Podcasts about french ministry

A Saudi storyteller, actor, writer, and director whose work blends art with social impact, Fatima is the founder of Alf Wad Production House and The Other Story Project, initiatives that have transformed storytelling into a tool for cultural dialogue and community building. Her breakout role in Barakah Meets Barakah (2016), Saudi's submission to the Oscars, helped shape the country's new cinematic wave. Named a “Next Generation Leader” by Time Magazine and described as the “Sophie Calle of Saudi Arabia” by the French Ministry of Foreign Affairs, Fatima has become one of the most recognized creative voices from the Kingdom. She holds a Master's degree from Harvard University, where she researched Arab identity and gender representation in cinema and literature. 0:00 Intro2:34 Childhood Background6:47 Control, Messiness Acceptance13:00 Parents, Resentment Empathy22:03 Imposter Syndrome35:13 Barakah Public Reaction41:50 Writing/Directing vs Acting45:30 Owning the Narrative55:04 Saudi Film Ecosystem Grows59:34 “The Other Story”1:11:24 Globalization Cinema1:19:32 Alwad: A Thousand Valleys to the Heart1:23:22 Red Sea Festival Market Maturity1:34:44 Mental Health, Phones Finding Balance1:40:31 Women, Theology Harvard1:49:58 “Carve What Isn't There”1:52:56 Ignoring Bad Advice1:55:29 Feeling Most Alive1:58:32 Dreams, Manifestation Mortality2:06:13 Closing Fatima AlbanawiInstagram https://bit.ly/4mC4nP1LinkedIn https://bit.ly/3IBI5iEWikipedia https://bit.ly/4nNGdCiWebsite https://bit.ly/3IA3IQm The Mo ShowYoutube https://bit.ly/3nDwsZvApple Podcast https://apple.co/3J9ScX4Spotify https://spoti.fi/33dzsC2Anghami https://bit.ly/3mRo1uyInstagram https://bit.ly/2KAwq5vX https://bit.ly/3KanEnJTikTok https://bit.ly/43L92poWebsite https://bit.ly/3H2DhMMEmail info@themopodcast.com

At only 21, Anne Gabanelle and her new husband each packed a suitcase, took the little money they had, and left France. Over the years, Anne wondered why God had led her away from her family and friends to America.  Anne now has grown children and owns a French bakery with her husband in Cohasset, Massachusetts. Looking back, Anne can clearly see how God's will has unfolded in her and her husband's life together.  “French Memories Bakery” is their ministry. In this week's “mini retreat in a podcast,” hear how Anne and her husband minister to their employees and customers. Lindy—host of Mamas in Spirit—met Anne when she was the recipient of this God-centered hospitality.  Listen and discover how you can also dwell in the presence of Christ and share His love in your little corner of the world. 

Waves of different groups seeking new homes from east and west have arrived and disappeared on Greenland's hostile shores for thousands of years. In the modern era of nation states, it is Greenland's unique location and potential resources that are drawing attention once again as her strategic position once again brings her to the front.Today's Midrats Podcast is going to start there with our guest, Dr. Elizabeth Buchanan.We will kick off with her latest book as a touchstone to our conversation, So You Want to Own Greenland?: Lessons from the Vikings to Trump.Dr. Elizabeth Buchanan is a senior fellow with the Australian Strategic Policy Institute and an expert associate of the French Ministry of Armed Forces' Institute for Strategic Research. Most recently she was Head of Research for the Royal Australian Navy (Department of Defence). Dr Buchanan is co-founder of the polar warfare program (Project 6633) at the Modern War Institute of the West Point Military Academy. Before joining Australia's Defence Department, Dr. Buchanan was Lecturer of Strategic Studies for the Defence and Strategic Studies Course at the Australian War College. Elizabeth holds a Ph.D. in Russian Arctic Strategy and completed her post-doctoral studies as a Maritime Fellow at the NATO Defense College in Rome. She has published widely on geopolitics, most recently with Australian Foreign Affairs, International Affairs, War on the Rocks, Foreign Policy, Foreign Affairs, The Australian, and The American Conservative. Dr. Buchanan has been a Visiting Scholar with the Brookings Institution and was an analyst with Royal Dutch Shell. Elizabeth has three published books:: Russian Energy Strategy in Asia and Red Arctic: Russian Arctic Strategy under Putin. In addition to, So you want to own Greenland, she also has an upcoming book, Competitive Cooperation at the Ends of the Earth.Show LinksSo You Want to Own Greenland?: Lessons from the Vikings to Trump, by Elizabeth BuchananAustralia must pivot to ‘pit-stop power' for AUKUS to work, by Elizabeth BuchananChina's parade of military might raises big questions about the AUKUS muddle, by Laura TingleEpisode 708: The Icebreaker Imperative, with Peter RybskiBering Strait TunnelSummaryIn this episode of Midrats, Dr. Elizabeth Buchanan discusses her book on Greenland's strategic importance, the historical context of U.S.-Greenland relations, and the implications of China's growing influence in the Arctic and Antarctic. The conversation explores Denmark's role in Greenland's future, the challenges of independence, and the significance of AUKUS in the context of U.S.-Australia relations. The discussion emphasizes the need for a strategic approach to the polar regions amidst great power competition.TakeawaysThe U.S. has a long-standing interest in Greenland, dating back to WWII.Denmark's control over Greenland is complicated by post-colonial dynamics.China's presence in the Arctic is growing and poses a challenge to U.S. interests.Australia's role in AUKUS is as a 'pit stop power' for U.S. submarines.The future of Greenland may hinge on its independence from Denmark.Public perception of Greenland's relationship with the U.S. is often disingenuous.The Arctic is becoming a global commons, complicating international relations.Australia faces challenges in defending its vast territory against Chinese encroachment.The U.S. needs to adapt its strategy to the changing dynamics in the Arctic and Antarctic.Chapters00:00: Introduction01:41: Exploring Greenland's Strategic Importance05:44: Historical Context of Greenland and U.S. Relations12:14: Greenland's Future and Independence16:42: Denmark's Role and Challenges21:30: China's Influence in the Arctic and Antarctic29:13: Great Power Competition in the Polar Regions34:44: AUKUS and Australia's Strategic Position41:15: Future of U.S.-Australia Relations

This week on The Sound Kitchen, you'll hear the answer to the question about cigarette butts and microplastics. There's The Sound Kitchen mailbag, “The Listener's Corner” with Paul Myers, Ollia Horton's “Happy Moment”, and a tribute to Ozzy Osbourne created by Vincent Pora Dallongeville. All that and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winners' names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. The ePOP video competition is open! The ePOP video competition is sponsored by the RFI department “Planète Radio”, whose mission is to give a voice to the voiceless. ePOP focuses on the environment and how climate change has affected “ordinary” people. The ePOP contest is your space to ensure these voices are heard.  How do you do it? With a three-minute ePOP video. It should be pure testimony, captured by your lens: the spoken word reigns supreme. No tricks, no music, no text on the screen. Just the raw authenticity of an encounter, in horizontal format (16:9). An ePOP film is a razor-sharp look at humanity that challenges, moves, and enlightens. From June 12 to September 12, 2025, ePOP invites you to reach out, open your eyes, and create that unique bridge between a person and the world. Join the ePOP community and make reality vibrate! Click here for all the information you need.  We expect to be overwhelmed with entries from the English speakers! Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr Tell us why you like the piece of music, too – it makes it more interesting for us all! Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner! More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos. Would you like to learn French? RFI is here to help you! Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard. Go to our website and get started! At the top of the page, click on “Test level” and you'll be counselled to the best-suited activities for your level. Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service, told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it! Be sure you check out our wonderful podcasts! In addition to the news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more. There's Spotlight on France, Spotlight on Africa, The International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis.  Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.  Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload! This week's quiz: On 5 July, I asked you a question about an article written by RFI English journalist Amanda Morrow: “Ocean campaigners hail French move to snuff out cigarette butt pollution”. In her article, we learned that cigarette ends, or butts, are filled with microplastics and that when they break apart, they leach chemicals into soil and water. France has banned smoking on beaches, in public parks, and at bus stops, as well as near schools, libraries, swimming pools, and sports grounds. You were to re-read Amanda's article and send in the answer to this question: How many liters of water can a single cigarette butt contaminate? The answer is, to quote Amanda's article: “According to the French Ministry of Ecological Transition, a single cigarette butt can contaminate up to 500 liters of water.” In addition to the quiz question, there was the bonus question, suggested by long-time RFI Listeners Club member Nasyr Muhammad from Katsina State, Nigeria: “What is your favorite prize you've received from RFI, and why?” Do you have a bonus question idea? Send it to thesoundkitchen@rfi.fr The winners are: RFI Listeners Club member Kanwar Sandhu from British Columbia in Canada, who is also this week's bonus question winner. Congratulations on your double win, Kanwar. Also on the list of lucky winners this week are Karobi Hazarika, a member of the United RFI Listeners Club in Assam, India, and RFI Listeners Club member Mahfuzur Rahman from Cumilla, Bangladesh. Last but not least, there are two RFI English listeners from Bangladesh: Laila Shantu Akhter from Naogaon and Labanna Lata from Munshiganj. Congratulations, winners! Here's the music you heard on this week's programme: The piano sonata in B flat, K.529, by Domenico Scarlatti, played by Ivo Pogorelich; the “Trout” Quintet in A major, D. 667, by Franz Schubert, performed by the Endes Quartet with pianist Rolf Reinhardt; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer; “Happy” by Pharrell Williams, and a medley in honor of Ozzy Osbourne, arranged by Vincent Pora Dallongeville: “Paranoid”, by Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward; “Crazy Train” by Ozzy Osbourne, Randy Rhoads, and Bob Daisley; “No More Tears” by Ozzy Osbourne, Zak Wylde, Randy Castillo, Mike Inez, and John Purdell; “Bark at the Moon” by Ozzy Osbourne, Jake E. Lee, and Bob Daisley. Do you have a music request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “UN gathers to advance two-state solution to Israel-Palestine conflict”, which will help you with the answer. You have until 6 October to enter this week's quiz; the winners will be announced on the 11 October podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France Click here to learn how to win a special Sound Kitchen prize. Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club.   

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Hear from Georgina Grenon, Director of Environmental Excellence for the Paris 2024 Olympic and Paralympic Games, as we explore what it truly means to put sustainability first. Turning climate ambition into reality is a complicated process. Sustainability often requires systemic change, which is precisely why it can be so challenging. That's why in this episode, we're hoping to inspire and encourage our audience with the story of the greening of one of the largest and most watched events in the world: the Olympic and Paralympic Games. We explore: How clear targets and innovative procurement strategies helped deliver on ambitious climate goals; Why systems-thinking and good governance were critical to aligning decisions with long-term objectives; And what risk professionals can learn from this experience to apply in their own organizations, particularly around resilience, efficiency, and driving change at scale. To find out more about the Sustainability and Climate Risk (SCR®) Certificate, follow this link: https://www.garp.org/scr For more information on climate risk, visit GARP's Global Sustainability and Climate Risk Resource Center: https://www.garp.org/sustainability-climate If you have any questions, thoughts, or feedback regarding this podcast series, we would love to hear from you at: climateriskpodcast@garp.com Speaker's Bio Georgina Grenon, Director of Environmental Excellence, Paris 2024 Organising Committee for the Olympic and Paralympic Games Georgina has had a long and varied career in energy and sustainability across the public and private sectors. She began her career in oil and gas, before moving into renewable energy and innovation. She worked at the French Ministry of Ecology and Energy, where she supported the development of renewable energy policies and markets. She later became a Director at ENGIE Group, a French multinational electric utility company, before joining the Organizing Committee of the Paris 2024 Olympic and Paralympic Games in 2018.

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Can differing global approaches to AI regulation and investment work together, or are we headed toward fragmented, siloed systems? How can AI governance in developing nations be supported as part of regional aid and security agendas? What challenges does Australia face in regulating AI without a national bill of rights or federal human rights charter? Should governments mandate the inclusion of human oversight in all AI-powered decisions? In this episode, Sarah Vallee and Maria O'Sullivan join David Andrews to talk about how AI is impacting national security, with a focus on AI governance models and mass-surveillance.Maria O'Sullivan is an Associate Professor at Deakin Law School. She's a member of the Deakin Cyber Research and Innovation Centre.Sarah Vallee is a specialist in AI Policy and Governance. She's a Fellow at the UTS Human Technology Institute, sponsored by the French Ministry of Foreign Affairs.David Andrews is Senior Manager, Policy & Engagement at the ANU National Security College. TRANSCRIPT  Show notes  NSC academic programs – find out more  Article 8: respect for your private and family life We'd love to hear from you! Send in your questions, comments, and suggestions to NatSecPod@anu.edu.au. You can tweet us @NSC_ANU and be sure to subscribe so you don't miss out on future episodes. Hosted on Acast. See acast.com/privacy for more information.

IFPRI Policy Seminar Ending Hunger and Malnutrition: Keeping Our Eyes on the Road Organized by IFPRI in collaboration with the World Bank IFPRI Seminar during World Bank/International Monetary Fund (IMF) Spring Meetings April 22, 2025 While global agricultural commodity prices have come down from the high levels seen in recent years, the world remains far off track in meeting the SDG2 of ending hunger and malnutrition by 2030. Last year, close to 300 million people faced food crisis while the number of people on the cusp of famine doubled. Efforts to address hunger and malnutrition are facing considerable hurdles, including protracted as well as new conflicts, cuts in official development assistance, inefficiencies in the global financing architecture, an increasingly fragmented political landscape and multipolarizing international order. How can the world mobilize more public and private resources to tackle the current food crisis, create more robust value chain and trade channels, and set countries on a path towards peace, stability and economic growth? Timed to align with the WB-IMF Spring Meetings, this event will convene policymakers, representatives of international organizations, private sector and food system experts for a stocktaking of where we find ourselves and to chart solutions towards more aligned domestic and international, public and private financing flows aimed at ending hunger and malnutrition. Picking up on the Spring Meetings' core theme of jobs as a path to prosperity, the important role of jobs in food value chains and improved livelihoods for furthering food security and nutrition will also be explored. This policy seminar will: Take stock of recent data, trends and outlooks for food and nutrition security, with a focus on the most vulnerable countries. Discuss challenges and opportunities in resourcing, regional and global cooperation, and innovation to bend the curve of hunger and malnutrition. Examine research findings and share policy recommendations to prevent and prepare for food crises, while broadening the focus to strengthening value chains and markets in developing countries. Opening Session Moderator: Ruth Hill, Director, Markets, Trade, and Institutions, IFPRI Speakers Shobha Shetty, Global Director, Agriculture and Food, World Bank Johan Swinnen, Director General, IFPRI Maximo Torero, Chief Economist, Food and Agriculture Organization of the United Nations (FAO) High-level Panel on Challenges and Opportunities Moderator: Purnima Menon, Senior Director, Food and Nutrition Policy; Acting Senior Director, Transformation Strategy, IFPRI Speakers John Steenhuisen, Minister of the Department of Agriculture, South Africa Arnel de Mesa, Assistant Secretary for Special Concerns and for Official Development Assistance (ODA) and the DA Spokesperson, Department of Agriculture Alvaro Lario, President, International Fund for Agricultural Development (IFAD) Gilles Morellato, Head of Official Development Assistance team at the French Ministry for Europe and Foreign Affairs Rania Dagash-Kamara, Assistant Executive Director Partnerships and Innovation, World Food Programme (WFP) Deep Dive: The Role of Value Chains in Boosting Food and Nutritional Security Moderator: Loraine Ronchi, Global Lead for Science, Knowledge and Innovation in Agriculture and Food, World Bank Speakers Alice Ruhweza, President, Alliance for a Green Revolution in Africa (AGRA) Ayodeji Balogun, Group CEO, the Africa Exchange (AFEX) Matthias Berninger, EVP, Head of Public Affairs, Sustainability and Safety, Bayer Global Joseph Glauber, Research Fellow Emeritus, IFPRI Closing Remarks Martien van Nieuwkoop, Director, Agricultural Development, Gates Foundation Links: More about this Event: https://www.ifpri.org/event/ending-hunger-and-malnutrition-keeping-our-eyes-on-the-road/ Subscribe IFPRI Insights newsletter and event announcements at www.ifpri.org/content/newsletter-subscription

Being an Architect is difficult and there is plenty of evidence that this is not a vocation that is suitable for everyone. The coursework you will take in college is all over the place – from the drawing and design classes to physics and upper level math requirements, you seem to have to be both an artist and a scientist to go down this path. This begs the question, Just how smart do you need to be in order to become an architect? Welcome to Episode 171: The IQ of an Architect [Note: If you are reading this via email, click here to access the on-site audio player]  Today Andrew and I are going to be talking about intelligence quotient and architects. This was a topic that I tackled with the 3rd blog post I ever wrote (titled IQ's and Jobs), and for years, it was a foundational blog post in the development of my website because so many people read that article. I just checked and it currently has 92 comments, and almost amusingly, there are some angry people out there and they are vocalizing their discontent. When I was younger, probably between the ages of 8 and 12, I bet I took 20 of them. My mother was a school teacher and all of her schoolteacher friends Would use me and my sisters as practice subjects as they were pursuing diagnostician licenses. I am going to confess right now that this is a nerdy episode because there is a lot of data that needs to be presented and digested in order for us to have a fruitful conversation. The History jump to 8:21 The origins of the IQ test can be traced back to early-20th-century France. In 1904, the French Ministry of Education commissioned psychologist Alfred Binet and his colleague Théodore Simon to develop a method to identify children who required special educational assistance. The result was the first practical intelligence test, known as the Binet-Simon Scale (published in 1905). The French government needed a systematic way to distinguish students whose learning challenges were not being met in the regular classroom. The aim was to provide extra support, not to label them pejoratively or permanently, but to help tailor education to their needs. Binet and Simon introduced the concept of a “mental age.” The test included a series of tasks grouped by age level (e.g., tasks that an average 7-year-old could handle, an average 8-year-old could handle, etc.). A child's performance on age-relevant tasks indicated their “mental age”—a reflection of cognitive performance relative to age-based norms. Memory: Recalling digits or sentences Problem-Solving: Completing puzzles or analogies Verbal Skills: Defining words, understanding analogies Attention & Comprehension: Following instructions, basic reasoning The tasks grew progressively more complex. If a child could perform the tasks that most 8-year-olds could but not those of a typical 9-year-old, the test would assign that child a “mental age” of 8. Although Binet did not explicitly define IQ as a single number, the later concept of IQ was directly inspired by the idea of mental age. Psychologist William Stern (1912) introduced the term Intelligenzquotient (Intelligence Quotient) as a ratio. Not long after Binet and Simon released their scale, Lewis Terman at Stanford University adapted and expanded their test. The resulting Stanford-Binet Intelligence Scales (first published in 1916) formalized the IQ concept for the English-speaking world and continued to refine “mental age” benchmarks. Terman's goal was to make Binet's test more suitable for the American population by adjusting questions, norms, and scoring based on data from U.S. schoolchildren. He also introduced the now-familiar numeric scale with an average (mean) of 100 and a set standard deviation—initially, each standard deviation was 15–16 IQ points. Terman's (Circa 1916) Stanford-Binet Categories Although the exact cutoff points and names varied slightly in different editions,

From March 14, 2022: Russia's war of aggression in Ukraine has undermined some of the fundamental assumptions underlying the security of Europe through much of the post-World War II era. As a result, several European nations have begun to consider dramatic changes in how they approach national security, both individually and collectively.To better understand how the war in Ukraine is reshaping the European security order, Scott R. Anderson sat down with two of his colleagues from the Brookings Institution: Célia Belin, a visiting fellow at Brookings and a former official in the French Ministry of Foreign Affairs, and Constanze Stelzenmüller, the Fritz Stern Chair on Germany and trans-Atlantic Relations in the Center on the United States and Europe.They discussed how the Ukraine conflict is reshaping Europe's approach to security affairs, what this means for institutions like the European Union and NATO, and how these changes are likely to impact the fundamental debate over what it means to be a part of Europe.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

We're in Taipei speaking with some incredible people working to advance human rights in the digital age. One of those at the forefront of this is Henri Verdier the French Ambassador for Digital Affairs within the French Ministry for Europe and Foreign Affairs. Since 2018, he has led and co-ordinated French digital diplomacy and he was instrumental in last week's AI Action Summit in Paris hosted by President Macron.

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textJennifer Clement is President Emerita of the human rights and freedom of expression organization PEN International and the only woman to hold the office of President (2015-2021) since the organization was founded in 1921. Under her leadership, the groundbreaking PEN International Women's Manifesto and The Democracy of the Imagination Manifesto were created. As President of PEN Mexico (2009-2012), Clement was instrumental in changing the law to make the crime of killing a journalist a federal crime. Clement is the author of the novels A True Story Based on Lies, The Poison That Fascinates, Prayers for the Stolen, Gun Love, and Stormy People, as well as several poetry books, including Poems and Errors, published by Kaunitz-Olsson in Sweden.  Clement also wrote the acclaimed memoirs Widow Basquiat on New York City in the early 1980s and the painter Jean-Michel Basquiat, which NPR named the best book of 2015 in seven different categories, and The Promised Party on her life in Mexico City and New York. Clement's books have been translated into 38 languages and have covered topics such as the stealing of little girls in Mexico, the effects of gun violence, and the trafficking of guns into Mexico and Central America, as well as writing about her life in the art worlds of Mexico and New York.Clement is the recipient of Guggenheim, NEA, MacDowell, and Santa Maddalena Fellowships, and her books have twice been a New York Times Editor's Choice Book. Prayers for the Stolen was the recipient of the Grand Prix des Lectrices Lyceenes de ELLE(sponsored by ELLE Magazine, the French Ministry of Education and the Maison des écrivains et de la littérature)  and a New Statesman Book of the Year, picked by the Nobel Laureate Kazuo Ishiguro. Gun Love was an Oprah Book Club Selection, National Book Award, and Aspen Words Literary Prize finalist.  Among other publications, Time magazine named it one of the top 10 books of 2018.  At NYU, she was the commencement speaker for the Gallatin graduates 2017 and gave the Lectio Magistralis in Florence, Italy, for the Premio Gregor von Rezzori. Clement is a member of Mexico's prestigious Sistema Nacional de Creadores de Arte. For Clement's work in human rights, she was awarded the HIP Award for contribution to Latino communities by the Hispanics in Philanthropy (HIP) Organization, and she was also the recipient of the Sara Curry Humanitarian Award. Most recently, she was given the 2023 Freedom of Expression Honorary title on World Press Day by Brussels University Alliance VUB and ULB in partnership with the European Commission, European Endowment for Democracy, and UNESCO, among others. Other laureates include Svetlana Alexievich, Zhang Zhan, Ahmet Altan, Daphne Caruana Galizia, and Raif Badawi. Jennifer Clement was raised in Mexico, where she lives. She and her sister Barbara Sibley founded and directed the San Miguel Poetry Week. Clement has a double major in anthropology and English Literature from New York University (Gallatin) and an MFA from the University of Southern Maine (Stonecoast). She was named a Distinguished Alumna by the Kingswood Cranbrook School.Jennifer ClementThe Promised Party, Jennifer ClementA ManSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Navigating the transformation of the energy sector, particularly as fossil fuel giants like Equinor pivot towards renewable energy, is no small task. This episode dives into the intricacies of this transition, highlighting the role of sustainability professionals who find themselves at the crossroads of environmental responsibility and corporate profitability. My guest is Natasha Blisson, a seasoned expert in sustainability at Equinor, with a career journey spanning from the French Ministry for Environment to leading a team focused on managing environmental and social risks within Equinor. Her insights reveal the complexities and challenges faced by energy companies as they strive to balance ambitious sustainability goals with the realities of profitability and market pressures. The conversation touches on the importance of collaboration across sectors—government, industry, and civil society—to create a unified front in the fight against climate change. Natasha emphasizes that true progress will require innovation not just in technology, but also in economic models and regulatory frameworks. This holistic approach is crucial for developing solutions that are both effective and economically viable, paving the way for a sustainable future.Natasha provides a candid look at the duality of feeling like a change agent while grappling with the frustrations of an industry that has historically relied on fossil fuels. Takeaways: The energy transition requires collaboration between industries, policymakers, and civil society to succeed. Equinor's ambitious net-zero goal by 2050 emphasizes the need for sustainable practices in energy. The challenge of balancing sustainability and profitability is a constant dilemma. Carbon capture and storage technologies are seen as vital for achieving short-term climate goals. Understanding the complexities of energy production helps shift perspectives from good versus bad.

As the fifth Tallinn Cyber Diplomacy Summer School currently taking place in Tallinn, attendees reflect on a year of diplomacy in cybersecurity. Some of them, too, having gone from participants to speakers. The program, organised annually, is designed to bridge theoretical understanding and hands-on experience in cyber diplomacy, and for Claudio Peguero and Alban Andreu, the Summer School has turned out to be a point of growth and community-building.Claudio Peguero is Ambassador and Advisor on Cyber Affairs at the Ministry of Foreign Affairs of the Dominican Republic. Alban Andreu, instead, Policy Officer in the Strategic Affairs and Cybersecurity Department of the French Ministry for Europe and Foreign Affairs.In this podcast episode, the two alumni-turned-speakers share their experience during and after the coursework, and how the previous year's learnings played a role in their diplomatic work. Yet a testament to the Summer School's role in shaping effective and adaptive cyber diplomacy leaders. 

Ludovic Subran is the Chief Economist of Allianz SE and Allianz Trade (formerly Euler Hermes). He's also worked for the World Bank, the United Nations World Food Program, and the French Ministry of Finance. And he's co-authored three books on markets and economics.Ludovic talks about why our perception of market volatility has changed from that of previous generations, the complexity of global market information, and the need for greater financial literacy.Subscribe to Ludonomics on LinkedInSee more retirement risk management insights from Allianz... Allianz Life Insurance Company of North America (Allianz) and Allianz Life Financial Services, LLC are not affiliated with our podcast guests or their companies. Any links to the podcast guest's website are being provided as a service to you. Opinions expressed by the podcast guests are not necessarily those of Allianz or its affiliates. Please note that the information and opinions are provided by third parties and sources believed to be reliable, but accuracy and completeness cannot be guaranteed. The information is not intended to be used as the sole basis for financial decisions, nor should it be construed as advice designed to meet the particular needs of an individual's situation.Allianz Life Insurance Company of North America has been keeping its promises since 1896 by helping Americans achieve their retirement income and protection goals with a variety of annuity and life insurance products.Allianz Life Insurance Company of North America (Allianz) does not provide financial planning services.Diversification does not ensure a profit or protect against loss.This content is for general educational purposes only. It is not intended to provide fiduciary, tax, or legal advice and cannot be used to avoid tax penalties; nor is it intended to market, promote, or recommend any tax plan or arrangement. Allianz Life Insurance Company of North America, its affiliates, and their employees and representatives do not give legal or tax advice or advice related to Social Security or Medicare. Customers are encouraged to consult with their own legal, tax, and financial professionals for specific advice or product recommendations, or the Social Security Administration (SSA) office for their particular situation.Guarantees are backed by the financial strength and claims-paying ability of Allianz Life Insurance Company of North America. Registered index-linked annuity

 Professor Lucy Blue is in Naples speaking with Pierre Poveda (Center Camille Jullian, CNRS), a maritime archaeologist who is co-leading, with his colleague Franca Cibecchini (DRASSM, french ministry of Culture), the excavation of a shipwreck lying in French waters between Cannes and the Île Sainte-Marguerite, home to Fort Royal. The wreck dating to around 180 BC is well preserved, with its entire port side buried beneath masses of dead roots of Posidonia seagrass. A few small wooden artefacts, including writing tablets have been recovered, as well as Italian amphorae that were transporting wine. Despite its hidden location the site has proven vulnerable to looting, and Pierre shares the dramatic story surrounding approximately 100 amphorae taken mostly from the wreck and also from other archaeological sites.  Further seasons of work are planned, with the goal of displaying the finds at the Museum of Fort Royal offering the public a closer look at these ancient maritime treasures and the ship's role in Mediterranean trade.    The excavation of the Hellenistic wreck Fort-Royal 1 is being carried out under the joint direction of Franca Cibecchini (Drassm - Ministry of Culture) and Pierre Poveda (CCJ-CNRS-AMU), who offer the following thanks: We would particularly like to thank the direction of the French Ministry of Culture's Department of Underwater Archaeological Research (DRASSM), as well as the direction of the Camille Jullian Center (CNRS, Aix-Marseille University). We would also like to thank the City of Cannes, and our collaborators: the Institut Arkaia (Aix marseille Université), the Musée départemental Arles antique (MdAa), the MAC-Centre d'Arqueologia Subaquàtica de Catalunya (CASC), the Scoop Ipso Facto and, of course, all those involved in the excavation: archaeologists and members of the Alfred Merlin crew. 

Series/Special Event Improving Diets and Nutrition through Food Systems: What Will it Take? A Dialogue on IFPRI's 2024 Global Food Policy Report Co-organized by IFPRI, the Netherlands Food Partnership, the Dutch Ministry of Foreign Affairs, and the Dutch Ministry of Agriculture, Fisheries, Food Security, and Nature Supported by the Director General for International Partnerships – Sustainable Agri-Food systems and fisheries from the European Commission and the French Ministry for Europe and Foreign Affairs, represented by the Special Envoy for nutrition and Secretary General of Nutrition for Growth Paris. November 6, 2024 IFPRI's 2024 Global Food Policy flagship publication arrives at a pivotal moment, as the importance of addressing food systems for better nutrition continues to gain global recognition. With United Nations Framework Convention on Climate Change (UNFCCC) 29th Conference of the Parties taking place in November, the SUN Global Gathering on the horizon and the Nutrition for Growth Summit 2025, this report offers valuable evidence and insights that can help guide policy and investment decisions for improving nutrition at the national, regional and global levels. In addition to a presentation of the report's key findings and recommendations by IFPRI's leading researchers in diets and nutrition, a distinguished panel of European and country partner policy makers, and representatives of multilateral institutions will discuss the report. Expert remarks will focus on key challenges and opportunities for EU stakeholders to support the transformation of food systems to advance nutrition and healthy diets in low and middle-income countries. This event and strategic discussion is co-organized by IFPRI, the Netherlands Food Partnership, the Dutch Ministry of Foreign Affairs, and the Dutch Ministry of Agriculture, Fisheries, Food Security, and Nature. The organizers were supported by the Director General for International Partnerships – Sustainable Agri-Food systems and fisheries from the European Commission and the French Ministry for Europe and Foreign Affairs, represented by the Special Envoy for nutrition and Secretary General of Nutrition for Growth Paris. To view the full program, please click https://www.ifpri.org/wp-content/uploads/2024/10/2024_GFPR-Europe-draft-agenda_10-30-24.pdf Links: More about this Event: https://www.ifpri.org/event/improving-diets-and-nutrition-through-food-systemswhat-will-it-take-a-dialogue-on-ifpris-2024-global-food-policy-report/ Subscribe IFPRI Insights newsletter and event announcements at www.ifpri.org/content/newsletter-subscription

The past year has seen a seismic shift in the political landscape in Europe, with far-right groups and ideologies gaining momentum across the continent, including in France. Is the French principle of laicite a bulwark or a vulnerability in the face of the far-right movement? We get a better understanding of the concept and how it's implemented with Ambassador Jean-Christophe Peaucelle, Counselor for Religious Affairs at the French Ministry of Europe and Foreign Affairs.

#ANTISEMITISM: Much worse:   Simone Rodan-Benzaquen, the Managing Director of AJC Europe. Prior to to AJC, she served as an adviser to the Ambassador for Human Rights in the French Ministry of Foreign and European Affairs. She was the founding General Secretary of the Brussels- and Paris-based Medbridge Strategy Center, an organization that seeks to strengthen ties between leaders of political and civil society in Europe and democratic voices in the Middle East. She is fluent in four languages. https://www.msn.com/he-il/news/other/there-is-no-future-for-jews-in-france-after-le-pen-s-defeat-fears-of-far-left-antisemitism-rise/ar-BB1pKHYi 1920 FRANCE

Summary Lee Lee shares her experiences of living in different countries as an expat and the challenges she faced in adapting to new environments. She discusses her first move to Belgium through a Rotary exchange program and the initial culture shock she experienced. Lee Lee also talks about her time in France as a student and later as an English teacher for the French Ministry of Education. She highlights the importance of language learning and finding ways to connect with people in a new country. Lee Lee emphasizes the value of documenting and reflecting on the expat experience through vlogs or blogs. She encourages individuals to create their own opportunities for connection and friendship while living abroad. In this conversation, James and Neelie discuss their experiences living abroad in different countries, including Sweden, France, Japan, and the US. They talk about the challenges and rewards of immersing oneself in a new culture, making friends, and learning the language. They emphasize the importance of being curious, trying new things, and embracing the uncertainty that comes with living abroad. They also discuss the cultural differences they encountered and the need to be open-minded and respectful. Overall, the conversation highlights the transformative power of living abroad and the personal growth that comes with it. Takeaways Living abroad as an expat can be both exciting and challenging Language learning is crucial for adapting to a new country Documenting and reflecting on the expat experience can be helpful Creating opportunities for connection and friendship is important while living abroad Living abroad offers unique opportunities for personal growth and self-discovery. Being curious and open-minded is essential for embracing a new culture and making the most of the experience. Trying new things and stepping out of your comfort zone can lead to unexpected friendships and experiences. Language learning is a valuable skill that can enhance your cultural immersion and connection with locals. Cultural differences should be respected and approached with empathy and understanding. Living abroad can be challenging at times, but the rewards and transformative impact make it worthwhile. Chapters 00:00 Introduction and Background 01:15 Lili's Expat Journey Begins 05:55 The Visa Process and Preparation 06:50 Seeking Opportunities to Live Abroad 13:29 Lili's Experience in Senegal 14:53 Teaching English in Japan 24:57 First Impressions of Living Abroad 25:24 Living in Belgium and France 37:13 Studying in France 39:38 Making Friends as an Expat 42:03 Creating Opportunities for Connection 43:28 Parkrun and Sports Teams: Connecting with People Abroad 44:55 Using BlaBlaCar and Transportation Experiences 47:20 First Impressions of Senegal: Welcoming People and Cultural Adjustments 52:58 Returning to France: Living with a Flatmate and Teaching 53:53 School Schedules and Cultural Differences in France 55:47 Living in Sweden: Saunas, Wild Swimming, and Cultural Norms 58:36 Moving to Japan: Language Learning and Cultural Differences 01:01:55 Meeting a Partner Online and Building a Life in Japan 01:03:17 Navigating the Green Card Process and Living in the US 01:04:16 Discovering Jiu-Jitsu and Trying New Things Abroad 01:05:14 Interacting with Locals and Expanding Cultural Immersion 01:06:12 Balancing Integration with Foreign Friendships 01:07:10 Reflecting on the Journey of Living Abroad 01:10:40 Advice for Living Abroad: Embracing the Adventure and Being Patient 01:18:14 Living Abroad: Overcoming Challenges and Celebrating Milestones Keywords expat, living abroad, culture shock, language learning, adapting, connection, friendship, living abroad, cultural immersion, making friends, language learning, challenges, rewards, curiosity, trying new things, cultural differences, personal growth --- Send in a voice message: https://podcasters.spotify.com/pod/show/theexpatpod/message

These categories of "better for the earth" wines are technical, tricky, and ever-evolving, so I it was time to do an update! In this show, I do best to break it all down in as simple a way as possible…I cover:BiodynamicsOrganicsSustainable farmingRegenerative agricultureAnd quickly, the loose ends – vegan wine, natural wine______________________________________ BiodynamicI discuss the main principles of biodynamic agriculture – that the farm is a single, self-sustaining organism and the farmer must encourage and guide the vines, as well as protect the soil so provides nourishment for the vines. ​The main certification for biodynamics is DEMETER.  _________________________________OrganicOrganic farming is how farming was always done until the industrial revolution. The new iteration grew out of the biodynamic movement in the 1920s. This method took off in the 1970s and 80s, especially in Europe.Different countries have different definitions of organic…European Union Organic Products/”Bio” in France: Organic wine prohibits most synthetic chemicals or GMOs and uses only certified organic oenological products in the cellar, including organic yeast. Sulfites are regulated. United States. This is a program developed by the United States Department of Agriculture (USDA). There are prohibitions on the vineyard and the winery, and added sulfites are prohibited. Because of this last prohibition, certified organic vineyards go in and out of the organic certificatioTo make it more flexible, they added the “Made with Organic Grapes” stipulation, which is looser _________________________________________________________ Regenerative Organic AgricultureAlthough relatively new, this is likely the future of better for the earth initiatives. Regenerative starts out with the principles of organic but then adds a few other things. Watch this space…  _________________________________________________________  Sustainable Winegrowing This is the most popular way to do better for the earth viticulture but it's squishy. Sustainable is a catchall term that has MANY definitions. Examples of certifications: France…HVE: The French Ministry of Agriculture developed the Haute Valeur EnvironementaleOthers...Vignerons EngagesViticulture Durable en ChampagneTerra Vitis California: Certified California Sustainable Winegrowing I end with a quick tour of Natural wine and Vegan winesFull show notes and all back episodes are on Patreon. Become a member today!_______________________________________________________________Wine Access has an amazing selection — once you get hooked on their wines, they will be your go-to! Make sure you join the Wine Access-Wine For Normal People wine club in time for the next shipment. As a limited time offer, get $25 off your first TWO shipments of our club!To register for an AWESOME, LIVE WFNP class with Elizabeth or get a class gift certificate for the wine lover in your life go to: http://www.winefornormalpeople.com/classes Get the back catalog on Patreon! Hosted on Acast. See acast.com/privacy for more information.

How does Australia's recently released National Defence Strategy (NDS) differ from a Defence White Paper?What are the merits of having a bipartisan approach to defence policymaking? How important is it to clearly communicate these concepts to the public?Is the NDS' focus on deterrence and denial well-suited to today's geopolitical landscape?Should Australia have an unclassified National Security Strategy and National Military Strategy to complement the National Defence Strategy? In this episode, Elizabeth Buchanan and Andrew Carr join David Andrews to analyse the merits and shortcomings of the 2024 National Defence Strategy. Dr Elizabeth Buchanan is an Expert Associate at the ANU National Security College (NSC). She is also an Associate Researcher with the French Ministry of Armed Forces' Institute for Strategic Research, Senior Fellow at the Australian Strategic Policy Institute, and was previously Head of Research for the Royal Australian Navy's Sea Power Centre.Dr Andrew Carr is a Senior Lecturer at the ANU Strategic and Defence Studies Centre. He is also currently a member of the ANU-Defence Strategic Policy History Project, writing a history of Australian Defence White Papers from 1976-2020.David Andrews is a Senior Policy Advisor at NSC. Show notes: · Launch of the 2024 National Defence Strategy by the Hon Richard Marles MP· 2024 National Defence Strategy and 2024 Integrated Investment Program· Defence White Papers· Australia-United States Ministerial Consultations (AUSMIN)We'd love to hear from you! Send in your questions, comments, and suggestions to NatSecPod@anu.edu.au. You can tweet us @NSC_ANU and be sure to subscribe so you don't miss out on future episodes. The National Security Podcast is available on Acast, Apple Podcasts, Spotify, and wherever you get your podcasts. Hosted on Acast. See acast.com/privacy for more information.

See pictures and read more on materiallyspeaking.comOn 15th April, 2019 a catastrophic fire broke out in Notre Dame Cathedral. Parisians watched in horror as the spire fell and most of the roof was destroyed. In the aftermath it became clear that a large area was contaminated with toxic dust and lead.The iconic building, which has dominated the Île de la Cité island in Paris since the Middle Ages, is a national symbol not only for the French but for people all over the world. President Macron pledged to build back the cathedral as it was before, and as the planned reopening in December 2024 looms, a huge office structure has mushroomed around it and 500 workers are on site daily as the team race to rebuild it.The eyes of the world are watching, but Materially Speaking has a story for our ears - the story of its sound.As a sound specialist himself, Mike Axinn was fascinated when he discovered there is a group exploring the restoration of the acoustics at Notre Dame. He approached Brian F.G. Katz and David Poirier-Quinot at the Sorbonne, and their colleague, sound archeologist Mylène Pardoen, who is co-coordinator with Brian of the scientific acoustics team assisting the reconstruction of Notre Dame, and soon we were off to Paris to hear their stories. We first met Brian and David at a restaurant and then visited their simulator inside the Sorbonne to discover more.Notre Dame has a special role in western European music's history and is generally thought of as the cradle of polyphony. Sarah was attracted to this angle as her father, Christopher Monk, was part of the Early Music movement which restored the use of the Renaissance cornett, a woodwind instrument well known in Monteverdi's music. He also made and played serpents, long snake-shaped instruments that had a central role in music that was performed in Notre Dame many centuries ago. So she approached Volny Hostiou, one of France's leading serpent players, and we were delighted when he and singer Thomas Van Essen agreed to join us in Paris for some experiments with Brian and David.We then jumped on a train to Lyon to meet with Mylène Pardoen and learn more about her work as one of the world's foremost sound archaeologists, tasked with recording the sounds made by stone masons and other artisans in their work, and re-imagining the church's soundscape at various points in its history.A key person driving the physical restoration is Pascal Prunet, Chief architect of historic monuments in France and part of the team in charge of restoring Notre-Dame. Prunet explains that their work in restoring the church has revealed many secrets about its construction and the work done by artisans. We were fortunate to hear how his team was able to discover things they never would have learned had it not been for the fire.As we obviously could not go inside Notre-Dame, Volny and Thomas then kindly arranged for us to hear them play in the Abbey of Rouen, built on a similar scale to nearby Rouen Cathedral, the abbey is famous for both its architecture and its large, unaltered Cavaillé-Coll organ. Here they talked to us about the serpent and their group Les Meslanges, showed us a serpent fresco on the ceiling of the Abbey and played in three different locations.Finally Mike takes us back to Brian and David's simulator to compare and contrast the sound of the musicians live in the Abbey of Rouen, and their simulated version of how the music would sound at different historical periods of Notre-Dame's history.Thanks also to Frédéric Ménissier who made a great video recording of our visit to the Abbaye of Rouen. You will be able to watch the result on YouTube @materiallyspeakingpodcast nearer the scheduled reopening of Notre Dame, in December 2024.Thanks and linksWe are very grateful to Brian, David, Mylène, Pascal, Volny and Thomas for giving so generously of their time and sharing their expertise and passion. You can learn more about their projects in the following links.Brian F.G. Katz & David Poirier-QuinotBrian Katz, originally from the U.S., is an acoustics specialist and leads the Sound Spaces research team. David Poirier-Quinot works with Brian and is a researcher, presently focused on sound spatialisation, perception, and room acoustics simulation for virtual and augmented realities.Beginning mid April 2024, The Past Has Ears project is launching Whispers of Notre Dame, ‘Ekko of Notre-Dame de Paris', an immersive audio guide that transports listeners through time and space to the heart of Paris's most treasured landmark. Free on Google Play, Android and iOS. It can be listened to anywhere, but is best with GPS onsite at Notre Dame.ndwhispers.pasthasears.euMylène PardoenMusicologist and soundscape archaeologist Mylène records and recreates the sounds of the past. She is a scientific expert for the restoration of Notre-Dame - Co-coordinator of the Acoustics group. She is also designer, coordinator and manager of the Bretez and ESPHAISTOSS projects.Pascal PrunetChief architect of Historic Monuments responsible for the restoration of Notre-Dame de Paris is noted for his work in the restoration of the Cathedrals of Paris, Nantes, Limoges, Nîmes, Arras and Cambrai, as well as the Opéra Garnier in Paris , Le Corbusier 's Villa Savoye and the Citadel of Lille. prunet-architecture.comVolny Hostiou & Thomas Van EssenMusicians specialising in performing compositions that were written for, and often performed for the first time in, Notre-Dame.Volny teaches tuba and serpent at the Rouen Conservatoire and creates projects in collaboration with the Musée de la Musique de Paris.Thomas is a musicologist, flautist and singer, dedicated to early music and founded Les Meslanges, one of the early music ensembles Volny plays in.Les Meslanges is supported by the French Ministry of Culture, the Regional Arts Council of Normandy, the Normandy Regional Government and the Rouen City Council. The ensemble is a member of FEVIS – the Federation of Specialised Vocal and Instrumental Ensembles.CreditsProducer: Sarah MonkProducer/Editor: Mike AxinnMusic: courtesy of Les Meslanges - Thomas van Essen & Volny Hostiou

In this episode, we dive deep into the heart of renewable energy's latest developments in Europe. Starting off with Norway's first offshore wind tender, which saw The Ventyr JV between Parkwind, Ingka Investments and NorSea being awarded the development mandate for the 1.5GW Sørlige Nordsjø II. We take the opportunity to take a driven look at Europe's offshore wind sector.  Next, we turn to the solar industry, where we dissect a series of tender announcements across Europe, including the French Ministry of Ecological Transition's solar results, and Romania's first solar and onshore CfD auction. We also look at announcements from Sonnedix on a ten-project portfolio and examine new solar commitments from the EIB.Digging into this, we take a look at how Europe's solar manufacturing sector is holding up in the face of stiff competition from China.Also on this episode, we dive deep into the market dynamics of battery energy storage in Europe and discuss the challenges of unrealised revenue models.Finally, turning to the UK's second REMA consultation, we address the pros of regional pricing but also how it could leave stranded assets in the UK's most promising renewable sites.Hosted by:Oliver Carr - Lead AnalystViola Caon - Head of ContentDila Cebeci Smith - Senior AnalystReach out to us at: podcasts@inspiratia.comFind all of our latest news and analysis by subscribing to inspiratiaListen to all our episodes on Apple Podcasts, Spotify, and other providers. Music credit: NDA/Show You instrumental/Tribe of Noise©2024 inspiratia. All rights reserved.This content is protected by copyright. Please respect the author's rights and do not copy or reproduce it without permission.

The podcast features an insightful interview with Frederic from Gleams, a French startup specializing in advanced malware detection and investigation using artificial intelligence. Frederic discusses the company's role in protecting file flows, the differences between malware and viruses, common vectors of attack, challenges of static and dynamic detection, deployment options including air gap environments, and the company's focus on delivering effective threat detection and analysis. Frederic: https://www.linkedin.com/in/fr%C3%A9d%C3%A9ric-grelot-3243052a/ Frédéric Grelot began his career at CNES in Toulouse, spending three years in the Spacecraft's Embedded Computers department. There, he worked on designing a hardened computer chip for satellites and handled its validation from VHDL to integration in a satellite model and simulated space environment. In 2012, he joined the cyberdefense teams of the French Ministry of Armed Forces, specializing in reverse-engineering of computer systems and programs for seven years. In 2016-2017, Grelot initiated Artificial Intelligence work at DGA, identifying defense sectors where AI could be applied and helped establish a dedicated AI team. From 2017 to 2019, he led a team of 25 reverse-engineering analysts and continued enhancing his knowledge in Artificial Intelligence and Big Data. In 2019, Grelot co-founded GLIMPS, a company specializing in code analysis and malware detection using AI, and served as Scientist Lead. He contributed significantly to the company's outreach and communication. In 2023, he moved to Toronto, Canada, to open GLIMPS's first international office, engaging actively with the local tech and cybersecurity communities. Known for his distinctive profile, he also participated in various conferences and appeared on the national Radio Canada network. Grelot is committed to ecological sustainability, incorporating this perspective into his entrepreneurial endeavors. Glimps: GLIMPS is a cybersecurity company established in 2019 by four experts with a background in reverse-engineering. It offers innovative cybersecurity solutions leveraging a proprietary technology capable of automatically reading and understanding computer code. This technology is designed to enhance the detection and automation of binary analysis and threat identification, providing a significant boost to existing defense lines against increasingly sophisticated cyber threats. GLIMPS's solutions, which include GLIMPS Malware, are available in both SaaS and On-premise formats, catering to a broad spectrum of French and international companies and governmental bodies. The firm has achieved recognition within the cybersecurity community, evidenced by prices such as the European Cyber Week award, twice in a row. At the core of GLIMPS's offerings is its Deep Engine, a specialized AI engine based on Deep Learning. This engine excels in deep file analysis, enabling quick detection and characterization of advanced cyber threats. By conceptualizing code, GLIMPS's technology can identify all forms of malware, providing a comprehensive and scientifically validated approach to cybersecurity. This platform processes over one million files daily and serves more than a hundred customers, demonstrating its effectiveness and the trust it has garnered within the industry. GLIMPS also emphasizes collaboration within the French ecosystem, aiming to integrate its solutions where beneficial. The company's growth is underscored by its successful fundraising efforts, which include a €6 million round in 2021, and its continuous search for new talent to join its expanding team​.

Happy Valentine's, Galentine's, and/or Palentine's Day! Thanks to this week's Patreon supporter, Ali! We appreciate you! Phoenix Register: we have a name for the Wizarding World land in Epic Universe! It's called The Wizarding World of Harry Potter: The Ministry of Magic. More info here. Find out one of Carolyn's husband's core memories. Owl Post: Jerri writes in about sea adventures and swimming snakes.  Enjoy the tangent about dog beds as well.  Main Discussion: a deep dive into MinaLima's Fantastic Beasts work in The Magic of MinaLima! If you'd like to follow along in your copy: First two images pg 62–63 Ministries of Magic intro to section Pg 88-89 British Ministry of Magic Pg 90-93 MACUSA Pg 100-103 French Ministry of Magic Pg 104-105 German Ministry of Magic Pg 107-107 Newt's home and menagerie Pg 82-83 We talk the various Ministries of Magic, Dumbledore's measurements, and more.  “I think the technical term is floopy-doopy?” Who is McGonagall? Is she real? “That's where you go for Olympus!” Can anyone actually draw a map of the US? If you need some truly killer trivia questions, listen to the numbers Shannen lists at 53:38. “France is like, we're women!” If you'd like to purchase your own copy, you can get the ebook or the physical book! For more MinaLima, there's also a pop-up shop at Universal Orlando. Newtcase: changelings! The moral of changelings is “be nice to children.” Podcast Question: What's your favorite piece of MinaLima art?

In this episode, we speak to Max Hess and Nicholas Michelon about economic warfare.Maximilian Hess is a political risk analyst and consultant, as well as a fellow at the Foreign Policy Research Institute. Max is the founder of Enmetena Advisory. Max speaks German, Russian, Georgian and Spanish, and has written for the Financial Times, the New Statesman and Foreign Policy, alongside a regular column for Al Jazeera. Max's book, Economic War, is available from Hurst & Co.Nicolas Michelon is a 20-year veteran of emerging market entry strategies, financial markets & geo-economics research. A Partner at Confluence Consultants and the editor of Asiapowerwatch.com, he has previously served as an Indo-Pacific economist at the French Ministry of Finance, financial analyst at KPMG Hong Kong, and a portfolio manager at Schroders Singapore. Nicolas is a lecturer in business Intelligence, geopolitics and geo-economics at ESCP Business School & EM Lyon Business School in France, the International University of Monaco, and the Paris School of Economic Warfare.Patreon: https://www.patreon.com/EncyclopediaGeopolitica

Jessica Moriah Dean is the founder of Educomms Consulting. This Emmy award winning (2023), internationally recognized education and communications professional started her education at NYU's Tisch School of TV and Film before transferring to Barnard College of Columbia University. Jessica earned an MA from the University of Oxford in Philosophy. Launching her career as an actress, she appeared in commercials (IBM, HSBC Bank, the Lifetime channel, etc.), TV shows (Sex and the City), and films (House of D). She starred for five years as the anchor for the offshoot of Eyewitness News, Teen Kids New. Jessica developed her educational expertise working with educational organizations such as the French Ministry of Education, the University of Oxford, the University of Pennsylvania. She has contributed to research in the fields of both psychology and philosophy. As a nonfiction filmmaker, she has worked with organizations such as the University of Pennsylvania, the Islamic Cultural Center of New York, the Shinnecock Museum, and  more. She has also worked in public service and political organizing in the Biden for President 2020 campaign.  Oh, and she reads Ancient Greek and Latin for funsies. EDUCOMMS CONSULTING https://www.educommsconsulting.com LINKEDIN https://www.linkedin.com/in/jessica-moriah-dean INSTAGRAM https://www.instagram.com/jessedeaneducomms ALLIANCE for MIDDLE EAST PEACE https://www.allmep.org #careerpodcast #blackpodcast #entrepreneur #education #consultant --- Send in a voice message: https://podcasters.spotify.com/pod/show/wiseandwine/message

Joy leads this episode of The ReidOut with Donald Trump's inflammatory comments at a rally over the weekend, saying that immigrants are “poisoning the blood of our country”. Some say these words sound a lot like the Nazi rhetoric written by Adolf Hitler himself, in the book “Mein Kampf”, which, according to Trump's first wife, Trump kept on his bedside table. Joy and her guests discuss this plus the new reporting from ProPublica, about how Justice Clarence Thomas's private complaints about his salary, sparked fear that he would resign, threatening the conservative presence on the Supreme Court. Plus, in the Middle East, Israel is facing growing international pressure over civilian casualties. Joy and her guest discuss how The Pope, the French Ministry for Europe and Foreign Affairs, and foreign ministers from the UK and Germany, have all condemned various attacks by Israel's military in Gaza. All this and more in this edition of The ReidOut on MSNBC.

Even though India and France have had a strategic partnership for twenty-five years now, the bilateral relationship between these countries has received substantial impetus recently. The relationship spans common interests in the Indian Ocean Region and the Indo-Pacific, a robust military and defense partnership, cooperation in high-tech areas such as space and nuclear, and, of course, a growing economic and trade relationship. What lessons can both countries offer each other? And what are some of the commonalities and differences in the French and Indian approaches to global governance and global challenges such as climate change in a multipolar world? What are the challenges in taking this relationship to the next level?In this episode of Interpreting India, Emmanuel Lenain joins Anirudh Suri to discuss these questions.Episode ContributorsEmmanuel Lenain is the Ambassador of France to India. He began his diplomatic career in 1997, serving in the French Foreign Ministry's United Nations Department, where he took part in peace negotiations on Kosovo. Since then, he has served in France's Permanent Mission to the United Nations in New York, the Embassy of France in Beijing as the Prime Minister's technical adviser on multilateral affairs, the French Embassy in Washington, DC, as Consul General of France in Shanghai, Director for the Asia-Pacific Division of the French Ministry of Foreign Affairs, and as Diplomatic Adviser to the Prime Minister.Anirudh Suri is a nonresident scholar with Carnegie India. His interests lie at the intersection of technology and geopolitics, climate, and strategic affairs. He is currently exploring how India is carving and cementing its role in the global tech ecosystem and the role climate technology can play in addressing the global climate challenge.

In June 2021, France announced a €7.5 billion Health Innovation Plan, as part of a broader financial investment to boost the French industry.  This funding goes beyond digital health, it's aimed at supporting biotech development, startups, medtech, and more. In 2021, The eHealth Acceleration Strategy was launched, a large part of which includes upskilling and training new and existing healthcare experts, and medical and social workers in digital health. In today's discussion you will hear from Louisa Stüwe is the project director of the Ministerial eHealth delegation at the French Ministry of Health. We discussed how the French strategy was designed, who was involved, and what has been realized to date. She also explains the process for reimbursement of digital therapeutics software medical devices and telemonitoring, how France supports the secondary use of medical data, and more.  Newsletter: https://fodh.substack.com/ https://www.facesofdigitalhealth.com/ Additional resources: French core information platfom for digital health information: https://gnius.esante.gouv.fr/en  TEHDAS state of digital health in 12 countries in Europe report: https://tehdas.eu/results/member-states-readiness-to-benefit-from-the-ehds-regulation-varies/  Health data hub: https://www.health-data-hub.fr/

Award-winning director Philippe Aractingi joined us on set for this special episode of Movie Night. We talked about his journey into filmmaking, why he considers himself a ‘storyteller', and why he shifts between genres: musical comedies to war films, and most recently into theatre.We also reflect on the notable absence of an ‘Arab Cinema Scene' or ‘Industry', the Orientalist gaze in cinema, and the role of film as a form of self-expression and in the search for identity. Finally, Philippe talks about his latest venture into theatre and stage performance with his debut play ‘Sar Wa2t El Hake' which opens at the Monnot Theatre on the 15th June.Philippe Aractingi is an award-winning Franco-Lebanese film-director and producer. His two most well-known films are ‘Bosta' and ‘Under the Bombs', both of which were the only Lebanese film entries in the 2006 and 2008 Oscar ceremonies, respectively.His other works, including ‘Heritages', ‘Listen', and ‘On The Footsteps of Christ', are also widely-acclaimed. And he has received awards at international festivals including Venice, Dubai, and Sundance. Philippe is also the co-founder of the Lebanese Cinema Foundation (FLC) and vice-chairman of the Beirut Screen Institute Committee. Philippe was appointed Chevalier de l'Ordre des Arts et des Lettres by the French Ministry of Culture in 2018.Created & hosted by Mikey Muhanna, afikra Edited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About Movie Night: Movie Night is an interview series that calls for afikra community members who are interested in movies and films to spend time watching along with the entire community. Movies will be announced on afikra's watching list. This interview series will host filmmakers and actors who are featured in the announced movie. Community members will be asked to watch the film on online streaming platforms or online film festivals before the series and join the conversation with the creators of the film. Movie Night is an opportunity for members to ask questions about the plot, behind the scenes, themes, and information about the movie.Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp   FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:‎afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on  afikra.com

Patti Smith's music education and evolution, from 1. Being transfixed by Little Richard's Tutti Frutti walking down the street with her mom → 2. Wanting to become an opera singer after hearing Eleanor Steber's “Un Bel Di” on the radio → 3. Starting to write poetry at the advice of Bobby Neuwirth → 4. Writing songs for Blue Oyster Cult → 5. Embracing the scene at the Chelsea Hotel, hanging with Janis Joplin → 6. Meeting Jimi Hendrix on the steps at Electric Lady Studios → 7. Raising her kids with her husband Fred in Michigan, away from the pressures of the music industry → 8. Receiving important advice from William S. Burroughs → 9. Remembering a class with her eighth grade music teacher that's stayed with her throughout her career Patti Smith is the author of the National Book Award winner, Just Kids, as well as Woolgathering, M Train, Year of the Monkey, and Devotion. Her seminal album Horses has been hailed as one of the top 100 albums of all time. In 2005, the French Ministry of Culture awarded Smith the title of Commandeur des Arts et des Lettres. Inducted into the Rock & Roll Hall of Fame in 2007, Smith is also the recipient of the ASCAP Founders Award, Sweden's Polar Prize for significant achievements in music, and the 2020 PEN Literary Service Award. In 2022 she received the French Legion of Honor and the Pegasus Award for Poetry. She resides in New York City. Follow Silverlake Conservatory of Music at @silverlake_conservatory  For more information on Parallel, visit parallel.la Follow Cadence13 at @cadence13 Follow Patti Smith at @thisispattismith Follow Flea at @flea333 To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Is it possible to create ethical AI that truly incorporates ethnic diversity? And is it possible to avoid creating AI that doesn't embed bias and perpetuate stereotypes? And…do we want to? From having worked on the ethics behind lethal autonomous weapons in the past, Emmanuel is here to discuss the ethics behind AI. Meet Emmanuel R. Goffi Emmanuel's Role as an AI Leader at Global AI Ethics Institute Emmanuel R. Goffi is the Co-Director & Co-Founder of the Global AI Ethics Institute. The Global AI Ethics Institute (GAIEI) aims at opening the debate on AI ethics to all philosophical stances, wisdoms and perspectives coming from all cultures. It is a global think tank built as a hub for researchers, thinkers and practitioners working in the field of AI ethics all around the world. Emmanuel's Other Work in AI Ethics Besides his work with GAIEI, Emmanuel is a Research Fellow with the Society and Technology Study Center CEST POLI USP, a Lecturer at the IA Institut, a Professor at Collège La Cité, and an Instructor at the Vectors Institute. He is also a tech ethics commentator with Trench Tech. In addition, Emmanuel has co-founded Collectif des éthiciens du numérique and Digital Ethicists. Emmanuel served in the French Air Force for 27 years. After having worked on military ethics - more precisely on ethics applied to Lethal autonomous weapons - his focus turned to the ethics applied to Artificial intelligence. He was awarded the National Defense Medal by the French Ministry of Defense in 2004, the Voluntary Military Services Medal by the French Air Force in 2010, and the Silver National Defense Medal by Ministère des Armées France in 2020. Ethical AI, Diversity, and Bias In this exclusive analytics podcast episode, Emmanuel shares: His experience serving in the French Air Force for 27 years His current role as the Co-Director & Co-Founder of the Global AI Ethics Institute Whether or not it's possible to create ethical AI with ethnic diversity Incorporating human weaknesses into AI Unconsciously embedding your own bias into AI How to avoid embedding bias into AI Whether it's possible to create harmony and unite all cultures when creating an AI The challenges that arise when trying to create diverse AI ethics boards The most pressing ethical issues facing AI today How the lack of diversity in the field of AI development can lead to biassed algorithms and decision making Including less advanced societies in AI ethics and diversity Avoiding situations similar to how AI image-generators are perpetuating stereotypes due to taking information from the wide Internet His advice for individuals or organisations just starting to think about the ethical implications of their AI systems and promoting diversity in the field If you are looking to incorporate ethical AI and diversity into your organisation, this is the episode you do not want to miss. --- Send in a voice message: https://anchor.fm/analyticsshow/message

Synopsis Today's date in 1910 marks the birthday in Paris of a French composer you perhaps have never heard of, but Elsa Barraine is well-deserving of your attention. Barraine's father was a cellist at the Paris Opera, and as a teen Elsa attended the Paris Conservatory, studying composition with Paul Dukas. Olivier Messiaen was her classmate and remained a life-long friend. Barraine won several prizes for her compositions, including the prestigious Prix de Rome in 1929 when she was just 19.She worked at the French National Radio from 1936 to 1940. During World War II, Barraine was heavily involved in the French Resistance, and from 1944 to 1947 was the Recording Director of the French record label Le Chant du Monde. In 1953 she joined the faculty at the Paris Conservatoire, where she taught until 1972, the year the French Ministry of Culture named her Director of Music. She died in 1999. Elsa Barraine's catalog of works includes a variety of vocal and instrumental works, an opera, ballets, and two symphonies, but her music is seldom performed today. We're sampling one of her chamber works, a piece for French horn and piano entitled Crépuscules, or Twilights. Music Played in Today's Program Elsa Barraine (1910-1999): Crépuscules Lin Foulk Baird, fh; Martha Fischer, p. Centaur CRC-3857

After more than 30 hours of hearings, the Senate is on track to confirm Ketanji Brown Jackson. Posobiec provides a recap on this week's hearings. According to the French Ministry of the Army, pressure on urban centers in eastern and southern Ukraine are mounting, specifically in Mariupol. All of this as President Biden reminds the nation that global food shortages are ‘gonna be real'; and foreign fighters traveling to Ukraine share their location with the world and the enemy via social media. Here's your Daily dose of Human Events with @JackPosobiec Go to www.goodranchers.com/poso to get $30 off your order and free express shipping with code POSOTo get 15% off your first order of Field of Greens go to http://www.brickhouseposo.com and use code POSOTo save on MyPillow go to MyPillow.com/POSO and use code POSO 

Russia's war of aggression in Ukraine has undermined some of the fundamental assumptions underlying the security of Europe through much of the post-World War II era. As a result, several European nations have begun to consider dramatic changes in how they approach national security, both individually and collectively.To better understand how the war in Ukraine is reshaping the European security order, Scott R. Anderson sat down with two of his colleagues from the Brookings Institution: Célia Belin, a visiting fellow at Brookings and a former official in the French Ministry of Foreign Affairs, and Constanze Stelzenmüller, the Fritz Stern Chair on Germany and trans-Atlantic Relations in the Center on the United States and Europe.They discussed how the Ukraine conflict is reshaping Europe's approach to security affairs, what this means for institutions like the European Union and NATO, and how these changes are likely to impact the fundamental debate over what it means to be a part of Europe. Support this show http://supporter.acast.com/lawfare. See acast.com/privacy for privacy and opt-out information.