POPULARITY
26 episodes with two faces
3 episodes with two faces
4 episodes with two faces
3 episodes with two faces
5 episodes with two faces
5 episodes with two faces
4 episodes with two faces
4 episodes with two faces
4 episodes with two faces
2 episodes with two faces
4 episodes with two faces
3 episodes with two faces
3 episodes with two faces
3 episodes with two faces
2 episodes with two faces
8 episodes with two faces
3 episodes with two faces
2 episodes with two faces
The most expensive financial advisor many people will ever have doesn't send an invoice. It doesn't show up on a fee disclosure. It never introduces itself. But it has shaped more financial decisions, and quietly eroded more wealth, than almost any market downturn, bad product, or conflicted advisor ever could. That advisor is fear. Fear is the most expensive financial advisor you'll ever have because it rarely looks like panic in the moment. It often feels like wisdom, caution, urgency, or responsible planning. And it tends to show up in two forms. There's the fear of losing what you have, driving over-protection, paralysis, and a growing pile of products you can barely explain. And there's the fear of missing out, driving premature decisions, underestimated risk, and the nagging sense that you need to move before the window closes. Neither version is obviously destructive from the inside. Both feel like good judgment at the time. https://youtu.be/OY4kzrZGsYU This article isn't an argument against caution, protection, or careful planning. It's an argument for knowing the difference between a decision made from purpose and one made from panic. Because that difference, compounded over years, is enormous. Key takeaways:Fear Is Subjective, and That's Why It's So Hard to AddressHow Financial Fear Gets ManufacturedThe Two Faces of Financial FearWhat Fear-Based Decisions Actually CostThe Opportunity Cost of Displaced CapitalThe Coordination Cost of FragmentationThe Advisory Cost of Fear ManagementThe Confidence Cost Nobody Talks AboutSigns Your Financial Life Is Running on FearThe Antidote Is Clarity of Purpose, Not FearlessnessSafety, Liquidity, and GrowthThe LIFE FrameworkThe Wealth Creator's Cash Flow SystemProtection Is Not Fear, When It's Done RightStart With Clarity, Not FearBook a Strategy CallFrequently Asked QuestionsWhat is fear-based financial decision-making?How does financial fear affect long-term wealth?What is the difference between fear-based planning and prudent planning?What does "clarity of purpose" mean in financial planning?How do I know if my financial advisor is managing through fear?What is the LIFE framework for financial planning? Key takeaways: Fear operates as a financial advisor that most people never identify or fire It appears at both ends of the risk spectrum: loss aversion and fear of missing out Much of the financial marketing ecosystem is designed to manufacture and amplify fear The hidden costs of fear-driven decisions don't appear on any statement Clarity of purpose, not fearlessness, is what replaces reactive decision-making Frameworks like safety/liquidity/growth and the LIFE model transform fear into strategy Fear Is Subjective, and That's Why It's So Hard to Address Financial fear is not a character flaw. I want to be clear about that from the start. It's a real emotional experience, and throwing a spreadsheet at someone who is genuinely afraid does not help them. That approach respects the numbers, not the person. Behavioral finance research has spent decades documenting this: logic alone doesn't move people out of fear. Education does, but only when the emotion is acknowledged first. Fear is also deeply subjective, which makes it especially difficult to work with. Ask two people how much risk they want to take, use a word like "moderate," and you'll get two completely different answers. And that's before anything has actually happened. Real risk tolerance isn't revealed on a questionnaire. It's revealed when the market moves, when the headline is bad, when the number on the screen is lower than it was last month. There's a question worth sitting with: if your portfolio could go up $50,000, but you had it positioned too conservatively to capture it, versus if your portfolio simply dropped $50,000, which one would keep you up at night? Neither answer is wrong. But your answer tells you something real about which form of fear has more influence over how you make decisions. Loss aversion and the fear of missing out are both fear. They just feel different from the inside. The goal here isn't to eliminate that fear. That's not possible, and it wouldn't be useful even if it were. The goal is to help you recognize when fear is driving your financial decisions rather than informing them. That recognition, small as it might seem, is where things start to change. How Financial Fear Gets Manufactured Some of the fear you carry is yours. You developed it through experience: a job loss, a market crash, a parent who ran out of money before they ran out of life. That fear is real, and it deserves to be understood on its own terms. But some of the fear in your financial life was handed to you. And it's worth knowing the difference. Much of the financial media and marketing ecosystem runs on fear. Headlines about market crashes, dollar collapse, sequence-of-returns risk, and outliving your retirement savings: these are real concerns, but they're frequently presented in ways designed to provoke a reactive emotional response rather than a considered decision. Fear sells because it works. Money psychology is clear on this: emotions drive financial action more reliably than information. A financial professional who leads with a terrifying scenario creates urgency. A product that promises to solve that scenario feels essential. Before acting on a financial fear, ask yourself whether it was yours before the conversation. Did you have this concern before you saw the headline, heard the pitch, or sat through the seminar? Or did someone hand it to you? None of this means every financial professional who raises difficult scenarios is acting in bad faith. Many of those scenarios are genuinely worth planning for. But there's a meaningful difference between naming a risk so it can be addressed deliberately and naming a risk to generate anxiety that only one specific product can relieve. The result of a financial life assembled from responses to manufactured fear tends to look the same: a collection of individual products that each solved a specific scary problem, with no one asking whether those products coordinate, complement each other, or serve a single unified strategy. A friend of mine once described the advice her sister gave every customer at the furniture store where she worked: start with a vision, know what you want the room to feel like, and choose everything together. Because buying one piece at a time and hoping it comes together almost never produces something coherent. You can furnish a room that way. You just can't furnish a room that works. A financial life built on fear works the same way. The Two Faces of Financial Fear Most people think of financial fear as loss aversion, the fear of markets dropping, money disappearing, and security evaporating. And that version is real. It drives people toward over-protection, toward keeping too much in cash, toward accumulating overlapping insurance products because each one addressed a specific nightmare scenario that someone painted vividly enough. But there's an equally destructive form of fear sitting on the other end of the spectrum - the fear of missing out (FOMO). This is the fear that drives people to retire before their plan can genuinely support it, not because the numbers work, but because they're afraid of missing the active, healthy years of their life. It's the fear that pushes people toward high-return investments they don't fully understand because everyone else seems to be participating. It's why some people avoid protection strategies entirely: buying life insurance or long-term care coverage feels like an admission of vulnerability they're not ready to make. Imagine it as a bell curve, with loss aversion on one end and FOMO on the other. Neither extreme produces good decisions. The healthy middle is what I'd call abundance thinking: recognizing that money is a replenishable resource, created through relationships, knowledge, and purposeful action. It doesn't ignore risk. It addresses risk from a position of intention rather than anxiety. What Fear-Based Decisions Actually Cost The real expense of fear-driven financial decisions is that almost none of it shows up anywhere you'd look for it. There's no line item. No statement entry. No advisor who sends you an invoice for the cost of reactive decision-making. The costs are real, they compound, and they're almost entirely invisible. The Opportunity Cost of Displaced Capital Every dollar invested in a product purchased out of fear is a dollar that can't be deployed into a more coordinated strategy. If that product carries surrender charges, penalty periods, or reduced liquidity, the cost compounds further. What that capital could have produced in a more purposeful position never appears on any statement. It simply doesn't exist. The Coordination Cost of Fragmentation Fear-driven purchasing happens one product at a time, in response to one scary scenario at a time. The result is strategies that contradict each other: a product purchased to address a tax concern working against an investment approach, a protection strategy drawing capital away from the foundational work that would amplify everything else. Nobody is watching the whole picture. Nobody has an incentive to. Financial fragmentation is expensive, not because any individual product is wrong, but because nothing is coordinated. The Advisory Cost of Fear Management An advisor who manages primarily through fear has a structural incentive to keep that fear alive. This isn't necessarily malicious, but it's worth recognizing. Fees aren't inherently bad. What matters is whether the fee is buying clarity and coordination, or just temporary relief from anxiety. The Confidence Cost Nobody Talks About This is the most invisible cost of all....
Thanks & Credits to KULUKKAI YouTube Live into a compelling and bold conversation with veteran Tamil Scholar and writer, M. Nannan. In this exclusive, thought-provoking interview, M. Nannan makes a controversial but strong assertion: "No government in India has done as much good for the people as the DMK."He meticulously details the history and enduring impact of the Dravidian Movement, analyzing the monumental social justice and welfare schemes implemented by the DMK governments under leaders like Anna (C.N. Annadurai) and Kalaignar (M. Karunanidhi).The two-hour discussion covers:A critical comparison of DMK's governance with national parties like the Congress.The evolution of Tamil Nadu Politics and social reform since the 20th century.The philosophy of self-respect, the role of Tamil language, and the influence of cultural institutions.M. Nannan's personal life and his political awakening through the Dravidian ideology.A must-watch for anyone interested in Tamil History, Social Justice, and the unique political trajectory of Tamil Nadu.[00:00] Introduction: "DMK is the Greatest Welfare Government in India"[02:47] Dravidian Ideology, Social Reform and Political Challenges[07:47] Critiquing the Congress Party's Stance on Dravidian Politics[13:45] The Role of Art, Literature, and Oratory in Tamil Political Discourse[17:49] M. Nannan's View on Congress's Two Faces in Tamil Nadu[27:02] The Importance of Cultural Institutions and Media in Politics[35:18] M. Nannan's Early Life, Education, and Political Awakening[41:09] Critiques of National Politics and Central Government Schemes[52:12] The Core Philosophy of Language and Self-Respect[01:03:04] Philosophical Interpretation of the Term 'Rowdy' in Politics[01:10:00] Detailed look at the Dravidian Movement's Core Principles[01:17:48] Analyzing the Evolving Political Landscape in Tamil Nadu[01:31:00] M. Nannan's View on the Future Trajectory of Tamil Politics[01:39:40] The Impact and Power of Public Rhetoric and Political Oratory[01:56:59] The Legacy of the Madras/Tamil Nadu Transport System (MTC)[02:04:10] Final Summary of DMK's Pro-People Governance#DMK #MNannan #TamilPolitics #DravidianMovement #Kalaignar #SocialJustice #TamilNadu
In this episode, “The Invisible Dan” and “Monster Mike” finally dive into their first genuine adaptation of Robert Louis Stevenson's classic gothic novella Strange Case of Dr. Jekyll and Mr. Hyde, and boy, it's a doozy! Join them as they discuss Paul Massie's unique dual role as the homely Dr. Jekyll and the handsome Mr. Hyde, the return of horror icon Christopher Lee in a non-monster role, plus another big screen icon making his first Hammer appearance, Hammer's trademark use of bold colors, what constitutes a monster movie, and why The Two Faces of Dr. Jekyll is far and away the most salacious film they've discussed so far! Trigger warning for this episode: Sexual assault If you enjoy this episode, and want to support the show, check out our Patreon!
Listen to the rest with a 7 day free trial at our Patreon!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode of Catch These Vibes, host Nique discusses two romantic comedies: 'You, Me, and Tuscany' and 'The Mirror Has Two Faces.' Nique shares her thoughts on the films' storylines, character development, and the importance of representation in rom-coms. She reflects on her love for romance in movies and the impact of these stories on her perspective on love and relationships. The episode concludes with Nique's plans for future episodes and a hopeful message about finding love.
In this podcast, Tavershima breaks down how to manage money better, whether you're in Nigeria or anywhere else in the world. The goal is simple: stop living paycheck to paycheck and start building long-term security.Key Takeaways: * Growing Your Money: It's not just about earning; it's about understanding how wealth builds over time. * Saving vs. Investing: Saving keeps your money safe, but investing makes it grow. Just remember: if you want higher returns, you have to be comfortable with higher risks. * The Two Faces of Debt: Good Debt is Borrowing to buy things that make money (assets).Bad Debt is Borrowing to buy things you'll just consume. * Protecting Your Wealth: To stay ahead, Tavershima suggests having multiple ways to make money, using insurance as a safety net, and staying far away from "get-rich-quick" Ponzi schemes.The Bottom Line:This is a practical guide for entrepreneurs and everyday people who want to handle their finances with more discipline and better planning.
Kyle gossips to every singe other castmate about her "concerns" about Dorit and the cast go to Italy.
Was Jim Carey cloned or was it plastic surgery? Why didn't Dax Shepard attend the SAG awards which his wife, Kristin Bell was hosting. Then I pulled from the juicy scoop archives a great interview with Lisa Rinna from 2017!It's so interesting to listen to knowing what transpired in Lisa's life since. Lisa Rinna is uncensored as she talks to Heather about shocking moments from her past. We learn about how Lisa's mom barely escaped being murdered by a serial killer, why Michael Bolton is responsible for her marriage to Harry Hamlin, and we get the inside scoop on her infamous wine-glass-throwing showdown with Kim Richards. -Take proactive care of your health and head to https://OPositiv.com/JUICYSCOOP or enter JUICYSCOOP at checkout for 25% off your first purchase. -For a limited time, Nutrafol is offering our listeners $10 off your first month's subscription and free shipping when you visit https://Nutrafol.com and enter promo code JUICYSCOOP -Go to https://HelloFresh.com/juicyscoop10fm to Get 10 free meals + a FREE Zwilling Knife (a $144.99 value) on your third box. Offer valid while supplies last. Free meals applied as discount on first box, new subscribers only, varies by plan. -As an exclusive offer, new listeners can get their choice between organic ground beef, chicken breast or ground turkey in every box for a year, PLUS $20 off when you go to https://ButcherBox.com/juicyscoop. Subscribe to my new show Juicy Crimes!: https://bit.ly/juicycrimes Stand Up Tickets and info: https://heathermcdonald.net Subscribe to Juicy Scoop with Heather McDonald and get extra juice on Patreon: https://bit.ly/JuicyScoopPod https://www.patreon.com/juicyscoop Watch the Juicy Scoop On YouTube: https://www.youtube.com/@JuicyScoop Shop Juicy Scoop Merch: https://juicyscoopshop.com/ Follow Me on Social Media: Instagram: https://www.instagram.com/heathermcdonald TikTok: https://www.tiktok.com/@heathermcdonald YouTube: https://www.youtube.com/@HeatherMcDonaldOfficial Learn more about your ad choices. Visit podcastchoices.com/adchoices
Christopher Nolan's Oppenheimer isn't just about explosions—it's a visual and emotional symphony. In “Oppenheimer - Part Two: Faces, Places, and Consequences,” the final episode in our series on Nolan's films, we unpack the costumes, makeup, set design, and how every character choice builds tension and guilt. All served up with the surgical snark you've come to expect. ----more---- Thank you so much for listening! Please help us spread the word by leaving us a 5-star review! Hosts: Craig Dickinson: x.com/CraigMDickinson Corey Heitschmidt: x.com/HeitSolo Justin Eldon: x.com/justineldon7 Connect with us: Website: readingbetweenthereels.podbean.com X: x.com/ReadBtweenReels Facebook: facebook.com/ReadBtweenReels Email: ReadingBetweenReels@gmail.com SpeakPipe: speakpipe.com/ReadingBetweentheReels You can also join our Facebook group. It's a safe place to share your thoughts and discuss all things related to movies. You can find us at facebook.com/groups/readbtweenreels Visit our TeePublic store for t-shirts, hats, hoodies, mugs, and more! If you are interesting in advertising on this podcast, please go to: podbean.com/advertiseonRBR The following music was used for this media project: Music: "Neon Fury" by Sascha Ende Link: https://filmmusic.io/song/12190-neon-fury License: https://filmmusic.io/standard-license
Evan, Michelle, and Courtney Cronin praise the new All-Star Game format and wonder if two players in particular are the reason it was so good. LeBron reaffirmed he doesn't know if it's his last season...okay then. Will Kansas State succeed in their move to fire Jerome Tang for cause? Learn more about your ad choices. Visit podcastchoices.com/adchoices
Evan, Michelle, and Courtney Cronin praise the new All-Star Game format and wonder if two players in particular are the reason it was so good. LeBron reaffirmed he doesn't know if it's his last season...okay then. Will Kansas State succeed in their move to fire Jerome Tang for cause? Learn more about your ad choices. Visit podcastchoices.com/adchoices
Evan, Michelle, and Courtney Cronin praise the new All-Star Game format and wonder if two players in particular are the reason it was so good. LeBron reaffirmed he doesn't know if it's his last season...okay then. Will Kansas State succeed in their move to fire Jerome Tang for cause? Learn more about your ad choices. Visit podcastchoices.com/adchoices
Evan, Michelle, and Courtney Cronin praise the new All-Star Game format and wonder if two players in particular are the reason it was so good. LeBron reaffirmed he doesn't know if it's his last season...okay then. Will Kansas State succeed in their move to fire Jerome Tang for cause? Learn more about your ad choices. Visit podcastchoices.com/adchoices
Evan, Michelle, and Courtney Cronin praise the new All-Star Game format and wonder if two players in particular are the reason it was so good. LeBron reaffirmed he doesn't know if it's his last season...okay then. Will Kansas State succeed in their move to fire Jerome Tang for cause? Learn more about your ad choices. Visit podcastchoices.com/adchoices
Join Rabbi Joey Rosenfeld as he guides us through the world and major works of Kabbalah, Hasidic masters, and Jewish philosophy, shedding light on the inner life of the soul. To learn more, visit InwardTorah.org
On this episode of Relic Radio Thrillers, we'll hear The Angel With Two Faces, the November 13, 1947, episode of The Clock. If you'd like to help this show keep coming every week, visit donate.relicradio.com for more information. Thank you! https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/Thriller930.mp3 Download Thriller930 | Subscribe | Spotify | Support Relic Radio Thrillers
The ladies head to glamorous Miramar Beach, Florida, for a cast trip on Married to Medicine. Some play with dolphins, some ride jeeps, and all have something to say about Heavenly. To watch this recap on video, listen to our bonus episodes, and get ad free listening,, go to Patreon.com/watchwhatcrappens. Find bonus episodes at patreon.com/watchwhatcrappens and follow us on Instagram @watchwhatcrappens @ronniekaram @benmandelker Hosted on Acast. See acast.com/privacy for more information.
This week on Ron's Amazing Stories, we saddle up for a classic Gunsmoke double feature, featuring two gripping radio dramas that show danger wearing very different disguises. Set in and around Dodge City—a real town and proudly known as the Cowboy Capital of the World—these stories highlight why Gunsmoke became one of the most important series in radio and television history. At the center stands Marshal Matt Dillon, facing threats born of desperation, ambition, and the belief that violence creates legends. One story traps Matt in a snowbound cabin with killers who have already crossed the line. The other brings danger directly into Dodge City, carried by a man eager to make a name for himself at the wrong end of a gun. Two stories. Two kinds of danger. One lawman. In This Episode An introduction to Gunsmoke and its lasting place in American fictional history The real Dodge City and why it matters to the legend "The Cabin" (December 27, 1952): A blizzard, a remote cabin, and fugitives who leave no room for mercy "There Never Was a Horse" (September 19, 1953): A gunman seeks reputation by challenging the wrong man How both stories explore violence, justice, and the true cost of reputation in the Old West As always, thank you for listening and keeping the spirit of classic radio alive. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at audibletrial.com/ronsamazingstories. Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod (incompetech.com) and is Licensed under Creative Commons: By Attribution 3.0. Other pieces are in the public domain. You can find great free music at FreePd.com which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from Apple Podcasts, stream it on Stitcher Radio or on the mobile version of Spotify. Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on AMFM247.COM. Check your local listing or find the station closest to you at this link. Social Links: Main Podcast Site by LibSynThe Blog Site by WordPressFacebook LinkTwitter Link Contact Links: EmailStory Submissions Contact Ron
With the coming of the new year, what better than a story about invisible detective Jessup Doubt's run in with Janus - the Greek god of beginnings and ending? Jessup is still in the Everlater or Left and according to Janus, it is time for him to go.
An empty nest middle aged couple from Arizona purchased a yacht that they kept harbored in Newport, California. The yacht was the next journey they would embark on as a married couple. It was their dream to cruise around to exotic spots and swim with whale sharks. After two years of cruising they were ready for their next journey when they found out they were new grandparents. Their new plan was to sell the yacht and move closer to their new grand baby. Everything was going as planned until they met once child actor, Skylar Deleon. Skylar had a plan for Tom, Jackie and their yacht and it wasn't good.Promo for: Mountain MurdersIntro: Shire Girl by David FesilyanOutro: Beating Heart by David RendaResources:https://www.foxnews.com/us/yacht-killer-got-taxpayer-funded-sex-change-while-death-row-after-harris-behind-scenes-policy-workhttps://www.nbcnews.com/id/wbna27293986https://www.upi.com/Top_News/2009/04/10/Death-sentence-for-killer-of-SoCal-couple/12411239395902/https://abcnews.go.com/TheLaw/story?id=6813191&page=1https://orangecountyda.org/press/background-on-the-three-criminal-cases-involving-skylar-deleon/https://abcnews.go.com/2020/video/alonso-machain-details-murders-tom-jackie-hawks-part-68365133https://www.marca.com/en/lifestyle/tv-shows/2022/07/22/62db07aee2704ee4318b45b0.htmlBecome a supporter of this podcast: https://www.spreaker.com/podcast/beyond-the-rainbow-podcast--4398945/support.
Revisiting a true highlight this week! Will Dean's The Last Thing to Burn is one of very few 10/10 books i've ever featured on this podcast. It's a flawless study of isolation, survival, exploitation and the most toxic of masculinities – all about a Vietnamese immigrant, trapped in the home of her ‘husband,' the monstrous Leonard. Will is an amazing writer, with an amazing life. He's creating classics like this, as well as the ongoing Tuva Moodyson series, all from the depths of a Scandinavian forest. We talk about his journey from small town UK to his fairytale present, the role of landscape and isolation in his work, broken psyches and much more… Trust me, this book will stay with you! Enjoy! Other books mentioned: Misery (1987), by Stephen King On Writing (2000), by Stephen King Room (2010), by Emma Donaghue The Collector (1963), by John Fowles The Road (2006), by Cormac McCarthy Asylum (1996), by Patrick McGrath Tickets for the Northern Weird event at Blackwells, Manchester. Support Talking Scared on Patreon Check out the Talking Scared Merch line – at VoidMerch Come talk books on Bluesky @talkscaredpod.bsky.social on Instagram/Threads, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
In this week's Huddle Breakdown, Laura, Alan and James reflect on a challenging week for Celtic — from the 3-1 defeat in Denmark to a more composed 4-0 rebound at Celtic Park. Alan dissects the Midtjylland collapse, comparing it to the club's worst European nights, while James brings data-driven context showing just how far below standard the performance fell. The team then pivots to positives from the Kilmarnock win, before tackling the ongoing managerial search: whether Wilfried Nancy or Kjetil Knutsen could work inside Celtic's fractured structure, and whether Dermot Desmond's autocratic approach is the real barrier to progress.Want to support the channel? - https://huddlebreakdown.comLike this video and want more content like it? Subscribe to the channel below and hit the bell to get notified every time a new video goes live. Follow us on Twitter: @huddlebreakdown@Alan_Morrison67 @jucojames Hosted on Acast. See acast.com/privacy for more information.
Not all guilt is bad. Sometimes it's your body whispering, “This isn't who I want to be.” Other times, it's someone else's discomfort disguised as your responsibility.In this episode, Dr. Kelly Kessler unpacks the difference between guilt that guides you back to your values and guilt that pulls you back into self-abandonment. You'll learn how to recognize the somatic signals that tell you when guilt is a teacher—and when it's a trap.She shares a real-life example of value-based guilt, walks you through a simple reflection practice, and breaks down the side-by-side chart showing exactly how to tell the difference between integrity guilt and projected guilt.If you've ever felt torn between honoring your peace and managing everyone else's emotions, this one's for you.If guilt has been the reason your boundaries keep dissolving, it's time to rebuild them from the inside out.Join my free masterclass, The Hidden Cost of Peace: Rebuilding Boundaries Without Guilt, where you'll learn how to regulate your body, quiet the people-pleasing reflex, and protect your peace without apology.
PREVIEW. The Domestic and Foreign Ambitions of Syria's al-Sharaa. Ahmad Sharawi describes the two faces of al-Sharaa, Syria's leader. Externally, al-Sharaa seeks international legitimacy, investment, and full sanctions relief via diplomatic visits. Domestically, he faces resistance; there have been two massacres, and groups like the Druze, Kurds, and coastal residents demand separation and autonomy.
On the face of it, the Caerphilly by-election result is a disaster, a drubbing and a humiliation for Keir Starmer's Labour party. A once secure bastion of the Welsh Labour heartlands fell without a squeak from the governing party. Their vote collapsed to a miserable 11 per cent, while Plaid Cymru won with 47 per cent and Reform surged to second place with 36 per cent. The result suggests Labour is on course to surrender a boatload of seats at the 2029 general election, both to Reform and to whatever protest party is best suited to beat the government around the head – be it Plaid, the Greens, the Corbynites, the Islamist independents or the SNP. But is there good news for the PM beyond the headlines? Lucy Dunn speaks to Tim Shipman and James Heale. Produced by Oscar Edmondson.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts.Contact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.
The Fellowship is pleased to present our discussion of the 1960 Hammer film The Two Faces of Dr Jekyll, getting back into Horror Month. An interesting take on the story, with a different role for Christopher Lee. Plus our usual crazy talk, geek news, and tangents
No matter how much you achieve, there's a quiet voice saying you're not enough. In this episode, Lavinia and Andrew unpack the hidden roots of toxic shame, what it is, how it forms in childhood, and practical steps to begin healing today.You'll learn how toxic shame forms in childhood through criticism, emotional neglect, or the belief that love must be earned, and how it turns into patterns of self-judgment, people-pleasing, or burnout. This episode gives you practical tools to start healing toxic shame, reconnecting with your inner child, and building genuine self-compassion so you can finally feel enough, as you are.00:00 – Intro: What Is Toxic Shame and Why It's So Hard to Spot01:20 – How Shame Becomes Part of Your Identity02:45 – Childhood Roots: Where Shame Really Comes From10:45 – The Two Faces of Shame: Anger vs Self-Destruction13:40 – People Pleasing and Activism as Shame in Disguise16:40 – How to Heal: From Shame to Self-Compassion22:20 – How Subtle Shaming Shows Up in Parenting
The two cases shared a checklist of similarities - a conventionally handsome perpetrator preying on sex workers behind closed hotel doors. But the difference in how the media and investigators handled the two serial killers who took the lives of Robin West, Sarah Butler, Joanne Brown, Mawa Doumbia, and Julissa Brisman could not have been more stark. Find and watch "Murder Has Two Faces" on Hulu or Disney+ WE'RE ON YOUTUBE - Want to view the episodes and not just listen? Check our new video feed to see full video episodes starting today. CLICK HERE TO WATCH AND SUBSCRIBE! LOOKING FOR MORE TCO? On our Patreon feed, you'll find over 400 FULL AD-FREE BONUS episodes to BINGE RIGHT NOW, including our episode-by-episode coverage of popular documentary series like Love Has Won: The Cult of Mother God, LulaRich, and The Curious Case of Natalia Grace; classics like The Jinx, Making A Murderer, and The Staircase; and well-known cases like The Menendez Murders, Casey Anthony: American Murder Mystery, and The Disappearance of Madeleine McCann, and so many more! Episode Sponsors: IQ Bar - The better for you, plant protein snacks. Text TCO to 64000 to get 20% off your order! Bilt - Earn points on rent and around your neighborhood, wherever you call home, by going to www.joinbilt.com/tco ZipRecruiter - See why ZipRecruiter is the hiring site employers prefer most. Try it FOR FREE at www.ZipRecruiter.com/TCO Kettle and Fire - For a limited-time, you can get a free carton of Kettle & Fire bone broth by going to www.KettleAndFire.com/TCO Our Place - Stop cooking with toxic cookware, and upgrade to Our Place today. Visit www.fromourplace.com/TCO and use code TCO for 10% off sitewide. Join the TCO Community! Follow True Crime Obsessed on Instagram and TikTok, and join us on Facebook at the True Crime Obsessed Podcast Discussion Group! AND INTRODUCING THE NEW TCO DISCORD CHANNEL AS WELL!!!
Not all anxious attachers look the same. In this episode, I explore the Passive Anxious Attacher, who protects against loss by shrinking back, and the Rigid Anxious Attacher, who holds on tightly to feel secure. You'll learn how to tell the difference, why both stem from the same fear of abandonment, and how to begin moving toward secure connection.
This week Graham Saunders joins MIke to discuss two sexy and explicit Jekyll and Hyde adaptations from Hammer... Hosted, Produced and Edited by Mike Muncer Music by Jack Whitney. Artwork by Mike Lee-Graham Get ad free episodes and weekly bonus content on our Patreon! www.patreon.com/evolutionofhorror EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/evolutionofhorror Try it risk-free now with a 30-day money-back guarantee Mike Muncer is a producer, podcaster and film journalist and can be found on BLUE SKY and INSTAGRAM Visit our website www.evolutionofhorror.com Buy tickets for our UPCOMING SCREENINGS & EVENTS Buy yourself some brand new EOH MERCH! Email us! Follow EOH on INSTAGRAM Like EOH on FACEBOOK Join the EOH DISCUSSION GROUP Join the EOH DISCORD Follow EOH on LETTERBOXD
Not all avoidants look the same. In this episode, I break down the two common ways avoidant attachment shows up in relationships: the Passive Avoidant, who protects themselves by shrinking back, and the Rigid Avoidant, who protects themselves through control and high standards. You'll learn how to spot the difference, why it matters, and how each can begin moving toward more secure and fulfilling relationships.Learn about Attachment Coaching with Jessica here.Instagram: @thejessicadasilvaClient Stories
Dr. David gives us a practical discussion on the two different sides of leadership. None of us lead the same way all the time. Different people, situations, and circumstances require us to be flexible and actually demonstrate the two faces of leadership that Apostle Paul addressed in his letter to the Thessalonians.Resource Highlight- Leading into the 21st Century...and Beyond! 2.0David and Annie are serving the Lord in the US, Africa, India, and South America. Would you consider joining their team? Just click here to get involved. Thanks so much!Show credits:Opening music- Beach Bum Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/Transition music- Highlight Reel Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/Closing music- Slow Burn Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
FAM! This series is excellent, and huge hats off to Robin Roberts bringing attention to cases that have loooooooong deserved it. In episode two, we learn the story of Joyce Chiang, a promising DC intern and law student whose murder would be overshadowed by a much more well known case several years later. WE'RE ON YOUTUBE - Want to view the episodes and not just listen? Check our new video feed to see full video episodes starting today. CLICK HERE TO WATCH AND SUBSCRIBE! LOOKING FOR MORE TCO? On our Patreon feed, you'll find over 400 FULL AD-FREE BONUS episodes to BINGE RIGHT NOW, including our episode-by-episode coverage of popular documentary series like Love Has Won: The Cult of Mother God, LulaRich, and The Curious Case of Natalia Grace; classics like The Jinx, Making A Murderer, and The Staircase; and well-known cases like The Menendez Murders, Casey Anthony: American Murder Mystery, and The Disappearance of Madeleine McCann, and so many more! Episode Sponsors: DripDrop - Doctor-developed hydration that works faster than water alone. Use promo code TCO at www.dripdrop.com for 20% off your first order! Everyday Dose - Coffee PLUS benefits! Find Everyday Dose in Target stores and get a Buy-One-Get-One deal. Just buy any two Everyday Dose products at a Target store near you, and they'll pay you back for one. Visit www.everydaydose.com/obsessed for details! Hers - Changing women's healthcare by providing access to affordable weight loss treatments. Start your free online visit today at www.forhers.com/tco Join the TCO Community! Follow True Crime Obsessed on Instagram and TikTok, and join us on Facebook at the True Crime Obsessed Podcast Discussion Group! AND INTRODUCING THE NEW TCO DISCORD CHANNEL AS WELL!!!
Join the DARKNESS SYNDICATE for the ad-free version: https://weirddarkness.com/syndicateAlexander Jordan, terrified of being buried alive during cataleptic fits, rigs a mausoleum with safety measures. His nephew's greed, aimed at securing the inheritance, triggers a lethal chain of events. Will the safeguards work—or will his nightmare come true? | #RetroRadio EP0497CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Living Corpse” (October 14, 1976) ***WD (LQ)00:44:52.123 = Creeps By Night, “Strange Burial of Alexander Jordan” (July 13, 1944)01:14:22.617 = The Crime Club, “Murder Makes a Mummy” (May 29, 1947) ***WD01:43:46.892 = CBC Deep Night, “Bonehouse” (August 22, 2005)02:16:56.717 = The Devil and Mr. O, “Chest” (January 28, 1972)02:45:12.325 = Diary of Fate, “Trina Crowley” (March 09, 1948) ***WD03:13:41.270 = Dimension X, “Outer Limits” (April 08, 1950) ***WD03:43:35.230 = The Strange Dr. Weird, “Two Faces of Death” (March 13, 1945) ***WD03:55:40.015 = The Creaking Door, “Yesterday You Died” (August 31, 1964) ***WD04:24:39.665 = Escape, “The Fugitive” (August 15, 1948)04:53:37.367 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#ParanormalRadio #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramasCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0497
Thuthmosis III had a difficult relationship with Hatshepsut, who was, after all, both his aunt and stepmother. And Pharaoh. But does that mean he had the faces on her statues smashed? Or did he just want them turned off so his guys could fill in a big pothole? Archaeology may have the answer!
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
What if the real fear isn't that you're not good enough… but that you're more powerful than you realize? In Part 2 of this imposter syndrome series, we explore the other side of self-doubt, the fear of your own brilliance. You'll learn how imposter thoughts like “it was just a fluke” or “anyone could've done it” keep you playing small, and how to shift those beliefs so you can finally show up fully. Inside this episode:The two faces of imposter syndrome (and why both feel so real)3 thought patterns that quietly sabotage your confidencePowerful coaching questions to help you reframe fear and own your giftsWant to know exactly where imposter syndrome is hiding in your life? Take the Imposter Freedom Scorecard — and get your custom BOLD path to clarity, confidence, and freedom. >>> https://candymotzek.lpages.co/is-score/Not sure why you still feel like a fraud — even with success under your belt? Take the Imposter Freedom Scorecard and find out what's reallygoing on. Your next breakthrough starts here >>>https://candymotzek.lpages.co/is-score/
“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
This is an ENCORE TRIBUTE PRESENTATION of my February 2024 interview with the great Lou Christie, who passed away last week at 82. Lou was a Hit Machine in the 1960s with his distinctive falsetto voice and songs like “Lightnin' Strikes” (a #1 smash), “The Gypsy Cried”, “Two Faces Have I”, “Rhapsody In The Rain”, and More. He was featured in Dick Clark's Cavalcade Of Stars and on all the major music television shows including Where The Action Is, Hullabaloo and American Bandstand.My featured song is “My Baby”. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Two pregnant women, Laci Peterson and Evelyn Hernandez, are found dead in the SF Bay. The similarities in the murders are staggering, but the coverages of the cases couldn't be more different. Laci Peterson became a household name whereas Evelyn Hernandez was all but overlooked and forgotten. Looking back on the cases now, investigators wonder, Is there a connection between the murders? And what can we learn from how differently these cases were handled? SPRING/SUMMER MERCH IS HERE! Check out the new swag at our website! WE'RE ON YOUTUBE! Want to view the episodes and not just listen? Check our new video feed to see full video episodes starting today. CLICK HERE TO WATCH AND SUBSCRIBE! LOOKING FOR MORE TCO? On our Patreon feed, you'll find over 400 FULL AD-FREE BONUS episodes to BINGE RIGHT NOW, including our episode-by-episode coverage of popular documentary series like Love Has Won: The Cult of Mother God, LulaRich, and The Curious Case of Natalia Grace; classics like The Jinx, Making A Murderer, and The Staircase; and well-known cases like The Menendez Murders, Casey Anthony: American Murder Mystery, and The Disappearance of Madeleine McCann, and so many more! Episode Sponsors: PrettyLitter - Keep your house smelling fresh and clean! Go to www.PrettyLitter.com/tco to save 20% on your FIRST order and get a free cat toy. Greenlight - Help your kids learn how to save, invest, and spend wisely. Start your risk-free Greenlight trial today at www.greenlight.com/tco IQ Bar - The better for you, plant protein snacks. Text TCO to 64000 to get 20% off your order! FAM! COME SEE PATRICK ON TOUR! Patrick is headed out on the road WITH A BRAND NEW SHOW! New cities just announced: Pittsburgh, Buffalo, Provincetown, Charleston, Nashville, Charlotte, Atlanta, Orlando, Washington, Philadelphia, and London. CLICK HERE for tickets and info! Join the TCO Community! Follow True Crime Obsessed on Instagram and TikTok, and join us on Facebook at the True Crime Obsessed Podcast Discussion Group! AND INTRODUCING THE NEW TCO DISCORD CHANNEL AS WELL!!!
Join us in Jerusalem for Ohr Samayach's Inaugural Yarchei Kallah event from July 7th to 9th, 2024! Featuring HaRav Yitzchak Breitowitz shlit"a & HaRav Asher Weiss shlit"a and more Click here for more information. Dont miss this one of a kind experience! ---------------------------------------------------- Dedication opportunities are available for episodes and series at https://ohr.edu/donate/qa Questions? Comments? podcasts@ohr.edu Yeshivat Ohr Somayach located in the heart of Jerusalem, is an educational institution for young Jewish English-speaking men. We have a range of classes and programs designed for the intellectually curious and academically inclined - for those with no background in Jewish learning to those who are proficient in Gemara and other original source material. To find the perfect program for you, please visit our website https://ohr.edu/study_in_israelwhatsapp us at https://bit.ly/OSREGISTER or call our placement specialist at 1-254-981-0133 today! Subscribe to the Rabbi Breitowitz Q&A Podcast at https://plnk.to/rbq&a Submit questions for the Q&A with Rabbi Breitowitz https://forms.gle/VCZSK3wQJJ4fSd3Q7 Subscribe to our YouTube Channel at https://www.youtube.com/c/OhrSomayach/videos You can listen to this and many other Ohr Somayach programs by downloading our app, on Apple and Google Play, ohr.edu and all major podcast platforms. Visit us @ https://ohr.edu PRODUCED BY: CEDAR MEDIA STUDIOS
Host Amara recently had the opportunity to be apart of a groundbreaking new docuseries called Murder Has Two Faces streaming now on Hulu. In this bonus episode Amara speaks to Lisa Cortes the director of the series. They discuss the project and what inspired Lisa to want to tell these stories in her first true crime project. Sponsor: joinbilt.com/girlgone to sign up for Bilt today to earn points at home, in your neighborhood, and on travel Learn more about your ad choices. Visit megaphone.fm/adchoices
Lisa Cortes, Emmy-winning producer and director of Murder Has Two Faces, a Hulu docuseries which shines a light on little-known murder cases that were eclipsed in the media by notorious cases. Not only does the series share new details on these overlooked crimes, but it also asks a question: Why didn't they get the same level of attention as their notorious, eerily similar counterparts? Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: http://www.tiktok.com/itskatecasey Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
© 2020-2026 Ivy Podcast Discovery LLC
