orchestrale "Momma Gets By", un vibrant hommage rendu aux femmes et aux mères. Rétrospectif, attachant et sincère, ce nouveau disque prouve une fois de plus le talent intemporel de l'artiste, dont l'énergie se déploie pleinement sur des titres directs comme "Come Inside".Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Aquest divendres Willie Nelson publica "Dream chaser", el seu 79

Ce 11 mai, dans RTL2 Pop-Rock Station on ouvre le bal avec Led Zeppelin et "Immigrant Song". La sélection réunit Depeche Mode, Electric Light Orchestra, Justice, Iron Maiden, Matmatah, Grant Lee Buffalo, The Doors, Pink Floyd, The Knife, Blur, Cream ou encore David Bowie. L'animatrice célèbre par ailleurs le 85e anniversaire d'Eric Burdon en diffusant "Bury My Body" de The Animals. Au registre des nouveautés, Jack White s'illustre avec "G.O.D and the Broken Ribs". Les Vendéens de Dynamite Shakers dévoilent "Cinema", tandis que Saint Agnes fait résonner "The Ghost". Marjorie Hache salue le retour de Paul McCartney, épaulé par Ringo Starr, Chrissie Hynde et Sharleen Spiteri sur "Home To Us". La primeur du jour nous vient du groupe londonien Deary, qui offre de douces sonorités shoegaze ravivant le souvenir des Cocteau Twins avec le titre "Alfie". L'album de la semaine met à l'honneur la Suédoise Lykke Li et son sixième disque aux accents pop revancharde, "Afterparty", illustré aujourd'hui par le morceau "Lucky Again". Enfin, la reprise de la soirée rend un vibrant hommage à George Michael, disparu il y a tout juste dix ans : le groupe Gossip, brillamment mené par la voix de Beth Ditto, s'approprie avec intensité l'inoubliable hymne "Careless Whisper". Led Zeppelin - Immigrant Song Jack White - G.O.D. And The Broken Ribs Animals - Bury My Body Arcade Fire - No Cars Go Justice - Neverender (Feat. Tame Impala) Iron Maiden - Run To The Hills Matmatah - Casi El Silencio Lykke Li - Lucky Again Electric Light Orchestra - Mr Blue Sky Grant Lee Buffalo - Fuzzy The Doors - L.A Woman Dynamite Shakers - Cinema Gossip - Careless Whisper Depeche Mode - Wrong Mesh - I Bleed Through You Pink Floyd - Have A Cigar Rammstein - Benzin Saint Agnes - The Ghost David Bowie - Rebel Rebel Paul McCartney & Ringo Starr - Home To Us Deary - Alfie Billy Idol - Eyes Without A Face The Knife - Heartbeats Cream - White Room Blur - French SongHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

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After trio took hiatus, MacAllister went solo Folk singer Laurie MacAllister's name is a letter off from that of a bass player for The Runaways, which oozed attitude in the 1970s and might have been a footnote in rock history but for founding member Joan Jett's hits in the 1980s. "A lot of women musicians, myself included, worship the ground she walks on," says MacAllister of Jett. "I first heard 'I Love Rock and Roll' at age 10. I remember exactly where I was and just lost it — but let's not forget Pat Benatar and Chrissie Hynde." Even though the styles differ, all these women produce music with moxie. Playing guitar, singing and stirring emotion, MacAllister will bring her songs to the Howland Cultural Center on Saturday (May 2). As with fictional settings, her songs make something out of nothing, like that moment in Cambridge, Massachusetts, when it's cold and wet and then the vignette turns into a break-up ode that crystallizes a fragment of the human experience ("Out of the Darkness"). To be a team player and round out the sound, she put down the guitar and picked up a bass for Red Molly, the folk trio with Hudson Valley roots. The band — MacAllister, Abbie Gardner and Molly Venter — shook up the folk scene with its polished look, sound and presentation. "When we played places that served alcohol, they improvised many drinks that have only one common characteristic: the color," MacAllister says, but when the pandemic hit, along with parenthood for one member, the trio split for now. MacAllister still seeks to subvert conventions. "I want to get away from the setup where the opener plays for 25 minutes, and then I come on for my slot," she says. "I have three male collaborators whom I work with, but I open each set and bring them in and out of the show." Joining her in Beacon will be Fred Gillen Jr., a longtime local folk performer who lived in Westchester County before moving upstate. This is her last live slot for a while. MacAllister, now based in Virginia, is taking a break to record an album before a fall tour. The woman has paid her dues: "I'm 56, so I can decide what to do," she says. With all the wordsmithing, chord changes and full-throttle vocals, it's easy to overlook her nimble guitar playing, which emits a big sound. She's also able to sing while fingerpicking — plucking out more intricate patterns with at least three digits — which is no mean feat. The test of talent is to execute something difficult while making it look easy. "At first, I figured it would be impossible, but I put in a lot of practice and, somehow, it happened," MacAllister says. While onstage, she seems to be on the verge of killing herself softly with her own songs. "I bring it to 95 percent, then I have to dial it back," she says. "If it makes people cry, that's a litmus test — like, if it gives me goosebumps — but it can only hit to a certain degree. We're poking at feelings, so even if I get physical reactions, I've got to be professional and gathered onstage." The Howland Cultural Center is located at 477 Main St. in Beacon. Tickets for the concert, which begins at 8 p.m., are $25 at dub.sh/macallister-hcc, or $30 at the door. To download music, see lauriemacallister.net.

On February 8th 2010 Chrissie Hynde of The Pretenders called into Pierre Robert's show. Their live record Live In London was just about to come out and Pierre was quite impressed with how it captured the raw and powerful sound of the band. They also discuss his golden retriever Lucy, Chrissie's relationship with alcohol and a moment that could've been with Pierre visiting Chrissie's hometown of Akron at her invitation.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Years spent at ground zero of UK punk. Years of almost-bands, near-misses, and stolen moments on the sidelines. Sex-shop violence, marriage schemes with the Sex Pistols, coin-studded belts, bicycle chains, and a woman who was always there as history was being made. Listen to find out how Chrissie Hynde survived the birth of punk, dens of squalor, and attacks by jilted lovers – only to stop time and finally answer back as the leader of The Pretenders. For a full list of contributors, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To listen to Disgraceland ad free and get access to exclusive bonus content, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook Fan Group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Years spent at ground zero of UK punk. Years of almost-bands, near-misses, and stolen moments on the sidelines. Sex-shop violence, marriage schemes with the Sex Pistols, coin-studded belts, bicycle chains, and a woman who was always there as history was being made. Listen to find out how Chrissie Hynde survived the birth of punk, dens of squalor, and attacks by jilted lovers – only to stop time and finally answer back as the leader of The Pretenders. For a full list of contributors, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To listen to Disgraceland ad free and get access to exclusive bonus content, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook Fan Group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

If you ever needed proof that the Rock and Roll Hall of Fame is less a museum and more a cultural argument with a gift shop, Episode 13 of On The Record opens by doing what the institution does best: stretching the phrase “rock and roll” until it politely accommodates everyone from Wu‑Tang Clan to Shakira, with a quick stop at INXS (or, as Michael once heard on the BBC, the new Australian sensation “Inks”). Brian runs through the 2026 nominee list like a gig guide for the afterlife—The Black Crowes, Jeff Buckley, Joy Division/New Order, Oasis, Phil Collins (solo, because apparently we're double-dipping now), Melissa Etheridge, Lauryn Hill, New Edition, Pink, Luther Vandross—and lands on the question that always makes the Hall quietly hilarious: who is this for, exactly? Michael's baffled by the ceremony mechanics (do nominees really “turn up hoping”?), while Brian reassures him it's not quite the Oscars, before casually dropping the detail that there's a public vote. Nothing says rock's rebellious spirit like “exercise our democratic right” via a link. The more interesting subtext, though, is what induction inevitably drags in: absence. Several nominees have key members who've died—Buckley, Michael Hutchence, Ian Curtis—prompting the kind of morbid logistics only a Hall of Fame can inspire. Michael wonders aloud whether New Order could be coaxed into a once-only appearance, and if so, would Peter Hook be anywhere near the bass, given the long-running fallout. Rock history, as ever, is part music, part family law. From there, the episode pivots into “telly as coping mechanism” territory.  Michael has started season two of Hijack, acknowledging (with Idris Elba's own executive-producer embarrassment) the inherent silliness of re-hijacking a man who has already been hijacked.  Brian, meanwhile, goes looking for light relief in bleak news cycles and discovers Resident Alien—a show he'd dismissed as fluff until it turns out to be fluff with enough teeth to feel like therapy. The alien-in-a-small-town premise becomes an excuse for a few sharp jokes about humanity's trajectory. But the main event is the week's shared homework: Paul McCartney: Man on the Run, the new documentary spanning the years between the Beatles' breakup and Lennon's murder.  Brian begins with dread—opening on “Silly Love Songs” is hardly a confidence-builder—but both hosts admit the film wins them over. They praise the craft: strong editing, collage-like imagery, and an effective “no talking heads (but their voices)” approach. Then they do the responsible thing and ask the awkward question: how honest can a documentary be when McCartney's own company financed it? Their answer is satisfyingly unresolved. Michael argues it's “warts-and-all enough” to avoid feeling like a total snow job—especially when the film lets other musicians (Nick Lowe, Chrissie Hynde) politely wonder what on earth Paul was thinking during the early, patchy years.  Brian agrees McCartney produced plenty of throwaway material, though he'll still go in to bat for Band on the Run and even dares to defend “Coming Up” (which Michael treats as a personal affront).  They both wish the doco lingered longer on the Lagos chapter, one of the few moments in the Wings story that feels like true risk rather than post-Beatles reputation management. The emotional spine, however, is Scotland. The documentary's portrayal of McCartney retreating to a remote farm with Linda is read here not as quaint pastoral cosplay, but as a survival strategy—grief, disorientation, and the sudden absence of the band-as-family.  The hosts talk candidly about parental loss, the Beatles as McCartney's “emotional prop,” and Lennon as the creative foil who kept Paul's “twee” instincts on a leash.  Linda comes out of it as both partner and lightning rod: necessary to him, mercilessly judged by everyone else.  Along the way, Brian remembers seeing Wings at the Myer Music Bowl in 1975 (yes, he was there), and the hosts revive Norman Gunston as the patron saint of awkward interviews—plus Michael's conspiracy theory that McCartney's infamous Japan marijuana bust may have been a deliberate exit strategy from a tour that Wings' hearts weren't in.  It's ridiculous. It's also, perversely, the kind of narrative logic rock biographies thrive on. By the end, the Hall of Fame is still a “broad church,” McCartney is still a genius with a questionable edit button, and Scotland remains the unlikely setting for both reinvention and retreat.  The biggest twist is that for two men who can't even land a sponsor, they spend 30 minutes proving the oldest rock cliché true: the past is never really over—someone's just nominated it. Important Links Rock & Roll Hall of Fame 2026 Nominees!  Paul McCartney: Man on the Run - Official Trailer | Prime Video  Syfy's Resident Alien - Official Trailer (2021) Alan Tudyk  Nineteen Hundred And Eighty Five (2010 Remaster)  The Art Of Paul McCartney  Paul McCartney - Maybe I'm Amazed  Paul McCartney - Norman Gunston 1975 

On this episode of The Movie Podcast, Daniel and Shahbaz are joined by returning friend of the show and Oscar, Emmy, and Grammy Award-winning Morgan Neville to discuss this new documentary Paul McCartney: Man on the Run. What happens when you wake up the morning after leaving the most important rock band of all time? In April 1970, Paul released his first solo album, McCartney. When asked what he'd do next, he said his only plan was to grow up. Man on the Run captures Paul's transformative decade in the wake of The Beatles' break-up and the rise of his new band Wings. Through stunning archival footage, Linda McCartney's exceptional photographs, and interviews with Mick Jagger, Chrissie Hynde, Sean Ono Lennon, Mary, and Stella McCartney, all the living Wings members, and of course Paul himself, the film examines this time through a uniquely vulnerable lens. Paul McCartney: Man on the Run is now streaming on Prime Video. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. EXCLUSIVE NordVPN Deal ➼ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://nordvpn.com/moviepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Try it risk-free now with a 30-day money-back guarantee! ⁠⁠⁠Check out our new ⁠⁠⁠⁠The Movie Podcast Clips Channel!⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

The black comedy thriller "How to Make a Killing" is inspired by the classic 1949 British film, "Kind Hearts and Coronets." But this version isn't quite sure what it wants to be. Glen Powell stars as an heir to a vast fortune who's been disowned by his callous family. He plots to bump off all his relatives who stand in the way of his inheritance. The audience is challenged to root for a guy who's obviously ethically challenged and Powell's charisma is a big help in that department. It's modestly funny, but the tone shifts in “How to Make a Killing” are so jarring that it may give audiences a case of whiplash. As a companion piece to his 2022 hit "Elvis," director Baz Luhrmann offers his first documentary, the concert film, "EPiC: Elvis Presley in Concert." Using previously unseen footage stored in a Kansas salt mine, Luhrmann creates a hybrid film that mixes concerts, rehearsals, press conferences and backstage footage into a riveting showcase. For the uninitiated, “EPiC: Elvis Presley in Concert” demonstrates why Presley was such a dynamic and popular performer. Paul McCartney's traumatic post-Beatles years are the focus of the involving Amazon Prime documentary, "Man on the Run.” It serves as a companion to McCartney's new book about his time with Wings. Oscar-winning director Morgan Neville skillfully sorts through a ton of footage to assemble a thoughtful look at both the considerable misfires as well as the tremendous successes McCartney experienced in the 1970s. Interviews with McCartney, his family as well as folks like Mick Jagger, Chrissie Hynde and Sean Lennon, make “Man on the Run” an enlightening and entertaining overview.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

We're showing our age with the hope that is in 80's Rock Docs.On this episode we are seeing the collision of two of our biggest passions; film restoration and 80's Pop Culture Rock Docs.  It's time for 'The Long Way Home'.From the late Michael Apted, and restored from the only existing 16mm print, supervised by producer Steven Lawrence and editor Susanne Rostock. 'The Long Way Home: Remastered and Expanded  (2026)  is a revealing, rollicking portrait of the Soviet underground rock legend Boris Grebenshchikov, who became the first to record in the West during the early, optimistic days of Glasnost. The film features Boris Grebenshchikov, Dave Stewart and members of legendary Russian rock band Aquarium, with special appearances by Annie Lennox, Chrissie Hynde, Ray Cooper, Crosby, Stills & Nash and many more.Playing this coming Wednesday at To Save and Project: The 22nd MoMA International Festival of Film Preservation this is an event that is a must see if you're in New York.We got to talk with producer Steven Lawrence about restoring this story, the additional epilogue he shot with Boris, working with Michael Apted, this films place in Rock Doc lore and so very much more....

Aaron Tap and Paula Kelley joined Wayne and Ben for another episode....only to have to rejoin Ben to record the episode again.  Find out why Wayne IS NOT on this episode.   Paula's discusses her new album "Blinking as the Starlight Burns Out" and then we dive into "Dusty in Memphis" from the legendary Dusty Springfield. Plenty of other discussion including Goffin & King, Randy Newman, second guessing yourself, smoldering, UB40 and Chrissie Hynde, the Carpenters, and much more. Check out Paula Kelley at:  https://paulakelley.bandcamp.com/album/blinking-as-the-starlight-burns-out/ Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

In this episode of She's All Over the Place, I had the wonderful opportunity to sit and chat with the producer, Steven Lawrence, to explore The Long Way Home: Remastered and Expanded (2026) Michael Apted's long-lost documentary about Soviet underground rock legend Boris Grebenshchikov and his extraordinary 1988 journey from Leningrad to the West during the early days of Glasnost. Filmed at a moment of rare optimism inside the USSR, the documentary follows Grebenshchikov as he records an album with Dave Stewart (Eurythmics), alongside Annie Lennox, Chrissie Hynde, Ray Cooper, and Crosby, Stills & Nash, becoming one of the first Soviet musicians to collaborate openly with Western rock stars. Remastered in 4K with new 5.1 sound and expanded with a newly created epilogue, the film now brings Boris's story up to the present: his disillusionment with post-Soviet Russia, his outspoken opposition to Vladimir Putin's war in Ukraine, and his eventual exile from his homeland. We discuss the film's disappearance for more than three decades, its rediscovery through MoMA's Film Preservation Festival, and why The Long Way Home now feels less like a period piece  and more like a warning, a memory, and a testament to the enduring power of music to resist censorship and tyranny. MoMA EVENT WEBSITE: https://www.moma.org/calendar/events/11134 MoMA SOCIAL MEDIA:o Instagram: @themuseumofmodernarto Facebook: facebook.com/MuseumofModernArt (@museumofmodernart) o LinkedIn: linkedin.com/company/the-museum-of-modern-art/ (@the-museum-of-modern-art) o TikTok: @museumofmodernarto Threads: @themuseumofmodernarto Twitter: @MoMAFilm Stay Connected with ME: https://www.chonacas.com/links/

Selena Fragassi publishes more books before 9am than most people do all day. Just last year, the always hustling music writer and journalist wrote and published books about Alanis Morissette, Sabrina Carpenter, Greta Gerwig AND her latest:  PEARL JAM LIVE — a hefty and thorough tome covering the band's 35 year history as one of the world's best live acts (it also features a forward written by Scott, but we digress). In between all the manic book writing, Selena somehow finds time for her regular gigs writing for the Chicago Sun Times, monthly appearances on WFLD 32 and contributing to every publication and outlet from SPIN to Loudwire. This week we talk to Selena about life moments with Cameron Crowe, fan letters to Donnie Wahlberg, looking Chrissie Hynde in the eye, what to do when Jim DeRogatis trashes all your favorite bands, the ineffable awesomeness of Bonnie Raitt, the sue-happy UN-awesomeness of Gene Simmons, and getting mammogram advice from Debbie Harry. Pretty awesome. PLUS: Ben gets gonged and our buddy John Oakes calls in with a report from the front lines in Minneapolis.

In this episode, I sit down with drummer Paul Stewart for a conversation that starts with how music can connect people across oceans and turns into a deep dive on taste, touch, craft, and the long arc of a career. Paul and I talk about how I first discovered his band The Feeling years ago from a CD a friend handed me after a gig, and how that one listen turned into a long-term appreciation for the songs, the playing, and the production. Paul shares why so many musicians connected with that sound, and how their work pulled from both the 70s world of Supertramp, 10CC, Elton John, and Fleetwood Mac, and the deeper 60s roots that fed that era, like The Beatles, The Stones, The Kinks, and The Zombies. We get into drum sound, why that thuddy, dead 70s tone fits their music so well, and how those choices shaped the identity of the recordings.Paul walks me through his origin story, from being hooked on drum sound as a kid, to getting his first kit at 12, to saying yes to every playing opportunity he could find. He tells an incredible story about a middle school teacher who stayed late after school so Paul could get extra time in the drum room, and we zoom out on how mentors, parents, and supportive educators change the course of a life. From there, we talk about preparation, professionalism, and the responsibility you carry in an ensemble, including how the anxiety of being underprepared can be its own lesson in why doing the work matters. Paul also shares a regret he has about not keeping his reading chops sharper, and why playing along with records became his true north as a drummer.We dig into influences from both sides of Paul's musical world, from rock and early Chili Peppers and Rage Against the Machine, to the cassette tapes an uncle sent that opened the door to jazz, funk, fusion, and players like Vinnie Colaiuta, Dave Weckl, and the Tower of Power world. Paul explains how the UK acid jazz scene became a significant pull, and how an acid jazz band at music college eventually evolved into The Feeling. We also talk about what it's like working with major artists outside the band, including how touring logistics can lead to local musicians being hired, and how surreal it can be to play iconic songs with legendary voices while still remembering they're just musicians on stage doing the same job.A meaningful part of our conversation is about performance anxiety, stage fright, and the emotional extremes musicians ride before, during, and after gigs. We talk honestly about confidence, coping, and what it means to choose a healthier path, and we acknowledge that even global superstars can struggle with fear right before walking on stage. Paul and I also reflect on the approaching anniversary of The Feeling's first album, how those songs were originally recorded as a weekend friends project without any expectation of success, and how playing them now carries twenty years of growth, finesse, and perspective while still honoring the original parts that make the songs work. We close with what Paul has been up to recently, including work with Anastacia, Paul Young, The Voice UK, and the broader creative world around the band, and why music remains a powerful source of joy, balance, and hope for people everywhere.Music from the Episode:Never Be Lonely (The Feeling)Everyday and All of the Night (The Feeling)Sun Won't Shine (The Feeling)I Want You Now (The Feeling)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Cartwheeling into 2026 with the usual cast of rock and roll heroes and pantomime villains. Behind you this week you'll find … … Boy George? Rick Wakeman? Chas Smash? Vanilla Ice? Pop stars who've done panto … will there ever be another Rock Knighthood? … Dylan, Elton, Chrissie Hynde and Lil Wayne mention Brigitte Bardot in songs: but who's seen any of her films? … “the Brigitte Bardot idea of beauty was conceived at the same time as the idea of rock and roll” … Chris Rea's obsession with Miles Davis – and the tale of Benny Santini … Billy Joel's ‘We Didn't Start The Fire' and ‘Hello' by the Beloved and their roll calls of saints and sinners … David saw Bob Marley at the Lyceum but now thinks he's seen a show that was even better … the great attraction of cinema is “our furtive dreams in the dark” … what Van Morrison owes Hugh McCracken for the intro to Brown-Eyed Girl … and birthday guest Andrew Slattery's Hepworth v Ellen SmashWaddy reviews quiz!Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cartwheeling into 2026 with the usual cast of rock and roll heroes and pantomime villains. Behind you this week you'll find … … Boy George? Rick Wakeman? Chas Smash? Vanilla Ice? Pop stars who've done panto … will there ever be another Rock Knighthood? … Dylan, Elton, Chrissie Hynde and Lil Wayne mention Brigitte Bardot in songs: but who's seen any of her films? … “the Brigitte Bardot idea of beauty was conceived at the same time as the idea of rock and roll” … Chris Rea's obsession with Miles Davis – and the tale of Benny Santini … Billy Joel's ‘We Didn't Start The Fire' and ‘Hello' by the Beloved and their roll calls of saints and sinners … David saw Bob Marley at the Lyceum but now thinks he's seen a show that was even better … the great attraction of cinema is “our furtive dreams in the dark” … what Van Morrison owes Hugh McCracken for the intro to Brown-Eyed Girl … and birthday guest Andrew Slattery's Hepworth v Ellen SmashWaddy reviews quiz!Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cartwheeling into 2026 with the usual cast of rock and roll heroes and pantomime villains. Behind you this week you'll find … … Boy George? Rick Wakeman? Chas Smash? Vanilla Ice? Pop stars who've done panto … will there ever be another Rock Knighthood? … Dylan, Elton, Chrissie Hynde and Lil Wayne mention Brigitte Bardot in songs: but who's seen any of her films? … “the Brigitte Bardot idea of beauty was conceived at the same time as the idea of rock and roll” … Chris Rea's obsession with Miles Davis – and the tale of Benny Santini … Billy Joel's ‘We Didn't Start The Fire' and ‘Hello' by the Beloved and their roll calls of saints and sinners … David saw Bob Marley at the Lyceum but now thinks he's seen a show that was even better … the great attraction of cinema is “our furtive dreams in the dark” … what Van Morrison owes Hugh McCracken for the intro to Brown-Eyed Girl … and birthday guest Andrew Slattery's Hepworth v Ellen SmashWaddy reviews quiz!Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Barry, Abigail, and special guest Carlo “from Canada” Sgro discuss Carlo's Phone-a-Friend selection, Version 2.0 by Garbage, and sample Carlo's choice of three Canadian porters: Stranger Than Fiction from Collective Arts Brewing in Hamilton, Ontario; Clifford Porter from Clifford Brewing Co. in Hamilton, Ontario; and Vanilla Porter from Side Launch Brewing Company in Collingwood, Ontario.Abigail always gets Collective Arts confused with Untitled Art in Waunakee, Wisconsin. Barry always gets it confused with Counterpart Brewing in Niagara Falls, Ontario.Carlo told the story of Shirley Manson calling Chrissie Hynde of The Pretenders to ask permission to use the lyrics “We were the talk of the town” in Special, since Manson had pulled those lyrics from The Pretenders' Talk of the Town. Hynde agreed, and did not ask for any credit or royalties, before even having heard Special, and rumor had it she was flattered by the ask.Hammering in My Head reminded Barry of Leave by R.E.M.Barry heard elements of both The Munsters theme and The Beach Boys' Don't Worry Baby in Push It. Unfortunately, he cannot claim credit at the AHSOSSAM for this find, as Garbage credited The Beach Boys for those lyrics and melody. Listen to our exploration of The Munsters Theme's many different iterations in last year's Halloween episode, New Belgium Halloween (New Wave Halloween & New Belgium Brewing)!Listen to Carlo's cleaning playlist!The Trick Is To Keep Breathing reminded Barry of Try Not to Breathe by R.E.M. Listen to the fabulous Song Exploder episode on Try Not to Breathe!Carlo was the only one to complete the resequencing homework assignment! Listen to Carlo's resequencing of Version 2.0!Up next… This Warm DecemberJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

The boys of the NYPD choir are still singing Galway Bay, so pour yourself a measure of the Rare Old Mountain Dew and warm your toes on the following … … Steve Lillywhite (in Bali!) remembers making Fairytale Of New York and how “a fiery redhead” kicked the Chrissie Hynde duet into touch … the most recent singer-songwriter you could call “a ledge”? … records we loved in our 20s but now feel a bit embarrassing … “discipline and economy, tension and release”: the immortal twangs and tweaks of Steve Cropper and how the MGs redefined the idea of a great record … Green Onions, I Thank You by Sam & Dave and the white heat of Otis Blue's 24-hour recording ... Tim Buckley's Greatest Misses ... performative listening: the exquisite awkwardness of the album playback! … the link between Imogen Heap and the Hissing of Summer Lawns … Jon Bon Jovi's version of Fairytale – “so bad they had to turn the YouTube comments off!” … plus Gram Parsons, the cult of the Blues Brothers, the Monochrome Set and a quiz from birthday guest Peter Petyt: spot the Hepworth/Ellen reviews of yesteryear! The new live version of Fairytale of New York: http://pogues.lnk.to/FONYLiveGlasgow1987 Josh Smith demonstrating Steve Cropper's guitar parts: https://youtu.be/LJEIwggKAsg?si=29weA4tBQE6ccj1-Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The boys of the NYPD choir are still singing Galway Bay, so pour yourself a measure of the Rare Old Mountain Dew and warm your toes on the following … … Steve Lillywhite (in Bali!) remembers making Fairytale Of New York and how “a fiery redhead” kicked the Chrissie Hynde duet into touch … the most recent singer-songwriter you could call “a ledge”? … records we loved in our 20s but now feel a bit embarrassing … “discipline and economy, tension and release”: the immortal twangs and tweaks of Steve Cropper and how the MGs redefined the idea of a great record … Green Onions, I Thank You by Sam & Dave and the white heat of Otis Blue's 24-hour recording ... Tim Buckley's Greatest Misses ... performative listening: the exquisite awkwardness of the album playback! … the link between Imogen Heap and the Hissing of Summer Lawns … Jon Bon Jovi's version of Fairytale – “so bad they had to turn the YouTube comments off!” … plus Gram Parsons, the cult of the Blues Brothers, the Monochrome Set and a quiz from birthday guest Peter Petyt: spot the Hepworth/Ellen reviews of yesteryear! The new live version of Fairytale of New York: http://pogues.lnk.to/FONYLiveGlasgow1987 Josh Smith demonstrating Steve Cropper's guitar parts: https://youtu.be/LJEIwggKAsg?si=29weA4tBQE6ccj1-Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The boys of the NYPD choir are still singing Galway Bay, so pour yourself a measure of the Rare Old Mountain Dew and warm your toes on the following … … Steve Lillywhite (in Bali!) remembers making Fairytale Of New York and how “a fiery redhead” kicked the Chrissie Hynde duet into touch … the most recent singer-songwriter you could call “a ledge”? … records we loved in our 20s but now feel a bit embarrassing … “discipline and economy, tension and release”: the immortal twangs and tweaks of Steve Cropper and how the MGs redefined the idea of a great record … Green Onions, I Thank You by Sam & Dave and the white heat of Otis Blue's 24-hour recording ... Tim Buckley's Greatest Misses ... performative listening: the exquisite awkwardness of the album playback! … the link between Imogen Heap and the Hissing of Summer Lawns … Jon Bon Jovi's version of Fairytale – “so bad they had to turn the YouTube comments off!” … plus Gram Parsons, the cult of the Blues Brothers, the Monochrome Set and a quiz from birthday guest Peter Petyt: spot the Hepworth/Ellen reviews of yesteryear! The new live version of Fairytale of New York: http://pogues.lnk.to/FONYLiveGlasgow1987 Josh Smith demonstrating Steve Cropper's guitar parts: https://youtu.be/LJEIwggKAsg?si=29weA4tBQE6ccj1-Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

One of our favorite returning guests, Miami drag icon Shelley Novak (aka Tommy Strangie), joins us to once again explore his life-long obsession with all things Chrissie Hynde as we discuss The Pretenders and their third studio album, 1984s 'Learning To Crawl'.  "Now come on, baby Get in the road..." Songs discussed in this episode: Absent Minded Me - Chrissie Hynde; Tommy Strangie - The Boas; Cuban Slide, Middle Of The Road - The Pretenders; Long Long Time - Linda Ronstadt; Back On The Chain Gang - The Pretenders; Working In The Coal Mine - Lee Dorsey; Mystery Achievement, Time The Avenger, Watching The Clothes, Show Me - The Pretenders; Vicar In A Tutu - The Smiths; Thumbelina - The Pretenders; Life In A Northern Town - The Dream Academy; Smalltown Boy - Bronski Beat; My City Was Gone - The Pretenders; Thin Line Between Love And Hate - The Persuaders; Tempted - Squeeze; Thin Line Between Love And Hate, I Hurt You - The Pretenders; Tell Laura I Love Her - Ray Peterson; Have Yourself A Merry Little Christmas, 2000 Miles - The Pretenders; Tommy Strangie - The Boas; Back On The Chain Gang (Pretenders cover) - Morrissey

Love comes in many forms - sometimes confrontational. Today's episode is a paean to a couple of dominating dames that lit up the punk scene in the late 70s. Johnny Rotten once stated that the only person that actually frightened him was the gone too soon, Poly Styrene of X-Ray Spex. That product of a Somali father and a British mother railed against consumerist culture, and her band's career might have been short lived, but their single, Oh Bondage, Up Yours! with it's bleating saxophone cavalry charge, blown by band mate Lora Logic, was a battle cry to aspiring Riot Grrls everywhere.The other indomitable mistress we wish to spotlight, Chrissie Hynde of the Pretenders, is still rocking 50 years later. This survivor from America's Midwest by way of England, -  this vegetarian restauranteur/punk legend, who fronted one of the most thrilling acts of the era, scored multiple hits across the pop spectrum, including this classic, Middle of the Road.X-RAY SPEXMarianne Joan Elliot-Said died prematurely at age 53, but she lived abundantly, migrating through several personae. Early on, she was a hippie, sleeping in crash pads and nearly dying from sepsis, which she contracted from stepping on a rusty nail while bathing in a stream. Later, inspired by seeing the Sex Pistols, she had found her calling. Choosing her moniker from the Yellow Pages, wearing braces on her teeth and Day-Glo outfits, she became a sensation. Like a comet, she streaked across the pop firmament and burnt out quickly, being diagnosed with bipolar disorder in 1978. She pursued a gentler and jazzier sound for her subsequent solo recordings, and in '83 became a Hare Krishna and a vegetarian. In February 2011 she revealed that she had been treated for breast cancer that had spread to her spine and lungs. She died later that year, yet in her short life she accomplished the nearly impossible: cultural immortality. THE PRETENDERSThe guitar signature, driven by Robbie McIntosh on 1983's Middle of the Road by The Pretenders creates an irresistible force, defining a clear road map for singer, Chrissie Hynde. It feels like she's behind the wheel, with the high beams on, going 120, roaring through the Ohio night, around the bend of a Rust Belt highway. She was already 33, and a single mother, as she tells us in the song. With one fist held high, she assures us that she'll be a survivor, and there's no shame in that. She's listed by Rolling Stone as 114 on its list of the 200 Greatest Singers of all time, and at 74, she's still going strong - still driving that muscle car of rock. This woman has ageless style and charisma. She is also a citizen of Great Britain, having moved there initially in '73, and almost marrying Johnny Rotten, Sid vicious, and Ray Davies (she has a daughter by the Kink).  After several misfires trying to start a band, her solo demo tape made it's way to Dave Hill, the owner of Real Records who helped her put the original Pretenders line up together, and the rest, as they say is “Herstory”.

“Suit yourself” -“Haz lo que quieras”- es la nueva entrega de uno de los grupos actuales más interesantes en la escena de Austin. Je’Texas, impecable trío comandado por el cantante y guitarrista Dylan Bishop, bebe con maestría del del sonido añejo de la Costa Oeste, aquel en donde se combinan blues y psicodelia, toques de folk, guitarras surferas y atmósferas lisérgicas.Playlist;(sintonía) JE’TEXAS “Frog song”JE’TEXAS “Perhaps a saturday”JE’TEXAS “Ballad of Arthur Gunter”GYASI “Lightning”GLYDERS “Stone shadow”KID CONGO POWERS and NAÏM AMOR “Murder we wrote”MONTEFURADO “Drifters”PAXARETO “El pan, la sal”NEIL YOUNG “Walk on” (grabación original de 1973)CHRISSIE HYNDE with JULIAN LENNON “It’s only love”POKEY LAFARGE “One you, one me”JD McPHERSON and POKEY LAFARGE “Good old Oklahoma”Versión y Original; BOB WILLS and HIS TEXAS PLAYBOYS “Good old Oklahoma” (1935) HONEYBEAR THE BAND “Devotion”Escuchar audio

Coming from a challenging, working class upbringing in the United Kingdom, Steve Jones discovered his outlet in music - as founding guitarist of the groundbreaking punk rock band the Sex Pistols. Despite the release of only one album,”Never Mind the Bollocks, Here’s the Sex Pistols,” the band changed the course of music and history - vocalizing issues of class in songs like “Anarchy in the U.K.” – and influencing fashion, art and society. Since then, Jones has continued to play music (both solo and with bands The Professionals and Neurotic Outsiders) and was the host of the popular, long-running radio show, “Jonesy’s Jukebox.” In 2022, his insightful memoir, “Lonely Boy,” was adapted into the FX television series, the Danny Boyle-directed “Pistol.” Steve Jones talks to host Alec Baldwin about the roots of punk rock, coming up alongside Vivienne Westwood and Chrissie Hynde, and the road to getting clean – and beginning life anew. Originally aired May 14, 2024See omnystudio.com/listener for privacy information.

durée : 00:55:39 - Very Good Trip - par : Michka Assayas - Ce soir, on passe une heure en compagnie d'une femme remarquable : Chrissie Hynde. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:58:16 - Very Good Trip - par : Michka Assayas - Ce soir, Michka Assayas met à l'honneur les voix féminines envoutantes et puissantes comme celles de Chrissie Hynde et Anna Calvi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Le 4 novembre, Marjorie Hache propose une RTL2 Pop-Rock Station percutante, entre énergie brute et curiosité sonore. L'émission s'ouvre avec The Charlatans et leur titre "Deeper and Deeper", issu du nouvel album "We Are Love". Suivent The B-52's, David Bowie pour l'anniversaire de "The Man Who Sold The World", et The Trashmen avec le classique "Surfin' Bird". Les moments forts s'enchaînent : Nine Inch Nails livre "As Alive As You Need Me To Be", extrait de la bande originale du film "Tron Ares", avant Florence + The Machine et "Buckle", coécrit avec Mitski. La nouveauté de Courtney Barnett, "Stay In Your Lane", célèbre quant à elle le retour de l'artiste australienne après quatre ans d'absence. La reprise du soir voit Chrissie Hynde des Pretenders interpréter "Me & Mrs Jones" en duo avec k.d. lang, tiré de son album "Duets Special". La seconde heure prolonge la soirée avec The Cure, Suede, The Who, The Hives, Beastie Boys, Blondie et Fugazi, avant la découverte du titre "Medium Machine" des Sports Team. The Charlatans - Deeper And Deeper The B-52'S - Love Shack David Bowie - Black Country Rock Ghinzu - Do You Read Me The Trashmen - Surfin' Bird The Chemical Brothers - Galvanize (Edit) Nine Inch Nails - As Alive As You Need Me To Be Florence + The Machine - Buckle Black Sabbath - Iron Man Linkin Park - Bleed It Out Billy Squier - The Stroke Courtney Barnett - Stay In Your Lane Chrissie Hynde - Me & Mrs Jones (Feat. K.D. Lang) The Cure - High Suede - June Rain The Who - Behind Blue Eyes Alanis Morissette - Thank U The Hives - The Hives Forever Forever The Hives Beastie Boys - No Sleep Till Brooklyn Poppy - I Disagree Sports Team - Medium Machine The Beatles - Twist And Shout Blondie - Atomic Fugazi - Full Disclosure Therapy? - Nowhere Die Spitz - Riding With My Girls Giorgio Moroder - ChaseHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week on Reelin'... The Featured Five Theme is The Graveyard Shift... Also, a CCR song inspired by John Fogerty's visit to a Fortune Teller in California... Music from a band named after the site of the first & second Battles Of Bull Run... Dickey Betts, The wife of Boz Scaggs, and a grave - What's the connection?... Which Blues Traveler album is a reference to Peter Pan & Neverland?... That time when Chrissie Hynde and Ray Davies attempted to get married... Plus, deep cuts from Joe Walsh, Rolling Stones, Buddy Guy, The Alarm, Jerry Garcia, Leftover Salmon, The Youngbloods, and much more! For more info on the show, visit reelinwithryan.com

Interviews, Commentary, Music - Warner Music Entertainment

La veterana cantant de The Pretenders publica "Duets special", un disc en qu

Brooklyn Dekker porta sempre un barret de palla amb forma de l

Episode 428 of Friends Talking Nerdy is a celebration of women who didn't just rock the stage but bent the rules of the game, reshaped culture, and left scorch marks on the history of music. Professor Aubrey and Tim the Nerd dive into their favorite women rock and roll stars, not just rattling off names but unpacking what made these artists lightning rods for change.The conversation moves track by track like a lovingly curated mixtape, which they made availble on YouTube. They start with Pat Benatar's anthemic “We Belong,” discussing how Benatar combined powerhouse vocals with a sense of vulnerability that made her a radio staple without softening her edge. From there, they barrel into the raw energy of Janis Joplin's “Move Over,” talking about how Joplin embodied a feral, unapologetic energy that made her voice feel like a declaration of war. Kathleen Hanna and Le Tigre's “Much Finer” prompts Aubrey to bring in the riot grrrl movement, with Tim marveling at how Hanna's blend of activism and art feels more vital now than ever.When Jefferson Airplane's “Somebody to Love” comes up, they highlight Grace Slick's psychedelic snarl and how she stood toe-to-toe with the male counterculture icons of her era. Joan Jett's “Bad Reputation” naturally gets both of them fired up—Tim noting how Jett weaponized punk's simplicity, while Aubrey points out that her career longevity is proof she wasn't just a “bad girl” novelty. They lean into Stevie Nicks' “Edge of Seventeen,” marveling at her voice's mythic qualities and the way she carved out her own witchy rock persona that still resonates across generations.From The Pretenders' “Back on the Chain Gang” to Blondie's “One Way or Another,” the hosts highlight the unique blend of grit and sophistication Chrissie Hynde and Debbie Harry brought to the table. Tina Turner's “Private Dancer” inspires a passionate sidebar on resilience, survival, and the way Turner reinvented herself against impossible odds. And Hole's “Celebrity Skin” brings the discussion full circle, with Aubrey making the case that Courtney Love's voice—half sneer, half scream—was a necessary counterweight to the sanitized pop machine of the late ‘90s.After the amps cool down, the duo pivot to television, giving their first impressions of South Park's Season 27 debut. They note how the new season takes aim at the current American political landscape with a sharpness and weird clarity the show hasn't always nailed in recent years. Tim points out that the difference between South Park's take on the first Trump Administration years and now is like night and day—back then, the writers seemed shell-shocked, unsure how to lampoon chaos that already felt like satire. Professor Aubrey adds that the new season feels more like the show's golden years, where cultural absurdity is filtered through the bizarre but laser-focused worldview of four Colorado kids. Together, they agree that this season might mark a creative resurgence for the long-running series.The episode balances music history and cultural commentary with the usual Friends Talking Nerdy flavor—part nerdy scholarship, part passionate fan energy. By the end, listeners get both a playlist of iconic women who changed the sound of rock forever and a thoughtful dive into how South Park still finds a way to speak to the strange moment we're all living through.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

Pat welcomes guitarist, singer and songwriter James Walbourne to the Zoom Room to promote the new His Lordship album "Bored Animal" and discuss his career in music with Pretenders and The Rails!Credit Photo of James Walbourne by Photographer Larry NieheusSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's hard to describe the music of James Hood. And that's a good thing. His work is transporting and powerful and makes you question the basic of idea of music- what is it? Where is it in nature? How deeply felt are the tones and sounds?Heidi sat down with James to talk about his most recent work, "Quantum Mind Carnival." For more information, check out James' website.

In this episode, I take you on a journey through the electrifying world of rock music, spotlighting the legendary women who have shaped the genre. From trailblazers like Joan Jett and Stevie Nicks to modern icons like Hayley Williams, I explore their groundbreaking contributions and enduring legacies. Join me as I uncover the stories behind their most famous hits and how they've inspired generations of musicians. Tune in for an unforgettable journey through the powerful voices and unforgettable riffs that define rock history. FEMALE ROCKERS AND SOME TOP SONGS...Janis Joplin - "Piece of my Heart" and "Me and Bobby McGee"Joan Jett - "I Love Rock 'n Roll"Stevie Nicks of Fleetwood Mac - "Rhiannon", "Dreams", and "Edge of Seventeen"Pat Benatar - "Love is a Battlefield"Debbie Harry of Blondie - "Call Me" and "Heart of Glass"Ann Wilson of Heart - "Barracuda"Chrissie Hynde of The Pretenders - "Brass in Pocket"Delores O'Riordan of The Cranberries - "Zombie"Courtney Love of Hole - "Celebrity Skin" and "Violet"Shirley Manson of Garbage - "Only Happy When it Rains"Amy Lee of Evanescence - "Bring Me to Life" and "My Immortal"Hayley Williams of Paramore - "Misery Business"Lzzy Hale of Halestorm - "Darkness Always Wins"Taylor Momsen of The Pretty Reckless - "Heaven Knows" and "Going to Hell"Florence Welch of Florence + The Machine - "Shake it Out" and "What Kind of Man"Grace Slick of Jefferson Airplane - "White Rabbit"Alanis Morissette - Jagged Little Pill albumMelissa Etheridge - "Come to my Window" and "I'm the Only One"Patti Smith - Horses albumKim Deal of Pixies and The Breeders - "Cannonball"What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

In this highly scientific and not at all petty episode of Past Tens, Dave and Milt throw down in the only arena that really matters anymore: pop culture debates. It's the Past Tens Riff-Off, where no sacred cow is safe, every cow is delicious, and every opinion is shouted like it's 1986 and you just lost your cassingles collection. The format? Timed debates. The stakes? Imaginary. The judgment? Left up to you, our dear listeners with way too much time on your hands. From Freddie Mercury vs. Mick Jagger (tight pants vs. tighter pants) to the eternal dilemma of whether a hot dog is a sandwich (it's not, calm down), Dave and Milt spar over music, movies, TV, theme park rides, game show hosts, and more. Along the way, you'll hear grunts, woos, awkward impersonations, and the occasional moment of clarity. Then you vote on our Facebook page to settle the debates because we're way too biased to be trusted. Timestamps for your convenience (or if you're hate-skimming): 00:00 – Welcome to Past Tens (you know the drill) 00:56 – Warning: Musical debates ahead 01:56 – The Riff-Off explained (kind of) 05:43 – Debate 1: Freddie Mercury vs. Mick Jagger (glam vs. strut) 11:26 – Debate 2: Pirates of the Caribbean vs. Space Mountain (eyeliner vs. nausea) 18:40 – Debate 3: Chrissie Hynde vs. Stevie Nicks (scowl vs. shawl) 24:20 – Debate 4: Top Gun ‘86 vs. Maverick ‘22 (volleyball vs. trauma) 29:52 – Debate 5: “Holiday Road” vs. “I'm Alright” (Lindsey Buckingham tries, Kenny Loggins is alright) 35:36 – Coin flips and shameless begging for votes 36:26 – Debate 6: Trebek vs. Sajak (intellect vs. wheel-spinning) 41:35 – Debate 7: “Woo” vs. “Uh!” (James Brown intensifies) 47:44 – Debate 8: Al Michaels vs. John Madden (miracle calls vs. turducken) 53:07 – Debate 9: “Come On Eileen” vs. “Turning Japanese” (one-hit wonderland) 58:45 – Final Debate: Is a hot dog a sandwich? (Yes, we're doing this.) 01:06:53 – Wrap-up and wild speculation about future episodes

Welcome to Part 2 of our deep dive into Live Aid as it turns 40. In Part 1 we spoke about the creation and buildup to the event on July 13, 2025 at Wembley Stadium in London and JFK in Philly. It was billed as a legendary fundraiser to support starving people in Africa organized by Bob Geldof which attracted some of the greatest artists of several generations. On our second installment, we break down the live acts throughout the day in the US and during the prime afternoon and evening times in the UK. While some stand out fo incredible performances (The Wolf was partial to Chrissie Hynde and the Pretenders among them), some top of the charts performers hit some bad notes (yes, we're going there). And of course, we discuss the infamous Led Zeppelin reunion and interview with Alan Hunter. Part 3 will be released July 13, 2025 to coincide with the 40th anniversary of Live Aid. We are excited about 2 interviews with people who were at the stage in Philadelphia that day, including one of the original MTV VJs. HINT: It's not JJ Jackson :( Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

There are people in rural Mexico for whom Mezcal is 100% cultural heritage. And there are people there for whom it's 100% business — sometimes tied to cultural heritage but sometimes tied simply to paying for food, clothing, shelter, and life's aspirations and pleasures. So what does it mean when that business side taps into the cultural heritage side to increase business? It's a thoughtful, precious episode of Agave Road Trip!Agave Road Trip is a critically acclaimed, award-winning podcast that helps gringx bartenders better understand agave, agave spirits, and rural Mexico. This episode is hosted by Lou Bank with Shawn Miller of PKGD Group.Episode NotesShout outs this episode to Ultramundo Mezcal, Mezcal Palomo, Chrissie Hynde, Sleep Walk's award-winning Blanco Jaguar chocolate bar, red Solo cups, DC Chocolate Festival, Linda Sullivan, The Tequiladies, Connie, and Mezcal Lalocura!

#378 Test Card Girl - Rich has freaked himself out by attempting to cure the aphantasia (that he suffers with in silence). His guest is John Craven sanctioned Newshound Samira Ahmed. They discuss the legacy of Mary Whitehouse and whether it's OK to point out the positive things that someone with some unacceptable views has done, the bravery of taking your employer to court in order to secure equal pay, whether appearing on Mastermind is more scary than being in a war zone, the young Richard Herring's clumsy attempts at seduction, your mother being prouder of a puppet you than the real you, interviewing Sooty, being at the trail of Madonna's stalker, whether Chrissie Hynde is terrifying or not and what happens when a young reporter can't find the radio van.SUPPORT THE SHOW!Watch our TWITCH CHANNELBecome a badger and see extra content at our WEBSITE See details of the RHLSTP TOUR DATES Buy DVDs and Books from GO FASTER STRIPE Become a member at https://plus.acast.com/s/rhlstp. Hosted on Acast. See acast.com/privacy for more information.