Podcasts about sympathizer

I. Viet Thanh Nguyen on the Roots of Trump's Imperial Ambitions Guest: Viet Thanh Nguyen is a professor of English, American studies and ethnicity, and comparative literature at the University of Southern California. He is the author of the novel The Sympathizer which won the 2016 Pulitzer Prize for Fiction. His article Greater America: Exporting Disunion was featured in the July/August 2025 of the Nation Magazine.   II. The US Bombing of Iran Guest: Phyllis Bennis is co-director of the New Internationalism Project at the Institute for Policy Studies (IPS).  She is the author of several books including Understanding the US-Iran Crisis: A Primer and her latest, Understanding Palestine & Israel.  The post Viet Thanh Nguyen on the Roots of Trump's Imperial Ambitions; Then, US Bombing of Iran appeared first on KPFA.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. Title:  We Are All Connected Show Transcripts Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:01:17] Welcome to Apex Express. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. First, we want to start by wishing everyone a happy Juneteenth, Juneteenth commemorates, an end to slavery and the emancipation of Black Americans after the Civil War. In 1865, 2 years after the Emancipation Proclamation, enslaved people in Galveston, Texas finally learned of their freedom. Juneteenth marks the day the last enslaved people learned of their freedom. Though outright slavery became illegal, the systematic oppression of African Americans continues to this day. We see that show up in almost every aspect of American culture, from the high rate of infant mortality to the over punishing of Black children in schools, to police brutality, to incarceration. We must continue to recognize the importance of championing Black lives and lifting up Black voices. We are all connected. June 19th is also an important day in Asian American history. In 1982 in Detroit, Vincent Chin was at a bar celebrating his bachelor party prior to his wedding the next day. Ronald Ebens, a white auto worker, and his stepson Michael Nitz taunted Vincent with racial epithets. They thought he was Japanese and were angry about the Japanese rise in the auto industry. When Vincent left the bar later, the two men attacked and killed Vincent with a baseball bat. He was 27 years old. Ronald Ebens never did time for this murder. Ronald Ebens is 85 years old now. Ebens not only skirted prosecution, he has used bankruptcy and homesteading laws in Nevada to avoid a wrongful death civil suit settlement. Ordered by the court in 1987 to pay $1.5 million to Chin's family, the Chin estate has received nothing. Lily Chin, Vincent's mom could have stayed silent about the racist attack on her son. Instead she spoke out. She took a courageous stance to highlight this most painful moment in her life. In doing so, she helped ignite a new generation of Asian American activists working for civil rights and social justice. We find ourselves in a new wave of activism as our communities band together to work against the injustices of the current regime. And what does this have to do with children's books? It is all connected. We highlight children's books by Asian and Asian American authors because we want our next generation of children to know and appreciate their own heritage. We want them to proudly represent who they are so that they can work in solidarity with other peoples. Our struggle is interwoven. As Grace Lee Boggs said, “History is a story not only of the past, but of the future.” Thank you for joining us on apex express. Enjoy the show.   Miko Lee: [00:04:24] First off. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights” This is part of the trilogy of the Activist Songbook. This multi-lingual rap, give steps to know what to do when ICE officers come to your door.    MUSIC   That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jeffries and composed by Byron Au Yong Welcome, Chi Thai to Apex Express.    Chi Thai: [00:07:13] Hello. I'm really happy to be joining you, Miko.  Miko Lee: [00:07:16] I'm really happy to meet you and learn about you as an artist, as a filmmaker, as a children's book author. And I wanna first start with a personal question, which is, who are your people and what legacy do you carry with you? Chi Thai: [00:07:30] Ooh, what a great question. You know what? I love being asked stuff that hasn't been asked kind of before. I mean, there's a kinda really kinda natural answer to that, which is, you know, family are my people. Of course. 100%. And certainly, you know, the reason why I'm talking to you today, you know, in regard to the, to the book, you know, it's about my family's journey. But I found, and I don't know if this is. Somewhat to do with, you know, being a child of two cultures and you know, being a child of the diaspora that you really have to kind of find your own family too. 'cause I suppose I grew up feeling, I didn't quite relate to maybe my parents in a way that, you know, you normally would if you weren't part of the diaspora. And I felt estranged from my birth country and I didn't really feel like British either a lot of the time. So in terms of like, who are my people? I've gathered those people as I've kind of grown up and it's, it's a kind of strange feeling too. I feel like it's taken me a really long to grow up and to figure out who I am. And I suppose that's why, you know, the people that I have a really, a lot of people that have come, kinda later in my life, I actually have no friends in my childhood as an example of that. I've had to kind of find these people as I've grown up, but it's taken me a long time to grow up because growing up in the UK there wasn't any literature to read about what it was like to be Asian. And British, to be a refugee and things like that. So it just took me longer and I then, as a result, it just took me longer to find my tribe. but I have it now, but it's still work in progress. That was a very convoluted answer. I'm very sorry Miko.    Miko Lee: [00:09:15] No, it wasn't. No worries. It's fine. And what legacy do you carry with you?   Chi Thai: [00:09:19] Kind of an extension to that answer, I think when you're an artist, practicing your voice, figuring out your voice, can take a while. And I think I've only really started maybe the last like five to 10 years at the most really figured out what I want my legacy to be. The things I wanna talk about are really about s tories from the diaspora, certainly, and about community and healing. These are the things I think that are really important to me, especially when we talk about maybe coming from struggle. I don't feel it's enough to be an artist today and just talk about struggle. I want to talk about justice as well. And justice really is about healing, you know?    Miko Lee: [00:10:00] Oh, that's beautiful. Can you talk a little bit more about that healing and what that means to you and how that shows up in your work?    Chi Thai: [00:10:07] A couple years ago, no, not even that long ago, I produced a, a feature film. This is probably the best example for it, but I produced a feature film called Raging Grace, which we called it Horror with a small H and it. Basically took the story of what it was like to be, undocumented Filipina in the uk who was also a mother. And I think if that film had been made 10 years ago, it would just shown how hard her life was, and unrelentingly. So, and I think the reason why Raising Grace is so special is it goes beyond the trauma, it takes us to a place of justice, of being able to speak out for someone who has felt invisible, to be visible for someone who's not. Had a voice, to have a voice and to begin that kind of healing process of sticking up for herself, making a change transforming herself from maybe the good immigrant to the bad immigrant and things like that. I think that's a really great example and I think I read a really wonderful thing. It might have been in a Guardian article where we, so a lot of my work is around, inclusion representation of like diasporic stories. And I think when you have, when you exist in the poverty of like representation, I. the solution to that is plentitude. I think that Viet Thanh Nguyen probably said that, so I don't wanna take credit for it. He comes up with so many wonderful things, and that's a wonderful thing to be able to move from poverty, like to plentitude and that be the solution, is kinda really wonderful. So I enjoy being really prolific. I enjoy supporting artists to be able to do their work. So as a community, we can also be prolific and I wanna support, narratives that. Take us beyond a place of struggle and trauma to a place of like healing and justice and so forth.    Miko Lee: [00:11:57] Your work crosses so many genres. You were just mentioning how that film was kind of a horror film and, and then you've done these kind of dreamy animation pieces and then now this children's book. Do you select the genre and the format and the medium, or does it select you?   Chi Thai: [00:12:16] Oh, I think the story chooses it. I like 100% believe that. I just actually was thinking about this 'cause I was doing an interview on something else, people, often ask about the creative process and I, can only speak for my own. But usually when I get an idea for a story, the general shape of it comes almost like really well formed. There's a sense of a lready kinda what genre it'll be. There's a sense of the character, there's a sense of the journey and all these things. I felt the same about, writing The Endless Sea I knew it would be from the voice of a child. This probably sounds like my creative process is terrible, but it was just. This is how it was going to be. That kind of part was writing itself, or at least I feel that it'd been writing itself like that in my subconscious for many, many years before it kind of surfacing and writing. Like the writing bit is just the tip of the iceberg at the end of the day. there wasn't like a kind of decision about that. the story in that sense was quite intact. So I often feel like the story is demanding something about kind genre and for, for Raging Grace 'cause I've talked about this a lot, not just in listen to me, but other things. But we always said like if you are an an undocumented person, every breath you take is taken in a hostile environment. It's so natural for it to be a horror. So there's not a sense that you kinda decide that it's like that is the very reality of someone who's going, you know, that's their lived experience. And if you're going to represent that truthfully, it will be through the prism of horror. And I suppose that's how I think about genre. the story is kind of telling you what it needs to tell its emotional truth. and I felt that way, with The Endless Sea same thing with the Raging Grace, with Lullaby. And I think you talked about The Promise, I suppose I, with The Promise, which is an adaptation I had less choice about that because that was a book and it was a adapted into an animation. I've heard Nicola, who's the author of the book, talk about that and she talks about like the story coming to her in a dream and tiptoeing down her arm coming onto the page, she like describes it really beautifully. so maybe our processes are the same. It feels that way. there's not long deliberations. I mean, that's not to say the writing process isn't difficult. It is. But that, I've never found the, [genre] the difficulty or the bit that's required a lot of, I don't know soul searching with it.    Miko Lee: [00:14:28] So with that being said, how did Endless Sea your latest children's book? How did that tiptoe into your imagination?    Chi Thai: [00:14:36] This is a strange one because this is probably the closest thing to like, almost autobiographical work. What I can say is like, it's the true story o f how I and my family, which would've been at the time my mom and dad, my older sister, me, how we fled Vietnam after the fall of an Saigon. we actually left quite late we left in 1979 w hen things were tr were getting truly, truly, truly, quite terrible. And, this was very much a last resort. I think my parents would try to make things work, but realized that they couldn't. This journey that we took on these, boats that were made badly, made poorly, that many of which sank has become almost like the genesis story of our family. It's like it's a big, it has a long shadow, right? Ever since you know I, it is like the first story that I can remember. It's one of the few stories my mom would tell me again and again when we, when they see their old friends, it's something they talk about. So it's something that has happened to it to us, but it's such a big thing that it's just, echoed In my life growing up, as I've you know, got older and older, and the wonderful thing about having a story kinda live with you eventually it's in your blood and in your bones, but also if it's a thing that's kinda shared with you again and again, you actually build up this, there's something about the repetition of it, and then every time you hear it told from an uncle or a family friend or from your mom, a new little detail is embroidered that someone adds. So I've kinda lived with this story for 40 plus years and I've been collecting all these little things about it all this time and all that time it was, I think, kind of just writing itself, you know? You know, it was doing all that work before I actually put like pen to paper. Um, yeah.    Miko Lee: [00:16:31] Was there a catalyst or something that made you actually put the pen to paper?   Chi Thai: [00:16:36] That's really interesting. You know, I probably don't mind it is probably something really banal like. I think I probably wrote it during Covid and I had more time. Um, I think there are probably be some bigger forces in place. And you know what, I can tell you what it is actually if I'm, I'm forcing myself to think and examine a bit closer so when this is totally true. So I remember hearing the news about Viet Thanh Nguyen win winning the Pulitzer for The Sympathizer. And it made such a mark on me and I kind of felt, wow, someone from our community has achieved this incredible thing. And I thought, why? Why now? Like, and I was like, well, you know what? It's probably taken our community certain amount of time to come of age, to develop not just the abilities to write, to create, to make art, but also to have possibly the relationships or networks in place to be able to then make the art and get it out into the world. And I kind of felt when he was able to do that and came of age, I kind of felt there was going to be like other people from the kind of diasporic Vietnamese community that would also start to flourish. And that made me feel really good. About probably being a bit older than the average kind of artist, like making their, kinda like their pieces and everything and saying, you know what? My time can be now. It's okay. And I just find it just really inspiring that, you know our community was kind of growing, growing up, coming of age and being able to do these, these things And I kind of felt like it had given me the permission, I suppose the, the confidence to go, “Oh this story that I've been carrying my whole life, which I don't really see a version of out there I can write that and now I can write it and I'm the right person to write it.” And I had just done The Promise so I had a relationship with Walker. I was like, I have a, you know, a relationship with the publisher. I feel my writing is matured. Like I can do this. And so it was like a culmination and, you know, convergence of those things. And, but I do remember having that thought thinking, “This is a good time to be alive in our community 'cause we're actually able to make our art and get it out there now.” I, I felt it was like a real watershed moment really.   Miko Lee: [00:19:11] What made you decide to do it in this format as a Little Kid's Children's Illustrated book? We were talking earlier about how to, to me, this is the first more realistic version of a boat people experience in a very little kid's voice. What made you decide to do it in this style?    Chi Thai: [00:19:33] So interesting. At the same time, I was writing The Endless Sea. I was writing also the script for a short film, which is called Lullaby, which is takes an incident that happened on my boat but expresses it as a film, as a little kinda horror kinda drama, but a kid cannot watch that. It's like too terrifying. Um, and I wrote, you know, The Endless Sea at the same time. And again, I can't, it's really hard for me to articulate. I just knew it was gonna be a kid's book, like, and I knew it'd be written from the voice of a kid, and I didn't actually, can I say I didn't even ascribe a particular kind of value to that. It wasn't until I had started conversations with the publisher they're like, you know, we see like there's a really high, like this is really great that it's written in the voice of the kid. It somehow gives it something else. Something more is something kind of special. I didn't set out to like, overthink, like what was the most effective way to tell this story? I, I think I just told the story as honestly as I could, you know, with the words that I felt that, you know, I had in me to de, you know, to describe it. In the most authentic way to, to me. And like I say, at the same time, I knew, like I knew that was a kid's book. There was another part of that I wanted to express that was really important to me and that was survivor's guilt. But that I felt was like, that was a horror, so that was really not gonna be suitable for kids. So I was definitely thinking about lots of things to do with the same subject of the same time, but they were definitely being expressed in different ways. And again, Lullaby came to me very kind of quickly, almost fully formed. And I knew, you know, it would be a ghost story. I knew it would be the story of a mother and things like that. And I often maybe, you know, I should, I, I should interrogate more, but I kinda, I take these kinda. These ideas, which are quite well shaped and, and then I just like lean into them more and more and more. But they, the way they arrive it, I've kinda, I, I can see a lot of what is already about to unfold.   Miko Lee: [00:21:43] And do you still dream about that experience of being on the boat as a kid?    Chi Thai: [00:21:52] It's, it's a really difficult thing to explain because you know that that happened now so long ago, and I've probably heard the story thousands of times. I've watched all the terrible Hollywood movies, I've seen all the news clippings, I've watched all the archive. I've listened to, you know, people talk, and I have my own memories and I look at photographs and I have memories of looking at photographs. I feel like, you know, my memory is really unreliable, but what it is instead is it's this, this kind of, kind of tapestry of, you know, of the story of memories, of, you know, images as I grow up of hearing the story, like all coming together. One of the things I did when I wrote, I wrote The Endless Sea, is I then went back to my mom and I did a recorded interview with her 'cause I was really worried about how unreliable my memory might be. And I interviewed her and I asked a lot of questions and I said, and I, it was like, you know, in the way I would've just like listened to the story quite passively before this time I interviewed her and I asked a lot of questions about details and all sorts of things. 'cause I really wanted to be able to represent things, you know, as factually as I could. And that was kinda one of my kinda kind of fact checking kinda exercises I did 'cause I was, I was much quite worried about how unreliable my memory was about it all. And you know, what is, what is a memory of a memory of memory, like, you know, especially when it comes to thinking about that time on the boat and the feelings I had. Yeah. So, you know,    Miko Lee: [00:23:34] and you were so young also to    Chi Thai: [00:23:37] Totally 100%. And sometimes, I don't know, you know, is it a memory of a memory? Is it a dream of a dream?   Miko Lee: [00:23:44] Mm-hmm.    Chi Thai: [00:23:44] Or just some, yeah.   Miko Lee: [00:23:46] Was there anything that your mom said that surprised you?    Chi Thai: [00:23:50] Yeah. Um, she didn't realize how bad it was gonna be and she was like, “God, if it, I'd known how terrifying it was I dunno if I, we could have done it.” I think there's a certain amount of naivety involved and I suppose that surprised me. You know? 'cause we know already now how bad it was. Um, so things like that surprised me.    Miko Lee: [00:24:15] and your mom, the dedication of the book is to your mom. What does she think when she first read it?    Chi Thai: [00:24:22] I've got a funny story. My parents, you know, they, we left, they were in their early twenties and I think it was, you know, the escape was hard for them, but settling in new country was really hard for them. That's. That's been kind of their struggle. They had to work so hard, so many hours to kind of, you know, give us a great life. And, I think a lot of that meant they weren't people that could go out, enjoy, enjoy movies, look at art, read lots of literature and things like that. They're very, very simple, very working class. Simple life or working class kinda life. Very much all about, uh, the work. Um, and I remember when I had a, the publisher had made like a mockup of the book and I gave it to my mum to read 'cause I wanted her to be happy about it too, and she's probably been my toughest critic. I think everything I've done, she hasn't really liked, to be honest. Um, and when I gave her the mockup to read. She went, “Yeah,” but she said it in such a way I knew what she meant was Yeah, that's right. You know, that's the truth. That's the, you know, the book isn't the testimony, but it felt like she was saying yeah. It was like the simple kind of approval. It wasn't like a lot    Miko Lee: [00:25:50] That is the most Asian mom's approval ever.    Chi Thai: [00:25:54] It's so funny, like people say to me, oh Chi, it's such a beautiful book. Oh, the writing so lit, like lyrical. It's stripped back, it's elegant. Like, you know, Viet Thanh Nguyen , like God bless his like consults, gave me a comment to put in the book, said these wonderful things, and my mom goes, “yeah.”. You know, it made me laugh at the time, but I knew what it meant. And I also was old enough, I was mature enough, you know, God, if she'd given me that, if I'd been 20 written that I might have cried and my heart might have broken. Right. But I, I knew I had, I've so much compassion, you know, for my parents. Mm-hmm. And people like my parents, what they've been through and, you know, but    Miko Lee: [00:26:38] That was incredibly high praise for her.    Chi Thai: [00:26:40] It was, I couldn't have asked more.   Miko Lee: [00:26:47] Oh, I totally get that. I think that's such an Asian thing. That is so funny.    Chi Thai: [00:26:53] It is, it is. I didn't feel bad. I, I remember showing her Lullaby, um, and she didn't like it at all.    Miko Lee: [00:27:02] What did she say? What is her not like voice? What did she say to that?    Chi Thai: [00:27:05] Oh, she. Well, firstly, she, well, the, the film is almost silent because basically it tells a story. It's inspired by a mother that was on our boat who lost her baby on the border crossing, and I was very much ever, for as long as I knew about this woman's story, I was like, I was very much haunted by it, and I was haunted by, you know, the fact that that's how she felt and her guilt. Over losing her baby on this journey. And I knew, I knew I wanted to tell her story. 'cause one of the things I feel very strongly about is when you are on the losing side. So I'm from South Vietnam, like that's not the, you know, that's not the story that's told, the story is told of who triumphs at the end of the day. And I was just like all those people that we lost at sea, this mother, her baby. The stories kind of aren't told. So I kind of felt really strongly that this was somehow a very creative way to put down like a, an historical record like this happened. And actually I found out after making the film that five babies were lost in our boat, not just one.   Miko Lee: [00:28:24] Wow. So what did she say, your mom say?   Chi Thai: [00:28:28] Yes. So I made this film, which was for the most part, a silent film. This is a woman that's shut down. She barely speaks anymore. She is living with the guilt ever. You know, when she was on the boat before her baby died, she sang a lullaby, and ever since then, she hasn't been able to speak again. And then we find out that she has been haunted by the ghost of her child that she lost. And then a bit too, you know, to kind of free herself from that. She, she actually sings, you know, the, the film culminates in her singing the Luby one last time. S saying Goodbye finally being able to move beyond her Gild and I Griffin, saying goodbye and hoping she's able to, you know, progress. So I made a film about that was largely silence except for this lullaby, and my mum watched it. She went, next time you make a film, you know you need more words. I was just like, oh, I think my heart probably did crumple off a bit a bit at that point.    Miko Lee: [00:29:30] Aw.    Chi Thai: [00:29:31] You know? Um, but yeah. But yeah, it's okay. It's okay because you know what? My mom doesn't get to see stuff like that very often. So sometimes she doesn't have the wider, and this is why, I mean, like, the life that she's had, you know, hasn't been one where she's been able to surround herself with, oh, I'm so lucky. You know, my life has been so different, but it's been different. Different because of, you know what she's, what she's done for us, so it's okay. I can take it on the chin when she says my film doesn't have enough dialogue in it.    Miko Lee: [00:30:04] I love that. For you, have you had conversations with your mom about your life as an artist, and what are her thoughts on that?   Chi Thai: [00:30:16] Well say. So I, so my mom, I don't really like, you know, she's probably not that into it. I'll be honest about being an artist. I can understand why she wants you to have a good life. And I would say for the most part, being an artist is, is a, is a tough life because it's hard to make, you know, the, the pennies work, right?   Miko Lee: [00:30:44] She wants stability for you, right?    Chi Thai: [00:30:45] Yeah, exactly. But she's made a peace with it. And basically what happened, I think all the best story is gonna be about my mom, right? Is that she basically, I, I, um, I have a partner, we've been together for 15 years. Um, he's a really nice guy and he has a reliable job and we have two kids together and i,    Miko Lee: [00:31:08] So that makes it okay.   Chi Thai: [00:31:10] So yeah, this is what I was saying. So she said to me like. It doesn't really matter what you do now. 'cause she, you are already peaked. You're somebody's wife. We're not married. But she told everyone in Vietnam we were married 'cause she couldn't cope with this not being like having kids out of wedlock. In her head. She's rewritten that we are married. Right. She's like, you are married, you're somebody's wife and you mother, it doesn't get better than that. So if you are an artist or if you're a filmmaker, whatever, it doesn't matter. 'cause nothing can be better than that. Right. So she's accepted on the basis that I've already fulfilled, kind of my promise.   Miko Lee: [00:31:46] Wow. Interesting.    Chi Thai: [00:31:50] And she means that in the nicest possible way.    Miko Lee: [00:31:52] Yeah.    Chi Thai: [00:31:52] That she feels like you have a home, you have stability, you have someone who loves you, you know, you have a, a purpose in life, but really her value, you know, the way, I think, the way she measures my value is like, that's how she looks at it. The, the art is something else.    Miko Lee: [00:32:10] Well, I really appreciate you sharing your art with us in the world and your various, um, genres and styles. And I'm wondering how our audience can find out more about your work. Clearly we'll put links to where people can buy the book and let's see, but how do they find out more about your films?   Chi Thai: [00:32:28] Um, so that like, because it is the 50th anniversary of the end of the Vietnam War in 2025. Actually the very anniversary of that is the tomorrow, the 30th, April, right? Um, you can watch Lullaby on Altar, which is a YouTube channel. Um, and I can give you the link for it. Rating Grace is on Paramount Plus if you want to, if you've got Paramount Plus, but you can also buy it from all the usual kind of places too. Um, and you know, and we'll see us from all great book stockists, I imagine in, in the us.   Miko Lee: [00:33:07] Thank you so much. Um, I'd love to get, I'd love for you to send me the link so I could put 'em in the show notes. I really appreciate chatting with you today. Um, is there anything else you'd like to share?    Chi Thai: [00:33:19] Um, no, I think, I think that's good. Your, your questions are so good. Mika, I'm already like, kinda like processing them all. Uh, yes.    Miko Lee: [00:33:30] Well, it was a delight to chat with you and to learn more about your artistic vision, and my wishes are that you continue to grow and feel blessed no matter what your mama says, because deep down, she's still proud of you. Even if she doesn't say it out loud.    Chi Thai: [00:33:47] I believe it. I totally believe it.    Miko Lee: [00:33:50] Yay. Thank you so much for spending time with us on Apex Express.Next up, listen to stay, go from dark heart, a concert narrative by singer and songwriter Golda Sargento.   MUSIC   That was the voice of Golda Sargento from the new Filipino futurism punk rock sci-fi dark heart. Welcome, Livia Blackburne Children's book, author of Nainai's Mountain. Welcome to Apex Express.    Livia Blackburne: [00:38:56] Thank you so much for having me.    Miko Lee: [00:38:58] I wanna start with a personal question, which is, who are your people and what legacy do you carry with you?    Livia Blackburne: [00:39:05] I am Chinese American, and so I carry the stories of my grandparents who fled China to Taiwan, fled that war. And I also carry the stories of my parents and myself who immigrated. To America, and I am, I grew up in New Mexico, so I have fond memories of green chili and new Mexican food. I went to college, Harvard and MIT on the east coast. So I've got a bit of that kind of ivory tower. And now I'm in LA and, you know, my people are, my family and my community, the writing community here. So I, I'm a big mix. Yes.    Miko Lee: [00:39:44] What legacy do you carry with you?    Livia Blackburne: [00:39:47] I mentioned a bit of my grandparents and my parents. What they went through in the war in China, and then my parents and me coming here. the experience of being here in two worlds, coming from Taiwan having that cultural background and also, growing up in the United States. The culture I've been surrounded with here as well.    Miko Lee: [00:40:06] Thank you so much for sharing. Can you tell us about your new illustrated children's book? Nainai's Mountain. What inspired this work?    Livia Blackburne: [00:40:14] The story of this book actually started with another book that is coming out in a couple years that actually I can't share too much about. My grandparents fled the war in China and then my. Parents grew up in Taiwan and I wanted to preserve that family story. My parents are getting older. So I started doing oral interviews with my parents about their childhood, what it was like, growing up. I wouldn't say they weren't refugees in Taiwan. It's a very complicated political situation, but they were transplants to Taiwan, and what it was like growing up there, their daily life. What kind of things they did when they were a child, their pastimes, I wanted to preserve their stories and I got a lot of great material., A lot of that is going into a novel that I'm currently working on. But also as I worked on it, there were so many great details that I thought would be really good in a picture book as well. Also, I'm a mother now. I have an 8-year-old daughter, and she is half Caucasian, half Asian. She has never gone to Taiwan before and I. As I'm writing this, I'm thinking, it would be really great to, I do want to share Taiwan and, my own childhood, home with her at some point. And so I start imagining what would it be like to bring her back to Taiwan and show her everything. And that became the seed for Nainai's Mountain, which is a. Story of a girl visiting Taiwan for the first time with her grandmother. And her grandmother shows her around and tells her stories about her childhood, and the girl through her grandmother's eyes, sees Taiwan, you know, for the beautiful place that it is.    Miko Lee: [00:41:56] You also wrote the book I Dream of Popo. How are these companions to each other and also for audiences that might not speak Chinese. One is a grandmother on the mother's side, and the other is the grandmother on the father's side. Can you talk about how I dream of Popo is linked to Nainai's Mountain?   Livia Blackburne: [00:42:15] Thank you for pointing that out. Yes. So Popo is maternal grandmother, and Nainai is a paternal grandmother. And that is a fantastic question. So I dream of popo is kind of my story. So it's about a little girl who moves from Taiwan , to the United States and it's about her relationship with her grandmother who stays in Taiwan. And it talks about, how a close relationship, navigating long geographical distances about the language barrier that comes up. And that was very much me, Nainai's Mountain. It's kind of like Popo in reverse, you know, it's now it's someone going back to Taiwan and kind of getting in touch with those roots. That, as I mentioned, that's inspired by my daughter. And you'll see in Nainai's Mountain, I specified that the child should be, half Asian, half Caucasian. Because, I wanted more of that representation in the children's literature.    Miko Lee: [00:43:07] Thank you. I, I wonder if you could talk a little bit about the artistic style. So you are the author, but you had different illustrators for both of the books and the style is really different. The in, when I look at Nainai's Mountain, which I'm holding here, it's sort of collage and really vibrant colors. Where I Dream of Popo has a different, more. I'm almost realistic, kind of look to it. And I'm wondering what your process was like in collaborating with illustrators.    Livia Blackburne: [00:43:37] That's one of the best things about being a picture book author, is that you get to collaborate with so many illustrators and they all have such different styles, such different visions. Most of the time it's the publisher who chooses the illustrator, although they. Consult me usually. My editor for I Dream of Popo picked Julia Kuo. And she sent me samples and I loved it. And, it was great. I'm friends with Julia now and that book did really well. It was very well known, especially in kind of Taiwanese American, Asian American circles. And so when I did, Nainai's mountain, that was with a different publishing house and my editor. He very consciously said, you know, because it's also a book about Taiwan and a grandmother. We don't want to get it confused with I dream of Popo. So, we made a conscious decision to pick an artist with a very different style and Joey Chou is fantastic. He's very well known for his Disney art. You can see his art in a lot of the hotels and cruise ships. And, he, very bright, vibrant, and I, he's also from Taiwan. I think he did a fantastic job.   Miko Lee: [00:44:41] And have the artistic work ever surprised you as being really different from your imagination while you were writing?    Livia Blackburne: [00:44:48] That's a great question. I don't think they've ever surprised me. By being different. They surprised me in the specifics that they've chosen. For example, I dream of Popo. Julia, spent a lot of time in Taiwan and she put in these great, Taiwan details that, you know, if you're from Taiwan, you would know for sure. There's like a specific brand of rice cooker called the rice cooker, and she has one there and like the giant bag of rice in the corner, and the calendar on the wall.   Miko Lee: [00:45:16] Even the specificities of the food and the trays and everything is quite lovely.    Livia Blackburne: [00:45:20] Yeah, yeah. You know, every time I read that, I look at that spread, I get hungry. So surprise there. And, with Joey, I, I love how he does the different, there's kind of flashback pictures and there's, pictures now and. The thing about him, his color, I just love the color that he put in from the greens, of Taiwan to kind of the bright fluorescent lights, neon lights of Taipei, and then there's kind of the slight sepia tones of the past and he just, you know, brings it so to life so well.   Miko Lee: [00:45:49] I didn't know he was a Disney animator, but it totally makes sense because it feels very layered. It does feel animated in a way and kind of alive. So I appreciate that.   Livia Blackburne: [00:45:59] I'm not sure. If he's an animator. He does a lot of art for the theme parks and like products and the cruise ships and stuff. I'm not sure.    Miko Lee: [00:46:07] Oh, interesting.   Livia Blackburne: [00:46:07] He does like movies and  stuff.    Miko Lee: [00:46:08] Interesting. It looks like animation though. Your book.    Livia Blackburne: [00:46:13] It does look very, yeah. Lively. Mm-hmm.    Miko Lee: [00:46:16] That I'm looking forward to that series. That would be so cute. The grandmother series as a whole little mini series traveling to different places. can you tell us about your new book, Dreams to Ashes? Has that been released yet?   Livia Blackburne: [00:46:29] Dreams to Ashes? That has been released that, released about a month before Nainai's Mountain. Yeah, that one's quite a bit different. So that one is a nonfiction book and it's a picture book, and it's about the Los Angeles massacre of 1871. Whenever people, I tell people about that, they're like, wait, you wrote a picture book about a massacre? Which is slightly counterintuitive. So I never knew about the Los Angeles massacre growing up. And, and, given that I am a Chinese person in Los Angeles, that is kind of weird. Basically, it was a race massacre that occurred. One of the biggest mass lynchings in history, uh, where there was a between two rival Chinese organizations and a white bystander was killed. And because of that, , a mob formed and they rounded the Chinese population up basically. And. Blame them for that death. In the end, 18 Chinese men were killed and only one of them were involved in the original gunfight. It was a horrible tragedy. And unfortunately, as often happened with these kind of historical tragedies in our country, nobody was really punished for it. A few men were indicted and convicted, but their convictions were overturned and it just kind of disappeared into history. And it really struck me that, you know, nobody knew about this. I wanted to kind of bring this to light and unfortunately when I was writing it, it was also, during the Covid pandemic and, I was seeing a lot of anti-Asian rhetoric, anti-Asian hate crimes were going up. And I saw so many parallels between what happened. Back then, because, you know, Chinese people specifically were being vilified , they were being called immoral, stealing people's jobs. And you can see in the years before the massacre the newspapers were saying horrible things and, you know, the hate was just becoming very strong and all that exploded one night into an unspeakable tragedy. Unfortunately as an author, you want your work to be relevant, but sometimes you don't want your work to be relevant in this way. Right. Nowadays I'm seeing so much rhetoric again against immigrants and not of many ethnicities. And in some ways I'm sad. That, this is happening now. And I also hope that this book will contribute to the conversation and show how the danger of racism and xenophobia and hate and what, what can happen because of that.   Miko Lee: [00:48:55] So this occurred in the late 1800s, right? Was it before the Chinese Exclusion Act?    Livia Blackburne: [00:49:03] Yes, it was before the Chinese Exclusion Act. So you'd hope that people kinda learn from these things. And it was just kind of one of the, one of the horrible things that happened on the way to the Chinese Exclusion Act and Chinese immigrants being excluded basically Chinese laborers at least.   Miko Lee: [00:49:23] Oh wow. Okay. I'm looking this up now. And 1882 we know was the Chinese Exclusion Act and this incident actually happened in 1871. Yes. A decade beforehand, Helen Zia always talks about these moments that are missing. MIH missing in history and this is clearly another one of, another time of just wiping out a population.I'm wondering if you could speak a little bit more about how Children's Books can make a difference in the world that we're currently living in, where our government is banning books and you know that there's a narratives that they want to align with a certain kind of conservative ideology. Can you talk about the power of being a Children's Book author in this time that we're living in right now? . I'm really thinking about dreams to Ashes and even I dream of Popo and even Nainai's Mountain, which you would think, oh, they're, you, they're visiting their grandparent, their grandmothers, that would not be controversial. But now when even words like inclusion and diversity are threatened and books are being banned, I'm just wondering if you could. Share a little bit more about your superpower as a children's book author?    Livia Blackburne: [00:50:31] Yeah, that's a fantastic question. We live in a time right now, there's, a lot of hate, a lot of intolerance, a lot of fear of different people groups. And a lot of that I think is because people are unfamiliar with people unlike themselves. They see. People who are different, look differently, act differently, speak differently, and it scares them. And I think the best way to get around that is to actually get to know people of other backgrounds, to see them as human. And I think that's where children's books come in. ‘Cause we don't, children are not born. With this hate of the other. They learn it. But, if they grow up being familiar with people of different backgrounds seeing their stories seeing them as, normal human beings, which, should be obvious, but sometimes it's hard, for adults to realize. Then, I'm hoping, as a children's book author that it will lead to a more empathetic world. And perhaps that's why the government sometimes in certain groups are wanting to, censor this and control the flow of children's books because, children are the most their minds are still open. They're still able to learn.    Miko Lee: [00:51:48] And Livia, tell us what you're working on next.   Livia Blackburne: [00:51:53] So right now I am. Working on a historical middle grade. We haven't quite announced it yet, so I can't say the title or too many details, but it is based on my family history of my parents and grandparents who moved from China to Taiwan after the civil War.   Miko Lee: [00:52:12] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 6.19.25 We Are All Connected appeared first on KPFA.

Episode 73 is the 2025 Page to Screen podcast where The Boston Sisters talk about 5 books related to historical drama series and films for summer reading.This year we highlight stories or provide a deeper dive into the films and series featured in the 4th podcast season (2024 - 2025). The authors of three 2025 summer reads were guests on the podcast.*​The Sympathizer by Viet Thanh Nguyen* (2015) | Ep. 58​The Piano Lesson by August Wilson (1986) | Ep. 62​Shirley Chisholm In Her Own Words: Speeches and Writings by Zinga A. Fraser, PhD* (2024) | Ep. 59​Call The Midwife by Jennifer Worth (2002) | Ep. 70​Miss Austen by Gill Hornby* (2020) | Ep. 71-------TIMESTAMPS0:14 - Intro to Episode 731:17 - THE SYMPATHIZER/Viet Thanh Nguyen9:40 - The PIANO LESSON/August Wilson12:59 -SHIRLEY CHISHOLM IN HER OWN WORDS: SPEECHES AND WRITINGS/ Zinga A. Fraser, editor27:52 - Break28:30 CALL THE MIDWIFE/Jennifer Worth41:14 - MISS AUSTEN/Gill Hornby53:05 - Recap------SUBSCRIBE to HISTORICAL DRAMA WITH THE BOSTON SISTERS® on your favorite podcast platformENJOY past podcasts and bonus episodesSIGN UP for our mailing listSUPPORT this podcast  SHOP THE PODCAST on our affiliate bookstoreBuy us a Coffee! You can support by buying a coffee ☕ here — buymeacoffee.com/historicaldramasistersThank you for listening!

Man accused of killing 2 Israeli Embassy staffers in DC charged with murder of foreign officials Please Subscribe + Rate & Review KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson wherever you listen! --- KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson is available on the KMJNOW app, Apple Podcasts, Spotify, Amazon Music or wherever else you listen. --- Philip Teresi & E. Curtis Johnson – KMJ’s Afternoon Drive --- Weekdays 2-6 PM Pacific on News/Talk 580 & 105.9 KMJ DriveKMJ.com | Podcast | Facebook | X | Instagram --- Everything KMJ: kmjnow.com | Streaming | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Man accused of killing 2 Israeli Embassy staffers in DC charged with murder of foreign officials Please Subscribe + Rate & Review KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson wherever you listen! --- KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson is available on the KMJNOW app, Apple Podcasts, Spotify, Amazon Music or wherever else you listen. --- Philip Teresi & E. Curtis Johnson – KMJ’s Afternoon Drive --- Weekdays 2-6 PM Pacific on News/Talk 580 & 105.9 KMJ DriveKMJ.com | Podcast | Facebook | X | Instagram --- Everything KMJ: kmjnow.com | Streaming | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

On NFL Schedule release day, Joe DeCamara is symphatizing for the Cowboys who start their season HERE vs the Eagles!

It's been 50 years since the fall of Saigon, but the impact of the Vietnam War still reverberates across generations and continents. On the GZERO World podcast, Ian Bremmer speaks with Pulitzer Prize-winning author Viet Thanh Nguyen and historian Mai Elliott—two writers whose lives were shaped by the conflict. Nguyen, author of the bestselling book and TV series "The Sympathizer," recounts growing up in a tight-knit refugee community in California, where “melancholy, rage, anger, bitterness, sadness—the whole gamut of emotions” defined the postwar experience. Elliott, who interviewed insurgents during the war, came to see its human cost up close, saying, “I didn't care who won the war by the end of it—I just wanted it to stop.”But the episode is not just about the past. It's also about Vietnam's present—and future. The country has become one of Asia's fastest-growing economies and most strategically important players, carefully navigating a relationship with China and the United States. “If Vietnam gets too close to China, it could lose its country,” Elliott explains. “Too close to the US, and it could lose its regime,” Nguyen adds that while tensions remain between the Vietnamese state and its diaspora, Vietnam's diplomatic pragmatism is rooted in a thousand-year history of resisting Chinese domination while embracing growth opportunities.As Washington and Beijing compete for influence in Southeast Asia, Vietnam is charting its path—one shaped by memory, resilience, and the long shadows of war.Host: Ian Bremmer Guests: Viet Thanh Nguyen and Mai Elliott  Subscribe to the GZERO World with Ian Bremmer Podcast on Apple Podcasts, Spotify, or your preferred podcast platform, to receive new episodes as soon as they're published.

It's been 50 years since the fall of Saigon, but the impact of the Vietnam War still reverberates across generations and continents. On the GZERO World podcast, Ian Bremmer speaks with Pulitzer Prize-winning author Viet Thanh Nguyen and historian Mai Elliott—two writers whose lives were shaped by the conflict. Nguyen, author of the bestselling book and TV series "The Sympathizer," recounts growing up in a tight-knit refugee community in California, where “melancholy, rage, anger, bitterness, sadness—the whole gamut of emotions” defined the postwar experience. Elliott, who interviewed insurgents during the war, came to see its human cost up close, saying, “I didn't care who won the war by the end of it—I just wanted it to stop.”But the episode is not just about the past. It's also about Vietnam's present—and future. The country has become one of Asia's fastest-growing economies and most strategically important players, carefully navigating a relationship with China and the United States. “If Vietnam gets too close to China, it could lose its country,” Elliott explains. “Too close to the US, and it could lose its regime,” Nguyen adds that while tensions remain between the Vietnamese state and its diaspora, Vietnam's diplomatic pragmatism is rooted in a thousand-year history of resisting Chinese domination while embracing growth opportunities.As Washington and Beijing compete for influence in Southeast Asia, Vietnam is charting its path—one shaped by memory, resilience, and the long shadows of war.Host: Ian Bremmer Guests: Viet Thanh Nguyen and Mai Elliott  Subscribe to the GZERO World with Ian Bremmer Podcast on Apple Podcasts, Spotify, or your preferred podcast platform, to receive new episodes as soon as they're published.

Viet Thanh Nguyen came to the United States as a 4-year-old refugee after the end of the Vietnam War in 1975. His family eventually settled in San Jose. Nguyen went on to become a Pulitzer Prize-Winning novelist and memoirist whose books center the experience of Vietnamese people. As we approach the 50th anniversary of the end of the Vietnam War, we'll reflect on the war's lasting impact and what we have – and have not – learned from it. And we'll talk about his new book of essays, “To Save and to Destroy: Writing as an Other,” which explores the role of artists in political discourse. Guests: Viet Thanh Nguyen, author and professor at USC. His latest book is a collection of essays, "To Save and to Destroy: Writing as an Other." His previous books include the Pulitzer Prize-winning "The Sympathizer," "The Committed," and the memoir, “A Man of Two Faces." Bryan Vo, Forum intern Learn more about your ad choices. Visit megaphone.fm/adchoices

Geoff, Gavin and Andrew talk about Meg's change of heart, Gavin's computer crashing, Worms is 6 players, first Let's Play video, third times a charm, Mario Party March, dart boards, hot spoon vs cold spoon, condiment fork, antiques, tendrbendr, truck nuts, taste bud nationality, and Wheel of Games. Sponsored by Bear Mattress. Bearmattress.com, promo code REGULATION for 40% off Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sympathizer by Viet Thanh NguyenAndy and Dani enter a covert mission. Will we read anything happy every again? Who knows... Why does Dani hate when dialogue is woven into paragraphs? Are we supposed to sympathize with the sympathizer? When does shock value pay off and does it in this book?

It's Monday, March 17th, A.D. 2025. This is The Worldview in 5 Minutes heard on 125 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Adam McManus Texas university lecturer on video harassing evangelist put on leave A University of Texas at Arlington philosophy lecturer who was seen in a viral video harassing a Christian evangelist says he's been placed on administrative leave, reports The Christian Post. In a video shared on March 9th, Charles Hermes, an undergraduate advisor and senior lecturer of Philosophy, is seen shouting "No justice!" at a pro-life street preacher during a pro-abortion rally in Fort Worth. The evangelist is heard asking, "Do you believe in Jesus?" to several bystanders in the video.  A campus reporter enters the frame and asks the preacher, "Why are you here?" The preacher replies, "I am here because I was brought here. I am here because all the children that are dying.” Proverbs 24:11 says, “Rescue those being led away to death; hold back those staggering toward slaughter.” Senate passes funding bill to avert government shutdown Last Friday, the U.S. Senate approved a House-passed bill to extend government funding by six months, hours before a shutdown deadline, reports The Epoch Times. In an initial procedural vote, 11 Senate Democrats joined Republicans to advance the measure. Afterwards, the Senate passed the bill in a 54–46 vote. Democratic Senator Jeanne Shaheen of New Hampshire and Independent Senator Angus King of Vermont supported final passage. Republican Senator Rand Paul of Kentucky was the only Republican to oppose the package, because there were not deeper cuts in spending. PAUL: “President Trump has pledged to balance the budget. I want to help him with this task, but to balance the budget requires much less spending than this current bill entails. “Our national debt now exceeds $36 trillion. That's 124% of the size of our economy. That should not be a surprise. We're adding $2 trillion every year to the debt, this year included. “Critics of excessive federal spending have rightly argued that we should return spending to pre-pandemic levels. This is something I could support. The spending bill before us, though, spends $400 billion more than we were spending before the pandemic. Spending went through the roof during the pandemic, and it never came back down. And the deficits are out of control. “In order for this bill to get back to pre-pandemic levels, it would have to be $400 billion less. That's something I could support.” The legislation, which extends government funding through September 30, now heads to the desk of President Donald Trump, who's expected to sign it. Homeland Security revokes student visa of terrorist sympathizer Last Friday, the Department of Homeland Security announced it revoked the visa of one Columbia University student escalating its crackdown on those engaged in pro-Hamas demonstrations over the conflict in Gaza, reports The Hill. The stripping of the visa comes just days after the detention of Mahmoud Khalil, a former grad student at the university, by Immigration and Customs Enforcement. Khalil has a green card. Secretary of State Marco Rubio explained the Trump administration's actions. RUBIO: “When you come to the United States as a visitor, which is what a visa is, we can deny you that visa. We can deny you that if you tell us, when you apply, ‘Hi, I'm trying to get into the United States on a student visa. I am a big supporter of Hamas, a murderous, barbaric group that kidnaps children, that rapes teenage girls, that takes hostages, that allows them to die in captivity, that returns more bodies than live hostages.' If you tell us, … ‘I intend to come to your country as a student, and rile up all kinds of anti-Jewish student, antisemitic activities.' ... “This is not about free speech. This is about people that don't have a right to be in the United States to begin with. No one has a right to a student visa. No one has a right to a green card.” Bill allows interrogation of homeschool parents Illinois homeschool advocates and supporters of private education are warning about a bill in the Illinois House that could involve the invasion of personal privacy and lead to government intrusion into the rights of parents to educate their children, reports LifeSiteNews.com. It's based on model legislation supported by a Massachusetts-based group that also warns about “parental rights extremism” and “Christian fundamentalists.” Illinois House Bill 2827 “would create new requirements for homeschooling families to report their educational activities to authorities,” according to the Home School Legal Defense Association. Deuteronomy 6:7 says, “You shall teach [the Commands of God] diligently to your children, and shall talk of them when you sit in your house, and when you walk by the way, and when you lie down, and when you rise.” The group, along with Illinois Christian Home Educators, recently had more than 2,000 people come out to the state capitol to rally in support of educational freedom. More than 20,000 people have also filled out witness slips against the pending bill and only 500 have voiced support. The legislation was introduced by Illinois Democratic Rep. Terra Costa-Howard and co-sponsored by another 15 State Reps. under the guise of protecting kids in homeschool from abuse and ensuring they're aware of opportunities for medical care and activities through their local school district. You can send an email with your objection through a special HSLDA Action link in our transcript today at www.TheWorldview.com. Country band censored by TV station over patriotic song And finally, the Dugger Band, a patriotic country music group, was censored by television station WSMV in Nashville, Tennessee, reports Christian talk radio host Todd Starnes. The brothers -- Jordan and Seth Dugger -- had written a song called “True Colors.” They had been invited to perform on the station's “Today in Nashville” program. But when station management read the lyrics – they told the boys from the mountains of East Tennessee that it was politically biased – because it promoted America. The Dugger brothers said, “We wrote this song because we're proud to be Americans and we're tired of people putting the USA down.” Listen to some of the lyrics that offended the management at WSMV TV. “You're just sitting there sipping on that Starbucks cup Hating on everything, not doing anything I crank up some Toby Keith Climb back in my truck [Pre-Chorus] “And it don't matter where the chips may fall That Statue of Liberty will be standing tall The best part about the land of the free Is if you don't like it, you're free to leave [Chorus] “But I ain't leaving here I'm an eighth generation God-fearing blue collar with the flag waving And I don't wait for the Fourth of July It′s year round, life-long American pride “And right here, right now, I'm drawing the line If this country ain't something you can stand bеhind Then that's the differеnce 'tween me and you 'Cause my true colors are red, white and blue” If you object to WSMV-TV's decision to prohibit The Dugger Band from performing their patriotic song “True Colors,” send a polite email to comments@wsmv.com. You can call (615) 353-4444 Monday through Friday, 8:30 a.m. to 5:00 p.m.  Or send a 2-sentence letter to Jasmine Hardin, General Manager, WSMV-TV, 5700 Knob Road, Nashville, TN 37209. Close And that's The Worldview on this Friday, March 17th, in the year of our Lord 2025. Subscribe by Amazon Music or by iTunes or email to our unique Christian newscast at www.TheWorldview.com. Or get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

Rep Jasmine Crockett continues her streak of looking like the least competent members of congress.  Visit the Howie Carr Radio Network website to access columns, podcasts, and other exclusive content.

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First Time?Start Here: https://bit.ly/MarinersconnectcardCan we pray for you? https://bit.ly/MarinersPrayerOnlineYou can find information for all our Mariners congregations, watch more videos, and learn more about us and our ministries on our website https://bit.ly/MarinersChurchSite.FIND US ON SOCIAL MEDIA• Facebook: https://www.facebook.com/marinerschurch• TikTok: https://www.tiktok.com/@marinerschurch• Twitter: https://twitter.com/marinerschurch• Instagram: https://www.instagram.com/marinerschurchSupport the ministry and help us reach people worldwide: https://bit.ly/MarinersGive

There are few wrestlers ever who have made the impact that Sgt. Slaughter did throughout his career. The first major splash for Slaughter happened in the 1980's when he made the extremely successful decision to leave wrestling and become the face of G.I. Joe. The massively popular cartoon and toy line thrust Slaughter into every home with children in America. It put him on a level only Hulk Hogan had achieved in the industry. In this interview we discuss the impact of that business move. But we also discuss his other major decision when he returned to wrestling. That was to start a storyline where he became an “Iraqi Sympathizer” during the Gulf War and publicly backed Saddam Hussein on WWE (then WWF) television. This was an era when many fans still believed WWE storylines as reality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Movie of the Year: 2024Drama Series of the YearThe Ultimate 2024 Drama Series Bracket!In this episode of Movie of the Year, the hosts take on their most ambitious challenge yet: determining the best 2024 drama series. Sixteen of the year's most important series—across drama, comedy, and everything in between—compete in an epic bracket showdown. From critically acclaimed hits to pop culture sensations, the panel debates, argues, and laughs their way through tough matchups. With only one show emerging as the ultimate champion, which series will claim the title of Best TV Show of 2024? Tune in to find out!The Best TV Drama Series of 20242024 was an incredible year for TV drama, delivering both fresh perspectives and powerful storytelling. Here are some of the top drama series of 2024 that left a lasting impact:House of the Dragon (Season 2) – Proved that Westeros still reigns supreme with more fire and blood.The Sympathizer – An intricate historical drama that captivated viewers with its espionage and political intrigue.Shōgun – A stunning adaptation of James Clavell's novel that brought feudal Japan to life.True Detective: Night Country – A chilling reinvention of the crime anthology series with a gripping new mystery.With so many standout dramas, 2024 was a year of must-watch TV shows that captivated audiences worldwide.The Biggest Events in Television This YearThis year saw major shake-ups in the TV industry, from surprising cancellations to landmark finales:Streaming Wars Intensify – Netflix, Max, and Disney+ battled for dominance, while Apple TV+ continued to gain prestige.Emmys Delayed but Celebrated – The awards ceremony, postponed due to industry strikes, finally honored last season's best shows.Final Farewells – Legacy series like Girls5Eva concluded with explosive finales, marking the end of an era.Mass Cancellations – Industry-wide cost-cutting led to several show cancellations, frustrating fans who lost beloved series.Major Trends in 2024 TV Drama SeriesA few key TV trends in 2024 shaped the year's most compelling dramas:Book Adaptations Dominate – Shows like Shōgun, The Sympathizer, and Three-Body Problem proved that literary properties still rule prestige TV.Return of Episodic Storytelling – Networks experimented with weekly releases, bringing back the anticipation of traditional TV.Genre Fusion – Sci-fi, horror, and historical drama blended unexpectedly, creating unique storytelling experiences.Rise of AI in Production – AI and deepfake technology began creeping into TV production, sparking innovation and ethical debates.Listen & Join the ConversationWhich TV show will be crowned the best of 2024? Listen to Movie of the Year and find out! Join the discussion by commenting below or voting for your favorite show. Don't forget to share this article with fellow TV lovers and tag us on social media using #BestTV2024 #TVBracket #MovieOfTheYearPodcast!

A listener asks what other possible alternatives are there to Trump's new plan for Gaza. History says those who support that plan are on the wrong side of it.

Hour 1: Chiefs Game-plan & Is Travis Kelce A Nazi Sympathizer full 1487 Thu, 06 Feb 2025 22:55:44 +0000 Qrw4PdD8U8d4TUO0zNeQhDNbsmKsw53y comedy Church of Lazlo Podcasts comedy Hour 1: Chiefs Game-plan & Is Travis Kelce A Nazi Sympathizer Church of Lazlo Podcasts       2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcast

Vietnamese-Australian actor Hoa Xuande stars as The Captain in HBO's The Sympathizer, a limited series based on Viet Thanh Nguyen's Pulitzer-prize winning novel.Hoa takes us behind the scenes, telling us about how he landed this huge role, and what it was like to act opposite heavyweights like Robert Downey Jr. and Sandra Oh.

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Mika and Joe go from "Donald Trump will kill us" to wanting to be his best friend in the span of two weeks. Meanwhile, the rest of the corporate press seems to be fine with letting a senile old man provoke WWIII. Support The Show: https://peddlingfiction.substack.com/ Subscribe to YouTube before it's too late! https://www.youtube.com/@ThePeddlingFictionPodcast-v9y 30% off Merch Now!: https://www.teepublic.com/stores/peddling-fiction

Das Jahr neigt sich dem Ende zu, es wird also höchste Zeit, sich mal unsere Serienempfehlungen vom Anfang des Jahres genauer anzuschauen! Welche Serien haben uns dieses Jahr tatsächlich überzeugen können und welche haben unsere Erwartungen enttäuscht? Und welche Serientipps hatten wir am Anfang des Jahres überhaupt nicht auf dem Schirm? Wir blicken in diesem Podcast mal genauer auf die Serienhits und -flops des Jahres und nehmen unter anderem DISCLAIMER, THE REGIME und THE SYMPATHIZER genauer unter die Lupe. Außerdem haben wir für euch die 10 besten Serien 2024 herausgesucht, die bisher erschienen sind. Und damit viel Spaß bei einer neuen Podcastfolge hier auf CINEMA STRIKES BACK! Hier kommt ihr zum Serientipp-Video: https://www.youtube.com/watch?v=Uif2KfMhdok Podcast: 00:00:00 - Anmoderation 00:06:35 - THE REGIME 00:18:19 - DISCLAIMER 00:31:20 - THE SYMPATHIZER 00:44:21 - MASTERS OF THE AIR 00:55:12 - Serienflops 2024 01:00:02 - Top 10 Serien 2024 01:24:34 - Starts der Woche

Ky Duyen is a rising talent known for her compelling portrayal in The Sympathizer, the acclaimed HBO series based on Viet Thanh Nguyen's Pulitzer Prize-winning novel. In this complex political drama, she plays a pivotal role alongside Robert Downey Jr. and Sandra Oh, contributing to the show's exploration of identity, loyalty, and the tumultuous aftermath of the Vietnam War. Ky's performance has been praised for its depth and authenticity, capturing the emotional nuance of a character navigating the intersections of culture, conflict, and personal survival

This episode of Welcome To The Party Pal features a deep dive into HBO's The Sympathizer, the historical black comedy drama miniseries based on the 2015 Pulitzer Prize-winning novel of the same name by Viet Thanh Nguyen. The series was created by co-showrunners Park Chan-wook and Don McKellar, with Park directing the first three episodes. The series is based on the story of the Captain, a North Vietnam plant in the South Vietnam army. He is forced to flee to the United States with his general near the end of the Vietnam War. While living within a community of South Vietnamese refugees, he continues to secretly spy on the community and report back to the Viet Cong, struggling between his original loyalties and his new life. Join in as hosts Michael Shields and Douglas Grant take you on a journey to Saigon, then to Los Angeles, and back again! Hosted on Acast. See acast.com/privacy for more information.

“Historical Drama with The Boston Sisters” kicks off Season 4 with Viet Thanh Nguyen, author of the Pulitzer Prize winning novel The Sympathizer which was adapted into an HBO limited series and released in April 2024. The Sympathizer is described as an espionage thriller and cross-cultural satire about the struggles of its narrator, a half-French half-Vietnamese communist spy or double agent, known only as “the Captain” during the final days of the American war in Vietnam. A “man of two minds,” the Captain arranges to come to America after the Fall of Saigon. While building a new life with other Vietnamese refugees in Los Angeles he is secretly reporting back to his communist superiors in Vietnam. The Sympathizer is a blistering exploration of identity and America, and a powerful story of loyalty, love and friendship. 0:01 Introduction to podcast 1:20 Introduction to THE SYMPATHIZER2 :06 Cast and Creative Team for HBO series 3:11 Viet Thanh Nguyen, author introduction 5:04 Adapting THE SYMPATHIZER for TV/collaborating with Park Chan-wook 8:54 Representation and Pop Culture in THE SYMPATHIZER  11:53 Satirizing Pop Culture and Hollywood (in THE SYMPATHIZER) 17:21 Multiple Identity and Historical Understanding 20:44 Podcast Subscriber Question: What makes The Captain "the sympathizer?" 23:18 The Boston Sisters reflect on Viet Thanh Nguyen conversation and THE SYMPATHIZER 25:58 Library of Congress Book Festival James Baldwin Panel 32:47 Where to watch THE SYMPATHIZER series and purchase the novel 33:01 Appreciation to Library of Congress 33:40 Where to watch THE SYMPATHIZER series and purchase the novel 35:52 Disclaimer STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS SUBSCRIBE to the podcast on your favorite podcast platform LISTEN to past past podcasts and bonus episodes SIGN UP for our mailing list SUPPORT this podcast on Spotify or SHOP THE PODCAST on our affiliate bookstore Thank you for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

PREVIEW for the season 4 premiere of "Historical Drama with The Boston Sisters." The new season (Ep. 58) kicks off with Viet Thanh Nguyen, author of the Pulitzer Prize-winning novel "The Sympathizer" which was adapted into a limited series that premiered on HBO earlier this year. The conversation was recorded at the Library of Congress 2024 National Book Festival in DC. --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

Neha and Shruti discuss The Sympathizer, the 2016 Pulitzer winner for fiction, through the themes of loyalty and duality. This book is a thriller and a satire, following a mixed race narrator who moves to the United States after the fall of Saigon, and must navigate his identity and his role as a communist spy. We talk about the book's historical context, its commentary on race and pop culture, and more.Links:Interview with Viet Thanh Nguyen [NPR]Shelf Discovery:The Great Indian Novel by Shashi TharoorThe Poisonwood Bible by Barbara KingsolverIf you would like to get more in-depth analysis, book recommendations, and cultural commentary, subscribe to our free newsletter.We love to hear from listeners about the books we discuss - you can connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.This episode description contains links to Bookshop.org, a website that supports independent bookstores. If you use these links we may earn a small commission at no additional cost to you. Hosted on Acast. See acast.com/privacy for more information.

The Oscar-winning fan favorite reflects on his rollercoaster life and career; his experiences with Marvel during the Iron Man era, and his plans to return to its cinematic universe as Dr. Doom; and what it was like juggling five different characters in Park Chan-wook's HBO limited series about Vietnam, for which he is now Emmy-nominated. Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up an immigrant in the U.S., writer Viet Thanh Nguyen tried to make sense of the Vietnamese story. "There were these two very different versions of history and memory that were going around, and I was growing up very confused about what the actual history was," he tells Niala Boodhoo. That set him on a path to become a scholar and a writer about the past. The author of The Sympathizer on why we need "defiant storytellers" and "scholars of memory" now. Guests: Viet Thanh Nguyen, Pulitzer Prize-winning author of "The Sympathizer" now also a series on Max. Credits: 1 big thing is produced by Niala Boodhoo, Alexandra Botti, and Jay Cowit. Music is composed by Alex Sugiura and Jay Cowit. You can reach us at podcasts@axios.com. You can send questions, comments and story ideas as a text or voice memo to Niala at 202-918-4893. Learn more about your ad choices. Visit megaphone.fm/adchoices

Meghan and Melisa share the results from But Am I Wrong - Pillow Ear Sympathizer Hosted on Acast. See acast.com/privacy for more information.

ANNOUNCEMENT: We have a new schedule!Monday - But Am I Wrong?Tuesday - See You Next Tuesday (But Am I Wrong Votes)Thursday - Don't Blame Me!Friday - Fisting Friday (Weekly Catch Up)But Am I Wrong:Melisa: Stop spreading lies about Kamala HarrisMeghan: You need to let American people play British people with bad accentsBut Are You WrongPaying for a birthday dinnerBelieving that violence is never the answerBut Are They WrongMelisa - JD VanceMeghan - Chelsea KingWrite In: butamiwrongpod@gmail.comWeigh In: vote in the weekly poll on Instagram https://www.instagram.com/by.meghan.and.melisa/Buy Our Merch: https://store.dftba.com/collections/don-t-blame-meJoin Our Patreon: https://www.patreon.com/dontblameme Hosted on Acast. See acast.com/privacy for more information.

It's Write-minded's 300th episode! And we're celebrating by bringing listeners the esteemed Viet Thanh Nguyen, whose novel, The Sympathizer, was adapted for HBO Max and started streaming in April. In this interview, Nguyen addresses didacticism as a craft choice, the mindset of writers who, like him, find themselves between two languages, and how his desire to capture the Vietnamese perspective on the Vietnam War (and more) made him a writer. Nguyen's generosity and enthusiasm for his work and his craft shine through in every answer, and Write-minded is grateful to cap this milestone with such a beloved author and guest. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth takes a closer look at Trump being found guilty on all 34 counts in his hush money criminal trial.Then, Sandra Oh talks about how she preps for her role in the play The Welkin, the play receiving funding from a monk who won the lottery and her drama series The Sympathizer.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Decoding TV, David Chen and Patrick Klepek run down what's going on in the world of TV and discuss the season (series?) finale of The Sympathizer (Max).What do we think about Jeffrey Wright being cast in the same role in the TV version of The Last of Us season 2? What's the difference between Marvel Television and Marvel Spotlight? And are we psyched for a Damon Lindelof show about Green Lantern? Listen to hear us discuss all these questions and more!Homework for next week:The Acolyte Eps 1-2 (Disney+)Shownotes:00:03:05 - Jeffrey Wright cast as Isaac in Last of Us Season 200:13:38 - Marvel's rebranding of its TV Shows00:38:10 - Damon Lindelof is on board the Green Lantern TV show00:49:30 - The SympathizerEpisode 7 - Endings Are Hard, Aren't They?Links:Listen to Patrick's videogame podcast, Remap RadioSubscribe to Patrick's newsletter, CrossplayFollow this podcast on InstagramFollow this podcast on TiktokSubscribe to David's free newsletter, Decoding EverythingFollow David on InstagramFollow David on Tiktok Hosted on Acast. See acast.com/privacy for more information.

Ross Bolen and Barrett Dudley digest and discuss HBO's "The Jinx: Part Two" and briefly touch on "The Sympathizer" as well. Tune in later this week on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/OystersClamsCockles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for further discussion fueled by hotline calls from listeners! Support our sponsors: ⁠⁠⁠⁠BlueChew.com⁠⁠⁠⁠ (code "OCC" for first month FREE, just pay $5 shipping) Subscribe on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/@OystersClamsCockles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Presented by Bolen Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BolenMedia.com

It's rare to find a series with such an impeccable pedigree as HBO's The Sympathizer. It's based on a Pulitzer Prize-winning novel, co-created by auteur director Park Chan-wook, and features Robert Downey, Jr. in four supporting roles. Set during and after the Vietnam war, the series follows a man (Hoa Xuande) juggling a position with the South Vietnamese military and one as a spy for the North Vietnamese. But is it a worthy adaptation?Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Actor Hoa Xuande, star of the new espionage thriller "The Sympathizer," talks about his role as a double agent in the miniseries, how the show reexamines the Vietnam war through the Vietnamese perspective and how growing up in Australia led him on a path to "figure out who he really is." Conversation recorded on Thursday, May 23 2024.

This week we're bringing you a special feed drop episode of the The Sympathizer Podcast. Enjoy! Back to your regularly scheduled Asian Friends next week!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hollywood depictions have long helped inform America's understanding of the Vietnam War.But there was usually one thing missing from these Vietnam War stories: the Vietnamese perspective. For Vietnamese Americans, like author Viet Thanh Nguyen, that experience left him feeling confused as a child. In his Pulitzer-winning debut novel The Sympathizer, Nguyen filled that gap by telling the story of a Vietnamese double agent who struggled with his involvement in all parts of the conflict. And with the release of a new HBO series adapting the story, one question arises: Can The Sympathizer subvert the long-standing narrative on the Vietnam war in Hollywood?For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org.Email us at considerthis@npr.org.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Viet Thanh Nguyen's Pulitzer Prize-winning novel The Sympathizer has been adapted into a series on HBO/MAX. It's set in Vietnam during the last days of the war, and in LA, just after. The narrator becomes a consultant to a Hollywood film about the war. The novel is written from a Vietnamese perspective. "It's my revenge on Francis Ford Coppola, my revenge on Hollywood, to try to get Americans to understand that Vietnam is a country and not a war," he told Terry Gross in 2016. Nguyen's family fled their village in South Vietnam in 1975, when it was taken over by the North. Also, David Bianculli reviews Let It Be, the Beatles film restored and rereleased after being shelved for more than 50 years.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this episode of Decoding TV, David Chen and Patrick Klepek run down what's going on in the world of TV and discuss the fourth episode of The Sympathizer (Max) and the first four episodes of Baby Reindeer (Netflix).How are studios navigating tricky situations when beloved cast members pass on? Does Cobra Kai really need to be split into three separate parts? What's the best way to advertise to kids these days anyways? Is there such thing as an anti-war film in the world of The Sympathizer? And why is Baby Reindeer so damn good at unraveling its story? Listen to hear us discuss all these questions and more!Homework for next week:Baby Reindeer Eps 5-7 (Netflix)The Sympathizer Ep 5 (Max)Bonus Ep: Sugar Season 1 (Apple TV+)Shownotes:00:06:00 - Gen V will not recast Chance Perdomo00:13:00 - Cobra Kai's release schedule00:28:30 - The SympathizerEpisode 4 - Give Us Some Good Lines00:56:00 - Baby ReindeerEpisode 1 - The GhoulsEpisode 2 - The PastEpisode 3 - The TrapEpisode 4 - The RadioLinks:Listen to Patrick's videogame podcast, Remap RadioSubscribe to Patrick's newsletter, CrossplayFollow this podcast on InstagramFollow this podcast on TiktokSubscribe to David's free newsletter, Decoding EverythingFollow David on InstagramFollow David on Tiktok Hosted on Acast. See acast.com/privacy for more information.

In this episode of Decoding TV, David Chen and Patrick Klepek run down what's going on in the world of TV and discuss the third episode of The Sympathizer (Max) and the rest of season 1 of Fallout (Prime Video).Is 65 million viewers actually a lot when it comes to a streaming service? How embarrassed does the OG Emily Stone feel about taking Emma Stone's SAG name? What other famous people just aren't being clear about their real names and pronunciations? What do we think The Sympathizer is trying to say about being an American? And what did we think of the rest of season 1 of Fallout on Prime Video? Listen to hear us discuss all these questions and more!Homework for next week:Baby Reindeer Eps 1-4 (Netflix)The Sympathizer Ep 4 (Max)Bonus Ep: Invincible Season 2 Part 2 (Prime Video)Shownotes:00:01:30 - Fallout gets 65 million viewers00:08:33 - THR's cover story about The Curse00:26:45 - The SympathizerEpisode 3 - Love It Or Leave It51:15 - Fallout Season 1Episode 4 - The GhoulsEpisode 5 - The PastEpisode 6 - The TrapEpisode 7 - The RadioEpisode 8 - The BeginningLinks:Listen to Patrick's videogame podcast, Remap RadioSubscribe to Patrick's newsletter, CrossplayFollow this podcast on InstagramFollow this podcast on TiktokSubscribe to David's free newsletter, Decoding EverythingFollow David on InstagramFollow David on Tiktok Hosted on Acast. See acast.com/privacy for more information.

Chris and Andy discuss the success of ‘Shogun,' then dig into the latest news, including Tina Fey and Steve Carell teaming up for a new Netflix comedy series, as well as the latest casting news for the new ‘Office' spinoff (04:45). Then, they discuss Episode 2 of ‘The Sympathizer' and whether the show's flair is both a benefit and detriment (27:47). They end with a recap of ‘Top Chef' Episode 6 and decide if the show is delivering an undercooked product (50:13). Hosts: Chris Ryan and Andy Greenwald Producers: Eduardo Ocampo and Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Decoding TV, David Chen and Patrick Klepek run down what's going on in the world of TV and discuss the season 2 premiere of ‘The Jinx,' the first two episodes of The Sympathizer (Max) and the season 1 finale of Shogun (Hulu/FX).How big of a deal is Fallout these days? Why do people keep trying to remake Oldboy? Is it worth watching The Jinx: Season 2 even if you haven't seen The Jinx: Season 1? What did we make of the mishmash of tones in The Sympathizer? And does Shogun season 1 stick the landing in its finale? Listen to hear us discuss all these questions and more!Homework for next week:Fallout Season 1 (Prime Video)The Sympathizer Ep 3 (Max)Shownotes:00:01:30 - Fallout renewed for season 200:07:33 - Oldboy TV series00:12:50 - There was more Bluey after all00:18:00 - The Jinx: Season 2Episode 2 - Why Are You Still Here?00:41:30 - The SympathizerEpisode 1 - Death WishEpisode 2 - Good Little Asian1:03:30 - ShogunEpisode 10 - A Dream of a DreamA list of callbacksShogun vs. Real LifeLinks:Listen to Patrick's videogame podcast, Remap RadioSubscribe to Patrick's newsletter, CrossplayFollow this podcast on InstagramFollow this podcast on TiktokSubscribe to David's free newsletter, Decoding EverythingFollow David on InstagramFollow David on Tiktok Hosted on Acast. See acast.com/privacy for more information.

Chris and Andy talk about some of the things they watched over the weekend, including a supersized episode of ‘Bluey' (1:00) and 'Saturday Night Live' hosted by Ryan Gosling (15:51). Then, they talk about the first episode of ‘The Sympathizer' and whether shows are helped or hurt by having a famous director like Park Chan-wook direct the first few episodes (22:16). Finally, they discuss ‘Fallout' and where it ranks among other video game adaptations, such as ‘The Last of Us' (42:12). Hosts: Chris Ryan and Andy Greenwald Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices

Atlantic journalist Stephanie McCrummen says foreign interests are acquiring Serengeti territory in Northern Tanzania, effectively displacing indigenous cattle-herders from their traditional grazing lands. McCrummen spoke with Dave Davies about the billionaires, conservation groups, and safari tourism in this story. Also, John Powers reviews the TV adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning book, The Sympathizer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy