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Hi.... I've been waiting for you. The Blues have had a wonderful effect on many folks over the years and I'm betting you'll enjoy your visit to my site. Your going to hear samples of some of the best new Blues Guitar and Vocals being offered up anywhere today!! Yep...This is the home of the New Robbie King Blues Experience . Enjoy the vibe y'all and don't forget to send an e-mail. PEACE, Robbie http://robbieking.com/index.php http://acaiplusenergy.com Need Energy
Supporting the classic Blues and the modern day heros of music. Join me as we go back into time and relive the the era that set the nation and time to what it is today.While we showcase The old time greats and current sounds of today. Join me as we bring the past to the present. http://www.trythemagic.com 1.800.706.0162
The impact of blues on rock music arises from the emotionally honest, timelessly powerful, trance-inducing music of American bluesmen like Howlin Wolf, Muddy Waters and John Lee Hooker. Listening to this simple, haunting music has compelled artists such as Jimi Hendrix, Robin Trower, Stevie Ray Vaughan, T.S. Mcphee, Buddy Guy, Frank Marino, Johnny Winter and Jimmy Page to unleash their mind expanding music on the world. The Corby Yates Band, a power trio, brings this heavy, guitar-driven, blues-based music back into the present time. Corby won the 18-and-under division of the 1998 international Jimi Hendrix Electric Guitar Competition finals in Seattle, WA. Later that evening, Al Hendrix, Jimi's father, personally gave this young guitar virtuoso, singer and songwriter the coveted Voodoo Chile award.
Welcome to Joe Desperado and the Uptown Cats music page. This is a new project with veteran guitarsist Joe Desperado. We will be adding music and a lot of details in the next few weeks, so please stop back soon. For those of you not yet framilar with Joe Desperado, you're in for a real treat. Joe is a one of the most soulful guitarist you'll ever listen to. From Delta Blues to Uptown Swing, he squeezes emotion out of every note. Joe and his band have created a refreshing new way to deliver traditional blues and Jump-swing in the same evening. From Jim's dynamic touch on the drums to Jeff's smooth bass lines, you will be captivate from the first note. Expeirence the raw emotion of the blues and the uplifting power of jump music, like no one else can deliver.
Sherry Seiler, an independent Christian artist, living in Port Richey, Florida. I have one CD in stores called You Make Me Smile, and am presently working on a second. My Home Church is Calvary Chapel Worship Center in New Port Richey, FL. I am on a praise team that leads morning worship, and have a kick-boxing ministry for women once a week. I'm involved in the dance ministry as well as the drama, at CCWC. I teach choir for children ages 9-17 at a private school. I have been blessed with a wonderful husband for 22 years, and three lovely children ages 13, 16, and 21. Even though God has blessed me with many gifts, I wait on Him to direct me to a new purpose to serve Him, for his glory and honor.Amen! I know I am truly the happiest when I sing for the Lord. To obey the Lord is my first and only way I know to have peace and joy beyond all understanding. Amen!
In thirteen new (and very short) songs, Walkenhorst has pared his already elemental approach to song arrangements down to a skeletal acoustic guitar, bass, and drums, most often played by his one-man-band. Harmonica is the lead instrument of choice, with the notable exception of a honking sax solo by Johnny Reno on “Jan Vermeer,� a Chuck Berry-style rocker about the great Dutch painter. The only lead guitar solo on the CD is played by Kansas City guitarist Jack W. Hayhow, Jr., on another retro-rocker, “J-Walkers,� about the first band Walkenhorst ever heard. Vocal harmonies appear on only one song, “Just Leaving.� From the sparse instrumentation to the early-’60s-style extreme-stereo production, the overall sound of The Beginner is as much about what has not been recorded as it is about what you do hear.
I have been playing guitar ever since he was a child growing up. My influences have been Jimi Hendrix, John McLaughlin, Al Dimeola, Carlos Santana, Eric Clapton, Johnny Winter, Roy Buchanon, Jimmy Page and a few others. I may have a taste of each one in my playing style from time to time. Like most musicians I have been though different stages of playing. When younger I played mostly Blues Rock guitar. http://www.myspace.com/jackfalkproject
Blues is a vocal and instrumental form of music based on the use of the blue notes and a repetitive pattern that most often follows a twelve-bar structure. It evolved in the United States in the communities of former enslaved Africans, from spirituals, praise songs, field hollers, shouts, and chants. The use of blue notes and the prominence of call-and-response patterns in the music and lyrics are indicative of the blues' West African pedigree. The blues influenced later American and Western popular music, as it became part of the genres of ragtime, jazz, bluegrass, rhythm and blues, rock and roll, hip-hop,and pop songs.
Contemporary blues with a dash of southern rock that might best be described as Bonnie Raitt and ZZ Top crashing an Allman Brothers house party. Ripping guitars, dual lead vocalists, steroid-driven B3, handsome horns and fat pocket groove - Rusty Wright Blues has got it all
THOMAS, HENRY (1874-1950s?). Henry (Ragtime Texas) Thomas, an early exponent of country blues, was born in Big Sandy, Texas, in 1874, one of nine children of former slaves who sharecropped on a cotton plantation in the northeastern part of the state. Thomas learned to hate cotton farming at an early age and left home as soon as he could, around 1890, to pursue a career as an itinerant songster. Derrick Stewart-Barker has commented that for his money Thomas was the best songster that ever recorded. Thomas first taught himself to play the quills, a folk instrument made from cane reeds that sound similar to the quena used by musicians in Peru and Bolivia; later, he picked up the guitar. On the twenty-three recordings made by Thomas from 1927 to 1929, he sings a variety of songs and accompanies himself on guitar and at times on the quills.
The heart of this band is singer/songwriter Blue Fox, a string bending wildman with the subtlety and sensitivity of a true blues artist. Add one rock solid, swinging, funky, tongue in groove (emphasis on groove) rhythm section you've got something to write home about!
A guitarist, vocalist and songwriter, he is meticulous, whether it is perfecting a guitar riff or working on a lyric.But then again, its always been that way. Ever since he first saw The Beatles on television, Deziel has been involved in music, whether playing, writing or admiring. He grew to love vocal harmonies and layered guitars, and used them in his own compositions as well as those he has written with other artists. In 1991, Deziel met Jeff Carlisi of .38 Special through a meeting arranged by a friend. After that initial meeting, Carlisi became Deziel's mentor, and Deziel began sending him tapes of his own compositions to critique and judge. Carlisi would respond by phone or by mail with his compliments and comments. This is something that to this day Deziel claims to be an invaluable asset to his work. However, Deziel doesn't do everything solo. In 1993, Deziel founded the Connecticut band Sundance. As a guitarist/vocalist, he is one of the principal songwriters in the band. Sundance released its first full-length album, Pearls of Wisdom in November 1995. The band was a popular draw throughout the Northeast, and could be heard on many radio stations. With the group Deziel was also the subject of a television special called Behind the Scenes With Sundance.
Barbeque Bob is a seasoned veteran harmonica virtuoso and vocalist from the Boston, MA with nearly 30 years of experience in the business and has worked and toured wth many different blues legends, including Jimmy Rogers, Louisiana Red, Sunnyland Slim, and Luther "Guitar Junior" Johnson. After nearly three years of being forced to take things very slow due to being on kidney dialysis, Bob recieved a kidney transplant on May 1, 2003, and he is now back on the scene with a vengeance. Former Muddy Waters and Eric Clapton harp legend Jerry Portnoys says,"Barbeque Bob is not just one of the best around the Boston area, but one of the very best anywhere, period!" The late, great West Coast blues harmonica giant and Alligator recording artist William Clarke called his playing "powerful and well focused." http://www.barbequebob.com
In these verses in Proverbs we find a comparison between a merry heart and a sorrowful heart. Verse 13 tells us that you can tell the condition of a man's heart by looking at his countenance (his facial appearance). When people are happy, you can tell by the sparkle in their eyes, their smile and their cheerful attitude. When they are older, they will even have what we call "smile wrinkles" instead of the wrinkles caused by frowning. Indeed, facial looks reveal a lot about a person. Even children speak up when they see someone who is unkind. Just by observing the countenance on someone, they might say, "That is a mean man." ↑ Grab this Headline Animator Visit Recover in Christ Ministries today Affordable Podcasting $5.99 a month includes Web Hosting
If youre moved by the classic sounds of Chicago, West coast swing and jump blues, the authentic tone of s guitar, cool rhythms and Fat tone amplified harmonica in the style of the greats such as T.Bone Walker, Robert Lockwood Jnr, Fred Below, George Harmonica Smith, Little Walter and William Clarke, then Smokehouse Blues are the real deal. Smokehouse have a deep passion for this music, and their live performancs around the country are evidence of their energy and style. influenced by the blues greats of the 1940s & 50s, Smokehouse Blues work hard to carry on this great music adding there own special touches along the w
Rebel Storm’s music has been described as a “jazzy, blues-rock fusion, with a southern drawl�, incorporating elements of all these genres and more. Rebel Storm has performed to rave reviews in both the US and Europe. Scorching, double harmony lead guitars. Tight, solid rhythms. Soulful piano and organ. Thumping, rock-solid back beats. It’s a show that starts out rockin’, goes for hours, and just doesn’t stop! Their show was nominated for “Best Live-Act of 2002� by the readers at www.rocktip.de in Germany, and their debut CD “Stormin’ South� was voted #4 album of the year for 2002, by the readers of Bands of Dixie magazine in France! Rebel Storm is a proud recipient of the 2002 GRITZ Southern Music Hall of Fame Horizon Award. They are internationally recognized as a powerful new force in the world of guitar driven rock-’n-roll. In May of 2003, the band released their second CD “The Hard Way�. Reviews have been extraordinary, calling it “a Southern Rock masterpiece.�, and cementing Rebel Storm’s position as a band, whose time has come
Like the other great album to come out of post-Katrina New Orleans, Allen Toussaint & Elvis Costello?s The River in Reverse, the Radiators? latest consists mainly of songs written before the deluge. But the long-running Crescent City band catch a definite sense of time and place on this disc, which was recorded in the studio during the first post-hurricane Mardi Gras. Many of the lyrics sound too appropriate to be accidental, especially the opening ?Ace in the Hole? (?When the big wind blows chilly and cold, the wise fool flies south?) and the closing ?Shine Tonight? (?We?re all in the same boat, it sunk without a trace?). It also makes sense that the band sound even more New Orleans?ish than usual, adding sax on the ?50s-style jukebox rocker ?Rollercoaster? and banjo on the Preservation Hall homage ?Desdemona.? The overall mood is more intense than usual for these guys, notably on the Richard Thompson?esque ?Don?t Pray for Me? and the sexy/swampy ?Rub It In? ? the first time the standout track on a Radiators disc has been a love song. Their trademark two-guitar workouts are kept tight enough to serve the songs, and the mood is muted but still celebratory. The chanted choruses that close ?Shine Tonight? attest to a city ? or at least a few individual souls ? slowly coming back to life.
Hi...Im Robbie King, blues guitarist and song writer.My music is both retro and modern..sort of Ottis Redding meets Robert Cray meets Stevie Ray Vaughan! This isnt by copying someones style either...I was born in Witchita FallsTexas and grew up listening to some of the greatist R&B and Blues artist there were at the time..artist such as Ray Charles to BB King and everyone in between. As I grew into the Blues, my sights were set high. I wanted to play on stage with the likes of Eric Clapton ,BB King,Jeff Beck and others...I felt that one day I would have the maturity as a Blues guitar player, to be able to stand on the same stage with my heros and be noticed and appreciated by these great artists. My wish to play with these wonderful people seem to be coming true.. To date I have played on stage with Bonnie Riatt ,Johnny Neel once a song writer and keyboard player for the Allman Brothers Band, just to name a few... My music is no doubt Blues, but with a very original twist Im sure will please blues fans everywhere!! So be on the look out for Robbie King... My first solo album (Classic Case Of The Blues), is my calling card...I hope that those of you who have a chance to listen it,will enjoy it. These songs are both yours and mine! All from the heart and all real! All the best to yah! ....... Robbie King
Truth is, there really is no story’s end yet, and Little Feat have indeed led a storied life ever since they formed in 1969. From then on, their unconventional signature of earthy, organic appeal and polished, first-rate musicianship wrapped around eclectic and memorable songs--clearly delivered as an authentic labor of love--has been a lasting fixture on the musical landscape. As American as apple pie--and rock ‘n roll itself--Feat’s music transcends boundaries, a freewheeling fusion of California rock and Dixie-inflected funk-boogie. In the mix as well are strains of folk, blues, rockabilly, country and jazz, inventing a hybrid sound that is truly Little Feat’s own.
A musical project from far up north in Sweden. Started as a test recording and is now a still on-going project. Texas Boogie is based on the interchange between the songwriter Roger Enquist and the sound engineer/producer Lars kastberg. At the moment we are working with our second album which is scheduled to be relased later this year. We are still a unsigned band, but record companies has shown interest
Like the other great album to come out of post-Katrina New Orleans, Allen Toussaint & Elvis Costello’s The River in Reverse, the Radiators’ latest consists mainly of songs written before the deluge. But the long-running Crescent City band catch a definite sense of time and place on this disc, which was recorded in the studio during the first post-hurricane Mardi Gras. Many of the lyrics sound too appropriate to be accidental, especially the opening “Ace in the Hole� (“When the big wind blows chilly and cold, the wise fool flies south�) and the closing “Shine Tonight� (“We’re all in the same boat, it sunk without a trace�). It also makes sense that the band sound even more New Orleans–ish than usual, adding sax on the ’50s-style jukebox rocker “Rollercoaster� and banjo on the Preservation Hall homage “Desdemona.� The overall mood is more intense than usual for these guys, notably on the Richard Thompson–esque “Don’t Pray for Me� and the sexy/swampy “Rub It In� — the first time the standout track on a Radiators disc has been a love song. Their trademark two-guitar workouts are kept tight enough to serve the songs, and the mood is muted but still celebratory. The chanted choruses that close “Shine Tonight� attest to a city — or at least a few individual souls — slowly coming back to life.
A guitarist, vocalist and songwriter, he is meticulous, whether it is perfecting a guitar riff or working on a lyric.But then again, its always been that way. Ever since he first saw The Beatles on television, Deziel has been involved in music, whether playing, writing or admiring. He grew to love vocal harmonies and layered guitars, and used them in his own compositions as well as those he has written with other artists. In 1991, Deziel met Jeff Carlisi of .38 Special through a meeting arranged by a friend. After that initial meeting, Carlisi became Deziel's mentor, and Deziel began sending him tapes of his own compositions to critique and judge. Carlisi would respond by phone or by mail with his compliments and comments. This is something that to this day Deziel claims to be an invaluable asset to his work. However, Deziel doesn't do everything solo. In 1993, Deziel founded the Connecticut band Sundance. As a guitarist/vocalist, he is one of the principal songwriters in the band. Sundance released its first full-length album, "Pearls of Wisdom" in November 1995. The band was a popular draw throughout the Northeast, and could be heard on many radio stations. With the group Deziel was also the subject of a television special called "Behind the Scenes With Sundance".
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Affordable Web Hosting $5.99 A month Jack Benny (February 14, 1894 in Chicago, Illinois – December 26, 1974 in Beverly Hills, California), born Benjamin Kubelsky, was an American comedian, vaudeville performer, and radio, television, and film actor. He was one of the biggest stars in classic American radio and was also a major television personality. Benny may have been the first standup comedian, as the term is known, as well as one of the first to work with what became the situation comedy. He was renowned for his flawless comic timing and (especially) his ability to get laughs with either a pregnant pause or a single expression, such as his signature exasperated "Well!". In hand with his dear friend and great "rival" Fred Allen — their long-running "feud" was one of the greatest running gags in comedy history — Benny helped establish a basic palette from which comedy since has rarely deviated, no matter how extreme or experimental it has become in their wake.
Affordable Web Hosting $5.99 A month Popeye made his first animated appearance in Betty Boop Meets Popeye the Sailor (1933), one of several cartoons in which the popular Fleischer cartoon star met various comic strip characters, in hopes that some might prove popular enough to merit cartoon series of their own. The trial balloon didn't fly with Henry or The Little King, but it did with Popeye. The same year saw the release of I Yam What I Yam, the first of a long series of animated shorts in which Popeye received top billing. The Fleischer Studio was taken over by Paramount Pictures in 1942, and renamed Famous Studios. Although it never achieved the heights of the Fleischer quality, Famous continued the Popeye series until 1957. In that year, the entire package of 228 cartoons started appearing on television. During the 1960s, more short Popeye cartoons were made as TV originals. These were mass-produced in several animation studios, all over the world, and varied in quality. Many cartoon aficionados consider these to have diluted the product, and hold that the original Fleischer cartoons are the best.
Affordable Web Hosting $5.99 A month This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen. The show was created by producer-director Jerry Devine, a former comedy writer for Kate Smith and Tommy Riggs, who had turned his scripting talents to radio thrillers like Mr. District Attorney. This is Your FBI received the full cooperation of J. Edgar; Hoover gave Devine carte blanche to closed cases in the Bureau’s files for inspiration in writing the show’s weekly dramatizations. They were prefaced, of course, with the Dragnet-like disclaimer “All names used are fictitious and any similarity thereof to the names of persons or places, living or dead, is accidental.” (This led Jim Cox, author of Radio Crime Fighters, to observe: “Some listeners must have pondered that for a while—‘So did these events happen or not?’”) Debuting over ABC Radio on April 6, 1945, This is Your FBI broadcast from New York in its early run (1945-47), showcasing the talents of New York radio veterans like Mandel Kramer, Karl Swenson, Santos Ortega, Elspeth Eric, Joan Banks, and Frank Lovejoy (who narrated many of the shows). In 1948, though, the program relocated to Hollywood, and with the move established a regular weekly character in Special Agent Jim Taylor, a representative of all of the Bureau’s special agents, played by actor Stacy Harris.
Affordable Web Hosting $5.99 A month This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.
Affordable Podcasting $5.99 a month includes Web Hosting Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping Like the other great album to come out of post-Katrina New Orleans, Allen Toussaint & Elvis Costello’s The River in Reverse, the Radiators’ latest consists mainly of songs written before the deluge. But the long-running Crescent City band catch a definite sense of time and place on this disc, which was recorded in the studio during the first post-hurricane Mardi Gras. Many of the lyrics sound too appropriate to be accidental, especially the opening “Ace in the Hole” (“When the big wind blows chilly and cold, the wise fool flies south”) and the closing “Shine Tonight” (“We’re all in the same boat, it sunk without a trace”). It also makes sense that the band sound even more New Orleans–ish than usual, adding sax on the ’50s-style jukebox rocker “Rollercoaster” and banjo on the Preservation Hall homage “Desdemona.” The overall mood is more intense than usual for these guys, notably on the Richard Thompson–esque “Don’t Pray for Me” and the sexy/swampy “Rub It In” — the first time the standout track on a Radiators disc has been a love song. Their trademark two-guitar workouts are kept tight enough to serve the songs, and the mood is muted but still celebratory. The chanted choruses that close “Shine Tonight” attest to a city — or at least a few individual souls — slowly coming back to life. CLICK THE BANNER TO VISIT A GREAT BUSINESS
click here Visit the Radio America Store web site. Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month Box 13 was a syndicated radio series about the escapades of newspaperman-turned-mystery novelist Dan Holliday, played by film star Alan Ladd. Created by Ladd's company, Mayfair Productions, Box 13 premiered August 22, 1948, on Mutual's New York flagship, WOR, and aired in syndication on the East Coast from August 22, 1948, to August 14. 1949. On the West Coast, Box 13 was heard from March 15, 1948 to March 7, 1949. To seek out new ideas for his fiction, Holliday ran a classified ad in the Star-Times newspaper where he formerly worked. "Adventure wanted, will go anywhere, do anything -- Box 13." The stories followed Holliday's adventures when he responded to the letters sent to him by such people as a psycho killer and various victims. Sylvia Picker appeared as Holliday's scatterbrained secretary, Suzy, while Edmund MacDonald played police Lt. Kling. Supporting cast members included Betty Lou Gerson, Frank Lovejoy, Lurene Tuttle, Alan Reed, Luis Van Rooten and John Beal. Vern Carstensen, who directed Box 13 for producer Richard Sanville, was also the show's announcer. Among the 52 episodes in the series were such mystery adventures as "The Sad Night," "Hot Box," "Last Will And Nursery Rhyme," "Hare And Hounds," "Hunt And Peck," "Death Is A Doll," "Tempest In a Casserole" and "Mexican Maze." The dramas featured music by Rudy Schrager. Russell Hughes, who had previously hired Ladd as a radio actor in 1935 at a $19 weekly salary, wrote the scripts, sometimes in collaboration with Ladd. The partners in Mayfair Productions were Ladd and Bernie Joslin, who had previously run the chain of Mayfair Restaurants.
clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month When Skelton was drafted, Ozzie Nelson was prompted to create his own family situation comedy. The Adventures of Ozzie and Harriet launched on CBS October 8, 1944, making a mid-season switch to NBC in 1949. The final years of the radio series were on ABC (the former NBC Blue Network) from October 14, 1949, to June 18, 1954. In an arrangement that amplified the growing pains of American broadcasting, as radio "grew up" into television (as George Burns once phrased it), the Nelsons' deal with ABC gave the network itself the right to move the show to television whenever it wanted to do it---they wanted, according to the Museum of Broadcast Communications, to have talent in the bullpen and ready to pitch, so to say, on their own network, rather than risk it defecting to CBS (where the Nelsons began) or NBC. Their sons, David and Ricky, did not join the cast until five years after the radio series began. The two boys felt frustrated at hearing themselves played by actors and continually requested they be allowed to portray themselves. Prior to April 1949, the role of David was played by Joel Davis (1944-45) and Tommy Bernard, and Henry Blair appeared as Ricky. Since Ricky was only nine years old when he began on the show, his enthusiasm outstripped his ability at script reading, and at least once he jumped a cue, prompting Harriet to say, "Not now, Ricky." Other cast members included John Brown as Syd "Thorny" Thornberry, Lurene Tuttle as Harriet's mother, Bea Benaderet as Gloria, Janet Waldo as Emmy Lou, and Dick Trout as Roger. Vocalists included Harriet Nelson, the King Sisters, and Ozzie Nelson. The announcers were Jack Bailey and Verne Smith. The music was by Billy May and Ozzie Nelson. The producers were Dave Elton and Ozzie Nelson. [1]
clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month 24 hour radio streaming James Francis Durante, better known as Jimmy Durante, (February 10, 1893 – January 29, 1980) was an American singer, pianist, comedian and actor, whose distinctive gravel delivery, comic language butchery, jazz-influenced songs, and large nose — his frequent jokes about it included a frequent self-reference that became his nickname: "Schnozzola" — helped make him one of America's most familiar and popular personalities of the 1920s through the 1970s. A product of working-class New York, Durante dropped out of school in the eighth grade to become a full-time ragtime pianist, working the city circuit and earning the nickname "Ragtime Jimmy," before he joined one of the first recognizable jazz bands in New York, the Original New Orleans Jazz Band. Durante was the only member of the group who didn't hail from New Orleans. His routines of breaking into a song to use a joke, with band or orchestra chord punctuation after each line became a Durante trademark. In 1920, the group was renamed Jimmy Durante's Jazz Band. Durante became a vaudeville star and radio attraction by the mid-1920s, with a music and comedy trio called Clayton, Jackson and Durante. By 1934, he had a major record hit, his own novelty composition "Inka Dinka Doo," and it became his signature song for practically the rest of his life. A year later, Durante starred in the Billy Rose stage musical, Jumbo, in which a police officer stopped him while leading a live elephant and asked him, "What are you doing with that elephant?" Durante's reply, "What elephant?", was a regular show-stopper.
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clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month 24 hour radio streaming Gunsmoke was a long-running American old-time radio and television Western drama created by director Norman MacDonnell and writer John Meston. The stories took place in or about Dodge City, Kansas, during the settlement of the American West. The radio version ran from 1952 to 1961, and is commonly regarded as one of the finest radio dramas of all time; the television version ran from 1955 to 1975 and still holds the record for the longest-running U.S. prime time fictional television program.
Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping listen to 24 hour streaming radio at its best Elmo Blues Band I Been abused The Blues is Killing me Little Rodger and the House Rockers Dont look no Further Hold Your Money Rusty Wright Blues Do It again
Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping Little Feet Blue Band
Brad Mercer - Now Mowatt - Sudden Death Mark Keer - Thick Side Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping
clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00
clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00
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